Hip hop is the form of musical expression and artistic culture that originated in African-American communities during the 1970s in New York City. DJ Afrika Bambaataa outlined the four pillars of Hip-hop culture: MCing, DJing, breaking and graffiti writing. Other elements include beatboxing.

Since its emergence in the South Bronx, Hip-hop culture has spread around the world. Hip-hop music first emerged with disc jockeys creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, more commonly referred to as sampling. This was later accompanied by "rap", a rhythmic style of chanting or poetry presented in 16 bar measures or time frames, and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJ's. An original form of dancing and particular styles of dress arose among fans of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip-hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.

Etymology

The phrase hip hop is a combination two separate slang terms—"hip", used as African American Vernacular English (AAVE) as early as 1898, meaning current or in the know, and "hop", for the hopping movement.

Keith "Cowboy" Wiggins, a member of Grandmaster Flash and the Furious Five, has been credited with coining the term hip hop in 1978 while teasing a friend who had just joined the US Army, by scat singing the words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of marching soldiers. Cowboy later worked the "hip hop" cadence into a part of his stage performance. The group frequently performed with disco artists who would refer to this new type of MC/DJ-produced music by calling them "hip hoppers". The name was originally meant as a sign of disrespect, but soon came to identify this new music and culture.

The opening of the song "Rapper's Delight" by The Sugarhill Gang, in addition to the verse on Grandmaster Flash and the Furious Five's own "Superrappin'", were both released in 1979. Lovebug Starski, a Bronx DJ who put out a single called "The Positive Life" in 1981, and DJ Hollywood then began using the term when referring to this new disco rap music. Hip hop pioneer and South Bronx community leader Afrika Bambaataa also credits Lovebug Starski as the first to use the term "Hip Hop", as it relates to the culture. Bambaataa, former leader of the Black Spades gang also did much to further popularize the term.

History

Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting—impromptu, boastful poetry and speech over music—which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. By using this technique DJs could create a variety of music. According to Rap Attack by David Toop “At its worst the technique could turn the night into one endless and inevitably boring song” (12). In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's "Good Times".

is credited as being highly influential in the pioneering stage of hip hop music.]]

Herc was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This form of music playback, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks" and The Sugarhill Gang's "Rapper's Delight".

In the late 1970s an underground urban movement known as "hip hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, bboying, rap music, and fashion, hip hop became the dominant cultural movement of the minority populated urban communities in the 1980s. Graffiti, rapping, and bboying were all artistic variations on the competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine synthesizer technology, as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.

American society

Early hip hop has often been credited with helping to reduce inner-city gang violence by replacing physical violence with dance and artwork battles. In the early 1970s, DJ Kool Herc began organizing dance parties in his home in the Bronx. The parties became so popular they were moved to outdoor venues to accommodate more people. City teenagers, after years of gang violence, were looking for new ways to express themselves. These outdoor parties, hosted in parks, became a means of expression and an outlet for teenagers, where "instead of getting into trouble on the streets, teens now had a place to expend their pent-up energy."

with DJ Yutaka of Universal Zulu Nation Japan, 2004]]

Tony Tone, a member of the pioneering rap group the Cold Crush Brothers, noted that "hip hop saved a lot of lives". Inspired by DJ Kool Herc, Afrika Bambaataa created a street organization called Universal Zulu Nation, centered around hip hop, as a means to draw teenagers out of gang life and violence. "Young black Americans coming out of the civil rights movement have used hip hop culture in the 1980s and 1990s to show the limitations of the movement." Hip hop gave young African Americans a voice to let their issues be heard; "Like rock-and-roll, hip hop is vigorously opposed by conservatives because it romanticises violence, law-breaking, and gangs".

Global innovations

Though created in the United States by Jamaican Americans, hip hop culture and music is now global in scope. The Middle East, Canada, France, Germany, the U.K., Pakistan, Poland, India, China, Brazil, Japan, South Korea, Africa, Australia and the Caribbean have long-established hip hop followings. According to the U.S. Department of State, hip hop is "now the center of a mega music and fashion industry around the world," that crosses social barriers and cuts across racial lines. National Geographic recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a “global musical epidemic,” and has diverged from its ethnic roots by way of globalization and localization.

Although some non-American rappers may still relate with young urban Americans, hip hop now transcends its original culture, and is appealing because it is “custom-made to combat the anomie that preys on adolescents wherever nobody knows their name.” Hip hop is attractive in its ability to give a voice to disenfranchised youth in any country, and as music with a message, it is a form available to all societies worldwide.

From its early spread to Europe and Japan to an almost worldwide acceptance through Asia and South American countries such as Brazil, the musical influence has been global. Hip hop sounds and styles differ from region to region, but there is also a lot of crossbreeding. Unlike the old genres, which popularized throughout the nation via radio, hip hop tends to hold on to its regional identity. Regardless of where it is found, the music often targets local disaffected youth.

Hip hop has given people a voice to express themselves, from the "Bronx to Beirut, Kazakhstan to Cali, Hokkaido to Harare, Hip Hop is the new sound of a disaffected global youth culture."

As hip hop becomes globally available, it is not a one-sided process that eradicates local cultures. Instead, global hip hop styles are often synthesized with local styles. Hartwig Vens argues that hip hop can also be viewed as a global learning experience. Hip hop from countries outside the United States is often labeled "world music" for the American consumer. Author Jeff Chang argues that "the essence of hip hop is the cipher, born in the Bronx, where competition and community feed each other."

Hip hop has impacted many different countries culturally and socially in positive ways. "Thousands of organizers from Cape Town to Paris use hip hop in their communities to address environmental justice, policing and prisons, media justice, and education."

While hip hop music has been criticized as a music which creates a divide between western music and music from the rest of the world, a musical "cross pollination" has taken place, which strengthens the power of hip hop to influence different communities. Hip hop's impact as a "world music" is also due to its translatability among different cultures in the world. Hip hop's messages allow the under-privileged and the mistreated to be heard.

Even when hip hop is transplanted to other countries, it often retains its "vital progressive agenda that challenges the status quo." Chile, Indonesia, New Zealand, and Norway use hip hop to advance new forms of identity.

Commercialization

Even in the face of growing global popularity, or perhaps because of it, hip hop has come under fire for being too commercial, too commodified. While this of course stirs up controversy, a documentary called The Commodification of Hip Hop directed by Brooke Daniel interviews students at Satellite Academy in New York City. One girl talks about the epidemic of crime that she sees in urban minority communities, relating it directly to the hip hop industry saying “When they can’t afford these kind of things, these things that celebrities have like jewelry and clothes and all that, they’ll go and sell drugs, some people will steal it...” Many students see this as a negative side effect of the hip hop industry, and indeed, hip hop has been widely criticized for inciting notions of crime, violence, and American ideals of consumerism although much of the hip hop dancing community still chooses to refer back to more "oldschool" types of hip hop music that does not preach violence and drugs.

In an article for Village Voice, Greg Tate argues that the commercialization of hip hop is a negative and pervasive phenomenon, writing that "what we call hiphop is now inseparable from what we call the hip hop industry, in which the nouveau riche and the super-rich employers get richer". Even other musicians, like Nas and KRS-ONE have claimed "hip hop is dead" in that it has changed so much over the years to cater to the consumer that it has lost the essence for which it was originally created. However, in his book In Search Of Africa, Manthia Diawara explains that hip hop is really a voice of people who are down and out in modern society. He argues that the "worldwide spread of hip hop as a market revolution" is actually global "expression of poor people’s desire for the good life," and that this struggle aligns with "the nationalist struggle for citizenship and belonging, but also reveals the need to go beyond such struggles and celebrate the redemption of the black individual through tradition."

This connection to "tradition" however, is something that may be lacking according to one Satellite Academy staff member who says that in all of the focus on materialism, the hip hop community is “not leaving anything for the next generation, we’re not building.” arguing it has joined the “mainstream that had once excluded its originators.” MCing, or just rhyming) refers to "spoken or chanted rhyming lyrics with a strong rhythmic accompaniment". It can be broken down into different components, such as “content”, “flow” (rhythm and rhyme), and “delivery”. Rapping is distinct from spoken word poetry in that is it performed in time to the beat of the music. The use of the word "rap" to describe quick and slangy speech or repartee long predates the musical form.

Graffiti

can, a common tool used in modern graffiti]] In America around the late 1960s, graffiti was used as a form of expression by political activists, and also by gangs such as the Savage Skulls, La Familia, and Savage Nomads to mark territory. Towards the end of the 1960s, the signatures—tags—of Philadelphia graffiti writers Top Cat, Cool Earl and Cornbread started to appear. Around 1970–71, the center of graffiti innovation moved to New York City where writers following in the wake of TAKI 183 and Tracy 168 would add their street number to their nickname, "bomb" a train with their work, and let the subway take it—and their fame, if it was impressive, or simply pervasive, enough—"all city". Bubble lettering held sway initially among writers from the Bronx, though the elaborate Brooklyn style Tracy 168 dubbed "wildstyle" would come to define the art. The early trendsetters were joined in the 70s by artists like Dondi, Futura 2000, Daze, Blade, Lee, Zephyr, Rammellzee, Crash, Kel, NOC 167 and Lady Pink. Breaking began to take form in the South Bronx alongside the other elements of hip hop. The "B" in B-boy stands for break, as in break-boy (or girl). The term "B-boy" originated from the dancers at DJ Kool Herc's parties, who saved their best dance moves for the break section of the song, getting in front of the audience to dance in a distinctive, frenetic style. A popular move is called the Headspin a move in which a person holds their entire body weight on their head. And using only the head to propel the whole body around in circles. According to the documentary film , DJ Kool Herc describes the "B" in B-boy as short for breaking which at the time was slang for "going off", also one of the original names for the dance. However, early on the dance was known as the "boing" (the sound a spring makes).In 1980's b-boys wore Adidas tracksuits and take-out their pants pocket which means they breaking to make money on the street and to represent the foundation of oldskool hip-hop. Breaking was briefly documented for release to a world wide audience for the first time in Style Wars, and was later given a little more focus in the fictional film Beat Street. Early acts include the Rock Steady Crew and New York City Breakers.

B-boying is one of the major elements of hip hop culture, commonly associated with, but distinct from, "popping", "locking", "hitting", "ticking", "boogaloo", and other funk styles that evolved independently during the late 1960s in California. It was common during the 1980s to see a group of people with a radio on a playground, basketball court, or sidewalk performing a B-boy show for a large audience.

It is a common misconception that falling during a dance sequence is necessarily accidental and unprofessional; b-boys occasionally add falls to their dance routines to convey a sense of spontaneity. This is particularly true in the U.S.

Beatboxing

Beatboxing, popularized by Doug E. Fresh, is the vocal percussion of hip hop culture. It is primarily concerned with the art of creating beats, rhythms, and melodies using the human mouth. The term beatboxing is derived from the mimicry of the first generation of drum machines, then known as beatboxes. As it is a way of creating hip hop music, it can be categorized under the production element of hip hop, though it does sometimes include a type of rapping intersected with the human-created beat.

The art was quite popular in the 1980s with artists like the Darren "Buffy, the Human Beat Box" Robinson of the Fat Boys and Biz Markie displaying their skills in beatboxing. It declined in popularity along with bboying in the late '80s, but has undergone a resurgence since the late '90s, marked by the release of "Make the Music 2000." by Rahzel of The Roots.

Social impact

Effects

Hip hop has made a considerable social impact since its inception in the 1970s. Orlando Patterson, a sociology professor at Harvard University helps describe the phenomenon of how Hip Hop spread rapidly around the world. Professor Patterson argues that mass communication is controlled by the wealthy, government, and businesses in Third World nations and countries around the world. He also credits mass communication with creating a global cultural hip hop scene. As a result, the youth absorb and are influenced by the American hip hop scene and start their own form of hip hop. Patterson believes that revitalization of hip hop music will occur around the world as traditional values are mixed with American hip hop musical forms, This is due to the fact that the culture reflected the social, economic and political realities of the disenfranchised youth.

Language

The development of Hip Hop linguistics is complex. Source material include the spirituals of slaves arriving in the new world, Jamaican dub music, the laments of jazz and blues singers, patterned cockney slang and radio deejays hyping their audience in rhyme.

Hip Hop has a distinctive associated slang. It is also known by alternate names, such as "Black English", or "Ebonics". Academics suggest its development stems from a rejection of the racial hierarchy of language, which held "White English" as the superior form of educated speech. Due to hip hop's commercial success in the late nineties and early 21st century, many of these words have been assimilated into the cultural discourse of several different dialects across America and the world and even to non-hip hop fans. The word dis for example is particularly prolific. There are also a number of words which predate hip hop but are often associated with the culture, with homie being a notable example.

Sometimes, terms like what the dilly, yo are popularized by a single song (in this case, "Put Your Hands Where My Eyes Could See" by Busta Rhymes) and are only used briefly. One particular example is the rule-based slang of Snoop Dogg and E-40, who -izzle add -izz to the middle of words. This practice, with origins in Frankie Smith's nonsensical language from his 1980 single "Double Dutch Bus", has spread to even non-hip hop fans, who may be unaware of its derivation.

Hip Hop lyricism has gained a measure of legitimacy in academic and literary circles. Studies of Hip Hop linguistics are now offered at institutions such as the University of Toronto, where poet and author George Eliot Clarke has (in the past) taught the potential power of hip hop music to promote social change.

Some academics, including Ernest Morrell and Jeffery Duncan Andrade compare hip hop to the satirical works of great “cannon” poets of the modern era, who use imagery and mood to directly criticize society. As quoted in their seminal work; "Promoting Academic Literacy with Urban Youth Through Engaging Hip Hop Culture":

Censorship

artist uses his artwork to make a satirical social statement on censorship: "Don't blame yourself... blame hip hop."]]

Hip hop has been met with significant problems in regards to censorship due to the explicit nature of certain genres. It has also been criticized for anti-establishment sentiment, as some of its songs depict wars and coup d'états that in the end overthrow the government. For example, Public Enemy's "Gotta Give the Peeps What They Need" was censored on MTV, removing the words "free Mumia".

After the attack on the World Trade Center on September 11, 2001, Oakland, California group The Coup was under fire for the cover art on their Party Music, which featured the group's two members holding a detonator as the Twin Towers exploded behind them. Ironically, this art was created months before the actual event. The group, having politically radical and Marxist lyrical content, said the cover meant to symbolize the destruction of capitalism. Their record label pulled the album until a new cover could be designed.

The use of profanity as well as graphic depictions of violence and sex creates challenges in the broadcast of such material both on television stations such as MTV, in music video form, and on radio. As a result, many hip hop recordings are broadcast in censored form, with offending language "bleeped" or blanked out of the soundtrack, or replaced with "clean" lyrics. The result – which sometimes renders the remaining lyrics unintelligible or contradictory to the original recording – has become almost as widely identified with the genre as any other aspect of the music, and has been parodied in films such as Austin Powers in Goldmember, in which Mike Myers' character Dr. Evil – performing in a parody of a hip hop music video ("Hard Knock Life" by Jay-Z) – performs an entire verse that is blanked out. In 1995 Roger Ebert wrote:

In a way to circumvent broadcasting regulations BET has created a late-night segment called "Uncut" to air uncensored videos. Not only has this translated into greater sales for mainstream artists, it has also provided an outlet for undiscovered artists to grab the spotlight with graphic but low production quality videos, often made cheaply by non-professionals. Perhaps the most notorious video aired, which for many came to exemplify BET's program Uncut, was "Tip Drill" by Nelly. While no more explicit than other videos, its exploitative depiction of women, particularly of a man swiping a credit card between a stripper's buttocks, was seized upon by many social activists for condemnation. The segment was discontinued in mid 2006.

Also in the 1990s, gangsta-rap was popular but also heavily censored due to the explicit nature of the lyrics. Radio stations across the country stopped playing gangsta-rap all together. Many social and political people denounced rap like Delores Tucker, especially towards acclaimed rapper Tupac Shakur. The controversial hip hop group N.W.A. was sent a letter of warning from the F.B.I.. Despite this, the letter helped the group gain a wider audience and a more "gangster" appeal. Also, rap icon Ice-T made the controversial song Cop Killers.

Product placement

packages featuring hip hop-design images]] Critics such as Businessweek's David Kiley argue that the discussion of many products within hip hop music and culture may actually be the result of undisclosed product placement deals. In 2005, a proposed plan by McDonalds, which would have paid rappers to advertise McDonalds food in their music, was leaked to the press. Arabo's profile increased steadily until his June, 2006 arrest by the FBI on money laundering charges.

While some brands welcome the support of the hip hop community, one brand that did not was Cristal champagne maker Louis Roederer. A 2006 article from The Economist magazine featured remarks from managing director Frederic Rouzaud about whether the brand's identification with rap stars could affect their company negatively. His answer was dismissive in tone: "That's a good question, but what can we do? We can't forbid people from buying it. I'm sure Dom Pérignon or Krug would be delighted to have their business." In retaliation, many hip hop icons such as Jay-Z and Sean Combs who previous included references to "Cris", ceased all mentions and purchases of the champagne.

Media

Hip hop culture has had extensive coverage in the media, especially in relation to television; there have been a number of television shows devoted to or about hip hop. For a long time, BET was the only television channel likely to play much hip hop, but in recent years the mainstream channels VH1 and MTV have added a significant amount of hip hop to their play list. Run DMC became the first trio of African Americans to turn the hip hop world upside down by being the first African-American group to appear on MTV. With the emergence of the Internet a number of online sites began to offer Hip Hop related video content.

Hip hop films have been related since hip hop's conception and have become even more related in the 21st century. During the early 1990s, African-Americans experienced a film renaissance, sparked by the popularity of hood films, in-depth looks at urban life, focusing on violence, family, friends and hip hop. There have also been a number of hip hop films, movies which focused on hip hop as a subject.

Hip Hop magazines have a large place in hip hop lifestyle and history, including the first ever published Hip Hop publication The Hip Hop Hit List, which also contained the very first rap music record chart ever. It was the first form of media to introduce hip hop as a culture. Published in the early 80's by two brothers out of Newark, New Jersey Vincent and Charles Carroll. They introduced it as a DJ record chart and tip sheet that was distributed through record stores throughout the New York City Tri-State area. ["Back then, all DJ's came into New York City to buy their records but most of them did not know what was hot enough to spend money on so we charted it." - Charles Carroll."] This magazine's role in Hip Hop History was very significant and was also instrumental in the early commercial success of rap music. It was known for spreading the news about music and the culture internationally and was loaded with ads from all the early record companies. Later other publications spawned up including; Hip Hop Connection, XXL, Scratch, The Source and Vibe. Many individual cities have also produced their own local hip hop newsletters, while hip hop magazines with national distribution are found in a few other countries. The 21st century also ushered in the rise of online media, and hip hop fan sites now offer comprehensive hip hop coverage on a daily basis.

Diversification

, Slovenia]] Hip hop has spawned dozens of sub-genres which incorporate a domineering style of music production or rapping, and it exhibits elements of trifunctionalism.After the Black and Latino Americans started Hip hop, other ethnic groups began to contribute to the development of the cultural movement.

Hip hop has now expanded and gone on a global scale, with millions of rap albums sold in foreign countries, some of which are not English-speaking. Hip hop has influenced natives of foreign countries to pursue rap careers and do what is being done in the United States, including following the trends, in their country. This is a product of globalization and it explains how popular culture can be interwoven with the everyday life of individuals that follow it, and how it can affect them in many ways.

Like jazz, hip hop is one of the few musical genres that scholars see as entirely American. There are many varying social influences that affect hip hop's message in different nations. It is frequently used as a musical response to perceived political and/or social injustices. In South Africa the largest form of hip hop is called Kwaito, which has had a growth similar to American hip hop. Kwaito is a direct reflection of a post apartheid South Africa and is a voice for the voiceless; a term that U.S. hip hop is often referred to. Kwaito is even perceived as a lifestyle, encompassing many aspects of life, including language and fashion. Kwaito is a political and party-driven genre, as performers use the music to express their political views, and also to express their desire to have a good time. Kwaito is a music that came from a once hated and oppressed people, but it is now sweeping the nation. The main consumers of Kwaito are adolescents and half of the South African population is under 21. Some of the large Kwaito artists have sold over 100,000 albums, and in an industry where 25,000 albums sold is considered a gold record, those are impressive numbers. Kwaito allows the participation and creative engagement of otherwise socially excluded peoples in the generation of popular media.

In Jamaica, the sounds of hip hop are derived from American and Jamaican influences. Jamaican hip hop is defined both through dancehall and Reggae music. Jamaican Kool Herc brought the sound systems, technology, and techniques of Reggae music to New York during the 1970s. Jamaican hip hop artists often rap in both Brooklyn and Jamaican accents. Jamaican hip hop subject matter is often influenced by outside and internal forces. Outside forces such as the bling-bling era of today's modern hip hop and internal influences coming from the use of anti colonialism and marijuana or "Ganja" references which Rastafarians believe bring them closer to God.

Author Wayne Marshall argues that "Hip hop, as with any number of African-American cultural forms before it, offers a range of compelling and contradictory significations to Jamaican artist and audiences. From "modern blackness" to foreign mind", transnational cosmopolitanism to militant pan-Africanism, radical remixology to outright mimicry, hip hop in Jamaica embodies the myriad ways that Jamaicans embrace, reject, and incorporate foreign yet familiar forms."

In the developing world hip hop has made a considerable impact in the social context. Despite the lack of resources, hip hop has made considerable inroads.

In Sabah North Borneo, AtamaKatama (rapper & beatmaker) fused Sumazau a tribal music of the Dusun people with hiphop beats & rhymes. This new sound later became known as SumazauHipHop. This music contains samples of gong beats, sompoton, togunggu, bungkau & 'rinaits' - chants of Bobohizan priestess.

Education

Many organizations and facilities are providing spaces and programs for communities to explore making and learning about hip hop. A noteworthy example is the IMP Labs in Regina, Saskatchewan, Canada. Many dance studios and colleges now offer lessons in Hip Hop alongside Tap and Ballet.

Hip Hop producer 9th Wonder and former rapper/actor Christopher "Play" Martin from the Hip Hop group Kid-n-Play have both taught Hip Hop history classes at North Carolina Central University and 9th Wonder has also taught a "Hip Hop Sampling Soul" class at Duke University.

Legacy

Having its roots in reggae, disco and funk, hip hop has since exponentially expanded into a widely accepted form of representation world wide. It expansion includes events like Afrika Bambaataa releasing "" in 1982, which tried to establish a more global harmony in hip hop. In the 1990s, the French MC Solaar became the first international hit Hip Hop artist not native to America. From the 80s onward, television became the major source of widespread outsourcing of hip hop to the global world. From Yo! MTV Raps (a television show that was shown in many countries) to Public Enemy's world tour, hip hop spread further to Latin America and became highly mainstream. Ranging from countries like France, Spain, England, the US and many other countries world wide, voices want to be heard, and hip hop allows them to do so. As such, hip hop has been cut mixed and changed to the areas that adapt to it.

Early hip hop has often been credited with helping to reduce inner-city gang violence by replacing physical violence with hip hop battles of dance and artwork. However, with the emergence of commercial and crime-related rap during the early 1990s, an emphasis on violence was incorporated, with many rappers boasting about drugs, weapons, misogyny, and violence. While hip hop music now appeals to a broader demographic, media critics argue that socially and politically conscious hip hop has long been disregarded by mainstream America in favor of its media-baiting sibling, gangsta rap.

Many artists are now considered to be alternative/underground hip hop when they attempt to reflect what they believe to be the original elements of the culture. Artists/groups such as Lupe Fiasco, The Roots, Shing02, Jay Electronica, Nas, Common, Talib Kweli, Mos Def, Dilated Peoples, Dead Prez, Blackalicious, Jurassic 5, Immortal Technique, and KRS-One may emphasize messages of verbal skill, internal/external conflicts, life lessons, unity, social issues, or activism instead of messages of violence, material wealth, and misogyny.

Authenticity

Authenticity is often a serious debate within hip hop culture. Dating back to its origins in the 1970s in the Bronx, hip hop revolved around a culture of protest and freedom of expression in the wake of oppression suffered by African-Americans and Latino Americans. As hip hop has become less of an underground culture, it is subject to debate whether or not the spirit of hip hop is embodied in protest, or whether it can evolve to exist in a marketable integrated version. In "Authenticity Within Hip Hop and Other Cultures Threatened with Assimilation," Commentator Kembrew McLeod argues that hip hop culture is actually threatened with assimilation by a larger, mainstream culture. In support of this position, editors of magazines such as the Village Voice have said that hip hop is slowly losing its edge due to the genre's involvement in the mainstream, hyper-capitalist world. Believing that hip hop should be utilized as a voice for social justice, Tate points out that in the marketable version of hip hop, there isn't a role for this evolved genre in context of the original theme hip hop originated from (freedom from oppression). The problem with Black progressive political organizing isn't that hip hop, but that the No. 1 issue on the table needs to be poverty, and nobody knows how to make poverty sexy. Tate discusses how the dynamic of progressive Black politics cannot apply to the genre of hip hop in the current state today due to the genre's heavy involvement in the market. In his article he discusses hip hop's 30^th birthday and how its evolution has become more of a devolution due to its capitalistic endeavors. Both Tate and McLeod argue that hip hop has lost its authenticity due to its losing sight of the revolutionary theme and humble "folksy" beginnings the music originated from. "This is the first time artists from around the world will be performing in an international context. The ones that are coming are considered to be the key members of the contemporary underground hip hop movement." This is how the music landscape has broadened around the world over the last ten years. The maturation of hip hop has gotten older with the genres age, but the initial reasoning of why hip hop has started will always be intact.

Hip Hop Mogul

Hip hop started out as a small cultural movement, but as time went on, hip hop grew into a legitimate, worldwide, and profitable industry. According to Michael Ralph of Social Text a Hip Hop Mogul is a young multimillionaire male "whose commercial viability derives from the strategic deployment of a personal biography tailored to the marketplace" The most well known and probably most successful hip hop mogul is Russell Simmons. He started off promoting the rap group Run-DMC, eventually moving on to create his own record label, Def Jam Records. Def Jam Records would come to have many influential hip hop artists signed to them, including successful rapper Jay Z, who became the CEO of Def Jam after his split with his former label, Roc-A-Fella Records. Other well known Hip Hop Moguls include Sean Combs, better known as P. Diddy, and Robert Diggs, better known as the RZA.

See also

List of hip hop albums

List of hip hop musicians

Museum of African American Music

References

Notes

Huntington, Carla Stalling. Hip Hop Dance; Meanings and Messages. Jefferson, NC: McFarland & Company Publishers, Inc.

Bibliography

External links

Category:African-American culture Category:African American history

Name	Slick Rick
Background	solo_singer
Birth name	Richard Walters
Born	January 14, 1965London, United Kingdom
Origin	New York City, New York, United States
Genre	Hip hop
Occupation	Rapper, record producer
Years active	1982–present
Label	Def Jam, Columbia, CBS Records, PolyGram, Universal
Associated acts	Doug E. Fresh, Nas, Prince Paul

Richard Walters (born January 14, 1965), better known by his stage name Slick Rick (also known as MC Ricky D and Rick the Ruler) is a Grammy-nominated British American rapper. He began his career in late 1983, in the hip hop genre, where he recorded a series of acclaimed recordings such as, "Children's Story", "La Di Da Di" and "Hey Young World." Walters is best known for his British accent and his story telling innovations in this genre. His music has been frequently sampled and interpolated by other artists such as, TLC, Black Star, and Snoop Dogg; with many of these songs later becoming hit singles. Slick Rick rose to stardom in an era known to fans as Golden age hip hop.

Career

Originally from Mitcham in London, England, Walters moved with his British Jamaican family to The Bronx in 1975 where he met Dana Dane with whom he later formed a hip hop duo known as the Kangol Crew. Walters received his characteristic eye patch after being blinded in the right eye by broken glass as an infant. Once he gained a degree of wealth, Walters earned a reputation for wearing the eye patch over his right eye, and a significant amount of gold and diamond jewelry.

He first gained success in the rap industry by joining Doug E. Fresh's Get Fresh Crew, with the stage name MC Ricky D. He was featured on two singles, "The Show" and "La Di Da Di". "La Di Da Di" featured Walters' rapping over Doug E. Fresh's beatbox. These singles gained some mainstream attention. In 1988 Walters' solo debut The Great Adventures of Slick Rick came out on Def Jam Records. The album was very successful, reaching the #1 spot on Billboard's R&B;/Hip-Hop chart. It also featured three charting singles: "Children's Story", "Hey Young World", and "Teenage Love". These are now some of Walters' best known songs.

In 1990, Walters shot a bystander and his cousin whom he had hired as a bodyguard and who later admitted to having Walters shot outside a club. Walters was indicted on two counts of attempted murder and plead guilty to all charges, which included assault, use of a firearm, and criminal possession of a weapon. He spent five years in prison, two for the second degree attempted murder charges he received for the shooting, and three for his struggle with the Immigration and Naturalization Services over his residency in the US. He was bailed out by Russell Simmons, head of Def Jam records. After being bailed out Walters recorded his second album, The Ruler's Back. The album got mixed reviews and wasn't as commercially successful as his debut. In the documentary film, The Show, Russell Simmons interviews Walters while he was a prisoner on Rikers Island.

Walters third studio album Behind Bars was released while he was still incarcerated. It was met with lukewarm sales and reviews. After being released from prison in 1996, Walters remained with the Def Jam label and on May 25, 1999 released a fourth album entitled The Art of Storytelling. Generally considered the authentic follow up to his 1988 debut, The Art of Storytelling was an artistically successful comeback album that paired him with prolific MCs like Nas, OutKast, Raekwon, and Snoop Dogg among others. On October 6, 2008, Rick was honoured on the VH1 Hip Hop Honors show.

"La Di Da Di", "Mona Lisa" and "Children's Story" are among Walters most well known songs, with "La Di Da Di" being covered nearly word-for-word by Snoop Dogg on his 1993 album Doggystyle. Lines from "La Di Da Di" were borrowed by other multiple high profile artists. "Children's Story" was sampled by Montell Jordan for his 1995 hit, "This Is How We Do It", and rapper Everlast covered the song for his album Eat at Whitey's. Rapper Eminem also borrowed from the song extensively in his diss track "Can-I-Bitch". "Children's Story" was covered with similar lyrics by the MC duo Black Star on their 1998 album "Mos Def and Talib Kweli are Black Star", as well as by Tricky on the album Nearly God. With a similar and very similar lyrics, rapper The Game also made a similar song which was named "Compton Story". "Compton Story" was on the Mixtape BWS Radio 5 made in 2008. The chorus of Notorious B.I.G.'s song "Hypnotize" is also derived from "La Di Da Di".

Rapping style

Slick Rick’s style is commended by music critics - music journalist Peter Shapiro says, “‘La Di Da Di' was important because of its narrative structure and Rick’s understanding of how crucial little sonic details—such as his use of a female voice and his yawning rap—were to hip hop style.”

He is largely known for his story raps, such as ‘Children’s Story’ and ‘La Di Da Di' – “he largely introduced the art of narrative into hip hop… none of the spinners of picaresque rhymes who followed did it with the same grace or humor.” - Allmusic states that he has the “reputation as hip hop's greatest storyteller.” In the book Check the Technique, Slick Rick says, “I was never the type to say freestyle raps, I usually tell a story, and to do that well I’ve always had to work things out beforehand.” Kool Moe Dee comments, “Slick Rick raised the lost art of hip hop storytelling to a level never seen again.” Devin the Dude notes that Slick Rick’s ‘Indian Girl’ is a good example of the type of humor that existed in hip hop’s golden era, and Peter Shapiro says that “he was funnier than Rudy Ray Moore or Red Foxx”

Slick Rick uses very clear enunciation and raps with the “Queen’s English”. O.C. states: “The Great Adventures of Slick Rick is one of the greatest albums ever… the stuff he was just saying on there, it was so clear… the [clear] syllable dude was Slick Rick for me”. He is also renowned for his unique “smooth, British-tinged flow” which contains distinct structures - in the book How to Rap, it is noted that on the song ‘I Own America’, he “puts a rest on almost every other 1 beat so that each set of two lines begins with a rest,”. Kool Moe Dee states that, “Rick accomplished being totally original at a time when most MCs were using very similar cadences.” He has what is described as “singsong cadences” - Andy Cat of Ugly Duckling mentions that Slick Rick uses a melodic delivery on the track ‘Hey Young World’. Slick Rick is also known to extensively use punch ins, especially in his story rhymes as different characters - Kool Moe Dee says Rick used “multi-voices to portray multiple characters.”

Personal life

After performing on a Caribbean cruise ship in June 2001, Walters was arrested by the Immigration and Naturalization Service (INS) as he re-entered the United States through Florida. He was promptly told that he was being deported because he was a British citizen since he had been born in London and moved to the States as a youth. In 1996, a law was passed which called for foreigners convicted of violent felonies to be deported, a ruling which was more vigorously enforced amid heightened security concerns after the September 11, 2001 attacks. Rick was continuously refused bail, but after 17 months in prison he was released on November 7, 2003.

Rumours suggested that Walters planned to release a new album, "The Adventure Continues," in 2007. However, in a recent XXL Magazine interview, he denied the claim. Rick is supposedly "waiting for a market to open up for a mature audience."

In October 2006, the Department of Homeland Security began a new attempt to deport Walters, moving the case from the United States Court of Appeals for the Second Circuit based in New York to the more conservative Eleventh Circuit. The court is based in Atlanta, Georgia but the trial was expected to proceed in Florida, where immigration agents originally arrested Walters.

On May 23, 2008, New York Gov. David Paterson granted Slick Rick a full and unconditional pardon on the attempted murder charges. The governor was pleased with his behavior since the mishap. He has volunteered his time to mentor youths about violence.

Discography

Albums

The Great Adventures of Slick Rick

*Released: November 3, 1988

*Billboard 200 chart position: #31

*R&B;/Hip-Hop chart position: #1

Last RIAA Certification: Platinum

*Singles: "Teenage Love", "Children's Story" & "Hey Young World"

The Ruler's Back

*Released: July 2, 1991

*Billboard 200 chart position: #29

*R&B;/Hip-Hop chart position: #18

*Last RIAA Certification: None

*Singles: " A Woman in Love With Other Men", "It's A Boy" & "I Shouldn't Have Done It"

Behind Bars

*Released: November 22, 1994

*Billboard 200 chart position: #51

*R&B;/Hip-Hop chart position: #11

*Last RIAA Certification: None

*Singles: "Behind Bars" & "Sittin' In My Car"

The Art of Storytelling

*Released: May 25, 1999

*Billboard 200 chart position: #8

*R&B;/Hip-Hop chart position: #1

Last RIAA Certification: Gold

*Singles: "Street Talkin'"

Singles

Featured Singles

Appearances

1986: "The Show (Oh My God! Remix)" (from the Doug E Fresh album Oh My God!)

1989: "If I'm Not Your Lover (12" remix from the Al B. Sure! album In Effect Mode)

1991: "Get Bizzy" (from the Greyson & Jaysun album Livin Like a Troopa)

1994: "Let's All Get Down" (from the Nice & Smooth album Jewel of the Nile)

1994: "Move On..." (from the compilation The Show (Original Soundtrack))

1996: I Like (From the Montell Jordan album More)

1996: "Got To Give It Up" (from the Aaliyah album One in a Million)

1997: "Just Another Case" (from the CRU album Da Dirty 30)

1998: "Fresh" (from the Jermaine Dupri album Life In 1472)

1998: "Faces Of Def" (bonus track on Jayo Felony's Watcha Gonna Do?)

1998: "Unify" (from the Kid Capri album Soundtrack to the Streets)

1998: "Pimpin' Ain't Easy" (from WWF Aggression with Ice-T & Charles Wright)

1999: "If We Give You A Chance" (from the Warren G album I Want It All)

1999: "Your Moms House"

1999: "Night Riders" (from the Rahzel album Make The Music 2000)

1999: "So Fresh" (from the Will Smith album Willennium)

1999: "Don't Come My Way" (from the Whiteboys soundtrack with Common)

1999: "Da Art of Storytellin' (Pt. 1)" (from the OutKast album Aquemini)

2000: "Why Not" (from the Erick Sermon album Def Squad Presents Erick Onasis)

2001: "What We Do (For Love)" (from the De La Soul album )

2001: "Pie" (from WWF The Music, Vol. 5 with The Rock)

2001: "Girls, Girls, Girls" (from the Jay-Z album The Blueprint)

2001: "Guidance Counselor"(from the Little-T And One Track Mike album Fome Is Dape)

2001: "Hey Young World, Part 2" (from the Macy Gray album The Id)

2002: "Women Lose Weight" (from the Morcheeba album Charango)

2004: "The Return (Remix)" (from the Jay-Z/R. Kelly album Unfinished Business)

2005: Performs live for Vox Entertainment @ Club Strata NYC

2005: "The Sun" (from the Ghostface Killah album Put It on the Line)

2005: "Irresistible Delicious" (from the Missy Elliott album The Cookbook)

2006: "Vows" (from the Juggaknots album Use Your Confusion)

2007: "Hip Hop Police" (from the Chamillionaire album Ultimate Victory)

2008: "VH1 Hip Hop Honors" (Honoree)

2009: "Y.O.U." (from the Asher Roth album Asleep in the Bread Aisle - UK bonus track)

2009: "Auditorium" (from the Mos Def album The Ecstatic)

2009: "We Will Rob You" (from the Raekwon album Only Built 4 Cuban Linx... Pt. II)

2009: "Family Jewels" (from the Dynas album The Apartment)

2010: "Rock The Bells 2010" (from album The Great Adventures of Slick Rick)

Filmography

Backstage appearance on Jay-Z's Fade to Black DVD.

Cameo in Ludacris's music video for the single, "Number One Spot".

Cameo, wearing his excessive jewelry in the New York Shit music video (2:56) by Busta Rhymes featuring Swizz Beatz.

Himself in the game .

Drug kingpin in the 1999 movie Whiteboyz, co-starring fellow rappers Doug E. Fresh, Dr. Dre, Snoop Dogg, Fat Joe, Dead Prez and Mic Geronimo.

Cameo in the film Brown Sugar, which starred Taye Diggs and Sanaa Lathan.

Himself in the seminal Run DMC film, Tougher Than Leather, performing the song Treat Her Like a Prostitute.

Interviewee in 1995 documentary The Show

Opened Chris Rock's Apollo Theatre comedy Show Bigger & Blacker

References

External links

Category:1965 births Category:Living people Category:1990s rappers Category:2000s rappers Category:2010s rappers Category:African American rappers Category:American musicians of English descent Category:American people convicted of assault Category:American people convicted of attempted murder Category:American rappers of Jamaican descent Category:Black British musicians Category:British expatriates in the United States Category:British people convicted of assault Category:Columbia Records artists Category:Def Jam Recordings artists Category:English people of Jamaican descent Category:English rappers Category:People from South Wimbledon Category:People from the Bronx Category:People from Wimbledon Category:Rappers from New York City Category:Recipients of American gubernatorial pardons

Name	Mos Def
Background	solo_singer
Birth name	Dante Terrell Smith
Born	December 11, 1973Bedford-Stuyvesant, Brooklyn, New York City, U.S.
Origin	Bedford-Stuyvesant, Brooklyn, New York City
Genre	Alternative hip hop
Occupation	Rapper, actor, singer, activist
Years active	1994–present
Label	Rawkus, Priority, Geffen, Downtown, GOOD Music
Associated acts	Soulquarians, Black Star, Talib Kweli, Native Tongues Posse, Dave Chappelle, Kanye West, The Roots, Blakroc, Gorillaz, Common, Jay Electronica, Curren$y, Immortal Technique

Dante Terrell Smith (born December 11, 1973) is an American actor and MC known by the stage name Mos Def (). Mos Def started his hip hop career in a group called Urban Thermo Dynamics, after which he appeared on albums by Da Bush Babees and De La Soul. With Talib Kweli, he formed the duo Black Star, who released the album Black Star in 1998. He was a major force in the late 1990s underground hip hop explosion spearheaded by Rawkus Records. As a solo artist he has released the albums Black on Both Sides in 1999, The New Danger in 2004, True Magic in 2006, and The Ecstatic in 2009.

Initially recognized for his musical output, since the early 2000s, Mos Def's screen work has established him as one of only a handful of rappers who have garnered critical approval for their acting work. Mos Def has also been active in several social and political issues and was particularly vocal in the wake of Hurricane Katrina in 2005.

Music career

Mos Def began his music career in 1994 in the short-lived group Urban Thermo Dynamics with his younger brother D.c.Q and younger sister Ces. Despite their contract with Payday Records, the group only had two singles, and their debut album Manifest Destiny was not released until 2004, when it was distributed by Illson Media. In 1996, he emerged as a solo artist and worked with De La Soul and Da Bush Babees, before he released his own first single, "Universal Magnetic", which was a huge underground hit.

Mos Def signed with Rawkus Records and formed the group Black Star with Talib Kweli. They released an album, Mos Def & Talib Kweli are Black Star, in 1998. Mostly produced by Hi-Tek, the album featured the hit singles, "Respiration" and "Definition", which would go on to be featured in VH1's 100 Greatest Songs of Hip-Hop. Mos Def released his solo debut album Black on Both Sides in 1999, also through Rawkus. Around this time he also contributed to the Scritti Politti album Anomie & Bonhomie and Rawkus compilations Lyricist Lounge and Soundbombing.

After the collapse of Rawkus, he signed to Interscope/Geffen Records, which released his second solo album The New Danger in 2004. The New Danger contained a mix of several musical genres, including soul, blues, and rock and roll, performed with his rock band Black Jack Johnson, which contained members of the bands Bad Brains and Living Colour. The singles included "Sex, Love & Money" and the B-side "Ghetto Rock"; the latter went on to receive several Grammy Award nominations in 2004.

Mos Def has drawn some criticism from his fan base about "keeping it real" after he appeared in a commercial that endorsed the GMC Denali sport utility vehicle.

Mos Def's final solo album for Geffen Records, True Magic, was quietly released on December 29, 2006. True Magic features production from The Neptunes, Rich Harrison and Minnesota, among others. The album was released in a clear-case with no cover art. Neither Geffen nor Mos Def himself promoted the album at all, which is the main reason the album was received under the radar.

The song "Crime & Medicine" is essentially a cover of GZA's 1995 single "Liquid Swords", though it contains different verses. Also, the track "Undeniable" samples a version of the Barrett Strong/Norman Whitfield composition "Message from a Black Man". The song "Dollar Day" uses the same beat as Juvenile's "Nolia Clap".

MTV reported that this album isn't a full version, but a teaser/promotional debut. A new version of the album would be released spring 2007, with updated songs and cover art. However, on October 17, 2007, Okayplayer reported, through discussions with Mos Def's management, that these rumors were unsubstantiated. The CD was intended to be released without promotion or cover art, as per Mos Def's request. There would be no future re-release.

On November 7, 2007, Mos Def performed live in San Francisco at a venue called The Mezzanine. This performance was recorded for an upcoming "Live in Concert" DVD. During this performance Mos Def announced that he would be releasing a new album to be called The Ecstatic. He sang a number of new tracks; in later shows, Def previewed tracks produced by Madlib and was rumored to be going to Kanye West for new material. Producer and fellow Def Poet Al Be Back stated that he would be producing as well. The album was released on June 9, 2009; upon its release, only Madlib's production had made the cut, along with tracks by Preservation, The Neptunes, Mr. Flash, Madlib's brother Oh No, a song by J. Dilla, and Georgia Anne Muldrow.

Mos Def is also set to do a duo album with Jay Electronica titled Simpatico. It will contain nine songs.

Mos Def appears alongside Kanye West on the track "Two Words" from The College Dropout album, the track "Drunk And Hot Girls" and the bonus track "Good Night" off West's third major album, Graduation. In 2002, he released the 12" single Fine, which was featured in the Brown Sugar Motion Picture Soundtrack.

Mos Def also appears on the debut album from fellow New Yorkers Apollo Heights on a track titled, "Concern." In October, he signed a deal with Downtown Records and appeared on a remix to the song "D.A.N.C.E." by Justice. Mos Def appeared on Stephen Marley's album Mind Control on the song "Hey Baby." In 2009, Mos Def worked together with Somali rapper K'naan to produce the track "America" for K'naan's album Troubadour.

In April 2008 he appeared on the title track for a new album by The Roots entitled Rising Down. The new single, Life In Marvelous Times, was made officially available through iTunes on November 4, 2008, and is available for stream on the Roots' website Okayplayer.

April 2009 saw him traveling to South Africa for the first time where he performed accompanied by The Robert Glasper Experiment at the renowned Cape Town International Jazz Festival. He enticed his bemused African following with an encore introduced by his own rendition of John Coltrane's "Love Supreme" followed by a sneak preview of the track "M.D. (Doctor)", much to the delight of the fans.

Mos Def also designed two pairs of limited edition Converse shoes. The shoes were released to Foot Locker stores on August 1, 2009 in very limited amounts.

In late 2009, Mos Def created a brand of clothing line with UNDRCRWN called the "Mos Def Cut & Sew Collection." All clothing items will be sold in select stores located around the U.S. and almost exclusively on the UNDRCRWN website. 2009 also found Mos Def among the MCs collaborating with the Black Keys on the first Blakroc album, a project headed by the Black Keys and Damon Dash. Mos Def appeared with Jim Jones and the Black Keys on the Late Show with David Letterman to perform the Blakroc track "Ain't Nothing Like You (Hoochie Coo)".

In March 2010, Mos Def's song Quiet Dog Bite Hard was featured in Palm's "Life moves fast. Don't miss a thing." campaign.

Mos Def features on the first single, "Stylo", from the third Gorillaz album, Plastic Beach, alongside soul legend Bobby Womack. He also appears on the track titled "Sweepstakes".

Mos Def has been an active contributor to the recovery of the oil spill in the Gulf, performing concerts and raising money towards the repair of the damages. In June 2010, he recorded a cover of the classic New Orleans song originally by Smokey Johnson, "" with the Preservation Hall Jazz Band, Lenny Kravitz and Trombone Shorty.

Influences

Slick Rick Gang Starr and Monster's Ball, Mos re-invigorated his acting career with his performance as a talented rapper who is reluctant to sign to a major label in Brown Sugar. He was nominated for an and a Teen Choice Award.

In 2001, he took a supporting role to Beyoncé Knowles and Mehki Phifer in the MTV movie as Lt. Miller, a crooked cop.

In 2002, he played the role of Booth in Suzan-Lori Parks' Topdog/Underdog, a Tony-nominated and Pulitzer-winning Broadway play. He and co-star Jeffrey Wright won a Special Award from the Outer Critics Circle Award for their joint performance. He also received positive notices as the quirky Left Ear in the blockbuster hit, The Italian Job in 2003.

In television, Mos Def has appeared on Comedy Central's Chappelle's Show, and has hosted the award-winning HBO spoken word show, Def Poetry since its inception. The show's sixth season aired in 2007. He also appeared on the sitcom My Wife And Kids as the disabled friend of Michael Kyle (Damon Wayans).

Mos Def won Best Actor, Independent Movie at the 2005 Black Reel Awards for his portrayal of Detective Sgt. Lucas in The Woodsman. For his portrayal of Vivien Thomas in HBO's film Something the Lord Made, he was nominated for an Emmy Award and a Golden Globe, and won the . He also played a bandleader in HBO's Lackawanna Blues. He then landed the role of Ford Prefect in the 2005 movie adaptation of The Hitchhiker's Guide to the Galaxy.

In 2006, Mos Def appeared in Dave Chappelle's Block Party alongside fellow Black Star companion Talib Kweli, while also contributing to the film's soundtrack. Also, Mos Def was featured as the black banjo player in the infamous "Pixie Sketch" from Chappelle's Show: The Lost Episodes. He was later edited out of it on the DVD. Additionally, Mos Def starred in the action film 16 Blocks alongside Bruce Willis and David Morse. He has a recurring guest role on Boondocks, starring as "Gangstalicious". He is also set to be in Toussaint, a film about Haitian revolutionary Toussaint Louverture, opposite Don Cheadle and Wesley Snipes. He made a cameo appearance — playing himself — in the movie .

In 2008, Mos Def starred in the Michel Gondry movie Be Kind Rewind, playing a video rental store employee whose best friend is played by co-star Jack Black. He also portrayed Chuck Berry in the film Cadillac Records, for which he was nominated for a Black Reel Award and an .

In 2009, he appeared in the House episode entitled "Locked In" as a patient suffering from locked-in syndrome. His performance was well-received, with E! saying that Mos Def "delivers an Emmy-worthy performance." He was also in the 2009 film Next Day Air.

He also made an appearance on the children's show Yo Gabba Gabba! as Super Mr. Superhero.

Most recently, he appears in A Free Man of Color, John Guare's play at the Vivian Beaumont Theatre.

Social and political views

By the early 1990s, a brand of socially conscious hip hop that had been pioneered and popularized by Public Enemy, KRS-One, and De La Soul, among others, had been eclipsed in popularity by gangsta rap. Mos Def, as well as Talib Kweli, The Roots, Common, and others, helped socially aware rap music experience something of a comeback in the late 1990s and early 2000s. Mos Def's collaboration with Talib Kweli, Black Star, was released during the aftermath of the deaths of 2Pac and The Notorious B.I.G. and focused on violence and negativity in hip-hop, in collaboration with other acts that did the same. His music has also made reference to his Islamic faith, and his contention that black artists receive little credit for their role in the birth of rock and roll.

On Mos Def's 2004 album The New Danger, he took his penchant for experimentation to a new level. Most of the songs were more hip-hop flavored stylings of blues and rock, with fewer raps thrown in. This threw off fans who were expecting another full-blown rap album. The New Danger also featured the controversial song, "The Rape Over," a parody of Jay-Z's The Blueprint hit "Takeover". His label made him take the song off releases of the album, citing clearance issues with Jay-Z and The Doors, a band which the song samples. The song has garnered controversy over its veiled reference to Israeli-American record executive Lyor Cohen (the "tall Israeli" who then was head of The Island Def Jam Music Group).

Mos Def and Immortal Technique released a similarly controversial song, "Bin Laden" in 2004, which blamed the Reagan Doctrine and President George W. Bush for the September 11, 2001 attacks. A club remix song, featuring Eminem, was released the following year, in 2005.

In September 2005, Mos Def released the single "Katrina Clap," renamed "Dollar Day" for True Magic, (utilizing the instrumental for New Orleans rappers UTP's "Nolia Clap"). The song is a criticism of the Bush administration's response to Hurricane Katrina. On the night of the MTV Video Music Awards, Mos Def pulled up in front of Radio City Music Hall on a flatbed truck and began performing the "Katrina Clap" single in front of a crowd that quickly gathered around him. He was subsequently arrested despite having a public performance permit in his possession.

On September 7, 2007, Mos Def appeared on Real Time with Bill Maher where he spoke about racism against African Americans, citing the government response to Hurricane Katrina, the Jena Six and the murder conviction of Mumia Abu-Jamal. Mos Def also claimed that Al-Qaeda was not responsible for 9/11, and that Al-Qaeda is not responsible for as much terrorism as they are portrayed to be. He appeared on Real Time again on March 27, 2009, and spoke about the risk of nuclear weapons. Mos Def said that he did not listen to any of Osama Bin Laden's messages because he did not trust the translations.

Personal life

In 1996, Def married Maria Yepes. After having two daughters, Chandani and Jauhara Smith, he filed for divorce in 2005. The divorce became final in 2006. Two years later, Def's divorce lawyers Blank Rome sued Def for more than $60,000 in unpaid legal bills.

In October, 2006 Mos Def appeared on 4Real, a documentary television series. Appearing in the episode "City of God," he and the 4Real crew traveled to City of God, a slum in Rio de Janeiro, Brazil, to meet Brazilian MC MV Bill and discover the crime and social problems of the community.

He has recently taken up skateboarding and said he's looking to host a skateboarding event in the United Arab Emirates.

Nominations

Black Movie Awards

* 2006 Source Awards

Black Reel Awards

* 2008, Best Supporting Actor: Cadillac Records

* 2003, Best Actor- Independent: Civil Brand

* 2004, Best Supporting Actor: The Italian Job

* 2005, Best Actor TV Movie/Mini-Series: Something the Lord Made

* 2005, Best Indie Actor: The Woodsman (won)

Emmy Award

* 2004, Best Actor in a Television Movie or Mini-Series: Something the Lord Made

Golden Globes

* 2005, Best Actor in a Television Movie or Mini-Series: Something the Lord Made

Grammy Awards

* 2005, Best Urban/Alternative Performance: "Sex, Love & Money"

* 2006, Best Urban/Alternative Performance: "Ghetto Rock"

* 2007, Best Rap Solo Performance: "Undeniable"

* 2010, Best Rap Solo Performance: "Casa Bey"

* 2010, Best Rap Album: "The Ecstatic"

* 2011, Best Short Form Music Video: "Stylo" (with Bobby Womack and Gorillaz)

* 2009, Outstanding Supporting Actor in a Motion Picture: Cadillac Records

* 2003, Outstanding Supporting Actor in a Motion Picture: Brown Sugar

* 2005, Outstanding Actor in a Television Movie or Mini-Series: Something the Lord Made

Discography

1994: Manifest Destiny (with DCQ and Ces as Urban Thermo Dynamics)

1998: Mos Def & Talib Kweli Are Black Star (with Talib Kweli as Black Star)

1999: Black on Both Sides

2004: The New Danger

2006: True Magic

2009: The Ecstatic

Filmography

Also appeared on "Yo Gabba Gabba", under the screen name "Super Mr.Super Hero"

References

External links

Mos Def / Dante Smith discographies at Discogs.

Mos Def at Geffen Records.

Mos Def Fan Message Board

Category:9/11 conspiracy theorists Category:African American actors Category:African American rappers Category:American vegetarians Category:African American Muslims Category:Living people Category:Rappers from New York City Category:People from Brooklyn Category:Slam poets Category:1973 births Category:Converts to Islam Category:African American converts to Islam

Name	Justin Timberlake
Background	solo_singer
Birth name	Justin Randall Timberlake
Birth date	January 31, 1981
Birth place	Memphis, Tennessee, U.S.
Instrument	Vocals, keyboards, guitar, beatboxing
Origin	Shelby Forest, Tennessee, U.S.
Genre	Pop, dance, R&B;
Occupation	Singer-songwriter, musician, record producer, dancer, actor, businessman
Years active	1993–present
Label	Jive
Associated acts	'N Sync, The Y's,Timbaland,T.I
Url

Justin Randall Timberlake (born January 31, 1981) and Southern Hospitality.

Early life

Timberlake was born in Memphis, Tennessee, the son of Lynn Harless (née Bomar) and Randall Timberlake. Timberlake is of English descent, and has also claimed unconfirmed American Indian ancestry. His paternal grandfather, Charles L. Timberlake, was a Baptist minister, and Timberlake was raised Baptist, though now considers himself more "spiritual than religious".

Timberlake's parents divorced in 1985, and both have remarried. His mother, who now runs an entertainment company called Just-in Time Entertainment, remarried to Paul Harless, a banker, when her son was five. His father, a choir director at a Baptist church, has two children, Jonathan (born c. 1993) and Steven Robert (born August 14, 1998), from his second marriage to Lisa Perry. Timberlake's half-sister, Laura Katherine, died shortly after birth on May 14, 1997, and is mentioned in his acknowledgments in the album *NSYNC as "My Angel in Heaven." Timberlake grew up in Shelby Forest, a middle class crime-free suburb between Memphis and Millington. His first attempts at a singing career were country music songs on Star Search as "Justin Randall."

In 1993, Timberlake joined the cast of The Mickey Mouse Club. His castmates included future girlfriend and pop superstar Britney Spears, future tourmate Christina Aguilera, and future bandmate JC Chasez. The show ended in 1994, but late in 1995 Timberlake recruited Chasez to be in an all-male singing group organized by boy band manager Lou Pearlman that eventually became 'N Sync.

Music career

1995–2002: 'N Sync

Timberlake and JC Chasez were the two lead singers of the popular 1990s boy band 'N Sync. The group formed in 1995, started its career 1996 in Europe, and hit it big in the United States in 1998 with the U.S. release of its debut album *NSYNC, which sold 11 million copies. The album included a number of hit singles, including "Tearin' Up My Heart". For the next two years, encouraged by similar developments with the Backstreet Boys, 'N Sync engaged in a lengthy legal battle with manager Lou Pearlman. Eventually the band signed with Jive Records. In March 2000, 'N Sync released a long-awaited album, No Strings Attached, which became the fastest-selling album of all time with 2.4 million copies sold in its first week and produced a #1 single, "It's Gonna Be Me". The release was followed by the band's third album, Celebrity, which was the second-fastest selling album of all time. In 2002, after the completion of a Celebrity Tour and the release of "Girlfriend", the third single from Celebrity, the group decided to take time off, at which point Timberlake began work on his first solo album and the group went into a hiatus. In its lifetime, 'N Sync was internationally famous and performed at the Academy Awards, the Olympics, and the Super Bowl, as well as selling more than 50 million copies worldwide, becoming the third-best selling boy band in history.

In late 1999, Timberlake made his acting debut in the Disney Channel movie Model Behavior. He played Jason Sharpe, a model who falls in love with a waitress after mistaking her for another model. It was released on March 12, 2000.

As a member of 'N Sync, Timberlake developed into a major celebrity in his own right in addition to achieving respect as a musician, since he was the writer or co-writer of all three singles from Celebrity. The rise of his own stardom and the general decline in the popularity of boy bands led to the dissolution of 'N Sync. Band member Lance Bass has stated that he believes the group is finished, and is openly critical of Timberlake's actions in his memoir Out of Sync. On the other hand, Chris Kirkpatrick remarked in August 2008 that the five remain friends, and he believed a reunion was possible: he repeated that opinion in October 2009. In September 2008, Bass also made conciliatory comments.

2002–04: Justified and Super Bowl

In August 2002, after months of recording Justified, his debut solo album, Timberlake performed at the 2002 MTV Video Music Awards. He premiered his first single, "Like I Love You", a sparse dance track produced by The Neptunes. The song reached #11 on the Billboard Hot 100. The album sold fewer copies than previous 'N Sync efforts. It debuted at #2 on the Billboard 200 album chart, selling 439,000 copies in its first week of release. It eventually went on to sell more than three million copies in the U.S. and more than seven million copies worldwide. The album also received critical acclaim, thanks to its heavy R&B; influence provided by hip-hop producers The Neptunes and Timbaland. It spun off hits throughout late 2002 and 2003, including the top ten singles "Cry Me a River" and "Rock Your Body". Timberlake supported the album by co-headlining the Justified/Stripped Tour with Christina Aguilera in the summer of 2003. At the end of the year, Timberlake recorded a song entitled "I'm Lovin' It". It was used by McDonald's as the theme to its "I'm Lovin' It" campaign. The deal with McDonald's earned Timberlake an estimated $6 million. A tour entitled Justified and Lovin' It Live was included with the deal as well. Timberlake was featured on Nelly's song, "Work It", which was remixed and included on Nelly's 2003 remix album.

In February 2004, during the halftime show of the Super Bowl XXXVIII broadcast on the CBS television network, Timberlake performed with Janet Jackson before a television audience of more than 140 million viewers. At the end of the performance, as the song drew to a close, Timberlake tore off a part of Jackson's black leather costume in a "costume reveal" meant to accompany a portion of the song lyrics. According to CBS, "both Jackson and Timberlake had confirmed they planned it 'independently and clandestinely' without informing anyone." Part of the costume detached, and Jackson's breast was briefly exposed. Timberlake apologized for the incident, stating he was "sorry that anyone was offended by the wardrobe malfunction during the halftime performance of the Super Bowl...." The phrase "wardrobe malfunction" has since been used by the media to refer to the incident and has entered pop culture. As a result of the controversy, Timberlake and Jackson were threatened with exclusion from the 2004 Grammy Awards unless they agreed to apologize on screen at the event. Timberlake attended and issued a scripted apology when accepting the first of two Grammy Awards he received that night (Best Pop Vocal Album for Justified and Best Male Pop Vocal Performance for "Cry Me a River"). He had also been nominated for Album of the Year for Justified, Record of the Year for "Cry Me a River", and Best Rap/Sung Collaboration for "Where Is the Love?" with The Black Eyed Peas. In 2004 American Idol judge Simon Cowell described Timberlake in People Magazine as "just some white kid who's tried to act black over the last several years".

2004–06: Collaborations and acting

After the Super Bowl controversy, Timberlake put his recording career on hold to act in several films, having starred in a few feature films earlier in his music career. He also appeared in the films Alpha Dog, Black Snake Moan, Richard Kelly's Southland Tales, and voiced Prince Artie Pendragon in the animated film Shrek the Third, released on May 18, 2007. He also appeared as a young Elton John, in the video for John's song "This Train Don't Stop There Anymore". Timberlake was considered to play the role of Roger Davis in the film version of the rock musical Rent, but director Chris Columbus had insisted that only the original Broadway members could convey the true meaning of Rent.

He continued to record with other artists. After "Where Is the Love?", he again collaborated with the Black Eyed Peas on the 2005 track "My Style" from their album Monkey Business. When recording the 2005 single "Signs" with Snoop Dogg, Timberlake discovered a throat condition. Nodules were subsequently removed from his throat in an operation that took place on May 5, 2005. He was advised not to sing or speak loudly for at least a few months. In the summer of 2005, Timberlake started his own record company, JayTee Records.

Timberlake made a cameo in the video for Nelly Furtado and Timbaland's single "Promiscuous", released on May 3, 2006.

2006–07: FutureSex/LoveSounds

, Minnesota (2007)]] Timberlake released his second solo album, FutureSex/LoveSounds, on September 12, 2006. It is the biggest album for pre-orders on iTunes, and beat Coldplay's record for the biggest one-week sales of a digital album. The album was produced by Timbaland and Danja (who produced a bulk of the album), will.i.am, Rick Rubin and Timberlake himself, and features guest vocals by Snoop Dogg, Three 6 Mafia, T.I. and will.i.am. A studio representative described it as being "all about sexiness" and aiming for "an adult feel". "My Love", the album's second single, also produced by Timbaland and featuring rapper T.I., reached number one on the Hot 100, as did third single "What Goes Around.../...Comes Around Interlude". The song is reported to have been inspired by the break-up of his childhood friend and business partner, Trace Ayala, with actress Elisha Cuthbert. In October 2006, Timberlake said that he would focus on his music career rather than his film roles, specifying that leaving the music industry would be a "dumb thing to do at this point".

In February 2008, Timberlake was awarded two Grammy Awards. At the 50th Grammy Awards Ceremony, Timberlake won the Male Pop Performance Award for "What Goes Around...Comes Around", and the Dance Recording Award for "LoveStoned/I Think She Knows".

2007–10: Collaborations and acting

In April 2007, Timberlake was seen entering a London studio with Madonna, thus confirming rumors that he was collaborating with her. A song "4 Minutes", was first played by Timbaland at Philadelphia's Jingle Ball on December 17, 2007. When released on March 17, 2008, "4 Minutes" was revealed to be a duet between Timberlake and Madonna, with backing vocals by Timbaland. It was lead single from Madonna's eleventh studio album Hard Candy, which featured four other song-writing collaborations with Timberlake. The single was an international hit, topping the charts in over 21 countries worldwide. Timberlake also appears in the music video, which was directed by Jonas & François. On March 30, 2008, Timberlake performed the song at Madonna's Hard Candy Promo Show at Roseland Ballroom in New York City. On November 6, 2008, Timberlake performed the song with Madonna on the Los Angeles stop of her Sticky & Sweet Tour.

Around June 2007 Timberlake co-wrote, produced and provided vocals for the songs "Nite Runner" and "Falling Down" for Duran Duran's album Red Carpet Massacre, released on November 13, 2007. "Falling Down" had been released as a single in the UK on the previous day. .]] Also in 2007, Timberlake made an appearance on 50 Cent's third album, Curtis. Timberlake, along with Timbaland, is featured on a track called "Ayo Technology", which was the album's fourth single. Also, another possible collaboration was to occur with Lil Wayne for his album Tha Carter III with Nelly Furtado and Timbaland.

With the wrapping up of the FutureSex/LoveSounds tour of Australasia and the Middle East in November 2007, Timberlake resumed his film career. Projects underway early in 2008 were starring roles in Mike Myers' comedy The Love Guru (released June 20, 2008) and Mike Meredith's drama The Open Road (released August 28, 2009). In March 2008 it was announced that he was be an executive producer in an American adaptation of the hit Peruvian comedy My Problem with Women for NBC.

On November 20, 2008, TV Guide reported that Timberlake’s next single, "Follow My Lead", which also featured vocals by Timberlake’s protégée, former YouTube star Esmee Denters, would be available for exclusive download through MySpace. All proceeds would go to Shriners Hospitals for Children, a charity dedicated to improving pediatric care for sick children.

In 2008 a collaboration between Timberlake and T.I., "Dead and Gone" featured on T.I.'s sixth studio album, Paper Trail, and was released as its fourth single late in 2009. In November 2008, it was confirmed that Timberlake would make a guest appearance and produce some tracks on R&B;/pop singer Ciara's upcoming album Fantasy Ride due out May 5, 2009. Timberlake featured on Ciara's second single "Love Sex Magic", the video being shot on February 20, 2009. The single became a worldwide hit, reaching the top ten in numerous countries and peaking at number one in several countries including Taiwan, India, and Turkey. The single was nominated for Best Pop Collaboration with Vocals at the 52nd Grammy Awards.

Timberlake and his production team The Y's, along with Mike Elizondo, produced and co-wrote the song "Don't Let Me Down" for Leona Lewis's second studio album, Echo, released (in the US) on November 17, 2009.

Timberlake also co-wrote and performed on "Carry Out", the third single from Timbaland's album Shock Value II, released on December 1, 2009.

Timberlake appeared at the 2010 MTV VMAs on September 12, 2010.

Other work

Near the end of 2002, Timberlake was the first celebrity to appear on Punk'd, a "candid camera" type show created by Ashton Kutcher to trick celebrities. Timberlake, who cried during the episode, later admitted to being under the influence of marijuana when he was pranked. Three episodes later, he set up Kelly Osbourne to be "punk'd", thus making him the first celebrity to appear on the show more than once. Timberlake later spoofed Ashton Kutcher and Punk'd in a 2003 episode of NBC's Saturday Night Live.

Timberlake has hosted many music events, including the European MTV Music Awards in 2006. On December 16, 2006, Timberlake hosted Saturday Night Live, doing double duty as both host and musical guest for the second time. During this appearance, he and Andy Samberg performed an R&B; song for a skit entitled "Dick in a Box", which some radio stations have aired as an unofficial single from Timberlake and has become one of the most viewed videos on YouTube. On May 9, 2009, he appeared in another SNL Digital Short opposite Samberg, Susan Sarandon and Patricia Clarkson entitled "Motherlover", a quasi-sequel to "Dick in a Box".

Timberlake appeared on Jimmy Fallon's debut as host of Late Night with Jimmy Fallon on March 2, 2009.

In 2004, ABC hired Timberlake to write a song for its NBA coverage.

Timberlake is the executive producer on the MTV reality series The Phone, which premiered on April 21, 2009. According to People Magazine, the series "thrusts contestants into a heart-stopping action adventure worthy of a summer blockbuster. In six hour-long episodes, a mysterious stranger on the phone invites four strangers into the dangerous game. If they accept, they're paired into two teams and dared to perform physical and mental challenges reminiscent of Matt Damon's The Bourne Identity or Shia LaBeouf's Eagle Eye."

Other ventures

Business

Timberlake has co-owned or provided celebrity endorsement for three restaurants in the United States: "Chi" opened in West Hollywood, California in 2003, and "Destino" and "Southern Hospitalty" in New York opened in 2006 and 2007, respectively. He also has his own brand of tequila called 901; the name comes in part from the area code of his hometown of Memphis.

In 2005, Timberlake launched the William Rast clothing line with childhood friend Juan ("Trace") Ayala. The 2007 line contained cord jackets, cashmere sweaters, jeans and polo shirts. The pair reports inspiration from fellow Memphis native Elvis Presley: "Elvis is the perfect mixture of Justin and I," Ayala says. "You can go back and see pictures of him in cowboy boots and a cowboy hat and a nice button-down shirt, but then again you can see him in a tux and a collared shirt with rhinestones on it and slacks. We like to think 'If he was alive today, what would he be wearing?'" Target has announced that a William Rast collection, including denim, outerwear and sportswear for men and women, would launch in December and be available for a month.

Timberlake provides celebrity endorsement for many commercial products, this aspect of his business being managed by IMG Sports & Entertainment since April 2008. Major endorsements in 2009 included Sony electronic products, Givenchy's men's fragrance "Play", Audi's "A1", and Callaway Golf Company products.

An avid amateur golfer, in 2007 Timberlake purchased the run-down Big Creek Golf Course in his home town of Millington, Tennessee, which he redeveloped as the eco-friendly Mirimichi Golf Course at a cost of some $US16 million. It was reopened on 25 July 2009 but closed again on 15 January 2010 for further improvements expected to take six months.

Charitable causes

Timberlake has been active in several charitable pursuits, initially through 'N Sync's "Challenge for the Children" aimed at a range of charities, and since 2001 through his "Justin Timberlake Foundation," which initially funded music education programs in schools, but now has a much broader agenda. In October 2005, the Grammy Association presented Timberlake with an award for his humanitarian efforts in Tennessee, alongside writer/director Craig Brewer, also a Memphis native.

In November 2007 he donated $A100,000 from takings from his Australian tour to Wildlife Warriors founded by the late Steve Irwin. On March 23, 2008, he donated $100,000 to the Memphis Rock 'n' Soul Museum and another $100,000 to the Memphis Music Foundation.

On November 12, 2007, the PGA Tour announced that Timberlake, an avid golfer who plays to a 6 handicap, would become the host of the tour's Las Vegas tournament starting in 2008. With Timberlake's agreement to host the tournament, its name was changed to the Justin Timberlake Shriners Hospitals for Children Open. He played in the celebrity pro-am on the day before the competitive tournament and hosted a charity concert during the week of the tournament. The activity was a success, and was repeated in 2009. A review of the value of celebrities to fundraising concluded that Timberlake's contribution to Shriners Hospitals for Children was the single most valuable celebrity endorsement in the US during 2009, and worth over $US9 million.

Personal life

Early in 1999, Timberlake began what eventually became a high-profile celebrity relationship with fellow pop singer Britney Spears, with whom he had worked on the New Mickey Mouse Club. This ended abruptly in March 2002, amidst tabloid press speculation on Spears' infidelity with choreographer Wade Robson, a mutual friend of Spears and Timberlake. Lynn Harless says as a mother she too was devastated regarding the break-up, but to this day speaks warmly of Spears, "Britney grew up on my living room floor. I still love her to death. They (Justin and Britney) were together 10 or 11 years and had, from day one, instant chemistry between them. She's a sweet girl. I just hate what she's going through now." The breakup influenced the lyrics and theme of Timberlake's hit "Cry Me A River", one of the most popular singles from Justified.

Post-Spears, Timberlake has generally refused to discuss his personal life with the media, as a result of which his relationships have been the subject of much speculation in the tabloid and celebrity press. He was involved with singer-actress Stacy Ferguson prior to 2001. He was romantically linked with actress-dancer Jenna Dewan (in mid-2002) and actress-singer Alyssa Milano (between September and October 2002). On the December 16, 2006 episode of Saturday Night Live, Diaz introduced Timberlake as the night's musical guest, and the couple officially split shortly afterwards. After the tabloid press alleged an affair between Timberlake and Scarlett Johansson, with whom he had shot the video for his single "What Goes Around.../...Comes Around Interlude", Diaz and Timberlake issued a joint statement on January 11, 2007:

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Later in January 2007 Timberlake was linked to Jessica Biel when pictures surfaced of the two snowboarding in Park City, Utah during the Sundance Film Festival. On May 12, 2007 romantic pictures of Timberlake and Biel on multiple dates were published. In the August 9–15, 2008 edition of Heat magazine, when Timberlake was asked to describe his perfect woman, he replied "About 5ft.7in.-5ft.8in., nice butt, Midwestern American, kind-of-German last name, green eyes, big pouty lips, fair skin, ahhh....sinewy bod..." However, during an appearance on The Tonight Show with Jay Leno on June 11, 2008 when Jay Leno questioned him about anything related to rumors of engagement and pregnancy, Timberlake jokingly responded that he "is engaging in a conversation with Leno" and "everybody in general can get pregnant."

Timberlake was given Sexiest Man titles by Teen People and Cosmopolitan magazines. On February 17, 2009, Timberlake was named the "Most Stylish Man in America" by GQ magazine.

Timberlake is also a fan of English Football Club Manchester United.

Discography

Studio albums

2002: Justified

2006: FutureSex/LoveSounds

Extended plays

2003: Justin & Christina

DVDs

2003: Justified: The Videos

2003: Live from London

2007: Futuresex/Loveshow – Live from Madison Square Garden

Tours

2003: Justified/Stripped Tour

2003/2004: Justified and Lovin' It Live

2007: FutureSex/LoveShow

Filmography

{| class="wikitable sortable" |+ Film ! Year ! Title ! Role ! class="unsortable" | Notes |- | 2000 | Longshot | Valet | |- | 2000 | Model Behavior | Jason Sharpe | TV film |- | 2001 | On the Line | Make-up artist | Uncredited cameo |- | 2005 | Edison | Josh Pollack | |- | 2006 | Alpha Dog | Frankie Ballenbacher | |- | 2006 | Black Snake Moan | Ronnie | |- | 2007 | Shrek the Third | Artie Pendragon | Voice role |- | 2007 | Southland Tales | Pvt Pilot Abilene | |- | 2008 | The Love Guru | Jacques "Le Coq" Grande | |- | 2009 | The Open Road | Carlton Garrett | |- | 2010 | Shrek Forever After | Artie Pendragon | Voice role, deleted scene |- | 2010 | The Social Network | Sean Parker | Phoenix Film Critics Society Award for Best CastNominated–Broadcast Film Critics Association Award for Best CastNominated—Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture |- | 2010 | Yogi Bear | Boo-Boo Bear | Voice role |- | 2011 | Bad Teacher | Scott | Post-production |- | 2011 | Now | Will Salas | Filming |- | 2011 | Friends with Benefits | Dylan | Post-production |} {| class="wikitable sortable" |+ Television ! Year ! Title ! Role ! class="unsortable" | Notes |- | 1993–1995 | The Mickey Mouse Club | Himself | |- | 1999 | Touched by an Angel | Street performer | "" |- | 2005–present | Saturday Night Live | Himself/Several roles | Four episodes |}

See also

List of awards and nominations received by Justin Timberlake

References

External links

Category:1981 births Category:1990s singers Category:2000s singers Category:2010s singers Category:Actors from Tennessee Category:American child actors Category:American child singers Category:American businesspeople Category:American Christians Category:American dance musicians Category:American dancers Category:American film actors Category:American male singers Category:American pop singers Category:American rhythm and blues singers Category:American voice actors Category:Baptists from the United States Category:Beatboxers Category:Blue-eyed soul singers Category:Hip hop singers Category:BRIT Award winners Category:American people of British descent Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Living people Category:Jive Records artists Category:Mouseketeers Category:Musicians from Tennessee Category:'N Sync members

Category:People from Memphis, Tennessee Category:Sony BMG artists

Category:World Music Awards winners Category:Blue-eyed soul musicians

Name	Joell Ortiz
Background	solo_singer
Born	July 6, 1980 (age 30)
Origin	Brooklyn, New York, United States
Genre	Hip hop
Occupation	Rapper
Years active	1999 - present
Label	SRC Records, Universal Motown
Associated acts	Slaughterhouse, Immortal Technique, Big Noyd, Ras Kass, Battles
Url	www.joellortiz.com

Joell Ortiz (born July 6, 1980) is an American rapper from Brooklyn, New York.

Biography

Joell Ortiz is an American rapper of Puerto Rican descent. Ortiz grew up in the Cooper Park Houses in the East Williamsburg section of Brooklyn, New York formerly signed to Dr. Dre's Aftermath Entertainment record label. He was featured in the Unsigned Hype column of the March 2004 issue of The Source Magazine and was also selected as Chairman's Choice in XXL Magazine. During the same time Joell also went on to win the 2004 EA Sports Battle which earned his song Mean Business a spot on the NBA Live 2005 soundtrack. The same year he was offered a contract to Jermaine Dupri's So So Def label. The deal quickly went sour which caused Joell to start beef with Jermaine. Joell has since collaborated with KRS-One and Kool G. Rap.

Joell released his street album called "" April 24, 2007 on Koch Records. The album was recorded while Joell was trying to get signed and going through some tough times personally. Even though he was signed to Aftermath Entertainment, Dr. Dre allowed him to release the street album on Koch Records. The Brick features productions from Showbiz, The Alchemist, Domingo, Ho Chi from Killahertz Productions, Lil’ Fame of M.O.P., Novel, and Moss, among others. Guest spots include Big Daddy Kane, Styles P, Big Noyd, M.O.P, Akon, Immortal Technique, Grafh, Ras Kass, Stimuli, and Novel.

Music career

The Brick (Bodega Chronicles)

Though signed to Aftermath, Ortiz released an album titled The Brick (Bodega Chronicles) April 24, 2007 on Koch Records. The Brick features production by Showbiz, Street Radio, and The Alchemist, among others. Guest artists include rappers Big Daddy Kane, Styles P, Big Noyd, Akon, Immortal Technique, Grafh, and Ras Kass.

Departure from Aftermath and joining Slaughterhouse

Ortiz parted ways with Aftermath Entertainment on April 15, 2008.

Joe Budden reached out to Crooked I, Royce Da 5'9", Joell Ortiz, and Nino Bless for a track titled "Slaughterhouse" on his digital release, Halfway House. Based on the reception of the track, they decided to form a super-group, minus Nino Bless, and named it after the first song they made together. The album features production from Alchemist, DJ Khalil, Mr. Porter, Streetrunner, plus guest appearances from Pharoahe Monch, K-Young, and The New Royales. In 2010 the group signed to Shady Records and left E1 Entertainment.

A remix of Joell Ortiz' "Hip Hop" featuring Jadakiss and Saigon appeared on a fictitious urban radio station in the popular video game GTA IV.

Signing with SRC/Universal Motown and Free Agent

Ortiz started to have problems with E1 Entertainment and wanted to leave the label, but E1 would not let him. After almost a year, Ortiz finally left the label on November 5, 2010. In August 2010 Ortiz signed a deal with Steve Rifkind's label SRC Records and Universal Motown.

In an October 31, 2010 interview on Conspiracy Worldwide Radio, Joell Ortiz discussed his relationship with Eminem and the flood of record labels that have flocked to sign him after his Free Agent album is released. He also spoke of Eminem's excitement at working with him.

Discography

Studio albums

(2007)

Free Agent (2011)

EP's

Farewell Summer EP (2010)

Collaboration albums

2009: Slaughterhouse (with Slaughterhouse)

Mixtapes

Who The Fuck Is Joell Ortiz? (2004)

The Re-Up (2008)

Covers The Classics (2009)

Road Kill (2009)

Defying The Predictable (w/Novel) (2010)

Music Videos

2007 Hip Hop

2007 Brooklyn Dir: Rik Cordero

2007 Stomp (Smif-N-Wessun feat. Rock & Joell Ortiz)

2007 Ups and Downs

2007 Dear God 125 (parts 1-4)

2007 Latino

2007 'Stomp (Smif-N-Wessun feat. Joell Ortiz) Dir: Rik Cordero

2008 Memories Dir: Rik Cordero

2008 Black Spartans (Emperor Chi feat. Saigon & Joell Ortiz) Dir: PicturePerfect

2008 Good Times (feat. Dante Hawkins) Dir: Carl Allegard

2008 Shootin (Duo Live feat. Billionz, Joell Ortiz, Red Cafe & M.O.P.) Dir: James Wade

2008 Can't You Tell?/Ghetto Dir: Wraithe & Mike H

2008 Letter to Obama (feat. Dante Hawkins) Dir: The Sharpshooter

2008 Once Upon A Time (Remix) Sincere & Natty (feat Joell Ortiz) Dir: Carl Allegard

2008 Modern Day Slavery (feat. Immortal Technique) Dir: Carl Allegard

2008 Move On (with Slaughterhouse)

2009 The One (with Slaughterhouse) Dir: Rik Cordero

2009 Watchin Me (D.O.E. feat. Joell Ortiz) Dir: Rob Alphonse

2009 So Much More (feat. Novel & Papoose) Dir: John Colombo

2009 Leyendecker

2009 Piano Lessons (Colin Munroe feat. Joell Ortiz)

2009 Never Sleep (feat. Mr. Probz) Dir: Wraithe

2009 Block Royal Dir: The ICU

2009 Microphone (with Slaughterhouse)

2009 Food For Thought Dir: Court Dunn

2009 How To Change (feat. The Kickdrums) Dir: Rik Cordero

2010 Call Me (feat. Novel)

2010 Nissan Honda Chevy (feat. Jim Jones)

2010 Project Boy Dir: The ICU

2010 We Don't Believe You (feat. Joe Budden & Novel)

2010 Night Train (feat. Novel) Dir: Derek Pike

References

http://www.champmag.com/2010/12/17/video-joell-ortiz-talks-life-after-free-agents-w-champ-mag/

External links

Official website

Official Twitter

Category:1978 births Category:Living people Category:2000s rappers Category:2010s rappers Category:Aftermath Entertainment artists Category:African American rappers Category:Hispanic and Latino American rappers Category:People from Brooklyn Category:Rappers from New York City

Name	Grandmaster Flash
Background	solo_singer
Birth name	Joseph Saddler
Born	January 01, 1958
Origin	South Bronx, New York
Genre	Hip hopOld school hip-hopFunk
Years active	1970–present
Label	Sugar Hill Records, Enjoy Records, Elektra Records
Associated acts	Grandmaster Flash and the Furious FiveThe Sugarhill Gang

Joseph Saddler (born January 1, 1958 in Bridgetown, Barbados) better known as Grandmaster Flash, is an American hip hop musician and DJ; one of the pioneers of hip-hop DJing, cutting, and mixing.

Grandmaster Flash and the Furious Five were inducted into the Rock and Roll Hall of Fame in 2007, becoming the first hip hop/rap artists to be so honored.

Biography

Joseph Saddler's family migrated to the United States from Barbados, in the Caribbean, and he grew up in the Bronx, New York. He attended Samuel Gompers High School, a public vocational school, where he learned how to repair electronic equipment. Saddler's parents played an important role in his interest in music. His parents came from Barbados and his father was a big fan of Caribbean and black American records. As a child, Saddler was fascinated by his father's record collection. In an interview, he reflected: "My father was a very heavy record collector. He still thinks that he has the stronger collection. I used to open his closets and just watch all the records he had. I used to get into trouble for touching his records, but I'd go right back and bother them." Saddler's early interest in DJing came from this fascination with his father's record collection as well as his mother's desire for him to educate himself in electronics. After high school, he became involved in the earliest New York DJ scene, attending parties set up by early luminaries.

He is also a nephew to the late Former Feather Weight Champion of the World Sandy Saddler.

Innovations

Grandmaster Flash carefully studied the DJing styles and techniques of his forebears, particularly Pete Jones, Kool Herc, and Grandmaster Flowers. As a teenager, he began experimenting with DJ gear in his bedroom, eventually developing and mastering three innovations that are still considered standard DJing techniques today.

Backspin Technique ("Quick-Mix Theory"): Early New York party DJs came to understand that short drum breaks were popular with party audiences. Aiming to isolate these breaks and extend them for longer durations, Grandmaster Flash learned that by using duplicate copies of the same record, he could play the break on one record while searching for the same fragment of music on the other (using his headphones). When the break finished on one turntable, he used his mixer to switch quickly to the other turntable, where the same beat was queued up and ready to play. Using the backspin technique, the same short phrase of music could be looped indefinitely.

Punch Phrasing ("Clock Theory"): This technique involved isolating very short segments of music, typically horn hits, and rhythmically punching them over the sustained beat using the mixer.

Scratching: Although the invention of record scratching is generally credited to Grand Wizard Theodore, Grandmaster Flash perfected the technique and brought it to new audiences. Scratching, along with punch phrasing, exhibited a unique performative aspect of party DJing: instead of passively spinning records, he actively manipulated them to create new music.

Grandmaster Flash and the Furious Five

Grandmaster Flash played parties and worked with rappers such as Kurtis Blow and Lovebug Starski. In the mid 1970s, he formed his own group. The original lineup consisted of Cowboy (Keith Wiggins), Melle Mel (Melvin Glover) and Kid(d) Creole (Nathaniel Glover), and the ensemble went by the name "Grandmaster Flash & the 3 MCs" (Melle Mel was the first rapper ever to call himself an "MC"). Two other rappers briefly joined, but they were replaced more permanently by Rahiem (Guy Todd Williams, previously in the Funky Four) and Scorpio (Eddie Morris, a.k.a Mr. Ness) to make Grandmaster Flash and the Furious Five. Quickly gaining recognition for their skillful raps, Grandmaster Flash and the Furious Five pioneered MCing and freestyle battles. Some of the staple phrases in MCing have their origins in the early shows and recordings of the group. In 1977, the new group began performing regularly at Disco Fever in the Bronx, one of the first times a hip-hop group was given a weekly gig at a well-known venue. In fact, it is claimed that Cowboy created the term "Hip hop" while teasing a friend who had just joined the US Army by scat singing the words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of marching soldiers.

Grandmaster Flash and the Furious Five were signed to Bobby Robinson's Enjoy Records and in 1979 released their first single, "Superrappin'." The following year they signed to Sugar Hill Records and began touring and releasing numerous singles, gaining a gold disc for "Freedom." The seminal "The Adventures of Grandmaster Flash on the Wheels of Steel", released in 1981, is a 7-minute solo showcase of Grandmaster Flash's virtuosic turntable skills, combining elements of Blondie's "Rapture," Michael Viner's Incredible Bongo Band's "Apache," Queen's "Another One Bites the Dust," Chic's "Good Times," and the group's own "Freedom." It is also the first documented appearance of record scratching on a record. That year, the group opened for The Clash and were poorly received by an audience unaccustomed to the new style. The group's most significant hit was "The Message" (1982), which was produced by in-house Sugar Hill producer Clifton "Jiggs" Chase and featured session musician Duke Bootee. Unlike earlier rap tunes, "The Message" featured a grim narrative about inner city violence, drugs, and poverty. Critics praised the song's social awareness, calling the chorus "a slow chant seething with desperation and fury." "The Message" went platinum in less than a month. Other than Melle Mel, however, no members of the group actually appear in the song. Rahiem lip-synced Duke Bootee's vocal in the music video. The same year, Grandmaster Flash appeared in the movie "Wild Style" and sued Sugar Hill over the non-payment of royalties. Tensions mounted as "The Message" gained in popularity, eventually leading to a rupture between Melle Mel and Grandmaster Flash. Soon the group disintegrated entirely. Grandmaster Flash, Kid Creole, and Rahiem left Sugar Hill, signed with Elektra Records, and continued on as simply "Grandmaster Flash" while Melle Mel and the others continued on as "Grandmaster Melle Mel & the Furious Five"

Although frequently credited on the records, Grandmaster Flash doesn't actually appear on "The Message," "Freedom," or many of the other Furious Five songs. In 2008 he released a memoir, The Adventures of Grandmaster Flash: My Life, My Beats. He hosts a weekly show on Sirius Satellite Radio (Friday Night Fire with Grandmaster Flash) and was presented with the BET "I Am Hip Hop Icon" award in 2006.

Grandmaster Flash and the Furious Five were the first hip-hop/rap group inducted into the Rock & Roll Hall of Fame on March 12, 2007 by Jay-Z. In 2008, he remixed the single "Into the Galaxy" by the Australian group, Midnight Juggernauts.

It has been said that "his pioneering mixing skills transformed the turntable into a true 'instrument', and his ability to get a crowd moving has made his DJ sets legendary."

Grandmaster Flash appears in the video game DJ Hero as a playable character along with original mixes created for the game.

On his last album, The Bridge, appears the Spanish hip hop group Violadores del Verso.

Awards

Urban Music Awards

2009, Lifetime Achievement Award

Rock and Roll Hall of Fame

2007, Inductee

BET Hip Hop Awards

2006, I Am Hip Hop Icon Award

Discography

Albums

Singles

1980 - Freedom (Sugar Hill SH-549) Side A - vocal; Side B - instrumental

1981 - The Adventures of Grandmaster Flash on the Wheels of Steel (Sugar Hill SH-557)

1982 - Flash To The Beat (Sugar Hill SH 574)

1996 - If U Wanna Party (feat. Carl Murray) (JAM 1002-8)

References

External links

Grandmaster Flash Official Page

Official website of 2009 album The Bridge

Grandmaster Flash Biography

Grandmaster Mele Mel Official page

Grandmaster Cuts Faster

Grandmaster Flash interview from Chaos Control Digizine

Davey D of Hard Knock Radio Interviews Grandmaster Flash

Grandmaster Flash interview on Fresh Air

Grandmaster Flash interview April 2009

Interview

Article

Pop Matters: interview

Brian S Redd Interview

Category:1958 births Category:Living people Category:American hip hop record producers Category:Hip hop DJs Category:American people of Barbadian descent Category:Barbadian musicians Category:People from Bridgetown Category:African American rappers Category:Musicians from New York City Category:People from the Bronx Category:Fury Records artists Category:Grandmaster Flash and the Furious Five members

Name	Das EFX
Background	group_or_band
Origin	Petersburg, Virginia, U.S.
Genre	Hip-Hop Hardcore Hip Hop
Years active	1988–present
Label	East West Records/Atlantic Records
Associated acts	EPMD, Hit Squad
Current members	Krazy Drayzy Skoob (Books in reverse)

Das EFX is an American hip hop duo. It consists of emcees Skoob (also known as Books, born William "Willie" Hines on November 27, 1970) and Dre (also known as Krazy Drayzy, born Andre Weston on September 9, 1970). They rose to popularity in the early 1990s due to their affiliation with EPMD's Hit Squad and the duo's stream of consciousness lyrical delivery, which became one of the most influential lyrical styles in hip hop music during the early 1990s. Their style combined nonsensical lines with a fast-paced flow (that included words that end with "-iggedy") and numerous pop culture references.

History

Member Skoob hails from Brooklyn, New York City while Krazy Drayzy hails from Teaneck, New Jersey but the two met at Virginia State University in 1988 and began performing together. They named themselves "Das" standing for "Drayz and Skoob" and "EFX" meaning "effects". Das EFX caught the attention of EPMD at a local talent show where, despite losing the competition, they did well enough to convince EPMD to sign them to a recording contract. The duo gained critical and commercial fame with the release of their landmark debut album, Dead Serious, which highlighted their unusual rapping style which they nicknamed "sewage".

Dead Serious went platinum and its lead single, "They Want EFX," (which contains samples from James Brown's "Blind Man Can See It" and Malcolm McLaren's "Buffalo Gals") reached the top ten on Billboard magazine's R&B; chart, the top 40 on its Hot 100 Singles chart and #1 on its Hot Rap Tracks chart. Follow-up singles "Mic Checka" and "Straight Out the Sewer" did not chart on the Hot 100 but reached #1 and #3 on the Hot Rap Tracks chart, respectively.

The duo also made a guest appearance on Ice Cube's smash hit single "Check Yo Self". The song reached #20 on the Hot 100 and #1 on the Rap Tracks chart. Their refrain of "Chiggedy-check yo self before you wriggedy-wreck yo self" became a catchphrase in 1993. The song has since appeared in the videogame , playing on the radio station Radio Los Santos.

From the time of their debut in 1992 to 1993, several elements of their style were adopted by other hip-hop artists, including the Lords of the Underground, The Fu-Schnickens, Kris Kross, Common and even, to a lesser extent, Public Enemy. The iggedy style was also referenced in the 1996 BLACKstreet song "No Diggity" with "diggity" meaning "doubt". This also became popular catchphrase at the time. Jay-Z's early style is described by Vibe magazine as "a distinctly Das EFX-type, stiggety style" on his 12" single "Can't Get With That", though this is the type of delivery he along with his mentor, Jaz-O, exhibited on the track The Originators in 1989.

As their career progressed, however, Das EFX's once-distinctive and unique lyrical delivery became more commonplace as other artists, including a young Jay-Z, imitated it. Derailed by the popularity of their own style, the duo slowed down their fast-paced flow, eliminated the iggedy suffix and downplayed their cartoonish content on their second album, Straight Up Sewaside. However, around the time of their third album Hold It Down (which was far less commercially successful than their debut release), Das EFX found themselves caught in the middle of EPMD's ugly breakup; it led to a three-year absence from recording. They returned in 1998 with the album Generation EFX and followed up in 2003 with the album How We Do; both were panned by critics. Das EFX continue to record and perform today to a much smaller yet devoted cult following. In an episode of Beverly Hills, 90210, David Silver can be seen reciting the lyrics to "They Want EFX."

In 2006, after a hiatus, Das Efx went on many International tours with DJ Rondevu.

In 2007, the duo appeared on the remix of Nas' "Where are They Now" and continues to tour the globe on a regular basis.

In 2007 the duo had a large European tour and performed in Serbia, Italy, Bulgaria, Hungary, Spain, Germany, Japan, Chile and many other countries.

They are currently on tour (2010) and are working on a new album.

Chappelle's Show

Comedian Dave Chappelle has made numerous references to Das EFX's unique style and lyrics in sketches of his popular Chappelle's Show. In one sketch, a teenaged Chappelle tells his girlfriend "I riggity-realize that I liggity-love you". In another, Chappelle as President Bush announced that a country named "Riggity-Row" will join the Coalition of the Willing. In yet another sketch, Chappelle as a news anchor announces the opening lyrics of "They Want EFX" as a special report.

Discography

References

External links

Interview with Das EFX from 2003

Interview with Das EFX from 2007

Krazy Drayzy 2009 Interview (ArtofRhyme.com)

Das EFX international fun club

Category:African American musical groups Category:American hip hop groups Category:People from Brooklyn Category:People from Teaneck, New Jersey Category:Articles about multiple people Category:Living people Category:Musical duos Category:East Coast hip hop groups Category:Virginia State University alumni

:For their albums, and other meanings, see Bone Brothers (disambiguation).

Name	Bone Brothers
Background	group_or_band
Alias	Bone Thugs,B.O.N.E.
Origin	Cleveland, Ohio, United States
Genre	G-Funk Midwest RapGangsta rapUrban
Years active	2005 present
Label	RuthlessInterscopeReal Talk Ent.
Current members	Layzie BoneBizzy Bone
This album	Bone Brothers (2007)
Next album	'' (2007)

Bone Brothers is an American group duo including Bone Thugs-n-Harmony members Layzie Bone and Bizzy Bone. Their first album was released after the dismissal of Bizzy Bone. Bizzy had always remained friendly towards Layzie in the wake of the break up, as he says in the underground release 'Dear Layzie', despite the fact that multiple videos had surfaced showing Layzie being abusive towards him. However, in 2010 the whole group came back with because Bizzy decided to stay and Flesh returned from prison.

Discography

2005 Bone Brothers

2007 Bone Brothers 2

2007

2008 Bone Brothers 3

2008 Still Creepin On Ah Come Up

2010 The Best of Bone Brothers

Singles

References

Category:Musical duos Category:2000s music groups Category:American pop music groups Category:Musical groups from Cleveland, Ohio Category:Musical groups from Ohio