![Winners of India's Got Talent [DUS AVTAAR] Prince Dance Group](http://web.archive.org./web/20110524162921im_/http://i.ytimg.com/vi/E_j95GzNWBs/0.jpg "Winners of India's Got Talent [DUS AVTAAR] Prince Dance Group")
![Dus Avtaar by Prince Dance Group [Grand Final]](http://web.archive.org./web/20110524162921im_/http://i.ytimg.com/vi/YnHcBCRO8Do/0.jpg "Dus Avtaar by Prince Dance Group [Grand Final]")
Rajesh Khanna and Shabana Azmi play a poor, middle-aged couple who are mistreated by their two sons and daughters-in-law. However, their fortunes are reversed.
Avtaar and Radha face various hardships in life, but ultimately succeed. After 3 decades, Avtaar is owner of a small garage and a small fortune. He has two sons, Chander(Gulshan Grover) and Ramesh(Shashi Puri). Chander is married to Renu(Rajni Sharma), while Ramesh is married to Shobha(Priti Sapru). Avtaar also has a servant named Sewak(Sachin).
Like Avtaar, his sons have also married rich girls, daughters of Seth Laxmi Narayan(Pinchoo Kapoor). But, they are totally henpecked. When Avtaar discovers this, he leaves his home. Radha and Sewak also follow him. With help of a moneylender Bawaji(Sujit Kumar), Avtaar starts his own garage.
Avtaar faces an uphill task, since he has no money to buy equipments, is aged and his right hand is paralysed in a freak accident. Sewak helps his master by illegally donating blood to arrange for money, but when Avtaar thinks that Sewak resorted to robbery, Bawaji tells the truth. Moved, Radha and Sewak regard him as their own son.
Meanwhile, both Ramesh and Chander are enjoying their position in Laxmi Narayan's office. They are even committing fraud behind their father-in-law's back. Avtaar's luck changes again when the engine he is working on gives a successful result. Soon, Avtaar starts manufacturing the engine parts. This gives way to an industrial empire headed by Avtaar, Radha and Sewak. To help other old people like him who were spurned by their own families, Avtaar starts some social institutions.
Avtaar's success takes a toll on Laxmi Narayan's business. Plus, he discovers the deceit on his son-in-laws. Laxmi Narayan sends Ramesh and Chander to prison. Renu and Shobha come to Avtaar for help, but he rebukes them and sends them away. Radha gets angry over this, but keeps silent. Avtaar secretly gives Bawaji the bail money on the condition that he tells no one the truth.
Bawaji bails both Ramesh and Chander. Radha, unaware of the truth, confronts Avtaar and tells him that she hates her. Avtaar goes to his office with a heavy heart. Same day, Bawaji meets Radha, whereupon Radha tells him the whole story. Bawaji has to tell the truth to her as he cannot bear Avtaar being insulted despite his big heart.
On learning the truth, Radha realizes her mistake and tries to call Avtaar. When nobody answers the phone, Radha and Bawaji rush to the factory. They find Avtaar dead on his chair, down due to heart attack. The story comes to the present, where Radha is facing Avtaar's bust. Radha garlands Avtaar's bust and the film ends.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Kishore Kumar |
|---|---|
| Background | solo_singer |
| Spouse | Rama Devi, Madhubala, Yogeeta Bali, Leena Chandawarkar |
| Birth name | Abhas Kumar Ganguly |
| Born | August 04, 1929Khandwa, Central Provinces and Berar |
| Died | October 13, 1987Mumbai, Maharashtra |
| Genre | Playback, Rabindra Sangeet, rock and roll |
| Occupation | Singer, actor, director, musician, producer |
| Years active | 1946–1987 |
Kishore Kumar (, ; 4 August 1929 – 13 October 1987) was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He was the winner of 8 Filmfare Award for Best Male Playback Singer and holds the record for most number of Filmfare Awards won for that category.
While Kishore Kumar was still a child, Ashok Kumar became a popular Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore Kumar also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and he tried to follow Saigal's singing style.
Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.
He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music. However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.
Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving brothers.
Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. He kept Burman's advice in mind, and eventually developed his own style of singing, which featured the yodeling that he had heard on some records of Jimmie Rodgers bought by his brother Anoop Kumar.
S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). When S. D. Burman was not on good terms with Lata Mangeshkar during 1957-62, he gave patronage to her younger sister, Asha Bhosle. The Asha Bhosle-Kishore Kumar duets composed by S. D. Burman include "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).
C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.
R. D. Burman frequently used Kishore Kumar as the male singer, and recorded several hit songs with him in the 1970s. Some of the popular Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote", Humein Tum Se Pyaar Kitna from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke" (Amar Prem), "Jab Bhi Koi Kangana" from Shaukeen (1986). R. D. Burman also recorded several hit duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).
Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many hit songs sung by Kishore Kumar. Some of their hit songs include Mere Mehboob Qayamat Hogi from Mr. X In Bombay, Mere Naseeb Mein Aye Dost from Do Raaste, Yeh Jeevan Hai from Piya Ka Ghar, Mere Dil Mein Aaj Kya Hai from , Nahi Mai Nahi Dekh Sakta from Majboor, Mere diwanepan ki bhi from Mehboob Ki Mehndi, Naach Meri Bulbul from Roti, Chal Chal Mere Haathi from Haathi Mere Saathi, Gaadi Bula Rahi Hai from Dost, Ruk Jaana Nahi from Imtihaan, Ek Ritu Aaye from Gautam Govinda, My Name Is Anthony Gonsalves from Amar Akbar Anthony Bahut Khoobsurat Jawan Ek Ladki from Dostana and Om Shanti Om as well as Paisa Yeh Paisa from Karz. L-P, also composed several hit Kishore-Lata duets, including Achchha To Hum Chalte Hain from Aan Milo Sajna, Gore Rang Pe Na Itna from Roti, Main Solah Baras Ki from Karz, and Din Mahine Saal from Avtaar, Tu Kitne Baras Ki from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, I love you (Kaate Nahin Katate Yeh Din Yeh Raat) from Mr. India in (1987). Salil Chowdhury recorded songs like Koi Hota Jisko Apna from Mere Apne and Gujar Gaye Din Din from Annadata. Ravindra Jain recorded Ghungroo Ki Tarah, and the duet Tota Maina Ki Kahani from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as Hazar Rahein from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several hit songs with Kishore Kumar including Zindagi Ka Safar and Jeevan se na haar Jeenewale , from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam''.
Other composers including Rajesh Roshan, Sapan Chakravarty, and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's first hit film Julie featured hit songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other hits include Chhookar mere man ko from Yaarana , Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge from Baaton Baaton Mein. Bappi Lahiri also recorded many popular songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.
During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for a Congress rally in Mumbai, but Kishore Kumar refused. As a result, the Government put an unofficial ban on playing Kishore Kumar songs on the All India Radio or television.
With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar also became a Bollywood singer in the 1980s. Kishore Kumar also continuted singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.
However, on 13 October 1987, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.
Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled Kiss Kiss, Bang Bangalore. His songs have also been featured in several films, including Such a Long Journey (1998) and Side Streets (1998). Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.
He married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar's second wife was the actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage. Kishore Kumar even converted to Islam, and took the name Karim Abdul.
His family was against the marriage, and the couple also had a Hindu marriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala's death on 23 February 1969. Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore Kumar was married to Leena Chandavarkar from 1980 until his death.
Kishore Kumar had two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.
Kishore Kumar is said to have been paranoid about not being paid. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.
In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.
Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut". 1972 - Best Male Playback Singer for Andaz 1973 - Best Male Playback Singer for Hare Rama Hare Krishna 1975 - Best Male Playback Singer for Kora Kagaz
Category:1929 births Category:1987 deaths Category:Bengali people Category:People from Khandwa Category:Indian male singers Category:Indian actors Category:Indian film actors Category:Indian film singers Category:Cardiovascular disease deaths in India Category:Indian comedians Category:Bollywood playback singers Category:Yodelers Category:Bengali musicians Category:Bengali actors Category:Assamese playback singers Category:Indian former Muslims Category:People from Mumbai Category:Hindi film actors Category:Hindi film directors Category:Indian film directors Category:Indian film producers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Vinod Rathod |
|---|---|
| Background | solo_singer |
| Born | Mumbai, India |
| Genre | Playback singing |
| Occupation | Singer |
| Years active | 1987–present |
| Url | http://www.vinodrathod.com |
Vinod Rathod, the son of singer Pandit Chhaturbhuj Rathod, is a Bollywood playback singer. He has sung in numerous popular Bollywood films including Chal Mere Bhai, Lage Raho Munna Bhai, Mission Kashmir and Baazigar.
Rathod sang the song "Baa Bahu Aur Baby" in the Baa Bahu Aur Baby serial. His guru's name is Aksh Bhardwaj, son of Mr. Tarsem Lal Bhardwaj his father used to be in an Indian Air Force and his mother is a hostess.
He entered the big films league when composers Shiv-Hari called him to record “Baadal Pe Chalke Aa” with Lata Mangeshkar and Suresh Wadekar which proved popular and “Zindagi Har Janam Pyar Ki Dastan” with Lata Mangeshkar in Yash Chopra's Vijay in 1988 proved to be a greater success. Vinod was the voice of Rishi Kapoor in this multi-starer film. He then sang for Rishi-Yash-Shiv-Hari again in Chandni in 1989. This song, “Parbat Se Kaali Ghata Takrai” with Asha Bhosle also proved a hit along with “Sheharon Mein Ek Shehar Suna” with Lata Mangeshkar.
However, he got his real break in 1992 when Laxmikant Pyarelal offered him “Romeo Naam Mera” for Roop Ki Rani Choron Ka Raja. It has proven to be one of the biggest hit of 1992. Laxmikant Pyarelal rapidly called him for more films, which instilled confidence for Vinod among the other composers like Anu Malik, Bappi Lahiri and Anand-Milind. As luck would have it, Nadeem-Shravan [Shravan is Vinod's elder brother] were at the crest of popularity, and though Nadeem favored Kumar Sanu, he gave Vinod Rathod the onus of being the voice of Shah Rukh Khan in Deewana. “Aisi Deewangi” with Alka Yagnik proved a rage and “Koi Na Koi Chahiye Pyar Karne Wala” too proved popular. This film was also released in 1992.
By 1993, Vinod Rathod was a busy man. Laxmikant Pyarelal gave him excellent songs in several films like Bedardi, Dilbar and many other films, and decided that he would be the major voice of Rishi Kapoor in the R K film Prem Granth. Their hits with him included “Jab Se Main Jara Sa Badnam Ho Gaya’ - Gumrah and “Nayak Nahin Khalnayak Hoon Main” - Khal-Nayak. Anu Malik swept aside Nadeem-Shravan by late 1993-94 and Vinod Rathod was very much there in hits like “Ae Mere Humsafar”, “Kitabein Bahut Si”, “Samajhkar Chand Jisko” and “Chupana Bhi Nahin Aata’ - Baazigar. Followed Ladla, Elaan, Agnisakshi, Muhabbat Ki Arzoo, Chahoonga Main Tujhe, Gambler, Parampara, The Gentleman, Zamana Deewana, Shreemaan Aashique, Maidan-E-Jung, Policewala Gunda, Hum Sab Chor Hain, Chaahat, Vastav and the hits “Duniya Ye Duniya Very Good Very Good” - Trimurti and “Dil Dene Ki Rut Aayi” – Prem Granth.
Vinod had a triumph of sorts in the Zee Telefilm, Mr. Shrimati, in which he sang “Aashiq Ki Hai Baraat”. His other hits include his songs from Deewana Mastana, Army, Hero No. 1 and Dulhe Raja, Tere Mere Sapne, and his latest chartbuster, “Dholi Taro Dhol Baje” - Hum Dil De Chuke Sanam, “Chalak Chalak” – Devdas, “M Bole To” - Munna Bhai MBBS which has given his career a new boost after 1999. His songs from Chal Mere Bhai have proved popular too.
“Main Hoon Number Ek Gawaiya” from Dulhe Raja proved his classical excellence which he has incorporated from his father. He has sung for all the leading composers and his list also includes Jatin-Lalit, Ravindra Jain, Bappi Lahiri, Viju Shah, Rajesh Roshan, Dilip Sen-Sameer Sen, Shantanu Moitra and A.R.Rahman.
His voice is flexible and suits from Dharmendra, Rishi Kapoor, Vinod Khanna, Amitabh Bachchan, Mithun Chakraborty, Anil Kapoor, Anupam Kher, Nana Patekar, Govinda, Jackie Shroff, to Shahrukh Khan, Sanjay Dutt, Akshay Kumar, Saif Ali Khan, Salman Khan.
An unabashed Kishore Kumar fan, Vinod's singing replicates the punch, energy and throw of Kishore Kumar. His great voice and strong classical learnings has impressed mentors like Laxmikant Pyarelal. His regret is that could never sing for Rajesh Khanna, despite getting his first big film Vijay, whose cast was headed by the ex-superstar.
Vinod has worked for almost all reputed production houses of India. To mention a few : R K Films, Yash Raj Productions, Factory, Ramesh Sippy Productions, K C Bokadia Productions, Boney Kapoor Productions, Manmohan Desai Productions, Rajshree Productions, Mukta Arts, Bhansali Productions, Vidhu Vinod Chopra Productions etc.
Not only a huge list of production houses Vinod has sung more than 3500 songs in various languages such as Hindi, English, Gujarati, Marathi, Sindhi, Punjabi, Bengali, Oriya, Tamil, Kannad, Telgu, Rajasthani, Bhojpuri and Persian.
For complete list of his films check out http://www.imdb.com/name/nm0711757/
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Rajesh Khanna |
|---|---|
| Birthname | Jatin Khanna |
| Birth date | December 29, 1942 |
| Birth place | Amritsar, Punjab, India |
| Othername | Jatin KhannaKakaRK |
| Yearsactive | 1966 - 1999, 2008 - present |
| Spouse | Dimple Kapadia (1973–1984 separated) |
| Notable role | Anand'Amar Prem |
During his career, he appeared in over 180 films. He won three Filmfare Best Actor Awards and was nominated for the same fourteen times. He was awarded the Filmfare Lifetime Achievement Award in 2005. Khanna is referred to as the “First Superstar” of Indian cinema. He had "the biggest and the maddest fan following, especially his female fans," which, according to Entertainment One India, has not been duplicated since he rose to fame in the 1970s.
He served a five year tenure as MP in the Indian parliament (1991–1996).
Jatin Khanna's uncle changed Khanna's first name to Rajesh when Khanna decided to join films.His friends and his wife call him as Kaka.
He formed popular on screen pairs with actresses namely Sharmila Tagore, Asha Parekh, Mumtaz, Hema Malini, Tina Munim, Shabana Azmi, Smita Patil and Poonam Dhillon.
In the films like "Anand", "Namak Haram", "Bawarchi" and "Naukri" directed by Hrishikesh Mukherjee, Khanna always had author-backed roles and for this reason Khanna charged only half of his market rate while doing these films. Indiatimes ranks Anand amongst the Top 25 Must See Bollywood Films.
Rajesh acted alongside Mumtaz in eight successful films. They were neighbours and got along very well, and as a result they shared a great on-screen chemistry. When Mumtaz gave up films, Rajesh-Mumtaz were the topmost pair. After Khanna married, Mumtaz decided to marry millionaire Mayur Madhwani in 1974. At the time when her marriage was fixed she was doing three films Aap ki Kasam, Roti and Prem Kahani with Khanna. She decided to quit movies only after completing these films. When she left films Khanna felt very lost. In one of her interviews, Mumtaz was quoted saying " I would pull his leg and tease him about his fan following. Whenever Rajesh entered a hotel in Madras, there was a queue of 600 girls waiting to see him at midnight. As a result, even I would get some importance, as people would ask for my autograph as well. He very generous with his associates, and would party a lot."
Sharmila Tagore and Rajesh Khanna both of them as a pair were looked upon with affection by the audiences and easily were accepted as a romantic couple in the different musical hits they did together.The audience were happy to them together in film after film. Rajesh Khanna played the role of an lonely unhappy married man who befriends a prostitute played by Sharmila in Amar Prem. Khanna played the role of husband of Sharmila who gets arrested in murder case and subsequently on the way to prison, the police van meets with an accident and later circumstances forces him to marry another girl to give that girl’s illegitimate child his name. Then Aavishkaar saw them as a married couple who try their best to save their marriage. Tyaag saw Khanna plays a boyfriend who convinces his girlfriend that since her father does not approve of the relationship, they should not marry each other. Public liked Khanna’s pairing with Mumtaz and Sharmila, the most as a result there was a big rivalry between the two heroines.
During the peak of his career he would be mobbed during public appearances. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name. Female fans sent him letters written in their own blood. There used to be a line of cars of his producers and hysterical fans outside his bungalow every day. Actor Mehmood parodied him in his film Bombay to Goa where the driver and conductor of the bus were called 'Rajesh' and 'Khanna'. Even today, he remains the favourite of mimicry artists, who copy his trademark style and dialogue delivery. During the filming of Amar Prem there was scene that needed to be filmed at Howrah Bridge in Calcutta with a boat carrying Khanna with Sharmila moving under the bridge but the authorities ruled this scene out as they realised that if the public found out that the hero of the film would be there, it may create problems on the bridge itself, and that it might collapse due to the amount of people trying to get a glimpse of their favourite actor. Film critic Monojit Lahiri remembers “Girls married themselves to photographs of Rajesh Khanna, cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such hysteria.”
Several songs sung by Kishore Kumar in the 1970s were based on Rajesh Khanna. During the filming of the song 'Mere Sapnon Ki Rani' in Aradhana, Sharmila Tagore was shooting for a Satyajit Ray film and the director Shakti Samanta had to shoot their scenes separately and then join the scenes together.
The BBC made a film on him, Bombay Superstar, in 1974, the shooting for which began the same time when he got married and his film Daag premiered. In the video it can be noticed that Khanna was shooting for Aap Ki Kasam. A textbook was prescribed by the Bombay University contained an essay, 'The Charisma of Rajesh Khanna!'.
Music remained one of the biggest attractions of all Rajesh Khanna films throughout his career, and most of the best scores for his films were composed by Sachin Dev Burman, R.D. Burman and Laxmikant-Pyarelal. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make several hits, including Kati Patang, Amar Prem, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Agar Tum Na Hote, Awaaz, Hum Dono, Alag Alag among others.
Rajesh Khanna had 15 consecutive hits between 1969 to 1972, which is still an unbroken record in Indian film history. His success began to diminish in terms of box office results of his films in the period 1976–78.
Tina Munim and Rajesh Khanna became the leading couples of 80’s on and off screen with hits Fiffty Fiffty, Souten, Aakhir Kyun, Bewafai , Insaaf Main Karoonga and Adhikar(1986). Ram Awatar Agnihotri wrote that Tina Munim showed the first sparks of the dedicated actress she would become in the films Alag Alag and Adhikar both with Khanna. He also acted in the Marathi hit film Sundara Satarkar in 1981. He has performed in the least number of multistar films in comparison to his contemporaries and had the main central character in the few multistarrers he acted. During the multi-starrer era, Khanna delivered multi-starrer superhits like Rajput, Dharam Aur Kanoon, Zamana, Dil-E-Nadan, Ashanti, Awam (film) and Ghar Ka Chiraag. He did three potboiler movies with Jeetendra, which were big blockbusters Dharam Kanta, Nishaan and Maqsad. Aaj Ka M.L.A. Ram Avtar is one of the memorable political film of Rajesh Khanna. Khanna presented a character of corrupt politician and how he gets success for "Power" has been resembled in this film.The viewers praised his role in the film as Khanna was successful acting as the politician. The year 1985 saw him turn a producer with Alag Alag.Ten films with Khanna in the lead role released in the year 1985 and six of them became hits as his films ate up the box office collections of his own films and in addition had three films with him in special appearance.
He shared a very close relationship with R.D. Burman and Kishore Kumar. The trio were very close friends and have worked together in more than thirty films. Work of Pancham with Khanna is regarded as legendary and far superior than any other actor-music director combinations. The king of playback singing Kishore Kumar had even credited Rajesh Khanna for his resurgence, so much so that he sang for Alag Alag,the first film produced by Rajesh Khanna without charging anything. In 1985 Pancham found himself being sidelined after failure of few films but Rajesh Khanna was among the few who continued to stand by him. Rajesh and Pancham worked together even after the death of Kishore in the films Jai Shiv Shankar and the unreleased film Police Ke Peechhe Police,both produced by Khanna and Sautela Bhai.Khanna even helped Leena Gangully and Amit Kumar in completing Mamta Ki Chhaon Mein, the last film directed by Kishore himself as Kishore died before the completion of the film.
Actors who were part of the cast of most of his films include Ashok Kumar, Sujith Kumar, Prem Chopra, Madan Puri, Asrani, Bindu, Vijay Arora, Roopesh Kumar and A. K. Hangal, who remained part of his " working team" since the start until the late eighties. The lyricist whom he preferred for his movies were Anand Bakshi. Films by Shakti Samanta with Khanna in the lead, music by Pancham and lyrics by Anand Bakshi had people swooning over. The films Samanta directed without Khanna in the eighties went downhill. His other close friends from the film industry include Raj Babbar, J. Om Prakash and Jeetendra.
Pyarelal quoted in an interview that “Rajesh Khanna was lucky for us and we were lucky for him too. From the 1969 Do Raaste to the 1986 Amrit, we gave hits together both as films and as music scores.... When we went on our first overseas concert tour in 1984, he came and danced to three songs. He was very particular about his music and would take a tape home if he could not assess a song. He would then give his feedback after a day or two. But if he liked a song at the sitting, he would loudly shout “Wah! Wah!” in appreciation…. It was God’s blessing that we came up with such a vast range of hit songs for him, including in his home productions Roti and films like Chhailla Babu, Chakravyuha, Fiffty Fiffty, Amar Deep and Bewafai. Incidentally, he had a stake in Mehboob Ki Mehndi too. He had great interest in music and a terrific sense of melody too. His music is dominated by Pancham (R.D. Burman) and us and we accepted Shakti Samanta’s Anurodh only because Rajesh Khanna had some misunderstanding with Pancham then and did not want to work with him.” The younger generation stars like Imran Khan still regard Rajesh Khanna as someone who would take the top slot as the most romantic hero of all time. Tom Alter confesses “I still dream of being Rajesh Khanna. For me, in the early 1970s, he was the only hero — romantic to the core, not larger than life, so Indian and real — he was my hero; the reason I came into films and he still is.” Rajesh Khanna was the last super star to set fashion trends before stars of post nineties era came in. The trend of wearing guru kurtas and wearing belt on shirts became famous in seventies and eighties because of Khanna.
Akshay Kumar was a fan of Khanna since his childhood and later as he became son in law he told "Look at what destiny had in store for me. I married my idol's daughter! I still can't believe it.Who wasn't his fan in the 1970s? I remember queuing up for hours to watch Aradhana, Amar Prem, Kati Patang. These are among my favourite films of all times." When Action Replayy, a film starring Akshay in the lead released in 2010, Akshay ensured that Rajesh Khanna became the first person to watch the film in theaters.On the eve of the film's release Akshay said "The film is set in the era that belongs to my father-in-law. I am proud of being part of the family now. Mr Khanna will be the first person to watch the film. I'm determined about that." Action Replayy was a film which paid homage to the decade when Rajesh Khanna ruled. Amitabh Bachchan, while presenting the lifetime achievement award to Khanna at the IIFA awards of 2009 acknowledged, "The word superstar in the Indian film industry was for the first time coined for him".
From the early nineties onwards he stopped acting and served as M.P. of New Delhi Constituency from 1991 to 1996. During that period, he returned to acting, appearing in Khudai(1994). He made a comeback as a NRI in Aa Ab Laut Chalen(1999), and Kyaa Dil Ne Kahaa(2002). In September 2007, he officially announced his planned return to the big screen, signing a contract for several new films, including some Television serials.
Khanna and a group of foreign investors have bought land in Shirdi on which they plan to build a religious resort for disciples of Sai Baba of Shirdi.
Category:1942 births Category:Living people Category:Indian film actors Category:Hindi film actors Category:Indian film producers Category:Indian politicians Category:People from Amritsar Category:Filmfare Awards winners Category:Indian Hindus Category:Indian actor-politicians Category:Indian television actors Category:Indian playback singers Category:Lok Sabha members
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| Name | Lalu Prasad Yadav |
|---|---|
| Caption | Lalu Prasad at a political rally in January 2007, at Kesariya, Bihar, India. |
| Birth date | June 11, 1947 |
| Birth place | Gopalganj, Bihar) |
| Residence | Patna |
| Office | Ex Minister of Railways Government of India MP-Lok Sabha |
| Constituency | Saran |
| Party | RJD |
| Religion | Hinduism |
| Spouse | Rabri Devi |
| Children | 2 sons and 7 daughters |
| Date | September 25 | |
| Year | 2006 | |
| Source | Lok Sabha members' biodata |
Lalu Prasad Yadav (Devanāgarī: लालू प्रसाद यादव) is an Indian politician from Bihar. He was the Minister of Railways from 2004 to 2009 in the ruling United Progressive Alliance (UPA) government, and the President of the Rashtriya Janata Dal political party. He is a Member of Parliament in the 15th Lok Sabha from the Saran constituency in Bihar.
He entered politics during his student days at Patna University, and he was elected a member of the Lok Sabha in 1977 as a Janata party candidate. At the age of 29 he was one of its youngest members of Parliament.
He is famous for his charismatic leadership and mass appeal, and has been criticized for caste-based politics.
Yadav served as the Chief Minister of Bihar from 1990 till 1997, when he resigned following escalating corruption charges in the Fodder Scam. From 1997 to 2005, with brief interruptions, his wife Rabri Devi was the Chief Minister. Her political opponents often accused her as having served as his "surrogate."
Yadav married Rabri Devi on June 1, 1973. Janata Party, Satyendra Narayan Sinha supported him as a candidate for the Lok Sabha and campaigned for him. He was elected as a member of the 9th Lok Sabha on a Janata Party ticket at the age 29, becoming one of the youngest members of the Indian Parliament at the time. In a span of 10 years, Yadav became a formidable force in Bihar State Politics. During the Indian general elections in 1989 and state assembly elections, he successfully led the National Front coalition in Bihar. It was, therefore, no surprise that he was elected the Chief Minister leaving behind Ram Sundar Das, a former chief minister from the same party, when it came to power in the 1990 Assembly elections. The World Bank lauded his party for its work in the 1990s on the economic front.
A report was published by the BBC news in 1986 according to which the police unearthed a Rs. 1950 crore (US$ 267 Million), Fodder Scam in Bihar, which allegedly involved Yadav and the State's leading bureaucrats and politicians, albeit the probe itself was ordered by him. He claimed it to be an Opposition conspiracy to stop his political growth. The fodder scam forced Yadav to resign from the office of Chief Minister and he made his wife, Rabri Devi, his successor as the state's Chief Minister.
When he took over, the Indian Railways was a loss-making organization. In the 4 years under his leadership, it made a cumulative total profit of Rs. 25,000 crores (US $5.2 billion).
He left passenger fares untouched and found several other profitable sources of revenue for the Railways. He also improved on his first year's performance by stating a profit of 14,000 crores with decreased freight and unchanged passenger fares in 2006. Then, in the 2007 budget, he increased the profit level to 20,000 crores with the introduction of cushion seats in all unreserved compartments. In 2008, profits were 25,000 crores (equals US $6.25 billion @ $1~Rs.40)
Well known schools of management were interested in Yadav's leadership in managing the turnaround (with more or less the same IAS officers & the same workforce who worked under the previous ministers). He went to and addressed over a hundred students from Harvard, Wharton and others in Hindi. He has received invitations from 8 Ivy League schools for lectures. The turnaround of the Indian Railways is now being studied by the students of the Indian Institute of Management Ahmedabad. Prof G. Raghuram, a faculty member, IIM-A, has already conducted a detailed study on the Railways turnaround.
In August 2008, CNN-IBN alleged that Yadav had misused his position as the Union Railway Minister to help his relatives acquire land. Earlier Railway ministers and his political opponents Mamata Banerjee & Nitish Kumar have raised doubts over Lalu's achievements.
A Patna-based company launched "Lalu Khaini" (tobacco) in 2004, which was a hit. In 2005, Speedage Corp. introduced "Laluji" dolls that became popular with kids. In 2006, Lalu ka Khzana, a chocolate produced by New Delhi-based Chetak company, became very popular with kids in rural areas of north Bihar districts like Muzaffarpur, Sitamarhi and Madhubani. The wrapper of the chocolate packet depicted two different caricatures of Lalu — one as a politician and the other as a magician. More than 100,000 packets were reportedly sold. A cheap cosmetic pack brand, Lalu Chale Sasural ("Lalu goes to in-laws house"), became extremely popular among rural Bihari girls, especially in the areas of Vaishali, Muzaffarpur, Darbhanga and Samastipur. Each packet, priced at Rs. 23 (roughly half a USD), contains items of daily use like face powder, cream, earrings, sticker, and a necklace.
In June 2006, Prakash Agro Industries in Bihar started selling cattle fodder under the brand name Lalu Pashu Aahar. It was reported that the outcome of this branding strategy had surpassed the company's expectations and they were facing problems in meeting the huge demand for their fodder.
Yadav has a sizable fan following in Bollywood, which includes actors Sunil Shetty and Raza Murad and directors Mahesh Manjrekar and Mahesh Bhatt to name a few. Indian actor turned politician Shatrughan Sinha, who is a political opponent of Yadav, once said, "Had Yadav not been a politician he could have been an actor". Mahesh Bhatt has gone to the extent of saying that Yadav deserves to become Prime Minister of India. A Bollywood movie titled Padamshree Laloo Prasad Yadav was released in 2004. Though his name appeared in the title, the movie was not about him, but had characters named Padmashreee, Laloo, Prasad and Yadav.
These incidences are viewed by some people as an attempt by the mainstream media to make deliberate fun of Yadav's accent although the movie was not a big hit.
. The most notorious, of these, is the Siwan MP Mohammad Shahabuddin. Many of Yadav's own party members, including Gopalganj MP Sadhu Yadav (brother of Lalu's brother-in-law Subhash Yadav), had asked him to sever ties with Shahbuddin.
Yadav was first sent to "Judicial remand" (Bihar Military Police guest house, Patna) on July 30, 1997, for 134 days. On October 28, 1998, he was again sent to the same guest house for 73 days. When the Supreme Court of India took exception to his guest house stay, he had also moved to the Beur jail in Patna. He was later remanded for 11 days on April 5, 2000, in a disproportionate assets case. He surrendered along with his wife, Rabri Devi, and was sent to the Beur Jail. He accused the NDA of creating a conspiracy against him. On October 1, 2004 the Supreme Court of India served a notice to Yadav and his wife, Rabri Devi, on the fodder scam. This was in response to a petition, which alleged that they have been interfering with late in the investigation. Since Laloo Yadav is currently a member of the Union Government at Delhi, the CBI has been accused of dragging it's feet on the issue.
On September 28, 2004, Lalu alleged Mr. Venkaiah Naidu, the then Union Rural Minister, of having sold 55,000 tonnes of wheat in the name of drought relief distribution in AP. "A CBI probe will be initiated to find the truth" he said.
Category:1947 births Category:Living people Category:Indian politicians Category:Chief Ministers of Bihar Category:People from Bihar Category:14th Lok Sabha members Category:Rashtriya Janata Dal politicians Category:Finance Ministers of Bihar Category:15th Lok Sabha members Category:Railway Ministers of India
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| Name | Guru Gobind Singhਗੁਰੂ ਗੋਬਿੰਦ ਸਿੰਘ |
|---|---|
| Caption | Guru Gobind Singh by Sobha Singh |
| Birth name | Gobind Rai |
| Birth date | 22 December 1666 |
| Birth place | Patna, Bihar, India |
| Death date | October 07, 1708 |
| Death place | Nanded, Maharashtra, India |
| Title | Guru Sahib of Sikhs |
| Known for | 10th Sikh Guru |
| Predecessor | Guru Tegh Bahadur |
| Successor | Guru Granth Sahib and Guru Panth |
| Spouse | Mata Jito a.k.a. Mata Sundari |
| Children | Ajit SinghJujhar SinghZorawar SinghFateh Singh |
| Parents | Guru Teg Bahadur, Mata Gujri |
Guru Gobind Singh's life and teachings have had a lasting impression on Sikh ideology as well as in their daily life. His establishment of the Khalsa is considered as one of the most important events in the history of Sikhism. He fought twenty defensive battles with the Mughals and their alliances, such as Rajas of Shivalik Hills. Guru Gobind Singh was the last human Sikh Guru; and in Nanded he declared the Guru Granth Sahib, the holy scripture of Sikhism, as the next permanent Sikh Guru on October 7, 1708.
According to a legend, the birth of Gobind Rai was prophesized by Pir Bhikan Shah, a fakir from Thaksa village (now in Karnal District of Haryana). One day, Bhikan Shah bowed towards the east during his prayers, contrary to the strict standard Islamic practice of bowing in the direction of Qibla-Kaaba only. When the villagers questioned his strange act, he stated that a special child, the savior chosen by the God, would be born in Patna, which lay to the East. He then traveled to Patna with a group of his followers to see the child. He placed two bowls of sweets before the newborn; one bowl was purchased from a Hindu's shop, and the second from a Muslim's shop, thus signifying the two major contemporary religions in India. The baby placed his hands on both the bowls, thus indicating that both Hindus and Muslims will be treated equally by him. According to another legend, the fakir Araf Din of Lakhnaur (now in Ambala District) also bowed to the boy, and proclaimed him as divine.
Gobind Rai spent the first five years of his life in Patna. As a child, he used to play war games with other children, leading mock battles. He had many admirers, including a learned Brahmin called Pandit Shiv Dutt who used to call Guruji Bala Pritam ("child god"), a name that is used even today to refer to the Guru. Once, Raja Fateh Chand of Patna and his Rani, a childless couple, visited Shiv Dutt, and asked him to bless them with a child. Shiv Dutt suggested that they must seek blessing of Bala Pritam, and their desire would be fulfilled. The couple then requested young Gobind Rai to visit their palace, where the Rani asked Guruji to bless her with a son. Guruji smiled and said that why do they need a son, the Rani could call him her son. From that day, the Rani started calling him her son. The royal couple were blessed - Guruji would visit them almost everyday and started playing with his friends in their palace often. Rani cooked meal of poori (a type of Indian bread) and black grams daily for guruji and his wargaming friends. Till today a meal of poori and black gram is served in langar (free kitchen) in their palace which has been converted into gurdwara (sikh religious place).
Other admirers of the boy included two Nawabs, Karim Baksh, who gifted a village and gardens to the child and Rahim Baksh.
Gobind Rai's early education included study of Punjabi, Braj, Sanskrit, Persian and Arabic languages, and training as a soldier. He had started studying Hindi and Sanskrit while at Patna. In Anandpur, he started studying Punjabi under Sahib Chand, and Persian under Qazi Pir Mohammad. A Rajput warrior was employed to train him in military skills and horse riding.
In 1675, some Kashmiri Pandits led by Pandit Kirpa Ram of Matton (Kashmir) brough 16 Kashmiri Brahmins Anandpur to seek Guru Tegh Bahadur's assistance against persecution from the Islamic Mughal rulers. Guru Tegh Bahadur proceeded to the Mughal capital Delhi, to discuss the emperor Aurangzeb's policty towards the non-Muslims. The emperor had previously made very clear that the Guru's influence was unwelcome and was openly hostile to his presence. Guru Tegh Bahadur was beheaded on 11 November 1675 at Chandani Chowk, after refusing to convert to Islam. His head was to be put on the public square to deter the public from objecting to Aurangzeb's policies. The beheading of Guru Tegh Bahadur frightened many of his disciples, some of whom even refused to acknowledge themselves as his followers, in order to avoid persecution. A disciple called Bhai Jaita (later Bhai Jivan Singh) picked up the severed head, before it could be put on display and brought it to Anandpur, and narrated the story of fear among the Guru's followers in Delhi.
After hearing of what had happened in Delhi, Guru Gobind decided to inculcate the martial spirit among his followers. Guru Tegh Bahadur, in preparation for the real possibility of his death at the hands of the emperor, had ordained his son as the next guru, before his departure to Delhi. Gobind Rai was formally installed as the Guru on the Vaisakhi, on the 11th of November 1675.
Guru Gobind engaged 52 poets to translate the heroic Sanskrit epics into contemporary languages. He selected the warlike theme in many of his compositions to infuse martial spirit among his followers. He also wrote several compositions preaching love, equality and the worship of one God, and deprecating idolatry and superstition.
Guru's increasing influence and power worried Raja Bhim Chand of Bilaspur (Kahlur), in whose territory Anandpur was located. Meanwhile, the Guru ordered construction of a war drum (nagara) called Ranjit Nagara to enthuse his soldiers. The use of such a war drum was limited to the chieftains, within their territory, and the Raja considered the use of Ranjit Nagara a hostile act. On his Prime Minister's advice, he arranged a meeting with the Guru in Anandpur. He was received with honor in the Guru's court, where his eyes fell at the valuable gifts presented to the Guru by the devotees. Later, Bhim Chand sent a message to the Guru, asking him to lend an elephant called Prasadi (a gift from a devotee) to him. The Guru suspected that Bhim Chand wanted to gain permanent possession of the elephant, and declined his demand. He stated that the devotee who had presented the elephant, didn't want it to be given away to anybody else. The Raja was perturbed by the Guru's refusal to give away the elephant, his growing influence, and his interest in military exercises. An atmosphere of confrontation developed between the two on small issues.
According to Bichitra Natak and the Bhatt Vahis, Guru Gobind Singh remained at Nadaun, on the banks of the River Beas, for eight days, and visited the places of all the chiefs.
In 1695, Dilawar Khan, the Mughal chief of Punjab, sent his son with an army of one thousand men to Anandpur, to check the rising power of the Guru. As Khanzada crossed the Satluj river, Guru's scout Alam Chand (aka Alam Singh) alerted the Guru's forces. The Ranjit Nagara was beaten, and the Guru's men quickly marched to the river, forcing the Mughal army to retreat back.
The failure of Khanzada to check Guru's power provoked Dilawar Khan to plan a bigger attack on the Guru and other hill Rajas. He sent two thousand men under his slave Hussain to subdue them. Hussain defeated the Raja of Dadhwal and plundered Doon. Raja Kirpal (Katoch) of Kangra and Raja Bhim Chand of Kahlur accepted his suzerainty. Raja Gopal of Guler and Raja Ram Singh tried to negotiate with Hussain, but the talks failed. Hussain besieged Guler, and demanded ten thousand rupees from Raja Gopal. Gopal sent his envoy to Guru Gobind Singh, asking him to negotiate a peace treaty between Hussain and the Raja. The Guru sent his agent, Sangtia, with an escort of seven troopers. However, an agreement could not be reached, resulting in a battle (dated between 1695 to 1698). Kirpal and Bhim Chand fought on Hussain's side, while Raja Ram Singh and the Guru's men fought on Raja Gopal's side. The battle resulted in the deaths of Hussain, Kirpal and all of the Guru's men. Raja Bhim Chand's forces fled from the battlefield, thus resulting in the victory of Raja Gopal. Raja Gopal went to the Guru, thanked him, and offered him gifts. The battle is described in the Chapter 11 of Bichitra Natak.
After Hussain's death, Dilawar Khan sent his men Jujhar Hada and Chandel Rai to Sivalik Hills. However, they were defeated by Gaj Singh of Jaswal. The developments in the hill area caused anxiety to the Mughal emperor Aurangzeb, who sent forces under the command of his son, to restore Mughal authority in the region.
Guru Gobind Singh Ji then poured clear water into an iron bowl and adding Patashas (Punjabi sweeteners) into it, he stirred it with double-edged sword accompanied with recitations from Adi Granth. He called this mixture of sweetened water and iron as Amrit ("nectar") and administered it to the five men. These five, who willingly volunteered to sacrifice their lives for their Guru, were given the title of the Panj Piare ("the five beloved ones") by their Guru. }}
A result of the Guru's actions is arguably that the strength of Sikhism in the 18th and 19th centuries was based on the third, fourth, and fifth orders of Indian society, even though some of its leaders still came from the Kshatriya varna. An interesting representation of the first amrit ceremony is found in the paintings that show two dead hawks, lying on their backs on the ground, while their killers, two doves, sit upon the bowls of amrit. Symbolically, the Sikhs, the doves, had gained the strength of hawks, the strong, militant people who lived on all sides of them.
Guru Gobind Singh's respect for the Khalsa is best represented in one of his poems:
Balia Chand and Alim Chand, two hill chiefs, made a surprise attack on the Guru, while he was on a hunting expedition. In the ensuing combat, Alim Chand managed to escape, while Balia Chand was killed by Guru's aide Ude Singh.
After several failed attempts to check the rising power of the Guru, the hill chiefs petitioned the Mughal rulers to help them subdue the Guru. In response, the Mughal viceroy of Delhi sent his generals Din Beg and Painda Khan, each with an army of five thousand men. The Mughal forces were joined by the armies of the hill chiefs. However, they failed to defeat the Guru's forces, and Painda Khan was killed in the First Battle of Anandpur (1701).
Alarmed at the Guru's rising influence, the Rajas of several hill states assembled at Bilaspur to discuss the situation. The son of Bhim Chand, Raja Ajmer Chand of Kahlur, suggested forming an alliance to curb the Guru's rising power. Accordingly, the Rajas formed an alliance, and marched towards Anandpur. They sent a letter to the Guru, asking him to pay the arrears of rent for Anandpur (which lay in Ajmer Chand's territory), and leave the place. The Guru insisted that the land was bought by his father, and is therefore, his own property. A battle, dated from 1701 to 1704, followed. The hill Rajas were joined by a large number of Gujjars, under the command of Jagatullah. Duni Chand led five hundred men from Majha region to assist the Guru. Reinforcements from other areas also arrived to help the Guru. The conflict, known as the Second Battle of Anandpur, resulted in retreat of the hill Rajas.
Later, the hill Rajas negotiated a peace agreement with the Guru, asking him to leave Anandpur temporarily. Accordingly, the Guru left for Nirmoh village. Seeing that Nirmoh was not fortified, Raja Ajmer Chand and the Raja of Kangra launched an attack on the Guru's camp. However, they were not able to defeat the Guru. Meanwhile, Raja Ajmer Chand had sent his envoys to the Mughal viceroys in Sirhind and Delhi, seeking their help against the Guru. The army of Sirhind viceroy Wazir Khan arrived to assist the hill Rajas. The assault by Wazir Khan's army forced the Guru to retreat to Basoli, whose Raja was on good terms with the Guru.
After staying for a few days at Basoli, the Guru marched back to Anandpur, and the hill Rajas decided to make peace with him. However, after two years of peace, the hostilities between the Rajas and the Guru reappeared due to Guru's rising power, and clashes between the Rajas' men and the Sikhs. Raja Ajmer Chand allied with the Rajas of Hindur, Chamba and Fatehpur, and attacked Anandpur in 1703-04. They failed to oust the Guru in the Third Battle of Anandpur, and retreated.
After repeated pleas for assistance from the hill Rajas, the Mughal emperor sent a large army under Saiyad Khan's command, to check the Guru's power. Saiyad Khan was a brother-in-law of Pir Budhu Shah, and defected to the Guru's side, after the Pir spoke highly of him. Ramzan Khan then took the command of the imperial army, and allied with the hill Rajas to attack Anandpur in March 1704. It was the crop-cutting time of the year, and the majority of the Guru's followers had dispersed to their homes. Although the Guru was assisted by two of his Muslim admirers, Maimun Khan and Saiyad Beg, his men were outnumbered and he decided to vacate Anandpur.}}
At the plea of Raja Ajmer Chand, the Mughal emperor ordered the viceroys of Sirhind, Lahore and Kashmir to proceed against the Guru. The Mughal forces were joined by the armies of the hill Rajas, the Ranghars and the Gurjars of the area. The Guru also made preparations for the battle, and his followers from Majha, Malwa, Doaba and other areas assembled at Anandpur.
The imperial forces attacked Anandpur in 1705, and laid a siege around the city. After a few days of the commencement of the siege, Raja Ajmer Chand sent his envoy to the Guru, offering withdrawal of the siege, in return for Guru's evacuation from Anandpur. The Guru refused to accept the offer, but many of his followers, suffering from lack of food and other supplies, asked him to accept the proposal. As more and more followers pressurized the Guru to accept Ajmer Chand's offer, he sent a message to Ajmer Chand offering to evacuate Anandpur, if the allied forces would first allow his treasury and other property to be taken outside the city. The allied forces accepted the proposal. The Guru, in order to test their sincerity, sent a caravan of loaded bullocks outside the fort. However, the allied forces attacked the caravan to loot the treasure. To their disappointment, they found out that the caravan had no treasure, just some rubbish articles. The Guru then decided not to vacate Anandpur, and refused to accept any further proposals from the allied forces.
Finally, the Mughal emperor Aurangzeb sent a signed letter to the Guru, swearing in name of Quran, that the Guru and his followers would be allowed a safe passage if he decided to evacuate Anandpur. The Guru, hard pressed by his followers and his family, accepted the offer, and evacuated Anandpur on 20–21 December 1705.
On the first night after they left Anandpur, the Guru's contingent was attacked by the imperial forces. Following a few skirmishes, the Guru and his followers reached the banks of Sirsa river. The group could not keep together while crossing the flooded Sirsa (or Sarsa) river. The Guru's mother, and his two younger sons, Fateh Singh and Zorawar Singh, strayed away from the main group. Guru's old servant, Gangu, escorted them to his village, Kheri. His wife Mata Jito, was in another group that also included Mata Sahib Kaur; this group was escorted to Delhi by Jawahar Singh. The flood in the river resulted in several of the Guru's followers getting drowned, and there was heavy loss of property and literature.
The Guru, with his two elder sons, and some other Sikhs, managed to cross the river and reached the Ghanaula village on the other side of the river. He instructed a band of hundred followers under Bachitar Singh to march to Rupar. The Guru, with the remaining followers, marched towards Kotla Nihang near Rupar, to stay with his trusted acquaintance Pathan Nihang Khan. From there, he proceeded to Machhiwara and Raikot, halting at Bur Majra. He was informed that a large body of troops from Sirhind was chasing him. He decided to face the enemy troops at the fortress of Chamkaur.
The imperial troops besieged the fortress at Chamkaur in December 1705, leading to the battle of Chamkaur. The two elder sons of Guru Gobind Singh, Ajit Singh and Jujhar Singh, fell in the battle. The Guru asked the remaining disciples to get ready for the final charge, and die fighting. However, his disciples insisted that the his survival was necessary for the survival of the Khalsa, and planned his escape from Chamkaur. It was decided that Sant Singh and Sangat Singh would stay in the fortress, while Daya Singh, Dharam Singh, and Man Singh would accompany the Guru out of Chamkaur. The Guru gave his kalghi (plume used to decorate headgear) and his armor to Bhai Sant Singh, a Sikh who resembled him. Sant Singh was seated in the upper room where Guru was stationed. The Guru marched out of Chamkaur in the night, along with some followers. Next day, the Mughal army, which still believed that the Guru was inside the fortress, attacked the fortress, and killed all the Sikhs inside the fortress.
The Guru separated from his companions, and reached Machhiwara, after passing through Jandsar and Behlolpur. There, his three companions, Daya Singh, Dharam Singh and Man Singh rejoined him. Gulaba, an old masand of Machhiwara, gave them shelter, but feared for his own safety. Two Pathan horse merchants, Nabi Khan and Ghani Khan, decided to help him. The Khans, who were old acquaintances of the Guru, disguised him as the Pir (Sufi saint) of Uchh village, and carried him to safety, in a palanquin. At Alam Gir, Nand Lal, a zamindar decided to help the Guru. From Alam Gir, the Guru proceeded to Raikot. At Silaoni, Rai Kalha III, the Muslim chief of Raikot state, received him warmly. The Guru stayed there for some time.
Meanwhile, Guru's mother Mata Gujri and the his two younger sons were captured by Wazir Khan, the governor of Sirhind. The two boys were killed after refusing to convert to Islam, and Mata Gujri died soon after hearing of her grandsons' death. Rai Kalha's servant Noora Mahi brought this news to the Guru from Sirhind. As a token of appreciation for Rai Kalha's efforts, the Guru gifted him Ganga Sagar, a sword and a rehel (small wooden stand used to read religious scriptures).
While at Dina, the Guru received a concilatory letter from Aurangzeb, asking him to come to Deccan to discuss the situation. The Guru was wary of Aurangzeb, who had beheaded his father, and whose army attacked him at Anandpur in spite of an oath in the name of Quran. The Guru rejected the emperor's offer, and wrote a long letter in Persian, titled 'Zafarnamah (the Epistle of Victory). In the letter, the Guru reminded Aurangzeb of his misdeeds, and condemened the treacherous acts of the Mughals. He sent a group of Sikhs, consisting of Daya Singh, Dharam Singh, and some guards, to despatch the letter to Aurangzeb, who was camping in Ahmednagar.
Guru Gobind Singh moved onto Talwandi Sabo and was at place called Rohi when a group of forty Sikhs from Majha area of Punjab region accompanied by Mata Bhag Kaur, also known as Mai Bhago, visited him. They had come to offer their condolences over the death of his four sons and his mother, and also offered to effect a compromise between the Guru and Mughal authorities. The Guru narrated to them the atrocities of Mughals from the time of martyrdom of Guru Arjan to the laying of the siege of Anandpur. He rebuked them for their behaviour and put them to shame for talking like that. One of the leaders of the Jatha (group), Bhag Singh Jabhalia, said that it was not in their means to have more faith in the Guru. The Guru said that he had not called for them and they should write a disclaimer, which was signed by Bhag Singh Jabhalia and another four. The remaining thirty five did not sign the disclaimer. The Guru at the moment got the information of advancing Mughal forces led by Wazir Khan. He along with those acompanying him moved on to take positions by the side of a mound, which incidentally was also the only water source in the area.
At this stage Mata Bhag Kaur criticised the forty Sikhs for deserting Guru Gobind Singh at such a crucial stage. Her challenge made the forty to face the oncoming Mughal force led by Wazir Khan. In the action that occurred on 30 poh 1972 (29 December 1705), beside the forty Sikhs and Mata Bhag Kaur from Majha, Guru Gobind Singh and those accompanying him also participated. After a showdown with arrows and bullets, the fight came down to close combat with swords and spears. By sunset all forty were dead or seriously injured and the Mughal forces retreated. Of the forty only three sikhs (Rai Singh, Sunder singh and Mahan singh) were in their last breath, while Bhag Kaur lay seriously injured. At their request Guru Gobind Singh tore the disclaimer and blessed them as Muktas (emanicipated). He also changed the name of the place, Ishar sar or Khidrana, to Muktsar in their honour.
From Muktsar, the Guru moved to Rupana, Bhander, Gurusar, Thehri Bambiha, Rohila, Jangiana and Bhai Ka Kot. At Chatiana, the Brars who had fought for him at Muktsar, threatened to block his march as the Guru had failed to disburse pay arrears to them. A Sikh from the neighborhood area brought enough money, which enabled the Guru to pay off all the arrears. However, the leader of the Brars, Chaudhri Dana apologized the Guru on behalf of his people, and refused to accept any payment for himself. At his request, the Guru visited his native place Mehma Swai. The Guru continued his travel, passing through Lakhi Jungle (Lakhisar). From Lakhi, he visited nearby areas and initiated large number of people into Khalsa.
A landowner called Chaudhari Dalla welcomed the Guru to his estate, and took him to Talwandi Sabo (aka Talwandi Sabo Ki). On his way he passed through Chatiana, Kot Sahib Chand, Kot Bhai, Giddarbaha, Rohila, Jangirana, Bambiha, Bajak, Kaljhirani, Jassi Bagwali, Pakka Kalan and Chak Hira Singh. Guru Gobind Singh arrived at Talwandi Sabo on 20 January 1706, and stayed there for several months. The place is now called Damdama Sahib (the resting place). The Guru made a tour of the neighbouring villages, and initiated several people into the Khalsa.
When Wazir Khan learned that the Guru was at Sabo Ki Talwandi, he sent a letter to Chaudhri Dalla asking him to hand over Guru Gobind Singh to him. However, the Chaudhari refused to hand over the Guru, in spite of Wazir Khan's threats and promises of reward. Wazir Khan complained to the Emperor, who was in the Deccan. The Emperor received Dalla's letter written to Wazir Khan and also the Guru's Zafarnamah at about the same time. He ordered Wazir Khan to remove all restrictions imposed on the Guru and stop harassing him.
The Guru's literature had been destroyed as he crossed the river after evacuating Anandpur. He dictated the Guru Granth Sahib to Bhai Mani Singh. A number of poets and scholars gathered around the Guru at Talwandi Sabo, and the place came to be known as Guru's Kashi (Varanasi). The Guru's wife, who had separated from him at Anandpur, also reunited with him at Damdama Sahib. The Guru also reorganized his forces at this place, and took many Dogras, Rathores and Brars into his service.
After the emperor's death, a war of succession broke out between his sons. The third son, Mohammad Azam (or Azim), declared himself the Emperor. The second son Muazzam (later Emperor Bahadur Shah) set out from Peshawar to claim the throne. The Guru's follower Bhai Nand Lal (who had earlier served in the Muazzam 's court) brought him a letter written by Muazzam. Muazzam had sought Guru's help in securing the throne, and had promised to pursue a policy of religious tolerance towards the non-Muslims. The Guru sent a band of his followers under the command of Bhai Dharam Singh, to help Muazzam. Muazzam's forces defeated Azam Shah's forces in the Battle of Jajau on 12 June 1707.
Muazzam ascended the throne as Bahadur Shah. He invited Guru Gobind Singh for a meeting which took place at Agra on 23 July 1707. The Guru was received with honour and was given the title of Hind Ka Pir (the Saint of India). The Guru stayed with the Emperor in Agra till November 1707. He made Dholpur a center of his missionary activities, and toured nearby areas for many days, before proceeding to Deccan. In November 1707, the Emperor had to march into Rajputana against the rebel Kachwahas. He requested the Guru to accompany him. From Rajputana, the emperor marched to the Deccan to suppress the rebellion of his brother Kam Bakhsh, and the Guru accompanied him.
Guru Gobind Singh was not happy with Bahadur Shah's friendly attitude towards Wazir Khan of Sirhind. He parted ways with the Emperor at Hingoli, and reached Nanded in July 1708. At Nanded, the Guru camped on the banks of the river Godavari. Saiyad Khan, the former general of the imperial forces, resigned from his post and came to Nanded from Kangra, to see the Guru.
During a trip, the Guru met a bairagi (hermit) called Madho Das, whom he initiated into Khalsa as Gurbakhsh Singh. Gurbakhsh Singh, popularly known as "Banda Singh" or "Banda Bahadur", soon became his most trusted general.
While in Nanded, the Guru received in a letter from Saiyad Khan's sister Nasiran, the wife of Pir Budhu Shah of Sadhaura. The letter informed him that the Emperor's army had ransacked Sadhaura and hanged Pir Budhu Shah as a rebel, for having faith in Guru Gobind Singh, whom they considered as a Kaffir ("infidel").
The Guru assumed that the Emperor had fallen prey to Wazir Khan's propaganda, and was plotting to kill all of his supporters. He sent a letter to the emperor, demanding an explanation for Pir Budhu Shah's death. There was no reply from the emperor. Instead, the Guru heard rumors that the emperor was planning to wage a battle against him. The Guru appointed Banda Singh as the commander of the Khalsa, and asked him to march towards Punjab.
Wazir Khan, the Nawab of Sirhind, felt uneasy about any conciliation between Guru Gobind Singh and Bahadur Shah I. He commissioned two Pathans, Jamshed Khan and Wasil Beg, to assassinate the Guru. The two secretly pursued the Guru and got an opportunity to attack him at Nanded.
According to Sri Gur Sobha by the contemporary writer Senapati, Jamshed Khan stabbed the Guru in the left side below the heart while he was resting in his chamber after the Rehras prayer. Guru Gobind Singh killed the attacker with his sabre, while the attacker's fleeing companion was killed by the Sikhs who had rushed in on hearing the noise.
The European surgeon sent by Bahadur Shah stitched the Guru's wound. However, the wound re-opened and caused profuse bleeding, as the Guru tugged at a hard strong bow after a few days. Seeing his end was near, the Guru declared the Granth Sahib as the next Guru of the Sikhs. He then sang his self-composed hymn:
:"Agya bhai Akal ki tabhi chalayo Panth Sabh Sikhan ko hukam hai Guru Maneyo Granth, Guru Granth Ji manyo pargat Guran ki deh Jo Prabhu ko milbo chahe khoj shabad mein le Raj karega Khalsa aqi rahei na koe Khwar hoe sabh milange bache sharan jo hoe."
Translation of the above:
:"Under orders of the Immortal Being, the Panth was created. All the Sikhs are enjoined to accept the Granth as their Guru. Consider the Guru Granth as embodiment of the Gurus. Those who want to meet God, can find Him in its hymns. The pure shall rule, and impure will be no more, Those separated will unite and all the devotees shall be saved."
The Guru reportedly passed away, along with his horse Dilbagh (aka Neela Ghora) on 7 October 1708 at Nanded, before which he had declared the Guru Granth Sahib as his successor. A section of the Namdhari Sikhs dispute this version, and instead believe that the Guru did not die at Nanded: he secretly exited from the funeral pyre (which he had forbidden others from seeing). Later, he settled in Nabha, where he stayed for 103 years under the guise of "Baba Ajaypal Singh" and declared Balak Singh as his successor.
to the Dasam Granth]] Several works have been attributed to Guru Gobind Singh. Many of the literary works of him were lost during the evacuation of Anandpur Sahib. The collection of writings attributed to Guru Gobind Singh is known as Dasven Paatshah Da Granth meaning Book of the Tenth Emperor. It is popularly referred to as the Dasam Granth. It is a compilation of hymns, philosophical writings, autobiography of the Guru and many fables.
The underlying message of all the works is 'worship the creator and not the creations'. The following works are included in it:
)) Dr Harjinder Singh Dilgeer: 'Akal Takht Sahib - Concept and Role', year 2011, publishers: Sikh University Press, Belgium
Category:1666 births Category:1708 deaths Category:Sikh warriors Category:Sikh gurus Category:Indian poets Category:Punjabi people
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| Name | Bipasha Basu |
|---|---|
| Birth date | January 07, 1979 |
| Birth place | New Delhi, Delhi, India |
| Caption | Bipasha Basu at the launch of Filmfare cover issue in April 2009. |
| Yearsactive | 2001 – present |
| Domesticpartner | John Abraham (2002 – present) |
| Occupation | Film actress, model |
| Website | http://bipashabasunet.com |
In an interview, she has stated that she had initially planned to study medicine, but entered modelling and acting by accident. Basu studied science till the 12th standard at Bhavan's Gangabux Kanoria Vidyamandir and then studied commerce at The Bhawanipur Gujarati Education Society College, an undergraduate college affiliated with the University of Calcutta. In Kolkata, she did modeling and ramp shows part-time. However, in 1996, she met model Mehr Jessia in Kolkata; the latter suggested that Basu take part in the Godrej Cinthol Supermodel contest. Basu participated, and won the contest. For her performance in the film, she received her first Best Actress nomination at the Filmfare. One review in The Tribune noted, "...it is Bipasha Basu who steals the show with her fine performance." She appeared as Sonia Khanna in the 2003 hit movie Jism alongside John Abraham. The movie earned her a Filmfare Best Villain Award nomination.
Besides acting, Basu did the video "Tu" for Sonu Nigam's album, Kismat. She also made a guest appearance in Jay Sean's music video Stolen.
In 2006, she performed an item number during the song Beedi in the film Omkara for which Rediff noted Basu's picturisation. In 2008 Basu starred in Race, her second collaboration with duo Abbas Mustan, with whom she debuted in Bollywood. Co-starring Saif Ali Khan, Akshaye Khanna, Anil Kapoor and Katrina Kaif, the film performed well at the box office, and Basu's performance was appreciated by critics. Taran Adarsh of indiaFM described her performance as "her best work so far. She’s superb". She also received good reviews for her role in Bachna Ae Haseeno opposite Ranbir Kapoor. She completed the year by appearing in Rab Ne Bana Di Jodi in the song Phir Milenge Chalte Chalte.
In 2005 Bipasha and John Abraham did a fitness video with Eros called Bollywood Bodies. In 2010 she has launched her own line of videos with Shemaroo under the banner BB - Love Yourself. The first release is called 'Fit and Fabulous You.
In 2006, Basu claimed to have been harassed by certain organizers of the India Day Parade in Edison, New Jersey. Basu was initially scheduled to lead the parade on 13 August 2006. Basu eventually appeared on stage late, according to her, because of the harassment. She said, "I wanted to attend the parade, but I could not." She explained that she was harassed physically and mentally in the car by two people who were taking her to the parade.
In 2005 and 2007, UK magazine Eastern Eye named Basu the "Sexiest Woman in Asia".
{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Role ! style="background:#B0C4DE;" | Awards |- | 2001 || Ajnabee || Sonia/Neeta || Winner, Filmfare Best Female Debut Award |- |rowspan="6"| 2002 || Takkari Donga || Panasa || Telugu film |- | Raaz || Sanjana Dhanraj || Nominated, Filmfare Best Actress Award |- | Aankhen || Raina || |- | Mere Yaar Ki Shaadi Hai || Ria || |- | Chor Machaaye Shor || Ranjita || |- | Gunaah || Prabha Narayan || |- |rowspan="4"| 2003 || Jism || Sonia Khanna || Nominated, Filmfare Best Villain Award |- | Footpath || Sanjana Rai Shingla Khan || |- | ||Special appearance || |- | Zameen || Nandini || |- |rowspan="5"| 2004 || Ishq Hai Tumse || Kushboo || |- | Aetbaar || Ria Malhotra || |- | Rudraksh || Gayetri || |- | || Drishti || |- | Madhoshi || Anupama Kaul || |- |rowspan="7"| 2005 || Chehraa || Megha || |- | Sachein || Manju || Tamil film |- | Viruddh || Special appearance || |- | Barsaat || Anna || |- | No Entry || Bobby || Nominated, Filmfare Best Supporting Actress Award |- | Apaharan || Megha || |- | Shikhar || Natasha || |- |rowspan="8"| 2006 || Hum Ko Deewana Kar Gaye || Sonia Berry || |- | Darna Zaroori Hai || Varsha || |- | Phir Hera Pheri || Anuradha || |- | Alag || Special appearance in song Sabse Alag || |- | Corporate || Nishigandha Dasgupta || Nominated, Filmfare Best Actress Award |- | Omkara || Billo Chamanbahar || |- | Jaane Hoga Kya || Aditi || |- | Dhoom 2 || ACP Shonali Bose/ Monali Bose || |- |rowspan="4"| 2007 || Nehlle Pe Dehlla || Pooja || |- | No Smoking || Special appearance in song Phoonk De || |- | Om Shanti Om || Special appearance, Herself || |- | Dhan Dhana Dhan Goal || Rumana || |- |rowspan="3"| 2008 || Race || Sonia || |- | Bachna Ae Haseeno || Radhika/Shreya Rathod || Nominated, Filmfare Best Supporting Actress Award |- | Rab Ne Bana Di Jodi || Special appearance in song Phir Milenge Chalte Chalte || |- |rowspan="3"| 2009 || Aa Dekhen Zara || Simi Chatterjee || |- | || Double role: Jhanvi Chopra/Princess of Lesotho || |- | Sob Choritro Kalponik || Radhika || Bengali film |- |rowspan="3"| 2010 ||Pankh || Nandini (Alter-ego) || |- | Lamhaa || Aziza || |- | Aakrosh || Geeta || |- |rowspan="3"| 2011 || Dum Maro Dum || || Post-production |- | Players || || Filming |- | Singularity || Tulaja Naik || Filming |- |}
Category:1979 births Category:Living people Category:Indian film actors Category:Bengali people Category:Bengali actors Basu,Bipasha Category:Indian female models Category:University of Calcutta alumni Category:Hindi film actors Category:Indian Hindus Category:People from Kolkata Category:Filmfare Awards winners Category:People from Mumbai
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
