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| Name | Lloyd |
|---|---|
| Background | solo_singer |
| Birth name | Lloyd Polite, Jr. |
| Alias | Young Lloyd, Young Goldie |
| Born | January 03, 1986New Orleans, Louisiana, United States |
| Origin | Atlanta, Georgia, United States |
| Genre | R&B;, hip hop |
| Occupation | Singer–songwriter, dancer, rapper |
| Years active | 2004–present |
| Label | The Inc. (2004–2009) Sho'nuff (2006) Def Jam (2004–2009) |
| Associated acts | N-Toon, Fabolous, Lil Wayne |
Lloyd Polite, Jr. (born January 3, 1986), who performs under the mononym Lloyd, is an American R&B; recording artist, who experienced as a member of the group N-Toon before embarking on a solo career in 2004.
In 2004, he released his solo debut single, "Southside" the title track of his debut album, Southside. The single features Ashanti, and it quickly charted on the US Billboard Hot 100, and became a top thirty hit. His second album, Street Love, was released on March 13, 2007. It featured top-ten and twenty hit "You" and "Get It Shawty". His third album, Lessons in Love, give the singer his second top ten Billboard 200 album. Lloyd's career received a boost by being featured in the second single of Young Money's top-ten US hit "BedRock", gaining publicity from his presence on its guest list. Lloyd also released a 2009 EP entitled Like Me: The Young Goldie EP, including a promo single "Pusha". On March 13, Lloyd signed to Interscope/Zone 4. His next album King of Hearts will be released later this year. The first single, "Lay It Down" is already a top-ten hit on Billboard's Hot R&B;/Hip-Hop Songs
Later that year, he was featured on 8Ball & MJG's "Forever" and Tango Redd's "Let's Cheat". In 2005, Lloyd was featured on label-mate Ja Rule's, "Caught Up", the song saw minor success in the United States reaching number 65 on the Top R&B;/Hip-Hop Songs chart. However, the song peaked at number 20 on the UK Singles Chart.
Later 2007, he was featured on Huey's "When I Hustle" and Dem Franchize Boyz's "Turn Heads", both songs saw minor success in the United States reaching number 80 and 75 on the Top R&B;/Hip-Hop Songs chart.
In June 2009, it was announced that Lloyd would depart from The Inc. Records. Lloyd stated that he was "focusing on just growing in general".
A song titled "Pusha", produced by The Runners written by Lloyd, Raymond "Ray-Ray" Gordon, Sean "Slim" Mcmillion, and The Monarch and featuring Juelz Santana was leaked online. Juelz Santana was later replaced on the song by Lil Wayne but later both verses were put together and was released as the lead single off his EP, Like Me: The Young Goldie EP. Lloyd also collaborated with Lil Wayne on the song "Bedrock" which is the second single from Lil Wayne's record label Young Money compilation album. On March 13 it was confirmed that Lloyd signed to Interscope Records.
Category:1986 births Category:African American musicians Category:American rhythm and blues singers Category:Countertenors Category:Living people Category:Rappers from Atlanta, Georgia Category:Rappers from New Orleans, Louisiana Category:Musicians from Louisiana Category:Musicians from Georgia (U.S. state)
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Steve Allen |
|---|---|
| Caption | Steve Allen and Jayne Meadows at the39th Emmy Awards in September 1987. |
| Birth name | Stephen Valentine Patrick William Allen |
| Birth date | December 26, 1921 |
| Birth place | New York City, New York, U.S. |
| Death date | October 30, 2000 |
| Death place | Los Angeles, California, U.S |
| Spouse | (divorced) (his death) |
| Occupation | Actor, comedian, television personality, musician, writer |
| Years active | 1940s–2000 |
Allen was a "creditable" pianist, and a prolific composer, having penned over 14,000 songs, one of which was recorded by Perry Como and Margaret Whiting, others by Steve Lawrence and Eydie Gorme, Les Brown, and Gloria Lynne. Allen won a Grammy award in 1963 for best jazz composition, with his song The Gravy Waltz. His vast number of songs have never been equaled, however; singer/songwriter Julian Barry is said to have written over 5000 compositions. Allen wrote more than 50 books and has two stars on the Hollywood Walk of Fame.
Allen's first radio job was on station KOY in Phoenix, Arizona, after he left Arizona State Teachers College (now Arizona State University) in Tempe, while still a sophomore. He enlisted in the U.S. Army during World War II and was trained as an infantryman. He spent his service time at Camp Roberts, near Monterey, California and did not serve overseas. Allen returned to Phoenix before deciding to move back to California.
Allen's first television experience had come in 1949 when he answered an ad for a TV announcer for professional wrestling. He knew nothing about wrestling, so he watched some shows and discovered that the announcers did not have well-defined names for the holds. When he got the job, he created names for many of the holds, some of which are still used today. The gig lasted several months before ABC decided to replace the matches with old movies.
After CBS radio gave Allen a weekly prime time show, CBS television believed it could groom him for national small-screen stardom and gave Allen his first network television show. The Steve Allen Show premiered at 11 am on Christmas Day, 1950, and was later moved into a thirty-minute, early evening slot. This new show required him to uproot his family and move from LA to New York, since at that time a coast to coast program could not originate from LA. The show was only a modest ratings success, and was canceled in 1952, after which CBS tried several shows to showcase Allen's talent.
Allen achieved national attention when he was pressed into service at the last minute to host Arthur Godfrey's Talent Scouts because Godfrey was unable to appear. Allen turned one of Godfrey's live Lipton commercials upside down, preparing tea and instant soup on camera and then pouring both into Godfrey's ukulele. With the audience (including Godfrey, watching from Miami) uproariously and thoroughly entertained, Allen gained major recognition as a comedian and host.
He was a regular on the popular panel game show What's My Line? (where he coined the popular phrase, "Is it bigger than a breadbox?") from 1953 to 1954 and returned frequently as a panelist after Fred Allen died in March 1956, until the series ended in 1967.
While Today developer Sylvester "Pat" Weaver is often credited as the Tonight creator, Allen often pointed out that he had previously created it as a local New York show. Allen told his nationwide audience that first evening: "This is Tonight, and I can't think of too much to tell you about it except I want to give you the bad news first: this program is going to go on forever... you think you're tired now. Wait until you see one o'clock roll around!"
It was as host of The Tonight Show that Allen pioneered the "man on the street" interviews and audience-participation comedy breaks that have become commonplace on late-night TV.
The show's regulars were Tom Poston, Louis Nye, Bill Dana, Don Knotts, Pat Harrington, Jr., Dayton Allen, and Gabriel Dell. All except film veteran Dell were relatively obscure performers prior to their stints with Allen, and all went on to stardom. The comedians in Allen's gang were often seen in "The Man in the Street," featuring interviews about some topical subject. Poston would appear as a dullard who couldn't remember his own name; Nye was "Gordon Hathaway," fey Madison Avenue executive; Dana played amiable Latino "Jose Jimenez"; Knotts was an exceedingly jittery man who, when asked if he was nervous, invariably replied with an alarmed "No!"; Harrington was Italian immigrant "Guido Panzini"; Dayton Allen played wild-eyed zanies answering any given question with "Why not?". Gabe Dell usually played straight men in sketches (policemen, newsmen, dramatic actors, etc.).
Other recurring routines included "Crazy Shots" (also known as "Wild Pictures"), a series of sight gags accompanied by Allen on piano; Allen inviting audience members to select three musical notes at random, and then composing a song based on the three notes; a satire on radio's long-running The Answer Man and a precursor to Johnny Carson's Carnac the Magnificent (Sample answer: "Et tu, Brute."/Allen's reply: "How many pizzas did you eat, Caesar?")
The live Sunday night show aired opposite The Ed Sullivan Show on CBS and Maverick on ABC. One of Allen's guests was comedian Johnny Carson, a future successor to Allen as host of The Tonight Show. Among Carson's material during that appearance was a portrayal of how a poker game between Allen, Sullivan, and Maverick star James Garner (all impersonated by Carson) would transpire. Allen's programs also featured a good deal of music; he helped the careers of singers Steve Lawrence and Eydie Gorme, who were regulars on his early Tonight Show, and Sammy Davis, Jr.
Allen's show also had one of the longest unscripted "crack-ups" on live TV when Allen began laughing hysterically during "Big Bill Allen's Sports Roundup." He laughed uncontrollably for over a minute, with the audience laughing along, because, as he later explained, he caught sight of his unkempt hair on an off-camera monitor. He kept brushing his hair and changing hats to hide the messy hair, and the more he tried to correct his appearance the funnier it got.
Allen helped the recently invented Polaroid camera become popular by demonstrating its use in live commercials and amassed a huge windfall for his work because he had opted to be paid in Polaroid Corporation stock. .]]
Allen remained host of "Tonight" for three nights a week (Monday and Tuesday nights were taken up by Ernie Kovacs) until early 1957, when he left the "Tonight" show to devote his attention to the Sunday night program. It was his (and NBC's) hope that the Steve Allen show could defeat Ed Sullivan in the ratings. Nevertheless the TV Western Maverick often bested both The Ed Sullivan Show and The Steve Allen Show in audience size. In September 1959, Allen relocated to Los Angeles and left Sunday night television. Back in Los Angeles, he continued to write songs, hosted other variety shows, and wrote books and articles about comedy.
The show was marked by the same wild and unpredictable stunts and comedy skits that often extended down the street to a supermarket known as the Hollywood Ranch Market. He also presented Southern California eccentrics, including health food advocate Gypsy Boots, quirky physics professor Dr. Julius Sumner Miller, wacko comic Prof. Irwin Corey, and an early musical performance by Frank Zappa.
During one episode, Allen placed a telephone call to the home of Johnny Carson, posing as a ratings company interviewer, asking Carson if the Television was on, and what program he was watching. Carson didn't immediately realize the caller was Allen, and the exchange is classic humor from both, beginning to end. A rarity is the exchange between Allen and Carson about Carson's guests, permitting him to plug his own show on a competing network.
One notable program, which Westinghouse refused to distribute, featured Lenny Bruce during the time the comic was repeatedly being arrested on obscenity charges; footage from this program was first telecast in 1998 in a Bruce documentary aired on HBO. Regis Philbin took over hosting the Westinghouse show in 1964, but only briefly.
The show also featured plenty of jazz played by Allen and members of the show's band, the Donn Trenner Orchestra, which included such virtuoso musicians as guitarist Herb Ellis and flamboyantly comedic hipster trombonist Frank Rosolino (whom Allen credited with originating the "Hiyo!" chant later popularized by Ed McMahon). While the show was not an overwhelming success in its day, David Letterman, Steve Martin, Harry Shearer, Robin Williams, and a number of other prominent comedians have cited Allen's "Westinghouse show," which they watched as teenagers, as being highly influential on their own comedic visions.
Allen later produced a second half-hour show for Westinghouse, titled Jazz Scene, which featured West Coast jazz musicians such as Rosolino, Stan Kenton, and Teddy Edwards. The short-lived show was hosted by Oscar Brown, Jr.
Allen hosted a number of television programs up until the 1980s, including The New Steve Allen Show in 1961 and the game show I've Got a Secret (replacing original host Garry Moore) in 1964. In the summer of 1967, he brought most of the regulars from over the years back with The Steve Allen Comedy Hour, featuring the debuts of Rob Reiner, Richard Dreyfuss, and John Byner and featuring Ruth Buzzi, who would become famous soon after on "Laugh-In." In 1968–71, he returned to syndicated nightly variety-talk with the same wacky stunts that would influence David Letterman in later years, including becoming a human hood ornament; jumping into vats of oatmeal and cottage cheese; and being slathered with dog food, allowing dogs backstage to feast on the free food. During the run of this series, Allen also introduced Albert Brooks and Steve Martin to a national audience for the first time.
A syndicated version of I've Got A Secret hosted by Allen and featuring panelists Pat Carroll and Richard Dawson was taped in Hollywood and aired during the 1972-73 season. In 1977, he produced Steve Allen's Laugh-Back, a syndicated series combining vintage Allen film clips with new talk-show material reuniting his 1950s TV gang. From 1986 through 1988, Allen hosted a daily three-hour comedy show heard nationally on the NBC Radio Network that featured sketches and America's best-known comedians as regular guests. His cohost was radio personality Mark Simone, and they were joined frequently by comedy writers Larry Gelbart, Herb Sargent, and Bob Einstein.
Allen was also an actor. He wrote and starred in his first film, the Mack Sennett comedy compilation Down Memory Lane, in 1949. His most famous film appearance is in 1955's The Benny Goodman Story, in the title role. The film, while an average biopic of its day, was heralded for its music, featuring many alumni of the Goodman band. Allen later recalled his one contribution to the film's music, used in the film's early scenes: the accomplished Benny Goodman could no longer produce the sound of a clarinet beginner, and that was the only sound Allen could make on a clarinet! In 1960, he appeared as the character "Dr. Ellison" in the episode "Play Acting" of CBS's anthology series The DuPont Show with June Allyson though his The Steve Allen Show had been in competition with the June Allyson program the preceding season.
Allen could play a trumpet—sort of. He wrote and recorded a tune called "Impossible," in which he tries to play it straight, but continues to burst out laughing. (The recording has been played on the Dr. Demento radio show.)
From 1977 to 1981, Allen was the producer of the award-winning PBS series, Meeting of Minds, a "talk show" with actors playing the parts of notable historical figures and Steve Allen as the host. This series pitted the likes of Socrates, Marie Antoinette, Thomas Paine, Sir Thomas More, Attila the Hun, Karl Marx, Emily Dickinson, Charles Darwin, and Galileo Galilei in dialogue and argument. This was the show Allen wanted to be remembered for, because he believed that the issues and characters were timeless and would survive long after his passing. This may be more an indictment of popular tastes—which Allen himself wrote about in his last book, "Vulgarians at the Gates"—than of any obtuseness on the show's part.
Allen was a comedy writer and author of more than 50 books, including Dumbth, a commentary on the American educational system, and Steve Allen on the Bible, Religion, and Morality. Twenty of his books were concerned with his viewsa about religion. In fact, on this occasion, Allen had Elvis wear a top hat and the white tie and tails of a "high class" musician while singing "Hound Dog" to an actual hound, who was similarly attired. According to Jake Austen, "the way Steve Allen treated Elvis Presley was his federal crime. Allen thought Presley was talentless and absurd, and so he decided to goof on him. Allen set things up so that Presley would show his contrition by appearing in a tuxedo and singing his new song 'Hound Dog' to an elderly basset hound..." Elaine Dundy says that Allen smirkingly presented Elvis "with a roll that looks exactly like a large roll of toilet paper with, says Allen, the 'signatures of eighteen thousand fans.' " Presley looked "at Steve as if to say, 'It's all right. I've been made a worse fool in my life,' and after he patted the basset hound he is about to sing Hound Dog to, he wiped his hands on his trousers as if to wipe away Steve Allen, the dog, and the whole show." Guitarist Scotty Moore later said that Elvis and the members of his band were "all angry about their treatment the previous night." "The next day, as Elvis entered the RCA studios to record 'Hound Dog,' fans greeted him with signs that declared, 'We Want the Real Elvis' and 'We Want the Gyrating Elvis.' In the press, critics were no kinder with the singer than they had ever been, this time pronouncing him a 'cowed kid' who had demonstrated, once again, that he 'couldn't sing or act a lick.' " In a column in Newsweek, John Lardner wrote, "Like Huckleberry Finn, when the widow put him in a store suit and told him not to gap or scratch, [Elvis] had been 'fouled' by NBC's attempt to 'civilize him... for the good of mankind.'" Presley often referred to the Allen show as the most ridiculous performance of his career.
The singer "was later featured in a mediocre cowboy sketch with Allen, Andy Griffith, and Imogene Coca. As 'Tumbleweed Presley,' his big joke was, 'I'm warning you galoots, don't step on my blue suede boots.' " That apparent mockery was consistent with other situations in which Allen had singers in such comic scenarios on his show, in contrast to the simple "singing in front of a curtain" style of the Sullivan show. The house singers on the early Tonight show were subjected to many such stunts. In addition, Allen's skit with Presley actually was less a put-down of Presley and mainly a satire of country music stage shows like the Grand Ole Opry and the Louisiana Hayride, the Shreveport-based country music radio show (over KWKH) Presley performed on in 1954 and 1955. It's highly debatable, given Presley's spirited performance, whether unlike the top hat and tails performance, there was any put-down motivation on Allen's part with this particular skit, since he could have easily done it in any of his other programs.
In a 1996 interview Allen was asked about the show. Asked if NBC executives expressed any concerns about Elvis's planned appearance, Allen replied that he'd "read more nonsense about " it, and "a lot of wrong reports have gotten into the public -". "If there ever was, I never heard about it. And since it was my show, I think it would have brought to my attention. " Regarding Elvis's movements he stated "No! I took no objection to the movements I'd seen him make on the Dorsey Brothers show. I didn't see a problem. Of course, I had read about some of the controversy, much of it generated by Ed Sullivan, who was opposite of our show on CBS. It didn't matter to me. I was using good production sense in booking him."
In his book "Hi-Ho Steverino!" Allen wrote the following: "When I booked Elvis, I naturally had no interest in just presenting him vaudeville-style and letting him do his spot as he might in concert. Instead we worked him into the comedy fabric of our program." "We certainly didn't inhibit Elvis' then-notorious pelvic gyrations, but I think the fact that he had on formal evening attire made him, purely on his own, slightly alter his presentation."
Allen also appeared on the shows of entertainers, even the rock and roll program ''The Pat Boone Chevy Showroom on ABC.
The 1985 documentary film Kerouac, the Movie starts and ends with footage of Jack Kerouac reading from On the Road as Allen accompanies on soft jazz piano from The Steve Allen Plymouth Show in 1959. "Are you nervous?" Allen asks him; Kerouac answers nervously, "Noo," a take-off on the character usually played by Don Knotts.
Allen appeared in a PSA advocating for New Eyes for the Needy in the 1990s.
Allen received a traditional Irish Catholic upbringing. He received the Rose Elizabeth Bird Commitment to Justice Award from Death Penalty Focus in 1998. He was a student and supporter of general semantics, recommending it in Dumbth and giving the Alfred Korzybski Memorial Lecture in 1992. Allen was a supporter of world government and served on the World Federalist Association Board of Advisers. In spite of his liberal position on free speech, his later concerns about the lewdness he saw on radio and television, particularly the programs of Howard Stern, caused him to make proposals restricting the content of programs, allying himself with the Parents Television Council. His full-page ad on the subject appeared in newspapers a day or two before his unexpected death. Allen's views evolved in the last dozen years of his life, as he called himself an "involved Presbyterian". He had been married for decades to Jayne Meadows, who was the daughter of a Christian missonary.) In addition, he suffered four broken ribs as a result of the accident.
Allen was two months shy of his 79th birthday at the time of his death. He is interred in Forest Lawn Memorial Park-Hollywood Hills in Los Angeles.
Allen has two stars on the Hollywood Walk of Fame: a TV star at 1720 Vine St. and a radio star at 1537 Vine St.
Allen's series of mystery novels "starring" himself and wife Jayne Meadows were in part ghostwritten by Walter J. Sheldon, and later Robert Westbrook.
Category:1921 births Category:2000 deaths Category:American comedians Category:American comedy musicians Category:American game show hosts Category:American humanists Category:American people of Irish descent Category:American skeptics Category:American television talk show hosts Category:Arizona State University alumni Category:Cardiovascular disease deaths in California Category:Dot Records artists Category:Drake University alumni Category:Grammy Award winners Category:Peabody Award winners Category:People from Chicago, Illinois Category:People from New York City Category:Westinghouse Broadcasting Category:World federalists Category:People from Tempe, Arizona Category:American writers
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| Name | Nicki Minaj |
|---|---|
| Background | solo_singer |
| Birth name | Onika Tanya Maraj |
| Born | December 08, 1984Saint James, Port of Spain, Trinidad and Tobago |
| Origin | South Jamaica, Queens, New York, USA |
| Genre | Hip hop, R&B;, Rap |
| Occupation | Rapper, singer-songwriter |
| Years active | 2004 – present |
| Label | Young Money Entertainment, Cash Money Records, Universal Motown |
| Associated acts | Young Money, will.i.am, Lil Wayne, Drake, Rihanna, Britney Spears, Kesha |
| Url |
Her debut studio album Pink Friday (2010) became a commercial success, peaking atop of the U.S. Billboard 200 and being certified platinum by the Recording Industry Association of America (RIAA) a month after its release. She became the first artist ever to have seven songs within the Billboard Hot 100 at the same time. Her second single, "Your Love", reached number-one on the Billboard Hot Rap Songs chart, making Minaj the first female artist to top the chart unaccompanied since 2002. She also became the first female artist to be included on MTV's Annual Hottest MC List.
She attended Elizabeth Blackwell Middle School 210, where she played the clarinet. At LaGuardia, a school specializing in music and the visual and performing arts, Minaj participated in the drama program.
On August 3, 2010 Minaj revealed on a Ustream.tv channel for her fans that the albums name would be Pink Friday stating, “To carry on a great tradition of Black Friday, we are going to switch it up this year in honor of the Nicki Minaj album and call that day Pink Friday, and call my album Pink Friday,!” A deluxe edition of the album was also released after the standard addition. Nicki Minaj released the artwork for her album cover on Friday, October 15, 2010.
Minaj's debut album, Pink Friday was released on November 19, 2010. A buzz single, "Massive Attack", was released in April. In August, Minaj released "Your Love" as the first official single from her debut album. The single peaked at 14 on the Billboard Hot 100, 7 on the Hot R&B;/Hip-Hop Songs chart and topped the Rap Songs chart. Minaj became the first female artist to be included on MTV's Annual Hottest MC List In October 2010, Minaj became the first artist to have seven songs on the Billboard Hot 100 chart simultaneously. Minaj's album gained a Platinum certification in the United States a month after the release. It was hinted by Simon Cowell that Minaj would join the judging panel of the American version of the The X Factor.
Starting in June 2011, Minaj will be supporting Pink Friday by serving as an opening act along with Jessie and the Toy Boys and Nervo on Britney Spears' sixth concert tour, the Femme Fatale Tour, in support of her seventh studio album, Femme Fatale. She also was featured on the offical remix of Spears' track "Till The World Ends" along with Spears and singer Kesha, which charted at number 3 in the US in April 2011.
Category:1984 births Category:Living people Category:2000s rappers Category:2010s rappers Category:2000s singers Category:2010s singers Category:African American female singers Category:African American rappers Category:American musicians of Indian descent Category:American people of Trinidad and Tobago descent Category:Female rappers Category:Fiorello H. LaGuardia High School of Music & Art and Performing Arts alumni Category:People from Queens Category:People from Port of Spain Category:Rappers from New York City Category:Singers from New York City Category:Trinidad and Tobago immigrants to the United States Category:Trinidad and Tobago musicians Category:Universal Records artists
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| Name | Milton Berle |
|---|---|
| Caption | Berle at the 41st Primetime Emmy Awards in 1989 |
| Birth name | Milton Berlinger |
| Birth date | July 12, 1908 |
| Birth place | Manhattan, New York, U.S. |
| Death date | March 27, 2002 |
| Death place | Los Angeles, California, U.S. |
| Other names | Mr. Television, Uncle Miltie |
| Occupation | Actor/Comedian |
| Years active | 1914–2000 |
| Spouse | Joyce Mathews (1941–1947;1949–1950) Ruth Cosgrove (1953–1989) Lorna Adams (1991–2002) |
| Influences | Charlie Chaplin, Groucho Marx |
| Influenced | Don Rickles, Johnny Carson, Larry the Cable Guy, Nipsey Russell |
Berle entered show business at the age of five when he won an amateur talent contest. The director told Berle that he would portray a little boy who would be thrown from a moving train. In Milton Berle: An Autobiography, he explained, "I was scared shitless, even when he went on to tell me that Pauline would save my life. Which is exactly what happened, except that at the crucial moment they threw a bundle of rags instead of me from the train. I bet there are a lot of comedians around today who are sorry about that."
By Berle's account, he continued to play child roles in other films: Bunny's Little Brother, Tess of the Storm Country, Birthright, Love's Penalty, Divorce Coupons and Ruth of the Range. Berle recalled, "There were even trips out to Hollywood—the studios paid—where I got parts in Rebecca of Sunnybrook Farm, with Mary Pickford; The Mark of Zorro, with Douglas Fairbanks, Sr., and Tillie's Punctured Romance, with Charlie Chaplin, Mabel Normand and Marie Dressler."
However, Berle's claims to have appeared in many of these films, particularly the 1914 Chaplin Keystone comedy Tillie's Punctured Romance, are hotly disputed by some, who cite the lack of supporting evidence that Berle even visited the West Coast until much later. The newsboy role often claimed by Berle in Tillie was unquestionably played by resident Keystone child actor Gordon Griffith.
In 1916, Berle enrolled in the Professional Children's School, and at age 12 he made his stage debut in Florodora. After four weeks in Atlantic City, New Jersey, the show moved to Broadway. It catapulted him into a comedic career that spanned eight decades in nightclubs, Broadway shows, vaudeville, Las Vegas, films, television, and radio.
Berle continued to dabble in songwriting. With Ben Oakland and Milton Drake, Berle wrote the title song for the RKO Radio Pictures release Li'l Abner (1940), an adaptation of Al Capp's comic strip, featuring Buster Keaton as Lonesome Polecat. Berle wrote a Spike Jones B-side, "Leave the Dishes in the Sink, Ma."
Scripted by Hal Block and Martin Ragaway, The Milton Berle Show brought Berle together with Arnold Stang, later a familiar face as Berle's TV sidekick. Others in the cast were Pert Kelton, Mary Schipp, Jack Albertson, Arthur Q. Bryan, Ed Begley and announcer Frank Gallop. Sponsored by Philip Morris, it aired on NBC from March 11, 1947 until April 13, 1948. Berle's desire to succeed on radio was strong enough to cause him to cancel well-paying nightclub appearances in favor of doing the radio program.
Berle knew that NBC had already decided to cancel his show before Presley appeared. Berle later appeared in the Kraft Music Hall series from 1958 to 1959, but NBC was finding increasingly fewer showcases for its one-time superstar. By 1960, he was reduced to hosting a bowling program, Jackpot Bowling, delivering his quips between the efforts of bowling contestants.
Freed in part from the obligations of his NBC contract, Berle was signed in 1966 to a new, weekly variety series on ABC. The show failed to capture a large audience and was cancelled after one season. He later appeared as guest villain Louie the Lilac on ABC's Batman series. Other memorable guest appearances included stints on The Barbara Stanwyck Show, The Lucy Show, The Jackie Gleason Show, Get Smart, Laugh-In, The Sonny & Cher Comedy Hour, The Hollywood Palace, Ironside, F Troop, Fantasy Island, and The Jack Benny Show.
Like his contemporary Jackie Gleason, Berle proved a solid dramatic actor and was acclaimed for several such performances, most notably his lead role in "Doyle Against The House" on The Dick Powell Show in 1961, a role for which he later received an Emmy nomination. He also played the part of a blind survivor of an airplane crash in Seven in Darkness, the first in ABC's popular Movie of the Week series. (He also played it straight as an agent in The Oscar (1966), and was one of the few actors in that infamous flop to get good notices from critics.)
During this period, Berle was named to the Guinness Book of World Records for the greatest number of charity performances made by a show-business performer. Unlike the high-profile shows done by Bob Hope to entertain the troops, Berle did more shows, over a period of 50 years, on a lower-profile basis. Berle received an award for entertaining at stateside military bases in World War I as a child performer, in addition to traveling to foreign bases in World War II and Vietnam. The first charity telethon (for the Damon Runyon Cancer Research Foundation) was hosted by Berle in 1949. A permanent fixture at charity benefits in the Hollywood area, he was instrumental in raising millions for charitable causes.
Milton Berle was a guest star on The Muppet Show, where he was memorably upstaged by the heckling theatre box critics Statler and Waldorf.
Another well-known incident of upstaging occurred during the 1982 Emmy Awards, when Berle and Martha Raye were the presenters of the Emmy for Outstanding Writing. Berle was reluctant to give up the microphone to the award's recipients, from Second City Television, and interrupted actor Joe Flaherty's acceptance speech several times. After Flaherty would make a joke, Berle would reply sarcastically "Oh, that's funny". However, the kindly, smiling Flaherty's response of "Go to sleep, Uncle Miltie" flustered Berle, who could only reply with a stunned "What...?" SCTV later created a parody sketch of the incident, in which Flaherty beats up a Berle look-alike, shouting, "You'll never ruin another acceptance speech, Uncle Miltie!"
One of his most popular performances in his later years was guest starring in 1992 in The Fresh Prince of Bel-Air as womanizing, wise-cracking patient Max Jakey. Most of his dialogue was improvised and he shocked the studio audience by mistakenly blurting out a curse word. He also appeared in an acclaimed and Emmy-nominated turn on Beverly Hills, 90210 as an aging comedian befriended by Steve Sanders, who idolizes him but is troubled by his bouts of senility due to Alzheimer's Disease. He also appeared in 1995 as a guest star in an episode of The Nanny in the part of her lawyer and great uncle.
Berle appeared in drag in the video for "Round and Round" by the 1980s metal band Ratt (his nephew Marshall Berle was then their manager).
Berle was again on the receiving end of an onstage jibe at the 1993 MTV Video Music Awards where RuPaul responded to Berle's reference of having once worn dresses himself (during his old television days) with the quip that Berle now wore diapers. A surprised Berle replied, "Oh, we're going to ad lib? I'll check my brain and we'll start even".
Unlike many of his peers, Berle's off-stage lifestyle did not include drugs or drinking, but did include cigars, a "who's who" list of beautiful women, and a lifelong addiction to gambling, primarily horse racing. Some felt his obsession with "the ponies" was responsible for Berle never amassing the wealth or business success of others in his position.
Berle was also famous within show business for the rumored size of his penis. Phil Silvers once told a story about standing next to Berle at a urinal, glancing down, and quipping, "You'd better feed that thing, or it's liable to turn on you!" In the short story 'A Beautiful Child', Truman Capote wrote Marilyn Monroe as saying: "Christ! Everybody says Milton Berle has the biggest schlong in Hollywood." Saturday Night Live writer Alan Zweibel, who had written many Friars Club jokes about Berle's penis for other comedians, described being treated to a private showing: "He just takes out this— this anaconda. He lays it on the table and I'm looking into this thing, right? I'm looking into the head of Milton Berle's dick. It was enormous. It was like a pepperoni. And he goes, 'What do you think of the boy?' And I'm looking right at it and I go, 'Oh, it's really, really nice.'" At a memorial service for Berle at the New York Friars' Club, Freddie Roman solemnly announced, "On May 1st and May 2nd, his penis will be buried." Radio shock jock Howard Stern also barraged Berle with an endless array of penis questions when the comedian appeared on Stern's morning talk show. When fielding phone calls, Stern purposely asked his producer to only air callers whose questions dealt with Berle's penis.
Berle was known to have a colorful vocabulary and few limits on when it was used. Surprisingly, however, he "worked clean" for his entire onstage career, except for the infamous Friars Club all-male, private celebrity roasts. Berle often criticized younger comedians like Lenny Bruce and George Carlin about their X-rated humor, and challenged them to be just as funny without the four-letter words.
Hundreds of younger comics, including several comedy superstars, were encouraged and guided by Berle. Despite some less than flattering stories told about Berle being difficult to work with, his son, Bill, maintains that Berle was a source of encouragement and technical assistance for many new comics. Uncle Miltie's son Bob backs up his brother's statement. He was present many times during Berle's Las Vegas shows and television guest appearances. Milton aided Fred Travelena, Ruth Buzzi, John Ritter, Marla Gibbs, Lily Tomlin, Dick Shawn and Will Smith. At a taping of a Donny & Marie, for example, Donny and Marie Osmond recited a scripted joke routine to a studio audience, to little response. The director asked for a retake, and the Osmonds repeated the act, word for word, to even less response. A third attempt, with no variation, proved dismal — until Milton Berle, off-camera, went into the audience, pantomiming funny faces and gestures. Ever the professional, Berle timed each gesture to coincide with an Osmond punchline, so the dialogue seemed to be getting the maximum laughs.
After twice marrying and divorcing Joyce Mathews, a showgirl, Berle married Ruth Cosgrove, a onetime publicist on December 9, 1953; she died in 1989. In 1989, Berle stated that his mother was behind the breakup of his marriage to Mathews. He also said that she managed to damage his previous relationships: "My mother never resented me going out with a girl, but if I had more than three dates with one girl, Mama found some way to break it up." He was married for a fourth time in 1992 to Lorna Adams, a fashion designer 30 years younger than he was, whom he credited for 'keeping him young'. He had two children, Victoria (adopted by Berle and Mathews) and William (adopted by Berle and Cosgrove). Berle also had two stepdaughters from his marriage to Lorna Adams—Leslie and Susan Brown, who is married to actor Richard Moll. Oscar Levant, commenting to Jack Paar about Berle's conversion, quipped, "Our loss is their loss."
Berle was well known among his peers to have one of the largest joke collections in the world, which Berle estimated to be between five and six million jokes. Berle had a reputation for stealing material from other comedians, which eventually became known to the public. Bob Hope quipped onstage with Berle, that he "never heard a joke he didn't steal". "Uncle Miltie" would then mug for the cameras with an exaggerated innocent face. On more than one occasion, Berle commended a co-star for a punchline, saying, "I wish I'd said that," to which the co-star invariably replied, "Oh, you will". Columnist Walter Winchell famously labeled Berle, "The Thief of Bad Gags." On being accused of stealing jokes from Berle, Jack Benny once quipped, "When you take a joke away from Milton Berle, it's not stealing, it's repossessing."
Occasional claims by Berle and others that these jokes were transferred to computer media are suspect, as a member of Berle's family verified that the majority of them were on sheets and scraps of paper and index cards in a vast, disorganized collection amassed over decades, well before personal computers. The books Milton Berle's Private Joke File and The Rest of the Best of Milton Berle's Private Joke File each contained 10,000 of these jokes.
Berle was confident his jokes were funny, regardless of the audience response he received. When the laugh track gained popularity in the 1950s, Berle used it to his advantage. While witnessing a post-production editing session, Berle once said, "as long as we are here, this joke didn't get all that we wanted." After sound engineer/laugh track pioneer Charles Douglass inserted a chuckle after the failed joke, Berle reportedly commented, "See? I told you it was funny".
In 2000, Berle made national headlines when he sued NBC for $30,000,000. Berle had retained co-ownership of his NBC programs and specials, but when he approached NBC about making the episodes available on home video, he was told that NBC no longer had the programs on file. Berle sued, claiming the network's negligence in deliberately or accidentally losing or destroying the shows. Berle itemized the loss of 84 Texaco hours, 32 Buick shows, and 12 prime-time specials. NBC scoured the shelves for the missing films, which turned up two months later in the network's Burbank, California facility. All but four of the films were recovered.
Berle left detailed arrangements to be buried with his second wife, Ruth, at Mount Sinai Memorial Park Cemetery in Burbank. However, his last wife, Lorna Adams, altered the plan so that he was cremated and interred at Hillside Memorial Park Cemetery in Culver City, California. In addition to his wife, Berle was survived by a daughter, Victoria, born in 1945; son, William, born in 1961; and Bob Williams, a son, born in 1951.
In the Family Guy episode "Fifteen Minutes of Shame", Lois describes her perfect man as having (among other male celebrities' features) "Milton Berle's legendary genitals".
In the episode "Nanny From Hell" of the sitcom Curb Your Enthusiasm, Larry refers to an acquaintance's child, whom he knows to have a very large penis, as "Uncle Miltie".
In an episode of Animaniacs, Milton Berle is mentioned not to like the Warner Brothers and their sister Dot, but namely Yakko.
In the episode "Training Day" of the sitcom Archer, Archer says "Oh, He just gets a pass like Milton Berle?!?!"
For the initial production of Robert Sherwood's Idiot's Delight starring Alfred Lunt and Lynn Fontanne in 1936, Lunt went to see Berle perform many times and took lessons from him in joke delivery and soft shoe for his characterization of tenth rate vaudeville performer Harry Van. After Lunt had seen Berle perform numerous times and went backstage to meet him, before any introductions could be made, Berle snapped, "Now look here, nobody steals from me. That's my line of work!" After finding out that his fan was none other than the American stage's most gifted and prestigious actor, Berle was flattered and showed Lunt everything he knew. - From Design for Living, Margot Peters' biography of the Lunts.
Category:Actors from New York City Category:American film actors Category:American Jews Category:American television actors Category:American stand-up comedians Category:Bowling broadcasters Category:Burlesque performers Category:Cancer deaths in California Category:Deaths from colorectal cancer Category:Jewish actors Category:Jewish comedians Category:RCA Victor artists Category:Texaco Category:Vaudeville performers Category:American Christian Scientists Category:People from Manhattan Category:1908 births Category:2002 deaths
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He was working as a vocal coach and teacher of social behavior in an inclusion (education) department when he appeared as a contestant in the 2004 season of The X Factor, and made the final 5 of the "over 25" category, which was mentored by Simon Cowell.
Wade learned his trade in gospel music singing with his brothers in the MOBO nominated group The Wades for 18 years. The Wades toured extensively across Europe and Australia during the nineties, playing at many notable venues such as The Royal Festival Hall, Wembley Arena, Wembley Stadium and the Sydney,Melbourne and Brisbane Entertainment Centres. Their largest single festival audience was at the Chicago Gospel Festival in Grant Park where they performed live to some 100,000 festival goers, as well as many radio and television appearances throughout their career.
Wade attended regular vocal classes throughout his early development as a singer and in 1991 he became a vocal coach.
Wade has worked closely with the BBC Fame Academy judges David and Carrie Grant for their vocal session company both as a session singer and as an associate vocal coach.
Wade has been instrumental in helping to shape the vocal prowess of many people over the last 18 years such as Daniel Bedingfield and Natasha Bedingfield in their formative years leading up to their career and subsequent chart success.
Wade has also coached FDM (formerly known as Fun*dmental) who have recently moved to the US after signing a deal with production/entertainment company Compound Ne-Yo.
2010 - Joint vocalist on the One Voice appeal song for the 2010 Haiti earthquake, "Somebody Please".
2009: Wade coached Jess Stickley of Girls Can't Catch.
2008: Wade coached Howard Donald of Take That.
2007: Wade was guest vocalist with Take That on their Beautiful World Tour 2007, dueting with them on "Relight My Fire", singing a mixture of the Gnarls Barkley song "Crazy" and the part sung on the single version of "Relight My Fire" by Lulu.
2006: Support vocalist Simon Webbe's song "Coming Around Again".
2005: Vocalist for the BBC Tsunami appeal song.
1996 - 1999 Wade worked with Robert Palmer as a backing singer on his TV appearances, which included an appearance on Later... with Jools Holland and Palmer's 35 state tour of America in the fall of 1999.
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Thaxton came to Los Angeles from Toledo, Ohio, in 1957, becoming, in his words, a "freelance announcer" and host of the highly-rated Leave It To Lloyd talk show on KHJ-TV. He casually coined the term "freelance announcer" since his work in commercials was most active toward the end of the era of live television; Thaxton would go from venue to venue performing the commercials live, since videotape was not in wide use then. Many of his commercials for KHJ and KNXT were for the now-defunct Southern California discount chain, White Front. His career at KCOP began in 1958 both as a commercial announcer and as announcer for The June Levant Show, an afternoon talk show starring the wife of celebrated pianist Oscar Levant. This led to his own afternoon show, Lloyd Thaxton’s Record Shop, in 1959. The program attracted quite a number of big-name guests, some of whom stopped by to promote their latest record and many of whom simply stopped by for the chance to chat with Thaxton. Among those early guests were Fred Astaire, Jerry Lewis, Johnny Green, and Dimitri Tiomkin.
In 1961, The Lloyd Thaxton Show debuted on KCOP as an hour-long presentation from 5 to 6 p.m. The format, much along the lines of American Bandstand, featured local high school students dancing on the soundstage to the latest records. The show was almost totally unscripted and spontaneous. Thaxton's description of the idea: “No one told me what I had to do. I was producing it myself. I was writing it myself.” Thaxton frequently clowned around on stage to the music, lip-synching the vocals and accompanying the records on guitar or piano. One favorite recurring skit had the costumed Thaxton on his knees, impersonating painter Toulouse-Lautrec, while lip-synching a current song. He also occasionally "performed" on an odd contraption made from a tennis racket and a bow and arrow that roughly looked like a guitar and "play-synked" popular early-60s instrumental tunes like "Scratchy" by Travis Wammack, and various Ventures and Link Wray guitar songs. The Lloyd Thaxton Show, with its mix of new music and comedy skits, immediately shot to Number One in the time period, with a viewership of at least 350,000 homes, including those on the East Coast. Many leading rock 'n' roll acts of the time, like The Byrds, Sonny & Cher, The Kinks, The Bobby Fuller Four, The Challengers and others appeared on the program.
Although some cities carried his show almost from the show's inception, like KPTV in Portland, Oregon, The Lloyd Thaxton Show went into national syndication in late 1964, quickly becoming the highest rated musical entertainment program in the United States for the next three years. Lloyd Thaxton is today known as the father of music videos.
Thaxton's ventures into other television programs and facets of the entertainment industry earned him five Emmy Awards and fifteen Emmy nominations.
Thaxton's face appeared at the top of the newly launched Tiger Beat magazine (then known as "Lloyd Thaxton's Tiger Beat") for which he did a column. According to IMDB, Thaxton was a co-founder of Tiger Beat magazine.
During the late 1960s, Thaxton hosted two short-lived game shows for ABC: Everybody's Talking (1967) and Funny You Should Ask (1968-69).
Thaxton also was a radio talk show host on KABC-790 in Los Angeles from 1972-1974. His Sunday show received positive reviews from the critics.
Moving behind the scenes, in 1977, he created the syndicated game show, Pro-Fan, which he also announced. Charlie Jones hosted the series. He also served as producer and director of Fight Back! With David Horowitz from 1976 through 1992, as well as producer for NBC's The Today Show.
In 2003 he co-wrote the best seller "Stuff Happens (and then you fix it)", published by Wiley & Sons.
Thaxton married his second wife, Barbara Snyder Whitman, whom he had met on a television set, on August 11, 1969. They had no children and remained married until his death from multiple myeloma in October 2008, which had been diagnosed in May of that year. He lived in Studio City, California, and was the head of his own entertainment firm, LT Productions, which is still active.
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He was born in Victoria, the son of Arthur Snow, and was educated in Brownsdale and at Memorial University. Snow was an elementary school principal and high school teacher and vice-principal. In 1967, he married Linda Mansfield. Snow was mayor of Hant's Harbour. He served as speaker for the provincial assembly from 1995 to 2003.
Category:Speakers of the Newfoundland and Labrador House of Assembly Category:Liberal Party of Newfoundland and Labrador MHAs Category:Mayors of places in Newfoundland and Labrador Category:1943 births Category:Living people
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| Name | Lloyd Price |
|---|---|
| Background | solo_singer |
| Born | March 09, 1933 |
| Origin | Kenner, Louisiana, USA |
| Genre | R&B;Rock and Roll |
| Occupation | Vocalist, Songwriter, Bandleader, Entrepreneur , Record Executive |
| Years active | 1952 - present |
| Label | Specialty RecordsKRC RecordsABC-Paramount |
| Url | Lawdymissclawdy.com |
When Art Rupe of Specialty Records came to New Orleans scouting for talent and heard Price's song, "Lawdy Miss Clawdy", he wanted to record it. Because Price did not have a band,(though he would eventually start his own band in 1949), Rupe hired Dave Bartholomew and his band (which included Fats Domino on piano) to do the arrangements and back up Price in the recording session. The song turned out to be a massive hit and his next release cut at the same session, "Oooh, Oooh, Oooh" a much smaller one. Price continued making recordings for Speciality but did not chart any further hits at that time.
In 1954 he was drafted and ended up in Korea. When he returned he found he had been replaced by Little Richard. In addition, his former chauffeur, Larry Williams, was also recording for the label, having released "Short Fat Fannie".
Price eventually formed KRC Records with Harold Logan and Bill Boskent. The first single was "Just Because". It was picked up by ABC Records and from 1957 to 1959 Price recorded a series of national hits on ABC Records that were successful adaptations of the New Orleans sound, such as "Stagger Lee", "Personality", which reached #2, and the #3 hit "I'm Gonna Get Married".
In 1962, Price formed Double L Records with Logan. Wilson Pickett got his start on this label. In 1969, Logan was murdered. Price then founded a new label, Turntable, and opened a club by the same name in New York City.
During the 1970s Price owned a Manhattan restaurant-nightclub called Turntable and helped Don King promote fights including Muhammad Ali's "Rumble in the Jungle". He later became a builder erecting 42 town houses in the Bronx.
Price toured Europe in 1993 with Jerry Lee Lewis, Little Richard, and Gary U.S. Bonds. He performed in 2005 with soul legends Jerry Butler, Gene Chandler, and Ben E. King for the "Four Kings of Rhythm and Blues" tour, concerts captured for a DVD and PBS television special.
On March 9, 2010, his 77th Birthday, in New Orleans, Lloyd Price was inducted into The Louisiana Music Hall of Fame and on June 20, 2010, Price appeared and sang in season 1 finale of the HBO series "Treme".
Price currently manages Icon Food Brands, which makes a line of primarily Southern-style foods, including Lawdy Miss Clawdy food products, ranging from canned greens to sweet potato cookies, and a line of Lloyd Price foods, such as Lloyd Price's Soulful 'n' Smooth Grits and Lloyd Price's Energy-2-Eat Bar (with the brand slogan "Good taste ... Great Personality"), plus Lawdy Miss Clawdy clothing and collectibles.
Lloyd Price Avenue in Kenner, Louisiana, was named for the singer and the city celebrates an annual Lloyd Price Day.
In 2011 Price was promoting his autobiography The True King of the Fifties: The Lloyd Price Story and was working on a Broadway musical called "Lawdy Miss Clawdy," in conjunction with a team that includes producer Phil Ramone. The musical details how rock and roll evolved out of the New Orleans music scene of the early 1950s. He continues to sing.
Category:1933 births Category:Living people Category:African American singers Category:American male singers Category:Musicians from New Orleans, Louisiana Category:American rock singers Category:Rock and Roll Hall of Fame inductees Category:Specialty Records artists
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| Name | Britney Spears |
|---|---|
| Years active | 1992–present |
| Background | solo_singer |
| Birth name | Britney Jean Spears |
| Birth date | December 02, 1981 |
| Birth place | |
| Genre | Pop, dance-pop |
| Occupation | Singer, songwriter, dancer, actress, record producer, author, fashion designer, video director |
| Instrument | Vocals, piano |
| Label | Jive |
| Associated acts | The New Mickey Mouse Club, Madonna |
| Url |
In 2001, she released her third studio album Britney and expanded her brand, playing the starring role in the film Crossroads. She assumed creative control of her fourth studio album, In the Zone released in 2003, which yielded chart-topping singles "Me Against the Music", "Toxic" and "Everytime". After the release of two compilation albums, Spears experienced personal struggles and her career went under hiatus. Her fifth studio album, Blackout, was released in 2007 and despite receiving little promotion, it spawned hits "Gimme More" and "Piece of Me". In 2008, her erratic behaviour and hospitalizations caused her to be placed in a conservatorship. The same year, her sixth studio album Circus was released, with the global chart-topping lead single "Womanizer". After embarking on The Circus Starring Britney Spears, she released greatest hits The Singles Collection, which featured U.S. and Canadian number-one single "3". In 2011, Spears returned with her seventh studio album, titled Femme Fatale, which was released on March 29, 2011, including the lead single "Hold It Against Me" which has become Spears' fourth U.S. number-one single. The album debuted at #1 on Billboard 200. This made Spears the only female artist ever to have six number one debut albums, and have seven albums debut in the top two spots.
Spears has sold over 100 million records worldwide, making her one of the best-selling music artists in the history of contemporary music. According to the Recording Industry Association of America (RIAA), she is the eighth top-selling female artist in the United States, with 33 million certified albums. Spears is also recognized as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall. She was ranked the 8th Artist of the 2000s by Billboard. In June 2010, Spears was ranked sixth on Forbes list of the 100 Most Powerful and Influential celebrities in the world; she is also the third most mentioned musician on the internet, according to Forbes.
In June 1997, Spears was in talks with manager Lou Pearlman to join female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided he wanted to pitch her to record labels, therefore she needed a professional demo. He sent Spears an unused song from Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears travelled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, arguing audiences wanted pop bands such as the Backstreet Boys and the Spice Girls, and "there wasn't going to be another Madonna, another Debbie Gibson, or another Tiffany." Two weeks later, executives from Jive Records returned calls to Rudolph. Senior vice president of A&R; Jeff Fenster stated about Spears's audition that "It's very rare to hear someone that age who can deliver emotional content and commercial appeal. [...] For any artist, the motivation—the 'eye of the tiger'— is extremely important. And Britney had that." After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned "Sheryl Crow music, but younger more adult contemporary" but felt all right with her label's appointment of producers, since "It made more sense to go pop, because I can dance to it—it's more me." She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz Pop and Rami, among others. Her debut album, ...Baby One More Time, was released on January 1999. It debuted at number one on the U.S. Billboard 200 and was certified two-times platinum by the Recording Industry Association of America after a month. Worldwide, the album topped the charts in fifteen countries and sold over ten million copies in a year. It became the biggest selling album ever by a teenage artist. "...Baby One More Time" later received a Grammy nomination for Best Female Pop Vocal Performance. The title track also topped the singles chart for two weeks in the United Kingdom, and became the fastest-selling single ever by a female artist, shipping over 460,000 copies. It would later become the 25th most successful song of all time in British chart history. Spears is also the youngest female artist to have a million seller in the country. "(You Drive Me) Crazy" was released as the third single from the album. It became a top-ten hit worldwide and propelled ...Baby One More Time to sell 26 million copies. The April 1999 cover of Rolling Stone featured Spears lying on her bed, clad with a bra, shorts and an open top. The American Family Association (AFA) referred to the shoot as "a disturbing mix of childhood innocence and adult sexuality" and called to "God-loving Americans to boycott stores selling Britney's albums." Spears responded to the outcry commenting, "What's the big deal? I have strong morals. [...] I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time." Shortly before, Spears had announced publicly she would remain a virgin until marriage. but generated some controversy due to her racy outfits. An extension of the tour, titled Crazy 2k, followed in March 2000. Spears premiered songs from her upcoming second album during the show. The album sold over 20 million copies worldwide. Rob Sheffield of Rolling Stone said that "the great thing about Oops! – under the cheese surface, Britney's demand for satisfaction is complex, fierce and downright scary, making her a true child of rock & roll tradition." The album's lead single, "Oops!... I Did It Again", peaked at the top of the charts in Australia, New Zealand, the United Kingdom and many other European nations. The album as well as the title track received Grammy nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance, respectively. The same year, Spears embarked on the Oops!... I Did It Again World Tour, which grossed $40.5 million; she also released her first book, Britney Spears' Heart-to-Heart, co-written with her mother. On September 7, 2000, Spears performed at the 2000 MTV Video Music Awards. Halfway through the performance, she ripped off her black suit to reveal a sequined flesh-colored bodysuit, followed by heavy dance routine. It is noted by critics as the moment that Spears showed signs of becoming a more provocative performer. Amidst media speculation, Spears confirmed she was dating 'N Sync member Justin Timberlake. The album debuted at number one in the Billboard 200 and reached top five positions in Australia, the United Kingdom and mainland Europe and sold over 12 million copies worldwide. Stephen Thomas Erlewine of Allmusic called Britney "the record where she strives to deepen her persona, making it more adult while still recognizably Britney. [...] It does sound like the work of a star who has now found and refined her voice, resulting in her best record yet." The album was honored with two Grammy nominations—Best Pop Vocal Album and Best Female Pop Vocal Performance for "Overprotected"— and was listed in 2008 as one of Entertainment Weekly's "100 Best Albums from the Past 25 Years". The album's first single, "I'm a Slave 4 U", became a top-ten hit worldwide. Spears's performance of the single at the 2001 MTV Video Music Awards featured a caged tiger and a large albino python draped over her shoulders. It was harshly received by animal rights organization PETA, who claimed the animals were mistreated and scrapped plans for an anti-fur billboard that was to feature Spears. The tour grossed $43.7 million, becoming the second highest grossing tour of 2002 by a female artist, behind Cher's . Her career success was highlighted by Forbes in 2002, as Spears was ranked the world's most powerful celebrity. Spears also landed her first starring role in Crossroads, released in February 2002. Although the film was largely panned, most critics actually praised Spears's acting. Crossroads, which had a $11 million budget, went on to gross over $57 million worldwide. In July 2002, Spears announced she would take a six month break from her career; however, she went back into the studio in October to record her new album. Spears's relationship with Justin Timberlake ended after three years. In December 2002, Timberlake released the song "Cry Me a River" as the second single from his solo debut album. The music video featured a Spears look-alike and fueled the rumors that she had been unfaithful to him. As a response, Spears wrote the ballad "Everytime" with her backing vocalist and friend Annet Artani. The same year, Limp Bizkit frontman Fred Durst confirmed that he was in a relationship with Spears, only to deny it later. In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her." Spears opened the 2003 MTV Video Music Awards with Christina Aguilera, performing "Like a Virgin". Halfway through they were joined by Madonna, with whom they both kissed. The incident was highly publicized. NPR listed the album as one of "The 50 Most Important Recording of the Decade", adding that "the decade's history of impeccably crafted pop is written on her body of work." In the Zone sold over 609,000 copies in the United States and debuted at the top of the charts, making Spears the first female artist in the SoundScan era to have her first four studio albums to debut at number one. In the Zone sold over 10 million copies worldwide. The album produced the hit singles: "Me Against the Music", a collaboration with Madonna; "Toxic"—which won a Grammy for Best Dance Recording; "Everytime" and "Outrageous". She began The Onyx Hotel Tour in support of In the Zone in March 2004. On June 8, 2004, Spears fell and injured her left knee during the music video shoot for "Outrageous". She was taken immediately to a local hospital, where doctors performed an MRI scan and found floating cartilage. The following day, Spears underwent arthroscopic surgery. She was forced to remain six weeks with a thigh brace, followed by eight to twelve weeks of rehabilitation, which caused The Onyx Hotel Tour to be canceled. During 2004, Spears became involved in the Kabbalah Centre through her friendship with Madonna. In July 2004, she announced her engagement to American dancer Kevin Federline, whom she had met three months before. The romance received intense attention from the media, since Federline had recently broken up with actress Shar Jackson, who was still pregnant with their second child at the time. Shortly after, she released her first fragrance with Elizabeth Arden, Curious, which broke the company's first-week gross for a perfume. , her first greatest hits compilation album, was released in November 2004. Spears's cover version of Bobby Brown's "My Prerogative" was released as the lead single from the album, reaching the top of the charts in Finland, Ireland, Italy and Norway. The second single, "Do Somethin'", was a top ten hit in Australia, the United Kingdom and other countries of mainland Europe. Worldwide, Greatest Hits: My Prerogative sold over 5 million copies. In late 2004, Spears went on KIIS-FM radio in Los Angeles, CA to play a new demo titled "Mona Lisa." The demo was to be the first single from an upcoming album called the "Original Doll." However, Spears' label later cancelled the album for unknown reasons. Spears gave birth to her first child, Sean Preston Federline, on September 14, 2005.
In November 2005, she released her first remix compilation, , which consists of eleven remixes. In February 2006, pictures surfaced of Spears driving with her son Sean, on her lap instead of in a car seat. Child advocates were horrified by the photos of her holding the wheel with one hand and Sean with the other. Spears claimed that the situation happened because of a frightening encounter with paparazzi, and that it was a mistake on her part. She publicly announced she no longer studied Kabbalah in June 2006, explaining, "my baby is my religion." On November 7, 2006, Spears filed for divorce from Federline, citing irreconcilable differences. Their divorce was finalized in July 2007, when the couple reached a global settlement and agreed to share joint custody of their children. Spears's aunt Sandra Bridges Covington, with whom she had been very close, died of ovarian cancer in January. On February 16, 2007, Spears stayed in a drug rehabilitation facility in Antigua for less than a day. The following night, she shaved her head with electric clippers at a hair salon in Tarzana, Los Angeles. She admitted herself to other treatment facilities during the following weeks. After completing a month-long program at Promises, she wrote on her website, "I truly hit rock bottom. Till this day I don't think that it was alcohol or depression. [...] was like a bad kid running around with ADD." Spears lost physical custody of her children to Federline on October 1, 2007. The reasons of the court ruling were not revealed to the public.
Her fifth studio album, Blackout, was released in October 2007. It debuted at the top of charts in Canada and Ireland, number two in the U.S. Billboard 200,—held off from the top spot by Eagles's Long Road out of Eden— France, Japan, Mexico and the United Kingdom and the top ten in Australia, Korea, New Zealand and many European nations. In the United States, Spears became the only female artist to have her first five studio albums debut at the two top slots of the chart. Blackout sold over 3.1 million copies worldwide. Peter Robinson of The Observer said that "Britney has delivered the best album of her career, raising the bar for modern pop music with an incendiary mix of Timbaland's Shock Value and her own back catalogue." Dennis Lim of Blender commented, "Spears’s fifth studio album is her most consistent, a seamlessly entertaining collection of bright, brash electropop." Blackout won Album of the Year at MTV Europe Music Awards 2008 and was listed as the fifth Best Pop Album of the Decade by The Times. Spears performed the lead single "Gimme More" at the 2007 MTV Video Music Awards. The performance was panned by many critics. David Willis of BBC stated her performance would "go down in the history books as being one of the worst to grace the MTV Awards". Despite the backlash, the single rocketed to worldwide success, peaking at number one in Canada and the top ten in almost every country it charted. The second single "Piece of Me" reached the top of the charts in Ireland and reached the top five in Australia, Canada, Denmark, New Zealand and the United Kingdom. The third single "Break the Ice" was released the following year and had moderate success due to Spears not being able to promote it properly. In December 2007, Spears began a relationship with paparazzi Adnan Ghalib.
A 60-minute introspective documentary, , was produced to chronicle Spears' return to the recording industry. Directed by Phil Griffin, For the Record was entirely shot in Beverly Hills, Hollywood, and New York City during the third quarter of 2008. Main shooting began on September 5, 2008, two days before Spears' appearance at the MTV Video Music Awards. For the Record was broadcast on MTV on November 30, 2008 to 5.6 million viewers for the two airings on the premiere night. MTV reported that Spears' documentary garnered on average, the highest rating in its' Sunday night timeslot, in the network's history.
Her sixth studio album Circus, was released in December 2008. It received positive reviews from critics; according to the music review aggregation of Metacritic, it garnered an average score of 64/100. Circus debuted at number one in Canada, Czech Republic and the United States, and inside the top in many European nations. In the United States, Spears became the youngest female artist to have five albums debut at number one, earning a place in the Guinness Book of World Records. She also became the only act in the Soundscan era to have four albums debut with 500,000 or more copies sold. and has sold 4 million copies worldwide. Its lead single, "Womanizer", became her first number one in the Billboard Hot 100 since "...Baby One More Time" and topped the charts in countries such as Belgium, Canada, Denmark, Finland, France, Norway and Sweden. It was also nominated for a Grammy in the category of Best Dance Recording. In January 2009, Spears and her father James obtained a restraining order against her former manager Sam Lufti, ex-boyfriend Adnan Ghalib and attorney Jon Eardley—all of whom, court documents claim, had been conspiring to gain control of Spears's affairs. The restraining order forbids Lutfi and Ghalib from contacting Spears or coming within 250 yards of her, her property or family members. Spears embarked on The Circus Starring Britney Spears in March 2009. With a gross of U.S. $131.8 million, it became the fifth highest grossing tour of the year.
She released her second greatest hits album, The Singles Collection in November 2009. "3" became her third number one single in the US, and was the first song to debut at the top of the charts in three years. Later that month, she released an application for iPhone and iPod Touch titled "It's Britney!". In May 2010, Spears's representatives confirmed she was dating her agent Jason Trawick, and that they had decided to end their professional relationship to focus on their personal relationship. Spears designed a limited edition clothing line for Candie's, which was released in stores in July 2010. On September 28, 2010, she made a cameo appearance on a Spears-themed tribute episode of American TV show Glee, titled "Britney/Brittany". Spears approved of the episode, although her appearances received mixed reviews from critics. The episode drew Glee's second largest audience, as well as the show's highest ratings ever.
Oops!...I Did It Again and subsequent albums saw Spears working with several contemporary R&B; producers, leading to "a combination of bubblegum, urban soul, and raga." Her third studio album, Britney derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums." Guy Blackman of The Age wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."
Her vocal ability has also been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance." Her image and persona are also often contrasted to Christina Aguilera. David Browne of Entertainment Weekly observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics. In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she can indulge herself. Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's."
While writing the review for Femme Fatale in 2011, Adam Markovitz of Entertainment Weekly commented on the cultural significance of Spears' voice and music. "We don't ask a whole lot from Britney Spears as an entertainer...we'll still send her straight up the charts simply because she's Britney. She's an American institution, as deeply sacred and messed up as pro wrestling or the filibuster. Musically, though, Spears will always have to measure up to her own gold standards of pop euphony: the operatic slither of 2004's "Toxic" and the candied funk of 2000's "Oops!...I Did It Again." Spears is no technical singer, that's for sure. But backed by Martin and Dr. Luke's wall of pound, her vocals melt into a mix of babytalk coo and coital panting that is, in its own overprocessed way, just as iconic and propulsive as Michael Jackson's yips or Eminem's snarls."
Like other dance-oriented pop stars, it has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book Natural selection: Gary Giddins on comedy, film, music, and books (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna." Rashod D. Ollison of The Baltimore Sun observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket." Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert." Noting on the prevalence of lip-syncing, Los Angeles Daily News reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all". Similarly, Aline Mendelsohn of the Orlando Sentinel remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound." Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.
Many critics have argued that Spears should not be considered in the same league of talent as Jackson or Madonna. Journalists Erika Montalvo and Jackie Sheppard of the Rocky Mountain Collegian observed "[s]ome may argue that Spears is not only a good recording artist but also an important cultural icon." Joan Anderman of The Boston Globe remarked that "[t]hirteen costume changes in 90 minutes won't bless her with Madonna's intelligence or cultural barometer. An army of cutting-edge R&B; producers won't supply her with Janet Jackson's sense of humor or sincere smile ... Britney's heroes aren't great singers. But they're real singers. Spears sounds robotic, nearly inhuman, on her records, so processed is her voice by digital pitch-shifters and synthesizers."
Reporter Ed Bumgardner commented her transition from teen pop start to adult sex symbol with her third studio album Britney "takes its cues from two other successful performers—Madonna and Janet Jackson—both of whom she brazenly rips off and both of whom, like Spears, are passable singers, at best." Critic Shane Harrison wrote: "From the minimalist thump and "Nasty" feel of "I'm a Slave 4 U" to the scattered quotes in "Boys", [Britney] feels like [Spears's] attempt at 'Control'." Madonna's respect for Spears has also been a subject of observation. Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of Madonna's drowned worlds: new approaches to her cultural transformations, 1983-2003 (2004) note that the most well known cross-generational relationship exists between Spears and Madonna in which "the entertainment newsmedia almost became obsessed with their relationship of mutual admiration." The biographers also report "[s]ome observers of popular culture, however, feel that the comparisons between the two artist are meaningless and fail to recognize Madonna's unique contribution: Madonna was never 'just another pop star' whereas Britney can more easily be seen as a standard manufactured pop act." She is listed by the Guinness World Records as having the "Best-selling album by a teenage solo artist" for her debut album ...Baby One More Time which sold over thirteen million copies in the United States. Melissa Ruggieri of the Richmond Times-Dispatch reported, "She's also marked for being the best-selling teenage artist. Before she turned 20 in 2001, Spears sold more than 37 million albums worldwide".
Barbara Ellen of The Observer has reported: "Spears is famously one of the 'oldest' teenagers pop has ever produced, almost middle aged in terms of focus and determination. Many 19-year-olds haven't even started working by that age, whereas Britney, a former Mouseketeer, was that most unusual and volatile of American phenomena — a child with a full-time career. While other little girls were putting posters on their walls, Britney was wanting to be the poster on the wall. Whereas other children develop at their own pace, Britney was developing at a pace set by the ferociously competitive American entertainment industry". 'Britney Spears' was Yahoo!'s most popular search term between 2005 and 2008, and has been in a total of seven different years. Spears was named as Most Searched Person in the Guinness World Records book edition 2007 and 2009. Spears has also become a major influence among many new artists, including Kristinia DeBarge, Lady Gaga, Little Boots, Selena Gomez & the Scene, Pixie Lott and Miley Cyrus who has cited Spears as one of her biggest inspirations and has also referenced Spears in her hit song "Party in the U.S.A.".
Bebo Norman wrote a song about Spears, called "Britney", which was released as a single. Boy band Busted also wrote a song about Spears called "Britney", which was on their debut album. She is also mentioned in P!nk's song "Don't Let Me Get Me". She was cited as the inspiration of Gwyneth Paltrow's character in the 2010 film Country Strong. Richard Cheese called Britney Spears "a remarkable recording artist" and also went on to say that she was "versatile" and what the industry calls an "artist". People magazine and MTV reported that October 1, 2008, the Bronx's John Philip Sousa Middle School, named their music studio in honor of Britney Spears. Spears herself was present during the ceremony and donated $10,000 to the school's music program.
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| Name | Andrew Lloyd |
|---|---|
| Fullname | Andrew Lloyd |
| Nationality | |
| Sport | Running |
| Event | 5000 m10,000 mMarathon |
| Birth date | February 14, 1959 |
| Birth place | Colchester, Essex, England |
| Residence | Sydney, Australia |
Lloyd was born in Colchester, Essex, England. He represented Australia at the 1988 Summer Olympics and 1985 and 1989 IAAF World Cross Country Championships. He won many prestigious Australian road races in the 1980s and 1990s including the 1983, 1984, 1986 and 1993 City to Surfs, the 1979, 1980 and 1981 Melbourne Marathons (2:26:44, 2:17:37 and 2:19:03 respectively) and the 1980 Gold Coast Marathon (2:23:02).
He also won in cross country races such as the Chiba International Cross Country in 1988.
Category:1993 births Category:Living people Category:Commonwealth Games gold medallists for Wales
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
