A hit record is a sound recording, usually in the form of a single or album, that sells a large number of copies or otherwise becomes broadly popular or well-known, through airplay, club play, inclusion in a film or stage play soundtrack, causing it to have "hit" (appeared on) one of the popular chart listings. Despite the current dominance of a few record companies worldwide, for reasons of cultural and political differences, few songs achieve broad international airplay and sales. The following is a compilation of Wikipedia hit record lists from around the world. This list is subject to expansion.

UK

List of best-selling singles (UK) as compiled by the Official UK Charts Company

List of number-one singles (UK)

List of best-selling albums (UK)

UK Singles Chart records

List of best-selling singles by year (UK)

One-hit wonders in the UK

List of Christmas number one singles in the UK

See also

Hit Music in the UK

Charts Plus (about the weekly UK newsletter)

UK Albums Chart

UK Singles Chart

Music Week about the UK trade paper

Record Retailer about the trade paper

Ireland

List of artists who reached number one in Ireland

List of songs that reached number one on the Irish Singles Chart (still in development in late 2005)

Top selling singles and albums in Ireland (still in development)

List of songs that reached number one on the Irish Dance Chart (still in development)

One-hit wonders in Ireland

Australia

List of artists who reached number one on the Australian singles chart

List of Number 1 singles in Australia during the 1980s

List of Number 1 singles in Australia during the 1990s

see also

ARIA Charts

Canada

See also

Canadian Recording Industry Association

RIAA certification of a hit record

United States

List of number-one hits (United States) Billboard Magazine List

List of number-one dance hits (United States)

top hits by Elvis Presley

Top 40

List of best-selling singles in the United States of all time

List of best-selling albums in the United States

See also

RIAA certification of a hit record

Billboard magazine Complete list of Billboard's lists

France

List of best-selling singles (F)

Brazil

List of best-selling CDs (Brazil)

Other

World music market

List of best-selling music artists worldwide

External links

World Top 20 A&R; Chart at HitQuarters

Category:Recorded music

Vesta Williams (born 1963, Coshocton, Ohio) is an American R&B; singer. Originally credited by her full name, she has been billed simply as Vesta since the 1990s. She is known for her full four-octave voice range.

Career

The daughter of a disc jockey, Williams began performing at an early age as a stand-up comic and singer in high school. Her family moved from Ohio to Los Angeles in the 1960s. Williams and her sisters once appeared on the television show Jack and Jill as The Williams Sisters. She returned to Ohio in 1977 and sang in her cousin's band in Dayton, but soon went back to Los Angeles to launch a solo career. Vesta has a half-sister also born in Los Angeles, Thelvin Yvonne Williams, who is also a recorded musician. She leads an all-female band known around LA as Strangefruit. Vesta's father and a woman named Bernadine Ford are the parents of Vesta's half-sister, now living in the San Francisco Bay area.

Former Fifth Dimension member Ron Townson put Williams in his band Wild Honey. She eventually became a highly sought-after session musician, working with artists such as Chaka Khan, Gladys Knight, Stephanie Mills, and Gordon Lightfoot. Williams sang on the original version of Joe Sample's "The Survivor", and met producer David Crawford while working with his group Klique. She scored her first record deal in 1986 with A&M; records which released her first, eponymous album Vesta. The album featured her first Top 10 R&B; hit "Once Bitten, Twice Shy".

Her 1988 album, Vesta 4U, produced the quiet storm singles "Congratulations" and "Sweet Sweet Love". The up-tempo dance track "4 U" also hit the R&B; Top 10. In 1991, Williams released the album Special and the title track as a single. Both became her biggest charters. Her next album, Everything-N-More, was not as successful and she soon left A&M.; She continued to be a popular session singer, landing regular spots on albums by such artists as Phil Perry, Howard Hewett and George Duke.

In 2007, she released an album of R&B; classics on the Shanachie label titled Distant Lover. Produced by Chris "Big Dog" Davis, it features songs originally recorded by Bill Withers, Stevie Wonder, Smokey Robinson, Marvin Gaye, Sade and Deniece Williams.

Williams also has acting experience, portraying a saloon singer named Vera in Posse, a 1993 film directed by Mario Van Peebles.

Discography

Albums

Singles

References

External links

Vesta Williams' official website

Vesta Williams on Soul Tracks

Sweet Sweet Love music video

Special music video

Congratulations music video

Category:African American musicians Category:1963 births Category:American rhythm and blues musicians Category:Living people Category:People from Coshocton County, Ohio

Name	Miley Cyrus
Background	solo_singer
Birth name	Destiny Hope Cyrus
Born	November 23, 1992
Origin	Nashville, Tennessee,United States pop rock, teen pop, country pop, electropop, dance pop
Occupation	Actress, author, entrepreneur, fashion designer, singer, songwriter, musician, dancer
Years active	2001–present
Label	Hollywood, Fascination (UK), Avex (Japan)
Associated acts	Jonas Brothers, Billy Ray Cyrus
Url

Miley Ray Cyrus (born Destiny Hope Cyrus; November 23, 1992) is an American actress and pop singer. She achieved wide fame for her role as Miley Stewart/Hannah Montana on the Disney Channel sitcom Hannah Montana. Cyrus recorded music for the soundtracks, Hannah Montana (2006) and Hannah Montana 2/Meet Miley Cyrus (2007), released by Walt Disney Records. With the success of the Hannah Montana franchise she established herself as a teen idol. In 2007, Cyrus signed to Hollywood Records to pursue a solo career. She went on the Best of Both Worlds Tour the same year, in which she performed as both herself and in character as Hannah Montana. The tour was eventually turned into a high-grossing concert film entitled (2008). In July 2008, Cyrus released her first solo album, Breakout (2008), which was commercially successful.

She began her foray into film by providing the voice of "Penny" in the animated film Bolt (2008). Cyrus earned a nomination for the Golden Globe Award for Best Original Song for her performance of Bolts theme song, "I Thought I Lost You". She also reprised her role as Miley Stewart/Hannah Montana in (2009). The introduced her to new audiences within country and adult contemporary markets.

She began to cultivate an adult image in 2009 with the release of The Time of Our Lives (2009), an extended play which presented a more mainstream pop sound, and by filming The Last Song (2010), a coming-of-age drama film. The former included Cyrus's best-selling single, "Party in the U.S.A." (2009). A studio album titled Can't Be Tamed was released in 2010 and presents a new dance-pop sound. The music video and lyrics of the album's lead single, "Can't Be Tamed", portrays a more sexualized image for the entertainer. Cyrus ranked number thirteen on Forbes 2010 Celebrity 100.

Early life

Cyrus was born on November 23, 1992 in Nashville, Tennessee to Leticia "Tish" (née Finley) and country singer Billy Ray Cyrus. Her parents named her Destiny Hope because they believed that she would accomplish great things with her life. They gave her the nickname "Smiley", which was later shortened to "Miley", because she smiled so often as a baby. Cyrus suffers from a mild heart condition causing tachycardia which, though not dangerous, is often bothersome.

Against the wishes of her father's record company, Cyrus's parents secretly married a month after Cyrus's birth on December 28, 1992. She has a half-brother, Christopher Cody, Billy Ray's son from a brief relationship, born the same year as Miley; he grew up with his mother in South Carolina. Tish and Billy Ray had two more children, Braison and Noah. Cyrus's godmother is entertainer Dolly Parton. Cyrus was very close to her paternal grandfather, Democratic politician Ronald Ray Cyrus. Cyrus has paid her grandfather several tributes since his death in 2006, including eventually changing her middle name to "Ray". According to Cyrus's father, "A lot of people say Miley changed her name to Miley Ray because of Billy Ray, but that's not true. She did that in honor of my dad, because the two of them just loved each other to pieces." and attended Heritage Elementary School. She was raised Christian and was baptized in a Southern Baptist church prior to moving to Hollywood in 2005. She attended church regularly while growing up and wore a purity ring. Cyrus would not seriously consider acting until she was eight. Several of Cyrus's siblings also eventually entered the entertainment business: Trace became a vocalist and guitarist for the electronic pop band Metro Station, Noah became an actress, and Brandi became a guitarist.

Career

2001–05: Early work

In 2001, when Cyrus was eight, she and her family moved to Toronto, Canada while her father filmed the television series Doc. Cyrus said watching her father film the show inspired her to pursue acting. After Billy Ray took her to see a 2001 Mirvish production of Mamma Mia! at the Royal Alexandra Theatre, Cyrus grabbed his arm and told him, "This is what I want to do, daddy. I want to be an actress." She began taking singing and acting classes at the Armstrong Acting Studio in Toronto. In her first role, Cyrus played a girl named Kylie on Doc. After sending in a new tape and flying to Hollywood for further auditions, However, her persistence and ability to sing in addition to act led the show's producers to invite her back for further auditions. Cyrus eventually received the lead, renamed "Miley Stewart" after herself, at the age of twelve.

As Cyrus's career took off, Tish Cyrus made several critical decisions regarding her daughter's representation. She signed Cyrus with Mitchell Gossett, director of the youth division at Cunningham Escott Slevin Doherty. Gossett, who specializes in creating child stars, had arranged for Cyrus's auditions for Hannah Montana and is credited with "discovering" her. For Cyrus's music career, Tish followed the advice of Dolly Parton, Cyrus's godmother and a singer herself, and signed Cyrus with Jason Morey of Morey Management Group. "Dolly said the Moreys are people you can trust around your daughter," Tish Cyrus recalls, "and she said they have good morals, which is not always the case in this business." Tish also recruited Billy Ray's business manager to manage her daughter's finances. Tish herself continues to co-manage or produce many of Cyrus's career decisions. and studied with a private tutor on the set of her television show.

2006–07: Hannah Montana and Meet Miley Cyrus

.]] Hannah Montana became an instant hit and propelled Cyrus to teen idol status, according to The Daily Telegraph. The series premiered on March 26, 2006 to the largest audience ever for a Disney Channel show and soon became one of the highest-rated series on basic cable, elevating Cyrus's wealth and fame along with it. Time magazine reports that Cyrus's "phenom[enal]" success is due partially to her talent and partially to "Disney learning to use its vast, multimedia holdings" and market Cyrus and Hannah Montana appropriately. Cyrus eventually became the first artist to have deals in television, film, consumer products, and music within The Walt Disney Company. "The Best of Both Worlds" is credited to "Hannah Montana", the pop star Cyrus portrays on the series by the same name. As with other songs credited to Montana, Cyrus typically dressed as the character when performing the song live. Cyrus's first release under her own name was a cover of James Baskett's "Zip-a-Dee-Doo-Dah", released on April 4, 2006 on the fourth edition of DisneyMania. Dressed as Hannah Montana, Cyrus opened for The Cheetah Girls on twenty dates of their The Party's Just Begun Tour, beginning on September 15, 2006. On October 24 of same year, Walt Disney Records released the first Hannah Montana soundtrack. Of the nine tracks on the soundtrack performed by Cyrus, eight were credited to "Hannah Montana" and one, a duet with her father titled "I Learned from You", was credited to Cyrus as herself. The album peaked at number one on the U.S. Billboard 200 chart.

The second season of Hannah Montana premiered on April 23, 2007, and ran until October 12, 2008. Cyrus signed a four-album deal with Disney-owned Hollywood Records and, on June 26, 2007, released a double-disc album. The first disc was the soundtrack to the second season of Hannah Montana, while the second, titled Meet Miley Cyrus, was Cyrus's debut album credited to her own name. The double-disc album peaked at number one on the Billboard 200 and was later certified three times platinum by the Recording Industry Association of America (RIAA). Meet Miley Cyrus generated "See You Again", Cyrus's first single to be released under her own name and her first top ten hit on the Billboard Hot 100. In Fall 2007, Cyrus launched her first tour, the Best of Both Worlds Tour, to promote Meet Miley Cyrus and the Hannah Montana soundtracks. With the Jonas Brothers, Aly & AJ, and Everlife as her opening acts, Cyrus toured from October 17, 2007 to January 31, 2008 with stops in the U.S. and Canada. Tickets sold out in minutes and were scalped for up to $2,500 and an average of $214, well above their $26–$65 face value. A Ticketmaster official commented, "Hell hath no fury like the parent of a child throwing a tantrum. People who have been in this business for a long time are watching what's happening, and they say there hasn't been a demand of this level or intensity since The Beatles or Elvis."

2008–09: Breakout, transitions and film career launch

After the end of the Best of Both Worlds Tour in January 2008, Walt Disney Pictures released , a 3D concert film of the tour, on February 1, 2008 for what was expected to be a one-week run. The film earned $29 million at the box-office and an average of $42,000 per theater, twice the expected total, convincing Disney executives to extend the release for an indefinite run. "We don't want to turn away kids from the theaters who couldn't get into the concerts," said Chuck Viane, Disney's chief of distribution. The was released by Walt Disney Records/Hollywood Records on March 11, 2008 and peaked at number three on the Billboard 200.

On July 22, 2008, Cyrus released her second studio album under her own name, entitled Breakout. Cyrus said Breakout was inspired by "what's been going on in my life in the past year." Cyrus co-wrote eight out of twelve songs on the album. The album debuted at #1 on the U.S. Billboard 200 chart and its lead single, "7 Things", peaked at number 9 on the Billboard Hot 100. She hosted the 2008 CMT Music Awards with her father in April and the 2008 Teen Choice Awards by herself in August. Cyrus provided the voice of Penny in the 2008 computer-animated film Bolt, which was released on November 21, 2008 to critical acclaim. Cyrus also co-wrote and recorded the song "I Thought I Lost You" as a duet with John Travolta for the film, for which she received a Golden Globe nomination. In September 2009, she participated in the charity single "Just Stand Up!" in support of the anti-cancer campaign Stand Up to Cancer and in the City of Hope Benefit Concert in support of cancer research and training programs. She also became involved in Disney's Friends for Change, an environmentalist group, for which she recorded the charity single "Send It On" along with several other Disney Channel stars.

Cyrus had already begun transitioning to a more grown-up image in late 2008, when her representatives negotiated a deal for novelist Nicholas Sparks to write the screenplay and novel basis for a film that would serve as a star vehicle for Cyrus by introducing her to audiences older than the young fans she had gained through Hannah Montana. Sparks and co-writer Jeff Van Wie developed The Last Song. In March 2009, Cyrus published Miles To Go, a memoir co-written by Hilary Liftin chronicling her life through age sixteen. Cyrus starred as Miley Stewart/Hannah Montana in , released April 10, 2009. Both the film and its soundtrack, which contained twelve songs performed by Cyrus, achieved commercial success. The soundtrack's lead single, "The Climb", became a Top 40 hit in twelve countries and introduced Cyrus to listeners outside her typical teen pop audience. Cyrus had considered ending Hannah Montana after its third season, which finished production on June 5, 2009, but Disney retained and exercised its option for a fourth season.

Production on The Last Song lasted from June 15, 2009 to August 18, 2009. In between, Cyrus launched the third Hannah Montana soundtrack, recorded the extended play The Time of Our Lives, and released the EP's lead single, "Party in the U.S.A." Cyrus said The Time of Our Lives "is a transitioning album. [...] really to introduce people to what I want my next record to sound like and with time I will be able to do that a little more." "Party in the U.S.A." debuted at number two on the Billboard Hot 100 for her best-ever ranking on the chart. The Time of Our Lives was released in conjunction with a clothing line co-designed by Cyrus and Max Azria for Walmart.

From September 14, 2009 to December 29, 2010, Cyrus toured on her Wonder World Tour to promote Breakout and The Time of Our Lives. On December 7, 2009, Cyrus performed for Queen Elizabeth II and numerous other members of the British Royal Family at the Royal Variety Performance in Blackpool, North West England.

2010–present: Can't Be Tamed and focus on film career

Production on the fourth and final season of Hannah Montana began on January 18, 2010. In the aftermath of the 2010 Haiti earthquake, Cyrus appeared on the charity singles "" and "Everybody Hurts". Her third studio album, Can't Be Tamed, was released on June 21, 2010. The album's first single is the title track, "Can't Be Tamed". The single was released for sale on May 18, 2010 and entered the Billboard Hot 100 at number eight. Cyrus's costumes and dances while promoting Can't Be Tamed were also considerably more provocative than previous performances, arousing media criticism. After releasing the album, Cyrus intends to take a break from the music industry in order to focus on her film career. She commented, "I've not taken, like, acting lessons or anything, but it doesn't mean I don't need to because I'm sure I do [...] I'm probably going to go book an acting coach." Cyrus has also decided to opt out of college for the same reason, saying "I'm a firm believer that you can go back at any age you want, because my Grandma went back to college at 62 [...] For right now, I really want to focus on my career. I've worked hard to get to where I am now, and I want to enjoy it while it lasts."

Cyrus starred in The Last Song, which was released on March 31, 2010, and received generally poor reviews, as did Cyrus's performance. Nonetheless, the film was commercially successful, grossing more than $88 million at the worldwide box office. According to box-office analyst Exhibitor Relations, the film marked "a successful transition to adult roles for Miley Cyrus."

The fourth and final season of Hannah Montana began airing on Disney Channel on July 11, 2010 and is scheduled to end in 2011.

As of December 2010, Cyrus is set to star in two more films, and So Undercover. In LOL, a remake of a 2008 French teen comedy, Cyrus plays "a daughter who is involved with all the wrong kids, doing drugs, failing school, but [...whose] mother has her on this perfect pedestal" and says "[She] just fell in love with the story." Miley's character loses her virginity, smokes cannabis, gets wasted and kisses two girlfriends on the lips. She will also star in So Undercover, an action comedy film. Cyrus will play the part of "a tough, street-smart private eye hired by the FBI to go undercover in a college sorority." She will learn street fighting for the role. Parade magazine reported she was the richest teenage celebrity and that her franchise would be worth approximately $1 billion by the end of the year. With Cyrus's increased success came increased media attention. In a May 2008 interview with The Los Angeles Times, Francois Navarre, the proprietor of the X17 photo agency, said Cyrus's market value had picked up considerably after the Vanity Fair photo controversy: "She's started to sell more. [...] It used to be $300, and now it's $2,000 for a picture." Estimates for a picture of the then-15 year old's first kiss ranged from $30,000 to $150,000.

Cyrus celebrated her 16th birthday at Disneyland with a charity fundraiser for Youth Service America, a youth volunteer service organization.

At the end of 2009, Billboard magazine ranked Cyrus the fourth best-selling female artist and the fifth best-selling singer overall. Forbes ranked her #29 on the Celebrity 100 and reported she had earned a total of $25 million.

On October 8, 2009, Cyrus deleted her account on the social networking site Twitter, citing a desire for more privacy. She also told Parade magazine, "I deleted my Twitter account because I said on there that I believed in gay marriage because everyone should have the right to love each other, and I got such hate mail about my being a bad person." Cyrus was very popular on the site: her account was watched by approximately 2 million Twitter users in addition to the general public at the time of deletion.

On October 26, 2010, less than a month before Cyrus's eighteenth birthday, her father Billy Ray Cyrus filed for divorce from her mother in Tennessee, citing irreconcilable differences. In a statement made to People the next day announcing the split, the couple said, "As you can imagine, this is a very difficult time for our family... We are trying to work through some personal matters. We appreciate your thoughts and prayers."

Controversies

In December 2007, a brief controversy emerged when photos Cyrus had posted on her private MySpace account, depicting her and a female friend sharing a piece of licorice, were spread across the internet. "For me, I was like, That's two girls—it's not a big deal. But they got spread around. Like someone copied and pasted and said, Omigod, look at this, and blah blah blah," said Cyrus.

In April 2008, several provocative images of Cyrus in her underwear and swimsuit were leaked onto the web by a teenager who hacked Cyrus's Gmail account. Cyrus described the images as "silly, inappropriate shots" and stated, "I am going to make mistakes and I am not perfect. I never intended for any of this to happen and I am truly sorry if I have disappointed anyone." On April 25, 2008, the televised entertainment program Entertainment Tonight reported that Cyrus, then 15, had posed topless for a photoshoot taken by photographer Annie Leibovitz for Vanity Fair. On April 29, 2008, The New York Times clarified that though the pictures left an impression that she was bare-breasted, Cyrus was wrapped in a bedsheet and was actually not topless. Some parents expressed outrage at the nature of the photograph, which a Disney spokesperson described as "a situation [that] was created to deliberately manipulate a 15-year-old in order to sell magazines." Gary Marsh, president of entertainment for Disney Channel Worldwide, was quoted by Portfolio magazine to have said, “For Miley Cyrus to be a 'good girl' is now a business decision for her. Parents have invested in her a godliness. If she violates that trust, she won't get it back."

In May 2008, Gossett, Cyrus's longtime acting agent, left Cunningham Escott Slevin Doherty for United Talent Agency, partially with the hope of "giving Cyrus the major-agency backing that would support a widening career", according to The Hollywood Reporter. About a year later in June 2009, Cyrus left both Gossett and UTA, which had recently negotiated her deals for The Last Song and the fourth season of Hannah Montana, and joined the Creative Artists Agency, which had already represented her for music. Nikki Finke, who broke the news, reported, "Is this fair to UTA? Of course not. But I hear the decision was made by Miley's mother Trish Cyrus".

Cyrus's performance of "Party in the U.S.A." at the 2009 Teen Choice Awards incited a media uproar, with some viewers criticizing Cyrus's provocative outfit and inclusion of a brief pole dance as inappropriate for her age, then sixteen, and for her young fans. Conversely, Newsday reported that her sexualization "has been coming for some time." Cyrus was also criticized that year for dating Gaston, five years her senior, and for a photo displaying Cyrus and friends making "slant-eyed" expressions, which the Organization of Chinese Americans claimed was offensive to the Asian community. Cyrus apologized for the photo on her website, defending her actions and saying, "In NO way was I making fun of any ethnicity! I was simply making a goofy face."

Later in 2010, TMZ released a video of Cyrus, then 16, giving Adam Shankman, producer of The Last Song, a lap dance at the film's wrap party. Cyrus's father defended her actions, saying Miley was just "having fun" and that "it's what people her age do". Later that year in December, TMZ released a video of Cyrus, which took place five days after her 18th birthday at her Los Angeles home, in which she is seen smoking from a bong. She claimed she was smoking the psychoactive plant salvia divinorum, although this has not been confirmed by anybody but Cyrus herself. Salvia is legal in the state of California, and Cyrus was of legal age at the time the video was shot. Cyrus's father expressed his sadness regarding the matter on Twitter, saying, "Sorry guys. I had no idea. Just saw this stuff for the first time myself. Im so sad. There is much beyond my control right now".

Relationships

Cyrus told Seventeen magazine that she and Nick Jonas had dated for two years and "were in love", but were "fighting a lot" by the end. In February 2008, Cyrus and her friend opened a YouTube account and began posting videos of what they called The Miley and Mandy Show. The show, described as a "YouTube hit," is said to be filmed for fun by Cyrus and Jiroux and to be entirely their work, with Cyrus and Jiroux editing the footage together.

In June 2009, Cyrus ended her nine month relationship with model Justin Gaston shortly before flying to Georgia to film The Last Song. While filming later that month, Cyrus began dating her co-star in The Last Song, Australian actor Liam Hemsworth. She later called him her "first serious boyfriend". In August 2010, it was confirmed that her relationship with Hemsworth had ended. Cyrus and Hemsworth were seen together a month later, and were reportedly back together. It was announced in early November that the couple had split again.

Filmography

{| class="wikitable sortable" |+ Films ! Year ! Title ! Role ! class="unsortable" | Notes |- | 2003 | Big Fish | Young Ruthie | |- | 2007 | High School Musical 2 | Girl at pool | Disney Channel Original Movie |- | 2008 | | Herself | 3D Concert film |- | 2008 | Bolt | Penny (voice) | |- | 2009 | | Miley Stewart / Hannah Montana | |- | 2010 | | Veronica "Ronnie" Miller | |- | 2010 | Sex and the City 2 | Herself | Cameo |- | 2011 | | Lola | Remake of French film |- | 2011 | Justin Bieber: Never Say Never | Herself | Cameo |- | 2011 | So Undercover | Molly | Filming |}

{| class="wikitable sortable" |+ Television ! Year ! Title ! Role ! class="unsortable" | Notes |- | 2001–2003 | Doc | Kylie | Recurring role |- | 2006– 2011 | Hannah Montana | Miley Stewart / Hannah Montana | Lead role |- | 2006 | The Suite Life of Zack & Cody | Miley Stewart / Hannah Montana | "That's So Suite Life of Hannah Montana" (Season 2, Episode 20) |- | 2007 | | Celebrity Star (voice) | "Frog Prince" (Season 2, Episode 5) |- | 2007–2008 | | Yata (voice) | Recurring role |- | 2009 | | Miley Stewart / Hannah Montana | "Double-Crossed" (Season 1, Episode 21) |}

Discography

Albums

Meet Miley Cyrus (2007)

Breakout (2008)

Can't Be Tamed (2010)

EP's

The Time Of Our Lives (2009)

Live Albums

Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008)

iTunes live from London (2009)

Hannah Montana Albums

Hannah Montana (2006)

Hannah Montana 2 (2007)

(2009)

Hannah Montana 3 (2009)

Hannah Montana Forever (2010)

Tours

Best of Both Worlds Tour (2007–08)

Wonder World Tour (2009)

Awards and nominations

List of awards and nominations received by Miley Cyrus

References

Further reading

External links

}} |- |- |- |- |- |- Category:1992 births Category:2000s singers Category:2010s singers Category:Actors from Tennessee Category:American child actors Category:American child singers Category:American Christians Category:American female singers Category:American film actors Category:American pop singers Category:American singer-songwriters Category:American television actors Category:American voice actors Category:Bubblegum pop Category:Fascination Records artists Category:Hollywood Records artists Category:Living people Category:Miley Cyrus

Category:Musicians from Tennessee Category:People from Franklin, Tennessee Category:People from Nashville, Tennessee Category:Southern Baptists

Name	Marvin Gaye
Background	solo_singer
Birth name	Marvin Pentz Gay, Jr. Starting as a member of the doo-wop group The Moonglows in the late fifties, he ventured into a solo career after the group disbanded in 1960 signing with the Tamla Records subsidiary of Motown Records. After starting off as a session drummer, Gaye ranked as the label's top-selling solo artist during the sixties.
Name	Gaye, Marvin
Alternative names	Gay, Marvin Pentz, Jr.
Short description	American singer, songwriter, and multi-instrumentalist
Date of birth	April 2, 1939
Place of birth	Washington, D.C., United States
Date of death	April 1, 1984
Place of death	Los Angeles, California, United States

Category:1939 births Category:1950s singers Category:1960s singers Category:1970s singers Category:1980s singers Category:1984 deaths Category:African American drummers Category:African American pianists Category:African American singer-songwriters Category:African Americans' rights activists Category:African American record producers Category:American Christians Category:American composers Category:American expatriates in Belgium Category:American expatriates in the United Kingdom Category:American film score composers Category:American funk drummers Category:American funk keyboardists Category:American funk singers Category:African American male singers Category:American multi-instrumentalists Category:American murder victims Category:American organists Category:American record producers Category:American rhythm and blues keyboardists Category:American rhythm and blues singer-songwriters Category:American Seventh-day Adventists Category:American soul keyboardists Category:American soul singers Category:American tenors Category:Ballad musicians Category:Columbia Records artists Category:Deaths by firearm in California Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Marvin Gaye Category:Motown artists Category:Murdered musicians Category:Murdered African-American people Category:Musicians from Detroit, Michigan Category:Musicians from Washington, D.C. Category:People from Los Angeles, California Category:People from Washington, D.C. Category:People murdered in California Category:People self-identifying as substance abusers Category:Rhythm and blues drummers Category:Rhythm and blues pianists Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Washington, D.C. Category:Songwriters Hall of Fame inductees Category:Soul drummers Category:United States Air Force airmen

Name	Laura Branigan
Background	solo_singer
Birth name	Laura Ann Branigan
Born	July 03, 1957 Brewster, New York, U.S.
Died	August 26, 2004East Quogue, New York, U.S.
Spouse	Larry Kruteck (1981 - 1996) (his death)
Genre	Pop rock, Pop, Dance
Occupation	Singer, musician, actress
Years active	1973–2004
Label	Atlantic
Url	Official Website
Notable instruments	Piano
Filename	Laura Branigan - Gloria.ogg
Format	Ogg
Type	single
Title	"Gloria"

}} Laura Ann Branigan (July 3, 1957 – August 26, 2004) was an American singer-songwriter and actress of Italian and Irish ancestry. She is best known in the United States for her 1982 Platinum-certified hit "Gloria" and in Europe for the number-one single "Self Control". Branigan is also remembered for the Top 10 "Solitaire," and for the number-one Adult Contemporary hit "How Am I Supposed to Live Without You", as well as four other US Top 40 hits.

Branigan also contributed songs to notable motion picture and television soundtracks, including the Grammy- and Academy Award-winning Flashdance soundtrack (1983), the Ghostbusters soundtrack (1984), and the Baywatch soundtrack (1994), as well as having songs featured in the popular Grand Theft Auto video game series.

Her signature song "Gloria" stayed on the Billboard Hot 100 for 36 weeks, at the time a record for a female artist. The song holds a place in the top 100 singles of both 1982 and 1983.

Biography

Early career

In the early 1970s, Branigan was a member of the band Meadow, which released one album in 1973 called The Friend Ship. The record has never been re-released. Branigan preferred not to discuss her involvement with Meadow publicly. During the years after Meadow broke up, she had various jobs, including a stint as one of Leonard Cohen's backup singers for his European tour.

In 1979 Branigan was signed by Ahmet Ertegun to Atlantic Records. The strength of her alto voice, with its four-octave range, ironically impeded her career for a couple of years while the label went through the process of categorizing her. She was finally categorized as a pop singer and a single called "Looking Out for Number One" made a brief appearance on the U.S. Dance chart. Two other early Atlantic singles, "Tell Him" and "Fool's Affair", followed. None of these three singles (or the B-side "When") were included on her first album or ever reissued on any compilation LP or CD, although in July 2007 Rhino Records came close to releasing a 5-song digital EP release titled "Hi-5", which included these 4 songs as well as one other B-side titled "Love Me Tonight". (Rhino discontinued their "Hi-5" series shortly before the intended release date of this collection.) Her first solo album Branigan was released in 1982; the first single from this album was "All Night With Me," which hit #69 on the Billboard charts in early 1982. Her first reviews saw her voice compared to both Donna Summer and Barbra Streisand, both of whom had enjoyed iconic Disco hits.

Branigan, the nine-song debut album, alternated four energetic up-tempo songs with five ballads, including one of the few songs written solely by Branigan: "I Wish We Could Be Alone." "Gloria," originally an Italian love song recorded by Umberto Tozzi in 1979 (and successful in several European countries), was released as the album's second single. Branigan's version was reworked with Tozzi's own arranger, Greg Mathieson, who updated its production with fellow producer Jack White to give it what Branigan called "an American kick" to match the new English lyrics. American radio was initially unreceptive to "Gloria"; the song's combination of American and European sound predated the imminent second "British Invasion" of popular music by several months. Embraced by dance clubs, especially gay clubs, it eventually won over American radio stations and the song became one of the biggest hits of the 1980s. The album went Gold, and the single was eventually certified Platinum (for sales of more than two million U.S. copies). Branigan's vocal performance of "Gloria" was nominated for a Best Pop Vocal Performance, Female Grammy Award (alongside Linda Ronstadt, Olivia Newton-John, Juice Newton, and that year's winner Melissa Manchester); "Gloria" marked Branigan's only solo nomination. The following year she received a second nomination as one of the various artists on the Flashdance original soundtrack album when it was nominated for Album of the Year. The album also won the Best Soundtrack Grammy but as this award is only given to the composers Branigan was not nominated.

In the spring of 1983, Branigan released her second album, Branigan 2. By this time, the dramatic European synth-pop sound was on the rise, and Branigan's vocals propelled her English-language version of the French song "Solitaire" to the upper reaches of the U.S. charts. The original "Solitaire" was written and recorded in 1981 by French singer-songwriter Martine Clemenceau. In addition to cementing a place in pop history and ensuring she was not a one-hit wonder, her second album's two big hits began the careers for two then-unknowns, who themselves became industry legends. The English translation of "Solitaire" was the first major hit for songwriter Diane Warren, while the album's second hit single, the ballad "How Am I Supposed to Live Without You," was the first major hit for its co-writer, Michael Bolton. Branigan's debut recording of "How Am I Supposed to Live Without You" reached #12 on the Hot 100 and spent three weeks at #1 on the Billboard Adult Contemporary chart.

The 1983 film Flashdance contained two Laura Branigan songs, "Gloria" and a new song, "Imagination." The latter song was included on the Grammy Award winning Flashdance soundtrack, which reached #1 and sold more than six million copies in the U.S. alone.

Height of her career

The year 1984 was the height of the European synth-pop era, and Self Control, the title track of Branigan's third album, became her biggest hit. The song became her most popular international hit, topping the charts in several countries, most notably West Germany, where it spent seven weeks at #1. The original version of "Self Control," recorded few months earlier in 1984 by one of the song's co-writer Raffaele Riefoli (under the name Raf), held the West German number-two spot during this time period; outside of Raf's native Italy, Branigan's version enjoyed more success.

Other pop, dancefloor and adult contemporary hits from Branigan's Self Control album include "The Lucky One" (which won her a Tokyo Music Festival prize), the continental ballad "Ti Amo" (another Umberto Tozzi hit, and a #2 hit in Australia for Branigan) and the Dance hit "Satisfaction." The album also featured an understated version of Carole King's "Will You Still Love Me Tomorrow"; as a counterpoint to all the disco production, it was a bare-bones piano version. (In concerts and television appearances throughout her career, Branigan accompanied herself on the piano for the song.) That year, Branigan's live show was recorded twice, for a syndicated radio concert series and a concert video. Branigan was also nominated for an award at the American Music Awards of 1985 for Favorite Pop/Rock Female Video Artist (though Cyndi Lauper won the award). Also in 1985, Branigan performed the main theme song for the highly rated television mini-series Hollywood Wives, based on the novel by Jackie Collins.

By the time of Branigan's fourth album, 1985's Hold Me, "Self Control" was a world-wide success. The hits continued with "Spanish Eddie," which was her sixth US Billboard Top 40 Pop hit in two and a half years. The subsequent single release "Hold Me" was a U.S. top 40 dance hit, and Branigan's introduction of the rock ballad "I Found Someone" (cowritten by Michael Bolton, and later a hit for Cher) scored even higher on the Adult Contemporary chart. However, neither song was supported by a music video and stalled in the lower reaches of the Hot 100 chart.

Touch, which was released in 1987, marked a change in Branigan's career. Under new management and using different producers, Branigan took a more active role in her work and in the studio. Touch saw her return to dancefloors with the Stock/Aitken/Waterman-produced "Shattered Glass", written by Bob Mitchell and Steve Coe. The album also included a return to the Billboard Top 40 with her cover of Jennifer Rush's "The Power of Love," which was one of the top 20 bestselling singles in the United States during Christmastime. The album's third single, "Cry Wolf," did not capture attention at pop radio and stalled. The ballad was recorded two years later by Stevie Nicks, and more recently by writer Jude Johnstone.

During the height of her career, Branigan also made acting appearances, first in 1981 in An American Girl in Berlin for German television, and then after the success of "Gloria," guest appearances on American television series such as CHiPs, Automan and Knight Rider. She would later do independent films such as Mugsy's Girls (aka Delta Pi, 1985) with Academy Award winner Ruth Gordon, and the Australian film Backstage. She sang on major national television and radio campaigns for products including Dr Pepper, Coca-Cola and Chrysler, which sponsored her 1985-1986 "Hold Me" tour.

Later Years

Branigan's 1990 self-titled album brought the singer back to the Hi-NRG charts and gay clubs with "Moonlight On Water" and scored a Top 30 Adult Contemporary hit with "Never in a Million Years". Branigan added production to her list of credits with her cover of Vicki Sue Robinson's disco-era "Turn the Beat Around" and the atmospheric "Let Me In," a cover of an Eddie Money song. The album also included "Unison," which was the title track for Celine Dion's English debut CD in the same year. The album's closing track, a cover of Bryan Adams' "The Best Was Yet to Come," was produced and arranged by Branigan herself. The singer's 1990-1991 concert tour was filmed for a syndicated U.S. television show, SRO in Concert, which was also released on videocassette and laserdisc (though not on DVD, to date.)

On Branigan's seventh and final studio album, 1993's Over My Heart, the singer again produced (with Phil Ramone), wrote and arranged. The album included a cover of Roxette's song "The Sweet Hello, the Sad Goodbye," and "Is There Anybody Here But Me?" (Pessis, Wells), a smooth mid-tempo number.

Branigan was married to Larry Kruteck, a lawyer 20 years her senior, in December 1981. Not long after the Over My Heart album's release, Branigan left the music industry in 1994 to spend more time with Kruteck following his diagnosis of colon cancer. He died on June 15, 1996.

During these years, Branigan's chart success cooled in the United States, though she was still in demand around the world and went on several global tours. Branigan had official hit collections released in South America, Japan, Germany, South Africa, and the United States. The United States collection was released in 1995: The 13-track The Best of Branigan and included two newly recorded covers: "Show Me Heaven" (written by Maria McKee) and the Donna Summer hit "Dim All the Lights", which Branigan released in several remixes.

Branigan's vocal coach was Carlo Menotti and she worked with Steve Lukather (Toto), Dann Huff (Giant) and Michael Landau; keyboardists Greg Mathieson, Harold Faltermeyer, Michael Boddicker and Robbie Buchanan; bassists Nathan East and Dennis Belfield (Rufus); drummer Carlos Vega; percussionists Paulinho Da Costa and Lenny Castro; and guest vocalists including Joe "Bean" Esposito and background vocalists including The Waters Sisters (Maxine & Julia), James Ingram, and Richard Page and Stephen George (Mr. Mister). As her stature grew, she attracted Grammy-winning producers including Phil Ramone, Richard Perry and David Kershenbaum. She performed duets with John Farnham as well as Latin pop artist Luis Miguel. She also appeared frequently on various television shows, including The Merv Griffin Show, Dick Clark's American Bandstand, Solid Gold, and The Tonight Show Starring Johnny Carson.

In 2001, Branigan's return to the stage was postponed when she broke both of her femurs in a fall. In 2002, she performed twice as the "singing" Janis Joplin in the off-Broadway musical Love, Janis, before dropping out of the show. "I left Janis because the producers didn't file with Equity properly", she told the Sunday News in Lancaster, Pennsylvania. "I was sort of relieved. My voice isn't anything like Janis Joplin's, and there were 19 of her songs in the show."

Also in 2002, her second official United States hits collection, , was released and included the long out-of-print hit "I Found Someone".

Death

Branigan died at her home on Long Island, New York, on August 26, 2004. Her death was attributed to a previously undiagnosed brain aneurysm. It was reported in the media that she had been experiencing headaches for several weeks before her death but did not seek medical attention. Her ashes were scattered over Long Island Sound.

Legacy

Other Half Entertainment, Branigan's management company at the time of her death, continues to oversee her career legacy through her official website, www.LauraBraniganOnline.com, her official MySpace and Facebook pages, by taking part in various media opportunities, as well as through relationships with Warner Music Group and other entertainment industry entities. Other Half Entertainment serves as the comprehensive, official voice for her legacy interests, while keeping Laura's artistic visions and standards at the heart of its operations.

In 2005, Other Half Entertainment organized a memorial for Branigan's friends and fans, held on the anniversary of her death, near the Long Island home in which she was caring for her mother at the time of her death. Following its initial success, the "Spirit of Love Memorial Gathering" remains an annual event in celebration of her life and the legacy of her passionate vocal performances and the heartfelt connection she made with her fans, whom she consistently referred to as "my other half".

Between 2006 and the present, Branigan's management company worked regularly with Warner Music Group entities in the production and release of various new greatest hits compilations. The Platinum Collection is an 18-song compilation including all the major hits as well as tracks such as "Silent Partners", "Satisfaction", "All Night With Me" and "If You Loved Me", that were four relatively new additions to Branigan hits compilations. In 2007, the 1995 "The Best of Branigan" was re-released as part of Rhino's 2007 "Greatest Hits" series of CDs. In 2008, Rhino/WEA authorized the re-release of three out-of-print Branigan albums, Touch, Laura Branigan and Over My Heart. In June 2010, Shine On: The Ultimate Collection was released, which for the first time, incorporated a region-free DVD featuring official Atlantic music videos to 10 of Branigan's songs in addition to an 18-track CD including Forever Young which made its return to the greatest hits compilations. The CD contains an edited version of the hit "Solitaire".

Discography

Studio albums

Branigan (1982)

Branigan 2 (1983)

Self Control (1984)

Hold Me (1985)

Touch (1987)

Laura Branigan (1990)

Over My Heart (1993)

Compilation albums

The Best of Laura Branigan (1988)

The Very Best of Laura Branigan (1992)

The Best of Branigan (1995)

(2002)

The Platinum Collection (2006)

(2010)

Filmography

{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! colspan=4 style="background:#B0C4DE;" | Film |- align="center" ! style="background: #CCCCCC;" | Year ! style="background: #CCCCCC;" | Film ! style="background: #CCCCCC;" | Role ! style="background: #CCCCCC;" | Notes |- | 1985 | Mugsy's Girls | Monica | Also known as Delta Pi |- | 1988 | Backstage | Kate Lawrence | |- |- align="center" ! colspan=4 style="background:#B0C4DE;" | Television |- align="center" ! style="background: #CCCCCC;" | Year ! style="background: #CCCCCC;" | Title ! style="background: #CCCCCC;" | Role ! style="background: #CCCCCC;" | Notes |- | rowspan="2"| 1982 | Macy's Thanksgiving Day Parade | Herself | Performer of "Gloria" |- | Saturday Night Live | Herself | Performer of "Gloria" and "Living a Lie" |- | rowspan="3"| 1983 | CHiPs | Sarah | Guest star in "Fox Trap" (Season 6, Episode 16) |- | A Solid Gold Christmas | Herself | Performer of "It's Beginning to Look a Lot Like Christmas" and "Santa Claus Is Coming to Town" |- | Dick Clark's New Year's Rockin' Eve | Herself | Performer of "How am I Supposed to Live Without You" and "Solitaire" |- | rowspan="3"| 1984 | Automan | Jessie Cole | Guest star in "Murder MTV" (Season 1, Episode 9) |- | Laura Branigan In Concert | Herself | Her concert live from Caesars Tahoe |- | Rock Rolls On | Herself | Co-host, Performer of "Self Control" and "The Lucky One" |- | 1985 | Cover Story | Herself | Biography |- | 1986 | Disney's Living Seas | Herself | Performer and composer of "If I Were a River" |- | 1988 | Record Guide '88 | Herself | Interview |- | 1990 | SRO: In Concert | Herself | Her concert live from Atlantic City |- | 1991 | Monsters | Amanda Smith-Jones | Guest star in "A Face for Radio" (Season 3, Episode 19) |- |- align="center" ! colspan=4 style="background:#B0C4DE;" | Theater |- align="center" ! style="background: #CCCCCC;" | Year ! style="background: #CCCCCC;" | Title ! style="background: #CCCCCC;" | Role ! style="background: #CCCCCC;" | Notes |- | 2002 | Love, Janis | Janis Joplin | Off-Broadway, New York |- |}

Awards and nominations

^ This nomination was not awarded to Laura Branigan alone.

Certifications

''For a list of certifications awarded to Branigan for album and single sales, see Laura Branigan discography - Certifications.

References

External links

Laura Branigan's Official Website

Category:1957 births Category:2004 deaths Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:Actors from New York Category:American Academy of Dramatic Arts alumni Category:American female singers Category:American film actors Category:American dance musicians Category:American pop singers Category:American musicians of Irish descent Category:American musicians of Italian descent Category:American stage actors Category:American television actors Category:Atlantic Records artists Category:Deaths from cerebral hemorrhage Category:Female rock singers Category:Hi-NRG musicians Category:People from Westchester County, New York Category:Singers from New York

Name	Kenny Rogers
Background	solo_singer
Birth name	Kenneth Donald Rogers
Born	August 21, 1938
Origin	Houston, Texas, United States
Instrument	Vocals, guitar, bass guitar, harmonica
Genre	Country, country pop, rock (with The First Edition)
Occupation	Singer, songwriter, actor, record producer
Years active	1958–present
Label	Cue Records, Carlton Records, Mercury Records, United Artists Records, RCA Records, Reprise Records, Giant Records, Atlantic Records, Curb Records, Dreamcatcher, Capitol Nashville, WEA
Associated acts	The New Christy Minstrels, The First Edition, Glen Campbell, Dolly Parton, Dottie West, Juice Newton, Sheena Easton, Kim Carnes
Url	www.kennyrogers.com
Spouse	Janice Gordon (1958-1960)Jean Rogers (1960-1963)Margo Anderson (1964-1976)Marianne Gordon (1977-1993)Wanda Miller (1997-present)

Kenneth Donald "Kenny" Rogers He was voted the "Favorite Singer of All-Time" in a 1986 joint poll by readers of both USA Today and People. He has received hundreds of awards for both his music and charity work. These include AMAs, Grammys, ACMs and CMAs, as well as a lifetime achievement award for a career spanning six decades in 2003.

Later success includes the 2006 album release, Water & Bridges, an across the board hit, that peaked at #5 in the Billboard Country Albums sales charts, also charting high in the Billboard 200. The first single from the album, "I Can't Unlove You," was also a chart hit. Remaining a popular entertainer around the world, the following year he completed a tour of the United Kingdom and the Ireland telling BBC Radio 2 DJ Steve Wright, his favorite hit was "The Gambler". He has also acted in a variety of movies and television shows, most notably the title roles in Kenny Rogers as The Gambler and the MacShayne series as well as his appearance on the Muppet Show. Rogers currently resides in Nicholson, Georgia.

Personal life

Rogers was born "Kenneth Ray Rogers" in Houston, Texas in 1938, the fourth of seven children born to Lucille (née Hester), a nurse, and Edward Floyd Rogers, a carpenter. Rogers graduated from Jefferson Davis High School in Houston. According to the Texas birth records, his middle given name is Ray and he is sometimes credited in his film roles as "Kenneth Ray Rogers".

He has been married five times. His fourth wife was actress Marianne Gordon Rogers. His current wife is the former Wanda Miller. He has a daughter and four sons.

As of 2005, Rogers had become an avid Atlanta Thrashers fan, and can often be seen at Philips Arena taking in a game.

Career

Early career

His career began in the mid-1950s, when he recorded with a doo-wop group called The Scholars who had some success with a single called "Poor Little Doggie". Rogers was not the lead singer of the group and after two more singles they disbanded when their leader went solo.

Now on his own, Kenneth Rogers (as he was billed then) followed the break up with his own single, a minor solo hit called "That Crazy Feeling" (1958). After sales slowed down, Rogers joined a jazz group called The Bobby Doyle Trio, who got a lot of work in clubs thanks to a reasonable fan following and also recorded for Columbia Records. The group disbanded in 1965, and a 1966 jazzy rock single Rogers recorded for Mercury Records, called "Here's That Rainy Day" failed. Rogers also worked as a producer, writer and session musician for other performers; including country artists Mickey Gilley and Eddy Arnold. In 1966 he joined The New Christy Minstrels as a singer and double bass player.

Feeling that the Minstrels were not offering the success they wanted, Rogers and fellow members Mike Settle, Terry Williams and Thelma Camacho left the group. They formed The First Edition in 1967 (later renamed "Kenny Rogers and The First Edition"). They chalked up a string of hits on both the pop and country charts, including "Something's Burning", "Ruby, Don't Take Your Love To Town", "Reuben James" and "Just Dropped In (To See What Condition My Condition Was In)". In his First Edition days, Rogers had something of a hippie image, with long brown hair, an earring, and pink sunglasses. Known affectionately in retrospect as "Hippie Kenny", Rogers had a much smoother vocal style than in his later career.

When the group split in 1976, Rogers launched his solo career. Rogers soon developed a more middle of the road sound, with a somewhat rough but tuneful voiced style that sold to both pop and country audiences; to date, he has charted more than 60 top 40 hit singles (including upwards of 25 #1's) and 50 of his albums have charted. His music has also been featured in top selling movie soundtracks, such as Convoy, Urban Cowboy and The Big Lebowski.

Solo career

After leaving The First Edition in 1976, after almost a decade with the group, Rogers signed a solo deal with United Artists. Although producer Larry Butler had no doubts about Rogers's talent, he was advised by several colleagues not to sign Rogers, who some saw as a has-been. Nevertheless, Butler and Rogers began a partnership that would last four years.

Rogers first outing for his new label was Love Lifted Me. The album charted and two singles "Love Lifted Me" and "While The Feeling's Good" were minor hits. The song "Runaway Girl" was featured in the motion picture Trackdown. Later in 1976, Rogers issued his second album, the self-titled Kenny Rogers, whose first single "Laura (What's He Got That I Ain't Got)", was another solo hit.

However, the single "Lucille" (1977) was a major hit, reaching number one on the pop charts in 12 countries, selling over five million copies, and firmly establishing Rogers's post-First Edition career. On the strength of "Lucille", the album Kenny Rogers reached #1 in the Billboard Country Album Chart. More success was to follow, including the multi-million selling album The Gambler and another international Number 1 single, "Coward of the County", taken from the equally successful album, Kenny. In 1980, the Rogers/Butler partnership came to an end, though they would occasionally reunite: in 1987 on the album I Prefer The Moonlight and again in 1993 on the album If Only My Heart Had A Voice.

In the late 1970s, Rogers teamed up with close friend and country singer Dottie West for a series of albums and duets. Together the duo had three hit albums, selling out stadiums and arenas while on tour. Their hits together "Every Time Two Fools Collide", "Anyone Who Isn't Me Tonight" and "What Are We Doin' in Love" became Country standards. Of West, Rogers stated in a 1995 TNN interview "She, more than anybody else I ever worked with sang with such emotion that you actually believed what she sang." Rogers was with West when she died after sustaining injuries in a 1991 car accident. In 1995 he starred opposite Michele Lee in the CBS biopic .

In 1980, his duet with Kim Carnes "Don't Fall in Love with a Dreamer" became a major hit. Later in 1980 came his partnership with Lionel Richie who wrote and produced Rogers's #1 hit "Lady". Richie went on to write and produce Rogers's 1981 album Share Your Love, a chart topper and commercial favorite featuring hits such as "I Don't Need You" (Pop #3), "Through the Years" (Pop #13), and "Share Your Love with Me" (Pop #14). In 1982, Rogers released the album Love Will Turn You Around. The title track reached #13 on the Billboard Hot 100 and topped the country and AC charts. Shortly after he started working with producer David Foster in 1983 recording the smash Bob Seger cover "We've Got Tonight", a duet with Sheena Easton.

He went on to work with the Bee Gees to record and produce his 1983 hit album Eyes That See in the Dark, featuring the title track and yet another #1 hit "Islands in the Stream", a duet with Dolly Parton. The Gibbs originally wrote the song for Marvin Gaye in an R&B; style, only later to change it for the Kenny Rogers album. The partnership with Bee Gees only lasted one album, which was not a surprise considering that Rogers's original intentions were to work with Barry Gibb in only one song but Barry insisted on them doing the entire album.

"Islands in the Stream", the first single to be released from Eyes That See in the Dark in the United States, quickly went to #1 in the Billboard Hot 100. It was the last country single to reach #1 on that chart until "Amazed" by Lonestar did so in 2000. However, RCA insisted on releasing the title track as the first UK single, and the song stalled at a disappointing #61 there, although it did stay in the top 100 for several weeks (when it was eventually released in the US, it was more successful, charting high on the Adult Contemporary chart and making the country top 30). "Islands in the Stream" was issued as a follow up single in Britain and sold well, making #7. The album itself reached #1 on the country charts on both sides of the Atlantic and enjoyed multi-million sales. "Buried Treasure," "This Woman" and "Evening Star"/"Midsummer Nights" were also all successful singles from the album.

Shortly after came the album What About Me?, a hit whose title track, a trio performance with James Ingram and Kim Carnes, was nominated for a Grammy award; the single "Crazy" (not to be confused with the Willie Nelson-penned Patsy Cline hit) topped the country charts. David Foster was to work again with Rogers in his 1985 album The Heart of the Matter, although this time Foster was playing backing music rather than producing, a role given to George Martin. This album was another success, going to #1, with the title track making to the top ten category in the singles charts.

The next few years saw Rogers scoring several top country hits on a regular basis, including "Twenty Years Ago," "Morning Desire," "Tomb of the Unknown Love," among others. On 28 January 1985 Rogers was one of the 45 artists who recorded the worldwide charity song "We Are the World" to support hunger victims in Africa. The following year he played at Giants Stadium.

On January 1987, Rogers co-hosted the American Music Awards at the Shrine Auditorium in Los Angeles. By 1988 to 1990, Rogers had In the 1990s Rogers continued to chart with singles such as "Crazy In Love", "If You Want To Find Love" and "The Greatest". From 1991 to 1994, Rogers hosted The Real West on A&E;, and on The History Channel since 1995 (Reruns only on The History Channel.). He also visited Miller's during this time period. From 1992 to 1995 Rogers co-owned and headlined Branson, Missouri’s 4,000 seat Grand Palace Theatre. In 1994, Rogers released his "dream" album titled Timepiece on Atlantic Records. It consisted of 30's and 40's jazz standards; it was the type of music he performed in his early days with The Bobby Doyle Three in Houston. In 1996 he released an album Vote For Love where the public requested their favorite love songs and Rogers performed the songs (several of his own hits were in there). The album was the first for the TV shopping channel QVC's record label, onQ Music. The album, sold exclusively by QVC, was a huge success and was later issued in stores under a variety of different titles. It reached #1 in the UK country charts under the title Love Songs (a title also used for various compilations) and also crossed over into the mainstream charts.

In 1999 Rogers scored with the single "The Greatest", a song about life from a child's point of view (looked at through a baseball game). The song reached the top 40 of Billboard's Country singles chart and was a Country Music Television Number One video. It was on Rogers's album She Rides Wild Horses the following year (itself a top 10 success). In 1999, Rogers also produced a song, "We've Got It All", specifically for the series finale of the ABC show Home Improvement. Not on any album, the recording sells for a high sum at auction.

Beyond the 1990s

In the 21st century, Rogers was back at #1 for the first time in more than a decade with the 2000 single "Buy Me a Rose", making him, at 61, the oldest artist in the history of country music to reach the chart summit. In doing so, he broke a 26-year-old record held by Hank Snow (who, in April 1974, was 59 years and 11 months old when he scored with "Hello Love"). Rogers held the record until 2003, when then 70-year-old Willie Nelson became the oldest artist to have a No. 1 on the country charts with his duet with Toby Keith, "Beer For My Horses."

Rogers also released the critically acclaimed album Back to the Well.

Although Rogers didn't record new albums for a couple of years, he continued to have success in many countries with more greatest hits packages. In 2004 42 Ultimate Hits, which was the first hits collection to span his days with the First Edition to the present, reached Number 6 on the American country charts and went gold. It also featured two new songs, "My World Is Over" with Whitney Duncan and "We Are the Same". "My World Is Over" was released as a single and was a minor hit. In 2005 The Very Best of Kenny Rogers, a double album, sold well in Europe. It was the first new solo Kenny Rogers hits album to reach the United Kingdom for over a decade, despite many compilations there that were not true hits packages.

Rogers also signed with Capitol Records and had more success with the TV advertised release 21 Number Ones in January 2006. Although this CD did contain 21 chart-toppers as the title claims (recorded between 1976 and the present day), this was not a complete collection of Rogers's #1 singles, omitting such singles as "Crazy in Love" and "What About Me?"

Much of his success was during the period from 1976 to 1983, when he was signed to United Artists and later Liberty. It is very rare for an artist of Rogers's age to be signed to a major label. Capitol followed 21 Number Ones with Rogers's new studio album, Water And Bridges, in March 2006 on the Capitol Nashville Records label. The first single from the album was "I Can't Unlove You" which peaked at #17 on the country charts, after spending over 6 months on the hit list, more than 50 years after he formed his first group and 38 years after his first major hit as leader of The First Edition; the song remains in recurrent airplay on some radio stations today. "I Can't Unlove You" was followed up with the second single from the album, "The Last Ten Years (Superman)", in September 2006. The third single, "Calling Me," which features Don Henley, became popular in early 2007, and was nominated for a Grammy Award at the 2007 Grammy Awards. Also in 2007, the 1977 "Kenny Rogers" album was re-issued as a double play CD, also featuring the 1979 "Kenny" album and this once again put Rogers's name into the sales charts worldwide. The following year, another compilation album ("A Love Song Collection") also charted. He currently lives in Atlanta.

In 2003, Rogers made a guest appearance in two episodes of Reno 911! as himself.

To date Rogers has recorded 65 albums and sold over 165 million records.

On August 26, 2008, Rogers released "50 Years" exclusively at Cracker Barrel stores. The album includes some of Rogers's greatest hits, plus 3 new songs. The release is designed to celebrate Rogers's 50th year in the music business. However, it should be noted Rogers has been in the music business for more than 50 years including his releases with The Scholars, who recorded for a local label in Houston. 1958 was the year he signed his first recording deal with a major label.

In 2008 Rogers toured with his very popular Christmas Show. However, he decided to split the show up, making the first half his "best of" and the second half consisted of his Christmas songs. One such show was at Mohegan Sun Casino in Uncasville, CT.

In 2009 he toured the UK, playing in Cardiff CIA (March 27)Birmingham NIA (28)Manchester MEN (29)Newcastle Arena (30)Plymouth Pavilions (April 1)Nottingham Concert Hall (2)London Hammersmith Apollo (3)Bournemouth BIC (4)with support band - Savannah Jack.

In 2009, Kenny embarked on his 50th Anniversary Tour. The tour went around the United States, Britain and Ireland. It will continue into 2010.

In 2010, Rogers and his long-time friend Dolly Parton are set to release a new album. They previously worked together on such songs as Islands in the Stream and Real Love.

On April 10, 2010, a TV special was taped, Kenny Rogers: The First 50 Years. Dolly Parton and Lionel Richie are among those set to perform with Kenny during a show celebrating his contribution to country, blues and pop music, It took place at the MGM Grand in Foxwoods, CT. To date, it has not been aired.

Outside music

Rogers also had success as an actor. His 1982 movie Six Pack, in which he played a race-car driver, took more than $20 million at the US box office, while made-for-TV movies such as The Gambler, Christmas in America, and Coward of the County (based on hit songs of his) topped ratings lists.

As an entrepreneur, he collaborated with former Kentucky Fried Chicken CEO John Y. Brown, Jr. in 1991 to start up the restaurant chain Kenny Rogers Roasters. The chicken and ribs chain, which is similar to Boston Market, was famously featured in an episode of the NBC sitcom Seinfeld called "The Chicken Roaster". On the November 27, 1997, broadcast of Late Night with Conan O’Brien, Rogers could not pick his chicken out in a taste test, claiming he preferred "greasy burgers."

Rogers and his restaurant were subjects of comedy from MADtv, especially the impersonation done by Will Sasso; the sketch of the faux-Rogers hosting Jackass became popular on the Internet. Sasso had him making noises such as "Ding Ding Ding Di da Ding Ding Ding" and getting sloppily drunk.

Rogers appeared in a 2004 episode of Reno 911 as himself being subjected to incompetent security provided by starstruck sheriff's deputies to comical effect. In this episode, Deputy Garcia, who is obsessed with Rogers, reveals that he thinks that Rogers should focus all of his effort on acting, and "give that singing thing a rest for a while," because Garcia believes that Rogers could win an Oscar. In order to "protect" Rogers the deputies take down all of the posters announcing his appearance in Reno, when he finds out he angrily berates the deputies and leaves. He is then promptly shot and wounded by an obsessed fan played by Patton Oswalt, though he is only superficially wounded, and asks for "mall security".

Rogers is also the inspiration behind the pop culture website menwholooklikekennyrogers.com . The site features close to a thousand photos of men who look like the real Rogers, as well as tips on how to look like Rogers, places to spot Rogers look-alikes, and even a Kenny of the Month and sells t-shirts and buttons.

Discography

Kenny Rogers is to headline the annual music festival Nevada Wild Fest in Henderson, Nevada.

Awards/Honors

{|class="wikitable" style="text-align:center" |- ! Year ! Award ! Category |- | 2010 | American Eagle Award | American Eagle Award |- | 2009 | ACM Honors | Cliffie Stone Pioneer Award (w/ Jerry Reed, Randy Travis, Hank Williams Jr.) |- | 2007 | ASCAP Golden Note Award | ASCAP Golden Note Award |- | 2007 | CMT Music Awards | Album of the Year - Water & Bridges |- | 2005 | CMT Music Awards | Favorite All Time Country Duet - "Islands In the Stream" (w/ Dolly Parton) |- | 2004 | CMT's 100 Greatest Cheating Songs | "Ruby Don't Take Your Love to Town"- #6 |- | 2003 | International Entertainment Buyers Association | Lifetime Achievement Award |- | 2003 | CMT's 100 Greatest Country Songs | "The Gambler" - #26 |- | 2002 | CMT's 40 Greatest Men of Country Music | Ranking - #19 |- | 2000 | TNN Music Awards | Career Achievement Award |- | 1999 | BBC's Greatest Country Singer | Ranking - #2 |- | 1988 | Grammy Awards | Best Duo Country Vocal Performance - "Make No Mistake She's Mine" (w/ Ronnie Milsap) |- | 1986 | USA Today | Favorite Singer of All Time |- | 1985 | American Music Awards | Favorite Country Album - Eyes That See In the Dark |- | 1985 | American Music Awards | Favorite Male Country Artist |- | 1983 | Academy of Country Music Awards | Single of the Year - "Islands In the Stream" (w/ Dolly Parton) |- | 1983 | Academy of Country Music Awards | Top Vocal Duet - (w/ Dolly Parton) |- | 1983 | American Music Awards | Favorite Pop/Rock Country Artist |- | 1983 | American Music Awards | Favorite Country Single - "Love Will Turn You Around" |- | 1983 | ASAP Awards | Favorite Single - "Islands In the Stream" (w/ Dolly Parton) |- | 1982 | American Music Awards | Favorite Country Album - Greatest Hits |- | 1981 | American Music Awards | Favorite Pop/Rock Male Artist |- | 1981 | American Music Awards | Favorite Country Album - The Gambler |- | 1981 | American Music Awards | Favorite Country Single - "Coward of the County" |- | 1980 | American Music Awards | Favorite Male Country Artist |- | 1980 | American Music Awards | Favorite Country Album - The Gambler |- | 1980 | Music City News Country | Single of the Year |- | 1979 | American Music Awards | Favorite Male Country Artist |- | 1979 | American Music Awards | Favorite Country Album - 10 Years of Gold |- | 1979 | Country Music Association Awards | Male Vocalist of the Year |- | 1979 | Country Music Association Awards | Vocal Duo of the Year - (w/ Dottie West) |- | 1979 | Country Music Association Awards | Album of the Year - The Gambler |- | 1979 | Music City News Country | Male Artist of the Year |- | 1979 | Music City News Country | Single of the Year - "The Gambler" |- | 1979 | Grammy Awards | Best Male Country Vocal Performance - "The Gambler" |- | 1978 | American Music Awards | Favorite Single - "Lucille" |- | 1978 | Country Music Association Awards | Vocal Duo of the Year - (w/ Dottie West) |- | 1978 | Academy of Country Music Awards | Entertainer of the Year |- | 1978 | Academy of Country Music Awards | Top Male Vocalist |- | 1977 | Country Music Association Awards | Single of the Year - "Lucille" |- | 1977 | Academy of Country Music Awards | Top Male Vocalist |- | 1977 | Academy of Country Music Awards | Single of the Year - "Lucille" |- | 1977 | Academy of Country Music Awards | Song of the Year - "Lucille" |- | 1977 | Grammy Awards | Best Male Country Vocal Performance - "Lucille" |}

Record labels

The following is a list of record labels to which Rogers signed:

Cue (1957, with the band The Scholars and also as a solo singer)

Carlton (1958, solo deal)

KenLee (one single, label owned by Rogers and his brother Lelan)

Columbia (1960s, with jazz combo, The Bobby Doyle Three)

Reprise (1967, with The First Edition, all material recorded during this time has since been acquired by Universal Music)

Jolly Rogers (1973, with The First Edition, label was owned by Rogers)

United Artists (1975, solo deal)

Liberty (1980, United Artists merged into EMI/Capitol in 1980; some pressings of albums were issued on Capitol's imprint labels, EMI, EMI America, and EMI Manhattan.)

RCA (1983, solo deal)

Reprise (1989, solo deal)

Giant (1993, one solo album)

Atlantic (1994, one solo album)

onQ Music (1996, one solo album; onQ Music was created by the QVC Network to release exclusive albums for sale only on QVC. The first onQ release was Rogers's Vote for Love, a two-disc set that would later become available in standard retail stores.)

Magnatone (1996, solo deal)

Dreamcatcher (1998, solo deal; Dreamcatcher was owned and run by Rogers and Jim Mazza for the purpose of releasing Rogers albums and certain reissues of Rogers's catalog. Other artists such as Marshall Dyllon and Randy Dorman were released on Dreamcatcher Records, also. The label closed in 2004)

Capitol Nashville (2004, solo deal)

See also

Brady Hawkes

References

External links

Official website

delafont.com profile

[ Allmusic.com profile]

CMT.com profile

Kenny Rogers's Classic Weekend 1988

Goldsmith, Thomas. (1998). "Kenny Rogers". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 455–6.

Category:1938 births Category:American country singers Category:American country singer-songwriters Category:American male singers Category:Atlantic Records artists Category:Capitol Records artists Category:Grammy Award winners Category:Living people Category:Musicians from Houston, Texas Category:University of Houston alumni Category:The First Edition members Category:United Artists Records artists

Katheryn Elizabeth Hudson (born October 25, 1984), better known by her stage name Katy Perry, is an American pop musician. Born in Santa Barbara, California, and raised by Christian pastor parents; Perry grew up listening to only gospel music and sang in her local church as a child. After earning a GED during her freshman year of high school, she began to pursue a career in music. As Katy Hudson, she released a self-titled gospel album in 2001, which due to the closing of her record label, was deemed unsuccessful. She later recorded an album with production team The Matrix and completed the majority of a solo album from 2004–5; neither of which were released.

After signing with Capitol Music Group in 2007, her fourth record label in seven years, she adopted the stage name Katy Perry and released her first Internet single "Ur So Gay" that November, which garnered public attention; but failed to chart. She rose to fame with the release of her second single "I Kissed a Girl" in 2008, which went on to top international charts. Perry's first mainstream studio album One of the Boys followed later that year and subsequently, became the thirty-third best selling album worldwide of 2008. It was accredited platinum certification by the Recording Industry Association of America, while "I Kissed a Girl" and her second single "Hot n Cold" both received multi-platinum certifications. Her sophomore studio album Teenage Dream was released in August 2010 and debuted at number one on the Billboard 200. The album included hit singles "California Gurls", "Teenage Dream" and "Firework", all of which topped the charts on the Billboard Hot 100 and worldwide.

Perry was credited as a guest judge on the seventh series of the British television show The X Factor; has released a fragrance called "Purr"; and will appear in the upcoming 2011-film The Smurfs. Perry had a long relationship with Travie McCoy; she married Russell Brand on October 23, 2010.

Biography

1984–2006: Early life and career beginnings

Perry was born Katheryn Elizabeth Hudson in Santa Barbara, California on October 25, 1984 to Mary (née Perry), an evangelist who grew up in Southern California and had "a tempestuous first marriage in Zimbabwe", She has an older sister and younger brother. Perry's maternal aunt and uncle were screenwriter Eleanor Perry and director Frank Perry, through whom she is also related to Charles M. Schwab, the founder of the Bethlehem Steel Corporation.

Perry was incorporated into her parents' ministry She grew up listening to gospel music, was not allowed to listen to what her mother called "secular music", and attended Christian schools and camps. She took her GED after her freshman year at Dos Pueblos High School and decided to leave school in the pursuit of a career in music. Her sister practiced with cassette tapes, while Perry took the tapes herself when her sister was not around. She rehearsed the songs and performed them in front of her parents, who suggested she take vocal coaching. She grabbed the opportunity and began taking lessons at the age of nine and continued until she was sixteen. She later enrolled in at the Music Academy of the West in Santa Barbara, and studied Italian opera for a short period of time. In Nashville, Perry started recording demos and was taught by country music veterans on how to craft songs and play guitar. Performing as Katy Hudson, she released the self-titled Gospel-rock album in 2001. The album was due for release in 2005,

Perry signed to Columbia Records in 2004. However, the label was not amenable with her vision, not putting her in the "driver's seat". She made a cameo appearance in Carbon Leaf's video, "Learn to Fly".

2007–09: One of the Boys and MTV Unplugged

Before being dropped by Columbia, its then publicity executive Angelica Cob-Baehler recommended Perry to Capitol A&R; Chris Anokute while at the 2006 Grammy Awards. Keen to hear more, Anokute was sent a DVD, featuring a video of "Simple", and a three-song demo. It was after hearing the demo of "Waking Up in Vegas" that Anokute became convinced of Perry's star talent. He showed the demo to his boss Jason Flom, then head of Capitol Music Group, telling him, "I've found the next Avril Lavigne meets Alanis Morissette." Flom proved to be less enthusiastic, however; he wasn't convinced the demos were good enough and was wary about an artist that had already been dropped by two major labels. Anokute refused to give up and eventually his persistence together with that of new Virgin employee, Cob-Baehler, paid off. Perry was signed to Capitol Music in early 2007.

She went on the next step of promoting the album, undertaking a two-month tour of radio stations. The album's official lead single, "I Kissed a Girl", was released on May 6, 2008. Perry's A&R;, Chris Anokute, told HitQuarters how, despite being himself convinced it was a "career record", the song and its controversial theme met with strong resistance at the label, "People said, 'This is never going to get played on the radio. How do we sell this? How’s this going to be played in the bible belt?'" On June 12, 2008, Perry appeared as herself on the daytime soap opera The Young and the Restless,

One of the Boys was released on June 17, 2008 to mixed critical reviews. The album has reached number nine on the Billboard 200, and has been certified platinum by the Recording Industry Association of America. Perry released her second single, "Hot n Cold", which became her second top three single in dozens of countries around the world, including the United States where it reached number three on the Billboard Hot 100, Perry was nominated in five categories at the 2008 MTV Video Music Awards, including Best New Artist and Best Female Video, but lost to Britney Spears. She won Best New Act at the 2008 MTV Europe Music Awards, which she co-hosted, and Best International Female Artist at the 2009 BRIT Awards. On February 9, 2009, both "I Kissed a Girl" and "Hot n Cold" were certified three-time platinum by Recording Industry Association of America for individual digital sales of over three million.

The Matrix's self-titled debut album, which features Perry, was later released via the team's label, Let's Hear It, during Perry's solo tour. When the release date was scheduled, "I Kissed a Girl" had been charting well. Matrix member Lauren Christy spoke to Perry about the decision, but she wanted to hold the release until the fourth single of One of the Boys had been dispatched. Despite their communication, The Matrix was released on January 27, 2009, via iTunes Store. In December 2008, Perry apologized to British singer Lily Allen for remarks in which she called herself a "skinnier version" of her, saying she meant it as a joke. Allen retaliated and told a British radio station that she "happen[ed] to know for a fact that she [Perry] was an American version" of her because their record company needed "to find something controversial and 'kooky'" like her.

On May 16, 2009, Perry performed at the opening ceremony of the annual Life Ball in Vienna, Austria. In June 2009, lawyers acting for Katy Perry opposed the recent trademark of Australian fashion designer Katie Perry who uses her own name to market loungewear. Some media outlets reported this as a lawsuit, which Katy Perry has denied on her blog. Katie Perry the designer reports on her blog that at a hearing with IP Australia on July 10, 2009, the singer's lawyers withdrew their opposition to the trademark. During the summer of 2009 Perry filmed a cameo appearance for Get Him to the Greek; her scene, in which she kisses her future fiancé Russell Brand was cut, and does not appear in the final film. Discussing the issue with MTV, Perry hypothesized there may have been some fear that seeing the two make out would have taken viewers out of the experience. In 2009, Perry was featured on two singles: a remix of Colorado-based band 3OH!3's song "Starstrukk" in August (the idea for the collaboration came after Perry's tour that featured 3OH!3 as the supporting act). The song was released over iTunes on September 8, 2009; and "If We Ever Meet Again", the fourth single off Timbaland's album Shock Value II in December. In October 2009, MTV Unplugged revealed that Perry was one of the artists to perform for them, and that she would be releasing a live album of the performance, including two new tracks, "Brick by Brick" and Fountains of Wayne cover "Hackensack". The album was released on November 17, and includes both a CD and a DVD.

2010–present: Teenage Dream

Perry appeared as a guest judge alongside Simon Cowell, Cheryl Cole and Louis Walsh during the Dublin audition stage of the seventh series of the British television show The X Factor on June 28, 2010 (later televised on August 28). She was one of the many celebrities chosen to fulfil the role of judge whilst Dannii Minogue was on maternity leave. She later returned to the show on October 17 to perform "Firework". Perry's second mainstream studio album was titled Teenage Dream and was released in August 2010. The first single from the album was titled "California Gurls". The single peaked at number one on the Billboard Hot 100 and was the fastest rising single from a Capitol Records artist since Bobbie Gentry's "Ode to Billie Joe" in 1967. The cover art for Teenage Dream is a painting by Will Cotton in which depicts Perry lying naked on clouds of cotton candy; resembling the shots of Perry in the video for "California Gurls". The booklet of the physical edition of the album, in keeping with the theme of cotton candy, has a cotton candy scent. The album's second single "Teenage Dream" was released in July 2010. "Firework" is the album's third single.

Katy Perry appeared at the 2010 MTV Video Music Awards on September 12, 2010. She was nominated for two awards and presented the award of "Best Male Video" with Nicki Minaj to Eminem. On September 14, she returned to her old high school, Dos Pueblos High School, where she performed a short set for the school's students. Perry performed "Hot n Cold" with Elmo from Sesame Street, which was originally to appear on the forty-first-season premiere of the educational children's program on September 27, 2010. However, four days before the scheduled airing, Sesame Workshop announced, "In light of the feedback we've received on the Katy Perry music video ... we have decided we will not air the segment on the television broadcast of Sesame Street, which is aimed at preschoolers. Katy Perry fans will still be able to view the video on YouTube." The main reason was that parents complained about what appeared to be a great amount of cleavage shown by her dress. Perry shot the video for Firework in Budapest in September 2010. An open casting call drew an unprecedented 38,000 applicants. She proceeded to perform at a concert in Budapest on October 1, her first concert in Central and Eastern EuropePerry has announced her own fragrance to be released in autumn of this year, named "Purr". It will come in a cat-shaped bottle, and will be available through Nordstrom stores.

Musical style and themes

Perry has a contralto vocal range. Among Perry's musical influences are Alanis Morissette, pop rockers Cyndi Lauper, Pat Benatar, Joan Jett, Shirley Manson, and Freddie Mercury, Perry expects to record more pop songs for her next album.

Perry is artistically involved in her projects, especially in the writing process. Since she could play guitar, she would start writing songs at home and present it to her producers. Perry is mostly inspired by specific moments of her life. She said it is easy for her to write songs about heartbreak. The songs have been respectively labeled as being homophobic and promoting homosexuality, as well as "lez ploitational".

Public image

Perry is known for her unconventional style of dress. Her fashion has caught the attention of designers, who were giving her nearly as much attention as fans of her music. The picture was defended as only an effort to give Perry a "sexy, harder edge". She has appeared in FHM Magazine's 100 Sexiest Women poll twice, ranking at #23 in 2009 and #37 in 2010.

Personal life

Perry dated Gym Class Heroes frontman Travie McCoy, whom she met in a recording studio in New York, on and off for several years. After more than a year of friendship and casual dating, they became serious with their relationship right before they embarked on the 2008 Warped Tour. Perry and McCoy broke up in December 2008. The two began dating again in early 2009 and broke up again a few months later. Perry first met British comedian Russell Brand in the summer of 2008 when Perry filmed a cameo for Brand's film Get Him to the Greek. Perry and Brand began dating after meeting again in September 2009 at the MTV Video Music Awards, where Brand, as host, remarked, "Katy Perry didn't win an award and she's staying at the same hotel as me, so she's gonna need a shoulder to cry on. So in a way, I'm the real winner tonight." The couple became engaged in December 2009 when Brand proposed to Perry while vacationing in India. In a July 2010 YouTube interview, Perry said Brand would be a "perfect" father. Perry has stated that she plans to take dual British citizenship when she marries Brand. "One of the first things I'll do is apply for dual citizenship. I'm not too sure if I have to take a test as I've not had time to look into it. But England is like my second home". Perry and Brand married on October 23, 2010 near the Ranthambhore tiger sanctuary in Rajasthan, India, the same location where Brand had proposed. They were married in a traditional Hindu ceremony.

Discography

Katy Hudson (2001)

One of the Boys (2008)

Teenage Dream (2010)

Tours

Hello Katy Tour (2009)

California Dreams Tour (2011)

Filmography

Television

{| class="wikitable sortable" !Year !Title !Role !class="unsortable"|Notes |- |2008 | |Herself |Episode 8914 |- |2008 |Wildfire |Herself |"" (Season 4, episode 8) |- |2010 | American Idol |Guest judge |"Season 9, episode 5" |- |2010 |The X Factor |Guest judge |"Series 7, episode 2" |- |2010 |Sesame Street | Herself | Online special (deleted from televised episode) |- |2010 | The Simpsons | Herself | 1 episode, "The Fight Before Christmas" |- |2011 | How I Met Your Mother | Zoey's cousin | 1 episode, "Oh Honey" |}

Films

{| class="wikitable sortable" !Year !Title !Role ! class="unsortable"|Notes |- |2011 | |Smurfette |Voice |- |2011 | |TBA |Cameo |- |}

Awards and nominations

References

External links

Official website

Category:1984 births Category:Living people Category:2000s singers Category:2010s singers Category:21st-century actors Category:Actors from California Category:American bloggers Category:American Christians Category:American contraltos Category:American dance musicians Category:American female guitarists Category:American female pop singers Category:American film actors Category:American musicians of German descent Category:American people of Portuguese descent Category:American pop rock singers Category:American singer-songwriters Category:American voice actors Category:BRIT Award winners Category:Capitol Records artists Category:English-language singers Category:Female rock singers Category:Musicians from California Category:People from Santa Barbara, California Category:The X Factor judges

Name	Elvis Presley
Img alt	A young man dancing, swiveling his hips. He has dark hair, short and slicked up a bit. He wears an unbuttoned band-collared jacket over a shirt with bold black-and-white horizontal stripes. Behind him, on either side, are a pair of barred frames, like prison doors.
Background	solo_singer
Birth name	Elvis Aaron Presley
Born	January 08, 1935Tupelo, Mississippi, United States
Died	August 16, 1977Memphis, Tennessee, United States
Genre	Rock and roll, pop, rockabilly, country, blues, gospel, R&B;
Associated acts	The Blue Moon Boys, The Jordanaires, The Imperials
Occupation	Musician, actor
Instrument	Vocals, guitar, piano
Years active	1954–77
Label	Sun, RCA Victor
Url

Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was one of the most popular American singers of the 20th century. A cultural icon, he is widely known by the single name Elvis. He is often referred to as the "King of Rock and Roll" or simply "the King".

Born in Tupelo, Mississippi, Presley moved to Memphis, Tennessee, with his family at the age of 13. He began his career there in 1954 when Sun Records owner Sam Phillips, eager to bring the sound of African American music to a wider audience, saw in Presley the means to realize his ambition. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was one of the originators of rockabilly, an uptempo, backbeat-driven fusion of country and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage the singer for over two decades. Presley's first RCA single, "Heartbreak Hotel", released in January 1956, was a number one hit. He became the leading figure of the newly popular sound of rock and roll with a series of network television appearances and chart-topping records. His energized interpretations of songs, many from African American sources, and his uninhibited performance style made him enormously popular—and controversial. In November 1956, he made his film debut in Love Me Tender.

Conscripted into military service in 1958, Presley relaunched his recording career two years later with some of his most commercially successful work. He staged few concerts, however, and, guided by Parker, proceeded to devote much of the 1960s to making Hollywood movies and soundtrack albums, most of them critically derided. In 1968, after seven years away from the stage, he returned to live performance in a celebrated comeback television special that led to an extended Las Vegas concert residency and a string of profitable tours. In 1973, Presley staged the first concert broadcast globally via satellite, Aloha from Hawaii, seen by approximately 1.5 billion viewers. Prescription drug abuse severely compromised his health, and he died suddenly in 1977 at the age of 42.

Presley is regarded as one of the most important figures of 20th-century popular culture. He had a versatile voice and unusually wide success encompassing many genres, including country, pop ballads, gospel, and blues. He is the best-selling solo artist in the history of popular music. Nominated for 14 competitive Grammys, he won three, and received the Grammy Lifetime Achievement Award at age 36. He has been inducted into four music halls of fame.

Life and career

Early years (1935–53)

Childhood in Tupelo

, Mississippi]] Elvis Presley was born on January 8, 1935, in Tupelo, Mississippi, to Vernon Elvis and Gladys Love Presley. In the two-room shotgun house built by his father in readiness for the birth, Jesse Garon Presley, his identical twin brother, was delivered 35 minutes before him, stillborn. As an only child, Presley became close to both parents and formed an unusually tight bond with his mother. The family attended an Assembly of God church where he found his initial musical inspiration.

Presley's ancestry was primarily a Western European mix—Scots-Irish, with some French Norman; one of Gladys's great-great-grandmothers was Cherokee. According to a third cousin of Presley's, one of Gladys's great-grandmothers was Jewish. Gladys was regarded by relatives and friends as the dominant member of the small family. Vernon moved from one odd job to the next, evidencing little ambition. The family often relied on help from neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of altering a check written by the landowner. He was jailed for eight months, and Gladys and Elvis moved in with relatives.

In September 1941, Presley entered first grade at East Tupelo Consolidated, where his instructors regarded him as "average". He was encouraged to enter a singing contest after impressing his schoolteacher with a rendition of Red Foley's country song "Old Shep" during morning prayers. The contest, held at the Mississippi-Alabama Fair and Dairy Show on October 3, 1945, saw his first public performance: dressed as a cowboy, the ten-year-old Presley stood on a chair to reach the microphone and sang "Old Shep". He recalled placing fifth. A few months later, Presley received for his birthday his first guitar. He had hoped for something else—by different accounts, either a bicycle or a rifle. Over the following year, he received basic guitar lessons from two of his uncles and the new pastor at the family's church. Presley recalled, "I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it."

Entering a new school, Milam, for sixth grade in September 1946, Presley was regarded as a loner. The following year, he began bringing his guitar in on a daily basis. He would play and sing during lunchtime, and was often teased as a "trashy" kid who played hillbilly music. The family was by then living in a largely African American neighborhood. A devotee of Mississippi Slim's show on the Tupelo radio station WELO, Presley was described as "crazy about music" by Slim's younger brother, a classmate of Presley's, who often took him in to the station. Slim supplemented Presley's guitar tuition by demonstrating chord techniques. When his protégé was 12 years old, Slim scheduled him for two on-air performances. Presley was overcome by stage fright the first time, but succeeded in performing the following week.

Teenage life in Memphis

In November 1948, the family moved to Memphis, Tennessee. After residing for nearly a year in rooming houses, they were granted a two-bedroom apartment in the public housing complex known as the Courts. Enrolled at Humes High School, Presley received only a C in music in eighth grade. When his music teacher told him he had no aptitude for singing, he brought in his guitar the next day and sang a recent hit, "Keep Them Cold Icy Fingers Off Me", in an effort to prove otherwise. A classmate later recalled that the teacher "agreed that Elvis was right when he said that she didn't appreciate his kind of singing." He was generally too shy to perform openly, and was occasionally bullied by classmates who viewed him as a "mama's boy". In 1950, he began practicing guitar regularly under the tutelage of Jesse Lee Denson, a neighbor two-and-a-half years his senior. They and three other boys—including two future rockabilly pioneers, brothers Dorsey and Johnny Burnette—formed a loose musical collective that played frequently around the Courts. That September, he began ushering at Loew's State Theater. Other jobs followed during his school years: Precision Tool, Loew's again, and MARL Metal Products.

During his junior year, Presley began to stand out more among his classmates, largely because of his appearance: he grew out his sideburns and styled his hair with rose oil and Vaseline. On his own time, he would head down to Beale Street, the heart of Memphis's thriving blues scene, and gaze longingly at the wild, flashy clothes in the windows of Lansky Brothers. By his senior year, he was wearing them. Overcoming his reticence about performing outside the Courts, he competed in Humes's Annual "Minstrel" show in April 1953. Singing and playing guitar, he opened with "Till I Waltz Again With You", a recent hit for Teresa Brewer. Presley recalled that the performance did much for his reputation: "I wasn't popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage I heard people kind of rumbling and whispering and so forth, 'cause nobody knew I even sang. It was amazing how popular I became after that."

Presley, who never received formal music training or learned to read music, studied and played by ear. He frequented record stores with jukeboxes and listening booths. He knew all of Hank Snow's songs and he loved records by other country singers such as Roy Acuff, Ernest Tubb, Ted Daffan, Jimmie Rodgers, Jimmie Davis, and Bob Wills. The Southern Gospel singer Jake Hess, one of his favorite performers, was a significant influence on his ballad-singing style. He was a regular audience member at the monthly All-Night Singings downtown, where many of the white gospel groups that performed reflected the influence of African American spiritual music. He adored the music of black gospel singer Sister Rosetta Tharpe. Like some of his peers, he may have attended blues venues—of necessity, in the segregated South, only on nights designated for exclusively white audiences. He certainly listened to the regional radio stations that played "race records": spirituals, blues, and the modern, backbeat-heavy sound of rhythm and blues. Many of his future recordings were inspired by local African American musicians such as Arthur Crudup and Rufus Thomas. B.B. King recalled that he knew Presley before he was popular when they both used to frequent Beale Street. By the time he graduated high school in June 1953, Presley had already singled out music as his future.

First recordings (1953–55)

Sam Phillips and Sun Records

In August 1953, Presley walked into the offices of Sun Records. He aimed to pay for a few minutes of studio time to record a two-sided acetate disc: "My Happiness" and "That's When Your Heartaches Begin". He would later claim he intended the record as a gift for his mother, or was merely interested in what he "sounded like", though there was a much cheaper, amateur record-making service at a nearby general store. Biographer Peter Guralnick argues that he chose Sun in the hope of being discovered. Asked by receptionist Marion Keisker what kind of singer he was, Presley responded, "I sing all kinds." When she pressed him on whom he sounded like, he repeatedly answered, "I don't sound like nobody." After he recorded, Sun boss Sam Phillips asked Keisker to note down the young man's name, which she did along with her own commentary: "Good ballad singer. Hold." Presley cut a second acetate in January 1954—"I'll Never Stand In Your Way" and "It Wouldn't Be the Same Without You"—but again nothing came of it.

Not long after, he failed an audition for a local vocal quartet, the Songfellows. He explained to his father, "They told me I couldn't sing." Songfellow Jim Hamill later claimed that he was turned down because he did not demonstrate an ear for harmony at the time. In April, Presley began working for the Crown Electric company as a truck driver. His friend Ronnie Smith, after playing a few local gigs with him, suggested he contact Eddie Bond, leader of Smith's professional band, which had an opening for a vocalist. Bond rejected him after a tryout, advising Presley to stick to truck driving "because you're never going to make it as a singer."

Phillips, meanwhile, was always on the lookout for someone who could bring the sound of the black musicians on whom Sun focused to a broader audience. As Keisker reported, "Over and over I remember Sam saying, 'If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.'" In June, he acquired a demo recording of a ballad, "Without You", that he thought might suit the teenaged singer. Presley came by the studio, but was unable to do it justice. Despite this, Phillips asked Presley to sing as many numbers as he knew. He was sufficiently affected by what he heard to invite two local musicians, guitarist Winfield "Scotty" Moore and upright bass player Bill Black, to work something up with Presley for a recording session. }} The session, held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to give up and go home, Presley took his guitar and launched into a 1946 blues number, Arthur Crudup's "That's All Right". Moore recalled, "All of a sudden, Elvis just started singing this song, jumping around and acting the fool, and then Bill picked up his bass, and he started acting the fool, too, and I started playing with them. Sam, I think, had the door to the control booth open ... he stuck his head out and said, 'What are you doing?' And we said, 'We don't know.' 'Well, back up,' he said, 'try to find a place to start, and do it again.'" Phillips quickly began taping; this was the sound he had been looking for. Three days later, popular Memphis DJ Dewey Phillips played "That's All Right" on his Red, Hot, and Blue show. Listeners began phoning in, eager to find out who the singer was. The interest was such that Phillips played the record repeatedly during the last two hours of his show. Interviewing Presley on-air, Phillips asked him what high school he attended in order to clarify his color for the many callers who had assumed he was black. During the next few days the trio recorded a bluegrass number, Bill Monroe's "Blue Moon of Kentucky", again in a distinctive style and employing a jury-rigged echo effect that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A side and "Blue Moon of Kentucky" on the reverse.

Early live performances and signing to RCA

The trio played publicly for the first time on July 17 at the Bon Air club—Presley still sporting his child-size guitar. At the end of the month, they appeared at the Overton Park Shell, with Slim Whitman headlining. A combination of his strong response to rhythm and nervousness at playing before a large crowd led Presley to shake his legs as he performed: his wide-cut pants emphasized his movements, causing young women in the audience to start screaming. Moore recalled, "During the instrumental parts he would back off from the mike and be playing and shaking, and the crowd would just go wild". Black, a natural showman, whooped and rode his bass, hitting double licks that Presley would later remember as "really a wild sound, like a jungle drum or something". Soon after, Moore and Black quit their old band to play with Presley regularly, and DJ and promoter Bob Neal became the trio's manager. From August through October, they played frequently at the Eagle's Nest club and returned to Sun Studio for more recording sessions, and Presley quickly grew more confident on stage. According to Moore, "His movement was a natural thing, but he was also very conscious of what got a reaction. He'd do something one time and then he would expand on it real quick." Presley made what would be his only appearance on Nashville's Grand Ole Opry on October 2; after a polite audience response, Opry manager Jim Denny told Phillips that his singer was "not bad" but did not suit the program. Two weeks later, Presley was booked on Louisiana Hayride, the Oprys chief, and more adventurous, rival. The Shreveport-based show was broadcast to 198 radio stations in 28 states. Presley had another attack of nerves during the first set, which drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response. House drummer D.J. Fontana brought a new element, complementing Presley's movements with accented beats that he had mastered playing in strip clubs. Soon after the show, the Hayride engaged Presley for a year's worth of Saturday-night appearances. Trading in his old guitar for $8 (and seeing it promptly dispatched to the garbage), he purchased a Martin instrument for $175, and his trio began playing in new locales including Houston, Texas, and Texarkana, Arkansas.

By early 1955, Presley's regular Hayride appearances, constant touring, and well-received record releases had made him a substantial regional star, from Tennessee to West Texas. In January, Neal signed a formal management contract with Presley and brought the singer to the attention of Colonel Tom Parker, whom he considered the best promoter in the music business. Parker—Dutch-born, though he claimed to be from West Virginia—had acquired an honorary colonel's commission from country singer turned Louisiana governor Jimmie Davis. Having successfully managed top country star Eddy Arnold, he was now working with the new number one country singer, Hank Snow. Parker booked Presley on Snow's February tour. When the tour reached Odessa, Texas, a 19-year-old Roy Orbison saw Presley for the first time: "His energy was incredible, his instinct was just amazing. ... I just didn't know what to make of it. There was just no reference point in the culture to compare it." Presley made his television debut on March 3 on the KSLA-TV broadcast of Louisiana Hayride. Soon after, he failed an audition for Arthur Godfrey's Talent Scouts on the CBS television network. By August, Sun had released ten sides credited to "Elvis Presley, Scotty and Bill"; on the latest recordings, the trio were joined by a drummer. Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B; idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both". This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country music disc jockeys would not play it because he sounded too much like a black artist and none of the rhythm and blues stations would touch him because "he sounded too much like a hillbilly." The blend came to be known as rockabilly. At the time, Presley was variously billed as "The King of Western Bop", "The Hillbilly Cat", and "The Memphis Flash".

Presley renewed Neal's management contract in August 1955, simultaneously appointing Parker as his special adviser. The group maintained an extensive touring schedule throughout the second half of the year. Neal recalled, "It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. There were occasions in some towns in Texas when we'd have to be sure to have a police guard because somebody'd always try to take a crack at him. They'd get a gang and try to waylay him or something." The trio became a quartet when Hayride drummer Fontana joined as a full member. In mid-October, they played a few shows in support of Bill Haley, whose "Rock Around the Clock" had been a number one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads.

At the Country Disc Jockey Convention in early November, Presley was voted the year's most promising male artist. Several record companies had by now shown interest in signing him. After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with RCA Victor on November 21 to acquire Presley's Sun contract for an unprecedented $40,000. Presley, at 20, was still a minor, so his father signed the contract. Parker arranged with the owners of Hill and Range Publishing, Jean and Julian Aberbach, to create two entities, Elvis Presley Music and Gladys Music, to handle all of the new material recorded by Presley. Songwriters were obliged to forego one third of their customary royalties in exchange for having him perform their compositions. By December, RCA had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings.

Commercial breakout and controversy (1956–58)

First national TV appearances and debut album

featuring a photo taken July 31, 1955]] On January 10, 1956, Presley made his first recordings for RCA in Nashville. Extending the singer's by now customary backup of Moore, Black, and Fontana, RCA enlisted pianist Floyd Cramer, guitarist Chet Atkins, and three background singers, including Gordon Stoker of the popular Jordanaires quartet, to fill out the sound. The session produced the moody, unusual "Heartbreak Hotel", released as a single on January 27. Parker finally brought Presley to national television, booking him on CBS's Stage Show for six appearances over two months. The program, produced in New York, was hosted on alternate weeks by big band leaders and brothers Tommy and Jimmy Dorsey. After his first appearance, on January 28, Presley stayed in town to record at RCA's New York studio. The sessions yielded eight songs, including a cover of Carl Perkins' rockabilly anthem "Blue Suede Shoes". In February, Presley's "I Forgot to Remember to Forget", a Sun recording initially released the previous August, reached the top of the Billboard country chart. Neal's contract was terminated and, on March 2, Parker became Presley's manager. RCA Victor released Presley's self-titled debut album on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks were of a broad variety. There were two country songs and a bouncy pop tune. The others would centrally define the evolving sound of rock and roll: "Blue Suede Shoes"—"an improvement over Perkins' in almost every way", according to critic Robert Hilburn—and three R&B; numbers that had been part of Presley's stage repertoire for some time, covers of Little Richard, Ray Charles, and The Drifters. As described by Hilburn, these "were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R&B; versions of songs in the '50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases." It became the first rock and roll album to top the Billboard chart, a position it held for 10 weeks. While Presley was not an innovative instrumentalist like Moore or contemporary African American rockers Bo Diddley and Chuck Berry, cultural historian Gilbert B. Rodman argues that the album's cover image, "of Elvis having the time of his life on stage with a guitar in his hands played a crucial role in positioning the guitar...as the instrument that best captured the style and spirit of this new music."

Milton Berle Show and "Hound Dog"

Presley made the first of two appearances on NBC's Milton Berle Show on April 3. His performance, on the deck of the USS Hancock in San Diego, prompted cheers and screams from an audience of sailors and their dates. A few days later, a flight taking Presley and his band to Nashville for a recording session left all three badly shaken when an engine died and the plane almost went down over Arkansas. Twelve weeks after its original release, "Heartbreak Hotel" became Presley's first number one pop hit. In late April, Presley began a two-week residency at the New Frontier Hotel and Casino on the Las Vegas Strip. The shows were poorly received by the conservative, middle-aged hotel guests—"like a jug of corn liquor at a champagne party", wrote a critic for Newsweek. Amid his Vegas tenure, Presley, who had serious acting ambitions, signed a seven-year contract with Paramount Pictures. He began a tour of the Midwest in mid-May, taking in 15 cities in as many days. He had attended several shows by Freddie Bell and the Bellboys in Vegas, and was struck by their cover of "Hound Dog", a hit in 1952 for blues singer Big Mama Thornton. It became the new closing number of his act. After a show in La Crosse, Wisconsin, an urgent message on the letterhead of the local Catholic diocese's newspaper was sent to FBI director J. Edgar Hoover. It warned that "Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley's room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley's autograph."

The second Milton Berle Show appearance came on June 5 at NBC's Hollywood studio, amid another hectic tour. Berle persuaded the singer to leave his guitar backstage, advising, "Let 'em see you, son." During the performance, Presley abruptly halted an uptempo rendition of "Hound Dog" with a wave of his arm and launched into a slow, grinding version accentuated with energetic, exaggerated body movements. Presley's gyrations created a storm of controversy. Television critics were outraged: Jack Gould of The New York Times wrote, "Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway." Ben Gross of the New York Daily News opined that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos". Ed Sullivan, whose own variety show was the nation's most popular, declared him "unfit for family viewing". To Presley's displeasure, he soon found himself being referred to as "Elvis the Pelvis", which he called "one of the most childish expressions I ever heard, comin' from an adult."

Steve Allen Show and first Sullivan appearance

hosts Steve Allen and Ed Sullivan (pictured) helped catapult Presley to unprecedented fame.]] The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC's Steve Allen Show in New York. Allen, no fan of rock and roll, introduced a "new Elvis" in a white bow tie and black tails. Presley sang "Hound Dog" for less than a minute to a basset hound wearing a top hat and bow tie. As described by television historian Jake Austen, "Allen thought Presley was talentless and absurd... [he] set things up so that Presley would show his contrition". Allen, for his part, later wrote that he found Presley's "strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing" and simply worked the singer into the customary "comedy fabric" of his program. Presley would refer back to the Allen show as the most ridiculous performance of his career. Later that night, he appeared on Hy Gardner Calling, a popular local TV show. Pressed on whether he had learned anything from the criticism to which he was being subjected, Presley responded, "No, I haven't, I don't feel like I'm doing anything wrong. ... I don't see how any type of music would have any bad influence on people when it's only music. ... I mean, how would rock 'n' roll music make anyone rebel against their parents?"

The next day, Presley recorded "Hound Dog", along with "Any Way You Want Me" and "Don't Be Cruel". The Jordanaires sang harmony, as they had on The Steve Allen Show; they would work with Presley through the 1960s. A few days later, the singer made an outdoor concert appearance in Memphis at which he announced, "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight." In August, a judge in Jacksonville, Florida, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order. The single pairing "Don't Be Cruel" with "Hound Dog" ruled the top of the charts for 11 weeks—a mark that would not be surpassed for 36 years. Recording sessions for Presley's second album took place in Hollywood during the first week of September. Jerry Leiber and Mike Stoller, the writers of "Hound Dog", contributed "Love Me".

Allen's show with Presley had, for the first time, beaten CBS's Ed Sullivan Show in the ratings. Sullivan, despite his June pronouncement, booked the singer for three appearances for an unprecedented $50,000. The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience. Actor Charles Laughton hosted the show, filling in while Sullivan recuperated from a car accident. Presley appeared in two segments that night from CBS Television City in Hollywood. According to Elvis legend, Presley was shot only from the waist up. Watching clips of the Allen and Berle shows with his producer, Sullivan had opined that Presley "got some kind of device hanging down below the crotch of his pants–so when he moves his legs back and forth you can see the outline of his cock. ... I think it's a Coke bottle. ... We just can't have this on a Sunday night. This is a family show!" Sullivan publicly told TV Guide, "As for his gyrations, the whole thing can be controlled with camera shots." In fact, Presley was shown head-to-toe in the first and second shows. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted in customary style: screaming. Presley's performance of his forthcoming single, the ballad "Love Me Tender", prompted a record-shattering million advance orders. More than any other single event, it was this first appearance on The Ed Sullivan Show that made Presley a national celebrity of barely precedented proportions.

Accompanying Presley's rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. Igniting the "biggest pop craze since Glenn Miller and Frank Sinatra ... Presley brought rock'n'roll into the mainstream of popular culture", writes historian Marty Jezer. "As Presley set the artistic pace, other artists followed. ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture."

Crazed crowds and movie debut

The audience response at Presley's live shows became increasingly fevered. Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time." At the two concerts he performed in September at the Mississippi-Alabama Fair and Dairy Show, 50 National Guardsmen were added to the police security to prevent crowd trouble. Elvis, Presley's second album, was released in October and quickly rose to number one. Assessing the musical and cultural impact of Presley's recordings from "That's All Right" through Elvis, rock critic Dave Marsh wrote that "these records, more than any others, contain the seeds of what rock & roll was, has been and most likely what it may foreseeably become."

Presley returned to the Sullivan show, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and St. Louis burned him in effigy. His first motion picture, Love Me Tender, was released on November 21. Though he was not top billed, the film's original title—The Reno Brothers—was changed to capitalize on his latest number one record: "Love Me Tender" had hit the top of the charts earlier that month. To further take advantage of Presley's popularity, four musical numbers were added to what was originally a straight acting role. The movie was panned by the critics but did very well at the box office. Presley would receive top billing on every subsequent film he made.

On December 4, Presley dropped into Sun Records where Carl Perkins and Jerry Lee Lewis were recording and jammed with them. Though Phillips no longer had the right to release any Presley material, he made sure the session was captured on tape. The results became legendary as the "Million Dollar Quartet" recordings—Johnny Cash was long thought to have played as well, but he was present only briefly at Phillips' instigation for a photo opportunity. The year ended with a front page story in the Wall Street Journal reporting that Presley merchandise had brought in $22 million on top of his record sales, and Billboards declaration that he had placed more songs in the top 100 than any other artist since records were first charted. In his first full year on RCA, one of the music industry's largest companies, Presley had accounted for over 50 percent of the label's singles sales.

Leiber and Stoller collaboration and draft notice

Presley made his third and final Ed Sullivan Show appearance on January 6, 1957—on this occasion indeed shot only down to the waist. Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity. In any event, as critic Greil Marcus describes, Presley "did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a pasha, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing Rudolph Valentino in The Sheik, with all stops out." To close, displaying his range and defying Sullivan's wishes, Presley sang a gentle black spiritual, "Peace in the Valley". At the end of the show, Sullivan declared Presley "a real decent, fine boy". Two days later, the Memphis draft board announced that Presley would be classified 1A and would probably be drafted sometime that year. in the trailer for Jailhouse Rock, released October 17, 1957]] Each of the three Presley singles released in the first half of 1957 went to number one: "Too Much", "All Shook Up", and "(Let Me Be Your) Teddy Bear". Already an international star, he was attracting fans even where his music was not officially released. Under the headline "Presley Records a Craze in Soviet", The New York Times reported that pressings of his music on discarded X-ray plates were commanding high prices in Leningrad. Between film shoots and recording sessions, the singer also found time to purchase an 18-room mansion eight miles (13 km) south of downtown Memphis for himself and his parents: Graceland. Loving You—the soundtrack to his second film, released in July—was Presley's third straight number one album. The title track was written by Leiber and Stoller, who were retained to write four of the six songs recorded at the sessions for Jailhouse Rock, Presley's next movie. The songwriting team effectively produced the sessions, and they developed a close working relationship with Presley, who came to regard them as his "good-luck charm". Their title track was yet another number one hit, as was the Jailhouse Rock EP.

Presley undertook three brief tours during the year, continuing to generate a crazed audience response. A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed." Villanova students pelted him with eggs in Philadelphia, and in Vancouver, the crowd rioted after the end of the show, destroying the stage. Frank Sinatra, who had famously inspired the swooning of teenaged girls in the 1940s, condemned the new musical phenomenon. In a magazine article, he decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore." Asked for a response, Presley said, "I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago."

Leiber and Stoller were again in the studio for the recording of Elvis' Christmas Album. Toward the end of the session, they wrote a song on the spot at Presley's request: "Santa Claus Is Back In Town", an innuendo-laden blues. The holiday release stretched Presley's string of number one albums to four and would eventually become the best selling Christmas album of all time. After the session, Moore and Black—drawing only modest weekly salaries, sharing in none of Presley's massive financial success—resigned. Though they were brought back on a per diem basis a few weeks later, it was clear that they had not been part of Presley's inner circle for some time. On December 20, Presley received his draft notice. He was granted a deferment to finish the forthcoming King Creole, in which $350,000 had already been invested by Paramount and producer Hal Wallis. A couple of weeks into the new year, "Don't", another Leiber and Stoller tune, became Presley's tenth number one seller. It had been only 21 months since "Heartbreak Hotel" had brought him to the top for the first time. Recording sessions for the King Creole soundtrack were held in Hollywood mid-January. Leiber and Stoller provided three songs and were again on hand, but it would be the last time they worked closely with Presley. A studio session on February 1 marked another ending: it was the final occasion on which Black was to perform with Presley. He died in 1965.

Military service and mother's death (1958–60)

On March 24, Presley was inducted into the U.S. Army as a private at Fort Chaffee, near Fort Smith, Arkansas. Captain Arlie Metheny, the information officer, was unprepared for the media attention drawn by the singer's arrival. Hundreds of people descended on Presley as he stepped from the bus; photographers then accompanied him into the base. Presley announced that he was looking forward to his military stint, saying he did not want to be treated any differently from anyone else: "The Army can do anything it wants with me." Later, at Fort Hood, Texas, Lieutenant Colonel Marjorie Schulten gave the media carte blanche for one day, after which she declared Presley off-limits to the press.

Soon after Presley had commenced basic training at Fort Hood, he received a visit from Eddie Fadal, a businessman he had met when on tour in Texas. Fadal reported that Presley had become convinced his career was finished—"He firmly believed that." During a two-week leave in early June, Presley cut five sides in Nashville. He returned to training, but in early August his mother was diagnosed with hepatitis and her condition worsened. Presley was granted emergency leave to visit her, arriving in Memphis on August 12. Two days later, she died of heart failure, aged 46. Presley was devastated; their relationship had remained extremely close—even into his adulthood, they would use baby talk with each other and Presley would address her with pet names.

en route to Germany, September 29, 1958]]

After training at Fort Hood, Presley joined the 3rd Armored Division in Friedberg, Germany, on October 1. Introduced to amphetamines by a sergeant while on maneuvers, he became "practically evangelical about their benefits"—not only for energy, but for "strength" and weight loss, as well—and many of his friends in the outfit joined him in indulging. The Army also introduced Presley to karate, which he studied seriously, later including it in his live performances. Fellow soldiers have attested to Presley's wish to be seen as an able, ordinary soldier, despite his fame, and to his generosity while in the service. He donated his Army pay to charity, purchased TV sets for the base, and bought an extra set of fatigues for everyone in his outfit.

While in Friedberg, Presley met 14-year-old Priscilla Beaulieu. They would eventually marry after a seven-and-a-half-year courtship. In her autobiography, Priscilla says that despite his worries that it would ruin his career, Parker convinced Presley that to gain popular respect, he should serve his country as a regular soldier rather than in Special Services, where he would have been able to give some musical performances and remain in touch with the public. Media reports echoed Presley's concerns about his career, but RCA producer Steve Sholes and Freddy Bienstock of Hill and Range had carefully prepared for his two-year hiatus. Armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases. Between his induction and discharge, Presley had ten top 40 hits, including "Wear My Ring Around Your Neck", the best-selling "Hard Headed Woman", and "One Night" in 1958, and "(Now and Then There's) A Fool Such as I" and the number one "A Big Hunk o' Love" in 1959. RCA also managed to generate four albums compiling old material during this period, most successfully Elvis' Golden Records (1958), which hit number three on the LP chart.

Focus on movies (1960–67)

Elvis Is Back

}} Presley returned to the United States on March 2, 1960, and was honorably discharged with the rank of sergeant on March 5. The train that carried him from New Jersey to Tennessee was mobbed all the way, and Presley was called upon to appear at scheduled stops to please his fans. Back in Memphis, he wasted no time in returning to the studio. Sessions in March and April yielded two of his best-selling singles, the ballads "It's Now or Never" and "Are You Lonesome Tonight?", and Elvis Is Back! The album features several songs described by Greil Marcus as full of Chicago blues "menace, driven by Presley's own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from Boots Randolph. Elvis's singing wasn't sexy, it was pornographic." As a whole, the record "conjured up the vision of a performer who could be all things", in the words of music historian John Robertson: "a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; [a] raucous rocker". Released only days after recording was complete, it reached number two on the album chart.

Presley returned to television on May 12 as a guest on —ironic for both stars, given Sinatra's not-so-distant excoriation of rock and roll. Also known as Welcome Home Elvis, the show had been taped in late March, the only time all year Presley performed in front of an audience. Parker secured an unheard-of $125,000 fee for eight minutes of singing. The broadcast drew an enormous viewership.

G.I. Blues, the soundtrack to Presley's first film since his return, was a number one album in October. His first LP of sacred material, His Hand in Mine, followed two months later. It reached number 13 on the U.S. pop chart and number 3 in Great Britain, remarkable figures for a gospel album. In February 1961, Presley performed two shows for a benefit event in Memphis, on behalf of 24 local charities. During a luncheon preceding the event, RCA presented him with a plaque certifying worldwide sales of over 75 million records. A 12-hour Nashville session in mid-March yielded nearly all of Presley's next studio album, Something for Everybody. As described by John Robertson, it exemplifies the Nashville sound, the restrained, cosmopolitan style that would define country music in the 1960s. Presaging much of what was to come from Presley himself over the next half-decade, the album is largely "a pleasant, unthreatening pastiche of the music that had once been Elvis's birthright." It would be his sixth number one LP. Another benefit concert, raising money for a Pearl Harbor memorial, was staged on March 25, in Hawaii. It was to be Presley's last public performance for seven years.

Lost in Hollywood

Parker had by now pushed Presley into a heavy moviemaking schedule, focused on formulaic, modestly budgeted musical-comedies. Presley at first insisted on pursuing more serious roles, but when two films in a more dramatic vein—Flaming Star (1960) and Wild in the Country (1961)—were less commercially successful, he reverted to the formula. Among the 27 movies he made during the 1960s, there were few further exceptions. His films were almost universally panned; one critic dismissed them as a "pantheon of bad taste". Nonetheless, they were virtually all profitable. Hal Wallis, who produced nine of them, declared, "A Presley picture is the only sure thing in Hollywood."

Of Presley's films in the 1960s, 15 were accompanied by soundtrack albums and another 5 by soundtrack EPs. The movies' rapid production and release schedules—he frequently starred in three a year—affected his music. According to Jerry Leiber, the soundtrack formula was already evident before Presley left for the Army: "three ballads, one medium-tempo [number], one up-tempo, and one break blues boogie". As the decade wore on, the quality of the soundtrack songs grew "progressively worse". Julie Parrish, who appeared in Paradise, Hawaiian Style (1966), says that he hated many of the songs chosen for his films. The Jordanaires' Gordon Stoker describes how Presley would retreat from the studio microphone: "The material was so bad that he felt like he couldn't sing it." Most of the movie albums featured a song or two from respected writers such as the team of Doc Pomus and Mort Shuman. But by and large, according to biographer Jerry Hopkins, the numbers seemed to be "written on order by men who never really understood Elvis or rock and roll." Regardless of the songs' quality, it has been argued that Presley generally sang them well, with commitment. Critic Dave Marsh heard the opposite: "Presley isn't trying, probably the wisest course in the face of material like 'No Room to Rumba in a Sports Car' and 'Rock-a-Hula Baby.'"

In the first half of the decade, three of Presley's soundtrack albums hit number one on the pop charts, and a few of his most popular songs came from his films, such as "Can't Help Falling in Love" (1961) and "Return to Sender" (1962). ("Viva Las Vegas", the title track to the 1964 film, was a minor hit as a B-side, and became truly popular only later.) But, as with artistic merit, the commercial returns steadily diminished. During a five-year span—1964 through 1968—Presley had only one top ten hit: "Crying in the Chapel" (1965), a gospel number recorded back in 1960. As for non-movie albums, between the June 1962 release of Pot Luck and the November 1968 release of the soundtrack to the television special that signaled his comeback, only one LP of new material by Presley was issued: the gospel album How Great Thou Art (1967). It won him his first Grammy Award, for Best Sacred Performance. As described in The New Rolling Stone Album Guide, Presley was "arguably the greatest white gospel singer of his time [and] really the last rock & roll artist to make gospel as vital a component of his musical personality as his secular songs."

Shortly before Christmas 1966, more than seven years since they first met, Presley proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the Aladdin Hotel in Las Vegas. The flow of formulaic movies and assembly-line soundtracks rolled on. It was not until October 1967, when the Clambake soundtrack LP registered record low sales for a new Presley album, that RCA executives recognized a problem. "By then, of course, the damage had been done", as historians Connie Kirchberg and Marc Hendrickx put it. "Elvis was viewed as a joke by serious music lovers and a has-been to all but his most loyal fans."

Comeback (1968–73)

Elvis: the '68 Comeback Special

produced "one of the most famous images" of Presley. Taken on June 29, 1968, it was adapted for the cover of Rolling Stone in July 1969.]] Presley's only child, Lisa Marie, was born on February 1, 1968, during a period when he had grown deeply unhappy with his career. Of the eight Presley singles released between January 1967 and May 1968, only two charted in the top 40, and none higher than number 28. His forthcoming soundtrack album, Speedway, would die at number 82 on the Billboard chart. Parker had already shifted his plans to television, where Presley had not appeared since the Sinatra Timex show in 1960. He maneuvered a deal with NBC that committed the network to both finance a theatrical feature and broadcast a Christmas special.

Recorded in late June, the special, called simply Elvis, aired on December 3, 1968. Later known as the '68 Comeback Special, the show featured lavishly staged studio productions as well as songs performed with a band in front of a small audience—Presley's first live performances since 1961. The live segments saw Presley clad in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and coproducer Steve Binder had worked hard to reassure the nervous singer and to produce a show that was far from the hour of Christmas songs Parker had originally planned. The show, NBC's highest rated that season, captured 42 percent of the total viewing audience. Jon Landau of Eye magazine remarked, "There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made Jim Morrison green with envy." The New Rolling Stone Album Guide calls the performance one of "emotional grandeur and historical resonance."

By January 1969, the single "If I Can Dream", written for the special, reached number 12. The soundtrack album broke into the top ten. According to friend Jerry Schilling, the special reminded Presley of what "he had not been able to do for years, being able to choose the people; being able to choose what songs and not being told what had to be on the soundtrack. ... He was out of prison, man." Binder said of Presley's reaction, "I played Elvis the 60-minute show, and he told me in the screening room, 'Steve, it's the greatest thing I've ever done in my life. I give you my word I will never sing a song I don't believe in.'"

From Elvis In Memphis and the International

}} Buoyed by the experience of the Comeback Special, Presley engaged in a prolific series of recording sessions at American Sound Studio, which led to the acclaimed From Elvis in Memphis. Released in June 1969, it was his first secular, non-soundtrack album from a dedicated period in the studio in eight years. As described by Dave Marsh, it is "a masterpiece in which Presley immediately catches up with pop music trends that had seemed to pass him by during the movie years. He sings country songs, soul songs and rockers with real conviction, a stunning achievement." The album featured the hit single "In the Ghetto", issued in April, which reached number three on the pop chart—Presley's first non-gospel top ten hit since "Bossa Nova Baby" in 1963. Further hit singles were culled from the American Sound sessions: "Suspicious Minds", "Don't Cry Daddy", and "Kentucky Rain".

Presley was keen to resume regular live performing. Following the success of the Comeback Special, offers came in from around the world. The London Palladium offered Parker $28,000 for a one-week engagement. He responded, "That's fine for me, now how much can you get for Elvis?" In May, the brand new International Hotel in Las Vegas, boasting the largest showroom in the city, announced that it had booked Presley. He was scheduled to perform 57 shows over four weeks beginning July 31. Moore, Fontana, and the Jordanaires declined to participate, afraid of losing the lucrative session work they had in Nashville. Presley assembled new, top-notch accompaniment, led by guitarist James Burton and including two gospel groups, The Imperials and Sweet Inspirations. Nonetheless, he was nervous: his only previous Las Vegas engagement, in 1956, had been dismal. Parker, who intended to make Presley's return the show business event of the year, oversaw a major promotional push. For his part, hotel owner Kirk Kerkorian arranged to send his own plane to New York to fly in rock journalists for the debut performance.

Presley took to the stage without introduction. The audience of 2,200, including many celebrities, gave him a standing ovation before he sang a note and another after his performance. A third followed his encore, "Can't Help Falling in Love" (a song that would be his closing number for much of the 1970s). At a press conference after the show, when a journalist referred to him as "The King", Presley gestured toward Fats Domino, who was taking in the scene. "No," Presley said, "that's the real king of rock and roll." The next day, Parker's negotiations with the hotel resulted in a five-year contract for Presley to play each February and August, at an annual salary of $1 million. Newsweek commented, "There are several unbelievable things about Elvis, but the most incredible is his staying power in a world where meteoric careers fade like shooting stars." Rolling Stone called Presley "supernatural, his own resurrection." In November, Presley's final non-concert movie, Change of Habit, opened. The double album From Memphis To Vegas/From Vegas To Memphis came out the same month; the first LP consisted of live performances from the International, the second of more cuts from the American Sound sessions. "Suspicious Minds" reached the top of the charts—Presley's first U.S. pop number one in over seven years, and his last.

Cassandra Peterson, later television's Elvira, met Presley during this period in Las Vegas, where she was working as showgirl. She recalls of their encounter, "He was so anti-drug when I met him. I mentioned to him that I smoked marijuana, and he was just appalled. He said, 'Don't ever do that again.'" Presley was not only deeply opposed to recreational drugs, he also rarely drank. Several of his family members had been alcoholics, a fate he intended to avoid.

Back on tour and meeting Nixon

Presley returned to the International early in 1970 for the first of the year's two month-long engagements, performing two shows a night. Recordings from these shows were issued on the album On Stage. In late February, Presley performed six attendance-record–breaking shows at the Houston Astrodome. In April, the single "The Wonder of You" was issued—a number one hit in Great Britain, it topped the U.S. adult contemporary chart, as well. MGM filmed rehearsal and concert footage at the International during August for the documentary . Presley was by now performing in a jumpsuit, which would become a trademark of his live act. During this engagement, he was threatened with murder unless $50,000 was paid. Presley had been the target of many threats since the 1950s, often without his knowledge. The FBI took the threat seriously and security was stepped up for the next two shows. Presley went onstage with a Derringer in his right boot and a .45 pistol in his waistband, but the concerts went off without incident.

The album That's the Way It Is, produced to accompany the documentary and featuring both studio and live recordings, marked a stylistic shift. As music historian John Robertson notes, "The authority of Presley's singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound. With country put on the back burner, and soul and R&B; left in Memphis, what was left was very classy, very clean white pop—perfect for the Las Vegas crowd, but a definite retrograde step for Elvis." After the end of his International engagement on September 7, Presley embarked on a week-long concert tour, largely of the South, his first since 1958. Another week-long tour, of the West Coast, followed in November.

in the White House Oval Office, December 21, 1970]] On December 21, 1970, Presley engineered a bizarre meeting with President Richard Nixon at the White House, where he expressed his patriotism and his contempt for the hippie drug culture. He asked Nixon for a Bureau of Narcotics and Dangerous Drugs badge, to add to similar items he had begun collecting and to signify official sanction of his patriotic efforts. Nixon, who apparently found the encounter awkward, expressed a belief that Presley could send a positive message to young people and that it was therefore important he "retain his credibility". Presley told Nixon that The Beatles, whose songs he regularly performed in concert during the era, exemplified what he saw as a trend of anti-Americanism and drug abuse in popular culture. (Presley and his friends had had a four-hour get-together with The Beatles five years earlier.) On hearing reports of the meeting, Paul McCartney later said that he "felt a bit betrayed. ... The great joke was that we were taking [illegal] drugs, and look what happened to him", a reference to Presley's death, hastened by prescription drug abuse.

The U.S. Junior Chamber of Commerce named Presley one of its annual Ten Most Outstanding Young Men of the Nation on January 16, 1971. Not long after, the City of Memphis named the stretch of Highway 51 South on which Graceland is located "Elvis Presley Boulevard". The same year, Presley became the first rock and roll singer to be awarded the Lifetime Achievement Award (then known as the Bing Crosby Award) by the National Academy of Recording Arts and Sciences, the Grammy Award organization. Three new, non-movie Presley studio albums were released in 1971, as many as had come out over the previous eight years. Best received by critics was Elvis Country, a concept record that focused on genre standards. The biggest seller was Elvis Sings the Wonderful World of Christmas, "the truest statement of all", according to Greil Marcus. "In the midst of ten painfully genteel Christmas songs, every one sung with appalling sincerity and humility, one could find Elvis tom-catting his way through six blazing minutes of 'Merry Christmas, Baby,' a raunchy old Charles Brown blues. ... If [Presley's] sin was his lifelessness, it was his sinfulness that brought him to life".

Marriage breakdown and Aloha from Hawaii

MGM again filmed Presley in April 1972, this time for Elvis on Tour, which went on to win the Golden Globe Award for Best Documentary Film that year. His gospel album He Touched Me, released that month, would earn him his second Grammy Award, for Best Inspirational Performance. A 14-date tour commenced with an unprecedented four consecutive sold-out shows at New York's Madison Square Garden. The evening concert on July 10 was recorded and issued in LP form a week later. became one of Presley's biggest-selling albums. After the tour, the single "Burning Love" was released—Presley's last top ten hit on the U.S. pop chart. "The most exciting single Elvis has made since 'All Shook Up'", wrote rock critic Robert Christgau. "Who else could make 'It's coming closer, the flames are now licking my body' sound like an assignation with James Brown's backup band?" , broadcast live via satellite on January 14, 1973. The singer himself came up with his famous outfit's eagle motif, as "something that would say 'America' to the world."]]

Presley and his wife, meanwhile, had become increasingly distant, barely cohabiting. In 1971, an affair he had with Joyce Bova resulted—unbeknownst to him—in her pregnancy and an abortion. He often raised the possibility of her moving in to Graceland, saying that he was likely to leave Priscilla. The Presleys separated on February 23, 1972, after Priscilla disclosed her relationship with Mike Stone, a karate instructor Presley had recommended to her. Priscilla relates that when she told him, Presley "grabbed ... and forcefully made love to" her, declaring, "This is how a real man makes love to his woman." Five months later, Presley's new girlfriend, Linda Thompson, a songwriter and one-time Memphis beauty queen, moved in with him. Presley and his wife filed for divorce on August 18.

In January 1973, Presley performed two benefit concerts for the Kui Lee Cancer Fund in connection with a groundbreaking TV special, Aloha from Hawaii. The first show served as a practice run and backup should technical problems affect the live broadcast two days later. Aired as scheduled on January 14, Aloha from Hawaii was the first global concert satellite broadcast, reaching approximately 1.5 billion viewers live and on tape delay. Presley's costume became the most recognized example of the elaborate concert garb with which his latter-day persona became closely associated. As described by Bobbie Ann Mason, "At the end of the show, when he spreads out his American Eagle cape, with the full stretched wings of the eagle studded on the back, he becomes a god figure." The , released in February, went to number one and eventually sold over 5 million copies in the United States. It proved to be Presley's last U.S. number one pop album during his lifetime.

At a midnight show the same month, four men rushed onto the stage in an apparent attack. Security men leapt to Presley's defense, and the singer's karate instinct took over as he ejected one invader from the stage himself. Following the show, he became obsessed with the idea that the men had been sent by Stone to kill him. Though they were shown to have been only overexuberant fans, he raged, "There's too much pain in me ... Stone [must] die." His outbursts continued with such intensity that a physician was unable to calm him, despite administering large doses of medication. After another two full days of raging, Red West, his friend and bodyguard, felt compelled to get a price for a contract killing and was relieved when Presley decided, "Aw hell, let's just leave it for now. Maybe it's a bit heavy."

Health deterioration and death (1973–77)

Medical crises and last studio sessions

Presley's divorce took effect on October 9, 1973. He was now becoming increasingly unwell. Twice during the year he overdosed on barbiturates, spending three days in a coma in his hotel suite after the first incident. Toward the end of 1973, he was hospitalized, semicomatose from the effects of Demerol addiction. According to his main physician, Dr. George C. Nichopoulos, Presley "felt that by getting [drugs] from a doctor, he wasn't the common everyday junkie getting something off the street." Since his comeback, he had staged more live shows with each passing year, and 1973 saw 168 concerts, his busiest schedule ever. Despite his failing health, in 1974 he undertook another intensive touring schedule.

Presley's condition declined precipitously in September. Keyboardist Tony Brown remembers the singer's arrival at a University of Maryland concert: "He fell out of the limousine, to his knees. People jumped to help, and he pushed them away like, 'Don't help me.' He walked on stage and held onto the mike for the first thirty minutes like it was a post. Everybody's looking at each other like, Is the tour gonna happen?" Guitarist John Wilkinson recalled, "He was all gut. He was slurring. He was so fucked up. ... It was obvious he was drugged. It was obvious there was something terribly wrong with his body. It was so bad the words to the songs were barely intelligible. ... I remember crying. He could barely get through the introductions". Wilkinson recounted that a few nights later in Detroit, "I watched him in his dressing room, just draped over a chair, unable to move. So often I thought, 'Boss, why don't you just cancel this tour and take a year off...?' I mentioned something once in a guarded moment. He patted me on the back and said, 'It'll be all right. Don't you worry about it.'" Presley continued to play to sellout crowds. As cultural critic Marjorie Garber describes, he was now widely seen as a garish pop crooner: "in effect he had become Liberace. Even his fans were now middle-aged matrons and blue-haired grandmothers."

On July 13, 1976, Vernon Presley—who had become deeply involved in his son's financial affairs—fired "Memphis Mafia" bodyguards Red West (Presley's friend since the 1950s), Sonny West, and David Hebler, citing the need to "cut back on expenses". Presley was in Palm Springs at the time, and some suggest the singer was too cowardly to face the three himself. Another associate of Presley's, John O'Grady, argued that the bodyguards were dropped because their rough treatment of fans had prompted too many lawsuits. However, Presley's stepbrother David Stanley has claimed that the bodyguards were fired because they were becoming more outspoken about Presley's drug dependency. Presley and Linda Thompson split in November, and he took up with a new girlfriend, Ginger Alden. He proposed to Alden and gave her an engagement ring two months later, though several of his friends later claimed that he had no serious intention of marrying again.

RCA, which had enjoyed a steady stream of product from Presley for over a decade, grew anxious as his interest in spending time in the studio waned. After a December 1973 session that produced 18 songs, enough for almost two albums, he did not enter the studio in 1974. Parker sold RCA on another concert record, . Recorded on March 20, it included a version of "How Great Thou Art" that would win Presley his third and final competitive Grammy Award. (All three of his competitive Grammy wins—out of 14 total nominations—were for gospel recordings.) Presley returned to the studio in Hollywood in March 1975, but Parker's attempts to arrange another session toward the end of the year were unsuccessful. In 1976, RCA sent a mobile studio to Graceland that made possible two full-scale recording sessions at Presley's home. Even in that comfortable context, the recording process was now a struggle for him.

}} For all the concerns of his label and manager, in studio sessions between July 1973 and October 1976, Presley recorded virtually the entire contents of six albums. Though he was no longer a major presence on the pop charts, five of those albums entered the top five of the country chart, and three went to number one: Promised Land (1975), From Elvis Presley Boulevard, Memphis, Tennessee (1976), and Moody Blue (1977). The story was similar with his singles—there were no major pop hits, but Presley was a significant force in not just the country market, but on adult contemporary radio as well. Eight studio singles from this period released during his lifetime were top ten hits on one or both charts, four in 1974 alone. "My Boy" was a number one AC hit in 1975, and "Moody Blue" topped the country chart and reached the second spot on the AC in 1976. Perhaps his most critically acclaimed recording of the era came that year, with what Greil Marcus described as his "apocalyptic attack" on the soul classic "Hurt". "If he felt the way he sounded", Dave Marsh wrote of Presley's performance, "the wonder isn't that he had only a year left to live but that he managed to survive that long."

Final year and death

Journalist Tony Scherman writes that by early 1977, "Elvis Presley had become a grotesque caricature of his sleek, energetic former self. Hugely overweight, his mind dulled by the pharmacopoeia he daily ingested, he was barely able to pull himself through his abbreviated concerts." In Alexandria, Louisiana, the singer was on stage for less than an hour and "was impossible to understand". Presley failed to appear in Baton Rouge: he was unable to get out of his hotel bed, and the rest of the tour was cancelled. Despite the accelerating deterioration of his health, he stuck to most touring commitments. In Rapid City, South Dakota, "he was so nervous on stage that he could hardly talk", according to Presley historian Samuel Roy, and unable to "perform any significant movement." Guralnick relates that fans "were becoming increasingly voluble about their disappointment, but it all seemed to go right past Elvis, whose world was now confined almost entirely to his room and his spiritualism books." A cousin, Billy Smith, recalled how Presley would sit in his room and chat for hours, sometimes recounting favorite Monty Python sketches and his own past escapades, but more often gripped by paranoid obsessions that reminded Smith of Howard Hughes. "Way Down", Presley's last single issued during his lifetime, came out on June 6. His final concert was held in Indianapolis at the Market Square Arena, on June 26.

The book Elvis: What Happened?, cowritten by the three bodyguards fired the previous year, was published on August 1. It was the first exposé to detail Presley's years of drug misuse. He was devastated by the book and tried unsuccessfully to halt its release by offering money to the publishers. By this point, he suffered from multiple ailments—glaucoma, high blood pressure, liver damage, and an enlarged colon, each aggravated, and possibly caused, by drug abuse.

Presley was scheduled to fly out of Memphis on the evening of August 16, 1977, to begin another tour. That afternoon, Alden discovered him unresponsive on his bathroom floor. Attempts to revive him failed, and death was officially pronounced at 3:30 pm at Baptist Memorial Hospital.

President Jimmy Carter issued a statement that credited Presley with having "permanently changed the face of American popular culture". Thousands of people gathered outside Graceland to view the open casket. One of Presley's cousins, Billy Mann, accepted $18,000 to secretly photograph the corpse; the picture appeared on the cover of the National Enquirers biggest-selling issue ever. Alden struck a $105,000 deal with the Enquirer for her story, but settled for less when she broke her exclusivity agreement. Presley left her nothing in his will.

Presley's funeral was held at Graceland, on Thursday, August 18. Outside the gates, a car plowed into a group of fans, killing two women and critically injuring a third. Approximately 80,000 people lined the processional route to Forest Hill Cemetery, where Presley was buried next to his mother. Within a few days, "Way Down" topped the country and UK pop charts. Following an attempt to steal the singer's body in late August, the remains of both Elvis Presley and his mother were reburied in Graceland's Meditation Garden on October 2.

Since 1977

Between 1977 and 1981, six posthumously released singles by Presley were top ten country hits. Graceland was opened to the public in 1982. Attracting over half a million visitors annually, it is the second most-visited home in the United States, after the White House. It was declared a National Historic Landmark in 2006.

Presley has been inducted into four music halls of fame: the Rock and Roll Hall of Fame (1986), the Country Music Hall of Fame (1998), the Gospel Music Hall of Fame (2001), and the Rockabilly Hall of Fame (2007). In 1984, he received the W. C. Handy Award from the Blues Foundation and the Academy of Country Music's first Golden Hat Award. In 1987, he received the American Music Awards' Award of Merit.

A Junkie XL remix of Presley's "A Little Less Conversation" (credited as "Elvis Vs JXL") was used in a Nike advertising campaign during the 2002 FIFA World Cup. It topped the charts in over 20 countries, and was included in a compilation of Presley's number one hits, ELV1S, that was also an international success. In 2003, a remix of "Rubberneckin'", a 1969 recording of Presley's, topped the U.S. sales chart, as did a 50th-anniversary re-release of "That's All Right" the following year. The latter was an outright hit in Great Britain, reaching number three on the pop chart.

In 2005, another three reissued singles, "Jailhouse Rock", "One Night"/"I Got Stung", and "It's Now or Never", went to number one in Great Britain. A total of 17 Presley singles were reissued during the year—all made the British top five. For the fifth straight year, Forbes named Presley the top-earning deceased celebrity, with a gross income of $45 million. In 2009, he was ranked fourth. The following year, Viva Elvis: The Album was released, setting his voice to newly recorded instrumental tracks.

Presley holds the records for most songs charting in Billboards top 40 and top 100: chart statistician Joel Whitburn calculates the respective totals as 104 and 151; Presley historian Adam Victor gives 114 and 138. Presley's rankings for top ten and number one hits vary depending on how the double-sided "Hound Dog/Don't Be Cruel" and "Don't/I Beg of You" singles, which precede the inception of Billboards unified Hot 100 chart, are analyzed. According to Whitburn, Presley holds the record for most top ten hits with 38; per Billboards current assessment, he ranks second with 36 behind Madonna's 37. Whitburn and Billboard concur that The Beatles hold the record for most number one hits with 20 and that Mariah Carey is second with 18. Whitburn has Presley also with 18 and thus tied for second; Billboard has him third with 17. Presley retains the record for cumulative weeks at number one: alone at 80, according to Whitburn and the Rock and Roll Hall of Fame; tied with Carey at 79, according to Billboard. He holds the records for most British number one hits, with 21, and top ten hits, with 76.

Musical style

Influences

Presley's earliest musical influence came from gospel. His mother recalled that from the age of two, at the Assembly of God church in Tupelo attended by the family, "he would slide down off my lap, run into the aisle and scramble up to the platform. There he would stand looking at the choir and trying to sing with them." In Memphis, Presley frequently attended all-night gospel singings at the Ellis Auditorium, where groups such as the Statesmen Quartet led the music in a style that, Guralnick suggests, sowed the seeds of Presley's future stage act: }} As a teenager, Presley's musical interests were wide-ranging, and he was deeply informed about African American musical idioms as well as white ones (see "Teenage life in Memphis"). Though he never had any formal training, he was blessed with a remarkable memory, and his musical knowledge was already considerable by the time he made his first professional recordings in 1954 at the age of 19. When Jerry Leiber and Mike Stoller met him two years later, they were astonished at his encyclopedic understanding of the blues. At a press conference the following year, he proudly declared, "I know practically every religious song that's ever been written."

Genres

Music scholar Paul Friedlander describes the elements of the rockabilly style, which he characterizes as "essentially ... an Elvis Presley construction", that the singer and his band mates developed at Sun Records: "the raw, emotive, and slurred vocal style and emphasis on rhythmic feeling [of] the blues with the string band and strummed rhythm guitar [of] country". Moore's guitar solo in "That's All Right", the group's first record, "a combination of Merle Travis–style country finger-picking, double-stop slides from acoustic boogie, and blues-based bent-note, single-string work, is a microcosm of this fusion."

At RCA, Presley's rock and roll sound grew distinct from rockabilly with group chorus vocals, more heavily amplified electric guitars and a tougher, more intense manner. While he was known for taking songs from various sources and giving them a rockabilly/rock and roll treatment, he also recorded songs in other genres from early in his career, from the pop standard "Blue Moon" at Sun to the country ballad "How's the World Treating You?" on his second LP to the blues of "Santa Claus Is Back In Town". In 1957, his first gospel record was released, the four-song EP Peace in the Valley. Certified as a million seller, it became the top-selling gospel EP in recording history. Presley would record gospel periodically for the rest of his life. }} After his return from military service in 1960, Presley continued to perform rock and roll, but the characteristic style was substantially toned down. His first post-Army single, the number one hit "Stuck on You", is typical of this shift. RCA publicity materials referred to its "mild rock beat"; discographer Ernst Jorgensen calls it "upbeat pop". The modern blues/R&B; sound captured so successfully on Elvis Is Back! was essentially abandoned for six years until such 1966–67 recordings as "Down in the Alley" and "Hi-Heel Sneakers". The singer's output during most of the 1960s emphasized pop music, often in the form of ballads such as "Are You Lonesome Tonight?", a number one in 1960. While that was a dramatic number, most of what Presley recorded for his movie soundtracks was in a much lighter vein.

While Presley performed several of his classic ballads for the '68 Comeback Special, the sound of the show was dominated by aggressive rock and roll. He would record few new straight-ahead rock and roll songs thereafter; as he explained, they were "hard to find". A significant exception was "Burning Love", his last major hit on the pop charts. Like his work of the 1950s, Presley's subsequent recordings reworked pop and country songs, but in markedly different permutations. His stylistic range now began to embrace a more contemporary rock sound as well as soul and funk. Much of Elvis In Memphis, as well as "Suspicious Minds", cut at the same sessions, reflected his new rock and soul fusion. In the mid-1970s, many of his singles found a home on country radio, the field where he first became a star.

Vocal style and range

Music critic Henry Pleasants observes that "Elvis Presley has been described variously as a baritone and a tenor. An extraordinary compass ... and a very wide range of vocal color have something to do with this divergence of opinion." He identifies Presley as a high baritone, calculating his range as two octaves and a third, "from the baritone low G to the tenor high B, with an upward extension in falsetto to at least a D-flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down." In Pleasants' view, his voice was "variable and unpredictable" at the bottom, "often brilliant" at the top, with the capacity for "full-voiced high Gs and As that an opera baritone might envy." Scholar Lindsay Waters, who figures Presley's range as two and a quarter octaves, emphasizes that "his voice had an emotional range from tender whispers to sighs down to shouts, grunts, grumbles and sheer gruffness that could move the listener from calmness and surrender, to fear. His voice can not be measured in octaves, but in decibels; even that misses the problem of how to measure delicate whispers that are hardly audible at all." Presley was always "able to duplicate the open, hoarse, ecstatic, screaming, shouting, wailing, reckless sound of the black rhythm-and-blues and gospel singers," writes Pleasants, and also demonstrated a remarkable ability to assimilate many other vocal styles.

Questions over cause of death

"Drug use was heavily implicated" in Presley's death, writes Guralnick. "No one ruled out the possibility of anaphylactic shock brought on by the codeine pills ... to which he was known to have had a mild allergy." A pair of lab reports filed two months later each strongly suggested that polypharmacy was the primary cause of death; one reported "fourteen drugs in Elvis' system, ten in significant quantity." Forensic historian and pathologist Michael Baden views the situation as complicated: "Elvis had had an enlarged heart for a long time. That, together with his drug habit, caused his death. But he was difficult to diagnose; it was a judgment call."

The competence and ethics of two of the centrally involved medical professionals were seriously questioned. Before the autopsy was complete and toxicology results known, Medical Examiner Dr. Jerry Francisco declared the cause of death as cardiac arrhythmia, a condition that can be determined only in someone who is still alive. Allegations of a cover-up were widespread. While Presley's main physician, Dr. Nichopoulos, was exonerated of criminal liability for the singer's death, the facts were startling: "In the first eight months of 1977 alone, he had [prescribed] more than 10,000 doses of sedatives, amphetamines and narcotics: all in Elvis's name." His license was suspended for three months. It was permanently revoked in the 1990s after the Tennessee Medical Board brought new charges of over-prescription.

In 1994, the Presley autopsy was reopened. Coroner Dr. Joseph Davis declared, "There is nothing in any of the data that supports a death from drugs. In fact, everything points to a sudden, violent heart attack." Whether or not combined drug intoxication was in fact the cause, there is little doubt that polypharmacy contributed significantly to Presley's premature death.

Racial issues

When Dewey Phillips first aired "That's All Right" on Memphis radio, many listeners who contacted the station by phone and telegram to ask for it again assumed that its singer was black. From the beginning of his national fame, Presley expressed respect for African American performers and their music and disregard for the norms of segregation and racial prejudice then prevalent in the South. Interviewed in 1956, he recalled how in his childhood he would listen to blues musician Arthur Crudup—the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw." The Memphis World, an African American newspaper, reported that Presley, "the rock 'n' roll phenomenon", "cracked Memphis's segregation laws" by attending the local amusement park on what was designated as its "colored night." Such statements and actions led Presley to be generally hailed in the black community during the early days of his stardom. By contrast, many white adults, according to Billboards Arnold Shaw, "did not like him, and condemned him as depraved. Anti-negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll', Presley impressed them as the visual and aural embodiment of sex."

Despite the largely positive view of Presley held by African Americans, a rumor spread in mid-1957 that he had at some point announced, "The only thing Negroes can do for me is buy my records and shine my shoes." A journalist with the national African American weekly Jet, Louie Robinson, pursued the story. On the set of Jailhouse Rock, Presley granted him an interview, though he was no longer dealing with the mainstream press. He denied making such a statement or holding in any way to its racist view. Robinson found no evidence that the remark had ever been made, and on the contrary elicited testimony from many individuals indicating that Presley was anything but racist. Blues singer Ivory Joe Hunter, who had heard the rumor before he visited Graceland one evening, reported of Presley, "He showed me every courtesy, and I think he's one of the greatest." Though the rumored remark was wholly discredited at the time, it was still being used against Presley decades later. The identification of Presley with racism—either personally or symbolically—was expressed most famously in the lyrics of the 1989 rap hit "Fight the Power", by Public Enemy: "Elvis was a hero to most / But he never meant shit to me / Straight-up racist that sucker was / Simple and plain."

The persistence of such attitudes was fueled by resentment over the fact that Presley, whose musical and visual performance idiom owed much to African American sources, achieved the cultural acknowledgment and commercial success largely denied his black peers. Into the 21st century, the notion that Presley had "stolen" black music still found adherents. Notable among African American entertainers expressly rejecting this view was Jackie Wilson, who argued, "A lot of people have accused Elvis of stealing the black man's music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis." And throughout his career, Presley plainly acknowledged his debt. Addressing his '68 Comeback Special audience, he said, "Rock 'n' roll music is basically gospel or rhythm and blues, or it sprang from that. People have been adding to it, adding instruments to it, experimenting with it, but it all boils down to [that]." Nine years earlier, he had said, "Rock 'n' roll has been around for many years. It used to be called rhythm and blues."

Influence of Colonel Parker and others

Parker and the Aberbachs

Once he became Presley's manager, Colonel Tom Parker insisted on exceptionally tight control over his client's career. Early on, he and his Hill and Range allies, the Aberbachs, perceived the close relationship that developed between Presley and songwriters Jerry Leiber and Mike Stoller as a serious threat to that control. Parker effectively ended the relationship, deliberately or not, with the new contract he sent Leiber in early 1958. Leiber thought there was a mistake—the sheet of paper was blank except for Parker's signature and a line on which to enter his. "There's no mistake, boy, just sign it and return it", Parker directed. "Don't worry, we'll fill it in later." Leiber declined, and Presley's fruitful collaboration with the writing team was over. Other respected songwriters lost interest in or simply avoided writing for Presley because of the requirement that they surrender a third of their usual royalties.

By 1967, Parker had contracts with Presley that gave him 50 percent of most of the singer's earnings on recordings, films, and merchandise. Beginning in February 1972, he took a third of the profit from live appearances; a January 1976 agreement entitled him to half of that as well. Priscilla Presley noted that "Elvis detested the business side of his career. He would sign a contract without even reading it." Presley's friend Marty Lacker regarded Parker as a "hustler and a con artist. He was only interested in 'now money'—get the buck and get gone."

Lacker was instrumental in convincing Presley to record with Memphis producer Chips Moman and his handpicked musicians at American Sound Studio in early 1969. The American Sound sessions represented a significant departure from the control customarily exerted by Hill and Range. Moman still had to deal with the publisher's staff on site, whose song suggestions he regarded as unacceptable. He was on the verge of quitting, until Presley ordered the Hill and Range personnel out of the studio. Although RCA executive Joan Deary was later full of praise for the producer's song choices and the quality of the recordings, Moman, to his fury, received neither credit on the records nor royalties for his work.

Throughout his entire career, Presley performed in only three venues outside the United States—all of them in Canada, during brief tours there in 1957. Rumors that he would play overseas for the first time were fueled in 1974 by a million-dollar bid for an Australian tour. Parker was uncharacteristically reluctant, prompting those close to Presley to speculate about the manager's past and the reasons for his apparent unwillingness to apply for a passport. Parker ultimately squelched any notions Presley had of working abroad, claiming that foreign security was poor and venues unsuitable for a star of his magnitude.

Parker arguably exercised tightest control over Presley's movie career. In 1957, Robert Mitchum asked Presley to costar with him in Thunder Road, on which Mitchum was both writer and producer. According to George Klein, one of his oldest friends, Presley was offered starring roles in West Side Story and Midnight Cowboy. In 1974, Barbra Streisand approached Presley to star with her in the remake of A Star is Born. In each case, any ambitions the singer may have had to play such parts were thwarted by his manager's negotiating demands or flat refusals. In Lacker's description, "The only thing that kept Elvis going after the early years was a new challenge. But Parker kept running everything into the ground." The operative attitude may have been summed up best by the response Leiber and Stoller received when they brought a serious film project for Presley to Parker and the Hill and Range owners for their consideration. In Leiber's telling, Jean Aberbach warned them to never again "try to interfere with the business or artistic workings of the process known as Elvis Presley".

Memphis Mafia

In the early 1960s, the circle of friends with whom Presley constantly surrounded himself until his death came to be known as the "Memphis Mafia". "Surrounded by the[ir] parasitic presence", as journalist John Harris puts it, "it was no wonder that as he slid into addiction and torpor, no-one raised the alarm: to them, Elvis was the bank, and it had to remain open." Tony Brown, who played piano for Presley regularly in the last two years of the singer's life, observed his rapidly declining health and the urgent need to address it: "But we all knew it was hopeless because Elvis was surrounded by that little circle of people ... all those so-called friends". In the Memphis Mafia's defense, Marty Lacker has said, "[Presley] was his own man. ... If we hadn't been around, he would have been dead a lot earlier."

Larry Geller became Presley's hairdresser in 1964. Unlike others in the Memphis Mafia, he was interested in spiritual questions and recalls how, from their first conversation, Presley revealed his secret thoughts and anxieties: "I mean there has to be a purpose...there's got to be a reason...why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel." Thereafter, Geller supplied him with books on religion and mysticism, which the singer read voraciously. Presley would be preoccupied by such matters for much of his life, taking trunkloads of books with him on tour.

Sex symbol

(1962) took advantage of Presley's sex symbol status.]] Presley's physical attractiveness and sexual appeal were widely acknowledged. "He was once beautiful, astonishingly beautiful", in the words of critic Mark Feeney. Television director Steve Binder, no fan of Presley's music before he oversaw the '68 Comeback Special, reported, "I'm straight as an arrow and I got to tell you, you stop, whether you're male or female, to look at him. He was that good looking. And if you never knew he was a superstar, it wouldn't make any difference; if he'd walked in the room, you'd know somebody special was in your presence." His performance style, as much as his physical beauty, was responsible for Presley's eroticized image. Writing in 1970, critic George Melly described him as "the master of the sexual simile, treating his guitar as both phallus and girl." In his Presley obituary, Lester Bangs credited him as "the man who brought overt blatant vulgar sexual frenzy to the popular arts in America." Ed Sullivan's declaration that he perceived a soda bottle in Presley's trousers was echoed by rumors involving a similarly positioned toilet roll tube or lead bar.

While Presley was marketed as an icon of heterosexuality, some cultural critics have argued that his image was ambiguous. In 1959, Sight and Sounds Peter John Dyer described his onscreen persona as "aggressively bisexual in appeal". Brett Farmer places the "orgasmic gyrations" of the title dance sequence in Jailhouse Rock within a lineage of cinematic musical numbers that offer a "spectacular eroticization, if not homoeroticization, of the male image". In the analysis of Yvonne Tasker, "Elvis was an ambivalent figure who articulated a peculiar feminised, objectifying version of white working-class masculinity as aggressive sexual display."

Reinforcing Presley's image as a sex symbol were the reports of his dalliances with various Hollywood stars and starlets, from Natalie Wood in the 1950s to Connie Stevens and Ann-Margret in the 1960s to Candice Bergen and Cybill Shepherd in the 1970s. June Juanico of Memphis, one of Presley's early girlfriends, later blamed Parker for encouraging him to choose his dating partners with publicity in mind. Presley, however, never grew comfortable with the Hollywood scene, and most of these relationships were insubstantial.

Legacy

Presley's rise to national attention in 1956 transformed the field of popular music and had a huge effect on the broader scope of popular culture. As the catalyst for the cultural revolution that was rock and roll, he was central not only to defining it as a musical genre but in making it a touchstone of youth culture and rebellious attitude. With its racially mixed origins—repeatedly affirmed by Presley—rock and roll's occupation of a central position in mainstream American culture facilitated a new acceptance and appreciation of black culture. In this regard, Little Richard said of Presley, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music." Al Green agreed: "He broke the ice for all of us." Presley also heralded the vastly expanded reach of celebrity in the era of mass communication: at the age of 21, within a year of his first appearance on American network television, he was one of the most famous people in the world. in 1988]]

Presley's name, image, and voice are instantly recognizable around the globe. He has inspired a legion of impersonators. In polls and surveys, he is recognized as one of the most important popular music artists and influential Americans. "Elvis Presley is the greatest cultural force in the twentieth century", said composer and conductor Leonard Bernstein. "He introduced the beat to everything and he changed everything—music, language, clothes. It's a whole new social revolution—the sixties came from it." Bob Dylan described the sensation of first hearing Presley as "like busting out of jail".

A New York Times editorial on the 25th anniversary of Presley's death observed, "All the talentless impersonators and appalling black velvet paintings on display can make him seem little more than a perverse and distant memory. But before Elvis was camp, he was its opposite: a genuine cultural force. ... Elvis's breakthroughs are underappreciated because in this rock-and-roll age, his hard-rocking music and sultry style have triumphed so completely." Not only Presley's achievements, but his failings as well, are seen by some cultural observers as adding to the power of his legacy, as in this description by Greil Marcus:

Elvis Presley is a supreme figure in American life, one whose presence, no matter how banal or predictable, brooks no real comparisons. ... The cultural range of his music has expanded to the point where it includes not only the hits of the day, but also patriotic recitals, pure country gospel, and really dirty blues. ... Elvis has emerged as a great artist, a great rocker, a great purveyor of schlock, a great heart throb, a great bore, a great symbol of potency, a great ham, a great nice person, and, yes, a great American.

Discography

A vast number of recordings have been issued under Presley's name. The total number of his original master recordings has been variously calculated as 665 and 711. His career began and he was most successful during an era when singles were the primary commercial medium for pop music. In the case of his albums, the distinction between "official" studio records and other forms is often blurred. In addition, for most of the 1960s, his recording career focused on soundtrack albums. In the 1970s, his most heavily promoted and best-selling LP releases tended to be concert albums. This summary discography lists only the albums and singles that reached the top of one or more of the following charts: the main U.S. Billboard pop chart; the Billboard country chart, the genre chart with which he was most identified (there was no country album chart before 1964); and the official British pop chart. In the United States, Presley also had five or six number one R&B; singles and seven number one adult contemporary singles; in 1964, his "Blue Christmas" topped the Christmas singles chart during a period when Billboard did not rank holiday singles in its primary pop chart. He had number one hits in many countries beside the United States and United Kingdom, as well.

Number one albums

Number one singles

Filmography

See also

List of artists by total number of UK number one singles

List of best-selling music artists

List of honorific titles in popular music

Personal relationships of Elvis Presley

Notes

Although some pronounce his surname "PREZ-lee", Presley himself used the pronunciation of the American South, "PRESS-lee", as did his family and those who worked with him. The correct spelling of his middle name has long been a matter of debate. The physician who delivered him wrote "Elvis Aaron Presley" in his ledger. The state-issued birth certificate reads "Elvis Aron Presley". The name was chosen after the Presleys' friend and fellow congregation member Aaron Kennedy, though a single-A spelling was probably intended by Presley's parents in order to parallel the middle name of Presley's stillborn brother, Jesse Garon. It reads Aron on most official documents produced during his lifetime, including his high school diploma, RCA record contract, and marriage license, and this was generally taken to be the proper spelling. In 1966, Presley expressed the desire to his father that the more traditional biblical rendering, Aaron, be used henceforth, "especially on legal documents." Five years later, the Jaycees citation honoring him as one of the country's Outstanding Young Men used Aaron. Late in his life, he sought to officially change the spelling to Aaron and discovered that state records already listed it that way. Knowing his wishes for his middle name, Aaron is the spelling his father chose for Presley's tombstone, and it is the spelling his estate has designated as official. Of the $40,000, $5,000 covered back royalties owed by Sun. In 1956–57, Presley was also credited as a cowriter on several songs where he had no hand in the writing process: "Heartbreak Hotel"; "Don't Be Cruel"; all four songs from his first film, including the title track, "Love Me Tender"; "Paralyzed"; and "All Shook Up". He received credit on two other songs to which he did contribute: he provided the title for "That's Someone You Never Forget" (1961), written by his friend Red West; Presley and West collaborated with another friend, guitarist Charlie Hodge, on "You'll Be Gone" (1962). Whitburn follows actual Billboard history in considering the four songs on the "Don't Be Cruel/Hound Dog" and "Don't/I Beg of You" singles as distinct. He tallies each side of the former single as a number one (Billboards sales chart had "Don't Be Cruel" at number one for five weeks, then "Hound Dog" for six) and reckons "I Beg of You" as a top ten, as it reached number eight on the old Top 100 chart. Billboard now considers both singles as unified items, ignoring the historical sales split of the former and its old Top 100 chart entirely. Whitburn thus analyzes the four songs as yielding three number ones and a total of four top tens. Billboard now states that they yielded just two number ones and a total of two top tens, voiding the separate chart appearances of "Hound Dog" and "I Beg of You". VH1 ranked Presley #8 among the "100 Greatest Artists of Rock & Roll" in 1998. The BBC ranked him as the #2 "Voice of the Century" in 2001. Rolling Stone placed him #3 in its list of "The Immortals: The Fifty Greatest Artists of All Time" in 2004. CMT ranked him #15 among the "40 Greatest Men in Country Music" in 2005. The Discovery Channel placed him #8 on its "Greatest American" list in 2005. Variety put him in the top ten of its "100 Icons of the Century" in 2005. The Atlantic Monthly ranked him #66 among the "100 Most Influential Figures in American History" in 2006. (1) The year given is the year the record first reached number one, rather than its original year of release. For instance, in 1974, Elvis' 40 Greatest, a compilation on the budget Arcade label, was the fourth highest selling album of the year in the United Kingdom; at the time, the main British chart did not rank such compilations, relegating them to a chart for midpriced and TV-advertised albums, which Elvis' 40 Greatest topped for 15 weeks. The policy was altered in 1975, allowing the album to hit number one on the main chart in 1977, following Presley's death. (2) Before late 1958, rather than unified pop and country singles charts, Billboard had as many as four charts for each, separately ranking records according to sales, jukebox play, jockey spins (i.e., airplay), and, in the case of pop, a general Top 100. Billboard now regards the sales charts as definitive for the period. Widely cited chart statistician Joel Whitburn accords historical releases the highest ranking they achieved among the separate charts. Presley discographer Ernst Jorgensen refers only to the Top 100 chart for pop hits. All of the 1956–58 songs listed here as number one U.S. pop hits reached the top of both the sales and, with three exceptions, the Top 100 charts: "I Want You, I Need You, I Love You" (three), "Hound Dog" (two, behind its flip side, "Don't Be Cruel"), and "Hard Headed Woman" (two). (3) Several Presley singles reached number one in the United Kingdom as double A-sides; in the United States, the respective sides of those singles were ranked separately by Billboard. Whitburn calculates a total of six number one R&B; singles, including "Don't Be Cruel", released as a double A-side with "Hound Dog"; Billboards Keith Caulfield excludes "Don't Be Cruel".

Citations

References

Further reading

Allen, Lew (2007). Elvis and the Birth of Rock. Genesis. ISBN 1905662009.

Ann-Margret and Todd Gold (1994). Ann-Margret: My Story. G.P. Putnam's Sons. ISBN 0399138919.

Cantor, Louis (2005). Dewey and Elvis: The Life and Times of a Rock 'n' Roll Deejay. University of Illinois Press. ISBN 025202951X.

Dickerson, James L. (2001). Colonel Tom Parker: The Curious Life of Elvis Presley's Eccentric Manager. Cooper Square Press. ISBN 0815412673.

Finstad, Suzanne (1997). Child Bride: The Untold Story of Priscilla Beaulieu Presley. Harmony Books. ISBN 0517705850.

Goldman, Albert (1981). Elvis. McGraw-Hill. ISBN 0070236577.

Goldman, Albert (1990). Elvis: The Last 24 Hours. St. Martin's. ISBN 0312925417.

Klein, George (2010). Elvis: My Best Man: Radio Days, Rock 'n' Roll Nights, and My Lifelong Friendship with Elvis Presley. Virgin Books. ISBN 9780307452740

Marcus, Greil (1999). Dead Elvis: A Chronicle of a Cultural Obsession. Harvard University Press. ISBN 0674194225.

Marcus, Greil (2000). Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternative. Picador. ISBN 057120676X.

Moscheo, Joe (2007). The Gospel Side of Elvis. Center Street. ISBN 1599957299.

Nash, Alanna (2010). Baby, Let's Play House: Elvis Presley and the Women Who Loved Him. It Books. ISBN 0061699845.

West, Red, Sonny West, and Dave Hebler (as told to Steve Dunleavy) (1977). Elvis: What Happened? Bantam Books. ISBN 0345272153.

External links

Elvis Presley Enterprises official site of the Elvis Presley brand

Elvis The Music official record label site

Elvis Presley Interviews on officially sanctioned Elvis Australia site

Elvis Presley Ancestry at Genealogy.com

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