Name	Majboor
Director	Ravi Tandon
Producer	Premji
Writer	Salim-Javed
Starring	Amitabh BachchanParveen BabiPranFarida Jalal
Music	Laxmikant-Pyarelal
Distributor	Suchitra Films Pvt. Ltd.Eros International
Released	6 December 1974
Country	India
Language	Hindi

Majboor () is a 1974 Indian Hindi film directed by Ravi Tandon. Music is by Laxmikant Pyarelal and lyrics by Anand Bakshi. The film was written by Salim-Javed. The movie stars Amitabh Bachchan, Parveen Babi, Pran, Madan Puri, Rehman and Farida Jalal.

The film is a remake of an American film titled Zigzag (1970 film) (1970) starring George Kennedy. It was later remade in Telugu by director K. Raghavendra Rao as "Raja" (1976) starring Shobhan Babu and Jayasudha. It was also remade in Tamil as Naan Vazhavaippen (1979) with Sivaji Ganeshan and Rajnikant.

Plot

Ravi Khanna (Amitabh Bachchan) lives happily with his widowed mother, wheelchair-using sister (Farida Jalal) and younger brother. He suffers from a terminal brain tumor, and has only 6 months to live. In an effort to provide for his family, he takes the responsibility of a murder that he has not committed to collect the ransom money of Rs. 500,000. He leaves a trail for the police to follow and he is convicted. While in prison he gets an attack and the jail authorities take him to the hospital where he undergoes a successful operation. Now, he is a confessed criminal for abduction, ransom and murder, which he himself planted himself.

In order to save himself from the death penalty, he runs away from the hospital in search of the real murderer. He gets help from a thief named Michael (Pran). After many twists and turns, the plot unfolds, where the true identity of the criminal is revealed and Ravi Khanna is a free man.

Success

The film became a "semi-hit" at the box office.

Awards and nominations

Filmfare Supporting Actor Nomination--Pran

Filmfare Supporting Actress Nomination--Farida Jalal

References

External links

Category:1974 films Category:Indian films Category:Hindi-language films

Name	Kishore Kumar
Background	solo_singer
Spouse	Rama Devi, Madhubala, Yogeeta Bali, Leena Chandawarkar
Birth name	Abhas Kumar Ganguly
Born	August 04, 1929Khandwa, Central Provinces and Berar
Died	October 13, 1987Mumbai, Maharashtra
Genre	Playback, Rabindra Sangeet, rock and roll
Occupation	Singer, actor, director, musician, producer
Years active	1946–1987

Kishore Kumar (, ; 4 August 1929 – 13 October 1987) was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He was the winner of 8 Filmfare Award for Best Male Playback Singer and holds the record for most number of Filmfare Awards won for that category.

Early life

Kishore Kumar was born into the Ganguly family in Khandwa, Central Provinces and Berar (now in Madhya Pradesh). His birth name was Abhas Kumar Ganguly. His father Kunjalal Ganguly (Gangopadhya) was a lawyer. His mother Gouri Devi came from a wealthy family. Kishore Kumar was the second youngest of four siblings, the other three being Ashok Kumar (the eldest), Sati Devi, and Anoop Kumar.

While Kishore Kumar was still a child, Ashok Kumar became a popular Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore Kumar also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and he tried to follow Saigal's singing style.

Career

After Ashok Kumar became a Bollywood star, the Ganguly family used to visit Mumbai regularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. His first film as an actor was Shikari (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave him a chance to sing the song Marne ki duayen kyon mangu for the film Ziddi (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career. In 1949, he decided to settle in Mumbai.

Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.

He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music. However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.

Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving brothers.

Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. He kept Burman's advice in mind, and eventually developed his own style of singing, which featured the yodeling that he had heard on some records of Jimmie Rodgers bought by his brother Anoop Kumar.

S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). When S. D. Burman was not on good terms with Lata Mangeshkar during 1957-62, he gave patronage to her younger sister, Asha Bhosle. The Asha Bhosle-Kishore Kumar duets composed by S. D. Burman include "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).

C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.

R. D. Burman frequently used Kishore Kumar as the male singer, and recorded several hit songs with him in the 1970s. Some of the popular Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote", Humein Tum Se Pyaar Kitna from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke" (Amar Prem), "Jab Bhi Koi Kangana" from Shaukeen (1986). R. D. Burman also recorded several hit duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).

Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many hit songs sung by Kishore Kumar. Some of their hit songs include Mere Mehboob Qayamat Hogi from Mr. X In Bombay, Mere Naseeb Mein Aye Dost from Do Raaste, Yeh Jeevan Hai from Piya Ka Ghar, Mere Dil Mein Aaj Kya Hai from , Nahi Mai Nahi Dekh Sakta from Majboor, Mere diwanepan ki bhi from Mehboob Ki Mehndi, Naach Meri Bulbul from Roti, Chal Chal Mere Haathi from Haathi Mere Saathi, Gaadi Bula Rahi Hai from Dost, Ruk Jaana Nahi from Imtihaan, Ek Ritu Aaye from Gautam Govinda, My Name Is Anthony Gonsalves from Amar Akbar Anthony Bahut Khoobsurat Jawan Ek Ladki from Dostana and Om Shanti Om as well as Paisa Yeh Paisa from Karz. L-P, also composed several hit Kishore-Lata duets, including Achchha To Hum Chalte Hain from Aan Milo Sajna, Gore Rang Pe Na Itna from Roti, Main Solah Baras Ki from Karz, and Din Mahine Saal from Avtaar, Tu Kitne Baras Ki from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, I love you (Kaate Nahin Katate Yeh Din Yeh Raat) from Mr. India in (1987). Salil Chowdhury recorded songs like Koi Hota Jisko Apna from Mere Apne and Gujar Gaye Din Din from Annadata. Ravindra Jain recorded Ghungroo Ki Tarah, and the duet Tota Maina Ki Kahani from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as Hazar Rahein from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several hit songs with Kishore Kumar including Zindagi Ka Safar and Jeevan se na haar Jeenewale , from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam''.

Other composers including Rajesh Roshan, Sapan Chakravarty, and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's first hit film Julie featured hit songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other hits include Chhookar mere man ko from Yaarana , Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge from Baaton Baaton Mein. Bappi Lahiri also recorded many popular songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.

During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for a Congress rally in Mumbai, but Kishore Kumar refused. As a result, the Government put an unofficial ban on playing Kishore Kumar songs on the All India Radio or television.

Later years

Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as Badhti Ka Naam Daadhi (1978), Zindagi (1981) and Door Wadiyon Mein Kahin (1980). But none of these films did well at the box office. His last appearance as an actor was in Door Wadiyon Mein Kahin.

With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar also became a Bollywood singer in the 1980s. Kishore Kumar also continuted singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.

However, on 13 October 1987, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.

Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled Kiss Kiss, Bang Bangalore. His songs have also been featured in several films, including Such a Long Journey (1998) and Side Streets (1998). Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.

Personal life

Kishore Kumar was born into a Bengali family at Khandwa in Madhya Pradesh, on 4 August 1929.

He married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar's second wife was the actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage. Kishore Kumar even converted to Islam, and took the name Karim Abdul.

His family was against the marriage, and the couple also had a Hindu marriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala's death on 23 February 1969. Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore Kumar was married to Leena Chandavarkar from 1980 until his death.

Kishore Kumar had two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kishore Kumar is said to have been paranoid about not being paid. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.

In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.

Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut". 1972 - Best Male Playback Singer for Andaz 1973 - Best Male Playback Singer for Hare Rama Hare Krishna 1975 - Best Male Playback Singer for Kora Kagaz

See also

Kishore Kumar filmography

List of Indian playback singers

Hindi songs

References

Further reading

External links

Kishorekumar.org: Rare Kishore Kumar Songs

Excerpt from Kishore Kumar's diary

Category:1929 births Category:1987 deaths Category:Bengali people Category:People from Khandwa Category:Indian male singers Category:Indian actors Category:Indian film actors Category:Indian film singers Category:Cardiovascular disease deaths in India Category:Indian comedians Category:Bollywood playback singers Category:Yodelers Category:Bengali musicians Category:Bengali actors Category:Assamese playback singers Category:Indian former Muslims Category:People from Mumbai Category:Hindi film actors Category:Hindi film directors Category:Indian film directors Category:Indian film producers

Name	Smita Patil
Birthdate	October 17, 1955
Birth place	Pune, India
Deathdate	December 13, 1986
Yearsactive	1974 - 1985
Spouse	Raj Babbar
Filmfareawards	Best Actress: Chakra (1981)
Nationalfilmawards	Best Actress: Chakra (1981)Best Actress: Bhumika (1978)

Smita Patil () (17 October 1955 – 13 December 1986) was a leading Indian actress from the 1970s to the 1980s in both Hindi and Marathi cinema.

Along with actress and co-star Shabana Azmi, Smita represented India's parallel cinema. Her performances were often acclaimed, and she was mostly noted for her work in films as Manthan (1977), Bhumika (1977), Aakrosh (1980) and Chakra (1981).

Patil was also an active feminist (in a distinctly Indian context) and a member of the Women's Centre in Mumbai. She was deeply committed to the advancement of women's issues, and gave her endorsement to films which sought to explore the role of women in traditional Indian society, their sexuality, and the changes facing the middle-class woman in an urban milieu.

Early life

Smita Patil was born in Pune into a Marathi family to a Maharashtrian politician, Shivajirao Patil and social worker mother, from Shirpur town (Village-Bhatpure) of Khandesh province of Maharashtra State. She studied at a Marathi-language school.

Her first tryst with the camera was as a television newscaster for Doordarshan Pune, the Indian government owned television.

Career

Smita Patil belongs to a generation of actresses, including Shabana Azmi and, like her, is strongly associated with the radically political cinema of the 1970s. Her work includes films with parallel cinema directors like Shyam Benegal, Govind Nihalani and Mrinal Sen as well as forays into the more commercial Hindi Film Industry cinema of Mumbai. Patil was working as a TV news reader and was also an accomplished photographer when Shyam Benegal discovered her. .]] She was an alumna of the Film and Television Institute of India, Pune. In 1977, she won the National Award for 'Best Actress' for her performance in the Hindi film Bhumika. In her films, Patil's character often represents an intelligent femininity that stands in relief against the conventional background of male-dominated cinema (films like Bhumika, Umbartha, and Bazaar). Smita Patil was also a women's rights activist and became famous for her roles in films that portrayed women as capable and empowered.

In time she was accepted by commercial filmmakers and from Raj Khosla and Ramesh Sippy to B.R. Chopra, they all agreed that she was "excellent". Her fans, too, grew with her newfound stardom. Patil's glamorous roles in her more commercial films—such as Shakti and Namak Halaal -- revealed the permeable boundaries between "serious" cinema and "Hindi Cinema" masala in the Hindi film industry.

Her association with artistic cinema remained strong, however. Her arguably greatest (and unfortunately final) role came when Smita re-teamed with Ketan Mehta to play the feisty and fiery Sonbai in Mirch Masala (1987). Smita won raves for playing a spirited spice-factory worker who stands up against a lecherous petty official.

Personal life

When Patil became romantically involved with the actor Raj Babbar, Patil drew severe criticism from her fans and the media, clouding her personal life and throwing her into the eye of a media storm. Raj Babbar left his wife, Nadira Babbar to marry Patil.

Overnight, Patil was labeled a "home-breaker" by the very Feminist organizations she had worked so assiduously for, and became the target of barbed criticism.

Death

Smita died from childbirth complications on 13 December 1986, aged 31, barely two weeks after having given birth to her son, Prateek Babbar.

Nearly two decades later, one of India's greatest film directors, Mrinal Sen alleged that Smita Patil had died due to gross medical negligence.

Awards

;Winner:

1978 - National Film Award - Best Actress for Bhumika

1982 - Filmfare Best Actress Award for Chakra

1982 - National Film Award - Best Actress for Chakra

1985 - Padma Shri Award

;Nominated:

1978 - Filmfare Best Actress Award for Bhumika

1983 - Filmfare Best Actress Award for Bazaar

1984 - Filmfare Best Supporting Actress Award for Arth

1984 - Filmfare Best Supporting Actress Award for Mandi

1985 - Filmfare Best Actress Award for Aaj Ki Aawaz

Incomplete Filmography

{| border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 90%;" |- bgcolor="#B0C4DE" align="center" ! Year !! Film !! Role !! Other notes |- |rowspan=2|1974 |Mere Saath Chal |Geeta | |- |Samna |Kamley |Entered into the 25th Berlin International Film Festival |- |rowspan=2|1975 |Nishant |Rukumani | |- |Charandas Chor |Rajkumari (Princess) | |- |1976 |Manthan |Bindu | |- |rowspan=2|1977 |Bhumika |Ushavari |Winner, National Film Award for Best Actress Nominated, Filmfare Best Actress Award |- |Jait Re Jait | |Marathi Film |- |rowspan=3|1978 |Kondura |Parvati | |- |Gaman |Khairun Hussain | |- |Sarvasakshi |Sujatha | |- |rowspan=4|1980 |Bhavani Bhavai |Ujaan | |- |Aakrosh |Nagi Lahanya | |- |Albert Pinto Ko Gussa Kyon Aata Hain |Joan | |- |The Naxalites |Ajitha | |- |rowspan=3|1981 |Chakra |Amma |Double Winner, Filmfare Best Actress Award National Film Award for Best Actress |- |Sadgati |Jhuria |TV |- |Tajurba | | |- |rowspan=4|1982 |Baazar |Najma |Nominated, Filmfare Best Actress Award |- |Shakti |Roma Devi | |- |Namak Halaal |Poonam | |- |Umbartha |Savitri Mahajan |Marathi Film Dubbed as Subah Winner, Marthi Rajya Chitrapat Puraskar for Best Actress |- |rowspan=5|1983 |Arth |Kavita Sanyal |Nominated, Filmfare Best Supporting Actress Award |- |Mandi |Zeenat |Nominated, Filmfare Best Supporting Actress Award |- |Ghungroo |Kesarbai | |- |Ardh Satya |Jyotsna Gokhale | |- |Qayamat |Shashi | |- |rowspan=5|1984 |Aaj Ki Aawaz |Rajni Deshmukh |Nominated, Filmfare Best Actress Award |- |Raavan |Ganga | |- |Pet Pyaar Aur Paap | | |- |Sharaabi |Special Appearance | |- |Mera Dost Mera Dushman |Lali | |- |rowspan=5|1985 |Chidambaram |Shivagami | |- |Ghulami |Sumitra Sultan Singh | |- |Debshishu |Utpalendu Chakraborty |Bengali film |- |Aakhir Kyun? |Nisha | |- |Mera Ghar Mere Bachche |Geeta Bhargav | |- |rowspan=3|1986 |Aap Ke Saath |Ganga | |- |Amrit |Kamla Shrivastav | |- |Dilwaala |Sumitra Devi | |- |rowspan=5|1987 |Mirch Masala |Sonbai | |- |Dance Dance |Radha | |- |Thikana |Shashi Goel | |- |Sutradhar |Prerna | |- |Insaaniyat Ke Dushman |Lakshmi Nath | |- |rowspan=2|1988 |''Waaris |Paramjit | |- |Hum Farishte Nahin |Roma | |- |1989 |Galiyon Ke Badshah |Tulsi | |}

External links

Article on Smita Patil

References

Category:1955 births Category:1986 deaths Category:Deaths in childbirth Category:Filmfare Awards winners Category:Indian film actors Category:Marathi film actors Category:Marathi people Category:St. Xavier's College, Mumbai alumni Category:University of Mumbai alumni