In Western music, the term melisma most commonly refers to Gregorian chant. (The first definition of melisma by the Merriam-Webster Online Dictionary is "a group of notes or tones sung on one syllable in plainsong".) However, the term melisma may be used to describe music of any genre, including baroque singing and later gospel. Within Jewish liturgical tradition, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of the service itself. For an examination of the evolution of this tradition, see Idelsohn.
Today, melisma is commonly used in Arab, Middle Eastern, African, Balkan and African American music, Portuguese Fado, and various Asian folk and popular musical genres. Melisma is also commonly featured in Western popular music and is utilized by countless pop artists, although this form usually involves improvising melismas (and melismatic vocalise) over a simpler melody. The melisma is a common feature of Stevie Wonder's music; the trend in R&B; singers is considered to have been popularized by Mariah Carey's "Vision of Love". In recent years, there has been increased criticism of melisma being abused by singers, in part due to the popularity of shows such as American Idol and the trend of contestants imitating the artists who popularized the technique.
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| Name | Mariah Carey |
|---|---|
| Background | solo_singer |
| Birth date | March 27, 1970 |
| Birth place | Huntington, New York, United States |
| Genre | R&B;, pop |
| Years active | 1988–present |
| Associated acts | Boyz II Men, Whitney Houston, Luther Vandross, Jay-Z, Jermaine Dupri |
| Occupation | Singer-songwriter, model, record producer, actress, film producer |
| Spouse | |
| Label | Columbia, Virgin, Island |
| Url |
Following her separation from Mottola, in 1997, she introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia, in 2001. She signed a record $80 million dollar deal with Virgin Records, only to be dropped from the label and bought out of her contract in the following year. This radical turn of events was due to the highly publicized physical and emotional breakdown, as well as the poor reception that was given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and, after a relatively unsuccessful period, she returned to the top of pop music, in 2005, with her album, The Emancipation of Mimi.
In a career spanning over two decades, Carey has sold more than 200 million albums, singles and videos worldwide,according to Island Def Jam, which makes her one of the world's best-selling music artists. Carey was cited as the world’s best-selling recording artist of the 1990s at the 1998 World Music Awards and was also named the best-selling female artist of the millennium by the same award-giving body in 2000. According to the Recording Industry Association of America (RIAA), she is the third-best-selling female artist, with shipments of 63 million albums. In 2008, Carey earned her eighteenth number one single on the Hot 100, the most for any solo artist. Aside from her commercial accomplishments, she has earned five Grammy Awards and is known for her five-octave vocal range, power, melismatic style and use of the whistle register.
Carey graduated from Harborfields High School, in Greenlawn, New York. She was frequently absent, because of her work as a demo singer for local recording studios; her classmates consequently gave her the nickname "Mirage". Her work in the Long Island music scene provided opportunities to work with musicians, such as Gavin Christopher and Ben Margulies, with whom she co-wrote material for her demo tape. After she moved to New York City, she worked part-time jobs to pay the rent and she completed 500 hours of beauty school. Eventually, she became a backup singer for Puerto Rican freestyle singer Brenda K. Starr.
Carey co-wrote the tracks on her 1990 debut album Mariah Carey and she has co-written most of her material since. During the recording, she expressed dissatisfaction with the contributions of producers such as Ric Wake and Rhett Lawrence, whom the executives at Columbia had enlisted to help to make the album more commercially viable. Critics were generally enthusiastic (See Critical reception section of the album article). Backed by a substantial promotional budget, the album reached number one on the U.S. Billboard 200 chart, where it remained for several weeks. It yielded four number-one singles and made Carey a star in the United States but it was less successful in other countries. Critics rated the album highly, which assisted Carey's Grammy wins for Best New Artist, and—for her debut single, "Vision of Love"—Best Female Pop Vocal Performance. Mariah Carey was also the best selling album of 1991 in the United States.
Carey conceived Emotions, her second album, as an homage to Motown soul music (see Motown Sound), and she worked with Walter Afanasieff and Clivillés & Cole (from the dance group C+C Music Factory) on the record. It was released soon after her debut album — in late 1991 — but was neither as critically or commercially successful (See Promotion and reception section of the album article). The title track "Emotions" made Carey into the only recording act whose first five singles have reached number one on the U.S. Hot 100 chart, although the album's follow-up singles failed to match this feat. Carey had lobbied to produce her own songs and, beginning with Emotions, she has co-produced most of her material. "I didn't want [Emotions] to be somebody else's vision of me," she said. "There's more of me on this album."
Although Carey performed live occasionally, stage fright prevented her from embarking on a major tour. Her first widely seen appearance was featured on the television show MTV Unplugged in 1992, and she remarked that she felt that her performance that night proved her vocal abilities were not, as some had previously speculated, simulated with studio equipment. Alongside acoustic versions of some of her earlier songs, Carey premiered a cover of The Jackson 5's "I'll Be There", with her back-up singer Trey Lorenz. The duet was released as a single, reached number one in the U.S. and led to a record deal for Lorenz, Because of high ratings for the Unplugged television special, the concert's set list was released on the EP MTV Unplugged, which Entertainment Weekly called "the strongest, most genuinely musical record she has ever made [...] Did this live performance help her to take her first steps toward growing up?."
In 1995, Columbia released Carey's fourth studio album, Daydream, which combined the pop sensibilities of Music Box with downbeat R&B; and hip hop influences. A remix of "Fantasy", its first single, featured rapper Ol' Dirty Bastard. Carey said that Columbia reacted negatively to her intentions for the album: "Everybody was like 'What, are you crazy?'. They're very nervous about breaking the formula." The New Yorker noted that "It became standard for R&B; stars, like Missy Eliott and Beyoncé, to combine melodies with rapped verses." John Norris of MTV News has stated that the remix was "responsible for, I would argue, an entire wave of music that we've seen since and that is the R&B-hip-hop; collaboration. You could argue that the 'Fantasy' remix was the single most important recording that she's ever made." Norris echoed the sentiments of TLC's Lisa Lopes, who told MTV that it's because of Mariah that we have "R&B.;" Daydream became her biggest-selling album in the U.S. and its singles achieved similar success — "Fantasy" became the second single to debut at number one in the U.S. and topped the Canadian Singles Chart for twelve weeks; "One Sweet Day" (a duet with Boyz II Men) spent a record-holding sixteen weeks at number one in the U.S.; and "Always Be My Baby" (co-produced by Jermaine Dupri) was the most successful record on U.S. radio in 1996, according to Billboard magazine. The album also generated career-best reviews for Carey, and publications such as The New York Times named it as one of 1995's best albums; the Times wrote that its "best cuts bring R&B; candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés." and AllMusic adds, "Daydream is her best record to date, and features a consistently strong selection of songs and a remarkably impassioned performance by Carey. A few of the songs are second-rate — particularly the cover of Journey's "Open Arms" — but Daydream demonstrates that Carey continues to perfect her craft and that she has earned her status as an R&B; diva." The short but profitable Daydream World Tour augmented sales of the album. The music industry took note of Carey's success — she won two awards at the American Music Awards for her solo efforts: Favorite Pop/Rock Female Artist and Favorite Soul/R&B; Female Artist. Daydream and its tracks were respectively nominated for six categories in the 38th Grammy Awards. Carey, along with Boyz II Men, opened the event with a performance of "One Sweet Day," which was mightily applauded. In contrast, throughout the night, she was not called to the stage to receive even one Grammy. The cameras started to focus on Carey, revealing the fact that it was becoming harder for her to retain a smile. Her disappointment was becoming obvious.
" video in 1998.]] Carey's next album, Butterfly (1997), yielded the number-one single "Honey", the lyrics and music video which presented a more overtly sexual image of her than had been previously seen. She stated that Butterfly marked the point when she attained full creative control over her music. However, she added, "I don't think that it's that much of a departure from what I've done in the past [...] It's not like I went psycho and thought I would be a rapper. Personally, this album is about doing whatever the hell I wanted to do." Reviews were generally positive: Rolling Stone wrote, "Carey couldn't have wished for a better start than "Honey," [...] it's an undeniably catchy pop record that revamps her sound and image. It's not as if Carey has totally dispensed with her old saccharine, Houston-style balladry [...] but the predominant mood of Butterfly is one of coolly erotic reverie. [... Except "Outside" the album sounds] very 1997. [...] Carey has spread her wings and she's ready to fly", LAUNCHcast said Butterfly "pushes the envelope", a move that its critic thought "may prove disconcerting to more conservative fans" but praised as "a welcome change." The Los Angeles Times wrote, "[Butterfly] is easily the most personal, confessional-sounding record she's ever done [...] Carey-bashing just might become a thing of the past." and AllMusic adds "Carey's vocals are sultrier and more controlled than ever, and that helps "Butterfly," "Break Down," "Babydoll," and the Prince cover, "The Beautiful Ones," rank among her best; also, the ballads do have a stronger urban feel than before. Even though Butterfly doesn't have as many strong singles as Daydream, it's one of her best records and illustrates that Carey continues to improve and refine her music, which makes her a rarity among her '90s peers." The album was a commercial success—although not to the degree of her previous three albums—and "My All" (her thirteenth Hot 100 number-one) gave her the record for the most U.S. number-ones by a female artist.
Toward the turn of the millennium, Carey developed the film project Glitter and wrote songs for the films Men in Black (1997) and How the Grinch Stole Christmas (2000). During the production of Butterfly, Carey became romantically involved with New York Yankees baseball star Derek Jeter. Their relationship ended in 1998, with both parties citing media interference as the main reason for the split. The same year, Columbia released the album #1's, a collection of Carey's U.S. number-one singles alongside new material, which, she said, was a way to reward her fans. The song "When You Believe", a duet with Whitney Houston, was recorded for the soundtrack of The Prince of Egypt (1998) and won an Academy Award. #1's sold above expectations but a review in NME labeled Carey "a purveyor of saccharine bilge like 'Hero', whose message seems wholesome enough: that if you vacate your mind of all intelligent thought, flutter your eyelashes and wish hard, sweet babies and honey will follow." Also that year, she appeared on the first televised VH1 Divas benefit concert program, although her alleged prima donna behavior had already led many to consider her a diva.
Rainbow, Carey's sixth studio album, was released in 1999 and comprised more R&B;/hip hop–oriented songs, with many of them co-created with Jimmy Jam and Terry Lewis. "Heartbreaker" and "Thank God I Found You" (the former featuring Jay-Z, the latter featuring Joe and boy band 98 Degrees) reached number one in the U.S. VIBE magazine expressed similar sentiments, writing, "She pulls out all stops [...] Rainbow will garner even more adoration", but AllMusic states, "It's a bit ballad-heavy, which makes Rainbow seem a little samey. Yet, that's not the only reason why the record has a weird sense of déjà vu, since this follows the same formula as its two predecessors, distinguished primarily by her newfound fondness for flashing flesh. That repetition isn't necessarily a problem, because she does formula very well and manages to appeal to both housewives as well as b-boys. Rainbow proves that she can still pull off that difficult balancing act but it's hard not to be a little disappointed that she'd didn't shake the music up a little bit more — after all, it would have been a more effective album if the heartbreak, sorrow and joy that bubbles underneath the music were brought to the surface." and it became Carey's lowest-selling album up to that point,
Critics panned Glitter, Carey's much delayed semi-autobiographical film and it was a box office failure. The accompanying soundtrack album, Glitter, was inspired by the music of the 1980s and featured collaborations with Rick James and Jimmy Jam and Terry Lewis; it generated Carey's worst showing on the U.S. chart. The St. Louis Post-Dispatch dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful", while Blender magazine opined, "After years of trading her signature flourishes for a radio-ready purr, Carey's left with almost no presence at all." The lead single, "Loverboy" (which features Cameo), reached number two on the Hot 100, due to the release of the physical single, Later that year, she signed a contract with Island Records, valued at more than $22.5 million, and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year.
Carey, Mira Sorvino and Melora Walters co-starred as waitresses at a mobster-operated restaurant in the independent film WiseGirls (2002), which premiered at the Sundance Film Festival but went straight to cable in the U.S. Critics commended Carey for her efforts — The Hollywood Reporter predicted, "Those scathing notices for Glitter will be a forgotten memory for the singer once people warm up to Raychel", and Roger Friedman, referring to her as "a Thelma Ritter for the new millennium", said, "Her line delivery is sharp and she manages to get the right laughs". WiseGirls producer Anthony Esposito cast Carey in The Sweet Science (2006), a film about an unknown female boxer recruited by a boxing manager, but it never entered production.
In 2002, she performed the American national anthem in front of an audience at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Following a well-received supporting role in the 2002 film WiseGirls, Carey released the album Charmbracelet, which, she said, marked "a new lease on life" for her. and Rolling Stone commented, "Carey needs bold songs that help her use the power and range for which she is famous. Charmbracelet is like a stream of watercolors that bleed into a puddle of brown." Allmusic expressed similar sentiments and said, "There are no good songs on this record, outside of Def Leppard's power ballad classic "Bringin on the Heartbreak," which isn't even covered all that well. What is a greater problem is that Mariah's voice is shot, sounding in tatters throughout the record. Whenever she sings, there's a raspy whistle behind her thin voice and she strains to make notes throughout the record. She cannot coo or softly croon nor can she perform her trademark gravity-defying vocal runs. Her voice is damaged and there's not a moment where it sounds strong or inviting. That, alone, would be disturbing but, because the songs are formless and the production bland — another reason why the hip-hop announces itself, even though it's nowhere near as pronounced as it has been since Butterfly — her tired voice becomes the only thing to concentrate on and it's a sad, ugly thing, which makes an album - that would merely have been her worst - into something tragic." The album's only charting single in America, "Through the Rain", was a failure on pop radio, which had become less open to maturing "diva" stylists, such as Celine Dion, or Carey, herself, in favor of younger singers such as Christina Aguilera, who had vocal styles very similar to Carey's. She was featured on rapper Jadakiss's 2004 single "U Make Me Wanna", which reached the top ten on Billboard's R&B;/Hip-Hop chart.
Carey was one of several musicians who appeared in the independently produced Damon Dash films Death of a Dynasty (2003) and State Property 2 (2005).
In mid-2006, Carey began The Adventures of Mimi Tour, which was the most successful of her career, although some dates had to be canceled. She appeared on the cover of the March, 2007, edition of Playboy magazine in a non-nude photo session. Around this time, she made a legal threat against porn star Mary Carey, believing their names were too similar.
In 2006, Carey joined the cast of the indie film Tennessee (2008), taking the role of an aspiring singer who flees her controlling husband and joins two brothers on a journey to find their long-lost father. The movie received mixed reviews, but most of them raved about Carey's performance and praised it as "understated and very effective."
Carey's singles have collectively topped the charts for seventy-nine weeks, which places her just behind Presley, who topped the charts for a combined eighty weeks. In 2008, Billboard magazine ranked her at number six on the "Billboard Hot 100 All-Time Top Artists", making Carey the second most successful female artist (behind Madonna) in the history of the Billboard Hot 100 chart. Carey has also had notable success on international charts, though not to the same degree as in the United States. Thus far, she has had two number-one singles in Britain, two in Australia, and six in Canada. Her highest-charting single in Japan peaked at number two. Carey and actor/comedian/rapper Nick Cannon met while they shot Carey's music video for her second single "Bye Bye" on a private island of the coast of Antigua. On April 30, 2008, Carey married Cannon at her private estate on Windermere Island in The Bahamas. In October 2008, Carey was inducted into the Long Island Music Hall of Fame. Carey had a cameo appearance in Adam Sandler's 2008 film You Don't Mess with the Zohan, playing herself.
Carey performed "Hero" at the Neighborhood Inaugural Ball after Barack Obama was sworn in as America's first African-American president on January 20, 2009. On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of the Jackson 5 hit "I'll Be There" at the memorial service for Michael Jackson in the Los Angeles Staples Center. Carey was featured on "My Love", the second single from singer-songwriter The-Dream's album Love vs. Money. In 2009, she appeared as a social worker in Precious, the movie adaptation of the 1996 novel Push by Sapphire. The film has garnered mostly positive reviews from critics, as has Carey's performance. Variety described her acting as "pitch-perfect". So far Precious has won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top awards there. In January 2010, Carey won the Breakthrough Actress Performance award for her role in Precious at the Palm Springs International Film Festival.
Carey's twelfth studio album, Memoirs of an Imperfect Angel was released on September 25, 2009. The album received generally favorable reviews from music critics. John Bush of Allmusic called it "her most interesting album in a decade", while Jon Caramanica from The New York Times criticized Carey's vocal performances, decrying her overuse of her softer vocal registers at the expense of her more powerful lower and mid registers. Commercially, the album debuted at number three on the Billboard 200 and became the lowest-selling studio album of her career. The album's lead single, "Obsessed", became her 40th entry on the Billboard Hot 100 and her highest debut on the chart since "My All" in 1998. The song debuted at number eleven and peaked at number seven on the chart and became Carey's 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits. Within hours after the song's release, various outlets speculated that its target was rapper Eminem, in response to his song "Bagpipes from Baghdad," in which he taunted Carey's husband, Nick Cannon by telling him to back off and that Carey is his. According to MTV, Carey alludes to drug problems in "Obsessed," which Eminem opened up about on his sixth studio album, Relapse. The album's follow-up singles failed to achieve commercial success. The second single, a cover of Foreigner's "I Want to Know What Love Is", peaked at number 60 and the third single, "H.A.T.E.U.", failed to crack the Billboard Hot 100. On December 31, 2009, Carey embarked her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada. Later it was announced that Carey would release two remix albums of Memoirs of an Imperfect Angel; titled Angels Advocate (an R&B; remix album featuring a collection of newly remixed duets with some of Carey's favorite artists) and MC vs JS (a dance album entirely remixed by the Jump Smokers). In January 2010, "Up Out My Face" featuring Nicki Minaj and "Angels Cry" featuring Ne-Yo were released as the lead singles from Angels Advocate. Both albums were slated for a March 2010 release, but were eventually cancelled.
In May 2010, Carey, citing medical reasons, dropped out of her planned appearance in For Colored Girls, the film adaptation of the play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf.
During a press conference in Seoul, South Korea, in August 2010, Island Def Jam executive Matt Voss announced that the Christmas album would be out in November 2 and will include six new songs and a remix of her all time classic hit "All I Want for Christmas Is You". The album will be titled Merry Christmas II You, a follow-up to her 1994 multiplatinum album Merry Christmas. An accompanying DVD was released alongside the CD. Carey has produced and recorded tracks with the Broadway producer Marc Shaiman for the album. The album debuted at #4 on the Billboard 200 with sales of 56,000 copies, surpassing the opening week sales of Carey's previous holiday album Merry Christmas of 45,000 copies 16 years prior, and making Merry Christmas II You Carey's 16th top 10 album. The album also debuted at #1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart, and also hit number #1 on the Holiday Albums Chart.
After much media spectulation, on October 28, 2010, Carey confirmed that she and Cannon are expecting a baby, and that it is due in the spring of 2011. Carey stated that she struggled to keep the news a secret. She also revealed that they have yet to find out the gender of the baby and that she conceived naturally. She added that she had been pregnant shortly after her wedding with Nick Cannon, but that she miscarried. Carey and Cannon decided to keep the matter private. Following allegations that Mariah accidentally revealed that the couple were expecting twins during an radio interview by referring to the child as 'they', Nick stated that Carey is due one child, not twins. However, Nick refused to say how many babies his wife was expecting to E! News, but admitted that by saying 'they', Mariah 'wasn't wrong'. On December 16, 2010, Nick Cannon announced that he and Mariah were in fact going to have twins.
On December 12, 2010, Carey was the featured performer on the annual television special Christmas in Washington, airing live on pay-per-view in select cities worldwide. The U.S. network television premiere was December 17 via the TNT network.
"I have nodules on my vocal cords. My mother says I've had them since I was a kid. That's why I have the high register and the belting register and I can still be husky. The only thing that really affects my voice is sleep. Sometimes if I'm exhausted, I can't hit the really high notes." "My doctors showed me my vocal cords and why I can hit those high notes. It's a certain part of the cord that not many people use—the very top. My natural voice is low. I have a raspy voice. I'm really more of an alto. But my airy voice can be high if I'm rested. [...] When I was little, I'd talk in this really high whisper, and my mom would be like, "You're being ridiculous." I thought if I can talk like that I can sing like that. So I started [she goes higher and higher and higher] just messing around with it. I'd practice and practice, and she'd be like, "You're gonna hurt yourself." I'd tell her, It doesn’t hurt/ If I were to try and belt two octaves lower than that, that would be a strain."
She also explains that it was Minnie Riperton who influenced her to use the whistle register. The medium is "pleasurable and possesses an ample vibrato." Sasha Frere-Jones of The New Yorker adds her timbre possesses various colors, saying, "Carey's sound changes with nearly every line, mutating from a steely tone to a vibrating growl and then to a humid, breathy coo." Her wide vocal range allows Carey to take melodies from alto bottom notes to coloratura soprano upper register,
Voice experts praise Carey's vocal technique, like Stephen Holden who said, "[s]he can deliver very accurate staccatos as well as tricky melismas, and she possesses a beautiful and solid trill in upper register". Rolling Stone expressed similar sentiments, saying, "Carey has a remarkable vocal gift, but to date, unfortunately, her singing has been far more impressive than expressive", "She wails notes that don't need emphasizing, then whispers what would ordinarily be climactic phrases, and the outcome doesn't make emotional or musical sense." New York Daily News continues in the same direction, saying, "For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening. If no one can question the scope of Carey's voice it's too bad she has again used it to say nothing."
Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano music, and she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. Some of her arrangements have been inspired by the work of musicians such as Stevie Wonder, a soul pianist to whom Carey once referred as "the genius of the [twentieth] century",
Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey several times, starting with "Dreamlover" (1993), which popularized the tradition of remixing R&B; songs into house records, and which Slant magazine named one of the greatest dance songs of all time. From "Fantasy" (1995) onward, Carey enlisted both hip hop and house producers to re-imagine her album compositions. Entertainment Weekly included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the R&B;/hip hop collaboration trend that has continued into the 2000s through artists such as Ashanti and Beyoncé. Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you". According to Rolling Stone, "Her mastery of melisma, the fluttering strings of notes that decorate songs like "Vision of Love," inspired the entire American Idol vocal school, for better or worse, and virtually every other female R&B; singer since the Nineties." Beyoncé Knowles credits Carey's singing and her song "Vision of Love," as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. Carey is also credited for introducing R&B; and hip-hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Philip Brasor, editor of "The Japan Times," expressed how Carey's vocal and melismatic style even influenced Asian singers. He wrote regarding Japanese superstar Utada Hikaru, "Utada sang what she heard, from the diaphragm and with her own take on the kind of melisma that became de rigueur in American pop after the ascendance of Mariah Carey."
" video in 1998.]] In a career spanning over 20 years, Carey has sold over 200 million albums, singles, and videos worldwide, making her one of the biggest-selling artists in music history. Carey is ranked as the best-selling female artist of the Nielsen SoundScan era, with over 52 million copies sold. Possessing a five-octave vocal range, Carey was ranked first in MTV and Blender magazine's 2003 countdown of the 22 Greatest Voices in Music, and was placed second in Cove magazine's list of "The 100 Outstanding Pop Vocalists". Aside from her voice, she has become known for her songwriting. Yahoo Music editor, Jason Ankeny wrote, "She earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material." According to Billboard magazine, she was the most successful artist of the 1990s in the United States. At the 2000 World Music Awards, Carey was given a Legend Award for being the "best-selling female pop artist of the millennium," as well as the "Best-selling artist of the 90s" in the United States, after releasing a series of albums of multi-platinum status in Asia and Europe, such as Music Box and Number 1's. She is also a recipient of the Chopard Diamond Award in 2003, recognizing sales of over 100 million albums worldwide. In Japan, Carey has the top four highest-selling albums of all time by a non-Asian artist.
Carey has spent a record 79 weeks at the number-one position on Billboard Hot 100, becoming the artist with the most weeks at number-one in U.S. chart history. On that same chart, she has accumulated 18 number-one singles, making her the solo artist with the most number-one singles in the chart's history. It also produced the successful single, "All I Want for Christmas Is You", which became the only holiday song and ringtone to reach multi-platinum status in the U.S. In Japan, Number 1's has sold over 3,250,000 copies and is the best-selling album of all time in Japan by a non-Asian artist. Her hit single "One Sweet Day", which featured Boyz II Men, spent sixteen consecutive weeks at the top of Billboards Hot 100 chart in 1996, setting the record for the most weeks atop the Hot 100 chart in history. In 2008, Billboard magazine listed "We Belong Together" ninth on The Billboard: All-Time Hot 100 Top Songs and the most successful song of the first decade of the 21st century. In 2009, Carey's song Obsessed became her 12th Platinum single, the most by any female artist. Also in 2009, Carey's cover of Foreigner's classic, "I Want to Know What Love Is" became the longest-running number-one song in Brazilian singles chart history, spending 27 consecutive weeks at number-one. Additionally, Carey has had three songs debut at number-one on the Billboard Hot 100: "Fantasy", "One Sweet Day" and "Honey", making her the artist with the most number-one debuts in the chart's 52 year history. Also, she is the first female artist to debut at number 1 in the U.S. with "Fantasy". In 2010, Careys 13th and second christmas album,Merry Christmas II You debuted at #1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart.
One of Carey's most high-profile benefit concert appearances was on VH1's 1998 Divas Live special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special At Home for the Holidays, which documented real-life stories of adopted children and foster families, and she has worked with the New York City Administration for Children's Services. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon "Shelter from the Storm". In August 2008, Carey and other singers recorded the charity single, "Just Stand Up" produced by Babyface and L. A. Reid, to support "Stand Up to Cancer". On September 5, the singers performed it live on TV.
Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life". She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, "M". According to Forbes, Carey was the sixth richest woman in entertainment , with an estimated net worth of US $225 million. Carey directed or co-directed several of the music videos for her singles during the 1990s. Slant magazine named the video for "The Roof (Back in Time)", which Carey co-directed with Diane Martel, one of the twenty greatest music videos of all time. In 2008, Carey made Time's annual list of 100 most Influential people. In January 2010, Carey announced via Twitter that she is launching a new rosé champagne brand called Angel Champagne.Supporting Actress of the Year at the Capri Hollywood International Film FestivalNominated — Black Reel Award for Best Supporting Actress & Best Ensemble. Nominated — NAACP Image Award for Outstanding Supporting Actress in a Motion PictureNominated — Screen Actors Guild Award for Outstanding Cast in a Motion Picture. |}
{| class="wikitable sortable" |- ! Year ! Title ! Role ! class="unsortable" | Notes |- | 2002 | Ally McBeal | Candy Cushnip | "" (Season 5, episode 8) |- | 2003 | The Proud Family | Herself | Voice role |}
Category:1970 births Category:1990s singers Category:2000s singers Category:2010s singers Category:Living people Category:Actors from New York Category:African American actors Category:African American female singers Category:African American female singer-songwriters Category:African American musicians Category:African American songwriters Category:American rhythm and blues singer-songwriters Category:American film actors Category:American female singers Category:American music video directors Category:American pop singers Category:American record producers Category:Hip hop singers Category:American dance musicians Category:American sopranos Category:English-language singers Category:Grammy Award winners Category:American musicians of Irish descent Category:Island Records artists Category:Musicians from New York Category:People from Long Island Category:Spanish-language singers Category:American people of Venezuelan descent Category:World Music Awards winners Category:American philanthropists
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| Name | Christina Aguilera |
|---|---|
| Background | solo_singer |
| Birth name | Christina María Aguilera |
| Alias | Xtina |
| Born | December 18, 1980Staten Island, New York United States |
| Origin | Wexford, Pennsylvania United States |
| Genre | Pop, R&B;, soul, dance-pop, hip hop |
| Occupation | Singer-songwriter, record producer, dancer, actress |
| Instrument | Vocals, piano |
| Years active | 1993–present |
| Label | RCA |
| Url |
Christina María Aguilera (born December 18, 1980) is an American recording artist and actress. Aguilera first appeared on national television in 1990 as a contestant on the Star Search program, and went on to star in Disney Channel's television series The Mickey Mouse Club from 1993–1994. Aguilera signed to RCA Records after recording "Reflection", the theme song for the animated film Mulan (1998).
In 1999, Aguilera came to prominence following her debut album Christina Aguilera, which was a commercial success spawning three number one singles on the Billboard Hot 100—"Genie in a Bottle", "What a Girl Wants", and "Come On Over Baby (All I Want Is You)." A Latin pop album, Mi Reflejo (2001), and several collaborations followed which garnered Aguilera worldwide success, though she was displeased with her lack of input in her music and image. After parting from her management, Aguilera took creative control over her second studio album, Stripped (2002). The album's second single, "Beautiful," was a commercial success and helped the album's commercial performance amidst controversy over Aguilera's image. Aguilera followed up Stripped with Back to Basics (2006), which was released to positive critical acclaim and included elements of soul, jazz, and blues music. Aguilera's fourth studio album Bionic (2010), which incorporated aspects of R&B;, electropop, and synthpop, was met with mixed reviews and poor sales.
Aside from being known for her vocal ability, music videos and image, musically, she includes themes of dealing with public scrutiny, her childhood, and female empowerment in her music. Apart from her work in music, she has also dedicated much of her time as a philanthropist for charities, human rights and world issues. She made her feature film debut in the musical Burlesque (2010), earning Aguilera a Golden Globe nomination for Best Original Song. Aguilera's work has earned her numerous awards and accolades, including a star on the Hollywood Walk of Fame, four Grammy Awards and a Latin Grammy Award, amongst fifteen and three nominations respectively. Rolling Stone ranked her number fifty-eight on their list of the 100 Greatest Singers of All Time, ranking as the youngest and only artist on the list under the age of thirty. She was ranked the 20th Artist of the 2000–09 decade by Billboard and is the second top selling single artist of the 2000's behind Madonna. Aguilera has sold nearly 50 million albums worldwide making her one of the best-selling music artists of all time.
As a child, Aguilera aspired to be a singer. She was known locally as "the little girl with the big voice", singing in local talent shows and competitions. She attended Marshall Middle School near Wexford and North Allegheny Intermediate High School until she was later home schooled. On March 15, 1990, she appeared on Star Search singing "A Sunday Kind of Love", but lost the competition at number 2. Soon after losing on Star Search, she returned home and appeared on Pittsburgh's KDKA-TV's Wake Up With Larry Richert to perform the same song. Throughout her youth in Pittsburgh, Aguilera sang "The Star-Spangled Banner" before Pittsburgh Penguins hockey, Pittsburgh Steelers football and Pittsburgh Pirates baseball games, including during the 1992 Stanley Cup Finals. Following her television appearances Aguilera experienced resentment and bullying from her peers including an incident in which her peers slashed the tires on her family's car. Aguilera recalls, "doing what I did and maybe being a little smaller, I was definitely picked on and bullied for the attention that I got. It was definitely unwanted attention and there was a lot of unfairness about it."
In 1991 Aguilera auditioned for a role on The Mickey Mouse Club, however, she did not meet the age requirements. Two years later, she joined the cast performing musical numbers and sketch comedy, until the show's cancellation in 1994. Her co-stars included Justin Timberlake, Britney Spears, Ryan Gosling and Keri Russell where they nicknamed her "the Diva" for her performance style and voice. At the age of fourteen, Aguilera recorded her first song, "All I Wanna Do", a hit duet with Japanese singer Keizo Nakanishi. In 1997, she represented the United States at the international Golden Stag Festival with a two-song set. Aguilera entered talent contests on "teen night" at the Pegasus Lounge, a gay and lesbian nightclub in Pittsburgh and later at Lilith Fair. In 1998, Aguilera sent in a demo of her singing Whitney Houston's "Run to You" to Disney who were looking for a singer to record the song "Reflection" for their animated feature film Mulan (1998). The demo caught the attention of producer and label executive Ron Fair who would later mentor her throughout her career and led to Aguilera earning a contract with RCA Records the same week. The album is also included in the Top 100 Albums of All Time list of The Recording Industry Association of America (RIAA) based on US sales. Released during the teen pop era of 1999 the album was well received by several critics, Stephen Thomas Erlewine of AllMusic writes that Aguilera's debut "remains firmly within the teen-oriented dance-pop genre, but done right." Concluding that the album is "lightweight in the best possible sense -- breezy, fun, engaging, and enjoyable on each repeated listen. Out of the deluge of teen-pop albums in 1999, this feels like the best of the lot." Her debut single, "Genie in a Bottle" was an instant hit reaching #1 on the Billboard Hot 100 and in several countries worldwide. Her follow-up singles "What a Girl Wants" and "Come On Over Baby (All I Want Is You)" topped the Hot 100 as well during 1999 and 2000 while "I Turn to You" reached number three. She is one of the few artists to have multiple #1 singles from a debut album in Billboard's history. She made a cameo appearance on an episode of Beverly Hills, 90210, performed on MTV's New Year's Special as MTV's first artist of the millennium, and the Super Bowl XXXIV halftime show. At the 42nd Grammy Awards Aguilera received a Best Female Pop Vocal Performance Grammy nomination for "Genie in a Bottle" and despite earlier predictions, she won the award Grammy Award for Best New Artist.
In 2000, Aguilera began recording her first Spanish-language album with producer Rudy Pérez in Miami. Later in 2000, Aguilera, first emphasized her Latin heritage by releasing her first Spanish album, Mi Reflejo on September 12, 2000. This album contained Spanish versions of songs from her English debut as well as new Spanish tracks. Though some criticized Aguilera for trying to cash in on the Latin music boom at the time. According to Pérez, Aguilera was only semi-fluent, while recording. She understood the language, because she has grown up with her father, who is a native of Ecuador. He added "Her Latin roots are undeniable".
in 2000.]] Aguilera's first concert tour, (also known as "Christina Aguilera: In Concert") began in the summer of 2000 in the US and ended early 2001 where she toured South America and Asia. A concert special aired on ABC titled My Reflection and was released to DVD and certified Gold in the US. Aguilera was rumored to have dated MTV VJ Carson Daly. Rumors of their relationship were fueled after the release of Eminem's song, "The Real Slim Shady" in which he also insinuated a romance between her and rocker Fred Durst. Aguilera responded saying the lyrics were "disgusting, offensive and, above all, not true." Their feud ended two years later backstage at the Video Music Awards after Aguilera presented the rapper an award onstage. She dated Puerto Rican dancer Jorge Santos. Santos appeared on her tour and music videos throughout 2000. They dated for nearly two years until the relationship ended on September 11, 2001. He remained her dancer well into 2002.
Ricky Martin asked Aguilera to duet with him on the track "Nobody Wants to Be Lonely" from his album Sound Loaded; released in 2001 as the album's second single. The single reached number one on the World Chart and top ten in several countries. In 2001, Aguilera, Lil' Kim, Mýa, and Pink were chosen to remake Labelle's 1975 single "Lady Marmalade" for the film Moulin Rouge! and its soundtrack. The song peaked at number-one on the Billboard Hot 100 for five weeks and was the most successful airplay-only single in history. It also reached number one in eleven other countries and earned all four performers a Grammy Award for Best Pop Collaboration with Vocals. Aguilera's appearance in the music video was compared to that of Twisted Sister frontman Dee Snider. The video won two MTV Video Music Awards including Video of the Year in 2001, where Aguilera accepted the award saying, "I guess the big hair paid off."
That same year, the single "Just Be Free" emerged into record stores which was one of the demos Aguilera recorded when she was around fifteen years old. When RCA Records discovered the single, they advised fans not to purchase it. Months later, Warlock Records was set to release Just Be Free, an album which contains the demo tracks. Aguilera filed a breach of contract and unfair competition suit against Warlock and the album's producers to block the release. Instead, the two parties came to a settlement to release the album. Aguilera lent out her name, likeness and image for an unspecified amount of damages. Many of the details of the lawsuit remain confidential. When the album was released in August 2001, it had a photograph of Aguilera when she was fifteen years old.
Although Aguilera's debut album was commercially successful, she was dissatisfied with the music and image her management had created for her. Aguilera was marketed as a bubblegum pop singer because of the genre's upward financial trend. She mentioned plans of her next album to have much more depth, both musically and lyrically. Aguilera's views of Steve Kurtz's influence in matters of the singer's creative direction, the role of being her exclusive personal manager and overscheduling had in part caused her to seek legal means of terminating their management contract. In October 2000, Aguilera filed a breach of fiduciary duty lawsuit against her manager Kurtz for improper, undue and inappropriate influence over her professional activities, as well as fraud. According to legal documents, Kurtz did not protect her rights and interests. Instead, he took action that was for his own interest, at the cost of hers. The lawsuit came about when Aguilera discovered Kurtz used more of her commissionable income than he was allotted, and had paid other managers to assist him. She also petitioned the California State Labor Commission to nullify the contract. She revealed while recording her then upcoming album, "I was being overworked. You find out that someone you thought was a friend is stealing money behind your back, and it's heartbreaking. I put faith in the people around me, and unfortunately, it bit me in the butt." Kurtz was terminated as her manager. After terminating Kurtz's services, Irving Azoff was hired as her new manager.
in 2003.]] Initially, the raunchy image had a negative effect on Aguilera in the U.S., especially after the release of her controversial "Dirrty" music video. It appeared at number ten on Billboard's year-end album chart and she was Billboard's top female artist for 2003. Kelly Clarkson's second single "Miss Independent" was co-written by Aguilera, having been half-finished for Stripped.
Aguilera joined Justin Timberlake that June on the final leg of his international Justified tour, held in the U.S. This portion of the tour became a co-headliner called the Justified/Stripped Tour. In August, an overhead lighting grid collapsed from the ceiling of the Boardwalk Hall in Atlantic City, New Jersey, causing major damage to the sound and video equipment below. Because the collapse occurred hours before the show, only a few stagehands were injured, but a few shows were cancelled or postponed. In the fourth quarter of that year, Aguilera continued to tour internationally without Timberlake, and changed the name of the tour to the Stripped World Tour. She also dyed her hair black. It was one of the top-grossing tours of that year, and sold out most of its venues. Rolling Stone readers named it the best tour of the year. That same year she hosted the 2003 MTV Europe Music Awards and was a special guest performer with the Pussycat Dolls' dance troupe performing at the Roxy Theatre and Viper Room in Los Angeles. She also appeared on a Maxim spread alongside them, her second Maxim cover that year set record sales for the issue making it the top selling issue to date. By the end of the year she topped the annual Hot 100 list later saying, "We had fun working with certain clothes, or the lack thereof."
Aguilera's first DVD live-recording from a concert tour, Stripped Live in the U.K., was released in November 2004. In light of the tour's success, another U.S. tour was scheduled to begin in mid-2004 with a new theme. The tour however was scrapped because of the vocal cord injuries Aguilera suffered shortly before the tour's opening date. In a tribute to Madonna's performance at the inaugural MTV Video Music Awards, Aguilera performed a kiss with the singer-actress at the 2003 edition of the ceremony in August. The incident occurred during the opening performance of Madonna's songs "Like a Virgin" and "Hollywood" with fellow popstar Britney Spears.
Aguilera later decided to embrace a more mature image; this move was met with more praise than criticism, with articles using punch lines such as "From Crass to Class." She eventually dyed her hair cherry blonde and recorded a jingle, "Hello", for a Mercedes-Benz ad. Shortly after, she dyed her hair flaxen blonde and cut it short, and took on a Marilyn Monroe look; she is one of the main proponents (along with Dita Von Teese, Gwen Stefani, and Ashley Judd) in bringing back the 1920s–1940s Hollywood glamour look. In late summer 2004, Aguilera released two singles. The first, "Car Wash", was a remake of the Rose Royce disco song recorded as a collaboration with rapper Missy Elliott for the soundtrack to the film Shark Tale. She voiced a small singing part in the film playing a Rastafarian jellyfish in the film's closing musical number. The second song was also a collaboration, but this time as a second single from one of Nelly's double-release albums, Sweat'', titled "Tilt Ya Head Back". Both singles failed commercially in the U.S., but did considerably better in other parts of the world.
Story festival in 2006.]] Aguilera's third English studio album, Back to Basics was released August 15, 2006. The album debuted at #1 in the US, the UK and eleven other countries. Aguilera described the double CD as "a throwback to the 20s, 30s, and 40s-style jazz, blues, and feel-good soul music, but with a modern twist." The album received generally positive reviews, although many critics commented on the album's length saying, "At one disc, this would have been nothing short of masterful." A review in AllMusic adds, "Back to Basics also makes clear that Stripped was a necessary artistic move for Christina: she needed to get that out of her system in order to create her own style, one that is self-consciously stylized, stylish, and sexy." The critically acclaimed lead single "Ain't No Other Man" was a substantial success, reaching #2 on the World Chart, #6 in the U.S., and #2 in the UK. Producers on the album included DJ Premier, Kwamé, Linda Perry, and Mark Ronson. The follow-up singles did very well in different regions, "Hurt" in Europe and "Candyman" in the Pacific. She co-directed both music videos, the former with Floria Sigismondi who directed her "Fighter" video, and the latter, "Candyman", with director/photographer Matthew Rolston which was inspired by The Andrews Sisters. Back to Basics'' has sold 4.5 million units worldwide, with over 1.7 million sold in the US.
In late 2006 Aguilera collaborated with Sean "Diddy" Combs on a track, titled "Tell Me", from his album Press Play. She also began the Back to Basics Tour in Europe followed by a 41-date North American tour in early 2007. After this, she toured Asia and Australia, where it was supposed to end on August 3, however she canceled her dates in Melbourne and her final two in Auckland due to an illness. Her extravagant arena tour included cabaret, three-ring circus and juke joint sets and 10 piece costumes designed by Roberto Cavalli. She released her concert DVD the following year. The tour grossed nearly 50 million by the end of the year in North America and an additional 40 million worldwide in her Europe and Australia dates, grossing almost 90 million by the end of the tour. It was the most successful US tour by a female in 2007.
At the 49th Grammy Awards, Aguilera again won the Best Female Pop Vocal Performance for "Ain't No Other Man". She made a noteworthy performance at the ceremony paying tribute to James Brown with her rendition of his song "It's a Man's Man's Man's World". In January 2007, she was named the 19th richest woman in entertainment by Forbes, with a net worth of US$60 million. Aguilera performed "Steppin' Out With My Baby" with Tony Bennett on his NBC special Tony Bennett: An American Classic and on Saturday Night Live. They performed at the 59th Primetime Emmy Awards where both specials received Emmys. "Steppin' Out" was nominated for Best Pop Collaboration with Vocals at the 50th Annual Grammy Awards.
Aguilera confirmed she was pregnant on November 4, 2007, though Paris Hilton accidentally revealed her pregnancy several weeks prior during a party Aguilera hosted. She gave birth to her son, Max Liron Bratman, in Los Angeles, California early the following year and held a bris for Max Liron with Bratman, who is of Jewish descent, where he was circumcised in accordance with Jewish ritual. Aguilera was reportedly paid $1.5 million by People magazine for her baby pictures, which according to Forbes places fifth on the list of the most expensive celebrity baby photos.
To commemorate Aguilera's ten years in the music industry, RCA Records released, on November 11, 2008 exclusively at Target stores in the U.S. The greatest hits included her first three number one singles, and other songs released from her previous three albums. "Lady Marmalade" and several Spanish singles from Mi Reflejo were included in the worldwide releases. The album's only single, "Keeps Gettin' Better", was premiered at the 2008 MTV Video Music Awards, and debuted and peaked at #7 on the Billboard Hot 100, her highest debut on the chart. Aguilera was one of Billboard's Top 20 Artists of the Decade in their year-end charts.
Aguilera's fourth English studio album, Bionic, was released on June 8, 2010. The album's producers included Tricky Stewart, Samuel Dixon, Polow da Don, Le Tigre, Switch, Ester Dean, songwriters Sam Endicott, Sia Furler, Claude Kelly, Linda Perry and collaborations with M.I.A., Santigold, Nicki Minaj, and Peaches. The album's only two singles, "Not Myself Tonight" and "You Lost Me" peaked at #1 on the Billboard Hot Dance Club Play Charts but were unsuccessful elsewhere. Bionic's material consisted of many mainstream and pop records along with electronic and dance music. The album was released to mixed reviews from music critics, with Jon Pareles of The New York Times writing that the singer's new music direction "makes her sound as peer-pressured as a pop singer can be." Allison Stewart of The Washington Post described the album as being "noisy, robotic and overstuffed" and felt that one of the disc's "greatest disappointments" is its "virtual abandonment" of Aguilera's voice. She concluded that Aguilera attempts "to do it all," which was to try to "revel in her newfound domesticity, to wrest her crown from Gaga and to reestablish her sex kitten bona fides," but overall thought that the plan backfired on Bionic. The album has sold 260,000 units in the US to date. Shortly after the album's release, further promotion ended and a scheduled summer tour for the album was cancelled due to "inadequate rehearsal time". "You Lost Me" was her first single to not chart the Hot 100 while Bionic was her first English studio album not to receive a Grammy nomination. Aguilera responded to the album's performance in an interview saying, "I was really proud of that record. I think there was a lot of promotion issues, coming from a standpoint of how everything resulted. Nothing is ever a setback. If anything, it just motivates you for what’s next."
Aguilera confirmed news reports that she and Bratman had separated, saying in a statement, "Although Jordan and I are separated, our commitment to our son Max remains as strong as ever." Aguilera filed for divorce from Bratman on October 14, 2010, seeking joint legal and physical custody of their son, and specifying September 11, 2010 as the date of separation. The following month she appeared as herself on the Entourage season seven finale as a client/friend of Ari Gold. On November 15, 2010, Aguilera received a Star on the Hollywood Walk of Fame.
It was confirmed in 2009 that Aguilera would appear in her first feature film, the musical Burlesque, released in November 2010. She portrayed a small town girl, Ali Rose, who finds love and success in a Los Angeles neo-burlesque club. Aguilera performed eight of the ten tracks on the film's soundtrack released on November 22, 2010. Aguilera co-wrote a number of the tracks working with producers and writers including Tricky Stewart, Sia Furler, Samuel Dixon, Linda Perry, Claude Kelly, Danja, and Ron Fair. The remaining two tracks were sung by Cher, who co-starred in the film. The film, distributed by Screen Gems, was directed by actor and director Steve Antin who also wrote the script. Antin wrote the role of Ali specifically for Aguilera. The film also featured Cam Gigandet as her love interest, Eric Dane, Kristen Bell and Stanley Tucci. Several critics praised Aguilera's performance. A review in TIME states, "Aguilera might not be to your taste, or mine, but in terms of sheer power, she's impressive. If Ali were real, she'd have already been discovered on American Idol." While Variety wrote, "Aguilera, while undeniably entertaining when her character is onstage, cannot spin the slight backstory into anything resembling a full-blooded person." Though Burlesque was released to mixed reviews from critics, the film received a Golden Globe nomination for Best Picture - Musical or Comedy and earned Aguilera, alongside co-writer Sia Furler and producer Samuel Dixon, a nomination for Best Original Song for the track "Bound to You".
Since her debut in 1999 Aguilera has been compared to the likes of Mariah Carey and Whitney Houston. David Browne of The New York Times writes, "Aguilera has been one of the foremost practitioners of the overpowering, Category 5 vocal style known as melisma. Ms. Carey, Ms. Houston and Ms. Aguilera, to name its three main champions, are most associated with the period from the late ’80s through the late ’90s." A review in the Los Angeles Times compared Aguilera's vocal stylings to Barbra Streisand, Gladys Knight, and Aretha Franklin adding, "Aguilera's Streisand-esque tendencies are a good thing; they're helping her figure out how to become the "great singer" she's been dubbed since she released her first single, the wise-beyond-its-years "Genie in a Bottle", at 18." Although praised for her vocals, Aguilera has been labeled for oversinging in her songs and concerts. Longtime producer and writer, Linda Perry, commented on working on the record, "Beautiful", saying, "I tried to keep it straight. I told her to get rid of the finger waves. Every time she'd start going into "hoo-ha", I'd stop the tape. I'm like, 'You're doing it again.'" Perry ended up using the first take saying, "She had a hard time accepting that as the final track. It's not a perfect vocal – it's very raw. She knows her voice really well, and she knows what's going on. She can hear things that nobody else would catch."
The majority of the songs are characterized by Aguilera's loud vocals, though she has used breathy and soft vocals. Her 2006 release, Back to Basics included producer DJ Premier. The New York Times exclaims, "Her decision to work with the low-key DJ Premier was also a decision to snub some of the big-name producers on whom pop stars often rely." Aguilera has often cited that she prefers working with producers that aren't in popular demand, saying "I don't necessarily go to the main people that are the No. 1 chart-toppers in music." The album included live instrumentation and samples of past jazz and soul records. Some tracks on the album included non-traditional forms of pop music such as swing jazz and big band, drawing comparisons to Madonna's I'm Breathless and the musical film Cabaret. Her first feature film, Burlesque, influenced by Cabaret, featured mainstream producers Tricky Stewart and Danja on the soundtrack where several established songs were updated and worked into dance numbers, a style similar to 2001's Moulin Rouge! "Diamonds Are a Girl's Best Friend" was performed by Aguilera in the film, a musical number also performed by Nicole Kidman in Moulin Rouge!
Aguilera cites the musical The Sound of Music and its lead actress, Julie Andrews as an early inspiration for singing and performing. She mentioned the "Golden age of Hollywood" as another inspiration in which she says, "I'm referencing Marlene Dietrich, Marilyn Monroe, Carole Lombard, Greta Garbo, Veronica Lake". In her music video for "Ain't No Other Man" she plays her alter ego, "Baby Jane" in reference to the film Whatever Happened to Baby Jane?. The film's stars included actresses Bette Davis and Joan Crawford. The third single off Back to Basics, "Candyman" was inspired by the 1941 song, "Boogie Woogie Bugle Boy" by The Andrews Sisters which was played during World War II. She was also inspired by pin-up girls and several paintings by Alberto Vargas. Aguilera has expressed interest in cultural icons Nico, Blondie and artists Roy Lichtenstein and Andy Warhol. She has often worked with photographer and close friend, David LaChapelle who once worked with Warhol. Chapelle has shot many of Aguilera's music videos, magazine shoots and advertisements. She is also a fan of graffiti artist Banksy. In 2006 she purchased three of Banksy's works during a private art exhibition, one of them included a pornographic picture of Queen Victoria in a lesbian pose with a prostitute. She has mentioned in several interviews that she is a fan of actress Angelina Jolie, and her Burlesque co-star, Cher.
In 2008 jewelry designer Stephen Webster and close friend of Aguilera released "Shattered", a collection of sterling silver pieces, through Neiman Marcus and Bergdorf Goodman. Aguilera, who inspired the collection, was featured as a Hitchcock heroine saying, "Working together on this campaign and collection has been an incredible experience. I am honored to be a part of it all." They reprised their work together for Webster's 2009 spring line.
Aguilera released two fragrances throughout Europe, the first one Xpose, was released in late 2004 and sold relatively well. Through Procter and Gamble Aguilera released her signature fragrance, Simply Christina in 2007. In Christmas 2007, the fragrance became the number one perfume in the UK, and later in 2009 it became the 4th best selling perfume in the UK, and Germany where it topped sales for the year. The perfume won as the people's choice for favorite celebrity fragrance at the annual UK Fifi Awards 2008. She released her third fragrance, Inspire, accompanied with a body care collection, on September 1, 2008. The perfume hit shelves in the US, Canada, Latin America, Asia and Northern and Eastern Europe. It is Aguilera's first fragrance released outside of Europe. Her worldwide ad campaign included a television ad shot by David LaChapelle and was released in the US through Macy's department stores. The release coincided with Macy's 150th anniversary which featured Aguilera in commemorative photos. She released her fourth fragrance By Night in October, which became the third best selling fragrance in the UK in 2009. During her 2007 tour she unknowingly wore a fur stole during the beginning of her tour, which designer Roberto Cavalli provided without informing Aguilera. After receiving a video from PETA Vice President Dan Mathews on the treatment of foxes, she replaced the stole with faux fur for the remainder of her tour. Aguilera was reportedly upset adding, "I only ever wear fake fur". In 2010 Aguilera auctioned off tickets for her upcoming tour for Christie's A Bid to Save the Earth. Proceeds benefit nonprofit environmental groups Conservation International, Oceana, Natural Resources Defense Council, and The Central Park Conservancy. Aguilera also supports Defenders of Wildlife, Missing Kids, National Alliance of Breast Cancer Organizations, Women's Cancer Research Fund, and Cedars-Sinai Women's Cancer Research Institute. She has also worked alongside nonprofit organization Do Something saying, "Every individual has the power to inspire young people across the country." In 2010 she was nominated for a VH1 Do Something Award for her work with the organization and her efforts in the response to the 2010 Haiti earthquake. She was featured in the campaign for photographer, Brie Childers with the goal of helping women of all ages, races and lifestyles feel beautiful and confident about themselves and the body and skin they were born with. Proceeds from benefit several women's charities nationwide.
Aguilera is still a major contributor in her hometown of Pittsburgh contributing regularly to the Women's Center & Shelter of Greater Pittsburgh. According to her official website, she toured the center and donated $200,000 to the shelter. She also has auctioned off front row seats and back stage passes for the Pittsburgh-based charity. She has continued her donations and visits to the shelter, and plans to open an additional one. She also supports the National Coalition Against Domestic Violence and Refuge UK.
Aguilera is a supporter of the LGBT community and is considered a gay icon by many. She was honored at the GLAAD Awards for using gay and transgender images in her music video for "Beautiful". When accepting the award Aguilera said, "My video captures the reality that gay and transgender people are beautiful, even though prejudice and discrimination against them still exists." In 2005 she appeared on a compilation album titled, Love Rocks, proceeds benefit the Human Rights Campaign, an organization dedicated to fighting for equal rights for gay, lesbian, bisexual and transgendered people. In 2008 she publicly spoke out against California's Proposition 8 which eliminates same-sex marriage in California saying, "Why you would put so much money behind something [aimed at] stopping from people loving each other and bonding together? I just don't understand it. It's hard for me to grasp. But I would've been out there with my rally sign as well."
Aguilera contributes in the fight against AIDS, by participating in AIDS Project Los Angeles' Artists Against AIDS "What's Going On?" cover project. In 2004, Aguilera became the new face for cosmetic company M·A·C and spokesperson for M·A·C AIDS Fund. Aguilera appeared in advertisements of the M·A·C's Viva Glam V lipstick and lipgloss, and was featured on Vanity Fair in recognition of her campaign work. In addition, Aguilera contributed to YouthAIDS by posing for a joint YouthAIDS and Aldo Shoes campaign for "Empowerment Tags" in Canada, the U.S. and the UK. She was featured with one of three ubiquitous slogans, "Speak No Evil?" and stated, "HIV is something that people don’t want to talk about, hear about, or face." Singer Elton John featured Aguilera in his charity book titled "Four Inches" benefiting the Elton John AIDS Foundation. Elton also hand-picked Aguilera, for his annual "Fashion Rocks" charity concert which accompanies music and fashion to benefit the fight against AIDS/HIV.
.]] In the run-up to the 2004 United States presidential election, Aguilera was featured on billboards for the "Only You Can Silence Yourself" online voter registration drive run by the nonpartisan, non-profit campaign "Declare Yourself". In these political advertisements, shot by David LaChapelle, Aguilera was shown with her mouth sewn shut, to symbolize the effects of not voting. She appeared on The Oprah Winfrey Show to discuss the importance of voting. In late 2007 Aguilera became the spokesperson for "Rock the Vote" where she urged young people to vote in the 2008 presidential election. In partnership with "Rock the Vote", she appeared in a public service announcement which aired in summer 2008. The advert showed Aguilera with her son, Max Bratman, wrapped in an American flag, while singing "America the Beautiful".
In November 2005, all of her wedding gifts were submitted to various charities around the nation in support of Hurricane Katrina victims. That year she also performed at "Unite of the Stars" concert in aid of Unite Against Hunger in Johannesburg, South Africa and at the Nelson Mandela Children's Fund at the Coca-Cola Dome. In March 2007 Aguilera took part in a charity album (remaking Lennon's "Mother"), proceeds benefit Amnesty International's efforts to end genocide in Darfur. The album titled, , was released June 12, 2007 and featured various artists. In 2008 she headlined London's Africa Rising charity concert at Royal Albert Hall which raises awareness for finding substantial issues facing the continent. Later that year she appeared on the Turkish version of Deal or No Deal "Var mısın? Yok musun?" , where she won $180,000. Proceeds were donated to a charity program for orphans.
In 2009 Aguilera became the global spokesperson for World Hunger Relief appearing in advertisements, online campaigns and a public service announcement. Aguilera and her husband traveled to Guatemala with the World Food Programme to bring awareness to issues such as the high malnutrition rate in that country. She met with families of the villages and some of the beneficiaries of WFP's nutrition programs. Aguilera adds, "The people of WFP do such a great job helping hungry children and mothers. I'm thankful for the opportunity to be part of such a wonderful project." Since becoming a global spokeswoman Aguilera has helped raise over $22 million which helped provide over 90 million meals. She was honored at Variety's annual "Power of Women" luncheon in late 2009 alongside other women in entertainment for her contribution to philanthropic and charitable causes. In response to the 2010 Haiti earthquake, Aguilera donated a signed Chrysler 300 which was auctioned for relief efforts. She was one of the many artists who appeared on the telethon on January 22, 2010, donations directly benefited Oxfam America, Partners In Health, Red Cross and UNICEF. She later appeared on a second public service announcement alongside sports icon Muhammad Ali to raise funds for the World Food Programme's efforts to bring food to survivors of the earthquake. Later that year Aguilera made her first visit to Haiti as an ambassador against hunger where she visited two schools in the town of Léogâne. During her time there she assisted in the ongoing efforts to help the badly damaged town where she served meals and highlighted reconstruction efforts in the country.
{| class="wikitable sortable" |+Television ! Year ! Title ! Role ! class="unsortable" | Notes |- | 1993–1995 || The Mickey Mouse Club || Herself || 3 episodes |- | 1999 || Beverly Hills, 90210 || Herself || "Let's Eat Cake" |- | 2000–2006 || Saturday Night Live || Herself || Host, musical guest, 4 episodes |- | 2009 || Project Runway || Herself || Guest Judge, "Sequins, Feathers and Fur, Oh My!" |- | 2010 || Entourage || Herself || "Lose Yourself" |}
Category:1980 births Category:1990s singers Category:2000s singers Category:2010s singers Category:American child singers Category:American dance musicians Category:American female singers Category:American musicians of Irish descent Category:American music video directors Category:American people of Dutch descent Category:American people of Ecuadorian descent Category:American people of German descent Category:American pop singers Category:American singer-songwriters Category:American stage actors Category:American television actors Category:Blue-eyed soul singers Category:BRIT Award winners Category:English-language singers Category:Feminist artists Category:Grammy Award winners Category:Hispanic and Latino American people Category:Ivor Novello Award winners Category:Latin Grammy Award winners Category:LGBT rights activists from the United States Category:Living people Category:Military brats Category:Mouseketeers Category:Musicians from New York City Category:Musicians from Pittsburgh, Pennsylvania Category:People from Staten Island Category:RCA Records artists Category:Sony BMG artists Category:Spanish-language singers Category:World Music Awards winners
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| Birth name | Whitney Elizabeth Houston |
|---|---|
| Also known as | The Voice, Queen of R&B;, The Diva of all Divas |
| Background | solo_singer |
| Born | August 09, 1963Newark, New Jersey, U.S. |
| Origin | East Orange, New Jersey |
| Instrument | Vocals, piano |
| Genre | R&B;, pop, dance, soul, gospel |
| Occupation | Singer, songwriter, actress, record producer, film producer |
| Years active | 1985–present |
| Label | Arista/Sony Music |
| Associated acts | Mariah Carey, Chaka Khan, Bobby Brown |
| Url |
Houston released her debut album Whitney Houston in 1985, which became the best-selling debut album by a female act at the time of its release. Her second studio album Whitney (1987) became the first album by a female artist to debut at number one on the Billboard 200 albums chart.
Houston appeared in her first starring role in the feature film The Bodyguard in 1992. The film's won the 1994 Grammy Award for Album of the Year. Its lead single, "I Will Always Love You", became the best-selling single by a female artist in music history. After the release of her fourth studio album My Love Is Your Love (1998), she renewed her recording contract with Arista Records in 2001. with 2 Emmy Awards, 6 Grammy Awards, 16 Billboard Music Awards, 22 American Music Awards, among a total of 411 career awards as of 2006. Houston is also one of the world's best-selling music artists, having sold over 170 million albums and singles worldwide. Although she has released relatively few albums, she is ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone. In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, ranking Houston at number nine. She has been listed by Rolling Stone magazine as one of The 100 Greatest Singers of All Time. Similiary, she is ranked as one of the Top 100 Greatest Artists of All Time by VH1.
Houston had previously been offered several recording agencies (Michael Zager in 1980 and Elektra Records in 1981). In 1983, Gerry Griffith, an A&R; representative from Arista Records saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on The Merv Griffin Show.
Houston signed with Arista in 1983 but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, Love Language. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.
At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was ineligible for the Best New Artist category due to her previous duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for 'Best Pop Vocal Performance, Female' for "Saving All My Love for You". At the same award show, she performed that Grammy-winning hit; that performance later winning her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program. Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is currently listed as one of Rolling Stone's 500 Greatest Albums of All Time and on The Rock & Roll Hall Of Fame's Definitive 200 list. Whitney Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.
At the Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Also Houston won two American Music Awards in 1988 and 1989 respectively. Following the release of the album, Houston embarked on the Moment of Truth World Tour which was one of the ten highest grossing concert tours of 1987. The success of the tour and her albums ranked Houston #8 for the highest earning entertainers list according to Forbes Magazine. She was the highest earning African-American woman and the third highest entertainer after Bill Cosby and Eddie Murphy.
Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. In June 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her current world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–1988 according to Forbes Magazine.
In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it." while Entertainment Weekly, at the time thought Houston's shift towards an urban direction was "superficial". The album peaked at number three on the Billboard 200 and went on to be certified four times platinum in America while selling twelve million total worldwide. The first two singles, the new jack swing "I'm Your Baby Tonight" and the gospel-tinged "All The Man That I Need", each hit number one on both the US Hot 100 and US R&B; singles charts. The third and fourth singles, "Miracle"; and "My Name Is Not Susan" peaked at numbers nine and twenty, respectively. A fifth single, "I Belong to You", peaked in the Top 10 on the R&B; charts, while yet a sixth single, the duet with Stevie Wonder entitled, "We Didn't Know", made the R&B; Top 20.
With America at war, Houston performed "The Star Spangled Banner" at Super Bowl XXV in January 1991. VH1 listed the performance as the 12th greatest moment that rocked TV. Her recording of the song was released as a commercial single, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached #50 in November 1968). Houston donated all her share of the proceeds to the Red Cross. Later that year, Houston put together her Welcome Home Heroes concert with HBO for the soldiers fighting in the Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the I'm Your Baby Tonight World Tour.
The film's soundtrack was also a worldwide success. Houston executive produced and contributed six songs for the motion picture's . It featured production from David Foster. Entertainment Weekly said the two cover songs are "artistically satisfying". Rolling Stone said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Some, including Foster and radio programmers, were skeptical that the song would fare well on radio due to Houston's a capella intro. Still, the record company took the risk and released it as the first single and it became a massive global hit. The single peaked at number one on the Billboard Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks. The song also hit number-one in nearly every other country worldwide. The soundtrack debuted at #1 and remained there for twenty non-consecutive weeks and became one of the fastest selling albums ever. At one point the soundtrack sold over a million copies within a week, becoming the first album to do so. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both peaking in the top five, Houston became the first female artist to ever have three singles in the Top 20 simultaneously. The album was certified 17× platinum in the United States with worldwide sales of 42 million, making "The Bodyguard" the only album by a female act on the list of the world's Top 10 best-selling albums. Houston won three Grammys for the album, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won eight American Music Awards at that year's ceremony, including the Award of Merit, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour in 1993 and 1994. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–1994, just behind Oprah Winfrey and Barbra Streisand according to Forbes Magazine. Houston placed in the top five of Entertainment Weekly's annual "Entertainer of the Year" ranking and was labeled by Premier Magazine as one of the 100 most powerful people in Hollywood.
In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela."
Like Houston's previous project, the film's accompanying soundtrack was also a huge hit. Houston co-produced, with Babyface, the soundtrack, . Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at #1, and then spent a record eleven weeks at the #2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at #1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. and has since ranked it as one of the 100 Best Movie Soundtracks. Newsday called it "the most significant R&B; record of the decade." Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work
In 1996, Houston starred in the holiday comedy The Preacher's Wife, with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). Houston earned $10 million for the role, making her one of the highest paid actress in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. The San Francisco Chronicle said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice." Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.
Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, like USA Today, noted the presence of her emotional depth, while The UK Times said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for."
In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's Cinderella. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.
Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Billie Holliday by performing their hits during the three-night HBO Concert Classic Whitney, live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund.
In May 2000, was released. The double disc set peaked at number five in the United States and reached number one in the United Kingdom. While ballad songs were left unchanged, the album is notable for featuring house/club remixes of many of Houston's up-tempo hits, in place of their original version. Also included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", none of which landed in the American Top 40, but were hits in the UK and several other countries. Along with the album, an accompanying DVD was released featuring the music videos to Houston's greatest hits. The greatest hits album was certified triple platinum in the US, with worldwide sales of ten million. Houston and Chase, along with Warner Brothers, were then set to produce a remake of the 1976 film Sparkle about a 1960s singing group of three sisters in Harlem. Aaliyah, who was to star in the remake, was killed in a plane crash in 2001 before production began.
Also in 2002, Houston did an interview with Diane Sawyer to promote her upcoming album "Just Whitney". The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." Houston did, however, admit to using other substances at times. Some reviews from publications were positive, but Rolling Stone said the album "only shows an artist vainly trying to reach for her future," while The San Francisco Chronicle said the album did "show signs of life, but not enough to declare a resurrection." The album debuted at #9 on the Billboard Hot 200 chart and it had the highest first week sales of any album Houston had ever released. However, the singles struggled on the charts. "Whatchulookinat", "One of Those Days", and "Try It on My Own" didn't reach the Top 40, but the singles performed somewhat better on the R&B; Chart. All singles, including the song "Love That Man", would become hits on the Billboard Hot Dance Club Play chart, with the latter three reaching number one on that chart. Just Whitney was certified platinum in the United States, and sold approximately three million worldwide.
In late 2003, Houston released her first Christmas album , with a song listing of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. The album received positive reviews. The New York Times praised her "lavish swoops, the sultry whispers, the gospelly asides and the meteoric crescendos." USA Today also gave the album a positive review, stating, "she finds satisfying ways to bring new life to old classics." The single "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US.
In early 2004, husband Bobby Brown starred in his own reality TV program, Being Bobby Brown (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The Hollywood Reporter said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.
Houston released her new album, I Look To You, on August 2009. The album's first two singles are "I Look To You" and "Million Dollar Bill". The album entered the Billboard 200 at #1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since The Bodyguard , and Houston's first studio album to reach number one since 1987's Whitney. Houston gave her first interview in seven years, appearing on Oprah Winfrey's season premiere on September 2009. The interview was billed as "the most anticipated music interview of the decade". The interview was so candid that Whitney admitted using drugs with former husband Bobby Brown describing to Oprah that she "laced marijuana with rock cocaine". Houston has also appeared on European television programs to promote the album. She performed the song "I Look To You" on the German television show Wetten Dass. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on The X Factor in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes". The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look To You" went gold. Houston redeemed herself by appearing on the Italian version of X Factor performing the same song "Million Dollar Bill" to good reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. The performance had one of the best, if not the best reviews on the night. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States.
In January 2010 Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single I Look to You. On January 16, she received the BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors was held at the Warner Theatre in Washington, DC and aired February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper The Mirror reported that Houston was thinking about recording her eighth studio album and would like to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration. Houston also performed on the 2011 BET Celebration of Gospel, with gospel–jazz singer Kim Burrell, held at the Staple Center, Los Angeles. The performance will air on January 30, 2011.
Houston's debut is currently listed as one of the 500 Greatest Albums of All Time by Rolling Stone magazine Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to USA Today in 2007. It stated that she paved the way for Mariah Carey’s chart-topping vocal gymnastics.
Houston is a mezzo-soprano. Her vocal range extends from G below middle C (G3) to high B-flat (B5); she can belt out to treble F (F5). Describing Houston's voice, Mariah Carey states "[She] has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of I Look To You, music critic Ann Powers of The Los Angeles Times writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators," adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano." sixth on Online Magazine COVE's list of the 100 Best Pop Vocalists with a score of 48.5/50. In 2008, Rolling Stone listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's "I Will Always Love You" is a tour de force."
Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, rivaling Celine Dion and Mariah Carey. She is commonly referred to as "The Voice", in reference to her exceptional vocal talent. According to The New York Times, Houston has "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the Los Angeles Times referred to the singer as a "national treasure". Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singerㅡmale or femaleㅡin her wake, and spawned a legion of imitators. A number of artists have acknowledged Houston as an influence. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told USA Today that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Brandy stated "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney half of this generation of singers wouldn't be singing," picking Houston's first album as a work of inspired. Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told Newsday that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called as the New Whitney Houston, also cites her as an influence. Lewis has stated that she idolized as a little girl. Beyoncé Knowles told the Globe and Mail that Houston "inspired [her] to get up there and do what [she] did." Alicia Keys, in the interview on her new studio album with the Billboard magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl." Celine Dion, Toni Braxton, Christina Aguilera, Kelly Clarkson, Britney Spears, Ciara, P!nk, Jennifer Hudson, Amerie, Destiny's Child, Regine Velasquez and Charice have all cited Houston as a musical inspiration.
;World tours
;Regional tours
;Notable concerts
Category:Articles with inconsistent citation formats Category:Whitney Houston Category:1963 births Category:African American actors Category:African American female singers Category:American people of Native American descent Category:American people of Dutch descent Category:American dance musicians Category:American female models Category:American film actors Category:American film producers Category:American pop pianists Category:American pop singers Category:American record producers Category:American rhythm and blues singers Category:American mezzo-sopranos Category:American vegetarians Category:Arista Records artists Category:Baptists from the United States Category:English-language singers Category:Grammy Award winners Category:Living people Category:Actors from New Jersey Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from Newark, New Jersey Category:World record holders Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers
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He is internationally recognized as one the world’s leading experimental/new music guitarists (1997 - Guitar Player: “One of the 30 Most Important Guitarists for the Future of the Instrument”), and in recent years has gained a strong reputation as one of Canada’s leading composers of chamber, orchestral and music theatre works (2003 Prix OPUS Composer of the Year award, given by the Conseil québécois de la musique; 2006 Jan V. Matejcek award, given by SOCAN, the Canadian performing rights society).
Brady studied music at Concordia University in Montreal (1975–1978, composition with Alan Crossman, guitar with Claude Dyotte), followed by graduate studies at the New England Conservatory of Music in Boston (1978–1980, composition with W. Thomas McKinley and guitar with the legendary Mick Goodrick).
However, two works of the Toronto period point to the future vision of music as a more unified means of expression, without stylistic boundaries: SOUND OFF (1983), for 40 saxes, 30 trombones, 30 trumpets and 8 bass drums (an outdoor performance piece – unperformed until 1999) and Visions (1984), for improvising soloist and string orchestra. This latter work was to become his first CD release in 1988, in a remarkable performance by trumpeter Kenny Wheeler, with the Orchestre de chambre de Montréal.
Brady’s Toronto years also mark the beginning of his work as a concert producer. In 1982 he founded the production company Contemporary Music Projects, and he would produce and perform in major jazz orchestra events with iconic American jazz arranger Gil Evans (1984) and maverick Canadian trumpeter/composer Kenny Wheeler (1985).
During this period his various jazz groups/big bands performed in clubs and concerts in Toronto and Montréal, and did recordings of his original jazz works for the CBC Radio programme Jazz Beat, as well as for the new music/contemporary classical programme Two New Hours. Brady had his first major international collaboration in 1983, performing a duo concert at the Edmonton Jazz City Festival with the Hungarian bass virtuoso Aladar Pege.
The first major Bradyworks project was Inventions, a 90-minute music and dance collaboration, created in conjunction with Ottawa choreographer Julie West. The work included the 5 musicians of Bradyworks plus the jazz soloists Barre Phillips (bass) and John Surman (saxophones). A CD of the project was released in the autumn of 1991, to coincide with the groups’ first major tour, including 13 concerts across Canada, plus a performance at Roulette, New York’s well-known experimental music space. The tour featured a chamber work entitled The Songline, which had been commissioned by and premiered at the Festival international de musique actuelle de Victoriville.
This project, as with almost all his recorded productions since 1988, was produced in collaboration with engineer and producer Morris Apelbaum, who also works as live sound engineer for the Bradyworks ensemble.
1992 saw the release of his landmark solo guitar and electronics CD Imaginary Guitars, a CD which was internationally acknowledged as a bold new vision of contemporary music for the electric guitar. This was followed by several other solo guitar CDs, all focusing on composing new music for guitar with electronics and tape: Scenarios (1994), Strange Attractors (1997) and the double CD 10 Collaborations (2000). All these recordings were on the Justin Time Records label, out of Montreal. Brady toured extensively in the 1990s as a solo guitarist, including performances at the 1993 Bourges Electronic Music Festival, the 1993 Winnipeg Symphony Orchestra New Music Festival (with his first electric guitar concerto, LOUD), the 1993 Bang On A Can Festival, a 1994 collaboration with the Relâche ensemble in Philadelphia, a 1995 UK tour for the Sonic Arts Network with a performance for the BBC at The South Bank (London), a commission and a solo performance at Maison Radio-France (INA-GRM, Paris) in 1996 (and again in 2001), the 1997 Huddersfield Contemporary Music Festival, and the 1999 Strange Attractor’s world tour, with 23 concerts in Canada, the United States, Europe, Australia, Japan and Hong Kong, including a performance at the Festival international de Jazz de Montréal.
In collaboration with partners in Toronto, Jonquière, Winnipeg, Victoria, Vancouver, and New York, he created the festival The Body Electric / Guitarévolution, which was held in the Autumn of 1997, presenting a total of 23 concerts. The event featured performances by many guitar luminaries including David Torn, the Fred Frith Quartet, Elliott Sharp, René Lussier, Ron Samworth, Greg Lowe, John Oliver, Kapser Toeplitz, Scott Johnson and Paul Dresher. Brady also premiered his second electric guitar concerto, The Body Electric (1997), on the closing night of the event, a work commissioned by the Canadian Broadcasting Corporation and performed by the Esprit Orchestra. A second, somewhat smaller version of the festival was held in 2002.
Out of this failed opera experience came his first major song-cycle, entitled Revolutionary Songs (1993), based on a variety of poems in English, French and Spanish. Sung by soprano Nathalie Paulin, and scored for Bradyworks, the work was premiered at the Musée d’art contemporain de Montréal and later released on CD in 1996, supported by a 5-city Canadian tour. The work combines pulsing, jazz and minimalist inflected harmonies with distorted rock guitar and a large range of electronic tape sounds to create a 40-minute portrait of the experience of political revolution. The work had three American performances in 2001, at The Kitchen (New York, performed by Bradyworks), in Kansas City (New Ear Ensemble), and in Boston (Auros New Music Ensemble).
A 2nd Bradyworks song-cycle followed, entitled The Knife Thrower’s Partner (1997), using only a quartet of acoustic instruments in setting a text by Canadian poet Douglas Burnet Smith (whose work Brady would use again in 2009). Bradyworks toured this piece across Canada in 2000, giving 8 performances with mezzo-soprano Anne-Marie Donovan.
2002 saw the premiere of his 45-minute, multi-movement work Playing Guitar: Symphony #1, for solo electric guitar, sampler and 15 musicians. The work was performed in Montreal (Oscar Peterson Hall, Concordia University – Oct. 2002), Marseille (G.M.E.M. – Festival Les Musiques – May 2003) and New York (Interpretation Series, Merkin Hall – November 2002) by its commissioner, the Nouvel Ensemble Moderne, and was released on CD in 2004. 2002 also saw the premiere of his orchestral work Three or Four Days After the Death of Kurt Cobain by the Orchestre symphonique de Montréal, under conductor Rafael Frubek de Burghos, followed by a performance by the Winnipeg Symphony Orchestra in 2004.
The next few years would be occupied with the creation and production of Brady’s two chamber operas: The Salome Dancer (2005 – libretto by John Sobol, commissioned and produced by NUMUS concerts at the Open Ears Festival, with Bradyworks in the pit, conducted by Paul Pulford, with stage direction by Anne-Marie Donovan), and Three Cities in the Life of Dr. Norman Bethune (2003 – found-text libretto by the composer, commissioned by La Société Radio-Canada, premiered by Bradyworks and baritone Michael Donovan in Montreal. Bethune had subsequent productions in Lennoxville, Toronto and Guelph (conducted by Pierre Simard), and was released on CD in 2005.
Brady left the Innovations en concert production company in 2004 to focus on his own projects (running under the Bradyworks banner), and to work on the beginnings of what would eventually become the Canadian New Music Network (CNMN - 2005). The CNMN is a large, pan-Canadian movement to make contemporary creative concert music a more vibrant part of Canadian society. The organisation brings artists together in a annual event entitled FORUM, held in a different Canadian city each year (Winnipeg – 2007, Toronto – 2008, Montreal – 2009). Brady is the current president of the CNMN (2005–2010). Since 2004 he has also served on the Board of Directors of The Music Gallery, Canada’s oldest artist-run new music centre, based in Toronto.
2006 saw the first of two major collaborations with Montréal video artist Martin Messier: the work was entitled My 20th Century, a music/video/theatre work for the Bradyworks ensemble. The work toured Québec in 2008, including a performance at the Festival international de musique actuelle de Victoriaville, and undertook a 9-city Canadian tour in the autumn of 2009, to coincide with the release of the CD and DVD on Ambiances magnètiques.
Brady’s renewed interest in solo performance lead to his second collaboration with Messier: the 65-minute work for video and electric guitar entitled 24 Frames, premiered in Montreal in October 2008. Another long-term collaborator, the Topology ensemble of Brisbane. Australia, brought out a CD of Brady’s chamber work in 2007, entitled SCAT, on Ambiances magnètiques. His 2002 work 20 Quarter Inch Jacks was given its American premiere in January 2009, produced by CALARTS at the REDCAT Hall of the Disney Auditorium, in Los Angeles.
After many years away from the orchestral composition, 2007 onwards saw a major increase in orchestral works by Brady. This new orchestral music is very different from his earlier, modernist works. The new work is often highly rhythmic, reflecting his years in jazz, working with leaner, simpler textures and materials, and also exploring moments of tranquility, calm and transparency. In many ways it is a translation of the over 20 years of experience working as a solo guitarist and with the Bradyworks ensemble, transposed into a larger, orchestral language.
Recent orchestral scores include The Choreography of Time: Symphony #2 (for saxophone quartet and orchestra, another collaboration with the Quasar group and the Winnipeg Symphony Orchestra), Opposites Attract, a bass clarinet concerto commissioned by the CBC Radio Orchestra for Lori Freedman, The Guess Who Symphony, a series of radical deconstruction of songs by the 1960s/1970s rock group The Guess Who (also a Canadian Broadcasting Corporation commission), Requiem 21.5 (for solo violin and orchestra) and Un Amour, un Hiver, for voice and orchestra, with text by Québec pop icon Michel Rivard. The last two works are part of his work with the Orchestre symphonique de Laval, where he serves as composer in residence (2008–2010).
His two most recent works combine aspects of his now almost 30-year career in creative music. Amplify, Multiply, Remix and Redefine (in memory of Les Paul) (2009) is a 30-minute work for 21 electric guitars and symphony orchestra, commissioned by the Winnipeg Symphony Orchestra, which brings together his love of guitar, improvisation, composition and orchestral music. Parts of the work are related to the 1997 work The Body Electric. The recent 15 Stages in the Search for Radium and Love (2009) is his second collaboration with poet Douglas Burnet Smith and is a 40-minute work for large chamber ensemble dealing with the life of Marie Curie. It is structurally it is situated somewhere between a song-cycle and a music theatre piece, with theatrical actions specified at times for both the singer/soloist and the musicians, but with no specific set, staging, lighting or scenario. The work is written for soprano Halifax Janice Jackson, commissioned by the AVENTA ensemble of Victoria.
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In 1915 he was diagnosed with Graves' disease and given six months to live. Since doctors believed that it was worth taking a chance on a previously untested treatment, he became the first person in the country to receive radium treatment. The treatment was successful, and Howells lived for another 70 years.
Howells was briefly assistant organist at Salisbury Cathedral in 1917, though his severe illness cut this appointment short. Friends then arranged for a grant from the Carnegie United Kingdom Trust, whereunder Howells would assist Richard Runciman Terry in editing the voluminous Latin Tudor repertoire that he and his choir were reviving at Westminster Cathedral. Although they were envisioning an undemanding sinecure, Howells took great interest in this work, absorbing the English Renaissance style which he loved and would evoke in his own, and continued it until joining the faculty of the RCM in 1920. During World War II, he served as acting organist of St John's College, Cambridge.
In 1935 his nine-year-old son, Michael, died suddenly from polio (or meningitis; accounts vary); several of his subsequent works reflect this tragedy, notably Hymnus Paradisi.
In later life Howells was awarded an honorary doctorate from Cambridge University, and was made a Companion of Honour in 1972. He died in 1983 in London and his ashes reside in Westminster Abbey.
His daughter Ursula (1922 - 2005) was an actress. Following her father's death, she instigated the "Herbert Howells Society" and became a standard bearer for the promotion of his work, financially supporting the recording of his compositions.
Herbert Howells was godfather to the cellist Julian Lloyd Webber. Among his pupils were composers Robert Simpson, Robert Fleming, Robert Turner, and Paul Spicer.
He wrote two works for brass band: Pageantry and Three Figures. Pageantry was written for the 1934 British Open brass band championships. Howells arranged its first movement, King's Herald, for full orchestra for the coronation of King George VI in 1937.
Of his several hymn tunes appearing in current hymnals, "Michael" (written for the words "All my hope on God is founded") is particularly widespread.
Hymnus Paradisi was the first of four large-scale sacred choral works. His Missa Sabrinensis is on the same scale, in terms of length and forces required, as Beethoven's Missa Solemnis, while An English Mass is scored for significantly smaller forces, is performed almost entirely in English, and follows the order of the 1662 Book of Common Prayer in placing the Gloria last. Finally, Howells' setting of the Stabat Mater, at about 50 minutes, is one of the longest extant settings of that text.
Category:1892 births Category:1983 deaths Category:20th-century classical composers Category:Alumni of St John's College, Cambridge Category:Composers for pipe organ Category:English composers Category:English classical organists Category:Cathedral organists Category:Members of the Order of the Companions of Honour Category:People from Lydney Category:Music and musicians from Gloucestershire Category:Alumni of the Royal College of Music
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| Name | Aretha Franklin |
|---|---|
| Background | solo_singer |
| Birth name | Aretha Louise Franklin |
| Born | March 25, 1942Memphis, Tennesee, U.S. |
| Origin | Detroit, Michigan, U.S. |
| Occupation | Singer, songwriter, pianist |
| Years active | 1956–present |
| Genre | Soul, jazz, blues, R&B;, gospel, rock |
| Instrument | Vocals, piano |
| Label | ColumbiaAtlanticArista |
| Associated acts | Sweet Inspirations, Carolyn Franklin, Erma Franklin, Cissy Houston, George Benson, George Michael, Michael McDonald, Mahalia Jackson, Albertina Walker, Stevie Wonder, Chaka Khan, Marvin Gaye, Natalie Cole |
Franklin is one of the most honored artists by the Grammy Awards, with 18 competitive Grammys to date, and two honorary Grammys. She has scored a total of 20 No. 1 singles on the Billboard R&B; Singles Chart, one of which also became her first No. 1 hit on the Billboard Hot 100: "Respect" (1967). "I Knew You Were Waiting (For Me)" (1987), a duet with George Michael, became her second No. 1 on the latter chart. Since 1961, she has scored a total of 45 "Top 40" hits on the Billboard Hot 100 chart. She also has the most million-selling singles of any female artist with 14. Between 1967 and 1982 she had 10 #1 R&B; albums - more than any other female artist.
In 1987, Franklin became the first female artist to be inducted into the Rock and Roll Hall of Fame. She was the only featured singer at the 2009 presidential inauguration of Barack Obama.
After Franklin's father gained fame for his recorded sermons for Checker Records and for gaining even more popularity for his work as a civil rights activist, Franklin helped his daughter sign a contract with Checker's JVB gospel record division and in 1956, at fourteen released her first album, Songs of Faith. Franklin then toured the gospel circuit and worked under the direction of James Cleveland. Franklin's gospel career was short-lived after the singer became a mother to two sons. After turning eighteen, Franklin set her sights on a secular career, which her father gave his blessing. After turning down offers from her city's fledgling Motown label and Sam Cooke's request to join his RCA label, Franklin settled on Columbia Records and moved to New York. Her first single, "Today I Sung the Blues", was released in the fall of 1960 becoming a top ten R&B; hit but failed to enter the pop charts.
After the release of a tribute album to Dinah Washington, Columbia drifted away from their early jazz dreams for Franklin and had the singer record renditions of girl group-oriented hits including "The Shoop Shoop Song (It's In His Kiss)", "Every Little Bit Hurts" and "Mockingbird" but every attempt to bring her success with the material failed. Still, Franklin had already gained a reputation for being a multi-talented vocalist and musician. During a show in 1965, the master of ceremonies gave Franklin a tiara crown declaring her "the queen of soul". The title would prove to be prophetic. By 1966, struggling with recording for Columbia, Franklin decided not to sign a new contract with the label and settled with a deal with Atlantic. After she gained success in Atlantic, Columbia would release material from Franklin's prior recordings with the label which continued until 1969.
By the end of the year, Franklin not only became a superstar but she stood as one of the symbols of the civil rights movement partially due to her rendition of "Respect", which had a feminist-powered theme after Franklin recorded it. Franklin's other hits during the late sixties included "Think", her rendition of Dionne Warwick's "I Say a Little Prayer", "Ain't No Way" and "The House That Jack Built" among others. By the end of the sixties, Franklin's title as "the queen of soul" became permanent in the eyes of the media. After a few struggles in 1969, she returned with the ballad, "Call Me" in January 1970. That same year she had another hit with her gospel version of Ben E. King's "Don't Play That Song", while in 1971, Franklin was one of the first black performers to headline Fillmore West where she later released a live album. That same year she released the acclaimed Young, Gifted & Black album, which featured two top ten hits, the ballad "Daydreamin'" and the funk-oriented "Rocksteady". In 1972, she released her first gospel album in nearly two decades with Amazing Grace. The album eventually became her biggest-selling release ever, selling over two million copies and becoming the best-selling gospel album of all time.
Franklin briefly returned to the top 40 in 1976 with the Curtis Mayfield production, Sparkle, which spawned the number-one R&B; hit, "Giving Him Something He Can Feel". Despite this, Franklin struggled to find success with subsequent releases. After the release of 1979's La Diva, an attempt for Franklin to find a disco audience that flopped, Franklin decided to end her contract with Atlantic. While performing in Las Vegas in June 1979, Franklin's father, C.L., was shot during an attempted robbery at his LaSalle Street home in Detroit. The incident left C.L. in a coma for the next five years. Franklin would move back to the Detroit area in late 1982 from Los Angeles (where she had moved to in 1976) to assist with care of her father in Detroit.
The album released in July 1985, Who's Zoomin' Who?, featured R&B;, pop, dance, synthpop and rock elements and became Franklin's first platinum-certified success. The album launched several major hits including the title track and the Motown-inspired "Freeway of Love". The rock-influenced Annie Lennox duet, "Sisters Are Doin' It for Themselves" also became a hit for Franklin on the pop charts though it failed to climb higher than #66 on the R&B; chart due to its more pop rock-leaning sound. Videos for each of the singles became prominent fixtures on MTV, BET and VH-1 among other video channels. In 1986, Franklin released her self-titled follow-up to Who's Zoomin' Who. The album sold close to a million copies and featured the number-one hit, "I Knew You Were Waiting for Me", a duet with George Michael. The song became Franklin's first single since "Respect" nearly 20 years back to hit number-one on the Hot 100. Other hits from the album included a cover of "Jumpin' Jack Flash" and another Motown-inspired hit, "Jimmy Lee". A year later, Franklin returned to her gospel roots with the album, One Lord, One Faith, One Baptism, which failed to repeat the success of Amazing Grace despite a powerful rendition of "Oh Happy Day", featuring Mavis Staples, but did reach the Top 10 of Billboard's gospel albums chart.
Against her father's wishes Aretha began dating a family acquaintance named Ted White. In 1961 they were quickly married in Ohio by a judge. White became her personal manager as well as co-writer. Shortly afterward, Aretha purchased a house on Sorrento Avenue in northwest Detroit, where she resided for the next decade. Their son, Ted White Jr., was born in 1964. Aretha and Ted divorced in 1969. Teddy is her musical director and guitarist of her touring band. From 1969 until 1976, Franklin had a seven-year relationship with her road manager Ken Cunningham. In the early 1970s the couple moved from Detroit to New York City, at which time Aretha's grandmother moved into her Sorrento Avenue home. Their son Kecalf (from the initials of his parents' names: Kenneth E Cunningham Aretha Louise Franklin and pronounced "kelf") was born on March 28, 1970.
In 1978, Aretha married actor Glynn Turman at her father's New Bethel Baptist Church in Detroit. C. L. Franklin performed the marriage ceremony. The couple returned to their home in Encino, California. In late 1982 Franklin moved back to Detroit where she currently resides. Turman and Franklin divorced in early 1984. The couple didn't have children during their short-term marriage. They remained friends and she sang the theme song for his show A Different World in the late 1980s. While White is 11 years older than Franklin, Cunningham and Turman are both several years her junior.
Franklin's two youngest sons, Ted White Jr. and Kecalf Cunningham, are active in the music business. Teddy has been a guitarist in Aretha's back up band since the late 1980s while Kecalf has been working in the industry as a Christian hip-hop rapper and producer.
Aretha's parents are both deceased, as are her sisters Erma and Carolyn and brothers Cecil and Vaughn. Her only surviving sibling is sister Carl Ellan Kelley (née Jennings; born in 1940), C.L. Franklin's daughter by Mildred Jennings, a then 13 year old congregant of New Salem Baptist Church of Memphis, Tennessee, where C.L. was pastor in the late 1930s and early 1940s. Brother Vaughn (Barbara Franklin's son from a relationship before her marriage to C. L.) died of lung cancer at the age of 75.
Aretha is a member of the Democratic Party.
In September 2010, Franklin's second eldest son Edward Franklin was attacked by three people while at a gas station on Joy Road in northwest Detroit. A month prior, Franklin had to cancel her dates with Condoleeza Rice on their joint tour after breaking two ribs in a fall. In November 2010, Franklin's doctor ordered the ailing singer to not perform until May 2011.
{|class="wikitable"
!colspan="5"|Aretha Franklin's 18 Grammy Award Wins
|-
!#
!Year
!Category
!Genre
!Title
|-
| 1 || align="center"| 1968 || Best Rhythm & Blues Recording || R&B; ||Respect
|-
| 2 || align="center"| 1968 || |Best Female R&B; Vocal Performance || R&B; || Respect
|-
| 3 || align="center"| 1969 || Best Female R&B; Vocal Performance || R&B; || Chain Of Fools
|-
| 4 || align="center"| 1970 || Best Female R&B; Vocal Performance || R&B; || Share Your Love With Me
|-
| 5 || align="center"| 1971 || Best Female R&B; Vocal Performance || R&B; || Don't Play That Song For Me
|-
| 6 || align="center"| 1972 || Best Female R&B; Vocal Performance || R&B; || Bridge Over Troubled Water
|-
| 7 || align="center"| 1973 || Best Female R&B; Vocal Performance || R&B; || Young, Gifted and Black (album)
|-
| 8 || align="center"| 1973 || Best Soul Gospel Performance || Gospel || Amazing Grace (album)
|-
| 9 || align="center"| 1974 || Best Female R&B; Vocal Performance || R&B; || Master Of Eyes
|-
|10 || align="center"| 1975 || Best Female R&B; Vocal Performance || R&B; || Ain't Nothing Like The Real Thing
|-
|11 || align="center"| 1982 || Best Female R&B; Vocal Performance || R&B; || Hold On...I'm Comin' (album track)
|-
|12 || align="center"| 1986 || Best Female R&B; Vocal Performance || R&B; || Freeway Of Love
|-
|13 || align="center"| 1988 || Best Female R&B; Vocal Performance || R&B; || Aretha (album)
|-
|14 || align="center"| 1988 || Best R&B; Performance - Duo Or Group with Vocals || R&B; || I Knew You Were Waiting (For Me) (with George Michael)
|-
|15 || align="center"| 1989 || Best Soul Gospel Performance - Female || Gospel || One Lord, One Faith, One Baptism (album)
|-
|*|| align="center"| 1991 || Living Legend Award || Special
|
|-
|*|| align="center"| 1994 || Lifetime Achievement Award || Special
|
|-
|16 || align="center"| 2004 || Best Traditional R&B; Vocal Performance || R&B; || Wonderful
|-
|17|| align="center"| 2006 || Best Traditional R&B; Vocal Performance || R&B; || A House Is Not A Home
|-
|18|| align="center"| 2008 || Best Gospel-Soul Vocal Performance by a Duo or Group || Gospel
|Never Gonna Break My Faith (with Mary J. Blige)
|}
Category:1942 births Category:1950s singers Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:African American female singers Category:African American pianists Category:African American singer-songwriters Category:American child singers Category:American gospel singers Category:American rhythm and blues singers Category:American soul singers Category:Arista Records artists Category:Atlantic Records artists Category:Baptists from the United States Category:Cancer patients Category:Columbia Records artists Category:Feminist artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Kennedy Center honorees Category:Living people Category:Musicians from Tennessee Category:Musicians from Detroit, Michigan Category:People from Detroit, Michigan Category:People from Memphis, Tennessee Category:Presidential Medal of Freedom recipients Category:Rhythm and blues pianists Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Michigan Category:United States National Medal of Arts recipients
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