The Yavanas are mentioned in the Buddhist discourse of the ''Middle Length Sayings'', in which the Buddha mentions to the Brahman Assalayana the existence of the Kamboja and Yavana people who have only two castes, master or slave. The direct identification of the word "Yavana" with the Greeks at such an early time (6th-5th century) can be doubted however.
Direct identification of these words with the Greeks include:
Although the association with eastern Greeks seems to have been quite precise and systematic until the beginning of our era (other foreigners had their own descriptor, such as Sakas, Pahlavas, Kambojas etc...), these terms came to designate more generally "Europeans" and later "foreigners" in the following centuries.
After Alexander's invasion, the Greek settlements had existed in eastern parts of Achaemenid empire, north-west of India, as neighbors to the Iranian Kambojas. The references to the Yonas in the early Buddhist texts may be related to the same.
There are important references to the warring ''Mleccha'' hordes of the Shakas, Yavanas, Kambojas, Pahlavas etc. in the ''Bala Kanda'' of the Valmiki Ramayana.
Indologists like Dr H. C. Raychadhury, Dr B. C. Law, Dr Satya Shrava and others see in these verses the clear glimpses of the struggles of the Hindus with the mixed invading hordes of the barbaric Sakas, Yavanas, Kambojas, Pahlavas etc. from north-west. The time frame for these struggles is 2nd century BCE downwards. Dr Raychadhury fixes the date of the present version of the Valmiki Ramayana around/after 2nd century CE.
The other Indian records describe the 180 BCE ''Yavana'' attacks on Saketa, Panchala, Mathura and Pataliputra, probably against the Sunga empire, and possibly in defense of Buddhism. The main mentions of the invasion are those by Patanjali around 150 BCE, and of the Yuga Purana, which, like the Mahabharata, also describes Indian historical events in the form of a prophecy:
:''"After having conquered Saketa, the country of the Panchala and the Mathuras, the Yavanas, wicked and valiant, will reach Kusumadhvaja ("The town of the flower-standard", Pataliputra). The thick mud-fortifications at Pataliputra being reached, all the provinces will be in disorder, without doubt. Ultimately, a great battle will follow, with tree-like engines (siege engines)."''
:''"The Yavanas (Greeks) will command, the Kings will disappear. (But ultimately) the Yavanas, intoxicated with fighting, will not stay in Madhadesa (the Middle Country); there will be undoubtedly a civil war among them, arising in their own country (Bactria), there will be a terrible and ferocious war."''
The ''Anushasanaparava'' of Mahabharata affirms that the country of Mathura, the heartland of India, was under the joint military control of the Yavanas and the Kambojas.
From the references noted above, it appears certain that the ''Yavana'' invasion of Majjhimadesa (''Mid India'') was jointly carried out by the Yavanas and the Kambojas. The Greek Yavanas were apparently a minority foreigners in India and naturally may have obtained, in this invasion, the military support of their good neighbors, the warlike Kambojas. The evidence from the Mathura Lion Capital inscriptions of Saka great Satrap (Mahakshatrapa) Rajuvula also lends strong credibility to this view.
The ''Mid India'' invasion was followed by almost two centuries of Yavana rule which in the light of evidence presented above, appears to have been a joint Yavana-Kamboja rule.
For example, one claim holds that a version of the Mahabharata describes yavanas as "sarvajnaa", or omniscient. Such superlatives, dispersed throughout the epic, were a common Sanskritic means of announcing characters, tribes, or families and paying due literary respect. For instance, the hated antagonist of the epic, Duryodhana, is in many verses renamed "Suyodhana", the prefix "su" meaning good, beautiful, and excellent.
Historically, people outside the Sanskrit world were termed "mlecchas", or barbarians with impure knowledge. "Barbarian" itself is derived from the Sanskrit "barbarah", meaning unpolished, lowly, fool or blockhead, while "sanskrit" refers to perfect action, polished, and cultured. This is consistent with Sanskrit's reputation across even present-day India as "deva bhaasha", or divine language.
References to "mlechha" teachings having any profound effect on India's enormous body of knowledge are discarded in serious academic circles. A more accurate description of Greeks may be from the "Brihat-Samhita", where the mathematician Varahamihira says: ''"The Greeks, though impure, must be honored since they were trained in sciences".
The Mahavamsa also attests Yona settlement in Anuradhapura in ancient Sri Lanka, probably contributing to trade between East and West.
Buddhist texts like Sumangala Vilasini class the language of the Yavanas with the Milakkhabhasa i.e. ''impure language''.
The Mahabharata groups the Yavanas with the Kambojas and the Chinas and calls them "Mlechchas" (Barbarians). In the Shanti Parava section, the Yavanas are grouped with the Kambojas, Kiratas, Sakas, and the Pahlavas etc. and are spoken of as living the life of Dasyus (slaves). In another chapter of the same Parava, the Yaunas, Kambojas, Gandharas etc. are spoken of as equal to the "Svapakas" and the "Grddhras".
Udyogaparava of Mahabharata says that the composite army of the Kambojas, Yavanas and Sakas had participated in the Mahabharata war under the supreme command of Kamboja king Sudakshina. The epic numerously applauds this composite army as being very fierce and wrathful.
Balakanda of Ramayana also groups the Yavanas with the Kambojas, Sakas, Pahlavas etc. and refers to them as the military allies of sage Vishistha against Vedic king Vishwamitra The Kishkindha Kanda of Ramayana locates the Sakas, Kambojas, Yavanas and Paradas in the extreme north-west beyond the Himavat (i.e. Hindukush).
The Buddhist drama Mudrarakshasa by Visakhadutta as well as the Jaina works Parisishtaparvan refer to Chandragupta's alliance with Himalayan king Parvatka. This Himalayan alliance gave Chandragupta a powerful composite army made up of the frontier martial tribes of the Shakas, Kambojas, Yavanas, Parasikas, Bahlikas etc. which he utilised to defeat the Greek successors of Alexander the Great and the Nanda rulers of Magadha, and thus establishing his Mauryan Empire in northern India.
Manusmriti lists the Yavanas with the Kambojas, Sakas, Pahlavas, Paradas etc. and regards them as degraded Kshatriyas (members of the warrior cast). Anushasanaparava of Mahabharata also views the Yavanas, Kambojas, Shakas etc. in the same light. Patanjali's Mahabhasya) regards the Yavanas and Sakas as anirvasita (pure) Shudras. Gautama-Dharmasutra regards the Yavanas or Greeks as having sprung from Shudra females and Kshatriya males.
The Assalayana Sutta of Majjhima Nikaya attests that in Yona and Kamboja nations, there were only two classes of people...Aryas and Dasas...the masters and slaves, and that the Arya could become Dasa and vice versa. The Vishnu Purana also indicates that the "chatur-varna" or four class social system was absent in the lands of Kiratas in the East and the Yavanas and Kambojas etc. in the West.
Numerous Puranic literature groups the Yavanas with the Sakas, Kambojas, Pahlavas and Paradas and refers to the peculiar hair styles of these people which were different from those of the Hindus. Ganapatha on Pāṇini attests that it was a practice among the Yavanas and the Kambojas to wear short-cropped hair (''Kamboja-mundah Yavana-mundah'').
Vartika of Katayayana informs us that the kings of the Shakas and the Yavanas, like those of the Kambojas, may also be addressed by their respective tribal names.
Brihat-Katha-Manjari of Kshmendra informs us that king Vikramaditya had unburdened the sacred earth of the Barbarians like the Shakas, Kambojas, Yavanas, Tusharas, Parasikas, Hunas etc. by annihilating these sinners completely.
The Brahmanda Purana refers to the horses born in Yavana country.
The Mahaniddesa speaks of Yona and Parama Yona, probably referring to Arachosia as the Yona and Bactria as the Parama Yona.
---- ''"Yona" is also a common transliteration of the Hebrew form of the given name commonly given to both men and women, Jonah''
Category:Ancient Greeks in Asia Category:Ancient India Category:Ancient peoples of Pakistan Category:Sanskrit words and phrases Category:Pāli words and phrases
el:Γιόνα ru:Йона (греки)This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Shivaraj Kumar |
---|---|
birth name | Shivu Putta Swamy |
birth date | July 12, 1962 |
birth place | Bangalore, Karnataka, India |
occupation | Actor |
yearsactive | 1986 - present |
spouse | Geetha (1990 - Present) |
children | 02 Daughters (Niveditha & Vasantha) |
parents | Dr. Rajkumar, Parvatamma Rajkumar |
awards | }} |
Shivaraj Kumar (Kannada: ಶಿವರಾಜಕುಮಾರ್) (real name Putta Swamy) is a Kannada film actor. He is the son of Kannada thespian Dr. Rajkumar. After graduating in B.Sc. (Chemistry), Shivaraj Kumar made his debut screen appearance in Singeetham Srinivas Rao's ''Anand.'' Shivanna's first three movies ''Anand, Rathasapthami'' and ''Mana Mechchida Hudugi'' all completed silver jubilee thus earning him the title ''Hatrick Hero - Shivaraj Kumar.'' His movie Jogi is one of the biggest blockbusters in the Kannada film industry.
Today with more than 100 Kannada films to his credit, Shivraj Kumar maintains the standards set by his father by not acting in remake movies. Shivanna has won year 2005 Best Actor award for his film Chigurida Kanasu. In 2010, he starred in the movie Sugreeva which was shot in 18 hours.
After his graduation from Madras University in 1983, Shivaraj Kumar, on the insistence of K. Balachander, joined an acting school in Madras. After training in Kuchupudi dance at Vempetti Chinni Sathyam in Madras during his college days, he made an entry into the Kannada film industry with a hit film ''Anand.''
Shivaraj Kumar married Geeta, the daughter of Former Chief minister of the Karnataka S.Bangarappa. The couple have two daughters Niveditha and Nirupama.
His movie is shot in 7 wonders of the world and his another movie Tamassu directed by journalist and activist Agni Shridhar which deals with Hindu Muslims riots. His 100th movie Jogayya is the sequel to his blockbuster movie Jogi.
Si.NO | Year | Film | Role | Notes | |
1 | 1986 | Anand | |||
2 | 1986 | Rathasapthami | vishwanath | ||
3 | 1987 | Manamecchida Hudugi | shivu | ||
4 | 1988 | Samyuktha | inspector shivraj | ||
5 | 1988 | Shiva Mecchida Kannappa | |||
6 | 1988 | Ranaranga | |||
7 | 1989 | Inspector Vikram | Vikram | ||
8 | 1989 | AdheRaaga AdheHaadu | Double duo one as re-incarnation | ||
9 | 1990 | Asegobba Meesegobba | Ram Prasad Sharma & Lakshmana Prasad Sharma | Remake of Hrishikesh Mukherjee's 1979 movie Gol Maal | |
10 | 1990 | Mruthunjaya | |||
11 | 1991 | Aralidha Huvugalu | vijay kumar | ||
12 | 1991 | Modada Mareyalli | Ravi | ||
13 | 1992 | Mididha Shruthi | Balu | ||
14 | 1992 | Purushothama | Raj-Paramshivu | ||
15 | 1992 | Mavanige Thakka Aliya | Ganesha | ||
16 | 1993 | Jagamecchida Huduga | |||
17 | 1993 | Chirabandhavya | |||
18 | 1993 | Anandha Jyothi | |||
19 | 1994 | Gandhada Gudi -2 | Sequel to Gandhada Gudi | ||
20 | 1994 | Muthanna/ Diamond kiran | Double role | ||
21 | 1994 | Gandugali | Mahesh | ||
22 | 1995 | Gadibidi Aliya | Double role | ||
23 | 1995 | Savya Saachi | |||
24 | 1995 | Om | Sathya alias Satya Murthy | Directed By Upendralater made in Telugu as "Omkaram" and 'Arjun Pandit' in Hindi | |
25 | 1995 | Mana Midiyithu | |||
26 | 1995 | Samara | |||
27 | 1995 | Dore | Dore | ||
28 | 1996 | Ibbara naduve Mudhina Ata | |||
29 | 1996 | Gajanooru Gandu | |||
30 | 1996 | Shiva Sainya | |||
31 | 1996 | Annavra Makkalu | |||
32 | 1996 | Nammoora Mandara Hoove | Director -Sunil kumar desai | ||
33 | 1996 | Adhithya | |||
34 | 1996 | Janumada Jodi | Krishna | Director by T S Nagabharana | |
35 | 1997 | Ganga Yamuna | With Malashree | ||
36 | 1997 | Simhada Mari | |||
37 | 1997 | Ammavra Ganda | |||
38 | 1997 | Mudhina Kanmani | |||
39 | 1997 | Raja | |||
40 | 1997 | Jodi Hakki | Maacha | ||
41 | 1997 | Premaraga Haadu Gelathi | |||
42 | 1998 | Nammoora Huduga | |||
43 | 1998 | Kurubana Rani | |||
44 | 1998 | Andaman | |||
45 | 1998 | Mr.Putsami | |||
46 | 1998 | Bhumithaiya Chochalamaga | Karna | ||
47 | 1998 | Gadibidi Krishna | |||
48 | 1999 | Janumadhatha | |||
49 | 1999 | Chandrodhaya | |||
50 | 1999 | co-starred Om Puri | |||
51 | 1999 | Vishwa | |||
52 | 1999 | Hrudhaya Hrudhaya | Won State Award | ||
53 | 2000 | Yare ni Abhimani | |||
54 | 2000 | Preethse | co-starred Upendra and Sonali Bendre | ||
55 | 2000 | Hagalu Vesha | |||
56 | 2000 | Indradhanush | |||
57 | 2000 | Krishna Leele | |||
58 | 2000 | Devara Maga | Acted with Ambarish | ||
59 | 2000 | Galate Aliyandru | |||
60 | 2001 | Madhuve Agona Baa | |||
61 | 2001 | Asura | |||
62 | 2001 | Bahala Chennagide | |||
63 | 2001 | Bhava Bamaidha | |||
64 | 2002 | Sundarakaanda | |||
65 | 2001 | Yuvaraja | |||
66 | 2002 | Jodi | |||
67 | 2002 | Kodandarama | |||
68 | 2002 | Ninne Preethisuve | |||
69 | 2002 | Thavarige Ba Thangi | |||
70 | 2003 | ||||
71 | 2003 | Sri Ram | |||
72 | 2003 | Smile | |||
73 | 2003 | Nanjundi | Hamsalekha's 200 movie | ||
74 | 2003 | Chigurida Kanasu | Won many Awards | ||
75 | 2004 | Rowdy Aliya | |||
76 | 2004 | Sarwabouma | |||
77 | 2004 | Kanchana Ganga | |||
78 | 2005 | Rishi | |||
79 | 2005 | Rakshasa | |||
80 | 2005 | Valmiki | |||
81 | 2005 | ||||
82 | 2005 | Anna Thangi | |||
83 | 2006 | Ashoka | |||
84 | 2006 | Thavarina Siri | |||
85 | 2006 | Gandugali Kumara Rama | |||
86 | 2007 | Thaiya Madilu | |||
87 | 2007 | Santha (2007) | |||
88 | 2007 | Gandana Mane | |||
89 | 2007 | Lava-Kusha | |||
90 | 2008 | Sathya In Love | |||
91 | Bandhu BaLaga | ||||
92 | 2008 | Madesha | |||
93 | 2008 | Paramesha Paanwala | |||
94 | 2009 | Nanda | |||
95 | 2009 | Hatrick Hodi Maga | |||
96 | 2009 | Bhagyada Balegara | |||
97 | 2009 | Devaru Kotta Thangi | |||
98 | 2010 | Shot in 18 hours | |||
99 | 2010 | Thamassu | |||
100 | 2010 | Jogayya | |||
101 | 2010 | Mylari | |||
102 | 2011 | Cheluveye Ninne Nodalu | Filming | ||
103 | 2011 | Lakshmi | Filming | ||
104 | 2012 | Shiva | |||
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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