- Order:
- Duration: 1:20
- Published: 10 May 2006
- Uploaded: 13 Feb 2011
- Author: filmnepal
It expresses itself in several forms from silent sullenness to hysterical tantrums and violence. In Sikh Scripture krodh usually appears in combination with kam — as "kam krodh". The coalescence is not simply for the sake of alliterative effect. Krodh (ire) is the direct progeny of kam (desire). The latter when thwarted or jilted produces the former. The Scripture also counts krodh (or its synonym kop) among the four rivers of fire.
Violence, attachment, covetousness and wrath," says Guru Nanak "are like four rivers of fire; those who fall in them burn, and can swim across, O Nanak, only through God's grace" (GG, 147). Elsewhere he says, "Kam and krodh dissolve the body as borax melts gold" (GG, 932). Guru Arjan, Nanak V, censures krodh in these words: "O krodh, thou enslavest sinful men and then caperest around them like an ape."
In thy company men become base and are punished variously by Death's messengers. The Merciful God, the Eradicator of the sufferings of the humble, O Nanak, alone saveth all" (GG, 1358). Guru Ram Das, Nanak IV, warns: "Do not go near those who are possessed by wrath uncontrollable" (GG, 40). Krodh is to be vanquished and eradicated. This is done through humility and firm faith in the Divine.
Guru Arjan's prescription: "Do not be angry with any one; search your own self and live in the world with humility. Thus, O Nanak, you may go across (the ocean of existence) under God's grace" (GG, 259). Shaikh Farid, a thirteenth-century Muslim saint whose compositions are preserved in the Sikh Scripture, says in one of his couplets: "O Farid, do good to him who hath done thee evil and do not nurse anger in thy heart; no disease will then afflict thy body and all felicities shall be thine" (GG, 1381-82). Righteous indignation against evil, injustice and tyranny is, however, not to be equated with krodh as an undesirable passion. Several hymns in the Guru Granth Sahib, particularly those by Guru Nanak and Kabir, express in strong terms their disapproval of the corruption of their day.
Above adapted from article By L. M. Joshi
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Manna Dey |
---|---|
Background | solo_singer |
Birth name | Prabodh Chandra Dey |
Born | May 01, 1919Calcutta, British India |
Instrument | Vocalist |
Genre | Playback singing |
Occupation | Singer |
Years active | 1939–present |
Url | http://www.mannadey.in |
During Dey’s years at Scottish Church College, he sang to entertain his classmates. He began taking singing lessons from his uncle, Krishna Chandra Dey and Ustad Dabir Khan. During this period, Manna Dey stood first for three consecutive years in three different categories of inter-collegiate singing competitions.
In 1942, Dey accompanied Krishna Chandra Dey on a visit to Bombay. There he started working as an assistant, first under Krishna Chandra Dey, and then under Sachin Dev Burman. Later he assisted other music composers and then started to work independently. While working independently as a music director for various Hindi movies, Manna Dey continued to take musical lessons in Hindustani classical music from Ustad Aman Ali Khan and Ustad Abdul Rahman Khan.
Dey started his career in playback singing with the movie, Tamanna, in 1943. The musical score was by Krishna Chandra Dey and Manna sang a duet with Suraiya. The song was an instant hit. He sang a solo composed by Sachin Dev Burman, Upar Gagan Vishal, in the 1950 movie, Mashal. Its lyrics were written by Kavi Pradeep. In 1952, Dey sang for a Bengali and a Marathi movie with the same name and storyline, Amar Bhupali. This established him as a leading playback singer.
Dey recorded a popular duet, Ketaki Gulab Juhi, with classicist Bhimsen Joshi. With Kishore Kumar, he sang duets of different genres such as, Yeh Dosti Hum Nehi Torenge (Sholay) and Ek Chatur Naar (Padosan). Dey sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), in Bengali movies, and also for some other Bengali composers. He sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. He also performed Rabindra Sangeet and has recorded over 3500 songs.
Manna Dey currently lives in Bangalore in the township of Kalyannagar after spending more than fifty years in Mumbai. He also maintains a Calcutta address. He still travels widely in the world to present musical programs.
His Bengali-language autobiography, Jiboner Jalsaghorey, has been published by the renowned Ananda Publisher in the year 2005 which has been translated in English as Memories Come Alive, in Hindi as Yaden Jee Uthi and in Marathi as Jiboner Jalsaghorey.
Jibaner Jalsaghore, a documentary on Dey's life, was released in 2008. Manna Dey Sangeet Academy is developing a complete archive on Manna Dey. In association with Rabindra Bharati University, Kolkata, the Manna Dey Music Archive has been developed in the Sangeet Bhawan.
The following is the list of Manna Dey's other awards:
Category:1919 births Category:Living people Category:Bollywood playback singers Category:Indian actors Category:Indian autobiographers Category:Indian film singers Category:Indian male singers Category:Indian memoirists Category:Recipients of the Padma Bhushan Category:Recipients of the Padma Shri Category:Alumni of Vidyasagar College, Kolkata Category:Alumni of Scottish Church College, Calcutta Category:University of Calcutta alumni Category:Dadasaheb Phalke Award recipients Category:Marathi-language singers Category:Marathi playback singers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.