A black comedy, or dark comedy, is a comic work that employs black humour or gallows humor. The definition of black humor is problematic; it has been argued that it corresponds to the earlier concept of gallows humor; and that, as humor has been defined since Freud as a comedic act that anesthetizes an emotion, all humor is "black humor," and that there is no such thing as "non-black humor".

History and etymology

Coinage in France by André Breton

Black humour (from the French ''humour noir'') is a term coined by Surrealist theoretician André Breton in 1935, to designate a sub-genre of comedy and satire often about the topic of death.

Breton coined the term for his book ''Anthology of Black Humour'' (''Anthologie de l'humour noir''), in which he credited Jonathan Swift as the originator of black humour and gallows humour, and included excerpts from 45 other writers. Breton included both examples in which the wit arises from a victim, with which empathizes, as it's more typical in the tradition of gallows humor, and examples in which the comic is used to mock the victim, whose suffering is trivialized, and leads to sympathizing with the victimizer, as is the case with Sade. Black humour is related to that of the grotesque genre.

Breton identified Swift as the originator of black humour and gallows humour, particularly in his pieces ''Directions to Servants'' (1731), ''A Modest Proposal'' (1729), ''A Meditation Upon a Broom-Stick'' (1710), and a few aphorisms.

The terms black comedy or dark comedy have been later derived as alternatives to Breton's term. In black humour, topics and events that are usually regarded as taboo, specifically those related to death, are treated in an unusually humorous or satirical manner while retaining their seriousness; the intent of black comedy, therefore, is often for the audience to experience both laughter and discomfort, sometimes simultaneously.

Adoption in American literary criticism

An English-language anthology edited by Bruce Jay Friedman, titled ''Black Humor'', imported the concept in the United States, labeling with it very different authors and works, arguing that they shared the same literary genre. The Friedman label came to prominence in the 1950s and 1960s. Early American writers who employed black humour were Nathanael West and Vladimir Nabokov. In 1965 a mass paperback, entitled Black Humor, was released. Containing work by a myriad of authors, which included J.P. Donleavy, Edward Albee, Joseph Heller, Thomas Pynchon, John Barth, Vladimir Nabokov, Bruce Jay Friedman, who also edited the book, and Louis-Ferdinand Celine, this was one of the first American anthologies devoted to the conception of black humor as a literary genre; the publication also sparked nation wide interest in black humor. Among the writers labeled as black humorists by journalists and literary critics are Roald Dahl, Thomas Pynchon, Kurt Vonnegut, others have been Sam Kinison, Richard Pryor, George Carlin, Bill Hicks, Jimmy Carr, Chris Morris and the Monty Python team, and more recently Bo Burnham, Louis C.K., Daniel Tosh, and The Whitest Kids U' Know. Popular cartoon shows such as ''South Park'', ''The Simpsons'', ''Family Guy'', ''Futurama'', ''Robot Chicken'', and ''Aqua Teen Hunger Force'' are known for their black humor, and have sparked numerous controversies as a result.

Cinema

Black comedy is commonly used in dramatic or satirical films, retaining its serious tone.

Black comedy is a tool of many films, television shows and video games. Stanley Kubrick's 1964 film ''Dr. Strangelove'' presents one of the best-known mainstream examples of black comedy. The subject of the film is nuclear warfare and the possible annihilation of life on Earth. Normally, dramas about nuclear war treat the subject with gravity and seriousness, creating suspense over the efforts to avoid a nuclear war, but ''Dr. Strangelove'' instead plays the subject for laughs. For example, in the film, the fail-safe procedures designed to prevent a nuclear war are precisely the systems that ensure that it will happen. Plotwise, Group Captain Mandrake serves as the only sane character in the film, while Major Kong fills the role of the hero striving for a harmful goal.

See also

Comedy horror

Crude humor

Cringe humor

Gallows humor

Macabre

Problem plays

Schadenfreude

Shock value

Notes

Category:Jokes

ar:كومÙ?دÙ?ا سوداء bg:Черна комедиÑ? ca:Humor negre cs:ÄŒerný humor da:Sort humor de:Schwarzer Humor et:Must huumor es:Humor negro fa:کمدی سیاه fr:Humour noir it:Umorismo nero he:קו×?דיה שחורה ka:შáƒ?ვი იუმáƒ?რი nl:Zwarte humor ja:ブラックジョーク no:Svart humor nds:Swart Humor pl:Czarna komedia pt:Humor negro ru:Чёрный Ñ?мор simple:Black comedy sk:ÄŒierny humor sr:Црни хумор fi:Musta huumori sv:Svart humor tr:Kara mizah zh:黑色幽默

Coordinates	6°11′0″N116°14′0″N
name	Jay Chou
tradchinesename	周�倫
simpchinesename	周�伦
pinyinchinesename	ZhÅ?u Jiélún
origin	Republic of China (Taiwan)
birth date	January 18, 1979
birth place	Linkou, Taipei County, Taiwan
othername	Director Chou (周董)
occupation	Musician, singer-songwriter, composer, record producer, rapper, DJ, music video director, film director, music arranger, model, screenwriter, actor
genre	Mandopop, Taiwanese pop, Chinese rock, R&B;, Hip pop
instrument	Piano, violin, cello, guitar, drum, guzheng, bass guitar, keyboard, pipa, erhu, harmonica
label	Sony Music Taiwan (2008–present)JVR Music (2007–present)Alfa Music (1999–2007)
yearsactive	2000–present
parents	Father: Zhou Yaozhong (周耀中)Mother: Ye Huimei (葉惠�)
influenced	Nan Quan Mama
religion	Buddhist
website	Jay Chou@JVR Music
hongkongfilmwards	Best New Performer2006 ''Initial D''Best Original Film Song2007 "Chrysanthemum Terrace" (''Curse of the Golden Flower'')
goldenhorseawards	Best Newcomer2005 ''Initial D''Outstanding Taiwanese Film of the Year2007 ''Secret''Best Original Song2007 "The Secret That Cannot Be Told" (''Secret'')
mtvasiaawards	Favorite Artist, Taiwan2002, 2005
goldenmelodyawards	Best Mandarin Album2001 ''Jay''2002 ''Fantasy''2004 ''Ye Hui Mei''2011 ''The Era''Best Music Video2009 ''"Mr. Magic"'' (''Capricorn'')Best Song of the Year2008 ''"Blue and White Porcelain"'' (''On the Run'')2009 ''"Fragrant Rice"'' (''Capricorn'')Best Composer2002 ''"Love Before A.D."'' (''Fantasy'')2008 ''"Blue and White Porcelain"'' (''On the Run'')Best Producer2002 ''Fantasy'' Best Single Producer2007 ''Fearless EP''Best Male Mandarin Artist2009 ''Capricorn''2011 ''The Era''Best Composer (Instrumental Category)2008 ''"Piano Room"'' (''Secret'')Best Producer (Instrumental Category)2008 ''Secret Original Movie Soundtrack'' (''Secret'')
awards	World Music AwardsBest-Selling Chinese Artist2004, 2006, 2007, 2008Shanghai Film Critics Awards2007 Best Actor (''Curse of the Golden Flower'') }}

Jay Chou (; born 18 January 1979) is a Taiwanese musician, singer-songwriter, music and film producer, actor and director who has won the World Music Award four times. He is well-known for composing all his own songs and songs for other singers. In 1998 he was discovered in a talent contest where he displayed his piano and song-writing skills. Over the next two years, he was hired to compose for popular Mandarin singers. Although he was trained in classical music, Chou combines Chinese and Western music styles to produce songs that fuse R&B;, rock and pop genres.

In 2000, Chou released his first album, titled ''Jay'', under the record company Alfa Music. Since then he has released one album per year except in 2009, selling several million copies each. His music has gained recognition throughout Asia, most notably in regions such as Taiwan, China, Hong Kong, Japan, Malaysia, Indonesia, India, Singapore, Thailand, Vietnam and in overseas Asian communities, winning more than 20 awards each year. He has sold more than 28 million albums worldwide up to 2010. He debuted his acting career in ''Initial D'' (2005), for which he won Best Newcomer Actor in both the Hong Kong Film Awards and the Golden Horse Awards, and was nominated for Best Supporting Actor by Hong Kong Film Awards for his role in ''Curse of the Golden Flower'' (2006). He produced the theme song for the film Ocean Heaven starring Jet Li. His career now extends into directing and running his own record company JVR Music.

Life and career

Jay Chou grew up in Linkou, Taipei County, Taiwan. Both his parents were secondary school teachers: his mother, Ye Hui Mei (), taught fine arts, while his father, Zhou Yao Zhong (), was a biomedical researcher. His mother noticed his sensitivity to music and took him to piano lessons at the age of three. During his childhood, he was fascinated with capturing sounds and songs with his tape recorder, which he carried everywhere with him. In the third grade, he became interested in music theory and also started cello lessons. He is an only child and loved to play piano, imitate TV actors, and perform magic tricks. His favorite composer was, and still is to this day, Chopin. His parents divorced when he was 13, which caused him to become reclusive and introverted. Although he had friends, he often preferred to be alone, listening to music, contemplating and daydreaming. At Tamkang Senior High School, he majored in piano and minored in cello. He showed talent for improvisation, became fond of pop music and began to write songs.

Chou graduated from high school with inadequate grades for university, so he prepared for military service, which was compulsory for all Taiwanese men at the age of 18. However, a sports injury triggered by an unexplainable and severe back pain eventually led to the diagnosis of ankylosing spondylitis, a hereditary spine inflammation disease; as a result, he was exempted from conscription. Meanwhile, he found himself a job as a waiter. Without his knowing, his friend had entered both their names in a talent show called ''Super New Talent King''. Chou played the piano accompaniment for his friend, whose singing was described as "lousy". Although they did not win, the show's host Jacky Wu—an influential character in Taiwan's entertainment business—happened to glance at Chou's music score and was impressed with its complexity. Wu hired him as a contract composer and paired him with the novice lyricist Vincent Fang.

Over the next two years he wrote songs for Mandarin pop artists, and also learned recording and sound mixing; his dedication was apparent as he even slept in the music studio. Wu's music studio was later sold to Alfa Music, and the new manager Yang Jun Rong asked him to release his own album. Chou already had an arsenal of songs he wrote for others but had been rejected, so among those he chose 10 for his debut CD ''Jay'' that was released in 2000. The album established his reputation as a musically gifted singer-songwriter whose style is a fusion of R&B;, rap, classical music, and yet distinctly Chinese. His fame spread quickly in Chinese-speaking regions including countries throughout Southeast Asia. Since 2000, Chou has released one album per year, except the year 2009, each selling several million copies, and has been recognized with hundreds of awards. In 2003, he was the cover story of ''Time'' magazine (Asia version), acknowledging his influence on popular culture. He has held four world tours, "The One" (2002), "Incomparable" (2004), "Jay Chou The World Tours" (2007–2008) and "The Era" (2010–2011) performing in cities such as Taipei, Tokyo, Hong Kong, Beijing, Kuala Lumpur, Singapore, Las Vegas, Toronto and Vancouver. Unlike most singers, Chou has an enormous amount of creative control over his music. He is not only the songwriter but also the producer on all of his albums; since 2005 he is also the music director and also directs his own music videos.

Music

Musical style

Chou's compositions are loosely categorized as pop music. While many of his works fall into contemporary R&B;, rap, and rock genres, the term "Chou Style" () has been popularized to describe his trademark cross-cultural music and his insistence on singing with slurred enunciation. ''Taipei Times'' once described the meaning of "Chou Style": "In what has become the archetypal Chou style, Taiwan's favorite son blends pop, rap, blues and a smorgasbord of esthetic elements of world music to create his dream-like never-never land ..."

He regularly fuses traditional Chinese instruments and styles with R&B; or rock to form a new genre called "Zhongguo feng" (), which literally means "Chinese Style Music", some of which are written in the Pentatonic Scale as opposed to the more common seven-note scale (Diatonic Scale) to accentuate an oriental style. Besides his own culture, he also incorporated Spanish guitar in "Red Imitation" (), American techno/electronica in "Herbalist's Manual" (), rap with subtle classical music undertones in "Reverse Scales" (), Blues style in "Free Tutorial Video" () and Bossanova style in "Rosemary" (), to name a few. Sound effects from everyday life are frequently woven into his music, such as bouncing ping pong balls, touch tone phone dialing, helicopter blades, dripping rain, and radio static noise (concrete music).

His formal musical training is evident by the use of classical textures in his compositions. For example, counterpoint was used in "Perfection" () and "Sorry" (), while polyphony can be found in "The Wound That Ends War" () and "Twilight's Chapter Seven" ().

Chou's albums have been noted for the lack of change compared to his earlier works, yet he firmly stated that he will not alter his style: "They say I've been standing still ... but this is the music I want, and I don't see what I want by moving ahead." To demonstrate his point, he named his 2006 album ''Still Fantasy'' after his 2001 album ''Fantasy''. His use of relaxed enunciation has been criticized as "mumbling" which he also insisted will not change; however, recently he has adopted clearer pronunciation for certain songs, particularly more traditional Chinese style songs, such as "Faraway" () which features Fei Yu-ching and "Chrysanthemum Terrace" ().

Lyrics

Chou is more often a singer-composer than a lyricist. Several "regulars" write the lyrics for most of his music, but the content and style is unified with his own personality and image, covering a diverse range of topics and ideas. Vincent Fang accounts for more than half of the lyrics in his albums, helping to establish an important element in Chou's music: the use of meaningful, imagery- and emotionally-rich lyrics, sometimes written in the form of ancient Chinese poetry with reference to Chinese history or folklore. In addition to writing romantic hits, he also touches on war, the Bible, sports, and martial arts. Vivian Hsu is a singer herself and has helped with Chou's earlier hits, while Huang Jun Lang () is noted for his work surrounding unusual themes (such as a detective story and chess game).

Chou himself has written lyrics for many ballads, but has also discussed societal ills such as drug addiction in "Coward" () and loss of the rural countryside to urbanization in "Terrace fields" (). Domestic violence discussed in "Dad, I am back" () received a great deal of commotion since he was the first to bring up this taboo subject in Sanscript music, which helped solidify his status as a pioneer and a unique pop singer capable of approaching serious issues. In the songs "Maternal grandmother" () and "Listen to Mother" (), he voiced his high regard for family values. He addressed personal issues about his failure to enter university in "Split" (), his resentment towards the paparazzi in "Besieged From All Sides" (), "Rice Fragrance" (), a song from his 9th album Capricorn encourages people not to give up their dreams even when facing difficulties in life, the sadness of becoming a clown in "Uncle Joker"() and highlighted the importance of individuality in "Popular Imitation" ().

Collaborations

Chou began as a songwriter for other singers and continued this area of work even after he debuted his own career in singing. He has composed frequently for Jolin Tsai, Landy Wen, and occasionally for other Taiwanese singers such as Coco Lee, S.H.E, Vivian Hsu, Leehom Wang, Will Liu, Valen Hsu, and Hong Kong pop stars Edmond Leung, Gigi Leung, Jordan Chan, Edison Chen, Karen Mok, Leo Ku, Eason Chan, and Joey Yung, as well as a one-time collaboration with Howard Su. He has also written for singers outside of his generation—over one dozen songs for his mentor Jacky Wu, later also for Taiwanese singer Jody Chiang, and Hong Kong singers Jacky Cheung, Andy Lau, Aaron Kwok, and Kenny Bee.

He initiated the band Nan Quan Mama in 2004, selecting band members and overseeing their album production. The group has been noted for sounding too similar to their mentor; as a result, Chou has reduced his involvement in the band, but continues to help increase their exposure to mass audiences by inviting them as guests performers for his own concerts and music videos.

He has performed live duets with Landy Wen, Jolin Tsai, and former girlfriend news anchor Patty Hou, but only two studio recordings of duets have been formally placed in his own albums: "Coral Sea" () in 2005 with Lara Veronin (of Nan Quan Mama) and "Faraway" () in 2006 features Fei Yu-Ching, who began his career in the 1970s. Besides working with singers, Chou's longest-running collaboration is with lyricist Vincent Fang, as they both started their careers in the music field in 1998. The compilation album ''Partners'' () featured 12 songs, each consisting of Chou's musical and Fang's lyrical compositions. Fang has written the words to more than 40 of Chou's songs, was the chief editor of Chou's book ''Grandeur de D Major'' (), and is now Chou's business partner (together with Chou's manager JR Yang) for the record company JVR Music. Jay Chou was also featured in Cindy Yen's (�詠�) song "Sand Painting" (畫沙) released in October 2009. Jay Chou collaborates with Kobe Bryant on "The Heaven and Earth Challenge"(天地一鬥) in order to "promote youth creativity, as well as an upcoming slam-dunk competition in China." The song was released at a press conference before the NBA All-Star Game on 20 February 2011.

World tours

Jay held his first series of five solo concerts, titled ''Fantasy Concert'' (范特西演唱會), with the first stop on 11 January 2001 at Taoyuan Arena, Taiwan. Followed by two shows at the Hong Kong Coliseum, one in Malaysia and ended in Singapore on 10 February 2002. His second concert tour, ''The One Concert'' (The One 演唱會) commenced on 28 September 2002 at Taipei Municipal Stadium, followed by 11 stops and ended at Shenzhen Stadium, China on 3 January 2004.

Two more series of world tours followed: ''Incomparable Concert'' (無與倫比演唱會) in 2004 and ''Jay Chou 2007 World Tours'' (2007世界巡迴演唱會), with stops in cities such as Taipei, Tokyo, Hong Kong, Beijing, Kuala Lumpur, Singapore, Las Vegas, Toronto and Vancouver. In 2010, to celebrate Jay's 10 year career in the entertainment industry, he embarked on his fifth series of concert tour titled, ''New Era World Tour'' (超時代演唱會), with the first stop of three concerts from 11 to 13 June 2010 at Taipei Arena, followed by 24 stops ending in Malaysia on 5 March 2011.

;World tours/Live (DVD) album releases

2001 – ''Fantasy Concert'' (范特西演唱會)

2002 – ''The One Concert'' (The One 演唱會) – ''Jay Chou The One Concert Live''

2004 – ''Incomparable Concert'' (無與倫比演唱會) – ''Incomparable Jay Concert Live''

2007 – ''Jay Chou World Tours'' (世界巡迴演唱會) – ''Jay Chou 2007 the World Tours Concert Live''

2010 – ''New Era World Tour'' (超時代演唱會) – ''Jay Chou 2010 The Era World Tours Concert Live''

Other works

Movie career

Chou formally entered the film industry in 2005 with the release of the movie ''Initial D'' (頭文字Ｄ). He has since acted in three other movies, directed one film and more than a dozen music videos. Chou, who once said "I live because of music", ventured into movies because he felt the need for a new challenge. As fans have grown concerned that movies will compromise his music career, Chou has repeatedly reassured that movies are a source of inspiration and not a distraction; at the same time, he realizes the need to balance both careers and maintain his place in the music field to garner the continued support of fans.

Acting

Entry into acting was an unexpected move for Chou. His high school English teacher thought he was capable of very few facial expressions, and the director of ''Hidden Track'' (2003, a movie in which Chou had a cameo role) said that his strong individualistic personality will not make him a good actor. In 2005, Chou's first role as the lead actor in ''Initial D'' served two purposes: to launch his acting debut, and to increase his exposure to Japanese audiences. This film is based on the Japanese comic ''Initial D'', where Chou played Takumi Fujiwara, a gifted touge racer who is quiet and rarely shows expression. Some reviewers criticized his bland acting while others felt he performed naturally, but only because the character’s personality closely mirrored his own. His performance in ''Initial D'' won him Best Newcomer Actor in Golden Horse Awards and Hong Kong Film Awards. Chou’s second film was ''Curse of the Golden Flower'' (2006). As a supporting character, he drew much of the attention of Chinese reporters; Chou’s involvement in this movie was announced in its own press conference, separate from the meeting held for Chow Yun-fat, Gong Li, and the other actors. Chou portrayed Prince Jai, the ambitious second eldest prince and general of the Imperial army whose personality epitomizes Xiao (�), the Chinese virtue of filial piety. In this internationally-released film, North American audiences saw Chou for the first time. According to Chinese movie critics, comments about his acting ranged from "lacks complexity" to "acceptable," but was critically praised by Western reviewers. His performance in ''Curse of the Golden Flower'' was nominated Best Supporting Actor in the Hong Kong Film Awards. In the 2008 film ''Kung Fu Dunk'', Chou portrayed a kung fu student and dunking prodigy, and the film earned over ¥100 million (US$14.7 million). Chou portrayed Kato in ''The Green Hornet'', directed by Michel Gondry and released in January 2011, after Hong Kong actor Stephen Chow withdrew from the project, the film grossed over $228 million worldwide. MTV Networks' NextMovie.com named him one of the 'Breakout Stars to Watch for in 2011'. In May 2011, Chou started filming for a new movie, "The Viral Factor" directed by Dante Lam and starred various well known artistes such as Nicholas Tse, Bai Bing and Lin Peng. The movie is slated to be released in theatres over Asia in spring 2012. With most of the scenes shot in the Middle Eastern and Southeast Asian countries, earlier filming process has been slightly disrupted due to political conflicts in the Middle East.

Directing

Chou's acquired his first directing experience in 2004 through music videos. He initially experimented with a song by the group Nan Quan Mama titled "Home" () where he was involved throughout the entire process from research to editing. After learning the difficulties of being a director, he refused to direct again even at the request of his record company. However, his interest resurfaced again as he directed music videos for 4 of the 12 songs in own album ''November's Chopin'' in 2005, and later television advertisements. By 2006, he had taken responsibility for the storyboard, directing, and editing of music videos for all his songs. It is unclear how the public appraises his work, since music videos are rarely the subject of critical review; however, director Zhang Yimou said that Chou's directing abilities may surpass his own in the future, after viewing several of Chou's music videos.

In February 2007, Chou finally directed his first movie ''Secret''. The story he wrote is based loosely on his relationship with a high school girlfriend, with a plot focused on music, love, and family. He stars as the lead actor of the film with Kwai Lun-Mei� as the female lead, and Hong Kong veteran actor Anthony Wong as Chou’s father. Despite previous experience in filming music videos, Chou admits that movies are more challenging due to storyline and time constraints. This movie was released in July 2007.

In 2005, Jay Chou played the male lead in ''Initial D'', but according to reports, he will be back to direct the sequel, while Andrew Lau, who was a co-director of the first Initial D, will take on the role of the producer.

Book: ''Grandeur de D Major''

Chou published his first book titled ''Grandeur de D Major'' () on November 25, 2004. This 200-page book features a prologue written by his family, friends, and co-workers; the main section is a compilation of his personal attitudes, philosophies, and recollections of childhood experiences along with pictures from his music videos, many of which have never been released; and lastly, a list of the artist's major awards, musical and lyrical compositions, and discography. For the usually low-profile singer, this book revealed his personality and convictions that has served as the basis of his musical and public image. He demonstrated a strong appreciation of family values with an especially deep connection with his mother and maternal grandmother. His confidence and dedication towards music is evident as he dedicated 2 out of 7 chapters to music: the current state of the industry, his composition methodology, and the importance of individualism to his success in music. This pride is contrasted against his modesty and self-assessed naivety about many aspects in life, particularly regarding relationships and marriage.

Endorsements

Chou has been a spokesperson for popular brands such as Pepsi (2002–2007), Panasonic (2001–2005), Motorola (since 2006), M-Zone/China Mobile (since 2003), Levi's (2004–2005), Deerhui (sporting goods, since 2003), and Metersbonwe Group (casual wear, since 2003), Colgate (2004–2005), popular computer game ''Warcraft III: Reign of Chaos'' (2002), science and nature magazine ''National Geographic'' (2005). To maximize the celebrity branding effect, advertisements are nearly always linked to his music and TV commercials are occasionally directed by him. He acted as the tourism ambassador for Malaysia in 2003. In April 2008, Jay signed with Sprite and collaborated with artistes such as Angela Chang and JJ Lin in commercials. He also did a Sprite commercial with Kobe Bryant and specially wrote a song named "天地一斗 (Battle of the Incomparable)" featuring Kobe Bryant for the commercial. In June 2011, Jay expanded his area of endorsement into the field of technology, becoming the designer and spokesperson of the "N43SL Jay Chou Edition" laptop of ASUS Computers. The laptop is most notable for its lid design, sound system, start-up and shut-down tones, and a unique 'J' font for its key. All of which, except for the sound system, are designed and composed by Jay himself.

Accolades

From the launch of his music career in 2000, Jay Chou has won more than 350 singer, singer-songwriter, and producer awards in Asia. The highly coveted Golden Melody Awards in Taiwan awarded "Best Album" for his debut CD ''Jay'' (2000) in 2001, and five awards (including "Best Album", "Best Composer", and "Best Producer") in the following year for the album ''Fantasy'' (2001). However, failure to win "Best Album" for three consecutive years has left him disheartened with award ceremonies. Although he continues to win more than 20 awards per year from various organizations in Asia, Chou has stated he will rely more on album sales as an indicator of his music's quality and popularity. In 2004, 2006, 2007 and 2008, he was awarded Best-Selling Artist in China by World Music Awards for the albums ''Common Jasmin Orange'', ''Still Fantasy'' and ''On the Run.

Media and public relations

Public image

Despite living under continual media scrutiny, Chou's public image has changed little over the years as he emphasizes individuality as his "personal philosophy". In his music, this is also evident as he fuses Chinese and Western styles and explores topics unconventional for a pop singer, which have been described as "authentic" and "revolutionary". The media describes a hard-working perfectionist with clear self-direction who is occasionally regarded as competitive and a "control freak". There is a misunderstanding about his nickname "Chairman Chou" (), used by both the press and fans to underscore his domineering personality and impact on Asian music, but also points at his musical talent. Yet the origin of this nickname emerges from his fever of collecting antiques as the word "董" comes from "antique" in Chinese (�董). Outside of music, Chou is reported as shy, quiet, modest, and views filial piety as "''the most important thing''". In-line with his aim to present a positive image, he is a non-smoker, non-drinker, and does not go to nightclubs. Government officials and educators in Asia have awarded him for his exemplary behaviour, designated him a spokesperson in the youth-empowerment project "Young Voice" in 2005 and an anti-depression campaign in 2007, His lyrics for two songs has been incorporated into the school syllabus to inspire motivational and filial attitudes. In November 2007, Chou was criticized for attending the funeral of Taiwanese gang leader Chen Chi-li to console Chen's son Baron Chen, whom Chou met while filming ''Kung Fu Dunk''. In 2011 Chou performed on the New Year's Gala program on China's Central Television.

Response to the news media and paparazzi

As with other stars, Chou has expressed a strong dislike of the paparazzi. In the early years of his career, unwanted attention by the media was usually dealt with by avoidance. In-line with his quiet nature, he frequently wore baseball caps and hoods while lowering his head and evading eye contact during interviews. In recent years however, he has been less passive about the invasion of his privacy. To discourage the paparazzi from taking unsolicited pictures, Chou is known to photograph the paparazzi that follow him. He openly calls the paparazzi "dogs" and tabloids "dog magazines", as shown in his lyrics for "Besieged From All Sides" (). The media have also accused Chou of evading compulsory military service by feigning to suffer from ankylosing spondylitis. Later that year he was acquitted after providing the relevant medical records and letters from the army confirming a lawful exemption from draft dated before the start of his music career.

Despite constant harassment and stalking by the media, he does acknowledge that not all media attention is unwelcome. Coverage by international journals and news agencies such as ''Time'', ''The Guardian'', and Reuters help ascertain his influence on mainstream culture. An editorial written by Kerry Brown of Chatham House named Chou as one of the 50 most influential figures in China, one of only three singers on a list dominated by politicians and corporate owners. At the end of 2009, he was included on JWT's annual list of 100 Things to Watch in 2010.

Fanbase

It is difficult to estimate the size and global spread of Chou's fanbase. Jay's fanbase originated and grew extensively in China. The Chinese-speaking populations of Hong Kong, Singapore, Malaysia and Mainland China make up a significant percentage of Chou's fans. Despite rampant piracy issues in this region of Asia, particularly in China, every album Chou has released so far has surpassed 2 million sales. According to Baidu, the most popular internet search engine in China, Chou is the number one searched male artist in 2002, 05, 06 and 07.

In Hong Kong, he has been the best-selling Mandarin artist for the past 4 years. According to a 2004 survey in five Chinese urban centers for children ages 9 to 14, 1 in 6 named Chou as their favorite idol; he was also reported as the favorite singer of youths aged 8 to 25 in a study conducted in seven Asian countries (2006). He has a solid fanbase throughout Southeast Asia, including Singapore, Thailand, Malaysia, Indonesia, and Vietnam. In Singapore, Chou was the second most searched celebrity behind Britney Spears in the music category.

Currently, Chou remains largely unknown outside of Asia, except in cities with large Chinese immigrant populations such as Los Angeles, New York, San Francisco, Seattle, Vancouver, Toronto, Sydney, Melbourne, Adelaide and Brisbane. He has held concerts in major venues such as the Acer Arena (Sydney – 3 July 2009), HP Pavilion at San Jose (San Jose – 31 December 2010), Los Angeles Memorial Sports Arena (Los Angeles – 8 January 2011), MGM Grand (Las Vegas—25 December 2002), Rogers Arena (Vancouver – 23 December 2010), Shrine Auditorium (Los Angeles—18 December 2004), Galen Center (Los Angeles—24 December 2007) and the Air Canada Centre (Toronto – 18 December 2008). His intention to increase his prominence in the Western world beyond Chinese audiences is clear. In 2006, Chou composed and sang the theme song for ''Fearless'', a movie released in major theatres in most English-speaking countries, though the impact to his fame has been minimal. His role in ''Curse of the Golden Flower'' (limited release) marks his acting debut in North America. Despite having a supporting but important role in the story's plot, the North American version of the official posters only featured a view of his back, greatly contrasting the Asian versions where his face and name were clear and placed between the leading actor and actress. Although Chou is still far from being well-known to English audiences, this movie has brought him international exposure. Chou gained further exposure to western audiences in his starring role as crimefighter Kato in January 2011's ''The Green Hornet''.

Chou has won the Favorite Male Artist of the 20th Golden Melody Awards in Taiwan. He did not attend the event to collect the award because he was on tour in China at the time.

Filmography

Films

''Initial D (film) ''Curse of the Golden Flower'' ''Secret (2007 film) ''Kung Fu Dunk'' ''The Treasure Hunter'' ''True Legend'' ''The Green Hornet (2011 film) ''Initial D 2''

style="width:5%;"	Year	Title	Chinese Title	Role
2003 in film	2003	Hidden Track (film)>Hidden Track''	尋找周�倫
2005 in film	2005	Initial D'' ||	頭文字D	"Takumi Fujiwara"
2006 in film	2006	|	滿�盡帶黃金甲	"Prince Jai – Yuan Jie"
2007 in film	2007	Secret'' ||	�能說�秘密	"Jay – Ye Xiang Lun – 葉湘倫"DirectorProducerOriginal story author
2008 in film	2008	|	�夫�籃	"Fang Shi Jie – Fong Sai Kit – 方世�"
2009 in film	2009	|	刺陵	"Lead actor – Qiao Fei"
2010 in film	2010	|	蘇�兒	"God of Wushu" / "Drunken God"
rowspan="3"	2011	The Green Hornet'' ||	é?’蜂ä¿	Kato (The Green Hornet)>Kato" (First Hollywood Film)
''Secret 2 (2011 film)	Secret 2''	�能說�秘密2
''The Viral Factor''	逆戰
2012 in film	2012	|	頭文字D2	"Takumi Fujiwara"Director

Television series

style="width:5%;"	Year	Title	Chinese Title	Role
rowspan="2"	2010	''Pandamen''	�貓人
''Mr.J Channel''	MR.J頻�

Notes

a. Examples of Chou's Chinese style R&B;: "East Wind Breaks" (æ?±é¢¨ç ´), "Hair Like Snow" (髮如雪), "Faraway" (å?ƒé‡Œä¹‹å¤–). Examples of Chinese style rock: "Nunchucks" (雙截æ£?), "Dragon Fist" (é¾?拳), "Golden Armor" (黃金甲). b. Examples of sound effects used in Chou's music: ping pong balls in "Class2 Grade3" (三年二ç?­), touch-tone phone dialing in "Blue Storm" (è—?色風æ?´), helicopter blades in "My Territory" (我ç?„地盤), dripping rain in "You Can Hear" (妳è?½å¾—到), and radio static noise in "Nocturne" (夜曲). c. Examples of Oriental-style lyrics by Vincent Fang: "Shanghai 1943" (ä¸?海一ä¹?四三), "Wife" (娘å­?), and "Chrysanthemum Flower Platform" (è??è?±å?°). d. Examples of romantic lyrics by Vincent Fang: "Love Before ''Anno Domini''" (愛在西元å‰?), "Nocturne" (夜曲), "Common Jasmin Orange" (七里香), and "Perfectionist" (完ç¾?主義) . e. Vincent Fang's lyrics discuss war in "The Last Campaign" (最後ç?„戰役) and "Wounds That End War" (止戰之殤), the Bible in "Blue Storm" (è—?色風æ?´), sports in "Bullfight" (鬥牛) and "Class2 Grade3" (三年二ç?­), and martial arts in "Nunchucks" (雙截æ£?) and "Ninja" (å¿?者). f. Examples of Vivian Hsu's work: "Adorable Woman" (å?¯æ„›å¥³äºº), "Tornado" (é¾?æ?²é¢¨), and "Simple Love" (簡單愛). g. Unusual themes of Huan Jun Lang's lyrics: detective story in "Twilight's Chapter Seven" (夜ç?„第七章), a chess game in "Checkmate" (å°‡è»?). h. Examples of romantic lyrics by Jay Chou: "Black Humor" (黑色幽默), "Silence" (安é?œ), "Iron Box Of An Island" (å??島é?µç›’), "Fine Day" (晴天), "Excuse" (è—‰å?£), "Black Sweater" (黑色毛衣), and "White Windmills" (白色風è»?). i. "Snail" (è?¸ç‰›) and "Listen To Mother's Words" (è?½åª½åª½ç?„話) j. Golden Melody Awards: "…the Chinese pop music industry's equivalent of the Grammy Awards in the US are held annually to award professionals making music in Mandarin, Taiwanese, Hakka and any of Taiwan's Aboriginal languages." k. A similar book was published in Japanese, titled ''Grandeur de D major—Jay Chou Photo Essay'' (ISBN 4-901873-50-4).

References

External links

Jay Chou@JVR Music Jay Chou International Fan Club

Category:1979 births Category:Best New Performer HKFA Category:Living people Category:People from New Taipei Category:Taiwanese film actors Category:Taiwanese film directors Category:Taiwanese male singers Category:Taiwanese Mandopop singer-songwriters Category:World Music Awards winners

zh-min-nan:Chiu KiaÌ?t-lûn ca:Jay Chou de:Jay Chou es:Jay Chou eo:Jay Chou fr:Jay Chou ko:ì €ì?°ì œë£¬ id:Jay Chou it:Jay Chou jv:Jay Chou lv:Džejs ÄŒou hu:Jay Chou ms:Jay Chou my:ဂျေးကျိုး nl:Jay Chou ja:周æ?°å€« pl:Jay Chou pt:Jay Chou ro:Jay Chou ru:Чоу, Джей sv:Jay Chou th:โจว เจี๋ยหลุน tr:Jay Chou vi:Châu Kiệt Luân zh-yue:周æ?°å€« zh:周æ?°å€«

Coordinates	6°11′0″N116°14′0″N
name	Tim Minchin
birth name	Timothy David Minchin
birth date	October 07, 1975
birth place	Northampton, United Kingdom
nationality	British, Australian
active	2002–present
genre	Musical comedy
spouse	Sarah Minchin 2001–present (2 children)
website
britishcomedyawards	}}

Timothy David "Tim" Minchin (born 7 October 1975 in Northampton, UK) is an Australian comedian, actor, and musician.

Tim Minchin is best known for his musical comedy, which has featured in six CDs, three DVDs and a number of live comedy shows which he has performed internationally. He has also appeared on television in Australia, Britain and the United States. After growing up in Perth, Western Australia, he attended the University of Western Australia and WAAPA before moving to Melbourne in 2002. His breakout show, "Dark Side", launched him into the public eye, achieving critical success at the 2005 Melbourne International Comedy Festival and the 2005 Edinburgh Festival Fringe.

Minchin has a background in theatre and has appeared in various stage productions, in addition to some small acting roles on Australian TV. A documentary film about Minchin, ''Rock N Roll Nerd'' (directed by Rhian Skirving), was released theatrically in 2008 and broadcast by ABC1 in 2009.

Personal life

Minchin was born in Northampton, UK, to Australian parents and raised in Perth, Western Australia. He was educated at Christ Church Grammar School and started learning piano at the age of eight, but gave it up after three years because he did not enjoy the discipline. He redeveloped an interest in the instrument after he started writing music with his brother Dan Minchin, a guitarist, but still describes himself as a "hack pianist... a 'more you practise, the better you get' kind of guy". Minchin graduated from the University of Western Australia in 1995 with a Bachelor of Arts in English and Theatre, and in 1998 completed an Advanced Diploma in Contemporary Music at the Western Australian Academy of Performing Arts.

He currently lives in Crouch End, London, with his wife, Sarah. They have two children, a daughter Violet, who was born 24 November 2006, and a son Caspar, born 3 July 2009. Minchin often refers to his relationships in his songs and stand-up routines.

Musical comedy

Minchin describes his act as a "funny cabaret show" and sees himself primarily as a musician and songwriter as opposed to a comedian; his songs, he says, "just happen to be funny." His reasoning for combining the disciplines of music and comedy was revealed in one interview when he said "I'm a good musician for a comedian and I'm a good comedian for a musician but if I had to do any of them in isolation I dunno."

He draws on his background in theatre for his distinctive onstage appearance and persona. In his performances, he typically goes barefoot with wild hair and heavy eye makeup, which is juxtaposed with a crisp suit and tails, and a grand piano. According to Minchin, he likes going barefoot in his shows because it makes him feel more comfortable. He considers the eye makeup important because while he is playing the piano he is not able to use his arms and relies on his face for expressions and gestures; the eyeliner makes his features more distinguishable for the audience. Much of his look and persona, he says, are about "treading that line between mocking yourself and wanting to be an iconic figure. Mocking the ridiculousness and completely unrealistic dream of being an iconic figure." The eccentric appearance removes Minchin from reality somewhat, allowing him to make outrageous statements onstage "without annoying (most) people."

The shows consist largely of Minchin's comedic songs and poetry, with subjects ranging from social satire to inflatable dolls, sex fetishes, and his own failed rock star ambitions. In between songs, he performs short stand-up routines. Several of his songs deal with religion, a subject with which Minchin—an atheist and a fan of Richard Dawkins—says he is "a bit obsessed." He argues that as one of the most powerful and influential forces in the world, religion should never be off-limits to satirists. He says that his favourite song to perform is "Peace Anthem for Palestine", which reflects his feelings about religious conflict. In October 2010 he was made a Distinguished Supporter of the British Humanist Association. His comedy also deals with taboos more broadly. A prime example of this is the song "Prejudice" which parodies the power awarded to something as simple as a word.

Early career (1998–2007)

After completing an Advanced Diploma in Contemporary Music in 1998, Minchin started out composing music for documentaries and theatre. In 2000 he wrote and starred in the musical ''Pop'' at the Blue Room Theatre in Perth. He released a CD titled ''Sit'' with his band Timmy the Dog in 2001, but achieved little success. In 2002, after only one professional acting job, he moved from Perth to Melbourne to pursue work. Minchin struggled initially; he could not get an agent for a year and had been unable to find any acting work. While several record companies gave him positive feedback, they were not sure how his music—a mixture of satirical songs and more serious pop songs—could be marketed. He decided to compile all of his humorous songs into a single live show to "get the comedy stuff off [his] chest" before going back to more serious music.

Minchin says he entered into comedy "naively", having never even attended a live comedy gig before performing one himself. His break-out show, ''Darkside'' (co-produced by Laughing Stock Productions), achieved critical success at the 2005 Melbourne International Comedy Festival, where it won the inaugural Festival Directors' Award and attracted the notice of Karen Koren, the manager of the well-known Gilded Balloon venues. Koren backed the show's run at the Edinburgh Festival Fringe, where Minchin received the Perrier Comedy Award for Best Newcomer. His 2006 show, ''So Rock'', was nominated for the Melbourne International Comedy Festival's top prize, the Barry Award, and in 2007 he was given the award for Best Alternative Comedian at the HBO US Comedy Arts Festival.

Live recordings of his 2005 and 2006 shows, ''Darkside'' and ''So Rock'', have been released as CDs. In 2007, he released a DVD entitled ''So Live'', featuring a live recording in the Sydney Opera House Studio with material from both of his previous shows. As this DVD was only released in Australia, he released a DVD in 2008 entitled ''So F**king Rock Live'' in the UK, containing largely the same material as ''So Live.''

''Ready for This?'' (2008–2010)

In August 2008 Minchin debuted his third solo show, ''Ready for This?'', at the Edinburgh Fringe and subsequently took it on tour across the UK. During the Edinburgh run, he contributed to ''The Guardian'' newspaper's podcasts, despite his new show containing a song about a ''Guardian'' critic who once gave his show a negative review.

A recording of this show, recorded live at Queen Elizabeth Hall in London was released as an album for download via iTunes on 20 July 2009. An Australian recording was released on DVD, solely in Australia on 9 September 2009 and a UK release is anticipated in the second half of 2010.

In December 2009, the track "White Wine in the Sun" was released as a downloadable single online. Fans on Minchin's official forum launched a campaign to get this festive track into the UK Christmas charts by purchasing it from various online download retailers. A Facebook group was also launched to support the campaign as well as a drive on Twitter in which celebrities were contacted about the campaign and a succession of e-mails to radio DJs in a bid to get them to play the song. It was later announced that 50% of the December profits from the song would be donated to The National Autistic Society. The bid was ultimately unsuccessful.

It was announced at the end of 2009 that one of Minchin's beat poems, ''Storm'', was to be made into a short animated movie to be released in 2010. A blog was launched to accompany the film-making process and a short trailer was released on 8 January 2010.

He performed ''Ready for This?'' for what he envisages as the final time on 27 February 2010 in Sydney. He did however perform a set at The Big Libel Gig on 14 March 2010 in protest at Britain's libel laws, along with other performers including Dara Ó Briain, Marcus Brigstocke, Shappi Khorsandi, Robin Ince and Ed Byrne. As well as this, he performed at Camp Bestival as part of the Jestival Sessions in July 2010.

Minchin was the subject of the winning entry in the 2010 Archibald Prize, Australia's most important portraiture competition. The winning entry was painted by Sam Leach.

Tim Minchin and His Orchestra (2010–2011)

Minchin embarked on a new arena tour starting with Birmingham on Wednesday 8 December, 2010. This is a departure from the structure of his previous live shows, since his act has been scaled up to be performed with a symphony orchestra. The show now contains both old and new material: he has new songs on the subject of prayer and of rationality, themes which also often appear in his previous work. He has stated that the aim of incorporating the orchestra into his act is to create a comedy show that would not be ruined by being performed in arenas. The show is touring the UK and Australia. It was filmed at the Royal Albert Hall in London for a DVD to be released later in 2011.

On Saturday 13 August 2011 Minchin hosted Prom 40 - the first BBC Comedy Promenade Concert at the Royal Albert Hall.

Television and radio

Tim has made appearances on various British radio and television shows, including the BBC's ''Never Mind the Buzzcocks'' (four times, once as guest host), BBC Radio 4's ''Mark Watson Makes the World Substantially Better'' and two specials on BBC Radio 2. He often performs on his TV appearances, such as his spots on ''Friday Night With Jonathan Ross'' in October 2009 and July 2010. He performed a song written especially for the show entitled "Five Poofs And Two Pianos," a parody of the house band for the show who are known as 4 Poofs and a Piano. Minchin also appeared as a special guest on the 2009 edition of ''The Big Fat Quiz of the Year'' performing a song written for the show ("It's Like 1984") in reference to a question regarding Google Street View.

A heavily cut-down version of the show released on DVD as ''So F**king Rock Live'' has aired several times on British TV channel E4, first on 23 July 2009. It aired at the turn of 2011, forming E4's New Year's coverage.

Tim has also appeared on the ABC's ''Spicks and Specks'', ''The Sideshow'', and the panel shows ''Good News Week'' (February 2010) and ''Talkin' 'Bout Your Generation'' (March 2010) in Australia.

In January 2011, Tim Minchin made his American television debut on TBS's ''Conan'' where he performed "Inflatable You." On 12 May 2011, he performed "If I Didn't Have You" on the Late Late Show with Craig Ferguson, and on 7 June 2011 Tim made his second appearance on TBS's ''Conan'' where he performed "Prejudice."

He is currently writing a musical sitcom for BBC Radio 2 entitled ''Strings''. The pilot was broadcast on Saturday 8 May 2010. Tim plays the part of the protagonist in the production as the lead singer of a rock band, named Jonny, who leaves Australia to live in the UK.

Acting and theatre

Minchin's background is in theatre and he has appeared in various stage productions. His most recent dramatic theatrical performance was in the title role for the 2006 Perth Theatre Company production of ''Amadeus'', a fictional play about the downfall of Mozart at the hands of the reigning court composer. His other stage acting roles have included the title role in the 2004 Perth Theatre Company / Hoopla production of ''Hamlet'', and The Writer in the original PTC production of Reg Cribb’s ''The Return''. He has also acted for The Australian Shakespeare Company (''Twelfth Night''), the Black Swan Theatre Company (''Cosi'', ''One Destiny'') and in various other plays, short films and TVC’s. Roles from his days in musical theatre include Don Quixote in ''Man of La Mancha'' and understudying Judas twice (and playing Pontius Pilate) in ''Jesus Christ Superstar''. He has also appeared playing small parts on the ABC telemovie ''Loot'' and on the show ''Comedy Inc.''.

Minchin also plays the role of Tom, in the contemporary family drama ''Two Fists, One Heart'', released 19 March 2009. He also wrote the song ''Drowned'' for the film's soundtrack.

He co-wrote a musical version of Roald Dahl's novel ''Matilda'' – entitled ''Matilda, A Musical'' – with Dennis Kelly and the Royal Shakespeare Company, which is produced by the RSC. It showed at The Courtyard Theatre in Stratford-upon-Avon running from 9 November 2010 to 30 January 2011 and has been confirmed for an open-ended West End run at the Cambridge Theatre, opening on the 22nd November 2011, with previews from 18th October 2011.

Atheism and skepticism

In an interview with IIG member John Rael, Minchin explains what upsets him most about paranormal beliefs, "special pleading" by people who say vague things that "there is no harm" in it. Minchin states that there is very little harm in something like Reiki but "where do you draw the line", when it comes to needing real evidence if a therapy works or not? He states that he is an atheist as well as a skeptic, and can not understand how someone can call themselves a skeptic and still be religious. "If you apply doubt to anything...the whole religion thing is obviously a fantasy."

Discography

Albums

''Sit'' (with band Timmy the Dog) (2001)

''Darkside'' (2005)

''So Rock'' (2006)

''Ready For This?'' (2009)

''Live at the O2'' (2010)

''Tim Minchin and The Heritage Orchestra'' (2011)

Singles

"Drowned" (2008)

"White Wine In the Sun" (2009)

"The Pope Song" (2010) - As a free download from his website

"The Fence" (2011)

Compilations

''Laugh-a-poolooza'' (featured artist) (2005)

DVD

''So Live'' (2007) Australian DVD

''So F**king Rock Live'' (11 October 2008)

''So F**king Rock Live (Special Edition)'' (5 October 2009)

''Ready For This?'' (29 November 2010)

"Tim Minchin and the Heritage Orchestra." (14 November 2011)

Filmography

Actor

2008 – ''Two Fists, One Heart'' – Tom 2010 – ''The Lost Thing'' – The Boy (Voice)

Awards

; 2005 Melbourne International Comedy Festival Directors' Choice Award for ''Dark Side'' 2005 Edinburgh Festival Fringe Perrier Comedy Award, Best Newcomer 2005 Melbourne International Comedy Festival, The Groggy Squirrel Critics' Award 2007 U.S. Comedy Arts Festival, Best Alternative Act 2009 Helpmann Awards, Best Comedy Performer 2009 Green Room Awards, Cabaret: Best Original Songs 2009 Green Room Awards, Cabaret: Best Artiste 2010 Chortle Awards, Best Music or Variety Act

References

External links

Rock N Roll Nerd – The Tim Minchin Documentary website

YouTube Interview on Australian Sceptics vodcast, The TANK Vodcast, 2007

Tim Minchin's song 'If I Didn't Have You' (Secret Policeman's Ball)

Storm Movie Production Blog

Category:1975 births Category:Living people Category:Australian comedy musicians Category:British comedy musicians Category:Australian stand-up comedians Category:Australian atheists Category:University of Western Australia alumni Category:People educated at Christ Church Grammar School Category:People from Crouch End Category:Australian sceptics Category:British sceptics Category:Atheism activists Category:Australian socialists Category:British socialists

da:Tim Minchin de:Tim Minchin fr:Tim Minchin nl:Tim Minchin no:Tim Minchin pl:Tim Minchin pt:Tim Minchin ru:Минчин, Тим sv:Tim Minchin

Coordinates	6°11′0″N116°14′0″N
name	Rebecca Black
background	solo_singer
birth date	June 21, 1997
birth place	Anaheim, California, U.S.
genre	Teen pop, bubblegum pop, dance-pop, pop
occupation	Singer
instrument	Vocals
years active	2011–present
label	RB
website
notable instruments	}}

Rebecca Black (born June 21, 1997) is an American pop singer who gained extensive media attention with her 2011 single "Friday". Her mother paid $4,000 to have the single and an accompanying music video put out as a vanity release through the record label ARK Music Factory. The song was co-written and produced by Clarence Jey and Patrice Wilson of Ark Music Factory. After the video went viral on YouTube and other social media sites, "Friday" was derided by many music critics and viewers, who dubbed it "the worst song ever." The music video received around 167 million views, causing Black to gain international attention as a "viral star," before being removed from the site on June 16.

Biography

Rebecca Black was born on June 21, 1997, in Anaheim, California. She is the daughter of John Jeffery Black and Georgina Marquez Kelly, both veterinarians. An honor student, Black studied dance, auditioned for school shows, attended music summer camps, and began singing publicly in 2008 after joining the patriotic group Celebration USA. In 2011 Black left public school in favor of homeschooling, both in response to constant verbal bullying at school and in order to focus more of her time on her career.

Music career

In late 2010, a classmate of Black and music-video client of ARK Music Factory, a Los Angeles label, told her about the company. Black's mother paid $4,000 for Ark Music to produce her daughter's music video while the Blacks retained ownership of the master. The single, "Friday," written entirely by Ark, was released on YouTube and iTunes. The song's video was uploaded to YouTube on February 10, 2011, and received approximately 1,000 views in the first month. The video went viral on March 11, 2011, acquiring millions of views on YouTube in a matter of days, becoming the most-talked-about topic on social networking site Twitter, and garnering mostly negative media coverage. As of June 14, 2011, the video had received more than 3,190,000 "dislikes" on YouTube compared to more than 451,000 "likes". As of March 22, 2011, first-week sales of her digital single were estimated to be around 40,000 by ''Billboard.'' On March 22, 2011, Black appeared on ''The Tonight Show with Jay Leno,'' during which she performed the single and discussed the negative reaction to it. The song has peaked on the ''Billboard'' Hot 100 and the New Zealand Singles Chart at number 58 and 33, respectively. In the UK, the song debuted at number 61 on the UK Singles Chart.

In an interview with ''The Sun'', Black said that she is recording a new song for possible release as a single. She is currently working without a record deal. She also said that she is preparing materials for her debut album at Flying Pig Productions studio in Los Angeles containing songs with themes similar to that of "Friday," as she wants it to be "appropriate and clean." Black teamed up with Funny or Die on April Fools Day (the site was renamed Friday or Die) for a series of videos, including one which addresses the controversy about the driving kids in her music video, stating "We so excited about safety." She has also stated that she is a fan of Justin Bieber, and expressed interest in performing a duet with him.

In response to the YouTube video of "Friday," Black began to receive death threats in late February 2011, specifically by phone and email. These threats are being investigated by the Anaheim Police Department.

In March 2011, Ryan Seacrest reportedly helped sign Rebecca to manager Debra Baum's DB Entertainment.

MTV selected Rebecca to host its first online awards show, the O Music Awards Fan Army Party in April 2011. As an homage to "Friday," Black appears in the music video for Katy Perry's "Last Friday Night (T.G.I.F.)," in which Black plays alongside Perry as the hostess of a party Perry attends. "Friday" was also performed on the second season of ''Glee'' in the episode, "Prom Queen," which originally aired May 10, 2011. When asked about why the song was covered on ''Glee'', show creator Ryan Murphy replied, "The show pays tribute to pop culture and, love it or hate it, that song is pop culture."

Black released a self-produced single titled "My Moment" on July 18, with an accompanying music video, publishing it to her YouTube channel; the video as of August 22 has received, approximately, 520,000 "dislikes" against 300,000 "likes." In the "My Moment" music video, director Morgan Lawley features real life video of Black's life from both before and after her fame. Black is set to release a digital 5-track EP in August.

Black appears as herself in the music video of Katy Perry's single "Last Friday Night (T.G.I.F.)". She appears as the host of a party in the house next door to that of "Kathy Beth Terry". At the end of the video Perry attempts to blame the excesses of the party (which had subsequently moved to her own house) on Black, only for her parents (Corey Feldman and Debbie Gibson) to disbelieve her. Later on, Perry (in character as Kathy Beth Terry) and Black hosted a livestream on Tinychat.com after weeks of Black being mentioned on Terry's twitter. Perry, who performs Friday routinely on stage as part of California Dreams Tour, also brought Black on stage to perform the song as a duet during her show at the Nokia Theater on August 5, 2011.

On August 10, 2011, Rebecca Black was featured in an ABC ''Primetime Nightline: Celebrity Secrets'' special entitled ''Underage and Famous: Inside Child Stars' Lives''.

RB Records

Rebecca Black established her own independent record label RB Records. The first release on the new label was "My Moment", the follow up single to "Friday".

Discography

Singles

61 —

scope="col" rowspan="2" style="width:16em;"	Title	Year	Peak chart positions						Album
! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"		! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"
! scope="row"	rowspan="2">2011	58	40	|	46	33	60	rowspan="2"	TBA
scope="row"	"My Moment"	—	—	|	—	—	—

Awards and nominations

In April 2011, the ''MTV O Music Awards'', one of the annual awards established by MTV to honor the art, creativity, personality and technology of music into the digital space nominated "Which Seat Can I Take?" for "Favorite Animated GIF" that included footage by Rebecca Black featuring 50 Cent and Bert. Black was named "Choice Web Star" at the 2011 Teen Choice Awards in August 2011.

Year	Nominated work	Event	Award	Result
	"Which Seat Can I Take?" (50 Cent, Rebecca Black, Bert)	MTV O Music Awards	Favorite Animated GIF
Herself	2011 Teen Choice Awards	Choice Web Star

References

External links

Official YouTube channel

Category:1997 births Category:American child singers Category:American dance musicians Category:American female pop singers Category:ARK Music Factory Category:Child pop musicians Category:Internet memes Category:Living people Category:People from Anaheim, California Category:Singers from California

ar:رÙ?بÙ?كا بلاك ca:Rebecca Black de:Rebecca Black es:Rebecca Black fr:Rebecca Black id:Rebecca Black it:Rebecca Black he:רבקה בל×?ק ka:რებეკáƒ? ბáƒ?ეკი lv:Rebeka Bleka hu:Rebecca Black mk:Ребека Блек ml:റെബേകàµ?à´•à´¾ à´¬àµ?ലാകàµ?à´•àµ? nl:Rebecca Black ja:レベッカ・ブラック no:Rebecca Black nn:Rebecca Black uz:Rebecca Black pl:Rebecca Black pt:Rebecca Black ru:БлÑ?к, Ребекка simple:Rebecca Black sr:Rebeka Blek fi:Rebecca Black sv:Rebecca Black uk:Ребекка Блек vi:Rebecca Black zh:ç‘?è´?å?¡Â·å¸ƒè?±å…‹

The term black people is used in systems of racial classification for humans of a dark skinned phenotype, relative to other racial groups. Different societies apply different criteria regarding who is classified as "black", and often social variables such as class, socio-economic status also plays a role so that relatively dark skinned people can be classified as white if they fulfill other social criteria of whiteness and relatively light skinned people can be classified as black if they fulfill the social criteria for blackness. As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as 'black'. But, particularly in the United States, the racial classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry and exhibit cultural traits associated with being "African-American". Therefore, the term 'black people' is not an indicator of skin color but of racial classification.

Some definitions of the term include only people of relatively recent Sub Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture (recent scientific study notes that human skin color diversity is highest in sub-Saharan African populations). Other definitions of the term "black people" extend to other populations characterized by dark skin, including some indigenous to Oceania and Southeast Asia.

Physiological traits

Dark skin

The evolution of dark skin is linked intrinsically to the loss of body hair in humans. By 1.2 million years ago, all people having descendants today had the same receptor protein of today's Africans; their skin was dark, and the intense sun lowered the chance of survival of those with lighter skin that resulted from mutational variation in the receptor protein. This is significantly earlier than the speciation of ''Homo sapiens'' from ''Homo erectus'' some 250,000 years ago.

Skin cancer as a result of ultraviolet light radiation causing mutations in the skin is less common among people with dark skin than it is among those with light skin. Furthermore, dark skin prevents an essential B vitamin, folate, from being destroyed. Therefore, in the absence of modern medicine and diet, a person with dark skin in the tropics would live longer, be healthier and more likely to reproduce than a person with light skin. White Australians have some of the highest rates of skin cancer as evidence of this expectation. Conversely, as dark skin prevents sunlight from penetrating the skin it hinders the production of vitamin D₃. Hence when humans migrated to less sun-intensive regions in the north, low vitamin D₃ levels became a problem and lighter skin colors started appearing. White people of Europe, who have low levels of melanin, naturally have an almost colorless skin pigmentation, especially when untanned. This low level of pigmentation allows the blood vessels to become visible which gives the characteristic pale pink color of white people. The loss of melanin in white people is now thought to have been caused by a mutation in just one letter out of 3.1 billion letters of DNA.

Hair

The texture of hair in people of Sub-Saharan African ancestry is noticeably different from that of Eurasian populations, as was already noted by Herodotus, who described the peoples of Libya (the "western Ethiopians") as ''wooly-haired''.

Such "afro-hair" texture is denser than its straight counterparts. Due to this, it is often referred to as 'thick', 'bushy', or 'woolly'. For several reasons, possibly including its relatively flat cross section (among other factors), this hair type conveys a dry or matte appearance. It is also very coarse, and its unique shape renders it very prone to breakage when combed or brushed.

The specific characteristics of the natural afro-hair form are unique among all mammals. The texture likely predates the evolution of dark skin. It evolved when, as pre-human Australopithecines lost most of their fur to enable perspiration, the need to protect the newly exposed pale skin underneath this body hair was crucial (see in light of Rogers and others., 2004 and Harding and others., 2000). The trait ceased to be essential to survival at the equator upon the evolution of hairless dark skin. Yet it has continued to be expressed vestigially among most Melanesians, Andaman Islanders, and sub-Saharan Africans.

Africa

North Africa

Sub-Saharan

Sub-Saharan Africa is a common, if imprecise term that encompasses African countries located south of the Sahara Desert. It is commonly used to differentiate the region culturally, ecologically, politically and, more controversially, racially, from North Africa, which has historically been part of the Mediterranean sphere. Because the indigenous people of this region are primarily dark-skinned, it is alternatively called "Black Africa". Some criticize the use of the term, because, having become in many quarters synonymous with ''Black Africa'', it can leave the mistaken impression that there are not indigenous Black populations in North Africa. Furthermore, the Sahara cuts across countries such as Mauritania, Mali, Niger, Chad, and South Sudan, leaving some parts of them in North Africa and some in sub-Saharan Africa.

Owen 'Alik Shahadah argues that the term sub-Saharan Africa has racist overtones:

However, some Black Africans prefer to be culturally distinguished from those who live in the north of the continent.

Cultural ideas of a black race

South Africa

In South Africa during the apartheid era, the population was classified into four main racial groups: ''Black'', ''White'', ''Asian'' (mostly Indian), and ''Coloured''. The Coloured group included people of mixed Bantu, Khoisan, and European descent (with some Malay ancestry, especially in the Western Cape). The Coloured definition occupied an intermediary position between the Black and White definitions in South Africa.

The apartheid bureaucracy devised complex (and often arbitrary) criteria in the Population Registration Act to determine who belonged in which group. Minor officials administered tests to enforce the classifications. When it was unclear from a person's physical appearance whether a person was to be considered Colored or Black, the "pencil test" was employed. This involved inserting a pencil in a person's hair to determine if the hair was kinky enough for the pencil to get stuck.

During the apartheid era, those classed as 'Coloured' were oppressed and discriminated against. However, they did have limited rights and overall had slightly better socioeconomic conditions than those classed as 'Black'.

In the post-apartheid era, the ANC government's laws in support of their affirmative action policies define 'Black' people to include "Africans", "Coloureds" and "Asians". Their affirmative action policies have also favored 'Africans' over 'Coloureds'. Some South Africans categorized as 'African Black' openly state that 'Coloureds' did not suffer as much as they did during apartheid. The popular saying by 'Coloured' South Africans to illustrate their dilemma is:

In 2008, the High Court in South Africa ruled that Chinese South Africans who were residents during the apartheid era (and their descendents) are to be reclassified as "Black people" solely for the purposes of accessing affirmative action benefits, because they were also "disadvantaged" by racial discrimination. Chinese people who arrived in the country after the end of apartheid do not qualify.

Other than by appearance, 'Coloureds' can usually be distinguished from 'Blacks' by language. Most speak Afrikaans or English as a first language, as opposed to Bantu languages such as Zulu or Xhosa. They also tend to have more European-sounding names than Bantu names.

In the Middle East

Arab world

Black African and Near Eastern peoples have interacted since prehistoric times. Some historians estimate that as many as 14 million black slaves crossed the Red Sea, Indian Ocean, and Sahara Desert in the Arab slave trade from 650 to 1900 CE. The Moroccan Sultan Moulay Ismail "the Bloodthirsty" (1672–1727) raised a corps of 150,000 black slaves, called his Black Guard, who coerced the country into submission.

In more recent times, about 1000 CE, interactions between black people and Arabs resulted in the incorporation of extensive Arabic vocabulary into Swahili, which became a useful ''lingua franca'' for merchants. Some of this linguistic exchange occurred as part of the slave trade; the history of Islam and slavery shows that the major juristic schools traditionally accepted the institution of slavery. As a result, Arab influence spread along the east coast of Africa and to some extent into the interior (see Swahili people). Timbuktu was a trading outpost that linked West Africa with Berber, Arab, and Jewish traders throughout the Arab World. As a result of these interactions, some female-mediated gene flow into the Middle East from Sub-Saharan Africa can be observed in certain populations.

According to Dr. Carlos Moore, resident scholar at Brazil's University of the state of Bahia, Afro-multiracials in the Arab world self-identify in ways that resemble Latin America. He claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry. Moore also claims that a film about Egyptian President Anwar Sadat had to be canceled when Sadat discovered that an African-American had been cast to play him. In fact, the 1983 television movie ''Sadat'', starring Louis Gossett, Jr., was not canceled. The Egyptian government refused to let the drama air in Egypt, partially on the grounds of the casting of Gossett.

Sadat's mother was a dark-skinned Sudanese woman and his father was a lighter-skinned Egyptian. In response to an advertisement for an acting position he remarked, "I am not white but I am not exactly black either. My blackness is tending to reddish".

Fathia Nkrumah was another Egyptian with ties to Black Africa. She was the late wife of Ghanaian revolutionary Kwame Nkrumah, whose marriage was seen as helping plant the seeds of cooperation between Egypt and other African countries as they struggled for independence from European colonization, which in turn helped advance the formation of the African Union.

Because of the patriarchal nature of Arab society, Arab men had more use of black female slaves than black male slaves, more black women were enslaved than men, and, because the Qur'an was interpreted to permit sexual relations between a male master and his female slave outside of marriage, many mixed race children resulted. When an enslaved woman became pregnant with her Arab captor's child, she became “umm walad� or “mother of a child�, a status that granted her privileged rights. The child would have prospered from the wealth of the father and been given rights of inheritance. Because of patrilineality, the children were born free and sometimes even became successors to their ruling fathers, as was the case with Sultan Ahmad al-Mansur, (whose mother was a Fulani concubine), who ruled Morocco from 1578 to 1608. Such tolerance, however, was not extended to wholly black persons, even when technically "free," and the notion that to be black meant to be a slave became a common belief. The term "abd", (,) "slave," remains a common term for black people in the Middle East, often though not always derogatory.

Turkey

Beginning several centuries ago, a number of sub-Saharan Africans were brought by slave traders during the Ottoman Empire to plantations between Antalya and Istanbul in modern-day Turkey. Some of their descendants remain, mixed with the rest of the population in these areas, and many migrated to larger cities. Some came from the island of Crete following the population exchange between Greece and Turkey in 1923.

Israel

About 150,000 black people live in Israel, amounting to just over 2% of the nation's population. The vast majority of these, some 120,000, are Beta Israel, most of whom came during the 1980s and 1990s. In addition, Israel is home to over 5,000 members of the African Hebrew Israelites of Jerusalem movement who reside mainly in a distinct neighborhood in the Negev town of Dimona. Unknown numbers of black converts to Judaism reside in Israel, most of then converts from the UK, Canada, and the United States. Thousands of mixed-race individuals with non-black Jewish relatives also live in Israel.

In the Americas

Approximately 12 million Africans were shipped to the Americas during the Atlantic slave trade from 1492 to 1888. Today their descendants number approximately 150 million, most of whom live in the United States, the Caribbean and Latin America, including Brazil. Many have a multiracial background of African, Amerindian, European and Asian ancestry. The various regions developed complex social conventions with which their multi-ethnic populations were classified.

United States

In the first 200 years that black people had been in the United States, they commonly referred to themselves as Africans. In Africa, people primarily identified themselves by ethnic group (closely allied to language) and not by skin color. Individuals would be Ashanti, Igbo, Bakongo or Wolof. But when Africans were brought to the Americas they were forced to give up their ethnic affiliations for fear of uprisings. The result was the Africans had to intermingle with other Africans from different ethnic groups. This is significant as Africans came from a vast geographic region, the West African coastline stretching from Senegal to Angola and in some cases from the south east coast such as Mozambique. A new identity and culture was born that incorporated elements of the various ethnic groups and of European cultural heritage, resulting in fusions such as the Black church and Black English. This new identity was now based on skin color and African ancestry rather than any one ethnic group.

In March 1807, Britain, which largely controlled the Atlantic, declared the trans-atlantic slave trade illegal, as did the United States. (The latter prohibition took effect January 1, 1808, the earliest date on which Congress had the power to do so under Article I, Section 9 of the United States Constitution.)

By that time, the majority of black people were U.S.-born, so use of the term "African" became problematic. Though initially a source of pride, many blacks feared its continued use would be a hindrance to their fight for full citizenship in the US. They also felt that it would give ammunition to those who were advocating repatriating black people back to Africa. In 1835 black leaders called upon black Americans to remove the title of "African" from their institutions and replace it with "Negro" or "Colored American". A few institutions however elected to keep their historical names such as African Methodist Episcopal Church. "Negro" and "colored" remained the popular terms until the late 1960s.

The term ''black'' was used throughout but not frequently as it carried a certain stigma. In his 1963 "I Have a Dream" speech, Martin Luther King, Jr. uses the terms ''Negro'' 15 times and ''black'' 4 times. Each time he uses ''black'' it is in parallel construction with ''white'' (for example,, black men and white men). With the successes of the civil rights movement a new term was needed to break from the past and help shed the reminders of legalized discrimination. In place of ''Negro'', ''black'' was promoted as standing for racial pride, militancy and power. Some of the turning points included the use of the term "Black Power" by Kwame Toure (Stokely Carmichael) and the release of James Brown's song "Say It Loud - I'm Black and I'm Proud". In 1988 Jesse Jackson urged Americans to use the term African American because the term has a historical cultural base. Since then African American and black have essentially a coequal status. There is still much controversy over which term is more appropriate. Some such as Maulana Karenga and Owen Alik Shahadah argue African-American is more appropriate because it accurately articulates geography and historical origin. Others have argued that "Black" is a better term because "African" suggests foreignness, despite the long presence of Black people in the US. Still others believe the term black is inaccurate because African Americans have a variety of skin tones. Surveys show that the majority of Black Americans have no preference for whether "African American" or "Black" is employed to describe them, although they also show that there is a slight preference for "Black" in personal settings and "African American" in more formal settings. The appropriateness of the term "African American" is further confused, however, by increases in the number of immigrants from Africa, the Caribbean and Latin America. The more recent African immigrants may sometimes view themselves, and be viewed, as culturally distinct from native descendants of African slaves.

The U.S. census race definitions says a black is a person having origins in any of the black racial groups of Africa. It includes people who indicate their race as "Black, African Am., or Negro," or who provide written entries such as African American, Afro American, Kenyan, Nigerian, or Haitian. However, the Census Bureau notes that these classifications are socio-political constructs and should not be interpreted as scientific or anthropological.

A considerable portion of the U.S. population identified as ''black'' actually have some Native American or White ancestry. For instance, genetic studies of African American people show an ancestry that is on average 17–18% European.

One drop rule

Historically, the United States used a colloquial term, the ''one-drop rule'', to designate a black person as any person with any known African ancestry. Legally the definition varied from state to state. Thomas Jefferson had slaves who were legally white (less than 25% Black) and legally slaves (mother was a slave). Outside of the US, some other countries have adopted the practice, but the definition of who is black and the extent to which the one drop "rule" applies varies from country to country.

The one drop rule may have originated as a means of increasing the number of black slaves and been maintained as an attempt to keep the white race pure. One of the results of the one drop rule was uniting the African American community and preserving an African identity. Some of the most prominent civil rights activists were multiracial, and advocated equality for all.

Blackness

thumb|upright|right|Barack Obama, the first black president of the United States, was throughout his campaign criticized as being either "too black" or "not black enough".The concept of blackness in the United States has been described as the degree to which one associates themselves with mainstream African American culture and values. To a certain extent, this concept is not so much about race but more about culture and behavior. Blackness can be contrasted with "acting white" where black Americans are said to behave with assumed characteristics of stereotypical white Americans, with regard to fashion, dialect, taste in music, and possibly, from the perspective of a significant number of Black youth, academic achievement.

The notion of blackness can also be extended to non-black people. Toni Morrison once described Bill Clinton as the first black president, because of his warm relations with African Americans, his poor upbringing and also because he is a jazz musician. Christopher Hitchens was offended by the notion of Clinton as the first black president noting "we can still define blackness by the following symptoms: alcoholic mothers, under-the-bridge habits...the tendency to sexual predation and shameless perjury about the same" Some black activists were also offended, claiming Clinton used his knowledge of black culture to exploit black people like no other president before for political gain, while not serving black interests. They note his lack of action during the Rwanda genocide and his welfare reform which some claim led to the worst child poverty since the 1960s along with the fact that the number of black people in jail increased during his administration.

The question of blackness also arose in Democrat Barack Obama's 2008 presidential campaign. Commentators have questioned whether Obama, who was elected the first black President of the United States, is black enough, as his mother was white American, and his father was a black Kenyan immigrant. Obama refers to himself interchangeably as black and African American.

Brazil

The topic of race in Brazil is a complex and diverse one. A Brazilian child was never automatically identified with the racial type of one or both parents, nor were there only two categories to choose from. Between a pure black and a very light mulatto over a dozen racial categories would be recognized in conformity with the combinations of hair color, hair texture, eye color, and skin color. These types grade into each other like the colors of the spectrum, and no one category stands significantly isolated from the rest. That is, race referred to appearance, not heredity.

There is some disagreement among scholars over the effects of social status on racial classifications in Brazil. It is generally believed that upward mobility and education results in reclassification of individuals into lighter skinned categories. The popular claim is that in Brazil poor whites are considered black and wealthy blacks are considered white. Some scholars disagree arguing that whitening of one's social status may be open to people of mixed race, but a typically black person will consistently be identified as black regardless of wealth or social status.

Statistics

+Demographics of Brazil
Year!! White !! Pardo!! Black
1835	24.4%	18.2%	51.4%
2000	53.7%	38.5%

From the year 1500 to 1850 an estimated 3.5 million Africans were forcibly shipped to Brazil. An estimated 80 million Brazilians, almost half the population, are at least in part descendants of these Africans. Brazil has the largest population of Afro-descendants outside of Africa. In contrast to the US there were no segregation or anti-miscegenation laws in Brazil and as a result intermarriage has affected a large majority of the Brazilian population. Even much of the white population has either African or Amerindian blood. According to the last census 54% identified themselves as white, 6.2% identified themselves as black and 39.5% identified themselves as Pardo (brown)- a broad multiracial category.

A philosophy of whitening emerged in Brazil in the 19th century. Until recently the government did not keep data on race. However, statisticians estimate that in 1835 half the population was black, one fifth was Pardo (brown) and one fourth white. By 2000 the black population had fallen to only 6.2% and the Pardo had increased to 40% and white to 55%. Essentially most of the black population was absorbed into the multiracial category by intermarriage. A recent study found that at least 29% of the middle class white Brazilian population had some recent African ancestry.

Race relations in Brazil

Because of the ideology of miscegenation, Brazil has avoided the polarization of society into black and white. The bitter and sometimes violent racial tensions that divide the US are notably absent in Brazil.

However, the philosophy of the racial democracy in Brazil has drawn criticism from some quarters. Brazil has one of the largest gaps in income distribution in the world. The richest 10% of the population earn 28 times the average income of the bottom 40%. The richest 10 percent is almost exclusively white. One-third of the population lives under the poverty line, with blacks and other non-whites accounting for 70 percent of the poor.

In the US, black people earn 75% of what white people earn. In Brazil, non-whites earn less than 50% of what whites earn. Some have posited that Brazil does in fact practice the one drop rule when social economic factors are considered. This is because the gap in income between blacks and other non-whites is relatively small compared to the large gap between whites and non-whites. Other factors such as illiteracy and education level show the same patterns. Unlike in the US where African Americans were united in the civil rights struggle, in Brazil the philosophy of whitening has helped divide blacks from other non-whites and prevented a more active civil rights movement.

Though Afro-Brazilians make up half the population there are very few black politicians. The city of Salvador, Bahia for instance is 80% Afro-Brazilian but has never had a black mayor. Critics indicate that US cities that have a black majority, such as Detroit and New Orleans, have never had white mayors since first electing black mayors in the 1970s.

Non-white people also have limited media visibility. The Latin American media, in particular the Brazilian media, has been accused of hiding its black and indigenous population. For example the telenovelas or soaps are said to be a hotbed of white, largely blonde and blue/green-eyed actors who resemble Scandinavians or other northern Europeans more than they resemble the typical whites of Brazil, who are mostly of Southern European descent.

These patterns of discrimination against non-whites have led some to advocate for the use of the Portuguese term 'negro' to encompass non-whites so as to renew a black consciousness and identity, in effect an African descent rule.

In Asia and Australasia

China

As of August, 2008, ''The Migration Information Source'' article noted that "A Nigerian Embassy spokesman estimated that Nigerians possibly make up the largest group of Black Africans in China, with about 2,000 to 3,000 Nigerians in Guangdong in 2006. Most businessmen only stay temporarily."

India and Southeast Asia

The Great Andamanese are one of five Afro Asian ethnic groups (Adivasi or tribal) native to the Andaman and Nicobar Islands; they are among the first inhabitants of what is now India, arriving over 70,000 years ago. They are facing extinction. The other four ethnic groups are the Jangil, Jarawa, Onge and Sentinelese. By their external physical appearance (phenotype) such people resemble Black Africans with dark skin and sometimes tightly coiled hair. There have been suggestions of a Black African origin. However, in the case of the Andamanese people, a study conducted by the NCBI indicated that the Andamanese people possessed closer affinities with the Southeast Asian population than with the Black African population.

In South India there are also several communities of Black African descent, such as the Sheedis/Siddis, specifically the Siddis of Karnataka, who descend from Zanj (Black African) slaves. In Pakistan, Zanj descendants are known as the Makrani.

Other black people of Southeast Asia, collectively known as Negritos, include the Aeta people of Luzon and the Ati of Panay in the Philippines.

Melanesia

There are several groups of dark-skinned people who live in various parts of Asia, Australia and Oceania who sometimes are referred to as black people. They include the Indigenous Australians, the Melanesians (now divided into Austronesian-speaking populations and Papuans, and including the great genetic diversity of New Guinea), the Semang people of the Malay peninsula, and indigenous first nation Fijians.

In Europe

United Kingdom

According to the Office for National Statistics, as of the 2001 census, there are over a million black people in the United Kingdom; 1% of the total population describe themselves as "Black Caribbean", 0.8% as "Black African", and 0.2% as "Black other". Britain encouraged the immigration of workers from the Caribbean after World War II; the first symbolic movement was those who came on the ship the ''Empire Windrush''. The preferred official umbrella term is "black and minority ethnic" (BME), but sometimes the term "black" is used on its own, to express unified opposition to racism, as in the Southall Black Sisters, which started with a mainly British Asian constituency.

France

France is an ethnically diverse nation, with about 2.5 – 5 million black people.

Balkans

Due to the Ottoman slave trade that had flourished in the Balkans, the coastal town of Ulcinj in Montenegro had its own black community. As a consequence of the slave trade and privateer activity, a considerable number of Ulcinj inhabitants until 1878 were black. The Ottoman Army also sent an estimated 30,000 Black African troops and cavalrymen to its expedition in Hungary during the Austro-Turkish War of 1716–18.

Eastern Europe

As African states became independent in the 1960s, the Soviet Union offered many of their citizens the chance to study in Russia. Over a period of 40 years, about 400,000 African students from various countries moved to Russia to pursue higher studies, including many Black Africans. This extended beyond the Soviet Union to many countries of the Eastern bloc.

Debates on race

In Afrocentrism

A controversy over the skin color and ethnic origins of the ancient Egyptians was sparked as part of the Afrocentric debate. Afrocentrist scholars such as Cheikh Anta Diop contend that ancient Egypt was primarily a "black civilization". One source cited in support of their argument is Herodotus, who wrote around 450 B.C. that "Colchians, Ethiopians and Egyptians have thick lips, broad nose, woolly hair and they are burnt of skin." However, Classical scholar Frank Snowden, Jr. cautions against the reliance on accounts by ancient writers to describe the physical characteristics of other ancient peoples, as they held different connotations from those of modern-day terminology in the West. He also points out that other ancient writers clearly distinguished between Egyptians and Ethiopians.

Keita and Boyce confront this issue in a 1996 article entitled, "The Geographical Origins and Population Relationships of Early Ancient Egyptians". As anthropologists, they point out the danger in relying on ancient interpretation to reveal for us the biological make up of a population. In any case they contend, the relevant data indicates greater similarity between Egyptians and Ethiopians than the former group with the Ancient Greeks.

Ancient Egyptians are often portrayed in modern media as Caucasians. Afrocentrists, in particular, have been critical of this. According to Egyptologists, ancient Egypt was a multicultural society of Middle Eastern, Northeast African, and Saharan influences. Afrocentrists argue that anthropological and archaeological evidence shows that what they term an ''Africoid'' element was evident in ancient Egypt, which they argue was predominant in Abydos in the First dynasty of Egypt.

See also

African-American

African diaspora

African Jews

Afro-Europeans

Afro-Asian

Afro Asians (African Asians)

Afro-Latino

Afro-Trinbagonian

Black British

Black Canadians

Black Hispanic and Latino Americans

Black Indians

Black Jews

Black nationalism

Black Power

Black pride

Black separatism

Black supremacy

Creole peoples

List of topics related to the Black Diaspora

Mulatto

Negritos

Stereotypes of black people

Sub-Saharan Africa

''The Minds of Marginalized Black Men'' (book)

Footnotes

Category:Latin American caste system Category:Race

ca:Raça negra de:Schwarze et:Neegrid es:Negro (persona) eo:Nigrulo fr:Noir (humain) ko:í?‘ì?¸ la:Nigrita simple:Black people sv:Svart (hudfärg) uk:Ð?егр ug:قارا تەنلىكلەر wuu:黑人 yi:שוו×?רצע zh-yue:黑人 bat-smg:NegrÄ? zh:黑人