![Paheli - Dheere Jalna (Male + Female) / German Subtitle / [2005]](http://web.archive.org./web/20110621204533im_/http://i.ytimg.com/vi/XGuj6oiCEIs/0.jpg "Paheli - Dheere Jalna (Male + Female) / German Subtitle / [2005]")
| Name | Paheli |
|---|---|
| Caption | Theatrical release poster |
| Director | Amol Palekar |
| Producer | Gauri KhanShahrukh Khan |
| Story | Vijayadan DethaSandhya GokhaleAmol Palekar |
| Screenplay | Sandhya Gokhale |
| Narrator | Naseeruddin Shah |
| Starring | Shahrukh KhanAnupam KherRani MukherjeeAmitabh BachchanSunil ShettyJuhi ChawlaRajpal Yadav |
| Music | M.M. Kreem |
| Cinematography | Ravi K. Chandran |
| Editing | Amitabh Shukla |
| Distributor | Red Chillies Entertainment |
| Released | June 24, 2005 |
| Runtime | 141 mins |
| Country | India |
| Language | Hindi |
Sunil Shetty, Juhi Chawla, Rajpal Yadav and Amitabh Bachchan have special appearances in the film.
The movie opened the ninth Zimbabwe International Film Festival at the Libertie Cinema Complex in Harare. Critics claim that this movie's screenplay is loosely based on the Girish Karnad's critically acclaimed Kannada movie Nagamandala. The working title of the movie was Ghost Ka Dost (translates to Friend of a Ghost).
Lachchi is thus presented a riddle (hence the title "paheli") between the representation of all of her desires in the form of the ghost and her real husband. She takes this new, fond, sexual, magical, social, self-confident version of Kishen as hers. As Kishen, the ghost befriends all of the real Kishen's family and keeps Bhanwarlal happy by providing him with magical, possibly illusory, gold coins. His only blunder is in his treatment of the messenger Bhoja, who is perplexed by the idea that Kishen has sent a letter from his business trip only to receive it himself in his own house and offended when the ghost (who appears as Kishen) does not offer him a drink of water. Lachchi's bliss goes on until four years later, when she is pregnant and the real Kishen returns to see if the rumors about his wife's pregnacy are true. He returns to find the ghost in his (Kishen's) own form. Kishen's family is unable to determine which of the doppelgangers is the real Kishen (the ghost refusing to confess). They decide to visit the king so that he can arbitrate. On the way to the king they meet an old shepherd Gadariya (Amitabh Bachchan) who helps them out. He asks the real son of Bhanwarlal to pick up hot coals, asks the real husband to gather the sheep, and asks Lachchi's real paramour to enter a water-bottle. The real Kishen is found out and everyone returns home. Lachchi is devastated over the loss of the ghost. In the very end it is revealed that the ghost has escaped the bottle and taken control of Kishen's body in order to live with her. By now Lachchi has given birth to a daughter, Looni Ma, by whose identification the ghost exposes his identity to Lachchi. The puppets close the film, remarking that the film's plot is "an old story".
Song List and Singers:
Category:2005 films Category:Indian films Category:Indian ghost films Category:Hindi-language films Category:Music by M.M. Keeravani Category:Films set in Rajasthan
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Manna Dey |
|---|---|
| Background | solo_singer |
| Birth name | Prabodh Chandra Dey |
| Born | May 01, 1919Calcutta, British India |
| Instrument | Vocalist |
| Genre | Playback singing |
| Occupation | Singer |
| Years active | 1939–present |
| Url | http://www.mannadey.in |
During Dey’s years at Scottish Church College, he sang to entertain his classmates. He began taking singing lessons from his uncle, Krishna Chandra Dey and Ustad Dabir Khan. During this period, Manna Dey stood first for three consecutive years in three different categories of inter-collegiate singing competitions.
In 1942, Dey accompanied Krishna Chandra Dey on a visit to Bombay. There he started working as an assistant, first under Krishna Chandra Dey, and then under Sachin Dev Burman. Later he assisted other music composers and then started to work independently. While working independently as a music director for various Hindi movies, Manna Dey continued to take musical lessons in Hindustani classical music from Ustad Aman Ali Khan and Ustad Abdul Rahman Khan.
Dey started his career in playback singing with the movie, Tamanna, in 1943. The musical score was by Krishna Chandra Dey and Manna sang a duet with Suraiya. The song was an instant hit. He sang a solo composed by Sachin Dev Burman, Upar Gagan Vishal, in the 1950 movie, Mashal. Its lyrics were written by Kavi Pradeep. In 1952, Dey sang for a Bengali and a Marathi movie with the same name and storyline, Amar Bhupali. This established him as a leading playback singer.
Dey recorded a popular duet, Ketaki Gulab Juhi, with classicist Bhimsen Joshi. With Kishore Kumar, he sang duets of different genres such as, Yeh Dosti Hum Nehi Torenge (Sholay) and Ek Chatur Naar (Padosan). Dey sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), in Bengali movies, and also for some other Bengali composers. He sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. He also performed Rabindra Sangeet and has recorded over 3500 songs.
Manna Dey currently lives in Bangalore in the township of Kalyannagar after spending more than fifty years in Mumbai. He also maintains a Calcutta address. He still travels widely in the world to present musical programs.
His Bengali-language autobiography, Jiboner Jalsaghorey, has been published by the renowned Ananda Publisher in the year 2005 which has been translated in English as Memories Come Alive, in Hindi as Yaden Jee Uthi and in Marathi as Jiboner Jalsaghorey.
Jibaner Jalsaghore, a documentary on Dey's life, was released in 2008. Manna Dey Sangeet Academy is developing a complete archive on Manna Dey. In association with Rabindra Bharati University, Kolkata, the Manna Dey Music Archive has been developed in the Sangeet Bhawan.
The following is the list of Manna Dey's other awards:
Category:1919 births Category:Living people Category:Bollywood playback singers Category:Indian actors Category:Indian autobiographers Category:Indian film singers Category:Indian male singers Category:Indian memoirists Category:Recipients of the Padma Bhushan Category:Recipients of the Padma Shri Category:Alumni of Vidyasagar College, Kolkata Category:Alumni of Scottish Church College, Calcutta Category:University of Calcutta alumni Category:Dadasaheb Phalke Award recipients Category:Marathi-language singers Category:Marathi playback singers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Kishore Kumar |
|---|---|
| Background | solo_singer |
| Spouse | Rama Devi, Madhubala, Yogeeta Bali, Leena Chandawarkar |
| Birth name | Abhas Kumar Ganguly |
| Born | August 04, 1929Khandwa, Central Provinces and Berar |
| Died | October 13, 1987Mumbai, Maharashtra |
| Genre | Playback, Rabindra Sangeet, rock and roll |
| Occupation | Singer, actor, director, musician, producer |
| Years active | 1946–1987 |
Kishore Kumar (, ; 4 August 1929 – 13 October 1987) was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He was the winner of 8 Filmfare Award for Best Male Playback Singer and holds the record for most number of Filmfare Awards won for that category.
While Kishore Kumar was still a child, Ashok Kumar became a popular Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore Kumar also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and he tried to follow Saigal's singing style.
Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.
He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music. However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.
Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving brothers.
Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. He kept Burman's advice in mind, and eventually developed his own style of singing, which featured the yodeling that he had heard on some records of Jimmie Rodgers bought by his brother Anoop Kumar.
S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). When S. D. Burman was not on good terms with Lata Mangeshkar during 1957-62, he gave patronage to her younger sister, Asha Bhosle. The Asha Bhosle-Kishore Kumar duets composed by S. D. Burman include "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).
C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.
R. D. Burman frequently used Kishore Kumar as the male singer, and recorded several hit songs with him in the 1970s. Some of the popular Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote", Humein Tum Se Pyaar Kitna from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke" (Amar Prem), "Jab Bhi Koi Kangana" from Shaukeen (1986). R. D. Burman also recorded several hit duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).
Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many hit songs sung by Kishore Kumar. Some of their hit songs include Mere Mehboob Qayamat Hogi from Mr. X In Bombay, Mere Naseeb Mein Aye Dost from Do Raaste, Yeh Jeevan Hai from Piya Ka Ghar, Mere Dil Mein Aaj Kya Hai from , Nahi Mai Nahi Dekh Sakta from Majboor, Mere diwanepan ki bhi from Mehboob Ki Mehndi, Naach Meri Bulbul from Roti, Chal Chal Mere Haathi from Haathi Mere Saathi, Gaadi Bula Rahi Hai from Dost, Ruk Jaana Nahi from Imtihaan, Ek Ritu Aaye from Gautam Govinda, My Name Is Anthony Gonsalves from Amar Akbar Anthony Bahut Khoobsurat Jawan Ek Ladki from Dostana and Om Shanti Om as well as Paisa Yeh Paisa from Karz. L-P, also composed several hit Kishore-Lata duets, including Achchha To Hum Chalte Hain from Aan Milo Sajna, Gore Rang Pe Na Itna from Roti, Main Solah Baras Ki from Karz, and Din Mahine Saal from Avtaar, Tu Kitne Baras Ki from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, I love you (Kaate Nahin Katate Yeh Din Yeh Raat) from Mr. India in (1987). Salil Chowdhury recorded songs like Koi Hota Jisko Apna from Mere Apne and Gujar Gaye Din Din from Annadata. Ravindra Jain recorded Ghungroo Ki Tarah, and the duet Tota Maina Ki Kahani from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as Hazar Rahein from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several hit songs with Kishore Kumar including Zindagi Ka Safar and Jeevan se na haar Jeenewale , from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam''.
Other composers including Rajesh Roshan, Sapan Chakravarty, and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's first hit film Julie featured hit songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other hits include Chhookar mere man ko from Yaarana , Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge from Baaton Baaton Mein. Bappi Lahiri also recorded many popular songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.
During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for a Congress rally in Mumbai, but Kishore Kumar refused. As a result, the Government put an unofficial ban on playing Kishore Kumar songs on the All India Radio or television.
With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar also became a Bollywood singer in the 1980s. Kishore Kumar also continuted singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.
However, on 13 October 1987, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.
Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled Kiss Kiss, Bang Bangalore. His songs have also been featured in several films, including Such a Long Journey (1998) and Side Streets (1998). Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.
He married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar's second wife was the actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage. Kishore Kumar even converted to Islam, and took the name Karim Abdul.
His family was against the marriage, and the couple also had a Hindu marriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala's death on 23 February 1969. Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore Kumar was married to Leena Chandavarkar from 1980 until his death.
Kishore Kumar had two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.
Kishore Kumar is said to have been paranoid about not being paid. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.
In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.
Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut". 1972 - Best Male Playback Singer for Andaz 1973 - Best Male Playback Singer for Hare Rama Hare Krishna 1975 - Best Male Playback Singer for Kora Kagaz
Category:1929 births Category:1987 deaths Category:Bengali people Category:People from Khandwa Category:Indian male singers Category:Indian actors Category:Indian film actors Category:Indian film singers Category:Cardiovascular disease deaths in India Category:Indian comedians Category:Bollywood playback singers Category:Yodelers Category:Bengali musicians Category:Bengali actors Category:Assamese playback singers Category:Indian former Muslims Category:People from Mumbai Category:Hindi film actors Category:Hindi film directors Category:Indian film directors Category:Indian film producers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Geeta Bali |
|---|---|
| Birth date | 1930 |
| Birth place | India |
| Yearsactive | 1952 - 1964 |
| Death date | 21 January 1965 (aged 35) |
Geeta Bali (1930 – 21 January 1965) was a popular film actress from Bollywood.
Her secretary was Surinder Kapoor, father of producer Boney Kapoor and actor Anil Kapoor.
She died on 21 January 1965 stricken by smallpox.
Category:1930 births Category:1965 deaths Category:Indian Sikhs Category:Indian actors Category:Hindi film actors Category:Punjabi people Category:Deaths from smallpox Category:Infectious disease deaths in India
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Asha Bhosle |
|---|---|
| Background | solo_singer |
| Birth name | Asha Mangeshkar |
| Born | September 08, 1933Sangli, Bombay Presidency, British India |
| Genre | Pop, folk, Indian classical music |
| Occupation | Singer, playback singer |
| Years active | 1943–present |
Renowned for her voice range and often credited for her versatility, Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung in over 18 languages including Assamese, Hindi, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.
In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. The World Records Academy, an international organization which certifies world records, recognized her as the "Most Recorded Artist" in the world, in September 2009.
At the age of 16, she eloped with 31-year-old Ganpatrao Bhosle, marrying him against her family's wishes. Ganpatrao was sister Lata's personal secretary. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Bhosle was turned out (around 1960) by a suspicious Ganpatrao and she went to her maternal home with two children and pregnant with her third child, Anand. She continued to sing in films to earn money.
At that time, prominent playback singers like Geeta Dutt, Shamshad Begum and Lata Mangeshkar (her sister) monopolized the singing for the "heroine" roles and the big films, whilst Asha Bhosle used to get the assignments they did not take: singing for the bad girls and vamps, or songs in the second-grade movies. In the 1950s, she sang more songs than most other playback singers in Bollywood (not counting Lata), yet most of these were in low budget B or C-grade films. Her earliest songs were composed by A R Qureshi, Sajjad Hussain and Ghulam Mohammed, most of which failed to do well. Some of the most popular Asha Bhosle-Helen numbers are Piya Tu Ab To Aaja (Caravan), O Haseena Zulfon Wali (Teesri Manzil), and Yeh Mera Dil (Don).
By the 1980s, Asha Bhosle had been stereotyped as a "cabaret singer" and a "pop crooner". In Rekha-starrer Umrao Jaan, she proved her versatility by singing ghazals like Dil cheez kya hai, In aankhon ki masti ke, Ye kya jagah hai doston and Justju jiski thi. The music director Khayyam, had lowered her pitch by half a note. Asha herself was surprised that she could sing so differently. The ghazals won her the first National Award of her career. A few years later, she won another National Award for the song Mera Kuchh Saamaan from Ijaazat (1987).
In 1995, a 62-year-old Asha Bhosle did playback for young actress Urmila Matondkar in the movie Rangeela. The soundtrack featured songs like Tanha Tanha and Rangeela Re sung by her, and composed by music director A. R. Rahman, who went on to record many more songs with her.
As late as 2005, 72-year-old Asha Bhosle's numbers for the Tamil film Chandramukhi and the pop song Lucky Lips for Salman Khan-starrer were chartbusters. Some of the other popular Tamil songs sung by Bhosle are Oh! Butterfly, September Maadham and Vennila Vennila.
In October 2004, The Very Best of Asha Bhosle, The Queen of Bollywood, a compilation album of songs recorded by Bhosle for albums and Bollywood films that were released during 1966-2003, was released.
Music director O. P. Nayyar's association with Asha Bhosle is part of Bollywood lore. He was the composer who first gave Asha her own distinct identity. Many people have speculated about a romantic relationship between the two.
Nayyar first met Asha in 1952, at the music recording of Chham Chhama Chham. He first called her for a film called Mangu (1954), and gave her a big break in CID (1956). However, it was the success of Naya Daur (1957), that made the duo very popular. After 1959, she was emotionally and professionally involved with Nayyar.
The team of O.P. Nayyar and Asha Bhosle is best remembered for their breezy and sometimes sirenish songs. Some good examples of their sensuous numbers are Aaiye meherbaan picturised on Madhubala (Howrah Bridge, 1958) and Yeh hai reshmi zulfon ka andhera picturised on Mumtaz (Mere Sanam, 1965). They recorded songs for many hit movies like Naya Daur (1957), Tumsa Nahin Dekha (1957), Howrah Bridge (1958), Ek Musafir Ek Hasina (1962), Kashmir Ki Kali (1964), etc. Some of their most popular songs include Aao huzur tumko (Kismat), Jaaiye aap kahan (Mere Sanam) etc. O.P. Nayyar used the Asha Bhosle-Mohammad Rafi duo for his most popular duets. some of these songs include Ude jab jab zulfein teri (Naya Daur). Main pyaar ka rahi hoon (Ek Musafir Ek Haseena), Deewana Hua Baadal, Ishaaron hi isharon mein (Kashmir Ki Kali) etc.
Asha recorded her last song for O.P. Nayyar in the movie Pran Jaye Par Vachan Na Jaye (1974). The solo number Chain se got many awards, but it was not included in the movie.
They split on August 5, 1972. It is not clear what made them part their ways. On being asked the reason for their parting, O P Nayyar once said, "I know astrology very well. I knew that one day I had to part with her. Something also happened, that upset me, so I left her." She gives the credit for her first big break to B. R. Chopra, the producer of Naya Daur.
;Khayyam Another music director who recognized Bhosle's talent early was Khayyam. His partnership with Asha Bhosle dates back to his first movie Biwi (1948). Khayyam gave her some good assignments in the 1950s, including Dard and Phir Subah Hogi. But the team is chiefly remembered for the songs of Umrao Jaan.
;Ravi Music composer Ravi considered Asha one of his favorite singers. She sang for his first movie Vachan (1955). The melodious lullaby from the movie, Chandamama door ke became an overnight hit among young mothers in India. Ravi got her to sing bhajans for the movies Gharana, Grihasti, Kajal and Phool Aur Patthar, at a time when most of the composers remembered her only when they needed to record B-grade songs picturized on the vamps or the side-heroines. Ravi and Asha Bhosle recorded a variety of songs, including the popular funny duet with Kishore Kumar - C A T...Cat maane billi (Dilli Ka Thug). The bhajan Tora man darpan (Kajal) is considered one of Asha Bhosle's best songs.
They also recorded songs for many popular movies like Waqt, Chaudhvin Ka Chand, Gumrah, Bahu Beti, China Town, Aadmi Aur Insaan, Dhund, Humraaz, and Kajal with her. For Chaudhvin Ka Chand, Ravi wanted Geeta Dutt (the wife of producer Guru Dutt) to sing the songs. But when she backed out, Guru Dutt insisted that Asha Bhosle sing the songs. During this period, S D Burman used Asha Bhosle as his lead female voice. She and S D Burman gave many hit songs in movies such as Kaala Pani, Kaala Bazaar, Insaan Jaag Utha, Lajwanti, Sujata and Teen Deviyaan (1965). They recorded many songs together after 1962 as well. Most famous of these songs were Asha Bhosle's duets with Mohammed Rafi and Kishore Kumar. The song Ab ke baras in Bimal Roy's Bandini (1963) consolidated her position as a lead singer. The seductive song Raat Akeli Hai from Jewel Thief (1967), picturised on Tanuja, became very popular.
;Rahul Dev Burman (Pancham) Asha first met Rahul Dev Burman (a.k.a. "Pancham") when she was a mother of two and he was in 10th grade having dropped out to pursue music. Their partnership was first noticed in Teesri Manzil (1966). She went on to record a variety of songs with him - cabarets, rock, disco, ghazals, Indian classical music and many more.
In the 1970s, Asha Bhosle and Pancham's youthful, Western songs took Bollywood music by storm - the raunchy cabaret Piya tu ab to aaja (Caravan, 1971, picturized on Helen), the rebellious Dum Maro Dum ( Hare Rama Hare Krishna, 1971), the sexy Duniya mein (Apna Desh, 1972), the romantic Chura Liyaa Hai Tumne (Yaadon Ki Baaraat, 1973). Pancham also recorded many hit duets with Asha Bhosle and Kishore Kumar - Jaane jaan, dhoondhta phir raha (Jawani Diwani), Bhali bhali si ek soorat (Buddha Mil Gaya) etc.
In 1980s, Pancham and Asha Bhosle recorded subtle numbers for films like Ijaazat (1987)- Mera kuch saaman, Khaali haath shaam aayi hai, Katra Katra. They also recorded the popular duet O Maria (Saagar). Mera Kuchch saamaan, the R.D. Burman composition for Gulzar's Ijaazat won her the National Award for Best Singer.
Asha Bhosle used to call R D Burman "Bubs". She married him in 1980. Their partnership lasted until his death.
RD Burman made her sing some of the most legendary songs in Bengali language as well, namely Mohuyae Jomechhe Aaj mou go,Chokhe Chokhe kotha bolo Chokhhe naame brishti(Bengali version of Jaane Kya Baat hai), Baanshi sune ki ghore thaka jaye,Sondhya Belae tumi aami,Aaj Gungun gun gunje amar (Bengali version of Pyaar Deewana hota hai),etc.
;Ilaiyaraaja The prolific south Indian film composer Ilaiyaraaja began employing Asha Bhosle's vocals in the early 1980s, their earliest collaboration being for the film Moondram Pirai (1982) (or Sadma, its Hindi remake in 1983). Their association continued, mostly through the latter half of the 1980s and early 1990s. Some of their notable songs from this period include Shenbagamae (Enga Ooru Paattukkaaran, 1987, Tamil). In 2000, Asha sung Ilaiyaraaja's theme song for Kamal Haasan's political film Hey Ram. The song, Janmon Ki Jwala (or Aparna's Theme), was a duet with ghazal singer Hariharan.
;A. R. Rahman A. R. Rahman is given the credit for Asha Bhosle's 'comeback' with Rangeela (1994). Songs like Tanha Tanha and Rangeela Re were chartbusters. She and Rahman went on to record more hits like Mujhe Rang De (Thakshak), Radha Kaise Na Jale (Lagaan, duet with Udit Narayan), Kahin Aag Lage (Taal), O Bhanware (Daud, duet with K. J. Yesudas), Venilla Venilla (Iruvar,1999), Dhuan Dhuan (Meenaxi,2004). Naushad, later in his life, also admitted that he has been unfair to Asha Bhonsle. Asha has also worked with other noted Bollywood composers like Jatin Lalit, Bappi Lahiri, Kalyanji Anandji, Usha Khanna, Chitragupt, and Roshan.
In 1990s, Asha experimented with the remixed R D Burman songs. She was criticized by many, including Khayyam for tampering with old melodies. Nevertheless, albums like Rahul And I became quite popular. In 1997, Asha did a private Indipop album Janam Samjha Karo with Leslie Lewis. The album was hugely popular and won her many awards including the 1997 MTV Award.
Asha had been once asked by the director B R Ishaara to compose music for one of his films, but she had politely declined. In 2002, she turned music composer with the album Aap Ki Asha, an eight-song music and video album. The lyrics were written by Majrooh Sultanpuri (his last lyrics) and the music was composed by Asha herself. The album was released by Sachin Tendulkar on May 21, 2001 at a lavish party in Mumbai. The album received mixed reviews.
Asha had spotted Pakistani singer Adnan Sami's talent when he was about 10 years old. At that time was performing in London, with R D Burman. It was she who had asked him to pursue his interests in music seriously. When Adnan grew up and became a professional musician, Asha sang the title duet with him for his best-selling album Kabhi to nazar milao. The two came together again in the album Barse Badal. The album comprises eight songs, based on Indian Classical music. She contributed the song Yun Na Thi to the recording Womad Talking Book Volume Four: An Introduction to Asia 1 on Womad Records.
Asha has sung ghazals for many albums like Meraj-E-Ghazal, Aabshar-E-Ghazal and Kashish. In 2005, Asha released a self-title album (Asha), a tribute to the four ghazal maestros - Mehdi Hassan, Ghulam Ali, Farida Khanum and Jagjit Singh. The album features eight of her favorite ghazals like Farida Khanum’s Aaj Jaane Ki Zid Na Karo, Ghulam Ali’s Chupke Chupke, Aawargi and Dil Mein Ek Lahar, Jagjit Singh’s Ahista Ahista and Mehdi Hassan’s Ranjish Hi Sahi, Rafta Rafta and Mujhe Tum Nazar Se. These classic ghazals were recreated with modern sounds by the musician Pandit Somesh Mathur. The album was aimed at the younger generation, who, according to Asha, are "turned off" by the traditional sounds of tabla and sarangi.
Numerous compilations of Asha's songs have been released as well. To commemorate her 60th birthday, in 1993 EMI India released three cassettes: Bala Main Bairagan Hoongi (devotional songs), The Golden Collection: Memorable Ghazals (non-film ghazals by composers such as Ghulam Ali, R D Burman and Nazar Hussain), and The Golden Collection: The Ever Versatile Asha Bhosle (44 popular film songs).
In 2006, she recorded an album Asha and Friends, singing duets, with film actors Sanjay Dutt and Urmila Matondkar and famous cricket player Brett Lee, with whom she sang, You're the One for Me (Haan Main Tumhara Hoon). All these songs composed by Shamir Tandon were shot on video by journalist turned director S Ramachandran.
In the mid-1980s, Asha sang with Boy George (Bow down mister) and Stephen Lauscombe. In 1997, she sang a love song with the boy band Code Red, at the age of 64. She also recorded the song The Way you Dream (One Giant Leap, ) with Michael Stipe that was used in the English movie, Bulletproof Monk. The song was also released on the self-titled album 1 Giant Leap for 2002.
In 1997, the British band Cornershop paid tribute to Asha with their song Brimful of Asha, an international hit which was later remixed by Fatboy Slim. In 2001, the CD single of Nelly Furtado's "I'm Like A Bird" included a "Nellie vs. Asha Remix" created by Digital Cutup Lounge.
In 2003, British opera pop singer Sarah Brightman sampled her song "Dil Cheez Kya Hai" on her album Harem. It was used as the intro for her song "You Take My Breath Away".
In 2005, American string quartet Kronos Quartet re-recorded the R D Burman compositions like Chura Liya, Piya Tu, Mera Kuchh Saaman among others and got Asha to sing them. Despite her age (she had crossed 70), she recorded three to four songs in a day, leaving the quartet members stupefied. On August 23, 2005, You've stolen my heart - Songs From R D Burman's Bollywood was released in US. The album was nominated for Grammy Awards 2006 in the category of "Best Contemporary World Music Album". Earlier, in 1990s, a friend had introduced David Harrington of Kronos Quartet to the song Aaj ki raat. Harrington was mesmerised, and the song ended up on the album Kronos Caravan.
Also in 2005, The Black Eyed Peas sampled her songs "Ae Naujawan Sab Kuchh Yahan" (Apradh, 1972) and "Yeh Mera Dil Pyaar Ka Diwana" (Don, 1978) in their hit single "Don't Phunk with My Heart". In late 2006, Asha collaborated with Australian test cricket star, Brett Lee. The single, You're the One for Me debuted at number 4 on the charts and reached a peak position of number 2.
In 2006 Asha Bhosle recorded one song for the soundtrack of Pakistani movie Mein Ek Din Laut Kay Aaaonga. singing the song Dil Key Taar Bajey with famous Pakistani pop singer Jawad Ahmed. The song was aired as the part of the film's promotional campaign and became very popular, featuring on top music charts.
Asha is an excellent cook and cooking is her favorite hobby. She often gets flooded with requests by Bollywood celebrities for kadai ghosht and biryani and has rarely turned down a request. In fact, her paya curry, Goan fish curry and dal are very popular with the Kapoor family of Bollywood. Once, when asked in a Times of India interview, what if her singing career had not taken off, she said "I would have become a cook. I'd have cooked in four houses and made money."
Asha is a successful restaurateur and runs restaurants in Dubai and Kuwait, called Asha's. Asha's offers traditional north-western Indian cuisine. It has a presence in the Wafi City development in Dubai, as well as three restaurants in Kuwait, at The Avenues Mall, the Marina Mall and a brand new third outlet at the Spoons Complex. Other restaurants can be found in Abu Dhabi's Khaldiya Mall, Doha's Villagio and Bahrain's City Center Mall, with future outposts planned for Dubai's Mall of the Emirates and Cairo, Egypt. Asha Bhosle has a 20% stake in the business. Asha is not involved in day-to-day running of the restaurant which is looked after by the Wafi Group. She takes care of the kitchen and the décor. She personally trained the chefs for almost six months. According to a December 2004 report in the Menu Magazine, Russell Scott, a former head of Harry Ramsden's (the fish and chips chain), secured the UK rights to the Asha's brand and planned to open up to 40 restaurants over the next five years. As part of her chain of restaurants, Asha's, Ashatai has recently opened a new restaurant in Birmingham, UK.
Asha's fashion statement is white sarees with sparkling embroidery, pearls around her neck and diamonds. Harrington of Kronos Quartet said "The first time I met Ashaji she was dressed in the most beautiful sari with diamonds and looked very regal. Then I looked down and saw that she was wearing tennis shoes! I thought I love this woman."
Asha is a good mimicry artist as well. At a concert at World Trade Center in Dubai on April 22, 2004, she mimicked the song Kabhi To Nazar Milaao in the voices of Noor Jehan, Lata Mangeshkar and Ghulam Ali.
Nowadays, apart from singing and her restaurant, Asha is also working on her autobiography.
Lata considered Asha's act of eloping with her lover as irresponsible, leaving her alone to sing and earn for the family. This led to tensions among them. Asha herself accepted in an interview Asha said about the movie — "To have two women in long plaits, take a couple of incidents and exaggerate them into a 3-hour film is such a waste of time." She won her first two awards in 1967 and 1968, when Lata Mangeshkar still used to accept the award (Mangeshkar asked not to be considered for the award nominations after 1969 to promote new talent). After receiving the award in 1979, Bhosle emulated her elder sister and requested that her name not be considered for the nominations hereafter. Despite this, Bhosle is the most frequent winner of this award to date, tying with Alka Yagnik. She was later given a Special Award for Rangeela in 1996, and the Filmfare Lifetime Achievement Award in 2001. Following is the list of her Filmfare Awards:
Filmfare Best Female Playback Award:
Other Awards:
;National Film Awards Asha has won the National Film Award for Best Female Playback Singer twice:
;Other awards Asha has won numerous other awards, some of which include: 1987: Nightingale Of Asia Award (from the Indo–Pak Association, UK).
;Honours and recognitions
Category:1933 births Category:Living people Category:Bengali-language singers Category:Bollywood playback singers Category:Dadasaheb Phalke Award recipients Category:English-language singers Category:Female guitarists Category:Gujarati-language singers Category:Hindi-language singers Category:Indian female singers Category:Indian film singers Category:Indian guitarists Category:Kollywood playback singers Category:Marathi-language singers Category:Marathi playback singers Category:Nepali-language singers Category:People from Maharashtra Category:Recipients of the Padma Vibhushan Category:Russian-language singers Category:Tamil-language singers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
