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Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music.
While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still play with a degree of certainty are the surviving medieval dances such as carols and the Estampie. The earliest of these surviving dances are almost as old as Western staff-based music notation.
In the Baroque period, the major dance styles were noble court dances (see Baroque dance). Examples of dances include the French courante, sarabande, minuet and gigue. Collections of dances were often collected together as dance suites.
In the Classical music era, the minuet was frequently used as a third movement in four-movement non-vocal works such as sonatas, string quartets, and symphonies, although in this context it would not accompany any dancing. The waltz also arose later in the Classical era, as the minuet evolved into the scherzo (literally, "joke"; a faster-paced minuet).
Both remained part of the Romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, and polonaise. Also in the Romantic music era, the growth and development of ballet extended the composition of dance music to a new height. Frequently dance music was a part of Opera.
Ballads are commonly chosen for slow-dance routines. However ballads have been commonly deemed as the opposite of dance music in terms of their tempo. Originally, the ballad was a type of dance as well (hence the name "ballad," from the same root as "ballroom" and "ballet"). Ballads are still danced on the Faeroe Islands.
"Dansband" ("Dance band") is a term in Swedish for bands who play a kind of popular music, "dansbandsmusik" ("Dance band music"), to partner dance to. These terms came into use around 1970, and before that, many of the bands were classified as "pop groups". This type of music is mostly popular in the Nordic countries.
By 1981, a new form of electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in dance music nightclubs, radio stations, shows and raves. During its gradual decline in the late 1970s, disco became influenced by computerization. Looping, sampling and seguing as found in disco continued to be used as creative techniques within Trance music, Techno music, and especially House music.
Electronic dance music experienced a boom after the proliferation of personal computers in the 1980s, manifest in the dance element of Tony Wilson's Haçienda scene (in Manchester) and London clubs like Delirium,The Trip, and Shoom. The scene rapidly expanded to the Summer Of Love in Ibiza, which became the European capital of house and trance. Clubs like Sundissential and Manumission became household names with British, German and Italian tourists.
Many music genres that made use of electronic instruments developed into contemporary styles mainly due to the MIDI protocol, which enabled computers, synthesizers, sound cards, samplers, and drum machines to interact with each other and achieve the full synchronization of sounds. Electronic dance music is typically composed using computers and synthesizers, and rarely has any physical instruments. Instead, this is replaced by digital or electronic sounds, with a 4/4 beat. Dance music typically ranges from 120bpm, up to 200bpm (Hip Hop in comparison usually plays at a speed of 80 to 100bpm unless it is new school hip-hop, which can go up to 160bpm), with techno, trance, and house being the most widespread. Many producers of this kind of music however, such as Darren Tate and MJ Cole, were trained in classical music before they moved into the electronic medium.
Associated with dance music are usually commercial tracks that may not easily be categorized, such as "The Power" by Snap!, No Limit by 2 Unlimited, "Gonna Make You Sweat (Everybody Dance Now)" by C+C Music Factory, and the Beatmaster's "Rok Da House" but the term "dance music" is applied to many forms of electronic music, both commercial and non commercial.
Some of the most popular upbeat genres includes House, Techno, Drum & Bass, Jungle, Hardcore, Electronica, Industrial, Breakbeat, Trance, Psychedelic Trance, UK Garage, and Electro. There are also much slower styles, such as Downtempo, Chillout and Nu Jazz.
Many sub-genres of electronic dance music have evolved. Sub-genres of House include Acid House, Hard House, Funky House, Deep House, Tribal House, Hip House, Tech House and US Garage. Sub-genres of Drum & Bass include Tech Step, Hard Step, Jump Up, Intelligent D&B;/Atmospheric D&B;, Liquid Funk, Sambass, Drum Funk, Neuro Funk and Ragga Jungle. Sub-genres of other styles include Progressive Breaks, Rave Breaks, Booty Bass, Goa Trance, Euro Trance, Hard Trance, Hardstyle, Minimal Techno, Gabber Techno, Breakcore, Broken Beat, Trip Hop, Folktronica and Glitch. Speed Garage, Breakstep, Bassline, Grime and the Reggae-inspired Dubstep are all sub-genres of UK Garage.
Genres: Swing music, Western swing
It was with the rise of disco in the early 1970s that dance music once again became popular with the public. Disco was characterized by the use of real orchestral instruments, such as strings, which had largely been abandoned during the 1950s because of rock music. In contrast to the 1920s, however, the use of live orchestras in night clubs was extremely rare due to its expense. Disc jockeys (commonly known as DJs) played recorded music at these new clubs. The disco craze reached its peaked in the late 1970s when the word disco became synonymous with "dance music" and nightclubs were referred to as discos. The year 1980 was characterized by a lack of dance music as artists rushed on the rock bandwagon in an attempt to continue their careers.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Eric Prydz |
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Background | non_vocal_instrumentalist |
Alias | Sheridan, Cirez D, Pryda, Moo, A and P Project, Axer, Hardform, Dukes of Sluca, Groove System |
Born | July 19, 1976 |
Origin | Täby, Stockholm, Sweden |
Residence | London, England, United Kingdom |
Genre | House, Electro, Progressive House, Tech House, Techno |
Occupation | Musician, Producer, Disc Jockey |
Instrument | TurntablesKeyboardGuitar |
Years active | 2001–present |
Label | Pryda, Pryda Friends, Mouseville |
Url |
Eric Sheridan Prydz (born July 19, 1976) is a Swedish DJ and producer based in London, United Kingdom. The pronunciation of his surname is often questioned; it is pronounced "prids", but when under his alias, Pryda, it is pronounced "pride-ah". On October 28, 2009, DJ Magazine announced the results of their annual Top 100 DJ Poll, where Prydz placed at #30.
It was hearing Kraftwerk's "Tour de France" at age 14 that initially sparked Prydz's interest in electronic music. Prydz cites Depeche Mode, Aphex Twin, and Daft Punk as his major musical influences, along with Swedish techno producers like Adam Beyer, Thomas Chrome, and Jesper Dahlbäck. Among DJs, Prydz has repeatedly singled out Sasha and John Digweed as artists he has long respected.
In 2004, Prydz released the single "Call On Me," a remixed cover of Steve Winwood's single "Valerie." The single was a success, topping charts across Europe and eventually selling 4.5 million copies worldwide. The single's provocative music video featuring an aerobics class of 1980s style leotard-clad women and a sole man (played by Juan Pablo Di Pace), led by Deanne Berry as aerobics instructor, performing a series of sexually suggestive gym routines, became a sensation in itself, though Prydz disassociates himself from the video, claiming the label never consulted him about it. He would also release "Woz Not Woz," a collaboration with Steve Angello, and "In & Out," a remix cover of Adeva's 1988 track "In and Out of My Life."
Later that year, Prydz launched two music labels, Pryda Recordings and Mouseville, as a platform for his future releases, drawing inspiration from labels like Thomas Bangalter's Roulé. Pryda Recordings features Prydz's own melodic, progressive house and electro productions under the moniker Pryda. On Mouseville, he releases harder, more aggressive techno as Cirez D. Both labels have spawned numerous underground club hits, including "Human Behaviour," "Aftermath," "Knockout," "Armed," "Madderferrys," "Melo," "On/Off," "Glow," and "The End." Prydz also runs the label Pryda Friends, where he has released original productions from artists like Axwell, Paolo Mojo, Sebastien Leger, and Felix Da Housecat.
In 2006, Prydz released a remix cover of Pink Floyd's "Another Brick in the Wall (Part 2)" entitled "Proper Education." The track was another crossover success, reaching #2 in the UK charts. The track was subsequently nominated for the 2008 Grammy for Best Remixed Recording. His summer 2008 single "Pjanoo" was also huge hit in the UK, reaching the #2 position with only download sales. "Pjanoo" was also used in the teaser trailer for , an expansion for Grand Theft Auto IV, and was also part of DJ Hero's soundtrack, even though the song was not released for the game.
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Category:1976 births Category:Club DJs Category:Living people Category:Remixers Category:Swedish dance musicians Category:People from Stockholm Category:Swedish house musicians Category:Ministry of Sound Category:Swedish Jews
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.