Name	Jay Rock
Background	solo_singer
Birth name	Johnnie McKenzie
Born	March 01, 1986
Origin	Watts, Los Angeles, California, U.S.
Occupation	Rapper, actor, producer
Genre	Hip hop
Years active	2006–present
Label	Top Dawg Entertainment, Strange Music
Associated acts	Black Hippy, Nipsey Hussle, The Game, Lil Wayne, Tech N9ne, Kendrick Lamar
Url	Official website

Johnnie McKenzie (born March 1, 1986), better known by his stage name Jay Rock, is an American rapper. He was named one of the top 13 most street artists by XXL. His voice has been called a cross between The Notorious B.I.G. and Shyne. Rock signed to Strange Music and will release his debut studio album Follow Me Home on May 17, 2011 backed by the single "All My Life (In the Ghetto)".

Biography

Early life and career

Jay Rock was born and raised in Watts, Los Angeles, California in the Nickerson Gardens Projects. He released mixtapes in his neighborhood and later was signed to Warner Bros. records and Top Dawg Entertainment.

2008-present: Follow Me Home and move to Strange Music

He released his debut single, "All My Life (In the Ghetto)" in late 2008, which featured artists Lil Wayne and will.i.am and was one of iTunes's Free Downloads in early 2009. His debut album Follow Me Home is expected to be released in spring 2011 released under Strange Music. He was also named one of MTV's 2010 breakthrough MC's. Jay Rock was featured on Omarion's single "Hoodie" and was supposed to be featured on Flo Rida's third studio album Only One Flo but was left off the final tracklisting. His mixtape "From the Hood to the Cover of XXL" was released to iTunes on July 24, 2010 as was his mixtape Tales From the Hood 2 on March 28, 2010. He toured with 50 Cent and other various artists on The Invitation Tour. Jay Rock signed with indie record label Strange Music in the Fall of 2010 on a multi-album deal after leaving from Warner Bros. Jay Rock then went on tour with Tech N9ne, E-40, Glasses Malone and Kutt Calhoun on the "Independent Grind National Tour". His mixtape Black Friday was released December 7, 2010 to iTunes. Follow Me Home is set to be released on May 17, 2011.

Personal life

He is widely known as a member of the Bloods street gang.

Discography

;Studio albums

2011: Follow Me Home

References

External links

Category:1986 births Category:Living people Category:African American rappers Category:Strange Music artists Category:Bloods Category:2000s rappers Category:2010s rappers

Name	Lil Wayne
Background	solo_singer
Birth name	Dwayne Michael Carter, Jr.
Born	September 27, 1982New Orleans, Louisiana, United States
Instrument	Vocals, Guitars
Genre	Hip hop
Occupation	Rapper, CEO
Years active	1992–present
Associated acts	Big Tymers, Birdman, Drake, Cash Money Millionaires, Hot Boys, Juelz Santana, Kevin Rudolf, T-Pain, Young Money, Eminem
Label	Young Money, Cash Money, Universal Motown
Url

Dwayne Michael Carter, Jr. (born September 27, 1982), better known by his stage name Lil Wayne, is an American rapper. At the age of nine, Lil Wayne joined Cash Money Records as the youngest member of the label, and half of the duo, The B.G.'z, with B.G.. In 1997, Lil Wayne joined the group Hot Boys, which also included rappers Juvenile, B.G., and Turk. Hot Boys debuted with Get It How U Live! that year. Lil Wayne gained most of his success with the group's major selling album Guerrilla Warfare, released in 1999. Also in 1999, Lil Wayne released his Platinum debut album Tha Block Is Hot, selling over one million copies in the U.S.

Although his next two albums Lights Out (2000) and 500 Degreez (2002) were not as successful (only reaching Gold status), Lil Wayne reached higher popularity in 2004 with Tha Carter, which included the single "Go D.J." Wayne also appeared on the Destiny's Child top ten single "Soldier" that year. In 2005, the sequel to Tha Carter, Tha Carter II, was released. In 2006 and 2007, Lil Wayne released several mixtapes and appeared on several popular rap and R&B; singles.

His most successful album, Tha Carter III, was released in 2008 which went on to sell over 1 million copies in the U.S. its first week of release. It included the number-one single "Lollipop" and won the Grammy Award for Best Rap Album. Lil Wayne released his debut rock album, Rebirth, in 2010 to primarily negative reception from critics. The album eventually went gold. In March 2010, Lil Wayne began serving an 8 month prison sentence in New York after being convicted of criminal possession of a weapon stemming from an incident in July 2007. While in jail he released another album entitled I Am Not a Human Being in September 2010, featuring Young Money artists such as Drake, Nicki Minaj and Lil Twist.

Early life

Lil Wayne was born Dwayne Michael Carter, Jr. and grew up in the Hollygrove neighborhood of New Orleans, Louisiana. Carter was born when his mother, a chef, was 19 years old. His parents were divorced when he was 2, and his father permanently abandoned the family. Carter enrolled in the gifted program of Lafayette Elementary School and in the drama club of Eleanor McMain Secondary School. In the summer of 1991, he met Bryan Williams, rapper and owner of Cash Money Records. Carter recorded freestyle raps on Williams's answering machine, leading him to mentor the young Carter and include him in Cash Money-distributed songs. He also recorded his first ever collaboration album True Story with rapper B.G.. At the time, Carter was 11, and B.G. was 14, and was billed as "The B.G.'z". When he was 12, he played the part of the Tin Man in his middle school drama club's production of The Wiz. At age 13, he accidentally shot himself with a .44 caliber gun, with the bullet missing his heart by two inches.

Music career

1997–99: The Hot Boys

In 1997, Carter joined the Hot Boys along with rappers Juvenile, B.G., and Turk. At age 15, Carter was the youngest member at that time. Hot Boys' debut album Get It How U Live! was released the same year, followed in 1999 by the group's major-label debut Guerrilla Warfare, Carter was also featured on Juvenile's single "Back That Azz Up", which reached No. 18 on the Billboard Hot 100 and No. 5 on the Hot R&B;/Hip-Hop Singles & Tracks. Let 'Em Burn, a compilation album of unreleased tracks recorded during 1999 and 2000, came out in 2003, several years after the group disbanded. It reached No. 3 on the Top R&B;/Hip-Hop Albums chart and No. 14 on the Billboard 200.

Carter's debut solo album Tha Block Is Hot at age 17 featured significant contributions from the Hot Boys and was certified 2x platinum, climbing to No. 3 on the Billboard album charts. and also became a Top Ten hit. Critics pointed to the lack of coherent narratives in his verses as evidence that he had yet to mature to the level of his fellow Hot Boys. The lead single was "Get Off The Corner" which was noticed for an improvement in lyrical content and style, it also received a music video. The second single which received less attention was "Shine" featuring The Hot Boys. Near the release of Lights Out, Lil Wayne was featured on the single, "1# Stunna" with Big Tymers and Juvenile, which rose to 24th place on the Hot Rap Tracks charts.

In 2001, Lil Wayne was shot in the chest in Florida after "some groupies" fired two shots through his tour bus window. He recalled the incident in 2008 interview: 'It [the bullet] 'didn’t go all the way in, ’cause the window slowed it down.' The lead single was "Way Of Life" which like the album failed to match the success of his previous singles. After the release of 500 Degreez, he was featured in the single "Neva Get Enuf" by 3LW.

2004–07: Tha Carter, Tha Carter II and collaborations

In the summer of 2004, Wayne's album Tha Carter was released, marking what critics considered advancement in his rapping style and lyrical themes. In addition, the album's cover art featured the debut of Wayne's now-signature dreadlocks. After the release of Tha Carter, Lil Wayne was featured in Destiny's Child's single "Soldier" with T.I., which peaked at No. 3 on the U.S. Hot 100 and the U.S. R&B; Charts. The song Get Something (featuring Mannie Fresh) was supposed to appear on the album but failed to make the cut, however the music video was released.

Tha Carter II, the follow-up to the original Tha Carter album, was released in December 2005, this time without production by longtime Cash Money Records producer Mannie Fresh, who had since left the label. Tha Carter II sold more than 238,000 copies in its first week of release, debuting at No. 2 on the Billboard 200 albums chart, and went on to sell 2,000,000 copies world wide. The lead single, "Fireman," became a hit in the US, peaking at 32 on the Billboard Hot 100 chart. Other singles included "Grown Man", "Hustler Muzik", and "Shooter" (featuring R&B; singer Robin Thicke). Lil Wayne also appeared on a remix of Bobby Valentino's "Tell Me", which rose to No. 13 on the U.S. R&B; Charts.

In 2005, Lil Wayne was named president of Cash Money, and in the same year he founded Young Money Entertainment as an imprint of Cash Money. However, as of late 2007, Lil Wayne reported that he has stepped down from the management of both labels and has handed management of Young Money over to Cortez Bryant.

on July 23, 2007]]

In 2006, Lil Wayne collaborated with rapper Birdman for the album Like Father, Like Son, whose first single "Stuntin' Like My Daddy", reached No. 21 on the Billboard Hot 100. Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles. and Vibe

Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B;/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart, was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.

Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song. The New Yorker magazine ranked him "Rapper of the Year", In 2008 he was named "Best Rock Star Alive" by Blender magazine

2008–09: Tha Carter III and We Are Young Money

Initially planned to be released in 2007, Tha Carter III's largest delay came after the majority of the tracks were leaked and distributed on mixtapes, such as "The Drought Is Over Pt. 2" and "The Drought Is Over Pt. 4". Lil Wayne initially decided to use the leaked tracks, plus four new tracks, to make a separate album, titled The Leak. The Leak was to be released December 18, 2007, with the actual album being delayed until March 18, 2008, The release of The Leak in this format never came to fruition, but an official EP titled The Leak and containing five tracks was released digitally on December 25, 2007.

Tha Carter III was released on June 10, 2008, selling more than a million copies in its first week of release, the first to do so since 50 Cent's The Massacre in 2005. The first single "Lollipop", featuring Static became the rapper's most commercially successful song at that point, topping the Billboard Hot 100, making it the first Top 10 single for Lil Wayne as a solo artist, as well as his first No. 1 on the chart. His third single from Carter III', "Got Money" featuring T-Pain, peaked at No. 13 on the Billboard 100. Along with his album singles, Lil Wayne appeared on R&B; singles "Girls Around the World" by Lloyd, "Love In This Club, Part II" by Usher, "Official Girl" by Cassie, "I'm So Paid" by Akon, "Turnin' Me On" by Keri Hilson, and "Can't Believe It" by T-Pain; rap singles "My Life" by The Game, "Shawty Say" by David Banner, "Swagga Like Us" by T.I., "Cutty Buddy" by Mike Jones, All My Life (In the Ghetto) by Jay Rock and the remix to "Certified" by Glasses Malone; and pop single "Let It Rock" by new Cash Money artist Kevin Rudolf. On July 14, 2008, the Recording Industry Association of America certified Tha Carter III two times platinum. In an October 2008 interview with MTV News, Lil Wayne announced plans to re-release this album with all new tracks, including a duet with Ludacris and remixes of "A Milli". concert in Vancouver in January 2009.]]

The lineup for New Orleans' 2008 Voodoo Experience concert, held in October, featured Lil Wayne. Jonathan Cohen of Billboard magazine reported that the event would mark his biggest hometown headlining set of his career. Lil Wayne stated that he would reunite with Hot Boys alongside Juvenile, Turk, and B.G. They plan to release an album after B.G.'s solo album Too Hood to Be Hollywood was completed. Wayne also performed as the 2008 Virgin Mobile Music Fest with Kanye West, performing the remix of "Lollipop" with West and also lip-syncing to Whitney Houston's "I Will Always Love You". Lil Wayne also performed at the 2008 MTV Video Music Awards with Kid Rock ("All Summer Long"), Leona Lewis ("DontGetIt (Misunderstood)") and T-Pain ("Got Money"). On the season premiere of Saturday Night Live, he performed "Lollipop" and "Got Money". He later performed at the homecoming rally at Vanderbilt University and the 2008 BET Hip Hop Awards with 12 nominations. He won the "MVP" title at the BET Hip Hop Awards and seven others. It was revealed that M.I.A. dropped out of performing on the tour due to her pregnancy, however Jay-Z is expected to perform with Wayne on the song "Mr. Carter" at select shows.

On November 11, 2008, Wayne became the first hip-hop act to ever perform at the Country Music Association Awards. He played alongside Kid Rock for the song, "All Summer Long", in which Wayne did not rap but instead inaudibly strummed guitar strings alongside the guitarist in Kid Rock's band. Shortly after, Wayne was nominated for eight Grammys – the most for any artist nominated that year. Wayne was then named the first ever MTV Man of the Year at the end of 2008. He won the Grammy Award for Best Rap Solo Performance for "A Milli", Best Rap Performance by a Duo or Group for his appearance in T.I.'s single "Swagga Like Us", and Best Rap Song for "Lollipop". Tha Carter III won the award for Best Rap Album.

DJ Drama stated that there would be a third installation of the Dedication mixtape series with Lil Wayne, who insisted that it will would be a full album under the title. However despite the fact Wayne wanted to release Dedication 3 as an album, it was released as a mixtape on November 14, 2008.

MTV listed Lil Wayne number two on their 2009 list of the Hottest MCs In The Game.

On December 23, 2009, Wayne released a collaboration album with Young Money, with the first single confirmed as "Every Girl". The second single is "BedRock", featuring Lloyd. The third single is "Roger That". On May 24, 2010, the album was certified gold by the RIAA with over 500,000 copies sold.

Wayne is featured on the song, "Revolver", with Madonna for her 2009 greatest hits album, Celebration. He was also featured on a Weezer song, "Can't Stop Partying", on their 2009 album, Raditude.

2008–present: Rebirth, I Am Not a Human Being, and Tha Carter IV

In late 2008, Wayne stated that he would re-release The Carter III with leftover tracks and call it Rebirth, several months later, however, he announced Rebirth would instead release as his debut rock album, maintaining its title as Rebirth. To support the release of Rebirth and a collaboration album with Young Money Entertainment, Wayne headlined the 'Young Money Presents: America's Most Wanted Music Festival'... a United States and Canada–only concert tour which started on July 29, 2009. The Rebirth album was originally scheduled for a April 7, 2009 release, however after numerous delays, the album was released on February 2, 2010. For the anticipation of Rebirth, Wayne was featured on the cover of Rolling Stone.

"Prom Queen", the first official single, debuted on January 27, 2009 immediately after a live Internet broadcast on Ustream of his concert in San Diego. "Prom Queen" peaked at number 15 on the Billboard Hot 100 charts. On December 3, 2009, Lil Wayne's second single from the album, "On Fire", was released on iTunes. "On Fire" was produced by Cool & Dre with Lil Wayne playing the guitar with the aid of Pro Tools. "On Fire" peaked at number 33 on the Billboard Hot 100 charts. "Drop the World", which features Eminem, is the third single from the album. Following Tha Carter III's achievement of selling over 2 million copies, becoming 2008's best-selling record, Wayne re-signed with Cash Money Records for a multi-album deal. Wayne said Tha Carter IV will be released in 2009 just before the holidays. Birdman had previously stated that Tha Carter IV would be packaged with Rebirth as a double disc album. However, Wayne denied this idea saying that "Tha Carter IV deserves Tha Carter IV". He went on to say that We Are Young Money may be packaged with Rebirth. However, it was later confirmed that Rebirth and We Are Young Money will be released separately and that Tha Carter IV will be released during 2011. He started from scratch on Tha Carter IV since getting released from jail. He recorded his first track since being released from jail and it was described as being "a 2010 version of A Milli'' on steroids." The album is set to feature multiple guests, including Tech N9ne. The album will be released February 2011. The first single "6 Foot 7 Foot" featuring Cory Gunz was released on December 15, 2010. It was available for digital download on iTunes December 16, 2010. The song is produced by Bangladesh, who also produced Lil Wayne's single A Milli in 2008. Tha Carter IV is expected for release in Winter 2011.

Future projects

He has announced several possible upcoming projects, including a collaboration album I Can't Feel My Face with rapper Juelz Santana that has been in production for several years. He has discussed a possible R&B; album titled Luv Sawngz, for which he will heavily rely on a vocoder. He has also talked with singer Lloyd about doing a collaboration album in the future. On June 19, 2008, Lil Wayne and T-Pain formed a duo called T-Wayne and planned to release an album. On June 8, 2010, Drake confirmed that he and Wayne are planning to release a joint album in the future. Lil Wayne and Baby will release a second Like Father, Like Son album around Fathers Day 2011. Wayne and Drake will release a collaboration album sometime in the near future.

Television and film career

Lil Wayne was a guest debater going up against Skip Bayless on the "1st & 10" segment on the January 6, 2009 edition of ESPN First Take. On February 10, 2009 he also appeared on ESPN's Around the Horn and beat out veterans Woody Paige, Jay Mariotti and fellow New Orleanian Michael Smith to win that show's episode. Wayne is set to produce and compose music for the film Hurricane Season. A documentary of Lil Wayne titled The Carter was released at the Sundance Film Festival. Prior to the 2009 Grammy Awards, Wayne was featured in an interview with Katie Couric. He then appeared on an April 24 episode of The View – talking about his GED and addictions. In September 2009, Wayne was profiled in an episode of VH1's Behind the Music and was a presenter of the 2009 MTV Movie Awards.

Personal life

Family

Lil Wayne has four children. His first child, daughter Reginae, was born when he was 15, Internet rumours started circulating in August 2008 that Wayne's daughter had died in a car crash, which however he quickly cleared up as false saying "Please allow me to dispel any rumors or speculations and report that my daughter is alive, healthy and surrounded by family who care and love her dearly. The rumors are completely false and unfounded; neither Reginae nor any other member of my family has been involved in any car accident." His second child, Dwayne III, was then born on October 22, 2008 at Christ Hospital in Cincinnati. His third child, Lennox Samuel Ari, was born to actress Lauren London on September 9, 2009. He had his fourth child, Neal, on November 30, 2009 with singer Nivea.

In a CBS interview with Katie Couric, Wayne described why he goes by the name of "Wayne" instead of his given name, Dwayne. Carter explained, "I dropped the D because I'm a junior and my father is living and he's not in my life and he's never been in my life. So I don't want to be Dwayne, I'd rather be Wayne". Couric asked Wayne if his father knew of this and Wayne replied with a smile, "He knows now". He also revealed on The View that he switched to the University of Phoenix and majored in psychology taking online courses. An article in Urb magazine in March 2007 asserted that Wayne had been earning high grades at Houston.

Sports and musical interests

In an interview with Blender magazine, Lil Wayne revealed one of his favorite bands from childhood to be rock group Nirvana, and cites them as a major influence in his music.

On September 24, 2008, Lil Wayne published his first blog for ESPN in their issue, ESPN The Magazine. Wayne revealed he was a fan of tennis, the Green Bay Packers, the Boston Bruins, the Los Angeles Lakers and the Boston Red Sox. Wayne has continued writing for ESPN, notably reporting at the ESPN Super Bowl party.

Lil Wayne made his debut on ESPN's daily sports round table show Around The Horn on February 10, 2009.

Along with Mack Maine, Wayne was in attendance of Game 3 of the opening round NBA playoff series between the Denver Nuggets and the home team New Orleans Hornets on April 25, 2009.

Religion

Lil Wayne is a practicing Christian, who takes time to read the Bible regularly. He then asked the Newark crowd if they also believed, and they responded affirmatively with a roar.

According to his Rikers Island inmate ID and prison records, Wayne is specifically a Roman Catholic.

Philanthropy

On February 19, 2008, Lil Wayne and Cortez Bryant revisited their alma mater McMain Secondary School to get students to design an invitation to the gala introducing Lil Wayne's nonprofit One Family Foundation. The website Change.org states: "The mission of One Family Foundation, Inc. is to empower urban youth by engaging them in opportunities to cultivate their talents and skills, educating them to become productive and economically self-sufficient, and motivating them to dream beyond their circumstances."

Drug use and arrests

Wayne told CBS Evening News anchor Katie Couric on her All Access Grammy Special in 2009 that he enjoys smoking marijuana recreationally. He also stated that he is "not addicted" to drinking purple drank (codeine cough syrup) any longer, like some claimed he was. He has been arrested for use or possession of marijuana and other drugs.

Following a performance at Qwest Arena in Boise, Idaho, Lil Wayne was arrested October 5, 2007 on felony fugitive charges after Georgia authorities accused the rapper of possessing a controlled substance. The incident was later described as a "mix-up" and the fugitive charges were dropped.

On January 23, 2008, Lil Wayne was arrested alongside two others. His tour bus was stopped by Border Patrol agents near Yuma, Arizona. A K-9 Unit recovered of marijuana, almost of cocaine, of MDMA, and $22,000 in cash. Lil Wayne was charged with four felonies: possession of narcotic drug for sale, possession of dangerous drugs, misconduct involving weapons and possession of drug paraphernalia. He was granted permission to travel outside of the state and remain out of custody on the $10,185 bond he posted. On May 6, 2008, Wayne returned to court in Arizona to plead not guilty to the charges. A bench warrant was issued on March 17, 2010 when Lil Wayne didn't show for a final trial management conference. However, the rapper was already in prison, serving a year-long sentence in Rikers on weapons charges. On June 22, 2010 Wayne plead guilty to the charges. As part of the plea deal he may serve 36 months of probation. On June 30, 2010, he was sentenced to 3 years probation.

On December 18, 2009, Wayne and 11 others were detained at the Falfurrias, Texas border patrol checkpoint after an unknown amount of marijuana was found on two of his tour buses.

New York weapon case

On July 22, 2007, Lil Wayne was arrested in New York City following a performance at the Beacon Theatre; the New York City Police Department discovered Lil Wayne and another man smoking marijuana near a tour bus. After taking Lil Wayne into custody, police discovered a .40 caliber pistol on his person. The gun, which was registered to his manager, was in a bag located near the rapper. He was charged with criminal possession of a weapon and marijuana.

On October 22, 2009, Lil Wayne pleaded guilty to attempted criminal possession of a weapon. He was due for sentencing in February 2010 and was expected to receive a one-year jail sentence, but on February 9, 2010, Lil Wayne's attorney announced that the sentencing was delayed until March 2 due to dental surgery, which was performed on February 16. The surgery included eight root canals, the replacement of several tooth implants, as well as the addition of a few new implants and work on his remaining original teeth.

On March 2, 2010, sentencing was postponed again when the courthouse reported a fire in the basement.

On March 8, 2010, Lil Wayne was sentenced to a year in prison, which he served in Rikers Island. His lawyer said the rapper expected to be held in protective custody, separated from other prisoners. He was released on good behavior. However, in May 2010 Wayne was found by Rikers Island correctional staff to be in possession of contraband (an MP3 player, charger, and headphones). However at that time, it was reported by MTV and HipHopDX (and later confirmed) that Lil Wayne was to be released four months early in November.

In April 2010, Lil Wayne's friends created a website called Weezy Thanx You, which publishes letters written by Wayne in prison. In the first letter, titled "Gone 'til November", the rapper described his daily routine, saying he works out a lot, and reads the Bible every day.

Lawsuits

In February 2009, production company RMF Productions filed a $1.3 million lawsuit against Wayne, following a $100,000 advance payment for three shows, all of which were cancelled by the artist.

On October 2009, Lil Wayne, Birdman, Cash Money Records and various music distribution outlets were sued for copyright infringement by Thomas Marasciullo, who claims his voice was used without permission. The rappers asked him to record some "Italian-styled spoken word recordings" in 2006. The lyrics were allegedly used on "Respect" and other tracks from the rappers' collaboration album Like Father, Like Son and Birdman's 5 * Stunna.

Public references by Barack Obama

Lil Wayne has been referenced in public speeches by President Barack Obama on at least two occasions, in mixed contexts. Speaking to a largely African-American audience during a general election campaign town hall speech in Georgia, then-U.S. Senator Obama exhorted children to stay in school and achieve their dreams through education and perseverance instead of hoping for shortcuts to fame and riches, stating: "You are probably not that good a rapper. Maybe you are the next Lil Wayne, but probably not, in which case you need to stay in school."

After assuming the Presidency, Obama later echoed this theme of personal and familial responsibility—and the difficulty of achieving Lil Wayne's lyrical skills or success—during an address to a meeting commemorating the 100th anniversary of the NAACP, telling the audience:}}

Obama also mentioned listening to Lil Wayne on his iPod:

Discography

; Studio albums

1999: Tha Block Is Hot

2000: Lights Out

2002: 500 Degreez

2004: Tha Carter

2005: Tha Carter II

2008: Tha Carter III

2010: Rebirth

2010: I Am Not a Human Being

2011: Tha Carter IV

Filmography

Awards

References

External links

Lil Wayne at MTV

Category:1982 births Category:Living people Category:1990s rappers Category:2000s rappers Category:2010s rappers Category:21st-century American criminals Category:African-American Catholics Category:African American rappers Category:American dance musicians Category:American shooting survivors Category:Cash Money Records artists Category:Grammy Award winners Category:Hip hop singers Category:People convicted of drug offenses Category:Rappers from New Orleans, Louisiana Category:University of Houston alumni Category:World Music Awards winners

Name	Tupac Amaru Shakur
Background	solo_singer
Birth name	Lesane Parish Crooks
Alias	2Pac, Pac, Makaveli
Origin	Marin City, California, U.S.
Born	June 16, 1971East Harlem, New York City, New York, U.S.
Died	September 13, 1996Las Vegas, Nevada, U.S.
Genre	Hip hop
Occupation	Rapper, actor, record producer, poet, screenwriter, activist
Years active	1988–1996 (rapping)
Label	Interscope, Death Row, Amaru
Associated acts	Outlawz, Snoop Doggy Dogg, Digital Underground, Biggie, Richie Rich, K-Ci & JoJo, Dave Hollister, Johnny "J", Dr. Dre, Tha Dogg Pound, Boot Camp Clik, Nate Dogg
Url	www.tasf.org

Tupac Amaru Shakur (June 16, 1971 – September 13, 1996), known by his stage names 2Pac (or simply Pac) and Makaveli, was an American rapper. Shakur has sold over 75 million albums worldwide, making him one of the best-selling music artists in the world. In the United States alone he has sold 37.5 million records. Rolling Stone Magazine named him the 86th Greatest Artist of All Time.

In addition to his career as a top-selling rap artist, he was a promising actor, and a social activist. Most of Shakur's songs are about growing up amid violence and hardship in ghettos, racism, other social problems, and conflicts with other rappers during the East Coast-West Coast hip hop rivalry. Shakur began his career as a roadie and backup dancer for the alternative hip hop group Digital Underground.

In September 1996, Shakur was shot four times in the Las Vegas metropolitan area of Nevada. He was taken to the University Medical Center, where he died of respiratory failure and cardiac arrest.

Early life

Tupac Amaru Shakur was born on the East Harlem section of Manhattan in New York City. He was named after Túpac Amaru II, a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed.

His mother, Afeni Shakur, and his father, Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s; he was born just one month after his mother's acquittal on more than 150 charges of "Conspiracy against the United States government and New York landmarks" in the New York Panther 21 court case.

Although unconfirmed by the Shakur family, several sources (including the official coroner's report) list his birth name as "Lesane Parish Crooks". This name was supposedly entered on the birth certificate because Afeni feared her enemies would attack her son, and disguised his true identity using a different last name. She changed it later, following her separation from Garland and marriage to Mutulu Shakur.

Struggle and incarceration surrounded Shakur from an early age. His godfather, Elmer "Geronimo" Pratt, a high ranking Black Panther, was convicted of murdering a school teacher during a 1968 robbery, although his sentence was later overturned. His stepfather, Mutulu, spent four years at large on the FBI's Ten Most Wanted Fugitives list beginning in 1982, when Shakur was a pre-teen. Mutulu was wanted in part for having helped his sister Assata Shakur (also known as Joanne Chesimard) to escape from a penitentiary in New Jersey, where she had been incarcerated for allegedly shooting a state trooper to death in 1973. Mutulu was caught in 1986 and imprisoned for the robbery of a Brinks armored truck in which two police officers and a guard were killed. Shakur had a half-sister, Sekyiwa, two years his junior, and an older stepbrother, Mopreme "Komani" Shakur, who appeared on many of his recordings.

At the age of twelve, Shakur enrolled in Harlem's 127th Street Repertory Ensemble and was cast as the Travis Younger character in the play A Raisin in the Sun, which was performed at the famous Apollo Theater. In 1986, the family relocated to Baltimore, Maryland. After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. He performed in Shakespeare plays, and in the role of the Mouse King in The Nutcracker. Although he lacked trendy clothing, he was one of the most popular kids in his school because of his sense of humor, superior rapping skills, and ability to mix in with all crowds. He developed a close friendship with a young Jada Pinkett (later Jada Pinkett Smith) that lasted until his death. In the documentary , Shakur says, "Jada is my heart. She will be my friend for my whole life," and Pinkett Smith calls him "one of my best friends. He was like a brother. It was beyond friendship for us. The type of relationship we had, you only get that once in a lifetime." A poem written by Shakur titled "Jada" appears in his book, The Rose That Grew From Concrete, which also includes a poem dedicated to Pinkett Smith called "The Tears in Cupid's Eyes". During his time in art school, Shakur began dating the daughter of the director of the Baltimore Communist Party USA.

In June 1988, Shakur and his family moved once again, this time to Marin City, California, He began attending the poetry classes of Leila Steinberg in 1989. That same year, Steinberg organized a concert with a former group of Shakur's, Strictly Dope; the concert led to him being signed with Atron Gregory who set him up with the up-and-coming rap group Digital Underground. In 1990, he was hired as the band's backup dancer and roadie.

Legal issues

Even as he garnered attention as a rapper and actor, Shakur gained notoriety for his conflicts with the law. In October 1991, he attempted to file a $10 million civil suit against the law enforcement of the Oakland Police Department, alleging they brutally beat him for jaywalking.

In 1992, a Texas state trooper was killed by a teenager who was listening to 2Pacalypse Now which included songs about killing police. This caused a swirl of media controversy. Dan Quayle, the Vice President of the United States at the time, demanded that the album be withdrawn from music stores and media across the country; Interscope refused.

On August 22, 1992, in Marin City, California, Shakur rapped at an outdoor festival, and stayed for an hour signing autographs and pictures. Some earlier negative remarks made by Shakur about Marin City had caught up and when arguments started, voices got loud; he pulled a Colt Mustang, cocked it, fumbled and it fell. Someone picked up the gun and a bullet discharged. Though nobody in the crowd was shot, about 100 yards away, 6-year old Qa'id Walker-Teal rode a bicycle at a schoolyard and was hit in the forehead, the bullet killing him. Shakur and Mopreme left in their car and were stopped by an angry mob, by chance, in front of a sheriff's substation. The police "rescued" and took the two into custody, who were released without charge. In 1995, a civil case was brought up by Qa'id's mother. Shakur's lawyer said that the festival was a "nasty situation," and Shakur was saddened by the death of the boy. Shakur's record company settled the lawsuit for a figure reported between $300,000 and $500,000.

In October 1993, in Atlanta, two brothers and off-duty police officers, Mark and Scott Whitwell, were with their wives celebrating Mrs. Whitwell's recent passing of the state bar examination. As they crossed the street, a car with Shakur inside passed by them or "almost struck them," after which the Whitwells began an altercation with the driver, Shakur and the other passengers, which was then joined by a second passing car. Shakur shot one officer in the buttocks, and the other in the leg, back, or abdomen, according to varying news reports. There were no other injuries, but Mark Whitwell was charged with firing at Shakur's car and later lying to the police during the investigation, and Shakur with the shooting, until prosecutors decided to drop all charges against all parties.

In November 1993, Shakur and others were charged with sexually assaulting a woman in a hotel room. According to the complaint, Shakur sodomized the woman and then encouraged his friends to sexually abuse her. Shakur denied the charges. According to Shakur, he had prior relations days earlier with the woman; she performed oral sex on him on a club dance floor and the two later had consensual sex in his hotel room. The complainant claimed sexual assault after her second visit to Shakur's hotel room; she alleged that Shakur and his entourage gang banged her, and she said to Shakur when she left, "Why you let them do this to me?" Shakur said that he fell asleep shortly after the woman arrived and later awoke to her accusations and legal threats. In the ensuing trial, Shakur was convicted of sexual abuse. In sentencing Shakur to 1½–4½ years in prison, the judge described the crime as "an act of brutal violence against a helpless woman." After serving part of his sentence, Shakur was released on bail pending appeal. On April 5, 1996, a judge sentenced him to serve 120 days in jail for violating terms of his release on bail.

In 1995, a wrongful death suit was brought against Shakur for a 1992 shooting that killed Qa'id Walker-Teal, a six-year old of Marin City. The child was the victim of a stray bullet in a shootout between Shakur's entourage and a rival group. Ballistics tests proved the bullet that killed the boy was not from Shakur's or any members of his entourage's guns. No criminal charges were brought. Shakur settled with the family for an undisclosed amount, estimated at $300,000–$500,000.

November 1994 shooting

On the night of November 30, 1994, the day before the verdict in his sexual abuse trial was to be announced, Shakur was shot five times and robbed after entering the lobby of Quad Recording Studios in Manhattan by two armed men in army fatigues. He would later accuse Sean Combs, Andre Harrell, and Biggie Smalls—whom he saw after the shooting—of setting him up. Shakur also suspected his close friend and associate, Randy "Stretch" Walker, of being involved in the attempt. According to the doctors at Bellevue Hospital, where he was admitted immediately following the incident, Shakur had received five bullet wounds; twice in the head, twice in the groin and once through the arm and thigh. He checked out of the hospital, against doctor's orders, three hours after surgery. In the day that followed, Shakur entered the courthouse in a wheelchair and was found guilty of three counts of molestation, but innocent of six others, including sodomy. On February 6, 1995, he was sentenced to one-and-a-half to four-and-a-half years in prison on a sexual assault charge.

A year later on November 30, 1995, Stretch was killed after being shot twice in the back by three men who pulled up alongside his green minivan at 112th Ave. and 209th St. in Queens Village, while he was driving. His minivan smashed into a tree and hit a parked car before flipping over.

On March 27, 2008, the LA Times issued an apology to Combs for blaming him for having a role in the November 1994 shooting. The article stated that Shakur was led to the studio by Biggie's associates to gun him down to make favor with Biggie. The newspaper relied on forged documents that The Smoking Gun proved to be faked. Combs stated that he is disgusted with the LA Times for printing the story.

Prison sentence

Shakur began serving his prison sentence at Clinton Correctional Facility on February 14, 1995. Shortly afterwards, he released his multi-platinum album Me Against the World. Shakur is the only artist ever to have an album at number one on the Billboard 200 while serving a prison sentence. The album made its debut on the Billboard 200 and stayed at the top of the charts for five weeks. The record album sold 240,000 copies in its first week, setting a record for highest first week sales for a solo male rap artist at the time. While serving his sentence, he married his long-time girlfriend, Keisha Morris, on April 4, 1995; the couple later divorced in 1996. While imprisoned, Shakur read many books by Niccolò Machiavelli, Sun Tzu's The Art of War and other works of political philosophy and strategy. He also wrote a screenplay titled Live 2 Tell while incarcerated, a story about an adolescent who becomes a drug baron.

In October 1995, Shakur's case was on appeal but due to all of his legal fees he could not raise the $1.4 million bail. After serving eleven months of his one-and-a-half year to four-and-a-half year sentence, Shakur was released from the penitentiary due in large part to the help and influence of Suge Knight, the CEO of Death Row Records, who posted a $1.4 million bail pending appeal of the conviction in exchange for Shakur to release three albums under the Death Row label.

Death Row Records

Upon his release from Clinton Correctional Facility, Shakur immediately went back to song recording. He began a new group called Outlaw Immortalz. Shakur began recording his first album with Death Row and released the single "California Love" soon after. On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold over nine million copies. The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums R U Still Down? (Remember Me), Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album with the Boot Camp Clik and their label Duck Down Records, both New York–based, entitled One Nation.

On June 4, 1996, he and Outlawz released the "Hit 'Em Up", a scathing lyrical assault on Biggie and others associated with him. In the track, Shakur claimed to have had intercourse with Faith Evans, Biggie's wife at the time, and attacks Bad Boy's street credibility. Though no hard evidence suggests so, Shakur was convinced that some members associated with Bad Boy had known about the '94 attack on him beforehand due to their behavior that night and what his sources told him. Shakur aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Suge's friend and bodyguard, Jake Robles; Suge was adamant in voicing his suspicions of Combs' involvement. Shakur's signing with Suge and Death Row added fuel to building an East Coast-West Coast conflict. Both sides remained bitter enemies until Shakur's death. On July 4, 1996, he performed live at the House of Blues with Outlawz, Tha Dogg Pound, and Snoop Doggy Dogg also headlining. This was Shakur's very last live performance.

While incarcerated in Clinton Correctional Facility, Shakur read and studied Niccolò Machiavelli and other published works, which inspired his pseudonym "Makaveli" under which he released the record album . The album presents a stark contrast to previous works. Throughout the album, Shakur continues to focus on the themes of pain and aggression, making this album one of the emotionally darker works of his career. Shakur wrote and recorded all the lyrics in only three days and the production took another four days, combining for a total of seven days to complete the album (hence the name).

Makaveli Records

He mentioned Makaveli Records a few times before his death. This was supposed to be a music label for up and coming artists that Shakur had an interest in developing or potentially signing, and his own future projects would have also been published through it as well.

September 1996 shooting and death

, from the cover of the book The Killing of Tupac Shakur by Cathy Scott]] On the night of September 7, 1996, Shakur attended the Mike Tyson–Bruce Seldon boxing match at the MGM Grand in Las Vegas. After leaving the match, one of Suge's associates spotted 21-year-old Orlando "Baby Lane" Anderson, a member of the Southside Crips, in the MGM Grand lobby and informed Shakur, who then attacked Anderson. Shakur's entourage, as well as Suge and his followers, assisted in assaulting Anderson. The fight was captured on the hotel's video surveillance. Earlier that year, Anderson and a group of Crips had robbed a member of Death Row's entourage in a Foot Locker store, precipitating Shakur's attack. After the brawl, Shakur went to rendezvous with Suge to go to Death Row-owned Club 662 (now known as restaurant/club Seven). He rode in Suge's 1996 black BMW 750iL sedan as part of a larger convoy including many in Shakur's entourage.

At 10:55 p.m., while paused at a red light, Shakur rolled down his window and a photographer took his photograph. At around 11:00–11:05 p.m., they were halted on Las Vegas Blvd. by Metro bicycle police for playing the car stereo too loud and not having license plates. The plates were then found in the trunk of Suge's car; they were released without being fined a few minutes later. At about 11:10 p.m., while stopped at a red light at Flamingo Road near the intersection of Koval Lane in front of the Maxim Hotel, a vehicle occupied by two women pulled up on their right side. Shakur, who was standing up through the sunroof, exchanged words with the two women, and invited them to go to Club 662. Suge was hit in the head by fragmentation, though it is thought that a bullet grazed him. According to Suge, a bullet from the gunfire had been lodged in his skull, but medical reports later contradicted this statement.

At the time of the drive-by Shakur's bodyguard was following behind in a vehicle belonging to Kidada Jones, Shakur's then-fiancée. The bodyguard, Frank Alexander, stated that when he was about to ride along with the rapper in Suge's car, Shakur asked him to drive Kidada Jones' car instead just in case they were too drunk and needed additional vehicles from Club 662 back to the hotel. Shortly after the assault, the bodyguard reported in his documentary, Before I Wake, that one of the convoy's cars drove off after the assailant but he never heard back from the occupants.

After arriving on the scene, police and paramedics took Suge and a mortally wounded Shakur to the University Medical Center. According to an interview with one of Shakur's closest friends the music video director Gobi, while at the hospital, he received news from a Death Row marketing employee that the shooters had called the record label and were sending death threats aimed at Shakur, claiming that they were going there to "finish him off". Upon hearing this, Gobi immediately alerted the Las Vegas police, but the police claimed they were understaffed and no one could be sent.

Despite having been resuscitated in a trauma center and surviving a multitude of surgeries (as well as the removal of a failed right lung), Shakur had gotten through the critical phase of the medical therapy and was given a 50% chance of pulling through.

Murder case

Due largely to a perceived lack of progress by law enforcement in the investigation of Shakur's murder, many independent investigations and theories emerged. Because of the acrimony between Shakur and Biggie (who was murdered in March 1997), there was speculation from the outset about the possibility of Biggie's involvement. Biggie, as well as his family, relatives, and associates, vehemently denied all such accusations. In 2002, the LA Times published a story by Pulitzer Prize-winning investigative reporter Chuck Philips, who claimed to have uncovered evidence implicating Biggie, in addition to Anderson and the Southside Crips, in the attack. Philips quoted unnamed gang-member sources who claimed Biggie had ties to the Crips, often hiring them for security during West Coast appearances, and that Biggie colluded with the Crips to murder Shakur. In 2008, after The Smoking Gun reported that the documents relied upon by Philips for his story were fraudulent, the LA Times printed an official front-page retraction of Philips' story. Less than five months later, Philips accepted a buyout and left the LA Times.

In support of their claims, Biggie's family submitted documentation to MTV suggesting that he was working in a New York recording studio the night of the drive-by shooting. His manager Wayne Barrow and fellow rapper James "Lil' Cease" Lloyd made public announcements denying Biggie's partaking in the crime and claimed further that they were both with him in the recording studio during the night of the event.

The high profile nature of the killing and ensuing gang violence caught the attention of English filmmaker Nick Broomfield, who made the documentary film Biggie & Tupac which examines the lack of progress in the case by speaking to those close to the two slain rappers and the investigation. Shakur's close childhood friend and member of Outlawz, Yafeu "Yaki Kadafi" Fula, was in the convoy when the drive-by occurred and indicated to police that he might be able to identify the assailants, however, he was shot and killed shortly thereafter in a housing project in Irvington.

A DVD titled was released on October 23, 2007, more than eleven years after Shakur's murder. It explores aspects surrounding the event and provides fresh insights into the cold case with new details about the environment.

Influences

Shakur's music and philosophy is rooted in many American, African-American, and World entities, including the Black Panther Party, Black nationalism, egalitarianism, and liberty. His debut album, 2Pacalypse Now, revealed the socially conscious side of Shakur. On this album, Shakur attacked social injustice, poverty and police brutality on songs "Brenda's Got a Baby", "Trapped" and "Part Time Mutha". His style on this album was highly influenced by the social consciousness and Afrocentrism pervading hip hop in the late 1980s and early 1990s. On this initial release, Shakur helped extend the success of such rap groups as Boogie Down Productions, Public Enemy, X-Clan, and Grandmaster Flash, as he became one of the first major socially conscious rappers from the West Coast.

On his second record, Shakur continued to rap about the social ills facing African-Americans, with songs like "The Streetz R Deathrow" and "Last Wordz". He also showed his compassionate side with the anthem "Keep Ya Head Up", while simultaneously putting his legendary aggressiveness on display with the title track from the album Strictly 4 My N.I.G.G.A.Z. he added a salute to his former group Digital Underground by including them on the playful track "I Get Around". Throughout his career, an increasingly aggressive attitude can be seen pervading Shakur's subsequent albums.

The contradictory themes of social inequality and injustice, unbridled aggression, compassion, playfulness, and hope all continued to shape Shakur's work, as witnessed with the release of his incendiary 1995 album Me Against the World. In 1996, Shakur released All Eyez on Me. Many of these tracks are considered by many critics to be classics, including "Ambitionz Az a Ridah", "I Ain't Mad at Cha", "California Love", "Life Goes On" and "Picture Me Rollin'".; All Eyez on Me was a change of style from his earlier works. While still containing socially conscious songs and themes, Shakur's album was heavily influenced by party tracks and tended to have a more "feel good" vibe than his first albums. Shakur described it as a celebration of life, and the record was critically and commercially successful.

Personal life

Shakur was a voracious reader. He was inspired by a wide variety of writers, including William Shakespeare, Niccolò Machiavelli, Donald Goines, Sun Tzu, Kurt Vonnegut, Mikhail Bakunin, Maya Angelou, Alice Walker, and Khalil Gibran. In his book, Dyson describes the experience of visiting the home of Shakur's friend and promoter Leila Steinberg to find "the sea of books" once owned by Shakur.

Legacy

, Germany]] At a Mobb Deep concert following the death of the famed icon and release of , Cormega recalled in an interview that the fans were all shouting "Makaveli," and emphasized the influence of The Don Killuminati: The 7 Day Theory and of Shakur himself even in New York at the height of the media-dubbed 'intercoastal rivalry'.

Shakur is held in high esteem by other MCs – in the book How to Rap, Bishop Lamont notes that Shakur “mastered every element, every aspect” of rapping and Fredro Starr of Onyx says Shakur, "was a master of the flow." "Every rapper who grew up in the Nineties owes something to Tupac," wrote 50 Cent. "He didn't sound like anyone who came before him."

To preserve Shakur's legacy, his mother founded the Shakur Family Foundation (later re-named the Tupac Amaru Shakur Foundation or TASF) in 1997. The TASF's stated mission is to "provide training and support for students who aspire to enhance their creative talents." The TASF sponsors essay contests, charity events, a performing arts day camp for teenagers and undergraduate scholarships. The Foundation officially opened the Tupac Amaru Shakur Center for the Arts (TASCA) in Stone Mountain, Georgia, on June 11, 2005. On November 14, 2003, a documentary about Shakur entitled was released under the supervision of his mother and narrated entirely in his voice. It was nominated for Best Documentary in the 2005 Academy Awards. Proceeds will go to a charity set up by Shakur's mother Afeni. On April 17, 2003, Harvard University co-sponsored an academic symposium entitled "All Eyez on Me: Tupac Shakur and the Search for the Modern Folk Hero." The speakers discussed a wide range of topics dealing with Shakur's impact on everything from entertainment to sociology.

Many of the speakers discussed Shakur's status and public persona, including State University of New York at Buffalo English professor Mark Anthony Neal who gave the talk "Thug Nigga Intellectual: Tupac as Celebrity Gramscian" in which he argued that Shakur was an example of the "organic intellectual" expressing the concerns of a larger group. Professor Neal has also indicated in his writings that the death of Shakur has left a "leadership void amongst hip-hop artists." Neal further describes him as a "walking contradiction", a status that allowed him to "make being an intellectual accessible to ordinary people."

Professor of Communications Murray Forman, of Northeastern University, spoke of the mythical status about Shakur's life and death. He addressed the symbolism and mythology surrounding Shakur's death in his talk entitled "Tupac Shakur: O.G. (Ostensibly Gone)". Among his findings were that Shakur's fans have "succeeded in resurrecting Tupac as an ethereal life force." In "From Thug Life to Legend: Realization of a Black Folk Hero", Professor of Music at Northeastern University, Emmett Price, compared Shakur's public image to that of the trickster-figures of African-American folklore which gave rise to the urban "bad-man" persona of the post-slavery period. He ultimately described Shakur as a "prolific artist" who was "driven by a terrible sense of urgency" in a quest to "unify mind, body, and spirit".

Michael Eric Dyson, University of Pennsylvania Avalon Professor of Humanities and African American Studies and author of the book Holler If You Hear Me: Searching for Tupac Shakur indicated that Shakur "spoke with brilliance and insight as someone who bears witness to the pain of those who would never have his platform. He told the truth, even as he struggled with the fragments of his identity." At one Harvard Conference the theme was Shakur's impact on entertainment, race relations, politics and the "hero/martyr". In late 1997, the University of California, Berkeley offered a student-led course entitled "History 98: Poetry and History of Tupac Shakur."

In late 2003, the Makaveli Branded Clothing line was launched by Afeni. In 2005, Death Row released . The DVD was the final recorded performance of Shakur's career, which took place on July 4, 1996, and features a plethora of Death Row artists. In August 2006, Tupac Shakur Legacy was released. The interactive biography was written by Jamal Joseph. It features unseen family photographs, intimate stories, and over 20 removable reproductions of his handwritten song lyrics, contracts, scripts, poetry, and other personal papers. Shakur's sixth posthumous studio album, Pac's Life, was released on November 21, 2006. It commemorates the 10th anniversary of Shakur's death. He is still considered one of the most popular artists in the music industry .

According to Forbes, in 2008 Shakur's estate made $15 million. In 2002, they recognize him as a Top Earning Dead celebrity coming in on number ten on their list.

Library of Congress

Shakur's hit song "Dear Mama" is one of 25 songs that was added to the National Recording Registry in 2010. The Library of Congress has called "Dear Mama" "a moving and eloquent homage to both the murdered rapper's own mother and all mothers struggling to maintain a family in the face of addiction, poverty and societal indifference." This honor comes seven days after his birthday, where the rapper would have been 39. Shakur is the third rapper to enter the library, behind Grandmaster Flash and Public Enemy.

Honors

MTV ranked him at #2 on their list of The Greatest MCs of All Time. Shakur was inducted into the Hip-Hop Hall of Fame in 2002. In 2003, MTV's "22 Greatest MCs" countdown listed Shakur as the "number 1 MC", as voted by the viewers. In 2004, at the VH1 Hip Hop Honors Shakur was honored along with DJ Hollywood, Kool DJ Herc, KRS-One, Public Enemy, Run-D.M.C., Rock Steady Crew, and Sugarhill Gang. A Vibe magazine poll in 2004 rated Shakur "the greatest rapper of all time" as voted by fans. At the First Annual Turks & Caicos International Film Festival held on Tuesday, October 17, 2006, Shakur was honored for his undeniable voice and talent and as a performer who crossed racial, ethnic, cultural and medium lines; his mother accepted the award on his behalf. In 2008, The National Association Of Recording Merchandisers in conjunction with the Rock and Roll Hall of Fame recognized him as a very influential artist and has added him in their Definitive 200 list. On Wednesday, June 23, 2010, Shakur was inducted to the Library of Congress’s National Recording Registry. The seat of the Catholic Church released a list of 12 songs onto the social networking Web site's streaming music service. Among the artists included are Mozart, Muse and Dame Shirley Bassey; the list also includes Shakur's song "Changes", which was released two years after his shooting death on a greatest hits album in 1998. His double album, All Eyez on Me, is one of the highest-selling rap albums of all time, with over 5 million copies of the album sold in the United States alone by April 1996; it was eventually certified 9x platinum in June 1998 by the RIAA.

Discography

Studio albums

Posthumous albums

Documentaries

Shakur's life has been recognized in big and small documentaries each trying capture the many different events during his short lifetime, most notably the Academy Award–nominated , released in 2003.

1997: ''Tupac Shakur: Thug Immortal

1997: ''Tupac Shakur: Words Never Die (TV)

2001: ''Tupac Shakur: Before I Wake...

2001: ''Welcome to Deathrow

2002: ''

2002: ''Biggie & Tupac

2002: ''Tha Westside

2003: ''2Pac 4 Ever

2003: ''

2004: ''Tupac vs.

2004: ''Tupac: The Hip Hop Genius (TV)

2006: ''So Many Years, So Many Tears

2007: ''

2009: ''Tupac: Assassination II: Reckoning

See also

List of best-selling music artists

List of number-one albums (United States)

List of number-one hits (United States)

References

Sources

. .

External links

2Pac Legacy (Official website)

Tupac Amaru Shakur Foundation for the Arts

Tupac Legacy Tour

Yaki Kadafi Official Website

Online catalog of Shakur's personal library from his apartment at the time of his death, online at LibraryThing

Category:1971 births Category:1996 deaths Category:1990s rappers Category:African American film actors Category:African American poets Category:African American rappers Category:African American record producers Category:American hip hop record producers Category:American people convicted of assault Category:American screenwriters Category:American sex offenders Category:American shooting survivors Category:Atlantic Records artists Category:Deaths by firearm in Nevada Category:Death Row Records artists Category:Deaths from respiratory failure Category:English-language poets Category:Interscope Records artists Category:Murdered African-American people Category:Murdered entertainers Category:Murdered rappers Category:People from Baltimore, Maryland Category:People from Harlem Category:People from Marin County, California Category:People murdered in Nevada Category:Rappers from the San Francisco Bay Area Category:Road crew Category:Shakur family Category:Unsolved murders in the United States Category:West Coast hip hop musicians

Name	Rick James
Background	solo_singer
Birth name	James Ambrose Johnson, Jr.
Alias	Big Jimmy; Ricky James Matthews (early career)
Born	February 01, 1948Buffalo, New York, U.S.
Died	August 06, 2004Burbank, California, U.S.
Genre	R&B;, soul, funk, punk-funk
Occupation	Singer, songwriter, dancer, bandleader, record producer
Instrument	|Instrument = Vocal, bass, guitar, keyboards, drums and other percussion instruments
Years active	1964–2004
Label	Gordy RecordsMotown RecordsReprise RecordsMercury Records
Associated acts	The Mynah BirdsStone City BandHeaven and EarthMary Jane GirlsProcess and the Doo RagsVal YoungEddie MurphyTeena Marie
Notable instruments	Rickenbacker 4001Gibson Les Paul
Url	}}

James Ambrose Johnson, Jr. (February 1, 1948August 6, 2004), better known by his stage name Rick James, was an American singer, songwriter, musician and record producer. James was a popular performer in the late 1970s and 1980s, scoring four #1 hits on the U.S. R&B; charts performing in the genres of funk and R&B;. Among his well known songs are "Super Freak" and "You and I". In addition to his music, James gained notoriety for his wild lifestyle, which led to widely publicized legal problems, and which was famously spoofed by Chappelle's Show in 2004.

Childhood

James was born on February 1, 1948 in Buffalo, New York. His father, an autoworker, abandoned him and his siblings when Rick was a child. His mother, a former vaudeville dancer, later reportedly ran errands for a Mafia family to make ends meet. James grew up singing on street corners with fellow neighborhood boys. James' early idols included Marvin Gaye; Smokey Robinson; and The Temptations, which included Melvin Franklin, who was his uncle. After being briefly involved in street activity, James dropped out of high school at fifteen to avoid a possible draft and joined the U.S. Naval Reserve. A year later, James left the Reserve after he began to miss weekend training, because it interfered with his music career.

Early career

Fleeing north to Toronto in the summer of 1964, James, now using the stage name Big Jimmy, continued his musical career. His first band, formed with future Steppenwolf member Nick St. Nicholas was initially called the Sailor Boys but soon changed their name to the Mynah Birds. Bassist Bruce Palmer took over for St. Nicholas in early 1965, and the group soon released their first single, "Mynah Bird Hop"/"Mynah Bird Song" for Columbia Records of Canada.

James and Palmer soon formed a new Mynah Birds lineup with guitarists Tom Morgan and Xavier Taylor, and drummer Rick Mason. In early 1966, the Mynah Birds auditioned for the Motown label in Detroit. Morgan was unhappy with the label's attitude towards the musicians and left, with Neil Young taking his place. With Young on board, the Mynah Birds returned to Motown to record an album, but their manager pocketed the advance money the label had given the band. The band fired their manager, who in turn told the label that James was AWOL. Motown told him to give himself up to the FBI, and the Mynah Birds' album was shelved.

James spent a year in the Brooklyn Brig, after which he briefly returned to Toronto. During the summer of 1967, Rick James formed a new version of The Mynah Birds (sometimes spelled "Myna Byrds") with Neil Merryweather. The band returned to Detroit and recorded a new version of James and Neil Young's It's My Time, but the band broke up soon afterwards. During early 1968, James returned to Motown and became a songwriter and producer, writing under an assumed name and working with Smokey Robinson and The Miracles, Canadian band Bobby Taylor and the Vancouvers and The Spinners.

In late 1968, James and Greg Reeves moved to Los Angeles, California and formed a band called Salt and Pepper (under the name Rick Matthews) with drummer Steve Rumph from T.I.M.E and Michael Rummans from the Yellow Payges. A later version consisted of Coffi Hall from Mama Lion and Merryweather and guitarist Dave Burt and Keyboardist Ed Roth from Merryweather.

Former Buffalo Springfield roadie Chris Sarns played bass for a while, before Ron Johnson from Kaleidoscope stepped in the following year. The group recorded a demo for Atlantic Records, and played at The Fillmore West with Jethro Tull.

In 1971, James and Roth both appeared on Buffalo Springfield bassist Bruce Palmer's solo album, The Cycle is Complete. Then they returned to Toronto, where they recorded two singles - Big Showdown and Don't You Worry - as part of Heaven and Earth, a band that also featured guitarist Stan Endersby, bass player Denny Gerrard, and drummer Pat Little. Heaven and Earth, minus Little, then merged with another local group, Milestone, to form Great White Cane with horn players Bob Doughty and Ian Kojima, drummer Norman Wellbanks, guitarist Paul C Saenz, and keyboard player John Cleveland Hughes. The group recorded an album for Lion Records in Los Angeles in March 1972, but by that summer, they had disbanded.

In 1973 A&M; Records released the first Rick James single, "My Mama", which is likely to have been recorded in Los Angeles.

In 1976, James and South African guitarist Aidan Mason co-wrote "Get Up and Dance," which was released as a single but failed to chart.

In 1977, he returned to Motown as a songwriter/producer. He soon began recording for Motown's Gordy label, first with the Hot Lips and then with a new version of the Stone City Band.

Solo career

Rick's breakthrough was "You and I", an eight-minute single from his 1978 debut album Come Get It!. The album also featured his ode to marijuana, "Mary Jane".

In 1981 he recorded Street Songs, which included James's signature song "Super Freak". The song featured guest vocals by The Temptations, and was sampled for MC Hammer's 1990 Grammy Award-winning song "U Can't Touch This", as well as Jay-Z's "Kingdom Come", released in 2006. Other hits from Street Songs included "Give It to Me Baby", "Fire and Desire" with protégée Teena Marie, and "Ghetto Life".

The stream of hits continued into the mid-1980s with "Teardrops", "Cold Blooded", "17", "You Turn Me On", "Can't Stop", "P.I.M.P. the S.I.M.P." (with Grandmaster Flash), and "Glow". His last R&B; hit was "Loosey's Rap" in 1989, featuring a rap by Roxanne Shante. During this period, he also helped launch the Mary Jane Girls, and helped produce and write Eddie Murphy's one hit, "Party All the Time".

While he is best known for his up tempo songs in pop circles, the R&B; world also remembers him as one of the premier soul balladeers in the late seventies and early eighties. He recorded an early eighties hit with Motown legend Smokey Robinson entitled "Ebony Eyes" that captures his voice almost as well as "Fire and Desire". He also recorded the ballad, "Tell Me What You Want". Part of the Cold Blooded album, this was a duet with Billy Dee Williams.

During this time, he guest-starred on an episode of The A-Team entitled "The Heart of Rock N' Roll", in which he played himself and performed at a prison concert singing "Super Freak". Isaac Hayes also guest starred in this episode.

1990s-2004

The start of the 1990s brought with it a string of bizarre and sometimes horrific incidents for Rick James. He was a known drug user, mainly addicted to crack cocaine, which he often smoked; he later admitted to spending about US$7,000 a week on drugs for five years straight. In 1991, a coked-up James assaulted music executive Mary Sauger, at the St. James Club and Hotel in West Hollywood. Sauger claims she met James and his future wife Tanya Hijazi for a business meeting, but claims the two kidnapped and beat her over a 20-hour period.

In 1993, while out on bail for that earlier incident, he and Hijazi were accused of holding 24-year old Frances Alley hostage for up to 6 days (accounts vary on how long she was actually held), tying her up, forcing her to perform sexual acts, and burning her legs and abdomen with the hot end of a crack cocaine pipe during a week long cocaine binge. He was found guilty of both offenses, but was cleared of a torture charge in the crack-pipe incident that could have put him behind bars for the rest of his life.

Serving two years in Folsom Prison, as well as losing US$2 million in a civil suit to one of the women, did not stop him from writing new songs, even if he did it behind bars. He was released in 1996, and during interviews for a segment of the VH1 series Behind the Music, he spoke openly about his life and his battle with drugs for the first time. The concert footage for the 1996 Behind the Music segment was shot just months after James' release and, the show itself, produced by Timothy Olague Entertainment at a new Casino in the desert of Southern California, featured James performing each of his hits, before a sold-out audience of 10,000 fans.

James attempted a comeback with a new album and tour in 1997, but suffered a mild stroke during a concert in Denver, Colorado, effectively ending his musical career. In 1998 he recorded the song "Love Gravy" on the South Park Soundtrack along with Ike Turner. In 1999 he appeared on Judge Joe Brown as a plaintiff suing Jerome Turner (J.T.) for a guitar and amp. His last song recording was a re-collaboration with his protégée Teena Marie with the song "I Got You" on her 2004 album La Doña, which was Teena's first studio release after a 10-year hiatus in her music career.

In 2003, James was a part of a skit on Chappelle's Show called "Charlie Murphy's True Hollywood Stories". He, along with Charlie Murphy (brother of Eddie Murphy) recounted humorous stories of their experiences together during the early 1980s. During the Skit, Rick James' character, played by Dave Chappelle, utters the now famous catchphrase "I'm Rick James, Bitch!" The skits were punctuated by James, as himself, explaining his past behavior with the phrase "Cocaine is a hell of a drug!".

At the time of his death, he was working on an autobiography, , as well as a new album. The book was finally published toward the end of 2007 by Colossus Books. It features a picture of his tombstone. He was also supporting Teena Marie's tour of her album La Doña.

I'm Rick James is a documentary about the life and career of Rick James released in 2008. James' daughter, Ty James, is a co-executive producer of the film. The film was Originally scheduled to be finished and released in 2006, the filmmakers spent over an additional year tweaking and adding scenes to the film. After almost three years of production, it was completed in December 2007. The film is the only documentary authorized by the estate and family of James. Music producer David Tickle is the Executive Producer, Perry Santos (once an assistant to James Cameron on Titanic) is the producer/director, and HiddenDoor Documedia is the production company. Eddie Griffin, Charlie Murphy, George Clinton, Janice Dickinson, family and close associates also appear in the film. Noticeably absent are Eddie Murphy, Freda O'Neal and Teena Marie, who declined to appear in the documentary, as well as long time girlfriend Alfie Davison who was a hidden fixture in James life since his signing with Motown in the 1970s throughout his many tumultuous public affairs, drug addiction, incarceration, his ultimate downfall and untimely death. James protected that part of his life. Motown sources confirmed speculation, as well as Davison's quiet presence amongst his family at James memorial service.

Death

On the morning of August 6, 2004, Rick James was found dead in his Burbank, California, home at the Oakwood apartment complex on Barham Boulevard by his caretaker. James had died from pulmonary failure and cardiac failure with his various health conditions of diabetes, stroke, a pacemaker, and a heart attack. Through his autopsy it was discovered he was under the influence of alprazolam, diazepam, bupropion, citalopram, hydrocodone, digoxin, chlorpheniramine, methamphetamine and cocaine. However the coroner would go on to say; "None of the drugs or drug combinations were found to be at levels that were life threatening in and of themselves. " He was buried at Forest Lawn Cemetery in Buffalo.

Discography

Studio albums

Come Get It!

Bustin' Out of L Seven

Fire It Up

Garden of Love

Street Songs

Throwin' Down

Cold Blooded

Glow

The Flag

Wonderful

Kickin'

Urban Rapsody

Deeper Still

References

External links

Rick James official site

Rick James, The Mynah Birds and Neil Young

Grave site

Category:1948 births Category:2004 deaths Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:African American musicians Category:African American male singers Category:African American singer-songwriters Category:American bass guitarists Category:American composers Category:American expatriates in Canada Category:American kidnappers Category:American funk musicians Category:American keyboardists Category:American record producers Category:American rhythm and blues singers Category:American soul singers Category:Grammy Award winners Category:Motown artists

Category:People from Buffalo, New York Category:American people convicted of assault Category:Burials at Forest Lawn Cemetery Category:Stroke survivors Category:United States Navy sailors

Name	Busta Rhymes
Background	solo_singer
Birth name	Trevor Tahiem Smith, Jr.
Alias
Born	May 20, 1972
Origin	Brooklyn, New York, United States
Genre	Hip hop
Years active	1990–present
Label	Flipmode, Conglomerate, Universal Motown, Violator
Associated acts	Leaders of the New School, Flipmode Squad, Spliff Star, Def Squad, Wu-Tang Clan, A Tribe Called Quest, Q-Tip, Mary J.Blige, J Dilla, Missy Elliott, Mariah Carey, Dr. Dre
Official website	http://www.bustarhymes.com/}}

Trevor Tahiem Smith, Jr., also known as Busta Rhymes (born May 20, 1972), is an American rapper, songwriter, producer and actor. Chuck D of Public Enemy gave him the alias Busta Rhymes (from former NFL wide receiver George "Buster" Rhymes).

Early life

Busta was born in Redhook, Brooklyn, New York, to Jamaican parents Geraldine Green and Trevor Smith.

Music career

Early career with Leaders of the New School (1989-1991)

Busta's musical career began at the age of 16 as a member of the hip hop crew Leaders of the New School along with fellow Long Island natives Charlie Brown, Dinco D, and Cut Monitor Milo. He went to Uniondale High School class of '92. LoNS began recording in 1989 and released their debut album A Future Without a Past in 1991 on Elektra Records. In early 1992 the group appeared on A Tribe Called Quest's posse cut "Scenario," in which Busta's climactic verse propelled him into the cultural consciousness. In 1993, they released T.I.M.E. (The Inner Mind's Eye). Soon after, however, internal problems arose because of Busta's increasing popularity, and the group broke up on the set of Yo! MTV Raps. They did however break up over "stupid shit" multiple times earlier in their career, like Busta not driving the LONS members to a music festival because he wanted "to get dome" from a girl.

The Coming & When Disaster Strikes (1996-1997)

Busta broke out with a 1996 solo hit single, "Woo Hah!! Got You All in Check" from his platinum record album The Coming. His second album, When Disaster Strikes, released in 1997, produced the hit singles "Put Your Hands Where My Eyes Could See".

Extinction Level Event (Final World Front) (1998-1999)

In 1998, Busta recorded Extinction Level Event (Final World Front). Its single, "Gimme Some More" — which sampled Bernard Herrmann's theme from Psycho — reached number 5 in the UK singles chart in January 1999. Busta enjoyed further transatlantic success in April when the single "What's It Gonna Be?!", featuring Janet Jackson, reached the US and UK Top 10. The album received prominent notice for featuring the fastest rapping Busta has yet done, on a song called "Iz They Wildin Wit Us & Gettin' Rowdy Wit Us?", featuring a guest appearance by Mystikal.

J/Arista/BMG

Anarchy & Genesis(2000-2001)

After Busta signed to J Records, a label started by the then recently ousted Arista Records chief and founder Clive Davis, he released a greatest hits collection alongside a new album of original work. Continuing the Biblical theme of his previous albums, he titled his record Genesis. The album featured collaborations with Mary J. Blige, P. Diddy, Kelis, and others. Genesis was powered by the hit single with Kelis, "What It Is," and his solo single released in November 2001, "Break Ya Neck." The final single was the summer smash "Pass the Courvoisier, Part II", which featured Pharrell and P. Diddy. Despite the success of the two singles, this album did not sell as well as previous releases.

It Aint Safe No More (2002-2004)

In 2002, Busta released his sixth studio album It Ain't Safe No More. The album was moderately successful, with a hit song featuring Mariah Carey and the Flipmode Squad called "I Know What You Want". Another hit song was "Make It Clap", featuring Spliff Starr. The remix of "Make It Clap" featured Sean Paul. After its release, he left J Records. In 2004, he signed with Dr. Dre's Aftermath Entertainment.

Aftermath/Interscope

The Big Bang (2006)

His seventh studio album, The Big Bang, became the first #1 album of his career. The CD sold over 209,000 copies in its first week to earn the top spot on The Billboard Top 200. The album also became his highest charting album in the UK, peaking at #19. Some of the album was leaked on the Internet, and as a result several songs were left off the album and new ones added. The Big Bang featured more production by Dr. Dre than Busta's previous releases, as well as appearances by Raekwon and Nas. The singles that have been released from the album are, "Touch It", "I Love My Chick", featuring Kelis and Will.I.Am, "New York Shit",featuring Swizz Beatz and "In The Ghetto". Busta also had a stint opening for Mariah Carey's The Adventures of Mimi Tour. Also, Busta performed with Eminem on "Touch It Remix Part 5" and made the song "I'll Hurt You" with Eminem. On July 17, 2008, Busta left Interscope/Aftermath due to a creative clash with Interscope head Jimmy Iovine.

Universal Motown

Back on My B.S. (2007-2009)

He also made a song featuring Linkin Park called "We Made It". It was later revealed that Busta inked a deal with Universal Motown, who released his eighth studio album, Back on My B.S., on May 19, 2009. He also appeared on Asher Roth's debut album, Asleep in the Bread Aisle''. Busta released his eighth studio album Back on My B.S. on May 19, 2009 via Universal Motown. The album debuted at #5 on the Billboard 200, selling 56,000 copies, and was his first album to not receive an RIAA certification, selling 122,000 copies to date. The singles that have been released from the album are, "Arab Money", featuring Ron Browz, "Hustler's Anthem '09", featuring T-Pain and "Respect My Conglomerate". The song "World Go Round", featuring British singer Estelle, was released in France on April 6, 2009 due to the heavy rotation of a leaked version. The single was released in the UK on July 13, 2009. Due to controversial content, the United Arab Emirates (UAE) has banned the album. Back on My B.S. was released internationally, but because of one song, "Arab Money", it is not available to buy as a CD there (however, the album can still be purchased via iTunes). According to the National Media Council, the lyrics were considered to be offensive to Arabs and to Islam, and permission for distribution was therefore denied. Some DJs, artists and fans have lambasted the track, saying it portrayed Arabs in a stereotypical way. The first part out of three of the remix by Rhymes contains verses from the Quran. In November, when "Arab Money" was released as a single, DJ Dany Neville and the Iraqi rapper The Narcicyst responded by recorded a reply. Busta later apologised. DJs in the country said they had not received an order banning the record from being spun in nightclubs, and they had mixed feelings on whether the record was offensive or not. DJ Saif of Dubai said: The Emirati DJ Bliss, who has his own show on Radio 1 in Dubai, also says he no longer plays "Arab Money". He added:

Conglomerate Records & E.L.E. 2 (previously The Chemo) (2010-present)

Busta announced that he is working on his upcoming ninth studio album, alongside Canadian producer Boi-1da, entitled The Chemo. He says that his next project is 80 percent finished. Busta has reportedly changed the title of his forthcoming Chemo album to Extinction.Level.Event.2.

The trend of album sequel continues with Busta Rhymes as the New York staple plans another chapter from his 1998 opus E.L.E. (Extinction Level Event): The Final World Front. Busta's manager Chris Lighty sent out the message via Twitter. Lighty simply said, "Extinction.Level.Event 2 ......prepare yourself." Like the first, E.L.E. 2 is inspired by movies of impending destruction and doom on planet Earth, Lighty said. "From the Intro of the new Busta Album your going to know your in trouble and you just turned on 2012 the movie on warp speed," he said.

DJ Premier, in a recent Aug 6th 2010 interview on Conspiracy Worldwide Radio said Busta Rhymes has received over eight beats which he didn't want to use but Premier hoped his next beat would be chosen for inclusion on the album. On DJ Premier's Live From Headqcourterz radio show Premier confirmed that one of his beats were to be included in E.L.E. 2. In 2010, Busta Rhymes formed his new label Conglomerate Records.

Legal issues

On August 20, 2006, he was arraigned for charges of third-degree assault after attacking a man who reportedly spat on his car in New York City on August 12 after the AmsterJam Music Festival on Randall's Island.

On October 24, 2006, he appeared at Manhattan Criminal Court as the district attorney's office attempted to amend previous charges against him to include weapons possession for a machete found in his car. The judge, ShawnDya Simpson, refused to add the charge and adjourned the case.

On February 20, 2007, Busta refused a plea deal offered by the prosecutors office for the assault of his former driver, Edward Hatchett. The deal would have entailed six months in jail and pleading guilty to two assaults, the attack on Hatchett, and the attack on the former fan. The dispute with Hatchett is believed to have originated over back pay Hatchett felt he was owed. Manhattan Criminal Court Judge Becki Rowe offered Busta another option, pleading guilty to third-degree assault. The conditions of the proposed sentence would include five days of community service, two weeks of youth lectures and six months of anger management classes, as well as three years of probation. On March 18, 2008 a judge in New York City sentenced Busta to three years' probation, 10 days' community service, $1250 in fines (plus court costs), and to enroll in a drunken driving program.

On September 25, 2008, he was temporarily refused entry to the UK due to "unresolved convictions".

On October 14, 2009, a Brooklyn judge ordered Busta to pay a concert goer $75,000 in compensation for an assault alleged to have occurred in 2003".

Personal life

Busta is a five percenter, otherwise called the The Nation of Gods and Earths, an offshoot of Nation of Islam, and has been one since the age of 13.

Discography

The Coming (1996)

When Disaster Strikes (1997)

(1998)

Anarchy (2000)

Genesis (2001)

It Ain't Safe No More (2002)

The Big Bang (2006)

Back on My B.S. (2009)

Filmography

Who's the Man? (1993), Jawaan

Strapped (1993), Buster

Higher Learning (1995), Dreads

Cosby (1997), Philip

The Steve Harvey Show (1998), Zack

The Wayans Bros (1998), himself

The Jamie Foxx Show (1998), Himself

The Rugrats Movie (1998), Reptar Wagon – voice

Shaft (2000), Rasaan

Finding Forrester (2000), Terrell Wallace

Space Ghost Coast to Coast (2001), himself

Narc (2002), Darnell 'Big D Love' Beery

(2002), Freddie Harris

'The Neptunes Present: Dude We're Going to Rio! (2003), Rhymes

Death of a Dynasty (2003)

Full Clip (2004), Pope

Busta Rhymes: Everything Remains Raw (2004)

The Boondocks (2007), Flonominal

Breaking Point (2009 film) (2009), Al Bowen

See also

List of number-one U.S. dance hits

List of artists who reached number one on the U.S. Dance chart

References

External links

Official Site

Busta Rhymes: Biography, Photo Gallery and Videos

www.flipmodefans.com

Category:1972 births Category:Living people Category:Actors from New York City Category:African American film actors Category:African American rappers Category:Aftermath Entertainment artists Category:American people convicted of assault Category:American rappers of Jamaican descent Category:People convicted of alcohol-related driving offenses Category:People from Brooklyn Category:Rappers from Long Island Category:Rappers from New York City

Name	Memphis Bleek
Background	solo_singer
Birth name	Malik Thuston Cox
Born	June 23, 1978 (age 32)
Origin	Marcy Houses, Brooklyn, New York
Genre	Hip hop
Occupation	RapperActorRecord Producer
Years active	1996-present
Associated acts	Jay-Z, Beanie Sigel, Young Gunz, Freeway
Label	Get Low Records (1996-Present)Roc-a-Fella Records (1996-2009)Mass Appeal Entertainment (2009-Present)

Malik Thuston Cox (born June 23, 1978), better known by his rap persona of Memphis Bleek or "Bleek", is a New York rapper mainly known for his tenure with Roc-a-Fella Records and CEO of his own label Get Low Records. He has released four albums during his career with Coming of Age and The Understanding certified and M.A.D.E. certified gold, and he released 534 in 2005 and The Process in 2010 he is a close friend of fellow rapper Ja Rule.

Biography

Memphis Bleek was one of the first artists signed to Roc-A-Fella Records, as protege to long time friend, Jay-Z. He appeared on the Jay-Z Albums Reasonable Doubt, Vol. 2... Hard Knock Life, Vol. 3… Life and Times of S. Carter and The Dynasty: Roc La Familia. Bleeks first official appearance was Coming of Age from Reasonable Doubt. After the huge success of the multi-platinum Hard Knock Life album and exposure of the Roc-A-Fella camp, (a Memphis Bleek track off the aforementioned Jay-Z album, "It's Alright", actually charted on Billboard), the label released Memphis Bleek's debut album, Coming of Age. The album was the weeks Hot Shot Debut on the Billboard 200, peaking at #7 with 118,000 units sold in its first week. MEMPHIS which the rapper explained to pay homage to Pimps; Making Easy Money Pimping Hoes In Style. He has released 3 more albums since his debut, The Understanding went Gold, M.A.D.E. went Gold. 534 failed to garner any plaques. In between the release of The Understanding and M.A.D.E., he took a three year hiatus, in which time he took care of his older brother, who was seriously injured in a motorcycle accident. There are three significant notes to take away from the album 534, which was named after the building number where Memphis and Jay-Z grew up in the Marcy Projects. First, it was the first release from the "new" Roc-A-Fella Records, referring to Jay-Z becoming President of Def Jam. It was also the first official Def Jam recording by label mate turned international star, Rihanna, on the song "The One". And lastly, this album marks where Jay-Z released his first song since beginning his brief "retirement". The song was called "Dear Summer", in reference to what Jay called the time of the year when he would drop a classic album or single every year for 8 straight years, and how he had to metaphorically leave "her", Summer.

His single chart status has not proved to be as impressive, as much of his following being with Hip-Hop listeners following Jay-Z and the record Label, and not commercial singles success. His highest charting single was "Is That Yo Chick", Featuring Missy Elliott and Jay-Z, which peaked at #7 on the Hot Rap Singles Billboard Chart, and only one of two songs by the artist to crack the Billboard Hot 100, peaking at #68, and the only track to appear on one of his solo albums. The other single being "It's Alright", appearing on the Hard Knock Life album by Jay-Z, peaking at #61 on the Billboard Hot 100. He has had countless collaborations with fellow hip-hop artists such as DMX, Ja Rule, T.I., and Trick Daddy, with many of the features coming with other Roc-A-Fella artists, including Beanie Sigel, Freeway, Cam'ron, Amil, Young Gunz, and of course Jay-Z.

In fall 2005, Memphis Bleek told MTV that he was recording an album called The Process, that he would describe as a make or break album, saying "I want to do an album that's through the roof, I want to do a classic album. I feel that if this album I'm not recording is a classic, I'm not even gonna put it out. I have to do it bigger than anybody has ever done it. I have to make a good record this time, not just talking-junk records." The rapper has worked on the album since 2005 and during that time frame he would release the songs "Hustla", "Get Ya Money Off" and "Let It Off". During this time, he would also leave Roc-A-Fella after Jay-Z told him he could run his own company and had the proper distribution deals to do so. He found a new home in 2009 when he signed to Mass Appeal Entertainment which is where he'll release his long anticipated album The Process in 2010.

Filmography

In 2002, Memphis Bleek made his acting debut in the film State Property. He played the role of Blizz. A year later, he was featured in the film, Paper Soldiers.

Discography

Studio albums

1999: Coming of Age

2000: The Understanding

2003: M.A.D.E.

2005: 534

2011: The Process

References

External links

Official MySpace

Category:1978 births Category:African American rappers Category:Def Jam Recordings artists Category:Living people Category:People from Brooklyn Category:Rappers from New York City Category:Roc-A-Fella Records artists

Name	Jermaine Dupri
Background	solo_singer
Birth name	Jermaine Dupri Mauldin
Alias	J.D.
Born	September 23, 1972
Origin	Atlanta, Georgia, U.S.
Label	So So Def Recordings, Island Urban Music, TAG Records
Genre	Hip hop
Years active	1984–present
Occupation	Producer, songwriter, rapper

Jermaine Dupri Mauldin (born September 23, 1972; although some sources say 1973 but his debut album called Life in 1472 refers to the year of Dupri's birth, 1972), better known simply as Jermaine Dupri or J.D., is an American record producer, rapper and songwriter.

Biography

Using his father's "connections" to start a career dancing for the likes of Diana Ross when he was not yet in his teens, Jermaine Dupri had already moved on to performing and producing by the time he reached 7. He made his first production effort for the female rap trio Silk Tymes Leather. Although the group was unable to produce a successful album, Jermaine received attention for his efforts and made strong contacts within the industry. He later formed the teen duo Kris Kross (Chris Kelly and Chris Smith) after meeting the boys at a local mall in 1991. The group's first album, Totally Krossed Out, was released in 1992 and went multi-platinum due to their singles "Jump" and "It's a Shame".

After he established his new record label So So Def Recordings, his next big break would come in 1993 in the form of Xscape, a female R&B; group he discovered during a festival in Atlanta and signed to So So Def Recordings. After signing, they released their debut Hummin' Comin' at 'Cha and went platinum. During the same year, on Yo! MTV Raps he met Chicago rapper Shawntae Harris, A.K.A Da Brat through Kris Kross, signed her to his label So So Def Recordings, and released her debut Funkdafied (1994). It went platinum making her the first female hip hop artist to sell 1,000,000 units. Dupri subsequently built on this success through working with other R&B; artists such as Boyz II Men, as well as R&B; singers Mariah Carey, Luther Vandross and Babyface, achieving multi-millionaire status for himself by the age of 24. His finances were not hindered by a distribution deal made with Columbia Records in 1993. Since its inception, over 20 gold and platinum records have accumulated on So So Def's studio walls. He met Jagged Edge through Xscape band member Kandi Burrus, who at the time was dating one of the members, in 1996.

In 1998, Jermaine Dupri surpassed all of his prior commercial ventures with his involvement in the release of Destiny Child's eponymous debut album. The same year, he began work on his own music career with the albums The Party Continues and Jermaine Dupri Presents Life In 1472: The Original Soundtrack. The same year, he met 10 or 11 year old rapper Lil Bow Wow through one of his influences, Snoop Dogg, when signed to Death Row Records. He signed him to his So So Def Recordings and got to work. Then in 2000, they released his debut Beware of Dog, which was certified double platinum. After releasing Doggy Bag (2001) for him, the two broke up their relationship before releasing Unleashed (2003), but certified it gold. Many believe Dupri was his biggest source to his career, so they went back on track and became close again.. The deal with Columbia was terminated in 2002, and in 2003 Dupri switched to Arista Records. Jermaine worked on Mariah Carey's recent Christmas album, Merry Christmas II You.

Discography

Life in 1472 (1998)

Instructions (2001)

TBA (2011)

References

External links

Official website

Jermaine Dupri at Beatbuggy

Jermaine Dupri's Official Youtube

Category:1972 births Category:Living people Category:African American rappers Category:African American record producers Category:American music industry executives Category:Grammy Award winners Category:Musicians from North Carolina Category:People from Asheville, North Carolina Category:Rappers from North Carolina Category:Rappers from Atlanta, Georgia Category:So So Def artists

Name	Elvis Presley
Img alt	A young man dancing, swiveling his hips. He has dark hair, short and slicked up a bit. He wears an unbuttoned band-collared jacket over a shirt with bold black-and-white horizontal stripes. Behind him, on either side, are a pair of barred frames, like prison doors.
Background	solo_singer
Birth name	Elvis Aaron Presley
Born	January 08, 1935Tupelo, Mississippi, United States
Died	August 16, 1977Memphis, Tennessee, United States
Genre	Rock and roll, pop, rockabilly, country, blues, gospel, R&B;
Associated acts	The Blue Moon Boys, The Jordanaires, The Imperials
Occupation	Musician, actor
Instrument	Vocals, guitar, piano
Years active	1954–77
Label	Sun, RCA Victor
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Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was one of the most popular American singers of the 20th century. A cultural icon, he is widely known by the single name Elvis. He is often referred to as the "King of Rock and Roll" or simply "the King".

Born in Tupelo, Mississippi, Presley moved to Memphis, Tennessee, with his family at the age of 13. He began his career there in 1954 when Sun Records owner Sam Phillips, eager to bring the sound of African American music to a wider audience, saw in Presley the means to realize his ambition. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was one of the originators of rockabilly, an uptempo, backbeat-driven fusion of country and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage the singer for over two decades. Presley's first RCA single, "Heartbreak Hotel", released in January 1956, was a number one hit. He became the leading figure of the newly popular sound of rock and roll with a series of network television appearances and chart-topping records. His energized interpretations of songs, many from African American sources, and his uninhibited performance style made him enormously popular—and controversial. In November 1956, he made his film debut in Love Me Tender.

Conscripted into military service in 1958, Presley relaunched his recording career two years later with some of his most commercially successful work. He staged few concerts, however, and, guided by Parker, proceeded to devote much of the 1960s to making Hollywood movies and soundtrack albums, most of them critically derided. In 1968, after seven years away from the stage, he returned to live performance in a celebrated comeback television special that led to an extended Las Vegas concert residency and a string of profitable tours. In 1973, Presley staged the first concert broadcast globally via satellite, Aloha from Hawaii, seen by approximately 1.5 billion viewers. Prescription drug abuse severely compromised his health, and he died suddenly in 1977 at the age of 42.

Presley is regarded as one of the most important figures of 20th-century popular culture. He had a versatile voice and unusually wide success encompassing many genres, including country, pop ballads, gospel, and blues. He is the best-selling solo artist in the history of popular music. Nominated for 14 competitive Grammys, he won three, and received the Grammy Lifetime Achievement Award at age 36. He has been inducted into four music halls of fame.

Life and career

Early years (1935–53)

Childhood in Tupelo

, Mississippi]] Elvis Presley was born on January 8, 1935, in Tupelo, Mississippi, to Vernon Elvis and Gladys Love Presley. In the two-room shotgun house built by his father in readiness for the birth, Jesse Garon Presley, his identical twin brother, was delivered 35 minutes before him, stillborn. As an only child, Presley became close to both parents and formed an unusually tight bond with his mother. The family attended an Assembly of God church where he found his initial musical inspiration.

Presley's ancestry was primarily a Western European mix—Scots-Irish, with some French Norman; one of Gladys's great-great-grandmothers was Cherokee. According to a third cousin of Presley's, one of Gladys's great-grandmothers was Jewish. Gladys was regarded by relatives and friends as the dominant member of the small family. Vernon moved from one odd job to the next, evidencing little ambition. The family often relied on help from neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of altering a check written by the landowner. He was jailed for eight months, and Gladys and Elvis moved in with relatives.

In September 1941, Presley entered first grade at East Tupelo Consolidated, where his instructors regarded him as "average". He was encouraged to enter a singing contest after impressing his schoolteacher with a rendition of Red Foley's country song "Old Shep" during morning prayers. The contest, held at the Mississippi-Alabama Fair and Dairy Show on October 3, 1945, saw his first public performance: dressed as a cowboy, the ten-year-old Presley stood on a chair to reach the microphone and sang "Old Shep". He recalled placing fifth. A few months later, Presley received for his birthday his first guitar. He had hoped for something else—by different accounts, either a bicycle or a rifle. Over the following year, he received basic guitar lessons from two of his uncles and the new pastor at the family's church. Presley recalled, "I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it."

Entering a new school, Milam, for sixth grade in September 1946, Presley was regarded as a loner. The following year, he began bringing his guitar in on a daily basis. He would play and sing during lunchtime, and was often teased as a "trashy" kid who played hillbilly music. The family was by then living in a largely African American neighborhood. A devotee of Mississippi Slim's show on the Tupelo radio station WELO, Presley was described as "crazy about music" by Slim's younger brother, a classmate of Presley's, who often took him in to the station. Slim supplemented Presley's guitar tuition by demonstrating chord techniques. When his protégé was 12 years old, Slim scheduled him for two on-air performances. Presley was overcome by stage fright the first time, but succeeded in performing the following week.

Teenage life in Memphis

In November 1948, the family moved to Memphis, Tennessee. After residing for nearly a year in rooming houses, they were granted a two-bedroom apartment in the public housing complex known as the Courts. Enrolled at Humes High School, Presley received only a C in music in eighth grade. When his music teacher told him he had no aptitude for singing, he brought in his guitar the next day and sang a recent hit, "Keep Them Cold Icy Fingers Off Me", in an effort to prove otherwise. A classmate later recalled that the teacher "agreed that Elvis was right when he said that she didn't appreciate his kind of singing." He was generally too shy to perform openly, and was occasionally bullied by classmates who viewed him as a "mama's boy". In 1950, he began practicing guitar regularly under the tutelage of Jesse Lee Denson, a neighbor two-and-a-half years his senior. They and three other boys—including two future rockabilly pioneers, brothers Dorsey and Johnny Burnette—formed a loose musical collective that played frequently around the Courts. That September, he began ushering at Loew's State Theater. Other jobs followed during his school years: Precision Tool, Loew's again, and MARL Metal Products.

During his junior year, Presley began to stand out more among his classmates, largely because of his appearance: he grew out his sideburns and styled his hair with rose oil and Vaseline. On his own time, he would head down to Beale Street, the heart of Memphis's thriving blues scene, and gaze longingly at the wild, flashy clothes in the windows of Lansky Brothers. By his senior year, he was wearing them. Overcoming his reticence about performing outside the Courts, he competed in Humes's Annual "Minstrel" show in April 1953. Singing and playing guitar, he opened with "Till I Waltz Again With You", a recent hit for Teresa Brewer. Presley recalled that the performance did much for his reputation: "I wasn't popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage I heard people kind of rumbling and whispering and so forth, 'cause nobody knew I even sang. It was amazing how popular I became after that."

Presley, who never received formal music training or learned to read music, studied and played by ear. He frequented record stores with jukeboxes and listening booths. He knew all of Hank Snow's songs and he loved records by other country singers such as Roy Acuff, Ernest Tubb, Ted Daffan, Jimmie Rodgers, Jimmie Davis, and Bob Wills. The Southern Gospel singer Jake Hess, one of his favorite performers, was a significant influence on his ballad-singing style. He was a regular audience member at the monthly All-Night Singings downtown, where many of the white gospel groups that performed reflected the influence of African American spiritual music. He adored the music of black gospel singer Sister Rosetta Tharpe. Like some of his peers, he may have attended blues venues—of necessity, in the segregated South, only on nights designated for exclusively white audiences. He certainly listened to the regional radio stations that played "race records": spirituals, blues, and the modern, backbeat-heavy sound of rhythm and blues. Many of his future recordings were inspired by local African American musicians such as Arthur Crudup and Rufus Thomas. B.B. King recalled that he knew Presley before he was popular when they both used to frequent Beale Street. By the time he graduated high school in June 1953, Presley had already singled out music as his future.

First recordings (1953–55)

Sam Phillips and Sun Records

In August 1953, Presley walked into the offices of Sun Records. He aimed to pay for a few minutes of studio time to record a two-sided acetate disc: "My Happiness" and "That's When Your Heartaches Begin". He would later claim he intended the record as a gift for his mother, or was merely interested in what he "sounded like", though there was a much cheaper, amateur record-making service at a nearby general store. Biographer Peter Guralnick argues that he chose Sun in the hope of being discovered. Asked by receptionist Marion Keisker what kind of singer he was, Presley responded, "I sing all kinds." When she pressed him on whom he sounded like, he repeatedly answered, "I don't sound like nobody." After he recorded, Sun boss Sam Phillips asked Keisker to note down the young man's name, which she did along with her own commentary: "Good ballad singer. Hold." Presley cut a second acetate in January 1954—"I'll Never Stand In Your Way" and "It Wouldn't Be the Same Without You"—but again nothing came of it.

Not long after, he failed an audition for a local vocal quartet, the Songfellows. He explained to his father, "They told me I couldn't sing." Songfellow Jim Hamill later claimed that he was turned down because he did not demonstrate an ear for harmony at the time. In April, Presley began working for the Crown Electric company as a truck driver. His friend Ronnie Smith, after playing a few local gigs with him, suggested he contact Eddie Bond, leader of Smith's professional band, which had an opening for a vocalist. Bond rejected him after a tryout, advising Presley to stick to truck driving "because you're never going to make it as a singer."

Phillips, meanwhile, was always on the lookout for someone who could bring the sound of the black musicians on whom Sun focused to a broader audience. As Keisker reported, "Over and over I remember Sam saying, 'If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.'" In June, he acquired a demo recording of a ballad, "Without You", that he thought might suit the teenaged singer. Presley came by the studio, but was unable to do it justice. Despite this, Phillips asked Presley to sing as many numbers as he knew. He was sufficiently affected by what he heard to invite two local musicians, guitarist Winfield "Scotty" Moore and upright bass player Bill Black, to work something up with Presley for a recording session. }} The session, held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to give up and go home, Presley took his guitar and launched into a 1946 blues number, Arthur Crudup's "That's All Right". Moore recalled, "All of a sudden, Elvis just started singing this song, jumping around and acting the fool, and then Bill picked up his bass, and he started acting the fool, too, and I started playing with them. Sam, I think, had the door to the control booth open ... he stuck his head out and said, 'What are you doing?' And we said, 'We don't know.' 'Well, back up,' he said, 'try to find a place to start, and do it again.'" Phillips quickly began taping; this was the sound he had been looking for. Three days later, popular Memphis DJ Dewey Phillips played "That's All Right" on his Red, Hot, and Blue show. Listeners began phoning in, eager to find out who the singer was. The interest was such that Phillips played the record repeatedly during the last two hours of his show. Interviewing Presley on-air, Phillips asked him what high school he attended in order to clarify his color for the many callers who had assumed he was black. During the next few days the trio recorded a bluegrass number, Bill Monroe's "Blue Moon of Kentucky", again in a distinctive style and employing a jury-rigged echo effect that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A side and "Blue Moon of Kentucky" on the reverse.

Early live performances and signing to RCA

The trio played publicly for the first time on July 17 at the Bon Air club—Presley still sporting his child-size guitar. At the end of the month, they appeared at the Overton Park Shell, with Slim Whitman headlining. A combination of his strong response to rhythm and nervousness at playing before a large crowd led Presley to shake his legs as he performed: his wide-cut pants emphasized his movements, causing young women in the audience to start screaming. Moore recalled, "During the instrumental parts he would back off from the mike and be playing and shaking, and the crowd would just go wild". Black, a natural showman, whooped and rode his bass, hitting double licks that Presley would later remember as "really a wild sound, like a jungle drum or something". Soon after, Moore and Black quit their old band to play with Presley regularly, and DJ and promoter Bob Neal became the trio's manager. From August through October, they played frequently at the Eagle's Nest club and returned to Sun Studio for more recording sessions, and Presley quickly grew more confident on stage. According to Moore, "His movement was a natural thing, but he was also very conscious of what got a reaction. He'd do something one time and then he would expand on it real quick." Presley made what would be his only appearance on Nashville's Grand Ole Opry on October 2; after a polite audience response, Opry manager Jim Denny told Phillips that his singer was "not bad" but did not suit the program. Two weeks later, Presley was booked on Louisiana Hayride, the Oprys chief, and more adventurous, rival. The Shreveport-based show was broadcast to 198 radio stations in 28 states. Presley had another attack of nerves during the first set, which drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response. House drummer D.J. Fontana brought a new element, complementing Presley's movements with accented beats that he had mastered playing in strip clubs. Soon after the show, the Hayride engaged Presley for a year's worth of Saturday-night appearances. Trading in his old guitar for $8 (and seeing it promptly dispatched to the garbage), he purchased a Martin instrument for $175, and his trio began playing in new locales including Houston, Texas, and Texarkana, Arkansas.

By early 1955, Presley's regular Hayride appearances, constant touring, and well-received record releases had made him a substantial regional star, from Tennessee to West Texas. In January, Neal signed a formal management contract with Presley and brought the singer to the attention of Colonel Tom Parker, whom he considered the best promoter in the music business. Parker—Dutch-born, though he claimed to be from West Virginia—had acquired an honorary colonel's commission from country singer turned Louisiana governor Jimmie Davis. Having successfully managed top country star Eddy Arnold, he was now working with the new number one country singer, Hank Snow. Parker booked Presley on Snow's February tour. When the tour reached Odessa, Texas, a 19-year-old Roy Orbison saw Presley for the first time: "His energy was incredible, his instinct was just amazing. ... I just didn't know what to make of it. There was just no reference point in the culture to compare it." Presley made his television debut on March 3 on the KSLA-TV broadcast of Louisiana Hayride. Soon after, he failed an audition for Arthur Godfrey's Talent Scouts on the CBS television network. By August, Sun had released ten sides credited to "Elvis Presley, Scotty and Bill"; on the latest recordings, the trio were joined by a drummer. Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B; idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both". This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country music disc jockeys would not play it because he sounded too much like a black artist and none of the rhythm and blues stations would touch him because "he sounded too much like a hillbilly." The blend came to be known as rockabilly. At the time, Presley was variously billed as "The King of Western Bop", "The Hillbilly Cat", and "The Memphis Flash".

Presley renewed Neal's management contract in August 1955, simultaneously appointing Parker as his special adviser. The group maintained an extensive touring schedule throughout the second half of the year. Neal recalled, "It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. There were occasions in some towns in Texas when we'd have to be sure to have a police guard because somebody'd always try to take a crack at him. They'd get a gang and try to waylay him or something." The trio became a quartet when Hayride drummer Fontana joined as a full member. In mid-October, they played a few shows in support of Bill Haley, whose "Rock Around the Clock" had been a number one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads.

At the Country Disc Jockey Convention in early November, Presley was voted the year's most promising male artist. Several record companies had by now shown interest in signing him. After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with RCA Victor on November 21 to acquire Presley's Sun contract for an unprecedented $40,000. Presley, at 20, was still a minor, so his father signed the contract. Parker arranged with the owners of Hill and Range Publishing, Jean and Julian Aberbach, to create two entities, Elvis Presley Music and Gladys Music, to handle all of the new material recorded by Presley. Songwriters were obliged to forego one third of their customary royalties in exchange for having him perform their compositions. By December, RCA had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings.

Commercial breakout and controversy (1956–58)

First national TV appearances and debut album

featuring a photo taken July 31, 1955]] On January 10, 1956, Presley made his first recordings for RCA in Nashville. Extending the singer's by now customary backup of Moore, Black, and Fontana, RCA enlisted pianist Floyd Cramer, guitarist Chet Atkins, and three background singers, including Gordon Stoker of the popular Jordanaires quartet, to fill out the sound. The session produced the moody, unusual "Heartbreak Hotel", released as a single on January 27. Parker finally brought Presley to national television, booking him on CBS's Stage Show for six appearances over two months. The program, produced in New York, was hosted on alternate weeks by big band leaders and brothers Tommy and Jimmy Dorsey. After his first appearance, on January 28, Presley stayed in town to record at RCA's New York studio. The sessions yielded eight songs, including a cover of Carl Perkins' rockabilly anthem "Blue Suede Shoes". In February, Presley's "I Forgot to Remember to Forget", a Sun recording initially released the previous August, reached the top of the Billboard country chart. Neal's contract was terminated and, on March 2, Parker became Presley's manager. RCA Victor released Presley's self-titled debut album on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks were of a broad variety. There were two country songs and a bouncy pop tune. The others would centrally define the evolving sound of rock and roll: "Blue Suede Shoes"—"an improvement over Perkins' in almost every way", according to critic Robert Hilburn—and three R&B; numbers that had been part of Presley's stage repertoire for some time, covers of Little Richard, Ray Charles, and The Drifters. As described by Hilburn, these "were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R&B; versions of songs in the '50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases." It became the first rock and roll album to top the Billboard chart, a position it held for 10 weeks. While Presley was not an innovative instrumentalist like Moore or contemporary African American rockers Bo Diddley and Chuck Berry, cultural historian Gilbert B. Rodman argues that the album's cover image, "of Elvis having the time of his life on stage with a guitar in his hands played a crucial role in positioning the guitar...as the instrument that best captured the style and spirit of this new music."

Milton Berle Show and "Hound Dog"

Presley made the first of two appearances on NBC's Milton Berle Show on April 3. His performance, on the deck of the USS Hancock in San Diego, prompted cheers and screams from an audience of sailors and their dates. A few days later, a flight taking Presley and his band to Nashville for a recording session left all three badly shaken when an engine died and the plane almost went down over Arkansas. Twelve weeks after its original release, "Heartbreak Hotel" became Presley's first number one pop hit. In late April, Presley began a two-week residency at the New Frontier Hotel and Casino on the Las Vegas Strip. The shows were poorly received by the conservative, middle-aged hotel guests—"like a jug of corn liquor at a champagne party", wrote a critic for Newsweek. Amid his Vegas tenure, Presley, who had serious acting ambitions, signed a seven-year contract with Paramount Pictures. He began a tour of the Midwest in mid-May, taking in 15 cities in as many days. He had attended several shows by Freddie Bell and the Bellboys in Vegas, and was struck by their cover of "Hound Dog", a hit in 1952 for blues singer Big Mama Thornton. It became the new closing number of his act. After a show in La Crosse, Wisconsin, an urgent message on the letterhead of the local Catholic diocese's newspaper was sent to FBI director J. Edgar Hoover. It warned that "Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley's room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley's autograph."

The second Milton Berle Show appearance came on June 5 at NBC's Hollywood studio, amid another hectic tour. Berle persuaded the singer to leave his guitar backstage, advising, "Let 'em see you, son." During the performance, Presley abruptly halted an uptempo rendition of "Hound Dog" with a wave of his arm and launched into a slow, grinding version accentuated with energetic, exaggerated body movements. Presley's gyrations created a storm of controversy. Television critics were outraged: Jack Gould of The New York Times wrote, "Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway." Ben Gross of the New York Daily News opined that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos". Ed Sullivan, whose own variety show was the nation's most popular, declared him "unfit for family viewing". To Presley's displeasure, he soon found himself being referred to as "Elvis the Pelvis", which he called "one of the most childish expressions I ever heard, comin' from an adult."

Steve Allen Show and first Sullivan appearance

hosts Steve Allen and Ed Sullivan (pictured) helped catapult Presley to unprecedented fame.]] The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC's Steve Allen Show in New York. Allen, no fan of rock and roll, introduced a "new Elvis" in a white bow tie and black tails. Presley sang "Hound Dog" for less than a minute to a basset hound wearing a top hat and bow tie. As described by television historian Jake Austen, "Allen thought Presley was talentless and absurd... [he] set things up so that Presley would show his contrition". Allen, for his part, later wrote that he found Presley's "strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing" and simply worked the singer into the customary "comedy fabric" of his program. Presley would refer back to the Allen show as the most ridiculous performance of his career. Later that night, he appeared on Hy Gardner Calling, a popular local TV show. Pressed on whether he had learned anything from the criticism to which he was being subjected, Presley responded, "No, I haven't, I don't feel like I'm doing anything wrong. ... I don't see how any type of music would have any bad influence on people when it's only music. ... I mean, how would rock 'n' roll music make anyone rebel against their parents?"

The next day, Presley recorded "Hound Dog", along with "Any Way You Want Me" and "Don't Be Cruel". The Jordanaires sang harmony, as they had on The Steve Allen Show; they would work with Presley through the 1960s. A few days later, the singer made an outdoor concert appearance in Memphis at which he announced, "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight." In August, a judge in Jacksonville, Florida, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order. The single pairing "Don't Be Cruel" with "Hound Dog" ruled the top of the charts for 11 weeks—a mark that would not be surpassed for 36 years. Recording sessions for Presley's second album took place in Hollywood during the first week of September. Jerry Leiber and Mike Stoller, the writers of "Hound Dog", contributed "Love Me".

Allen's show with Presley had, for the first time, beaten CBS's Ed Sullivan Show in the ratings. Sullivan, despite his June pronouncement, booked the singer for three appearances for an unprecedented $50,000. The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience. Actor Charles Laughton hosted the show, filling in while Sullivan recuperated from a car accident. Presley appeared in two segments that night from CBS Television City in Hollywood. According to Elvis legend, Presley was shot only from the waist up. Watching clips of the Allen and Berle shows with his producer, Sullivan had opined that Presley "got some kind of device hanging down below the crotch of his pants–so when he moves his legs back and forth you can see the outline of his cock. ... I think it's a Coke bottle. ... We just can't have this on a Sunday night. This is a family show!" Sullivan publicly told TV Guide, "As for his gyrations, the whole thing can be controlled with camera shots." In fact, Presley was shown head-to-toe in the first and second shows. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted in customary style: screaming. Presley's performance of his forthcoming single, the ballad "Love Me Tender", prompted a record-shattering million advance orders. More than any other single event, it was this first appearance on The Ed Sullivan Show that made Presley a national celebrity of barely precedented proportions.

Accompanying Presley's rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. Igniting the "biggest pop craze since Glenn Miller and Frank Sinatra ... Presley brought rock'n'roll into the mainstream of popular culture", writes historian Marty Jezer. "As Presley set the artistic pace, other artists followed. ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture."

Crazed crowds and movie debut

The audience response at Presley's live shows became increasingly fevered. Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time." At the two concerts he performed in September at the Mississippi-Alabama Fair and Dairy Show, 50 National Guardsmen were added to the police security to prevent crowd trouble. Elvis, Presley's second album, was released in October and quickly rose to number one. Assessing the musical and cultural impact of Presley's recordings from "That's All Right" through Elvis, rock critic Dave Marsh wrote that "these records, more than any others, contain the seeds of what rock & roll was, has been and most likely what it may foreseeably become."

Presley returned to the Sullivan show, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and St. Louis burned him in effigy. His first motion picture, Love Me Tender, was released on November 21. Though he was not top billed, the film's original title—The Reno Brothers—was changed to capitalize on his latest number one record: "Love Me Tender" had hit the top of the charts earlier that month. To further take advantage of Presley's popularity, four musical numbers were added to what was originally a straight acting role. The movie was panned by the critics but did very well at the box office. Presley would receive top billing on every subsequent film he made.

On December 4, Presley dropped into Sun Records where Carl Perkins and Jerry Lee Lewis were recording and jammed with them. Though Phillips no longer had the right to release any Presley material, he made sure the session was captured on tape. The results became legendary as the "Million Dollar Quartet" recordings—Johnny Cash was long thought to have played as well, but he was present only briefly at Phillips' instigation for a photo opportunity. The year ended with a front page story in the Wall Street Journal reporting that Presley merchandise had brought in $22 million on top of his record sales, and Billboards declaration that he had placed more songs in the top 100 than any other artist since records were first charted. In his first full year on RCA, one of the music industry's largest companies, Presley had accounted for over 50 percent of the label's singles sales.

Leiber and Stoller collaboration and draft notice

Presley made his third and final Ed Sullivan Show appearance on January 6, 1957—on this occasion indeed shot only down to the waist. Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity. In any event, as critic Greil Marcus describes, Presley "did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a pasha, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing Rudolph Valentino in The Sheik, with all stops out." To close, displaying his range and defying Sullivan's wishes, Presley sang a gentle black spiritual, "Peace in the Valley". At the end of the show, Sullivan declared Presley "a real decent, fine boy". Two days later, the Memphis draft board announced that Presley would be classified 1A and would probably be drafted sometime that year. in the trailer for Jailhouse Rock, released October 17, 1957]] Each of the three Presley singles released in the first half of 1957 went to number one: "Too Much", "All Shook Up", and "(Let Me Be Your) Teddy Bear". Already an international star, he was attracting fans even where his music was not officially released. Under the headline "Presley Records a Craze in Soviet", The New York Times reported that pressings of his music on discarded X-ray plates were commanding high prices in Leningrad. Between film shoots and recording sessions, the singer also found time to purchase an 18-room mansion eight miles (13 km) south of downtown Memphis for himself and his parents: Graceland. Loving You—the soundtrack to his second film, released in July—was Presley's third straight number one album. The title track was written by Leiber and Stoller, who were retained to write four of the six songs recorded at the sessions for Jailhouse Rock, Presley's next movie. The songwriting team effectively produced the sessions, and they developed a close working relationship with Presley, who came to regard them as his "good-luck charm". Their title track was yet another number one hit, as was the Jailhouse Rock EP.

Presley undertook three brief tours during the year, continuing to generate a crazed audience response. A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed." Villanova students pelted him with eggs in Philadelphia, and in Vancouver, the crowd rioted after the end of the show, destroying the stage. Frank Sinatra, who had famously inspired the swooning of teenaged girls in the 1940s, condemned the new musical phenomenon. In a magazine article, he decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore." Asked for a response, Presley said, "I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago."

Leiber and Stoller were again in the studio for the recording of Elvis' Christmas Album. Toward the end of the session, they wrote a song on the spot at Presley's request: "Santa Claus Is Back In Town", an innuendo-laden blues. The holiday release stretched Presley's string of number one albums to four and would eventually become the best selling Christmas album of all time. After the session, Moore and Black—drawing only modest weekly salaries, sharing in none of Presley's massive financial success—resigned. Though they were brought back on a per diem basis a few weeks later, it was clear that they had not been part of Presley's inner circle for some time. On December 20, Presley received his draft notice. He was granted a deferment to finish the forthcoming King Creole, in which $350,000 had already been invested by Paramount and producer Hal Wallis. A couple of weeks into the new year, "Don't", another Leiber and Stoller tune, became Presley's tenth number one seller. It had been only 21 months since "Heartbreak Hotel" had brought him to the top for the first time. Recording sessions for the King Creole soundtrack were held in Hollywood mid-January. Leiber and Stoller provided three songs and were again on hand, but it would be the last time they worked closely with Presley. A studio session on February 1 marked another ending: it was the final occasion on which Black was to perform with Presley. He died in 1965.

Military service and mother's death (1958–60)

On March 24, Presley was inducted into the U.S. Army as a private at Fort Chaffee, near Fort Smith, Arkansas. Captain Arlie Metheny, the information officer, was unprepared for the media attention drawn by the singer's arrival. Hundreds of people descended on Presley as he stepped from the bus; photographers then accompanied him into the base. Presley announced that he was looking forward to his military stint, saying he did not want to be treated any differently from anyone else: "The Army can do anything it wants with me." Later, at Fort Hood, Texas, Lieutenant Colonel Marjorie Schulten gave the media carte blanche for one day, after which she declared Presley off-limits to the press.

Soon after Presley had commenced basic training at Fort Hood, he received a visit from Eddie Fadal, a businessman he had met when on tour in Texas. Fadal reported that Presley had become convinced his career was finished—"He firmly believed that." During a two-week leave in early June, Presley cut five sides in Nashville. He returned to training, but in early August his mother was diagnosed with hepatitis and her condition worsened. Presley was granted emergency leave to visit her, arriving in Memphis on August 12. Two days later, she died of heart failure, aged 46. Presley was devastated; their relationship had remained extremely close—even into his adulthood, they would use baby talk with each other and Presley would address her with pet names.

en route to Germany, September 29, 1958]]

After training at Fort Hood, Presley joined the 3rd Armored Division in Friedberg, Germany, on October 1. Introduced to amphetamines by a sergeant while on maneuvers, he became "practically evangelical about their benefits"—not only for energy, but for "strength" and weight loss, as well—and many of his friends in the outfit joined him in indulging. The Army also introduced Presley to karate, which he studied seriously, later including it in his live performances. Fellow soldiers have attested to Presley's wish to be seen as an able, ordinary soldier, despite his fame, and to his generosity while in the service. He donated his Army pay to charity, purchased TV sets for the base, and bought an extra set of fatigues for everyone in his outfit.

While in Friedberg, Presley met 14-year-old Priscilla Beaulieu. They would eventually marry after a seven-and-a-half-year courtship. In her autobiography, Priscilla says that despite his worries that it would ruin his career, Parker convinced Presley that to gain popular respect, he should serve his country as a regular soldier rather than in Special Services, where he would have been able to give some musical performances and remain in touch with the public. Media reports echoed Presley's concerns about his career, but RCA producer Steve Sholes and Freddy Bienstock of Hill and Range had carefully prepared for his two-year hiatus. Armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases. Between his induction and discharge, Presley had ten top 40 hits, including "Wear My Ring Around Your Neck", the best-selling "Hard Headed Woman", and "One Night" in 1958, and "(Now and Then There's) A Fool Such as I" and the number one "A Big Hunk o' Love" in 1959. RCA also managed to generate four albums compiling old material during this period, most successfully Elvis' Golden Records (1958), which hit number three on the LP chart.

Focus on movies (1960–67)

Elvis Is Back

}} Presley returned to the United States on March 2, 1960, and was honorably discharged with the rank of sergeant on March 5. The train that carried him from New Jersey to Tennessee was mobbed all the way, and Presley was called upon to appear at scheduled stops to please his fans. Back in Memphis, he wasted no time in returning to the studio. Sessions in March and April yielded two of his best-selling singles, the ballads "It's Now or Never" and "Are You Lonesome Tonight?", and Elvis Is Back! The album features several songs described by Greil Marcus as full of Chicago blues "menace, driven by Presley's own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from Boots Randolph. Elvis's singing wasn't sexy, it was pornographic." As a whole, the record "conjured up the vision of a performer who could be all things", in the words of music historian John Robertson: "a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; [a] raucous rocker". Released only days after recording was complete, it reached number two on the album chart.

Presley returned to television on May 12 as a guest on —ironic for both stars, given Sinatra's not-so-distant excoriation of rock and roll. Also known as Welcome Home Elvis, the show had been taped in late March, the only time all year Presley performed in front of an audience. Parker secured an unheard-of $125,000 fee for eight minutes of singing. The broadcast drew an enormous viewership.

G.I. Blues, the soundtrack to Presley's first film since his return, was a number one album in October. His first LP of sacred material, His Hand in Mine, followed two months later. It reached number 13 on the U.S. pop chart and number 3 in Great Britain, remarkable figures for a gospel album. In February 1961, Presley performed two shows for a benefit event in Memphis, on behalf of 24 local charities. During a luncheon preceding the event, RCA presented him with a plaque certifying worldwide sales of over 75 million records. A 12-hour Nashville session in mid-March yielded nearly all of Presley's next studio album, Something for Everybody. As described by John Robertson, it exemplifies the Nashville sound, the restrained, cosmopolitan style that would define country music in the 1960s. Presaging much of what was to come from Presley himself over the next half-decade, the album is largely "a pleasant, unthreatening pastiche of the music that had once been Elvis's birthright." It would be his sixth number one LP. Another benefit concert, raising money for a Pearl Harbor memorial, was staged on March 25, in Hawaii. It was to be Presley's last public performance for seven years.

Lost in Hollywood

Parker had by now pushed Presley into a heavy moviemaking schedule, focused on formulaic, modestly budgeted musical-comedies. Presley at first insisted on pursuing more serious roles, but when two films in a more dramatic vein—Flaming Star (1960) and Wild in the Country (1961)—were less commercially successful, he reverted to the formula. Among the 27 movies he made during the 1960s, there were few further exceptions. His films were almost universally panned; one critic dismissed them as a "pantheon of bad taste". Nonetheless, they were virtually all profitable. Hal Wallis, who produced nine of them, declared, "A Presley picture is the only sure thing in Hollywood."

Of Presley's films in the 1960s, 15 were accompanied by soundtrack albums and another 5 by soundtrack EPs. The movies' rapid production and release schedules—he frequently starred in three a year—affected his music. According to Jerry Leiber, the soundtrack formula was already evident before Presley left for the Army: "three ballads, one medium-tempo [number], one up-tempo, and one break blues boogie". As the decade wore on, the quality of the soundtrack songs grew "progressively worse". Julie Parrish, who appeared in Paradise, Hawaiian Style (1966), says that he hated many of the songs chosen for his films. The Jordanaires' Gordon Stoker describes how Presley would retreat from the studio microphone: "The material was so bad that he felt like he couldn't sing it." Most of the movie albums featured a song or two from respected writers such as the team of Doc Pomus and Mort Shuman. But by and large, according to biographer Jerry Hopkins, the numbers seemed to be "written on order by men who never really understood Elvis or rock and roll." Regardless of the songs' quality, it has been argued that Presley generally sang them well, with commitment. Critic Dave Marsh heard the opposite: "Presley isn't trying, probably the wisest course in the face of material like 'No Room to Rumba in a Sports Car' and 'Rock-a-Hula Baby.'"

In the first half of the decade, three of Presley's soundtrack albums hit number one on the pop charts, and a few of his most popular songs came from his films, such as "Can't Help Falling in Love" (1961) and "Return to Sender" (1962). ("Viva Las Vegas", the title track to the 1964 film, was a minor hit as a B-side, and became truly popular only later.) But, as with artistic merit, the commercial returns steadily diminished. During a five-year span—1964 through 1968—Presley had only one top ten hit: "Crying in the Chapel" (1965), a gospel number recorded back in 1960. As for non-movie albums, between the June 1962 release of Pot Luck and the November 1968 release of the soundtrack to the television special that signaled his comeback, only one LP of new material by Presley was issued: the gospel album How Great Thou Art (1967). It won him his first Grammy Award, for Best Sacred Performance. As described in The New Rolling Stone Album Guide, Presley was "arguably the greatest white gospel singer of his time [and] really the last rock & roll artist to make gospel as vital a component of his musical personality as his secular songs."

Shortly before Christmas 1966, more than seven years since they first met, Presley proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the Aladdin Hotel in Las Vegas. The flow of formulaic movies and assembly-line soundtracks rolled on. It was not until October 1967, when the Clambake soundtrack LP registered record low sales for a new Presley album, that RCA executives recognized a problem. "By then, of course, the damage had been done", as historians Connie Kirchberg and Marc Hendrickx put it. "Elvis was viewed as a joke by serious music lovers and a has-been to all but his most loyal fans."

Comeback (1968–73)

Elvis: the '68 Comeback Special

produced "one of the most famous images" of Presley. Taken on June 29, 1968, it was adapted for the cover of Rolling Stone in July 1969.]] Presley's only child, Lisa Marie, was born on February 1, 1968, during a period when he had grown deeply unhappy with his career. Of the eight Presley singles released between January 1967 and May 1968, only two charted in the top 40, and none higher than number 28. His forthcoming soundtrack album, Speedway, would die at number 82 on the Billboard chart. Parker had already shifted his plans to television, where Presley had not appeared since the Sinatra Timex show in 1960. He maneuvered a deal with NBC that committed the network to both finance a theatrical feature and broadcast a Christmas special.

Recorded in late June, the special, called simply Elvis, aired on December 3, 1968. Later known as the '68 Comeback Special, the show featured lavishly staged studio productions as well as songs performed with a band in front of a small audience—Presley's first live performances since 1961. The live segments saw Presley clad in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and coproducer Steve Binder had worked hard to reassure the nervous singer and to produce a show that was far from the hour of Christmas songs Parker had originally planned. The show, NBC's highest rated that season, captured 42 percent of the total viewing audience. Jon Landau of Eye magazine remarked, "There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made Jim Morrison green with envy." The New Rolling Stone Album Guide calls the performance one of "emotional grandeur and historical resonance."

By January 1969, the single "If I Can Dream", written for the special, reached number 12. The soundtrack album broke into the top ten. According to friend Jerry Schilling, the special reminded Presley of what "he had not been able to do for years, being able to choose the people; being able to choose what songs and not being told what had to be on the soundtrack. ... He was out of prison, man." Binder said of Presley's reaction, "I played Elvis the 60-minute show, and he told me in the screening room, 'Steve, it's the greatest thing I've ever done in my life. I give you my word I will never sing a song I don't believe in.'"

From Elvis In Memphis and the International

}} Buoyed by the experience of the Comeback Special, Presley engaged in a prolific series of recording sessions at American Sound Studio, which led to the acclaimed From Elvis in Memphis. Released in June 1969, it was his first secular, non-soundtrack album from a dedicated period in the studio in eight years. As described by Dave Marsh, it is "a masterpiece in which Presley immediately catches up with pop music trends that had seemed to pass him by during the movie years. He sings country songs, soul songs and rockers with real conviction, a stunning achievement." The album featured the hit single "In the Ghetto", issued in April, which reached number three on the pop chart—Presley's first non-gospel top ten hit since "Bossa Nova Baby" in 1963. Further hit singles were culled from the American Sound sessions: "Suspicious Minds", "Don't Cry Daddy", and "Kentucky Rain".

Presley was keen to resume regular live performing. Following the success of the Comeback Special, offers came in from around the world. The London Palladium offered Parker $28,000 for a one-week engagement. He responded, "That's fine for me, now how much can you get for Elvis?" In May, the brand new International Hotel in Las Vegas, boasting the largest showroom in the city, announced that it had booked Presley. He was scheduled to perform 57 shows over four weeks beginning July 31. Moore, Fontana, and the Jordanaires declined to participate, afraid of losing the lucrative session work they had in Nashville. Presley assembled new, top-notch accompaniment, led by guitarist James Burton and including two gospel groups, The Imperials and Sweet Inspirations. Nonetheless, he was nervous: his only previous Las Vegas engagement, in 1956, had been dismal. Parker, who intended to make Presley's return the show business event of the year, oversaw a major promotional push. For his part, hotel owner Kirk Kerkorian arranged to send his own plane to New York to fly in rock journalists for the debut performance.

Presley took to the stage without introduction. The audience of 2,200, including many celebrities, gave him a standing ovation before he sang a note and another after his performance. A third followed his encore, "Can't Help Falling in Love" (a song that would be his closing number for much of the 1970s). At a press conference after the show, when a journalist referred to him as "The King", Presley gestured toward Fats Domino, who was taking in the scene. "No," Presley said, "that's the real king of rock and roll." The next day, Parker's negotiations with the hotel resulted in a five-year contract for Presley to play each February and August, at an annual salary of $1 million. Newsweek commented, "There are several unbelievable things about Elvis, but the most incredible is his staying power in a world where meteoric careers fade like shooting stars." Rolling Stone called Presley "supernatural, his own resurrection." In November, Presley's final non-concert movie, Change of Habit, opened. The double album From Memphis To Vegas/From Vegas To Memphis came out the same month; the first LP consisted of live performances from the International, the second of more cuts from the American Sound sessions. "Suspicious Minds" reached the top of the charts—Presley's first U.S. pop number one in over seven years, and his last.

Cassandra Peterson, later television's Elvira, met Presley during this period in Las Vegas, where she was working as showgirl. She recalls of their encounter, "He was so anti-drug when I met him. I mentioned to him that I smoked marijuana, and he was just appalled. He said, 'Don't ever do that again.'" Presley was not only deeply opposed to recreational drugs, he also rarely drank. Several of his family members had been alcoholics, a fate he intended to avoid.

Back on tour and meeting Nixon

Presley returned to the International early in 1970 for the first of the year's two month-long engagements, performing two shows a night. Recordings from these shows were issued on the album On Stage. In late February, Presley performed six attendance-record–breaking shows at the Houston Astrodome. In April, the single "The Wonder of You" was issued—a number one hit in Great Britain, it topped the U.S. adult contemporary chart, as well. MGM filmed rehearsal and concert footage at the International during August for the documentary . Presley was by now performing in a jumpsuit, which would become a trademark of his live act. During this engagement, he was threatened with murder unless $50,000 was paid. Presley had been the target of many threats since the 1950s, often without his knowledge. The FBI took the threat seriously and security was stepped up for the next two shows. Presley went onstage with a Derringer in his right boot and a .45 pistol in his waistband, but the concerts went off without incident.

The album That's the Way It Is, produced to accompany the documentary and featuring both studio and live recordings, marked a stylistic shift. As music historian John Robertson notes, "The authority of Presley's singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound. With country put on the back burner, and soul and R&B; left in Memphis, what was left was very classy, very clean white pop—perfect for the Las Vegas crowd, but a definite retrograde step for Elvis." After the end of his International engagement on September 7, Presley embarked on a week-long concert tour, largely of the South, his first since 1958. Another week-long tour, of the West Coast, followed in November.

in the White House Oval Office, December 21, 1970]] On December 21, 1970, Presley engineered a bizarre meeting with President Richard Nixon at the White House, where he expressed his patriotism and his contempt for the hippie drug culture. He asked Nixon for a Bureau of Narcotics and Dangerous Drugs badge, to add to similar items he had begun collecting and to signify official sanction of his patriotic efforts. Nixon, who apparently found the encounter awkward, expressed a belief that Presley could send a positive message to young people and that it was therefore important he "retain his credibility". Presley told Nixon that The Beatles, whose songs he regularly performed in concert during the era, exemplified what he saw as a trend of anti-Americanism and drug abuse in popular culture. (Presley and his friends had had a four-hour get-together with The Beatles five years earlier.) On hearing reports of the meeting, Paul McCartney later said that he "felt a bit betrayed. ... The great joke was that we were taking [illegal] drugs, and look what happened to him", a reference to Presley's death, hastened by prescription drug abuse.

The U.S. Junior Chamber of Commerce named Presley one of its annual Ten Most Outstanding Young Men of the Nation on January 16, 1971. Not long after, the City of Memphis named the stretch of Highway 51 South on which Graceland is located "Elvis Presley Boulevard". The same year, Presley became the first rock and roll singer to be awarded the Lifetime Achievement Award (then known as the Bing Crosby Award) by the National Academy of Recording Arts and Sciences, the Grammy Award organization. Three new, non-movie Presley studio albums were released in 1971, as many as had come out over the previous eight years. Best received by critics was Elvis Country, a concept record that focused on genre standards. The biggest seller was Elvis Sings the Wonderful World of Christmas, "the truest statement of all", according to Greil Marcus. "In the midst of ten painfully genteel Christmas songs, every one sung with appalling sincerity and humility, one could find Elvis tom-catting his way through six blazing minutes of 'Merry Christmas, Baby,' a raunchy old Charles Brown blues. ... If [Presley's] sin was his lifelessness, it was his sinfulness that brought him to life".

Marriage breakdown and Aloha from Hawaii

MGM again filmed Presley in April 1972, this time for Elvis on Tour, which went on to win the Golden Globe Award for Best Documentary Film that year. His gospel album He Touched Me, released that month, would earn him his second Grammy Award, for Best Inspirational Performance. A 14-date tour commenced with an unprecedented four consecutive sold-out shows at New York's Madison Square Garden. The evening concert on July 10 was recorded and issued in LP form a week later. became one of Presley's biggest-selling albums. After the tour, the single "Burning Love" was released—Presley's last top ten hit on the U.S. pop chart. "The most exciting single Elvis has made since 'All Shook Up'", wrote rock critic Robert Christgau. "Who else could make 'It's coming closer, the flames are now licking my body' sound like an assignation with James Brown's backup band?" , broadcast live via satellite on January 14, 1973. The singer himself came up with his famous outfit's eagle motif, as "something that would say 'America' to the world."]]

Presley and his wife, meanwhile, had become increasingly distant, barely cohabiting. In 1971, an affair he had with Joyce Bova resulted—unbeknownst to him—in her pregnancy and an abortion. He often raised the possibility of her moving in to Graceland, saying that he was likely to leave Priscilla. The Presleys separated on February 23, 1972, after Priscilla disclosed her relationship with Mike Stone, a karate instructor Presley had recommended to her. Priscilla relates that when she told him, Presley "grabbed ... and forcefully made love to" her, declaring, "This is how a real man makes love to his woman." Five months later, Presley's new girlfriend, Linda Thompson, a songwriter and one-time Memphis beauty queen, moved in with him. Presley and his wife filed for divorce on August 18.

In January 1973, Presley performed two benefit concerts for the Kui Lee Cancer Fund in connection with a groundbreaking TV special, Aloha from Hawaii. The first show served as a practice run and backup should technical problems affect the live broadcast two days later. Aired as scheduled on January 14, Aloha from Hawaii was the first global concert satellite broadcast, reaching approximately 1.5 billion viewers live and on tape delay. Presley's costume became the most recognized example of the elaborate concert garb with which his latter-day persona became closely associated. As described by Bobbie Ann Mason, "At the end of the show, when he spreads out his American Eagle cape, with the full stretched wings of the eagle studded on the back, he becomes a god figure." The , released in February, went to number one and eventually sold over 5 million copies in the United States. It proved to be Presley's last U.S. number one pop album during his lifetime.

At a midnight show the same month, four men rushed onto the stage in an apparent attack. Security men leapt to Presley's defense, and the singer's karate instinct took over as he ejected one invader from the stage himself. Following the show, he became obsessed with the idea that the men had been sent by Stone to kill him. Though they were shown to have been only overexuberant fans, he raged, "There's too much pain in me ... Stone [must] die." His outbursts continued with such intensity that a physician was unable to calm him, despite administering large doses of medication. After another two full days of raging, Red West, his friend and bodyguard, felt compelled to get a price for a contract killing and was relieved when Presley decided, "Aw hell, let's just leave it for now. Maybe it's a bit heavy."

Health deterioration and death (1973–77)

Medical crises and last studio sessions

Presley's divorce took effect on October 9, 1973. He was now becoming increasingly unwell. Twice during the year he overdosed on barbiturates, spending three days in a coma in his hotel suite after the first incident. Toward the end of 1973, he was hospitalized, semicomatose from the effects of Demerol addiction. According to his main physician, Dr. George C. Nichopoulos, Presley "felt that by getting [drugs] from a doctor, he wasn't the common everyday junkie getting something off the street." Since his comeback, he had staged more live shows with each passing year, and 1973 saw 168 concerts, his busiest schedule ever. Despite his failing health, in 1974 he undertook another intensive touring schedule.

Presley's condition declined precipitously in September. Keyboardist Tony Brown remembers the singer's arrival at a University of Maryland concert: "He fell out of the limousine, to his knees. People jumped to help, and he pushed them away like, 'Don't help me.' He walked on stage and held onto the mike for the first thirty minutes like it was a post. Everybody's looking at each other like, Is the tour gonna happen?" Guitarist John Wilkinson recalled, "He was all gut. He was slurring. He was so fucked up. ... It was obvious he was drugged. It was obvious there was something terribly wrong with his body. It was so bad the words to the songs were barely intelligible. ... I remember crying. He could barely get through the introductions". Wilkinson recounted that a few nights later in Detroit, "I watched him in his dressing room, just draped over a chair, unable to move. So often I thought, 'Boss, why don't you just cancel this tour and take a year off...?' I mentioned something once in a guarded moment. He patted me on the back and said, 'It'll be all right. Don't you worry about it.'" Presley continued to play to sellout crowds. As cultural critic Marjorie Garber describes, he was now widely seen as a garish pop crooner: "in effect he had become Liberace. Even his fans were now middle-aged matrons and blue-haired grandmothers."

On July 13, 1976, Vernon Presley—who had become deeply involved in his son's financial affairs—fired "Memphis Mafia" bodyguards Red West (Presley's friend since the 1950s), Sonny West, and David Hebler, citing the need to "cut back on expenses". Presley was in Palm Springs at the time, and some suggest the singer was too cowardly to face the three himself. Another associate of Presley's, John O'Grady, argued that the bodyguards were dropped because their rough treatment of fans had prompted too many lawsuits. However, Presley's stepbrother David Stanley has claimed that the bodyguards were fired because they were becoming more outspoken about Presley's drug dependency. Presley and Linda Thompson split in November, and he took up with a new girlfriend, Ginger Alden. He proposed to Alden and gave her an engagement ring two months later, though several of his friends later claimed that he had no serious intention of marrying again.

RCA, which had enjoyed a steady stream of product from Presley for over a decade, grew anxious as his interest in spending time in the studio waned. After a December 1973 session that produced 18 songs, enough for almost two albums, he did not enter the studio in 1974. Parker sold RCA on another concert record, . Recorded on March 20, it included a version of "How Great Thou Art" that would win Presley his third and final competitive Grammy Award. (All three of his competitive Grammy wins—out of 14 total nominations—were for gospel recordings.) Presley returned to the studio in Hollywood in March 1975, but Parker's attempts to arrange another session toward the end of the year were unsuccessful. In 1976, RCA sent a mobile studio to Graceland that made possible two full-scale recording sessions at Presley's home. Even in that comfortable context, the recording process was now a struggle for him.

}} For all the concerns of his label and manager, in studio sessions between July 1973 and October 1976, Presley recorded virtually the entire contents of six albums. Though he was no longer a major presence on the pop charts, five of those albums entered the top five of the country chart, and three went to number one: Promised Land (1975), From Elvis Presley Boulevard, Memphis, Tennessee (1976), and Moody Blue (1977). The story was similar with his singles—there were no major pop hits, but Presley was a significant force in not just the country market, but on adult contemporary radio as well. Eight studio singles from this period released during his lifetime were top ten hits on one or both charts, four in 1974 alone. "My Boy" was a number one AC hit in 1975, and "Moody Blue" topped the country chart and reached the second spot on the AC in 1976. Perhaps his most critically acclaimed recording of the era came that year, with what Greil Marcus described as his "apocalyptic attack" on the soul classic "Hurt". "If he felt the way he sounded", Dave Marsh wrote of Presley's performance, "the wonder isn't that he had only a year left to live but that he managed to survive that long."

Final year and death

Journalist Tony Scherman writes that by early 1977, "Elvis Presley had become a grotesque caricature of his sleek, energetic former self. Hugely overweight, his mind dulled by the pharmacopoeia he daily ingested, he was barely able to pull himself through his abbreviated concerts." In Alexandria, Louisiana, the singer was on stage for less than an hour and "was impossible to understand". Presley failed to appear in Baton Rouge: he was unable to get out of his hotel bed, and the rest of the tour was cancelled. Despite the accelerating deterioration of his health, he stuck to most touring commitments. In Rapid City, South Dakota, "he was so nervous on stage that he could hardly talk", according to Presley historian Samuel Roy, and unable to "perform any significant movement." Guralnick relates that fans "were becoming increasingly voluble about their disappointment, but it all seemed to go right past Elvis, whose world was now confined almost entirely to his room and his spiritualism books." A cousin, Billy Smith, recalled how Presley would sit in his room and chat for hours, sometimes recounting favorite Monty Python sketches and his own past escapades, but more often gripped by paranoid obsessions that reminded Smith of Howard Hughes. "Way Down", Presley's last single issued during his lifetime, came out on June 6. His final concert was held in Indianapolis at the Market Square Arena, on June 26.

The book Elvis: What Happened?, cowritten by the three bodyguards fired the previous year, was published on August 1. It was the first exposé to detail Presley's years of drug misuse. He was devastated by the book and tried unsuccessfully to halt its release by offering money to the publishers. By this point, he suffered from multiple ailments—glaucoma, high blood pressure, liver damage, and an enlarged colon, each aggravated, and possibly caused, by drug abuse.

Presley was scheduled to fly out of Memphis on the evening of August 16, 1977, to begin another tour. That afternoon, Alden discovered him unresponsive on his bathroom floor. Attempts to revive him failed, and death was officially pronounced at 3:30 pm at Baptist Memorial Hospital.

President Jimmy Carter issued a statement that credited Presley with having "permanently changed the face of American popular culture". Thousands of people gathered outside Graceland to view the open casket. One of Presley's cousins, Billy Mann, accepted $18,000 to secretly photograph the corpse; the picture appeared on the cover of the National Enquirers biggest-selling issue ever. Alden struck a $105,000 deal with the Enquirer for her story, but settled for less when she broke her exclusivity agreement. Presley left her nothing in his will.

Presley's funeral was held at Graceland, on Thursday, August 18. Outside the gates, a car plowed into a group of fans, killing two women and critically injuring a third. Approximately 80,000 people lined the processional route to Forest Hill Cemetery, where Presley was buried next to his mother. Within a few days, "Way Down" topped the country and UK pop charts. Following an attempt to steal the singer's body in late August, the remains of both Elvis Presley and his mother were reburied in Graceland's Meditation Garden on October 2.

Since 1977

Between 1977 and 1981, six posthumously released singles by Presley were top ten country hits. Graceland was opened to the public in 1982. Attracting over half a million visitors annually, it is the second most-visited home in the United States, after the White House. It was declared a National Historic Landmark in 2006.

Presley has been inducted into four music halls of fame: the Rock and Roll Hall of Fame (1986), the Country Music Hall of Fame (1998), the Gospel Music Hall of Fame (2001), and the Rockabilly Hall of Fame (2007). In 1984, he received the W. C. Handy Award from the Blues Foundation and the Academy of Country Music's first Golden Hat Award. In 1987, he received the American Music Awards' Award of Merit.

A Junkie XL remix of Presley's "A Little Less Conversation" (credited as "Elvis Vs JXL") was used in a Nike advertising campaign during the 2002 FIFA World Cup. It topped the charts in over 20 countries, and was included in a compilation of Presley's number one hits, ELV1S, that was also an international success. In 2003, a remix of "Rubberneckin'", a 1969 recording of Presley's, topped the U.S. sales chart, as did a 50th-anniversary re-release of "That's All Right" the following year. The latter was an outright hit in Great Britain, reaching number three on the pop chart.

In 2005, another three reissued singles, "Jailhouse Rock", "One Night"/"I Got Stung", and "It's Now or Never", went to number one in Great Britain. A total of 17 Presley singles were reissued during the year—all made the British top five. For the fifth straight year, Forbes named Presley the top-earning deceased celebrity, with a gross income of $45 million. In 2009, he was ranked fourth. The following year, Viva Elvis: The Album was released, setting his voice to newly recorded instrumental tracks.

Presley holds the records for most songs charting in Billboards top 40 and top 100: chart statistician Joel Whitburn calculates the respective totals as 104 and 151; Presley historian Adam Victor gives 114 and 138. Presley's rankings for top ten and number one hits vary depending on how the double-sided "Hound Dog/Don't Be Cruel" and "Don't/I Beg of You" singles, which precede the inception of Billboards unified Hot 100 chart, are analyzed. According to Whitburn, Presley holds the record for most top ten hits with 38; per Billboards current assessment, he ranks second with 36 behind Madonna's 37. Whitburn and Billboard concur that The Beatles hold the record for most number one hits with 20 and that Mariah Carey is second with 18. Whitburn has Presley also with 18 and thus tied for second; Billboard has him third with 17. Presley retains the record for cumulative weeks at number one: alone at 80, according to Whitburn and the Rock and Roll Hall of Fame; tied with Carey at 79, according to Billboard. He holds the records for most British number one hits, with 21, and top ten hits, with 76.

Musical style

Influences

Presley's earliest musical influence came from gospel. His mother recalled that from the age of two, at the Assembly of God church in Tupelo attended by the family, "he would slide down off my lap, run into the aisle and scramble up to the platform. There he would stand looking at the choir and trying to sing with them." In Memphis, Presley frequently attended all-night gospel singings at the Ellis Auditorium, where groups such as the Statesmen Quartet led the music in a style that, Guralnick suggests, sowed the seeds of Presley's future stage act: }} As a teenager, Presley's musical interests were wide-ranging, and he was deeply informed about African American musical idioms as well as white ones (see "Teenage life in Memphis"). Though he never had any formal training, he was blessed with a remarkable memory, and his musical knowledge was already considerable by the time he made his first professional recordings in 1954 at the age of 19. When Jerry Leiber and Mike Stoller met him two years later, they were astonished at his encyclopedic understanding of the blues. At a press conference the following year, he proudly declared, "I know practically every religious song that's ever been written."

Genres

Music scholar Paul Friedlander describes the elements of the rockabilly style, which he characterizes as "essentially ... an Elvis Presley construction", that the singer and his band mates developed at Sun Records: "the raw, emotive, and slurred vocal style and emphasis on rhythmic feeling [of] the blues with the string band and strummed rhythm guitar [of] country". Moore's guitar solo in "That's All Right", the group's first record, "a combination of Merle Travis–style country finger-picking, double-stop slides from acoustic boogie, and blues-based bent-note, single-string work, is a microcosm of this fusion."

At RCA, Presley's rock and roll sound grew distinct from rockabilly with group chorus vocals, more heavily amplified electric guitars and a tougher, more intense manner. While he was known for taking songs from various sources and giving them a rockabilly/rock and roll treatment, he also recorded songs in other genres from early in his career, from the pop standard "Blue Moon" at Sun to the country ballad "How's the World Treating You?" on his second LP to the blues of "Santa Claus Is Back In Town". In 1957, his first gospel record was released, the four-song EP Peace in the Valley. Certified as a million seller, it became the top-selling gospel EP in recording history. Presley would record gospel periodically for the rest of his life. }} After his return from military service in 1960, Presley continued to perform rock and roll, but the characteristic style was substantially toned down. His first post-Army single, the number one hit "Stuck on You", is typical of this shift. RCA publicity materials referred to its "mild rock beat"; discographer Ernst Jorgensen calls it "upbeat pop". The modern blues/R&B; sound captured so successfully on Elvis Is Back! was essentially abandoned for six years until such 1966–67 recordings as "Down in the Alley" and "Hi-Heel Sneakers". The singer's output during most of the 1960s emphasized pop music, often in the form of ballads such as "Are You Lonesome Tonight?", a number one in 1960. While that was a dramatic number, most of what Presley recorded for his movie soundtracks was in a much lighter vein.

While Presley performed several of his classic ballads for the '68 Comeback Special, the sound of the show was dominated by aggressive rock and roll. He would record few new straight-ahead rock and roll songs thereafter; as he explained, they were "hard to find". A significant exception was "Burning Love", his last major hit on the pop charts. Like his work of the 1950s, Presley's subsequent recordings reworked pop and country songs, but in markedly different permutations. His stylistic range now began to embrace a more contemporary rock sound as well as soul and funk. Much of Elvis In Memphis, as well as "Suspicious Minds", cut at the same sessions, reflected his new rock and soul fusion. In the mid-1970s, many of his singles found a home on country radio, the field where he first became a star.

Vocal style and range

Music critic Henry Pleasants observes that "Elvis Presley has been described variously as a baritone and a tenor. An extraordinary compass ... and a very wide range of vocal color have something to do with this divergence of opinion." He identifies Presley as a high baritone, calculating his range as two octaves and a third, "from the baritone low G to the tenor high B, with an upward extension in falsetto to at least a D-flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down." In Pleasants' view, his voice was "variable and unpredictable" at the bottom, "often brilliant" at the top, with the capacity for "full-voiced high Gs and As that an opera baritone might envy." Scholar Lindsay Waters, who figures Presley's range as two and a quarter octaves, emphasizes that "his voice had an emotional range from tender whispers to sighs down to shouts, grunts, grumbles and sheer gruffness that could move the listener from calmness and surrender, to fear. His voice can not be measured in octaves, but in decibels; even that misses the problem of how to measure delicate whispers that are hardly audible at all." Presley was always "able to duplicate the open, hoarse, ecstatic, screaming, shouting, wailing, reckless sound of the black rhythm-and-blues and gospel singers," writes Pleasants, and also demonstrated a remarkable ability to assimilate many other vocal styles.

Questions over cause of death

"Drug use was heavily implicated" in Presley's death, writes Guralnick. "No one ruled out the possibility of anaphylactic shock brought on by the codeine pills ... to which he was known to have had a mild allergy." A pair of lab reports filed two months later each strongly suggested that polypharmacy was the primary cause of death; one reported "fourteen drugs in Elvis' system, ten in significant quantity." Forensic historian and pathologist Michael Baden views the situation as complicated: "Elvis had had an enlarged heart for a long time. That, together with his drug habit, caused his death. But he was difficult to diagnose; it was a judgment call."

The competence and ethics of two of the centrally involved medical professionals were seriously questioned. Before the autopsy was complete and toxicology results known, Medical Examiner Dr. Jerry Francisco declared the cause of death as cardiac arrhythmia, a condition that can be determined only in someone who is still alive. Allegations of a cover-up were widespread. While Presley's main physician, Dr. Nichopoulos, was exonerated of criminal liability for the singer's death, the facts were startling: "In the first eight months of 1977 alone, he had [prescribed] more than 10,000 doses of sedatives, amphetamines and narcotics: all in Elvis's name." His license was suspended for three months. It was permanently revoked in the 1990s after the Tennessee Medical Board brought new charges of over-prescription.

In 1994, the Presley autopsy was reopened. Coroner Dr. Joseph Davis declared, "There is nothing in any of the data that supports a death from drugs. In fact, everything points to a sudden, violent heart attack." Whether or not combined drug intoxication was in fact the cause, there is little doubt that polypharmacy contributed significantly to Presley's premature death.

Racial issues

When Dewey Phillips first aired "That's All Right" on Memphis radio, many listeners who contacted the station by phone and telegram to ask for it again assumed that its singer was black. From the beginning of his national fame, Presley expressed respect for African American performers and their music and disregard for the norms of segregation and racial prejudice then prevalent in the South. Interviewed in 1956, he recalled how in his childhood he would listen to blues musician Arthur Crudup—the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw." The Memphis World, an African American newspaper, reported that Presley, "the rock 'n' roll phenomenon", "cracked Memphis's segregation laws" by attending the local amusement park on what was designated as its "colored night." Such statements and actions led Presley to be generally hailed in the black community during the early days of his stardom. By contrast, many white adults, according to Billboards Arnold Shaw, "did not like him, and condemned him as depraved. Anti-negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll', Presley impressed them as the visual and aural embodiment of sex."

Despite the largely positive view of Presley held by African Americans, a rumor spread in mid-1957 that he had at some point announced, "The only thing Negroes can do for me is buy my records and shine my shoes." A journalist with the national African American weekly Jet, Louie Robinson, pursued the story. On the set of Jailhouse Rock, Presley granted him an interview, though he was no longer dealing with the mainstream press. He denied making such a statement or holding in any way to its racist view. Robinson found no evidence that the remark had ever been made, and on the contrary elicited testimony from many individuals indicating that Presley was anything but racist. Blues singer Ivory Joe Hunter, who had heard the rumor before he visited Graceland one evening, reported of Presley, "He showed me every courtesy, and I think he's one of the greatest." Though the rumored remark was wholly discredited at the time, it was still being used against Presley decades later. The identification of Presley with racism—either personally or symbolically—was expressed most famously in the lyrics of the 1989 rap hit "Fight the Power", by Public Enemy: "Elvis was a hero to most / But he never meant shit to me / Straight-up racist that sucker was / Simple and plain."

The persistence of such attitudes was fueled by resentment over the fact that Presley, whose musical and visual performance idiom owed much to African American sources, achieved the cultural acknowledgment and commercial success largely denied his black peers. Into the 21st century, the notion that Presley had "stolen" black music still found adherents. Notable among African American entertainers expressly rejecting this view was Jackie Wilson, who argued, "A lot of people have accused Elvis of stealing the black man's music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis." And throughout his career, Presley plainly acknowledged his debt. Addressing his '68 Comeback Special audience, he said, "Rock 'n' roll music is basically gospel or rhythm and blues, or it sprang from that. People have been adding to it, adding instruments to it, experimenting with it, but it all boils down to [that]." Nine years earlier, he had said, "Rock 'n' roll has been around for many years. It used to be called rhythm and blues."

Influence of Colonel Parker and others

Parker and the Aberbachs

Once he became Presley's manager, Colonel Tom Parker insisted on exceptionally tight control over his client's career. Early on, he and his Hill and Range allies, the Aberbachs, perceived the close relationship that developed between Presley and songwriters Jerry Leiber and Mike Stoller as a serious threat to that control. Parker effectively ended the relationship, deliberately or not, with the new contract he sent Leiber in early 1958. Leiber thought there was a mistake—the sheet of paper was blank except for Parker's signature and a line on which to enter his. "There's no mistake, boy, just sign it and return it", Parker directed. "Don't worry, we'll fill it in later." Leiber declined, and Presley's fruitful collaboration with the writing team was over. Other respected songwriters lost interest in or simply avoided writing for Presley because of the requirement that they surrender a third of their usual royalties.

By 1967, Parker had contracts with Presley that gave him 50 percent of most of the singer's earnings on recordings, films, and merchandise. Beginning in February 1972, he took a third of the profit from live appearances; a January 1976 agreement entitled him to half of that as well. Priscilla Presley noted that "Elvis detested the business side of his career. He would sign a contract without even reading it." Presley's friend Marty Lacker regarded Parker as a "hustler and a con artist. He was only interested in 'now money'—get the buck and get gone."

Lacker was instrumental in convincing Presley to record with Memphis producer Chips Moman and his handpicked musicians at American Sound Studio in early 1969. The American Sound sessions represented a significant departure from the control customarily exerted by Hill and Range. Moman still had to deal with the publisher's staff on site, whose song suggestions he regarded as unacceptable. He was on the verge of quitting, until Presley ordered the Hill and Range personnel out of the studio. Although RCA executive Joan Deary was later full of praise for the producer's song choices and the quality of the recordings, Moman, to his fury, received neither credit on the records nor royalties for his work.

Throughout his entire career, Presley performed in only three venues outside the United States—all of them in Canada, during brief tours there in 1957. Rumors that he would play overseas for the first time were fueled in 1974 by a million-dollar bid for an Australian tour. Parker was uncharacteristically reluctant, prompting those close to Presley to speculate about the manager's past and the reasons for his apparent unwillingness to apply for a passport. Parker ultimately squelched any notions Presley had of working abroad, claiming that foreign security was poor and venues unsuitable for a star of his magnitude.

Parker arguably exercised tightest control over Presley's movie career. In 1957, Robert Mitchum asked Presley to costar with him in Thunder Road, on which Mitchum was both writer and producer. According to George Klein, one of his oldest friends, Presley was offered starring roles in West Side Story and Midnight Cowboy. In 1974, Barbra Streisand approached Presley to star with her in the remake of A Star is Born. In each case, any ambitions the singer may have had to play such parts were thwarted by his manager's negotiating demands or flat refusals. In Lacker's description, "The only thing that kept Elvis going after the early years was a new challenge. But Parker kept running everything into the ground." The operative attitude may have been summed up best by the response Leiber and Stoller received when they brought a serious film project for Presley to Parker and the Hill and Range owners for their consideration. In Leiber's telling, Jean Aberbach warned them to never again "try to interfere with the business or artistic workings of the process known as Elvis Presley".

Memphis Mafia

In the early 1960s, the circle of friends with whom Presley constantly surrounded himself until his death came to be known as the "Memphis Mafia". "Surrounded by the[ir] parasitic presence", as journalist John Harris puts it, "it was no wonder that as he slid into addiction and torpor, no-one raised the alarm: to them, Elvis was the bank, and it had to remain open." Tony Brown, who played piano for Presley regularly in the last two years of the singer's life, observed his rapidly declining health and the urgent need to address it: "But we all knew it was hopeless because Elvis was surrounded by that little circle of people ... all those so-called friends". In the Memphis Mafia's defense, Marty Lacker has said, "[Presley] was his own man. ... If we hadn't been around, he would have been dead a lot earlier."

Larry Geller became Presley's hairdresser in 1964. Unlike others in the Memphis Mafia, he was interested in spiritual questions and recalls how, from their first conversation, Presley revealed his secret thoughts and anxieties: "I mean there has to be a purpose...there's got to be a reason...why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel." Thereafter, Geller supplied him with books on religion and mysticism, which the singer read voraciously. Presley would be preoccupied by such matters for much of his life, taking trunkloads of books with him on tour.

Sex symbol

(1962) took advantage of Presley's sex symbol status.]] Presley's physical attractiveness and sexual appeal were widely acknowledged. "He was once beautiful, astonishingly beautiful", in the words of critic Mark Feeney. Television director Steve Binder, no fan of Presley's music before he oversaw the '68 Comeback Special, reported, "I'm straight as an arrow and I got to tell you, you stop, whether you're male or female, to look at him. He was that good looking. And if you never knew he was a superstar, it wouldn't make any difference; if he'd walked in the room, you'd know somebody special was in your presence." His performance style, as much as his physical beauty, was responsible for Presley's eroticized image. Writing in 1970, critic George Melly described him as "the master of the sexual simile, treating his guitar as both phallus and girl." In his Presley obituary, Lester Bangs credited him as "the man who brought overt blatant vulgar sexual frenzy to the popular arts in America." Ed Sullivan's declaration that he perceived a soda bottle in Presley's trousers was echoed by rumors involving a similarly positioned toilet roll tube or lead bar.

While Presley was marketed as an icon of heterosexuality, some cultural critics have argued that his image was ambiguous. In 1959, Sight and Sounds Peter John Dyer described his onscreen persona as "aggressively bisexual in appeal". Brett Farmer places the "orgasmic gyrations" of the title dance sequence in Jailhouse Rock within a lineage of cinematic musical numbers that offer a "spectacular eroticization, if not homoeroticization, of the male image". In the analysis of Yvonne Tasker, "Elvis was an ambivalent figure who articulated a peculiar feminised, objectifying version of white working-class masculinity as aggressive sexual display."

Reinforcing Presley's image as a sex symbol were the reports of his dalliances with various Hollywood stars and starlets, from Natalie Wood in the 1950s to Connie Stevens and Ann-Margret in the 1960s to Candice Bergen and Cybill Shepherd in the 1970s. June Juanico of Memphis, one of Presley's early girlfriends, later blamed Parker for encouraging him to choose his dating partners with publicity in mind. Presley, however, never grew comfortable with the Hollywood scene, and most of these relationships were insubstantial.

Legacy

Presley's rise to national attention in 1956 transformed the field of popular music and had a huge effect on the broader scope of popular culture. As the catalyst for the cultural revolution that was rock and roll, he was central not only to defining it as a musical genre but in making it a touchstone of youth culture and rebellious attitude. With its racially mixed origins—repeatedly affirmed by Presley—rock and roll's occupation of a central position in mainstream American culture facilitated a new acceptance and appreciation of black culture. In this regard, Little Richard said of Presley, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music." Al Green agreed: "He broke the ice for all of us." Presley also heralded the vastly expanded reach of celebrity in the era of mass communication: at the age of 21, within a year of his first appearance on American network television, he was one of the most famous people in the world. in 1988]]

Presley's name, image, and voice are instantly recognizable around the globe. He has inspired a legion of impersonators. In polls and surveys, he is recognized as one of the most important popular music artists and influential Americans. "Elvis Presley is the greatest cultural force in the twentieth century", said composer and conductor Leonard Bernstein. "He introduced the beat to everything and he changed everything—music, language, clothes. It's a whole new social revolution—the sixties came from it." Bob Dylan described the sensation of first hearing Presley as "like busting out of jail".

A New York Times editorial on the 25th anniversary of Presley's death observed, "All the talentless impersonators and appalling black velvet paintings on display can make him seem little more than a perverse and distant memory. But before Elvis was camp, he was its opposite: a genuine cultural force. ... Elvis's breakthroughs are underappreciated because in this rock-and-roll age, his hard-rocking music and sultry style have triumphed so completely." Not only Presley's achievements, but his failings as well, are seen by some cultural observers as adding to the power of his legacy, as in this description by Greil Marcus:

Elvis Presley is a supreme figure in American life, one whose presence, no matter how banal or predictable, brooks no real comparisons. ... The cultural range of his music has expanded to the point where it includes not only the hits of the day, but also patriotic recitals, pure country gospel, and really dirty blues. ... Elvis has emerged as a great artist, a great rocker, a great purveyor of schlock, a great heart throb, a great bore, a great symbol of potency, a great ham, a great nice person, and, yes, a great American.

Discography

A vast number of recordings have been issued under Presley's name. The total number of his original master recordings has been variously calculated as 665 and 711. His career began and he was most successful during an era when singles were the primary commercial medium for pop music. In the case of his albums, the distinction between "official" studio records and other forms is often blurred. In addition, for most of the 1960s, his recording career focused on soundtrack albums. In the 1970s, his most heavily promoted and best-selling LP releases tended to be concert albums. This summary discography lists only the albums and singles that reached the top of one or more of the following charts: the main U.S. Billboard pop chart; the Billboard country chart, the genre chart with which he was most identified (there was no country album chart before 1964); and the official British pop chart. In the United States, Presley also had five or six number one R&B; singles and seven number one adult contemporary singles; in 1964, his "Blue Christmas" topped the Christmas singles chart during a period when Billboard did not rank holiday singles in its primary pop chart. He had number one hits in many countries beside the United States and United Kingdom, as well.

Number one albums

Number one singles

Filmography

See also

List of artists by total number of UK number one singles

List of best-selling music artists

List of honorific titles in popular music

Personal relationships of Elvis Presley

Notes

Although some pronounce his surname "PREZ-lee", Presley himself used the pronunciation of the American South, "PRESS-lee", as did his family and those who worked with him. The correct spelling of his middle name has long been a matter of debate. The physician who delivered him wrote "Elvis Aaron Presley" in his ledger. The state-issued birth certificate reads "Elvis Aron Presley". The name was chosen after the Presleys' friend and fellow congregation member Aaron Kennedy, though a single-A spelling was probably intended by Presley's parents in order to parallel the middle name of Presley's stillborn brother, Jesse Garon. It reads Aron on most official documents produced during his lifetime, including his high school diploma, RCA record contract, and marriage license, and this was generally taken to be the proper spelling. In 1966, Presley expressed the desire to his father that the more traditional biblical rendering, Aaron, be used henceforth, "especially on legal documents." Five years later, the Jaycees citation honoring him as one of the country's Outstanding Young Men used Aaron. Late in his life, he sought to officially change the spelling to Aaron and discovered that state records already listed it that way. Knowing his wishes for his middle name, Aaron is the spelling his father chose for Presley's tombstone, and it is the spelling his estate has designated as official. Of the $40,000, $5,000 covered back royalties owed by Sun. In 1956–57, Presley was also credited as a cowriter on several songs where he had no hand in the writing process: "Heartbreak Hotel"; "Don't Be Cruel"; all four songs from his first film, including the title track, "Love Me Tender"; "Paralyzed"; and "All Shook Up". He received credit on two other songs to which he did contribute: he provided the title for "That's Someone You Never Forget" (1961), written by his friend Red West; Presley and West collaborated with another friend, guitarist Charlie Hodge, on "You'll Be Gone" (1962). Whitburn follows actual Billboard history in considering the four songs on the "Don't Be Cruel/Hound Dog" and "Don't/I Beg of You" singles as distinct. He tallies each side of the former single as a number one (Billboards sales chart had "Don't Be Cruel" at number one for five weeks, then "Hound Dog" for six) and reckons "I Beg of You" as a top ten, as it reached number eight on the old Top 100 chart. Billboard now considers both singles as unified items, ignoring the historical sales split of the former and its old Top 100 chart entirely. Whitburn thus analyzes the four songs as yielding three number ones and a total of four top tens. Billboard now states that they yielded just two number ones and a total of two top tens, voiding the separate chart appearances of "Hound Dog" and "I Beg of You". VH1 ranked Presley #8 among the "100 Greatest Artists of Rock & Roll" in 1998. The BBC ranked him as the #2 "Voice of the Century" in 2001. Rolling Stone placed him #3 in its list of "The Immortals: The Fifty Greatest Artists of All Time" in 2004. CMT ranked him #15 among the "40 Greatest Men in Country Music" in 2005. The Discovery Channel placed him #8 on its "Greatest American" list in 2005. Variety put him in the top ten of its "100 Icons of the Century" in 2005. The Atlantic Monthly ranked him #66 among the "100 Most Influential Figures in American History" in 2006. (1) The year given is the year the record first reached number one, rather than its original year of release. For instance, in 1974, Elvis' 40 Greatest, a compilation on the budget Arcade label, was the fourth highest selling album of the year in the United Kingdom; at the time, the main British chart did not rank such compilations, relegating them to a chart for midpriced and TV-advertised albums, which Elvis' 40 Greatest topped for 15 weeks. The policy was altered in 1975, allowing the album to hit number one on the main chart in 1977, following Presley's death. (2) Before late 1958, rather than unified pop and country singles charts, Billboard had as many as four charts for each, separately ranking records according to sales, jukebox play, jockey spins (i.e., airplay), and, in the case of pop, a general Top 100. Billboard now regards the sales charts as definitive for the period. Widely cited chart statistician Joel Whitburn accords historical releases the highest ranking they achieved among the separate charts. Presley discographer Ernst Jorgensen refers only to the Top 100 chart for pop hits. All of the 1956–58 songs listed here as number one U.S. pop hits reached the top of both the sales and, with three exceptions, the Top 100 charts: "I Want You, I Need You, I Love You" (three), "Hound Dog" (two, behind its flip side, "Don't Be Cruel"), and "Hard Headed Woman" (two). (3) Several Presley singles reached number one in the United Kingdom as double A-sides; in the United States, the respective sides of those singles were ranked separately by Billboard. Whitburn calculates a total of six number one R&B; singles, including "Don't Be Cruel", released as a double A-side with "Hound Dog"; Billboards Keith Caulfield excludes "Don't Be Cruel".

Citations

References

Further reading

Allen, Lew (2007). Elvis and the Birth of Rock. Genesis. ISBN 1905662009.

Ann-Margret and Todd Gold (1994). Ann-Margret: My Story. G.P. Putnam's Sons. ISBN 0399138919.

Cantor, Louis (2005). Dewey and Elvis: The Life and Times of a Rock 'n' Roll Deejay. University of Illinois Press. ISBN 025202951X.

Dickerson, James L. (2001). Colonel Tom Parker: The Curious Life of Elvis Presley's Eccentric Manager. Cooper Square Press. ISBN 0815412673.

Finstad, Suzanne (1997). Child Bride: The Untold Story of Priscilla Beaulieu Presley. Harmony Books. ISBN 0517705850.

Goldman, Albert (1981). Elvis. McGraw-Hill. ISBN 0070236577.

Goldman, Albert (1990). Elvis: The Last 24 Hours. St. Martin's. ISBN 0312925417.

Klein, George (2010). Elvis: My Best Man: Radio Days, Rock 'n' Roll Nights, and My Lifelong Friendship with Elvis Presley. Virgin Books. ISBN 9780307452740

Marcus, Greil (1999). Dead Elvis: A Chronicle of a Cultural Obsession. Harvard University Press. ISBN 0674194225.

Marcus, Greil (2000). Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternative. Picador. ISBN 057120676X.

Moscheo, Joe (2007). The Gospel Side of Elvis. Center Street. ISBN 1599957299.

Nash, Alanna (2010). Baby, Let's Play House: Elvis Presley and the Women Who Loved Him. It Books. ISBN 0061699845.

West, Red, Sonny West, and Dave Hebler (as told to Steve Dunleavy) (1977). Elvis: What Happened? Bantam Books. ISBN 0345272153.

External links

Elvis Presley Enterprises official site of the Elvis Presley brand

Elvis The Music official record label site

Elvis Presley Interviews on officially sanctioned Elvis Australia site

Elvis Presley Ancestry at Genealogy.com

Category:1935 births Category:1977 deaths Category:1950s singers Category:1960s singers Category:1970s singers Category:Actors from Mississippi Category:Actors from Tennessee Category:American baritones Category:American country singers Category:American crooners Category:American expatriates in West Germany Category:American film actors Category:American gospel singers Category:American male singers Category:American Pentecostals Category:American people of Cherokee descent Category:American people of English descent Category:American people of French descent Category:American people of Scotch-Irish descent Category:American performers of Christian music Category:American rock singers Category:Blues musicians from Mississippi Category:Burials in Tennessee Category:Country Music Hall of Fame inductees Category:Deaths from myocardial infarction Category:English-language singers Category:Gospel Music Hall of Fame inductees Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Identical twins Category:American karateka Category:Las Vegas musicians Category:Mississippi Blues Trail Category:Musicians from Mississippi Category:Musicians from Nevada Category:Musicians from Tennessee Category:People from the Las Vegas metropolitan area Category:People from Memphis, Tennessee Category:People from Tupelo, Mississippi Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Rockabilly Hall of Fame inductees Category:Rockabilly musicians Category:Southern gospel performers Category:Sun Records artists Category:Traditional pop music singers Category:Twin people from the United States Category:United States Army soldiers

Name	Camoflauge
Background	solo_singer
Birth name	Jason Johnson
Born	December 09, 1981
Died	May 19, 2003
Origin	Savannah, Georgia
Genre	Rap, Hip Hop
Years active	1999–2003
Label	Pure Pain Records
Associated acts	Crime Affiliates

Jason Johnson (December 9, 1981 - May 19, 2003), also known as Camoflauge, was a U.S. rapper from Hitch Village housing project in Savannah, Georgia.

Biography

Musical career

Seeking to put his life experiences to tape, Camoflauge started his rap career as he sold 20,000 copies of Crime Pay$, an album he released with the hip-hop group Crime Affiliates. When I Represent, his solo album on the independent label Pure Pain, sold over 50,000 copies, Universal Music Group offered the rapper a deal. However, when Camoflauge was arrested for possession of crack cocaine, Universal did not pick up the option on his contract, even though the charges were later dropped. He opened for heavyweight rap acts such as 8 Ball, MJG, Scarface, Master P, Ice-T, Pastor Troy, Lil Boosie, Birdman, Trick Daddy, and Ludacris. His last album, Keepin It Real, was released in August 2002. He was gunned down outside of a recording studio in May 2003. He was only 21 years of age.

Album sales after his death

Pure Pain Records has been ordered to cease selling Camoflauge's albums, due to a dispute with the slain rapper's mother. Tammie Greene claims that the label has not provided her with an adequate accounting for three albums and a DVD the rapper released.

According to the spokesperson, Pure Pain is still operating at a loss, due to the production of Camoflauge's final album, Keepin It Real. A judge halted the album sales, ruling an uncertified financial statement submitted by the label claiming losses of over $200,000 in 2002 and 2004, was not valid.

Discography

Albums

Crime Pay$ Crime Affiliates (1999)

Underground Savannah (2000)

I Represent (2000)

(2001)

Keepin It Real (2002)

Home of the True Emcees - Tribute to Jason “Camoflauge” Johnson (2006)

Guest appearances

Dulaa "Pure Pain" Komplex Feelings

DJ B-Lord "Bout My Money" Trick Daddy (feat. Camoflauge)

DJ Smallz Southern Smoke 9: Money is Still a Major Issue (pt. 1 of 2) (hosted by Pitbull) "Pure Pain"

White Dawg "We Ballin" Bonifide

References

External links

Rapper Camoflauge fatally shot outside Georgia studio

Amid Moss and murder, Savannah mobilizes

www.rapbasement.com/modules.php?name=News&file;=article&sid;=344

www.allhiphop.com/hiphopnews/?ID=2836

www.tupac-online.com/News/0-256116-00.html

Category:1981 births Category:2003 deaths Category:2003 murders in the United States Category:African American rappers Category:Deaths by firearm in Georgia (U.S. state) Category:Murdered African-American people Category:Murdered rappers Category:People from Savannah, Georgia Category:People murdered in Georgia (U.S. state)

Name	Bow Wow
Background	solo_singer
Birth name	Shad Gregory Moss
Born	March 09, 1987 Columbus, Ohio, United States
Genre	Hip hop
Occupation	Rapper, Actor, Singer
Instrument	Vocals
Years active	1993–present
Label	Cash Money Records, Universal Motown
Url

Shad Gregory Moss (born March 9, 1987) is an American rapper, singer and actor.

He released his debut album, Beware of Dog, at age 13, then under the stage name Lil Bow Wow, which was given to him by one of his idols, Snoop Dogg. He carried the stage name with him until his 2003 album, Unleashed, under simply Bow Wow (dropping the "Lil" from the name). Three more albums followed, Wanted in 2005, The Price of Fame in 2006 and New Jack City II in 2009. In 2007, he released the collaboration album Face Off with Omarion.

Bow Wow made his first movie appearance in All About the Benjamins, in 2002 as a cameo. In the same year, Bow Wow made his debut as the lead role in, Like Mike. He later began to undertake lead roles in movies such as, Johnson Family Vacation in 2004, and Roll Bounce, in 2005. He was also played as a supporting role in the film, in 2006. Bow Wow also appeared in an episode of the television series, Entourage.

Early life

Bow Wow was born in Columbus, Ohio, the son of Teresa Caldwell and Alfonso Moss. His family are good people and supported him through all his success in music At age three, he became interested in rap. Under the moniker "Kid Gangsta", he began rapping recreationally at age six; he was also a fan of N.W.A at that age. In 1993, he performed at a concert in Los Angeles, and was noticed by rapper Snoop Dogg, who subsequently gave him a stage name, "Bow Wow". Dr. Dre signed Bow Wow to Death Row Records.

As Lil' Bow Wow

Beware of Dog (1998-2001)

In 1998, at the age of eleven, Bow Wow met record producer Jermaine Dupri, who helped shape his career. At the age of 13, in 2000 he debuted with Beware of Dog under the stage name Lil' Bow Wow. Its debut single was "Bounce With Me", which featured girl group Xscape. The album also included "Bow Wow (That's My Name)" featuring Snoop Dogg, which topped the rap chart, In a 2009 interview, the rapper claimed that the album had sold over 3 million copies since its release.

In 2002, his second album Doggy Bag was released with singles "Take Ya Home" which peaked at #1 on the Hot 100 and #1 on the Hot R&B;/Hip-Hop Songs chart, and "Thank You" with Jagged Edge), #1 on the R&B; chart. and was certified platinum.

As Bow Wow

Unleashed (2003-2004)

The first album released under his new moniker was Unleashed in 2003. Its first single was "Let's Get Down," featuring Birdman, the founder of Cash Money Records, which reached #14 on the Hot 100 and #6 on the Hot Rap Tracks charts. The second single was then released, "My Baby", featuring Jagged Edge. Unlike his previous albums, this one was not produced under the mentorship of Jermaine Dupri. "Fresh Azimiz", featured J-Kwon and Jermaine Dupri, followed and peaked at #23 on the Hot 100 and #6 on the Hot Rap Tracks chart. The album was certified platinum.

The Price of Fame & Face Off (2006-2007)

In 2006, The Price of Fame was released with the lead single "Shortie Like Mine", featuring Chris Brown, peaking at #9 on the Hot 100 and #1 on the Hot Rap Tracks. It peaked at #22 on the Hot 100 and #2 on the Rap chart. He released a mixtape title Half Man, Half Dog Vol. 1 that year. Half Man, Half Dog Vol. 2 was released as a sequel to the mixtape in February 2009. New Jack City II, his sixth album, was released in March 2009 and his first album to include a Parental Advisory: Steven Roberts of MTV News observed that this album explored the "the influence of crack cocaine in inner-city communities" and featured such guests as T.I. Three promo singles were released in late 2008: "Marco Polo" featuring Soulja Boy, "Big Girls", and "Roc The Mic". The first official single, "You Can Get It All" featuring Johnta Austin, samples TLC's "Baby-Baby-Baby" and peaked at #55 on the Hot 100 and #9 on the Hot Rap Tracks. and his next album Underrated will be released in early 2011. The first promo single being "For My Hood" featuring DJ Khaled & Sean Kingston. On November 1, 2010 Bow Wow released his first single from the album entitled "Aint Thinkin' Bout You" which featured Chris Brown. The music video was a success on 106 and Park and made the countdown in just 1 day. Two weeks later it peaked number 1 on the chart and remained number 1 for 3 days.

Film career

Bow Wow has had guest appearances on Brandy's TV sitcom, Moesha, as well as The Steve Harvey Show. He made his major acting debut in the film Like Mike which was released on July 3, 2002, in which he starred as a young orphan who gets a shot at playing in the NBA. Before Like Mike he made a cameos in All About The Benjamins, and in "". Bow Wow also co-starred with Cedric the Entertainer, Vanessa L. Williams, and Solange Knowles in Johnson Family Vacation. Since the success of Like Mike, Bow Wow has starred in several Hollywood films, including Roll Bounce, and Hurricane Season. . He has also made guest appearances on Smallville and Ugly Betty. He joined the cast for HBO's fifth season of Entourage as Charlie an up and coming comedian and Eric Murphy's newest client. He starred in a 2010 comedy film, Lottery Ticket, with Ice Cube. He Is currently working on a documentary on his life entitled Who Is Shad Moss? Bow Wow stated that the documentary goes all the way back when he was on Death Row Records he said it will be released in early 2011. Bow Wow has confirmed he will be in the film version of Madea's Big Happy Family.

Discography

Beware of Dog (2000)

Doggy Bag (2001)

Unleashed (2003)

Wanted (2005)

The Price of Fame (2006)

New Jack City II (2009)

Underrated (2011)

Filmography

{|border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 90%;" |- bgcolor="#CCCCCC" align="center" !colspan="4" style="background: LightSteelBlue;"|Film |- bgcolor="#CCCCCC" align="center" !Year !Title !Role !Notes |- |2001 | |Jalil |Supporting role |- |rowspan="2"|2002 |All About the Benjamins |Kelly |Cameo |- |Like Mike |Calvin Cambridge |Lead role |- |2004 |Johnson Family Vacation |Divirnius James "D.J." Johnson |Lead role |- |2005 |Roll Bounce |Xavier "X" Smith |Lead role |- |2006 | |Twinkie |Supporting role |- |2009 |Hurricane Season |Gary Davis |Supporting role |- |2010 |Lottery Ticket |Kevin Carson |Lead role |- |2011 |Who Is Shad Moss? |Himself |Biography |- bgcolor="#CCCCCC" align="center" !colspan="4" style="background: LightSteelBlue;"|Television |- bgcolor="#CCCCCC" align="center" !Year !Title !Role !Notes |- |2001 |Moesha |Ray |Episode That's My Mama |- |2006 |Smallville |Baern |Episode "Fallout" |- |rowspan="2"|2008 |Ugly Betty |Himself |Episode "Zero Worship" |- |Entourage |Charlie |Recurring role |}

References

Other Collaborations

Bow Wow was featured in up and coming artist Khleo Thomas's merely reputable mixtape,The World Is A Cartoon in January 2010.

External links

Bow Wow at Ustream

Bow Wow at YouTube

Category:1987 births Category:Living people Category:1990s rappers Category:2000s rappers Category:2010s rappers Category:Actors from Ohio Category:American child actors Category:Cash Money Records artists Category:Death Row Records artists Category:People from Columbus, Ohio Category:Rappers from Ohio Category:So So Def artists

Name	Bone Thugs-n-Harmony
Background	group_or_band
Alias	B.O.N.E. Enterprise
Origin	Cleveland, Ohio, U.S.
Genre	Midwest hip hop, gangsta rap, melodic hip hop, hip hop soul
Years active	1991–present
Label	Ruthless, BTNH Worldwide,Full Surface, Geffen
Associated acts	Eazy-E, Bone Brothers, Mo Thugs Family, II Tru, Twista, Poetic Hustla'z, DJ U-Neek, 2Pac, Biggie
Current members	Krayzie BoneLayzie BoneWish BoneFlesh-n-BoneBizzy Bone
Url	www.bonethugsnharmony.com

Bone Thugs-n-Harmony is a hip hop music group, formed in Cleveland, Ohio, U.S., in 1991. It consists of rappers Krayzie Bone, Wish Bone, Flesh-n-Bone, Layzie Bone, and Bizzy Bone. Rapper Eazy-E of the group N.W.A signed Bone Thugs-n-Harmony to Ruthless Records in 1994, when Bone Thugs debuted with EP Creepin on ah Come Up. That EP included the hit single "Thuggish Ruggish Bone."

In 1995, the group released its second album, E. 1999 Eternal, which included hits "1st of tha Month" and "Tha Crossroads." A tribute to the recently deceased Eazy-E, "Tha Crossroads," won a Grammy award in 1997. The Art of War, the group's third album, was also released in 1997.

Bone Thugs released two more albums that did not generate as much hype: BTNHResurrection (2000) and Thug World Order (2002). The group went on hiatus and returned in 2007 with Strength & Loyalty, this time released by Swizz Beatz's label Full Surface Records. Bone Thugs-n-Harmony officially returned with their new album , released in 2010 by their own record label, BTNH Worldwide, with distribution by Warner Bros.

Early years

Formed in 1991, the group consisted of only four members: Krayzie Bone, Layzie Bone, Bizzy Bone and Wish Bone, and the group was originally called B.O.N.E Enterprise. Their first album, Faces of Death, was recorded in 1993. With new member and Layzie's brother, Flesh-n-Bone who was a member of the Crips, added the same year, the group renamed itself Bone Thugs-n-Harmony. In November 1993, the group auditioned backstage for rapper Eazy-E, who was performing in Cleveland with his father. After a second audition, Eazy-E signed the group to his label Ruthless Records.

Ruthless Records

Creepin on ah Come Up

Released in June 1994, the EP Creepin on ah Come Up, was Bone Thugs-n-Harmony's debut with Ruthless. Peaking at #12 on the Billboard 200 album chart and #2 on the Top R&B;/Hip-Hop Albums chart, it included the hit singles "Thuggish Ruggish Bone" and "Foe tha Love of $", the second of which featured a verse by Eazy-E. "Thuggish Ruggish Bone" peaked at #22 on the Billboard Hot 100 chart and #2 on the Hot Rap Tracks chart, and "Foe tha Love of $" peaked at #41 on the Hot 100 and #4 on the Rap Tracks.

E. 1999 Eternal

In 1995, the group's second album E. 1999 Eternal was released. It included the singles "1st of tha Month", which peaked at #14 on the Hot 100 and #4 on the Hot Rap Tracks, and "Tha Crossroads", which reached #1 on the Hot 100 and Hot Rap Tracks charts. The album name originated from Eazy-E's album, Eternal E, naming it after Eazy-E's album was just another way of showing respect and tribute to the rapper that helped make them big. In the same year, Flesh-n-Bone would become the first member of the group to release a debut album entitled T.H.U.G.S.

The Art of War

In 1997, the group released the double-disc set The Art of War. The single "Look into My Eyes" appeared on the soundtrack of the film Batman & Robin. It peaked at #4 on the Hot 100 and #2 on the Hot Rap Tracks chart. Pleading guilty, Flesh-n-Bone was sentenced to 11 years in prison. Bizzy Bone abstained from promoting BTNHResurrection because he felt that Ruthless Records owed him money. He dropped a million-dollar lawsuit he filed against Sony Music and Loud Records in exchange for a termination of his Sony contract. Three members of Bone Thugs-n-Harmony released solo albums in 2001: Bizzy Bone with The Gift, Layzie Bone with Thug by Nature, and Krayzie Bone with Thug on da Line.

Thug World Order

In 2002, the group released Thug World Order. The album debuted at #12 on the Billboard 200,

After Ruthless

Thug Stories

Thug Stories, Bone Thugs-n-Harmony's sixth album, was recorded on Koch Records and released on September 19, 2006. It marked the first time Bone Thugs-n-Harmony recorded as a trio. Thug Stories sold 38,000 in its first week and peaked at #25 on the Billboard 200 and #1 on the Independent Album Chart.

Strength & Loyalty

Originally to be called The Bone Thugs Story, Strength & Loyalty was released on May 8, 2007. Being their first major album after an absence of nearly five years, the album debuted at #2 on the Billboard 200 and #1 on iTunes and the Billboard Urban Music charts. The album contains guest appearances by Mariah Carey, The Game, will.i.am, Akon, Twista, Bow Wow, Yolanda Adams, and Felecia.

Producers on the album included Swizz Beatz, Akon, Pretty Boy & Bradd Young, DJ Toomp, Jermaine Dupri, will.i.am, and others. The executive producer of the album was Swizz Beatz. The first single was "I Tried", which was their first top 10 hit in 10 years, having peaked at number 6 on the U.S. Billboard Hot 100. The second single was "Lil Love", which failed to reach the success of their first single. The album has been certified Gold by the RIAA.

T.H.U.G.S.

T.H.U.G.S. is an album featuring previously unreleased, largely remixed Bone Thugs-n-Harmony songs that didn't make the final cut of BTNHResurrection and Thug World Order albums. It was released on November 13, 2007 by their former record label, Ruthless Records. The sole single off the album was "Young Thugs", which was accompanied by a newly-filmed music video featuring Krayzie, Layzie, Bizzy and Wish.

I Tried (The Bone Thugs Movie)

Bone has also released a movie titled I Tried(directed by Rich Newey), which was originally named "What If..." The topic of the movie is how different the lives of Krayzie, Layzie and Wish would have been if they had never met Eazy-E. The movie was released in stores on September 25 of 2007. It has since become a platinum selling DVD.

Reunion

In November 2007, Layzie Bone confirmed that he had completed the Bone Brothers III album with Bizzy Bone, spurring speculation of a full Bone reunion. In a video interview, Krayzie Bone stated that they all wanted to reunite but that record label issues may prevent an official reunion. Bizzy Bone had attended a Bone Thugs performance during the time and he and the three then-standing members had a "good conversation".

After nearly a decade of incarceration, Flesh-n-Bone was released from prison on July 13, 2008. In an interview, Bizzy confirmed his return to the group, after them all getting together by the time of Flesh's release.

Uni5: The World's Enemy

video. A third single, "Meet Me in the Sky", was released on March 22. Uni-5: The World's Enemy was released on May 4, 2010.

E.1999 Eternal Tour and New Record Deal

In the fall of 2010, the group went on their E.1999 Eternal Tour, a 36-city tour performing songs from their 1995 album E 1999 Eternal with a live band (without Bizzy). Bone will spend the rest of 2010 recording a new CD for a soon-to-be-disclosed new label deal, writing a book, and developing a film project based on their unique story.

Style and technique

Bone's style and technique can be described as melodic, rapid-fire and aggressive. Their flow is often interwoven at a high-speed, melodic pace or slow, harmonic pace. They also tend to ride the beat that they're rapping over. Sometimes there are very few choruses separating their verses from one another. In the beginning, circa Faces of Death, Bone used a pseudo-Jamaican patois delivery with their trademark style, though they rarely do this now. Bone's subject matter has both spiritual and occult undertones (e.g., "Hell Sent", "Intro", "Mr. Ouija", "Mr. Ouija 2" and "Da Introduction"). At first, their subject matter was almost always exclusively about violence and smoking marijuana. Today, however, their subject matter includes other topics such as urban socio-political issues, their old friend and mentor Eazy-E and religion. Besides minor changes to subject matter and sound, their lyrical style, elocution, and overall methodology remain intact.

Discography

1991: Faces of Death

1994: Creepin on ah Come Up

1995: E. 1999 Eternal

1997: The Art of War

2000: BTNHResurrection

2002: Thug World Order

2006: Thug Stories

2007: Strength & Loyalty

2010:

Awards

References

14. http://www.youtube.com/watch?v=E5NFX1CG6z4 (Studio Session of Bizzy Bone unreleased album with Papillon Bandana Destination Ailleurs with Layzie Bone on this project) 15. http://www.amazon.com/Destination-ailleurs-Explicit/dp/B003V9AOHG/ref=sr_1_29?ie=UTF8&qid;=1294076131&sr;=8-29

External links

Official website

Official Myspace page

Bone Thugs-n-Harmony's ArtistDirect page

Exclusive Interview in Complex magazine

I Tried Movie

Category:Musical groups from Cleveland, Ohio Category:American hip hop groups Category:Hip hop singers Category:Culture of Cleveland, Ohio Category:Musical groups from Ohio Category:Grammy Award winners Category:E1 Music artists Category:1990s music groups Category:Ruthless Records artists Category:Interscope Records artists Category:People from Cleveland, Ohio