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Conventional long name | New Kingdom of Egypt |
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Common name | Egypt |
|continent | Africa |
Country | Egypt, Sudan |
Government type | Monarchy |
Year start | c. 1550 BC |
Year end | c. 1069 BC |
Image map caption | New Kingdom at its maximum territorial extent in the 15th century BC. |
P1 | Second Intermediate Period |
S1 | Third Intermediate Period |
|capital | Thebes: (1550 BC - c. 1352 BC) - XVII dynasty and XVIII dynasty before Akhenaten |
Common languages | Ancient Egyptian, Nubian |
Religion | Ancient Egyptian religion |
Leader1 | Ahmose I (first) |
Year leader1 | c.1550 BC-c.1525 BC |
Leader2 | Ramesses XI (last) |
Year leader2 | c.1099 BC-c.1069 BC |
Title leader | Pharaoh |
The later part of this period, under the Nineteenth and Twentieth Dynasties (1292-1069 BC) is also known as the Ramesside period, after the eleven pharaohs that took the name of Ramesses.
Radiocarbon dating suggests that the New Kingdom may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570-1544 B.C.E., the mean point of which is 1557 BC.
Possibly as a result of the foreign rule of the Hyksos during the Second Intermediate Period, the New Kingdom saw Egypt attempt to create a buffer between the Levant and Egypt, and attained its greatest territorial extent. It expanded far south into Nubia and held wide territories in the Near East. Egyptian armies fought Hittite armies for control of modern-day Syria.
One of the best-known 18th Dynasty pharaohs is Amenhotep IV, who changed his name to Akhenaten in honor of the Aten and whose exclusive worship of the Aten is often interpreted as history's first instance of monotheism. Akhenaten's religious fervor is cited as the reason why he was subsequently written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained an unprecedented level of realism.
Towards the end of the 18th Dynasty, the situation had changed radically. Helped by Akhenaten's apparent lack of interest in international affairs, the Hittites had gradually extended their influence into Syria and Palestine to become a major power in international politics—a power that both Seti I and his son Ramesses II would need to deal with during the 19th dynasty.
Ramesses II was also famed for the huge number of children he sired by his various wives and concubines; the tomb he built for his sons, many of whom he outlived, in the Valley of the Kings has proven to be the largest funerary complex in Egypt.
His immediate successors continued the military campaigns, though an increasingly troubled court—which at one point put a usurper (Amenmesse) on the throne—made it increasingly difficult for a pharaoh to effectively retain control without incident.
The heavy cost of these battles slowly exhausted Egypt's treasury and contributed to the gradual decline of the Egyptian Empire in Asia. The severity of these difficulties is stressed by the fact that the first known labor strike in recorded history occurred during Year 29 of Ramesses III's reign, when the food rations for Egypt's favored and elite royal tomb-builders and artisans in the village of Deir el Medina could not be provisioned. Something in the air prevented much sunlight from reaching the ground and also arrested global tree growth for almost two full decades until 1140 BC. One proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland; but the dating of this remains disputed.
Following Ramesses III's death there was endless bickering among his heirs. Three of his sons would go on to assume power as Ramesses IV, Ramesses VI and Ramesses VIII, respectively. However, at this time Egypt was also increasingly beset by a series of droughts, below-normal flooding of the Nile, famine, civil unrest and official corruption. The power of the last pharaoh, Ramesses XI, grew so weak that in the south the High Priests of Amun at Thebes became the effective de facto rulers of Upper Egypt, while Smendes controlled Lower Egypt even before Ramesses XI's death. Smendes eventually founded the Twenty-First dynasty at Tanis.
Category:Dynasties of ancient Egypt Category:Former empires Category:States and territories established in the 16th century BC
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Zahi Hawassزاهي حواس |
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Caption | Hawass in Paestum, November 2006 |
Birth date | May 28, 1947 |
Birth place | Damietta, Egypt |
Nationality | Egyptian |
Field | Egyptology |
Work institutions | Supreme Council of Antiquities |
Alma mater | University of PennsylvaniaUniversity of CairoAlexandria University |
Known for | Pyramid of Queen Sesheshet |
Religion | |footnotes = |signature = |
After 1988, he taught Egyptian archaeology, history and culture, mostly at the American University in Cairo and the University of California, Los Angeles. In 1993, Hawass left his position as Chief Inspector of the Giza Pyramid Plateau. According to Hawass, he resigned; others claim, however, that he was fired because a valuable ancient "statue" under the custody of Hawass was stolen from Giza. He was reinstated as Chief Inspector early 1994. In 1998, he was appointed as director of the Giza Plateau. In 2002 he was appointed Secretary General of the Egyptian Supreme Council of Antiquities. In 2009, when U.S. President Barack Obama was in Cairo, Hawass gave him personal tours of the sights of ancient Egypt. At the end of 2009, Dr. Hawass was promoted personally by President Hosni Mubarak to the post of Vice Minister of Culture.
Hawass also worked alongside Egyptologist Otto Schaden during the opening of Tomb KV63 in February 2006 — the first intact tomb to be found in the Valley of the Kings since 1922.
In June 2007, Hawass announced that he and a team of experts may have identified the mummy of Hatshepsut in KV60, a small tomb in the Valley of the Kings. The opening of the sealed tomb was described in 2006 as "one of the most important events in the Valley of the Kings for almost a hundred years."
Hawass helped create and host the documentary Egypt's Ten Greatest Discoveries.
In an interview on Egyptian television in April 2009, Hawass stated that "although Jews are few in number, they control the entire world" and commented on the "control they have" of the American economy and the media. He later clarified that he was using rhetoric to explain political fragmentation among the Arabs and that he does not believe in a "Jewish conspiracy to control the world".
The opening of Maimonedes did take place anyway.
Hawass has written and co-written many books relating to Egyptology. Many of his books coincide with his positions of Ancient Egypt. He is the author of many books including King Tutankhamun: The Treasures from the Tomb, published to coincide with a major exhibition in the UK. He has also written an article on Tutankhamun in Ancient Egypt magazine, and has written several articles for this bi-monthly UK-based magazine in the past.
Hawass is a regular columnist for Egypt Today magazine and the online historical community, Heritage Key. He has narrated several videos on Egyptology, including a series on Tutankhamun.
Category:Egyptian archaeologists Category:Egyptian Egyptologists Category:Arab archaeologists Category:Art and cultural repatriation Category:1947 births Category:Living people Category:University of Pennsylvania alumni Category:Orden de las Artes y las Letras de España recipients
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Walt Disney |
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Birth name | Walter Elias Disney |
Birth date | December 05, 1901 |
Birth place | Hermosa, Chicago, Illinois, United States |
Death date | December 15, 1966 |
Death place | Burbank, California, U.S. |
Occupation | Film producer, Co-founder of The Walt Disney Company, formerly known as Walt Disney Productions |
Yearsactive | 1920–1966 |
Spouse | Lillian Bounds (1925–1966) |
Parents | Elias DisneyFlora Call Disney |
Relations | Herbert Arthur Disney (brother)Raymond Arnold Disney (brother)Roy Oliver Disney (brother)Ruth Flora Disney (sister)Ronald William Miller (son-in-law)Robert Borgfeldt Brown (son-in-law)Roy Edward Disney (nephew) |
Children | Diane Marie DisneySharon Mae Disney |
Religion | Christian |
Signature | Walt Disney Signature 2.svg |
Disney is particularly noted for being a film producer and a popular showman, as well as an innovator in animation and theme park design. He and his staff created some of the world's most famous fictional characters including Mickey Mouse, a character for which Disney himself was the original voice. He has been awarded four honorary Academy Awards and has won twenty-two competitive Academy Awards out of fifty-nine nominations, including a record four in one year, giving him more awards and nominations than any other individual. He also won seven Emmy Awards. He is the namesake for Disneyland and Walt Disney World Resort theme parks in the United States, as well as the international resorts Tokyo Disney, Disneyland Paris, and Disneyland Hong Kong.
Disney died of lung cancer in Burbank, California, on December 15, 1966. The following year, construction began on Walt Disney World Resort in Florida. His brother Roy Disney inaugurated the Magic Kingdom on October 1, 1971.
His father, Elias Disney, moved from Huron County, Ontario, to the United States in 1878, seeking first for gold in California but finally farming with his parents near Ellis, Kansas, until 1884. He worked for Union Pacific Railroad and married Flora Call on January 1, 1888, in Acron, Florida. The family moved to Chicago, Illinois, in 1890, where his brother Robert lived. where his brother Roy had recently purchased farmland. One of their neighbors, a retired doctor named "Doc" Sherwood, paid him to draw pictures of Sherwood's horse, Rupert. before moving to Kansas City in 1911. There, Walt and his younger sister Ruth attended the Benton Grammar School where he met Walter Pfeiffer. The Pfeiffers were theatre aficionados, and introduced Walt to the world of vaudeville and motion pictures. Soon, Walt was spending more time at the Pfeiffers' than at home. During this time he attended Saturday courses as a child at the Kansas City Art Institute. While they were living in Kansas City, Walt and Ruth Disney were also regular visitors of Electric Park, 15 blocks from their home (Disney would later acknowledge the amusement park as a major influence of his design of Disneyland).
After his rejection from the army, Walt and one of his friends decided to join the Red Cross. Soon after he joined The Red Cross, Walt was sent to France for a year, where he drove an ambulance, but not before the armistice was signed on November 11, 1918.
In 1919, Walt, hoping to find work outside the Chicago O-Zell factory, left home and moved back to Kansas City to begin his artistic career. After considering becoming an actor or a newspaper artist, he decided he wanted to create a career in the newspaper, drawing political caricatures or comic strips. But when nobody wanted to hire him as either an artist or even as an ambulance driver, his brother Roy, who worked at a bank in the area, got a temporary job for him at the Pesmen-Rubin Art Studio through a bank colleague. It was here that he met a cartoonist named Ubbe Iwerks. When their time at the Pesmen-Rubin Art Studio expired, they were both without a job, and they decided to start their own commercial company.In January 1920, Disney and Iwerks formed a short-lived company called, "Iwerks-Disney Commercial Artists". However, following a rough start, Disney left temporarily to earn money at Kansas City Film Ad Company, and was soon joined by Iwerks who was not able to run the business alone. While working for the Kansas City Film Ad Company, where he made commercials based on cutout animation, Disney took up an interest in the field of animation, and decided to become an animator. He was allowed by the owner of the Ad Company, A.V. Cauger, to borrow a camera from work, which he could use to experiment with at home. After reading a book by Edwin G. Lutz, called Animated Cartoons: How They Are Made, Their Origin and Development, he found cel animation to be much more promising than the cutout animation he was doing for Cauger. Walt eventually decided to open his own animation business, and recruited a fellow co-worker at the Kansas City Film Ad Company, Fred Harman, as his first employee. — to screen their cartoons — which they titled "Laugh-O-Grams" — at his local theater. Through their success, Disney was able to acquire his own studio, also called Laugh-O-Gram, and hire a vast number of additional animators, including Fred Harman's brother Hugh Harman, Rudolf Ising, and his close friend Ubbe Iwerks. Unfortunately, with all his high employee salaries unable to make up for studio profits, Walt was unable to successfully manage money. As a result, the studio became loaded with debt
The new series, Alice Comedies, was reasonably successful, and featured both Dawn O'Day and Margie Gay as Alice. Lois Hardwick also briefly assumed the role of Alice. By the time the series ended in 1927, the focus was more on the animated characters, in particular a cat named Julius who resembled Felix the Cat, rather than the live-action Alice.
In February 1928, Disney went to New York to negotiate a higher fee per short from Mintz. Disney was shocked when Mintz announced not only that he wanted to reduce the fee he paid Disney per short but also that he had most of his main animators—including Harman, Ising, Maxwell, and Freleng (notably, except Iwerks, who refused to leave Disney)—under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Disney. Disney declined Mintz's offer and lost most of his animation staff.
With most of his staff gone Disney now found himself on his own again. It took Disney's company 78 years to get back the rights to the Oswald character. The Walt Disney Company reacquired the rights to Oswald the Lucky Rabbit from NBC Universal in 2006, through a trade for longtime ABC sports commentator Al Michaels.
After losing the rights to Oswald, Disney felt the need to develop a new character to replace him. He based the character on a mouse he had adopted as a pet while working in his Laugh-O-Gram studio in Kansas City. Ub Iwerks reworked the sketches made by Disney so the character was easier to animate. However, Mickey's voice and personality was provided by Disney until 1947. In the words of a Disney employee, "Ub designed Mickey's physical appearance, but Walt gave him his soul." and Plane Crazy, The Galloping Gaucho, and all future Mickey cartoons were released with soundtracks. Disney himself provided the vocal effects for the earliest cartoons and performed as the voice of Mickey Mouse until 1946. After the release of Steamboat Willie, Walt Disney would continue to successfully use sound in all of his future cartoons, and Cinephone became the new distributor for Disney's early sound cartoons as well. Mickey soon eclipsed Felix the Cat as the world's most popular cartoon character. Mickey's popularity would now skyrocket in the early 1930s. and in 1930, Disney signed a new distribution deal with Columbia Pictures. The original basis of the cartoons were musical novelty, and Carl Stalling wrote the score for the first Silly Symphony cartoons as well.
Iwerks was soon lured by Powers into opening his own studio with an exclusive contract. Later, Carl Stalling would also leave Disney to join Iwerks' new studio. Iwerks launched his Flip the Frog series with the first voice cartoon in color, "Fiddlesticks," filmed in two-strip Technicolor. Iwerks also created two other series of cartoons, the Willie Whopper and the Comicolor. In 1936, Iwerks shut his studio to work on various projects dealing with animation technology. He would return to Disney in 1940 and, would go on to pioneer a number of film processes and specialized animation technologies in the studio's research and development department.
By 1932, Mickey Mouse had become quite a popular cinema character, but Silly Symphonies was not as successful. The same year also saw competition increase as Max Fleischer's flapper cartoon character, Betty Boop, would gain more popularity among theater audiences. Fleischer was considered to be Disney's main rival in the 1930s, and was also the father of Richard Fleischer, whom Disney would later hire to direct his 1954 film 20,000 Leagues Under the Sea. Meanwhile, Columbia Pictures dropped the distribution of Disney cartoons and was replaced by United Artists. In late 1932, Herbert Kalmus, who had just completed work on the first three-strip technicolor camera, approached Walt and convinced him to redo Flowers and Trees, which was originally done in black and white, with three-strip Technicolor. Flowers and Trees would go on to be a phenomenal success and would also win the first Academy Award for Best Short Subject: Cartoons for 1932. After Flowers and Trees was released, all future Silly Symphony cartoons were done in color as well. Disney was also able to negotiate a two-year deal with Technicolor, giving him the sole right to use three-strip Technicolor, which would also eventually be extended to five years as well. The cartoon ran in theaters for many months, and also featured the hit song that became the anthem of the Great Depression, "Who's Afraid of the Big Bad Wolf". .]]
All of this development and training was used to elevate the quality of the studio so that it would be able to give the feature film the quality Disney desired. Snow White and the Seven Dwarfs, as the feature was named, was in full production from 1934 until mid-1937, when the studio ran out of money. To acquire the funding to complete Snow White, Disney had to show a rough cut of the motion picture to loan officers at the Bank of America, who gave the studio the money to finish the picture. The finished film premiered at the Carthay Circle Theater on December 21, 1937; at the conclusion of the film, the audience gave Snow White and the Seven Dwarfs a standing ovation. Snow White, the first animated feature in America and Technicolor, was released in February 1938 under a new distribution deal with RKO Radio Pictures; RKO had previously been the distributor for Disney cartoons in 1936, after it closed down the Van Beuren Studios in exchange for distribution. The film became the most successful motion picture of 1938 and earned over $8 million in its original theatrical release.
Pinocchio and Fantasia followed Snow White and the Seven Dwarfs into the movie theaters in 1940, but both were financial disappointments. The inexpensive Dumbo was planned as an income generator, but during production of the new film, most of the animation staff went on strike, permanently straining the relationship between Disney and his artists.
Shortly after the release of Dumbo in October 1941, the United States entered World War II. The U.S. Army contracted most of the Disney studio's facilities and had the staff create training and instructional films for the military, home-front morale-boosting shorts such as Der Fuehrer's Face and the feature film Victory Through Air Power in 1943. However, the military films did not generate income, and the feature film Bambi underperformed when it was released in April 1942. Disney successfully re-issued Snow White in 1944, establishing a seven-year re-release tradition for Disney features. In 1945, The Three Caballeros was the last animated feature by Disney during the war period.
In 1944, William Benton, publisher of the Encyclopædia Britannica, had entered into unsuccessful negotiations with Disney to make six to twelve educational films annually. Disney was asked by the US Coordinator of Inter-American Affairs, Office of Inter-American Affairs (OIAA), to make an educational film about the Amazon Basin and it resulted in the 1944 animated short, The Amazon Awakens.
By the late 1940s, the studio had recovered enough to continue production on the full-length features Alice in Wonderland and Peter Pan, both of which had been shelved during the war years, and began work on Cinderella, which became Disney's most successful film since Snow White and the Seven Dwarfs. The studio also began a series of live-action nature films, titled True-Life Adventures, in 1948 with On Seal Island. Despite rebounding success through feature films, Disney's animation shorts were no longer as popular as they used to be, and people began to instead draw attention to Warner Bros and their animation star Bugs Bunny. By 1942, Leon Schlesinger Productions, which produced the Warner Bros. cartoons, had become the country's most popular animation studio. However, while Bugs Bunny's popularity rose in the 1940s, so did Donald Duck's; Donald would also replace Mickey Mouse as Disney's star character by 1949.
During the mid-1950s, Disney produced a number of educational films on the space program in collaboration with NASA rocket designer Wernher von Braun: Man in Space and Man and the Moon in 1955, and Mars and Beyond in 1957. in 1954.]]
Additionally, Disney accused the Screen Actors Guild of being a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood. Entertaining his daughters and their friends in his backyard and taking them for rides on his Carolwood Pacific Railroad had inspired Disney to include a railroad in the plans for Disneyland.
As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the Nine Old Men. During Disney's lifetime, the animation department created the successful Lady and the Tramp (in CinemaScope, 1955), Sleeping Beauty (in Super Technirama 70mm, 1959), One Hundred and One Dalmatians (1961), and The Sword in the Stone (1963).
Production on the short cartoons had kept pace until 1956, when Disney shut down the shorts division. Special shorts projects would continue to be made for the rest of the studio's duration on an irregular basis. These productions were all distributed by Disney's new subsidiary, Buena Vista Distribution, which had assumed all distribution duties for Disney films from RKO by 1955. Disneyland, one of the world's first theme parks, finally opened on July 17, 1955, and was immediately successful. Visitors from around the world came to visit Disneyland, which contained attractions based upon a number of successful Disney properties and films.
After 1955, the show, Disneyland came to be known as Walt Disney Presents. The show transformed from black-and-white to color in 1961 and changed its name to Walt Disney's Wonderful World of Color, moving from ABC to NBC, and eventually evolving into its current form as The Wonderful World of Disney. It continued to air on NBC until 1981, when CBS picked it up. Since then, it has aired on ABC, NBC, Hallmark Channel and Cartoon Network via separate broadcast rights deals. During its run, the Disney series offered some recurring characters, such as Roger Mobley appearing as the newspaper reporter and sleuth "Gallegher", based on the writing of Richard Harding Davis.
Disney had already formed his own music publishing division back in 1949. In 1956, partly inspired by the huge success of the television theme song The Ballad of Davy Crockett, he created a company-owned record production and distribution entity called Disneyland Records.
After decades of pursuing, Disney finally procured the rights to P.L. Travers' books about a magical nanny. Mary Poppins, released in 1964, was the most successful Disney film of the 1960s and featured a memorable song score written by Disney favorites, the Sherman Brothers. The same year, Disney debuted a number of exhibits at the 1964 New York World's Fair, including Audio-Animatronic figures, all of which were later integrated into attractions at Disneyland and a new theme park project which was to be established on the East Coast.
Though the studio probably would have made great competition with Hanna-Barbera, Disney had decided not to enter the race for producing Saturday morning cartoon series on television (which Hanna-Barbera had done at the time), because with the expansion of Disney's empire and constant production of feature films, there would be too much for the budget to handle.
Disney was cremated on December 17, 1966, and his ashes reside at the Forest Lawn Memorial Park in Glendale, California. Roy O. Disney continued to carry out the Florida project, insisting that the name be changed to Walt Disney World in honor of his brother.
The final productions in which Disney had an active role were the animated features The Jungle Book and Winnie the Pooh and the Blustery Day, and the live-action musical comedy The Happiest Millionaire, both released in 1967. Songwriter Robert B. Sherman said about the last time he saw Disney: }}
A long-standing urban legend maintains that Disney was cryogenically frozen, and his frozen corpse was stored underneath the Pirates of the Caribbean ride at Disneyland. The first known instance of cryogenic freezing of a corpse occurred a month later, in January 1967. Roy died from a cerebral hemorrhage on December 20, 1971, the day he was due to open the Disneyland Christmas parade. During the second phase of the "Walt Disney World" theme park, EPCOT was translated by Disney's successors into EPCOT Center, which opened in 1982. As it currently exists, EPCOT is essentially a living world's fair, different from the actual functional city that Disney had envisioned. In 1992, Walt Disney Imagineering took the step closer to Disney's original ideas and dedicated Celebration, Florida, a town built by the Walt Disney Company adjacent to Walt Disney World, that hearkens back to the spirit of EPCOT. EPCOT was also originally intended to be devoid of Disney characters which initially limited the appeal of the park to young children. However, the company later changed this policy and Disney characters can now be found throughout the park, often dressed in costumes reflecting the different pavilions.
In an early admissions bulletin, Disney explained: }}
A minor planet, 4017 Disneya, discovered in 1980 by Soviet astronomer Lyudmila Georgievna Karachkina, is named after him.
The Walt Disney Concert Hall in Los Angeles, California, opened in 2003, was named in his honor.
Beginning in 1993, HBO began to develop a Walt Disney biopic under the direction of Frank Pierson with Lawrence Turman. The project never materialized and was soon abandoned.
Category:1901 births Category:1966 deaths Category:American animators Category:American anti-communists Category:American cartoonists Category:American Congregationalists Category:American Christians Category:American entertainment industry businesspeople Category:American film directors Category:American film producers Category:American screenwriters Category:American television personalities Category:American voice actors Category:Animated film directors Category:Burials at Forest Lawn Memorial Park (Glendale) Category:California Republicans Category:Cancer deaths in California Category:Congressional Gold Medal recipients Category:Deaths from lung cancer Category:Disney comics writers Category:Disney people Category:English-language film directors Category:Film studio executives Category:American artists of German descent Category:American writers of German descent Category:Illinois Republicans Category:American writers of Irish descent Category:American people of Canadian descent Category:American people of English descent Category:American people of French descent Category:Kansas City Art Institute alumni Category:National Inventors Hall of Fame inductees Category:People from Chicago, Illinois Category:Presidential Medal of Freedom recipients Category:School of the Art Institute of Chicago alumni Category:Animated film producers
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Name | Hikaru Utada |
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Background | solo_singer |
Alias | Utada, Hikki, Cubic U |
Birth name | Hikaru Utada () |
Born | January 19, 1983New York City, New York, United States |
Origin | Tokyo, Japan |
Genre | Pop, J-pop, Ethereal Wave, R&B;, Experimental, Electronica, Rock, Dance, Hip-Hop, Funk, Dance-pop |
Occupation | Singer, Songwriter, Producer, Composer, Arranger |
Instrument | Vocals, guitar, piano |
Years active | 1996–2011 (on hiatus) |
Label | EMI Music JapanIsland Def Jam Music Group (2004 - 2010) EMI (2010 - present) |
Associated acts | Keiko Fuji, Teruzane Utada, Jam & Lewis, Ne-Yo, Timbaland, Stargate, Tricky Stewart, The Neptunes, Rodney Jerkins, Foxy Brown |
Url | EMI MusicIsland Records U3 Music (Personal Blog)Official Twitter accountOfficial YouTube account |
(born January 19, 1983), known by her stage name Utada () in America and Europe, is a Japanese/American Utada has had three of her Japanese studio albums in the list of Top 10 best-selling albums ever in Japan (number 1, 4, 8) and six of her albums (including one English-language and one compilation) charting within the 275 Best-Selling Japanese albums list. Utada has had twelve number-one singles on the Oricon Singles chart, with two notable record achievements for a female solo or group artist: five million-sellers and four in the Top 100 All-Time Best-selling Singles. Utada has an estimated more than 38 million records sold in Japan to date.
She was described by Time Magazine as a "Diva On Campus," a reference to her having attended Columbia University for a brief, career-break semester in 2000. In 2009, she was considered "the most influential artist of the decade" in the Japanese landscape by The Japan Times. In 2003, Utada was ranked number 24 in the survey of Top 100 Japanese Pop Artists of All Time by HMV, number 10 in HMV's Top 30 Best Japanese Singers of All Time in 2006.
Additionally, Utada is most well known in the West for making two theme song contributions to Square Enix and Disney's collaborative video game series Kingdom Hearts: "Simple and Clean" (which is the re-written English version of her 10th Japanese single Hikari) for Kingdom Hearts and "Passion" for Kingdom Hearts II (later re-recorded with new English lyrics as "Sanctuary" for the North American and European releases of the game). In 2007, her single "Flavor of Life" reached number 2 in worldwide digital download yearly single chart with over 7.2 million downloads, and contributes to 12 million digital sales for her over the same year. Unlike other pop-stars at the time, she was more focused on becoming a singer and songwriter while other Japanese female singers were attempting to become idols. Leading up to the release of her first album First Love, Utada released two successful million-selling singles: "Automatic/Time Will Tell" and "Movin' on Without You". "Automatic/Time Will Tell" sold over two million copies. Backed by her singles, her debut album First Love went on to sell over 7 million units in Japan alone (with an additional 3 million overseas, bringing it to a sum of at least 10 million units
After a two years' break, Utada released her follow up album Distance, garnering a first-week sales of 3 million units sold. Backed by her singles — "Addicted to You", "", "For You/Time Limit" and "Can You Keep a Secret?" — Distance became the best-selling album of the year, with 4.469 million copies sold in Japan alone. Additionally, "Addicted To You" became Utada's best-selling single, selling one-million in its first week which became the highest first week sales for a female solo artist and staying on top of the chart for two consecutive weeks. "Wait & See: Risk" and "Can You Keep A Secret" also were later ranked at number 6 and number 10 respectively on Oricon's list of 10 Best-Selling Singles from January 1, 1999 to April 24, 2006.
Leading to her third album, Utada released "Traveling", "Hikari", and "Sakura Drops/Letters": all the songs reached the top of the charts. Before the release of Utada's third album, Deep River, the artist underwent surgery after being diagnosed with an ovarian tumor, causing Utada to put her promotional activities on hold. After recovering, she released Deep River and immediately went on promotional tours. While there were no TV appearances, she promoted her album in magazine and radio interviews.
Deep River sold 2.35 million copies on its first-week sale: Oricon reported that sales eventually surpassed 3.60 million, making Utada the only singer or group in Japanese music history to have three consecutive albums surpass the three million mark, by RIAJ standards. It was her third consecutive time to hold the number 1 position on Oricon's Yearly Albums chart and became the eighth best selling album of all time in Japan. Despite its success, the album received very little promotion and contained no new material or photos; moreover, it charted longer on the Oricon Albums chart longer than any other Utada release to date (over 2 years). The album sold over 2.575 million units in Japan, making it the 34th best-selling album ever in the country. It was released nearly a month earlier, on September 9 in Japan, with a special booklet and housed in a cardboard slipcase. In an MTV interview, Utada said: "I don't think it's the music that I'm concerned about. It's obviously that I look really different and there really aren't any completely Asian people [who are popular singers in the U.S.] right now." Exodus became Utada's fourth consecutive release to debut at number 1 and boast 500,000 copies in its first-week sales. In spite of enlisting the help of Timbaland to produce and co-write some songs, her American debut as an Island Records artist was met with indifference by the American market, selling 55,000 units. "Easy Breezy" was released as the lead single in early August 2004, peaking at number 9 Billboard Hot Dance/Club Airplay chart, followed up by "Devil Inside" a month and two weeks later. And Utada became the cover of the Interview magazine June, 2005 issue.
"Exodus '04" was released at the end of June 2005 and featured remixes from The Scumfrog, Richard Vission, JJ Flores and Peter Bailey. In the UK, Mercury added another 2 remixes for "You Make Me Want to Be a Man" in the original album Exodus 04, titled "You Make Me Want to Be a Man [Bloodshy & Avant Mix]" and "You Make Me Want to Be a Man [Junior Jack Mix]." By the end of the year Utada was voted "Number 1 Favorite Artist of 2004" by Oricon's annual readers poll.
The fourth single from her English Exodus album, "You Make Me Want to Be a Man," was released in October 2005. "Devil Inside" became a club smash in the U.S. and topped the Billboard Hot Dance/Club Airplay charts. Both the Exodus album and "You Make Me Want to Be a Man" single were released in the U.K., with different artwork from the USA and Japanese versions.
Ultra Blue sold 500,317 copies in the first week, lower than that of the previous album, although it still topped the Oricon Daily, Weekly, and Monthly charts. Ultra Blue gave the artist her fifth consecutive chart-topping Japanese album (excluding her English album) to sell in excess of 500,000 copies for a first-week sales. On July 13, Toshiba EMI published a report stating that Ultra Blue had sold over one million copies worldwide and four million digital ringtones already making it one of EMI's 10th best-selling album of the past year. The album, which did not contain much pop music, was met with indifference and did not boost sales, although the album was certified Million by RIAJ for one million shipments. Additionally, it was the highest-selling original studio album by a Japanese female artist in 2006.
Ultra Blue later became available on the iTunes Japan online music store, charting at number 4 on the 2006 yearly download rankings. Later in the year a digital track by American R&B; artist Ne-Yo, titled "Do You" from his 2007 album, Because of You featured Utada and was released in Japan on November 21.
The year 2007 ended with the single "Flavor of Life" becoming the best seller of 2007 and with Utada being voted "Number 1 Favorite Artist of 2007" by Oricon's annual readers poll, three years after she was last voted number 1 on the poll. The single was featured as the main song in second season of TV drama Hana Yori Dango.
Utada's fifth studio album, Heart Station, was released on March 19, 2008, becoming her fifth consecutive number-one Japanese studio album. Although it had collected the lowest first week sales for Utada's career, with 480,081 copies sold, the sales of this album reached a million on the Oricon charts in January 2009, making it her first Japanese album to do so since her 2004 compilation album. It was given a certification of one million for shipments by the RIAJ. Heart Station became the best-selling digital-format album on the iTunes 2008 yearly album charts in Japan, and was also the highest-selling original studio album by a solo female artist on the Oricon Yearly Chart.
Her song "Prisoner of Love" was used as the theme-song for the highly successful TV drama Last Friends, which was aired in the spring TV season. Although not originally released as a single, after being used in the show, the song was released as a single and it reached number 1 in iTunes and the Chako-Uta charts. It reached number 2 at the Oricon Weekly charts. It won Best Theme Song at the 57th Drama Academy Awards and sold 2.9 million downloads. It marked the fourth successful Utada drama tie-in (following 1999's Majo no Jouken and First Love, 2001's Hero and Can You Keep a Secret and 2007's Hana Yori Dango and Flavor of Life).
On October 20, 2008, her song "Eternally" from her 2001 album Distance was used as the theme for the drama Innocent Love. The song was later released as a digital single.
By the end of the year, Utada was also voted the "Number 1 Favorite Artist of 2008" by Oricon's annual readers poll, making it her second consecutive year, and third time overall, to win the vote; her previous years being 2004 and 2007.
On December 16, 2008, information leaked onto the Internet that Utada's next English-language single, titled "Come Back to Me", would be scheduled for airplay release through U.S. Rhythmic/Crossover and Mainstream formats on February 9 and 10, 2009 respectively via Island Records, according to credible American radio news sites FMQB and R&R;. The song then was made available for streaming on Island's, All Access' website, and her MySpace Music Page for advanced promotion. Island Records also updated their webpage with information regarding Utada's new single, and included a link to her official Japanese website and MySpace page, both featuring a track preview. Additionally, a number was included that fans could text to join Utada's mobile list to receive future news updates. The new English album, titled This Is The One, was released on March 14, 2009 in Japan and on May 12, 2009 in the United States. On February 23, 2009, Utada announced that she was in studio recording her next Japanese-language single. This Is the One debuted at number 1 in Japan on March 13, 2009, the day it was released in Japan, but became Utada's first album not to top the weekly chart since Precious. On March 30, 2009 she appeared on New York City radio station Z-100 (100.3), the largest pop radio program in the U.S., and granted a live on-air interview on the station's Elvis Duran Morning Show, a noteworthy breakthrough that would lead to a promotional schedule up and through the album's international physical release on May 12. Utada also sang the theme song for the latest Evangelion film, Evangelion 2.0 You Can (Not) Advance. The single was released on June 27, 2009, and is a remix of her previous single, Beautiful World. The new single is titled .
On October 14, Utada mentioned that she was writing lyrics that were due on October 15. She also added that some "German magic" would be added to the music. Goetz B, who has worked with Utada on her album Ultra Blue is currently mixing tracks for her. Most notable is a track called "Show Me Love", which is reported to be released as a Japanese single at a yet-unspecified date.
On November 30, 2009, at Studio Coast, Tokyo, Utada sung a duet of Let It Snow with pop singer Mika. Mika posted on his Twitter account about Utada: "Was joined on stage by Hikaru Utada tonight. We sang "let it snow". It was glorious. I love her."
On December 21, Utada's Dirty Desire remixes were released only on Amazon.com, Zune Marketplace, and the U.S. iTunes Store, in support of This Is the One and her upcoming tour. The tour, , was her first concert tour outside of Japan and included eight cities in the US and two dates in London, UK. The tickets for the second London performance went on public sale November 13, and reportedly sold out in just 5 hours. In an interview before she kicked off In The Flesh, Utada said she is planning on promoting This Is the One, and her newest single, Dirty Desire. She also expressed she could be planning to do a cover album, or just take a break to get some new ideas.
However, before her hiatus begins, she said she would go "full-throttle" on her career, and her official website was updated with the news that a new compilation album, Utada Hikaru Single Collection Vol. 2 will be released on November 24. This new album will include all her Japanese singles since 2004 (from Dareka no Negai ga Kanau Koro to Prisoner of Love), and would include an additional five new tracks specifically for this album.
On September 27, 2010, Utada revealed a new single, entitled Hymne à l'amour (Ai no Anthem), which was a commercial tie-in for Pepsi's newest softdrink, Pepsi NEX. The song features both French lyrics and Japanese, specifically written and translated by Utada herself. Official Twitter accounts by Utada, her staff, and her father Teruzane. were all created on September 28 to keep in close public contact with all up to minute activity, along with the announcement that Utada would be performing December 8 and 9 at Yokohama Arena to promote the album, her first Japan concert since Utada United 2006. with a new profile picture recently taken by Japanese cinematographer and director Tomatsu Fujii appearing on her official website for a yet-specified purpose.
On October 3, 2010, Utada's official EMI Music website was updated with the final tracklisting and cover photo for Single Collection Volume 2, with the first disc featuring all her previous released Japanese singles from 2004-2008 in reverse chronological order and second disc featuring all the new songs. The first press editions included a 3-fold paper slip case, a Kuma chang amulet/good luck charm, and a lottery slip for fans to have a chance of winning one of 1000 tickets to Utada's upcoming December concert at Yokohoma arena.
On October 15, it was announced that the anticipated footage from Utada's "In The Flesh" 2010 tour would be released in the coming months via Utada and her father's Twitter accounts, and that the typical physical format DVD would be ousted in favor of a digital-only package. Though there are technical issues with making it available at Apple's iTunes store for the time, the footage is officially edited and mixed and will be publicly distributed before year's end. On the same day, it was posted at Teruzane Utada's Twitter that talks, a mock-stage, and other concrete planning for Utada's upcoming concerts have been in process for the past few weeks. These will be the first live show or concert series that is self-produced by Utada, with Teruzane acting as co-producer with the aim of creating a 'warm' atmosphere.
In late October, despite no previous announcements from Utada or any of her staff and management, it was revealed online at Tower Record Japan and several other websites that an English-language 'best of album' titled "Utada the Best" would become available in Japan on the same day as Single Collection Vol. 2, November 24. Utada herself stating that the release of this compilation album is "entirely against my will". She also said "I understand that if it doesn’t sell I’m the one who will take the hit, but to be honest, I don’t want my fans putting down money for something that my heart isn’t in." She posted on her official Twitter account: "The release of "Utada the best" is entirely against my will. I wish that my fans won't have to buy it. There's no new material in it."
On October 24th, 2010, a list of promotional Japanese radio and TV appearances was posted on Utada's official site, with the former being interview-based and the latter streaming her previous music videos in support of Single Collection Vol. 2 and its first week release. A staff-posted preview of her new single, Goodbye Happiness began radio airplay in Japan on November 1st and Chaku-Uta downloads began on the 3rd, with its accompanying PV appearing publicly on November 9th. This was included on a bonus DVD to Single Collection Vol. 2 for those who pre-ordered Single Collection Vol. 2'' before November 14th. It has also been chosen as the new Recochoku Chaku-Uta TV commercial theme song.
On 8 November 2010, EMI Music announced on their website that they had made a "new global recording" deal with Utada, also stating that all her work (English and Japanese) will be released under one name: "Hikaru Utada".
First-week sales for Utada Hikaru Single Collection Vol. 2 is 231,000 units according to Oricon album daily charting. Although replacing Heart Station as her lowest first week sales of any Utada Hikaru album to date, this release marked Utada's 7th consecutive #1 album (5 original and two best-ofs) since her debut, surpassing Kinki Kids' previous record of six and making her the artist with the most successive consecutive #1 albums in Oricon chart and Japanese music history (the latter according to her label EMI) since premiering. Simultaneously with this new release, her first greatest hits compilation advanced #167 to #43 on the same chart, extending its cumulative physical sales past 2,595,000.
For that same week marked December 6, 2010, the Single Collection Volume #2 and the first single "Goodbye Happiness" made their unanimous #1 presence across all the major Billboard Japan charts, which accounts nationwide digital and physical sales, as well as airplay similar to the American Billboard; Specifically, the album received summit status on the Top Albums with "Goodbye Happiness" surging threefold atop the Composite Hot 100, Top 100 Airplay, and Top 100 Adult Contemporary Airplay, respectively.
at Yokohama Arena, December 8, 2010.]] Utada held the last two concerts before her hiatus, called WILD LIFE, on Dec 8-9, 2010. Day 1 was broadcast in 64 cinemas in Japan, and was streamed free on Ustream for fans worldwide; The December 8 concert was broadcast on Ustream.tv, a live video streaming website. Between the two channels set up for the concert, they were accessed a total of 925,000 times, with 345,000 unique viewers, as well as 185,000 comments left on the feed. This was a global record on Ustream.tv, for the highest number of simultaneous accesses of any video, with the previous highest being only 100,000.
Japanese TV station NHK will be premiering a documentary about Utada on 15 January 2011. The documentary will feature new studio performances by Utada, as well as some of her WILD LIFE performances from December. It will also feature a post-Wild Life interview with J-WAVE host Chris Peppler.
Category:1983 births Category:Living people Category:People from New York City Category:People from Tokyo Category:Columbia University alumni Category:Video game musicians Category:English-language singers Category:Japanese female singers Category:Japanese singer-songwriters Category:Japanese pop singers Category:Japanese rhythm and blues singers Category:American musicians of Japanese descent Category:Japanese-language singers Category:American rhythm and blues singer-songwriters Category:Musicians from New York Category:American dance musicians Category:Dance musicians Category:American expatriates in Japan Category:World Music Awards winners Category:American people of Japanese descent
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Name | Rickey Smiley |
---|---|
Birth place | Birmingham, Alabama , U.S. |
Known for | Prank phone calls |
Occupation | Standup comedy, Television Host, Actor, Radio personality |
Smiley has two biological children, but has adopted eight others.
Smiley became the morning show personality for KBFB Radio in Dallas, Texas in April 2004. The show features the trademark prank calls, as well as news, information and the latest hip hop music.
He also has released several humorous songs based on his bits, such as "Roll Tide" featuring his redneck character Buford, and "We Miss Robert" based on a routine of his in which a friend of a deceased drug dealer performs a rap song called "We Miss Robert" at the funeral, which is actually a song about a woman, performed in hopes of landing a record deal. He currently has a morning show on a Baltimore, Maryland radio station.
Smiley had a starring role in Ice Cube's Friday After Next.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Kyle Landry |
---|---|
Height ft | 6 |
Height in | 9 |
Weight lbs | 240 |
League | National Basketball League (Czech Republic) |
Team | BK Prostějov |
Position | Forward |
Birth date | April 04, 1986 |
Birth place | Calgary, Alberta |
College | Northern Arizona University |
Nationality | Canadian |
Draft | Undrafted |
Kyle Landry (born April 4, 1986) is a Canadian professional basketball player, currently signed to the team BK Prostějov. He is also a veteran member of the Canadian national basketball team.
For the 2009-10 season, Landry signed with BK Prostějov of the Czech National Basketball League.
Category:Basketball people from Alberta Category:Canadian expatriate basketball people in the United States Category:Canadian basketball players Category:Northern Arizona Lumberjacks men's basketball players Category:People from Calgary Category:1986 births Category:Living people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Colour | #DEDEE2 |
---|---|
Name | Henry Walton "Indiana" Jones, Jr. |
Series | Indiana Jones |
Caption | Harrison Ford as Indiana Jones in Raiders of the Lost Ark |
First | Raiders of the Lost Ark |
Latest | Indiana Jones and the Kingdom of the Crystal Skull |
Creator | George Lucas |
Portrayer | Films:Harrison Ford (ages 36–58)River Phoenix (age 13)TV series:Neil Boulane (baby)Corey Carrier (ages 8–10)Sean Patrick Flanery (ages 16–21)George Hall (age 93)Video games:Doug Lee (voice)David Esch (voice) |
Birthdate | July 1st, 1899 |
Birthplace | New Jersey (U.S.) |
Alma mater | University of Chicago |
Occupation | ArchaeologistAssociate deanCollege professorSoldierSpy |
Title | DoctorColonel |
Family | Henry Walton Jones, Sr. (father, deceased)Anna Mary Jones (mother, deceased)Susie Jones (sister, deceased) |
Spouse | Deirdre Campbell Jones (1926) |
Relatives | Pete (uncle)Grace Jones (aunt)Frank (cousin)Caroline (granddaughter)Lucy (granddaughter)/Theist}} |
Henry Walton "Indiana" Jones, Jr. Ph.D. is a fictional American adventurer, OSS operative, professor of archaeology, and the central protagonist of the Indiana Jones franchise. George Lucas created the character in homage to the action heroes of 1930s film serials. The character first appeared in the 1981 film Raiders of the Lost Ark, to be followed by Indiana Jones and the Temple of Doom in 1984, Indiana Jones and the Last Crusade in 1989, The Young Indiana Jones Chronicles from 1992 to 1996, and Indiana Jones and the Kingdom of the Crystal Skull in 2008. Alongside the more widely known films and television programs, the character is also featured in novels, comics, video games, and other media. Jones is also featured in the theme park attraction Indiana Jones Adventure, which exists in similar forms at Disneyland and Tokyo DisneySea.
Jones is most famously played by Harrison Ford and has also been portrayed by River Phoenix (as the young Jones in The Last Crusade), and in the television series The Young Indiana Jones Chronicles by Corey Carrier, Sean Patrick Flanery, and George Hall. Doug Lee has supplied Jones's voice to two LucasArts video games, Indiana Jones and the Fate of Atlantis and Indiana Jones and the Infernal Machine, while David Esch supplied his voice to Indiana Jones and the Emperor's Tomb.
Particularly notable facets of the character include his iconic look (bullwhip, fedora, and leather jacket), sense of humor, deep knowledge of many ancient civilizations and languages, and fear of snakes.
Indiana Jones remains one of cinema's most revered movie characters. In 2003, he was ranked as the second greatest movie hero of all time by the American Film Institute. He was also named the sixth greatest movie character by Empire magazine. Entertainment Weekly ranked Indy 2nd on their list of The All-Time Coolest Heroes in Pop Culture. Premiere magazine also placed Indy at number 7 on their list of The 100 Greatest Movie Characters of All Time. Since his first appearance in Raiders of the Lost Ark, he has become a worldwide star. On their list of the 100 Greatest Fictional Characters, Fandomania.com ranked Indy at number 10. In 2010, he ranked #2 on Time Magazine's list of the greatest fictional characters of all time, surpassed only by Sherlock Holmes.
Indiana Jones, played by Harrison Ford, was first introduced in the 1981 film Raiders of the Lost Ark, set in 1936. He is portrayed as an adventurous throwback to the 1930s film serial treasure hunters and pulp action heroes, with an alter ego of Doctor Jones, a respected archaeology professor at Marshall College (named after producer Frank Marshall) a fictional college in Connecticut. In this first adventure, he is pitted against the Nazis, traveling the world to prevent them from recovering the Ark of the Covenant (see also Biblical archaeology). He is aided by Marion Ravenwood and Sallah. The Nazis are led by Jones's archrival, a Nazi-sympathizing French archaeologist named René Belloq, and Arnold Toht, a sinister Gestapo agent.
The 1984 prequel, Indiana Jones and the Temple of Doom, set in 1935, took the character into a more horror-oriented story, skipping his legitimate teaching job and globe trotting, and taking place almost entirely in India. This time, Jones attempts to recover children and the Sankara stones from the bloodthirsty Thuggee cult. He is aided by Short Round and accompanied by Willie Scott (Kate Capshaw).
The third film, 1989's Indiana Jones and the Last Crusade, set in 1938, returned to the formula of the original, reintroducing characters such as Sallah and Marcus Brody, a scene from Professor Jones's classroom (he now teaches at Barnett College), the globe trotting element of multiple locations, and the return of the infamous Nazi mystics, this time trying to find the Holy Grail. The film's introduction, set in 1912, provided some back story to the character, specifically the origin of his fear of snakes, his use of a bullwhip, the scar on his chin, and his hat; the film's epilogue also reveals that "Indiana" is not Jones's first name, but a nickname he took from the family dog. The film was a buddy movie of sorts, teaming Jones with his father, often to comical effect. Although Lucas intended at the time to do five films, this ended up being the last for over eighteen years, as Lucas could not think of a good plot element to drive the next installment.
The 2008 film, Indiana Jones and the Kingdom of the Crystal Skull, became the latest film in the series. Set in 1957, 19 years after the third film, it pits an older, wiser Indiana Jones against Soviet agents bent on harnessing the power of a crystal skull discovered in South America by his former colleague Harold Oxley (John Hurt). He is aided in his adventure by an old lover, Marion Ravenwood (Karen Allen), and her son—a young greaser named Mutt Williams (Shia LaBeouf), later revealed to be his biological child Henry Jones III. There are rumors that LaBeouf will take over the Indy franchise. This film also reveals that Jones was recruited by the Office of Strategic Services (a predecessor department to the CIA) during World War II, attaining the rank of Colonel and running covert operations with MI6 agent George McHale on the Soviet Union.
One episode, "Young Indiana Jones and the Mystery of the Blues", is bookended by Harrison Ford, reprising his role as the character. Indiana loses one of his eyes sometime between 1957 and when the "Old Indy" segments take place.
The show provided some backstory for the films, as well as new information regarding the character. He was born July 1, 1899, and his middle name is Walton (Lucas's middle name). It is also mentioned that he had a sister called Suzie who died as an infant of fever, and that he eventually has a daughter and grandchildren who appear in some episode introductions and epilogues. His relationship with his father, first introduced in Indiana Jones and the Last Crusade, was further fleshed out with stories about his travels with his father as a young boy. A large portion of the series centered around his activities during World War I.
In 1999, Lucas removed the episode introductions and epilogues by George Hall for the VHS and DVD releases, as he re-edited the episodes into chronologically ordered feature-length stories. The series title was also changed to The Adventures of Young Indiana Jones.
In 2008's Indiana Jones and the Kingdom of the Crystal Skull film, Jones makes passing mention to the events of the episode in which he met Pancho Villa; this was included to reinforce that the TV series is indeed part of the same official continuity as the movies.
Following this, the games branched off into original storylines with Indiana Jones in the Lost Kingdom, Indiana Jones and the Fate of Atlantis, Indiana Jones and the Infernal Machine, Indiana Jones and the Emperor's Tomb and Indiana Jones and the Staff of Kings. Emperor's Tomb sets up Jones's companion Wu Han and the search for Nurhaci's ashes seen at the beginning of Temple of Doom. The first two games were developed by Hal Barwood and starred Doug Lee as the voice of Indiana Jones; Emperor's Tomb had David Esch fill the role and Staff of Kings starred John Armstrong.
There is also a small game from Lucas Arts Indiana Jones and His Desktop Adventures. A video game was made for young Indy called Young Indiana Jones and the Instruments of Chaos, as well as a video game version of The Young Indiana Jones Chronicles.
Two Lego Indiana Jones games have also been released. was released in 2008 and follows the plots of the first three films. It was followed by in late 2009. The sequel includes an abbreviated reprise of the first three films, but focuses on the plot of Indiana Jones and the Kingdom of the Crystal Skull.
Indiana Jones has also made cameo appearances as an unlockable character in the games and .
The Indiana Jones Adventure attractions at Disneyland and Tokyo DisneySea ("Temple of the Forbidden Eye" and "Temple of the Crystal Skull," respectively) place Indy at the forefront of two similar archaeological discoveries. These two temples each contain a wrathful deity who threatens the guests who ride through in World War II troop transports. The attractions, some of the most expensive of their kind at the time, opened in 1995 and 2001, respectively, with sole design credit attributed to Walt Disney Imagineering. Disney did not license Harrison Ford's likeness for the North American version; nevertheless, a differentiated Indiana Jones audio-animatronic character appears at three points in both attractions. However, the Indiana Jones featured in the DisneySea version does use Harrison Ford's likeness but uses Japanese audio for all of his speaking parts.
Disneyland Resort Paris also features an Indiana Jones-titled ride where people speed off through ancient ruins in a runaway mine wagon similar to that found in Indiana Jones and the Temple of Doom. Indiana Jones and the Temple of Peril is a looping roller coaster engineered by Intamin AG and opened in 1993.
The Indiana Jones Epic Stunt Spectacular! is a live show that has been presented in the Disney's Hollywood Studios theme park of the Walt Disney World Resort with few changes since the park's 1989 opening under a different name. The 25-minute show presents various stunts framed in the context of a feature film production, and recruits members of the audience to participate in the show. Stunt artists in the show re-create and ultimately reveal some of the secrets of the stunts of the Raiders of the Lost Ark films, including the well-known "running-from-the-boulder" scene. Stunt performer Anislav Varbanov was fatally injured in August, 2009 while rehearsing the popular show.
Like many characters in his films, Jones has some autobiographical elements of Spielberg. Indiana lacks a proper father figure because of his strained relationship with his father, Henry Senior. His own contained anger is misdirected at the likes of Professor Abner Ravenwood, his mentor at the University of Chicago, leading to a strained relationship with Marion Ravenwood. Marcus Brody acts as Indiana's positive role model at the college.
Because of Indiana's strained relationship with his father, who was absent much of Indiana's youth searching for the Holy Grail, the character does not pursue the more spiritual aspects of the cultures he studies. Indiana uses his knowledge of Shiva to ultimately defeat Mola Ram. In Indiana Jones and the Kingdom of the Crystal Skull, Jones is older and wiser, whereas his sidekicks Mutt and Mac are youthfully arrogant and greedy, respectively.
The character was originally named "Indiana Smith" (perhaps in a nod to the 1966 Western film Nevada Smith), after an Alaskan Malamute Lucas owned in the 1970s ("Indiana"); however, Spielberg disliked the name "Smith," and Lucas casually suggested "Jones" as an alternative. Costume designer Deborah Nadoolman Landis said the inspiration for Indiana's outfit was Charlton Heston's Harry Steele in Secret of the Incas: "We did watch this film together as a crew several times, and I always thought it strange that the filmmakers did not credit it later as the inspiration for the series."
Upon requests by Spielberg and Lucas, the costume designer gave the character a distinctive silhouette through the styling of the hat; after examining many hats, the designers chose a tall-crowned, wide-brimmed fedora. As a documentary of Raiders pointed out, the hat served a practical purpose. Following the lead of the old "B"-movies that inspired the Indiana Jones series, the fedora hid the actor's face sufficiently to allow doubles to perform the more dangerous stunts seamlessly. Examples in Raiders include the wider-angle shot of Indy and Marion crashing a statue through a wall, and Indy sliding under a fast-moving vehicle from front to back. Thus it was necessary for the hat to stay in place much of the time.
The hat became so iconic that the filmmakers could only come up with very good reasons or jokes to remove it. If it ever fell off during a take, filming would have to stop to put it back on. In jest, Ford put a stapler against his head when a documentary crew visited during shooting of The Last Crusade. This created the urban legend that Ford stapled the hat to his head. Although other hats were also used throughout the movies, the general style and profile remained the same. Elements of the outfit include:
The fedora was supplied by Herbert Johnson Hatters in England for the first three films. It was referred to as "The Australian Model" by costume designer Deborah Nadoolman Landis and was fitted with a Petersham bow. Indy's fedora for Crystal Skull was made by Steve Delk and Marc Kitter of the Adventurebilt Hat Company.
Jones's fedora and leather jacket (as used in The Last Crusade) are on display at the Smithsonian's American History Museum in Washington, D.C. The collection of props and clothing from the films has become a thriving hobby for some aficionados of the franchise. Jones' whip was the third most popular film weapon, as shown by a 2008 poll held by 20th Century Fox, which surveyed approximately two thousand film fans.
George Lucas has said on various occasions that Sean Connery's portrayal of British secret agent James Bond was one of the primary inspirations for Jones, a reason Connery was chosen for the role of Indiana's father in the third film, Indiana Jones and the Last Crusade.
While himself a homage to various prior adventurers, aspects of Indiana Jones also directly influenced some subsequent characterizations: Lara Croft, the female archaeologist of the Tomb Raider franchise, was originally designed as a man, but was changed to a woman, partly because the developers felt that the original design was too similar to Indiana Jones. Paramount Pictures, which distributed the Indiana Jones film series, would later make two films based on the Tomb Raider games. Prince of Persia producer Ben Mattes explained that their "inspiration was anything Harrison Ford has ever done: Indiana Jones, Han Solo." The video game series Uncharted is also very heavily influenced by Indiana Jones, as well as some of the influences that led to Indiana Jones himself, such as pulp magazines and movie serials. The design team felt the sources shared themes of mystery and "what-if scenarios" that romanticized adventure and aimed to include those in Uncharted.
Category:Fictional characters introduced in 1981 Category:Fictional archaeologists Category:Fictional characters from New Jersey Category:Fictional professors Category:Fictional American people Category:Fictional American people of Scottish descent Category:Fictional secret agents and spies Category:Fictional colonels Category:Child characters in television Category:Fictional World War I veterans Category:Fictional World War II veterans Category:Indiana Jones characters
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Name | Deitrick Vaughn Haddon |
---|---|
Background | solo_singer |
Born | May 17, 1973 |
Origin | Detroit, Michigan |
Instrument | Vocals |
Genre | Gospel, urban gospel, R&B;, pop, pop rock, funk, soul, dance |
Occupation | Singer, Songwriter, Arranger, Producer |
Years active | 1997-Present |
Label | Tyscot, Arista, Verity |
Associated acts | Deitrick Haddon & Voices Of Unity Damita Haddon |
Current members | 894-569-7874 |
Deitrick Haddon (born May 17, 1973) is a Gospel singer, songwriter and producer. An extremely popular artist known for his contemporary style of music, he is well known for his progressive gospel styles.
Haddon launched his solo career as a Christian R&B; vocalist with the Lost & Found on Tyscot/Verity in 2002. The set peaked at #1 on Billboard's Top Gospel Charts and received wide critical acclaim and spawned the hit "Sinner's Prayer" which received heavy spins on gospel and mainstream R&B; radio stations.
The 70's-leaning Crossroads followed in 2004, led off by the upbeat single "God Is Good". In an uncharacteristic move for marketing a gospel album, Detrick made an appearance on the long-running syndicated series Soul Train performing the single as well as the title track from the album.Haddon appears to be reaching his Gospel artistry further into the ranks of mainstream venues with 7 Days, released October 10, 2006. 7 Days was produced almost entirely by R&B; stalwart producers Tim & Bob (also responsible for hits by Sisqo, Chante Moore, Karen Clark Sheard, and others). Balancing out the contemporary bulk of the album is the traditional gospel flavored lead single "Heaven Knows" which Deitrick produced himself.
On December 1, 2006, Deitrick and Damita Haddon's 85 South Gospel Street Show premiered on The Word Network. The show features notable gospel artists such as Men of Standard, Donnie McClurkin, Kierra Sheard, Natalie Wilson, and many other prominent gospel artists. In essence, Deitrick and Damita Haddon provide novice artists an opportunity to display their spiritual gifts. 85 South Gospel Street airs every Friday at 4:30 p.m. on The Word Network.
Haddon once inked a recording contract with major label Arista Records, not known for producing gospel artists. Haddon and his brother Gerald also produced the comeback album Brand New Day for veteran gospel vocalist Vanessa Bell Armstrong. Deitrick Haddon & Voices Of Unity's Live The Life won Gospel Music Workshop of America Excellence Awards for "New Artist of the Year—Urban Contemporary" and "Album of the Year—Urban Contemporary".
On September 2, 2008, Deitrick Haddon released another album called "Revealed". This album has the well known single, "Love Him Like I Do" (featuring Mary Mary and Ruben Studdard) as one of its tracks. On July 27, 2010 Haddon made his film debut in a movie that he stars in that went directly to DVD called "Blessed and Cursed."
Deitrick's wife Damita Haddon is a vocalist and she is great in her own right and released the self-titled Damita on Atlantic Records in 2000, which was also produced in part by Deitrick. She followed it with a sophomore effort, No Looking Back in 2008 on Tyscot Records of Voices of Unity fame.
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