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- Duration: 143:07
- Published: 14 Jul 2010
- Uploaded: 11 May 2011
- Author: rajshri
The movie is a remake of a Bengali film 'Nishipadma' (1970) by Arabinda Mukherjee, who wrote screenplay for both the films; it starred Uttam Kumar and Sabitri Chatterjee as leads.
The film portrays the decadence of human values and relationships and contrasts it by presenting an illustrious example of a young boy's innocent love for neighbourhood courtesan. It was also noted for its music by R.D. Burman, numbers sung by famous playback singers like Kishore Kumar, R.D. Burman's father S.D. Burman and Lata Mangeshkar, and the lyrics were by Anand Bakshi.
Later a widowed man with his family, from the same village as her, moves in close to Pushpa's place. The new neighbour's son, Nandu, doesn't get any love at home, as his father works all the time and his step mother doesn't care about him. Pushpa starts treating Nandu as her own son when she gets to know that he is from the same village as her.
The story evolves around Pushpa's great love for both Anand Babu and Nandu. The story details how circumstances stop Pushpa from meeting them as people and society prejudge her.
Category:1972 films Category:Indian films Category:Hindi-language films Category:Compositions by Rahul Dev Burman Category:Films about prostitution Category:Films set in Kolkata Category:Films directed by Shakti Samanta Category:1970s drama films
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Name | Sharmila Tagore |
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Birthdate | December 08, 1946 | birth_place = Hyderabad, Andhra Pradesh, India |
Occupation | Actress |
Yearsactive | 1959–present |
Othername | Ayesha Sultana Ayesha Sultana Khan Sharmila Tagore Khan Sharmila Khan Ayesha Khan(when converted into Muslim) |
Birthname | Sharmila Tagore |
Caption | Sharmila Tagore in 2009 |
Spouse | Mansoor Ali Khan (1969 – present) |
Children | Saif Ali Khan Saba Ali Khan Soha Ali Khan |
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Awards |
She has led the Indian Film Censor Board. In December 2005 she was chosen as an UNICEF Goodwill Ambassador.
She established herself as a popular Hindi film actress with Shakti Samanta's Kashmir Ki Kali in 1964. Samanta again cast her in many more hit films, notably An Evening in Paris (1967), the first appearance on a two-piece bikini of an Indian actress, (Sadhana had appeared in one-piece bikini in earlier films) which not only shocked conservative Indian audiences but also set off a wave of bikini-clad actresses carried forward by Parveen Babi (in Yeh Nazdeekiyan, 1982), Zeenat Aman (in Heera Panna 1973; Qurbani, 1980 Wearing a bikini put her name in the Indian press as one of Bollywood's ten hottest actresses of all time, and was a transgression of female identity through a reversal of the state of modesty, which functions as a signifier of femininity in Bombay films. But, when Tagore was the chairperson of the Central Board of Film Certification, she expressed concerns about the rise of the bikini in Indian films.
Samanta later teamed up Tagore with Rajesh Khanna for movies such as Aradhana (1969) and Amar Prem (1972), where played the role of Pushpa, the courtesan in city of Kolkata, again opposite Rajesh Khanna, who himself gave his often quoted dialogue in the film, "Pushpa I hate tears..". Other directors paired them together in Daag (1973), Maalik (1972) and Safar (1970). She starred in Gulzar's 1975 film, Mausam, and she played a supporting role as heroine Sarita Choudhury's mother in Mira Nair's 1991 film Mississippi Masala.
Her latest release is a Marathi film Samaantar by Amol Palekar. Her earlier releases were Vidhu Vinod Chopra's film, , brings together real life mother and son, Sharmila Tagore and Saif Ali Khan. They share screen space for the first time since Aashiq Awara (1993).
Category:Bengali actors Category:Bengali film actors Category:Bengali people Category:Indian actors Category:Indian film actors Category:1946 births Category:Living people Category:Filmfare Awards winners Category:Converts to Islam Category:Indian Muslims Category:Hindi film actors Category:People from Hyderabad, India Category:People from Mumbai Category:UNICEF people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Rajesh Khanna |
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Birthname | Jatin Khanna |
Birth date | December 29, 1942 |
Birth place | Amritsar, Punjab, India |
Othername | Jatin KhannaKakaRK |
Yearsactive | 1966 - 1999, 2008 - present |
Spouse | Dimple Kapadia (1973–1984 separated) |
Notable role | Anand'Amar Prem |
During his career, he appeared in over 180 films. He won three Filmfare Best Actor Awards and was nominated for the same fourteen times. He was awarded the Filmfare Lifetime Achievement Award in 2005. Khanna is referred to as the “First Superstar” of Indian cinema. He had "the biggest and the maddest fan following, especially his female fans," which, according to Entertainment One India, has not been duplicated since he rose to fame in the 1970s.
He served a five year tenure as MP in the Indian parliament (1991–1996).
Jatin Khanna's uncle changed Khanna's first name to Rajesh when Khanna decided to join films.His friends and his wife call him as Kaka.
He formed popular on screen pairs with actresses namely Sharmila Tagore, Asha Parekh, Mumtaz, Hema Malini, Tina Munim, Shabana Azmi, Smita Patil and Poonam Dhillon.
In the films like "Anand", "Namak Haram", "Bawarchi" and "Naukri" directed by Hrishikesh Mukherjee, Khanna always had author-backed roles and for this reason Khanna charged only half of his market rate while doing these films. Indiatimes ranks Anand amongst the Top 25 Must See Bollywood Films.
Rajesh acted alongside Mumtaz in eight successful films. They were neighbours and got along very well, and as a result they shared a great on-screen chemistry. When Mumtaz gave up films, Rajesh-Mumtaz were the topmost pair. After Khanna married, Mumtaz decided to marry millionaire Mayur Madhwani in 1974. At the time when her marriage was fixed she was doing three films Aap ki Kasam, Roti and Prem Kahani with Khanna. She decided to quit movies only after completing these films. When she left films Khanna felt very lost. In one of her interviews, Mumtaz was quoted saying " I would pull his leg and tease him about his fan following. Whenever Rajesh entered a hotel in Madras, there was a queue of 600 girls waiting to see him at midnight. As a result, even I would get some importance, as people would ask for my autograph as well. He very generous with his associates, and would party a lot."
Sharmila Tagore and Rajesh Khanna both of them as a pair were looked upon with affection by the audiences and easily were accepted as a romantic couple in the different musical hits they did together.The audience were happy to them together in film after film. Rajesh Khanna played the role of an lonely unhappy married man who befriends a prostitute played by Sharmila in Amar Prem. Khanna played the role of husband of Sharmila who gets arrested in murder case and subsequently on the way to prison, the police van meets with an accident and later circumstances forces him to marry another girl to give that girl’s illegitimate child his name. Then Aavishkaar saw them as a married couple who try their best to save their marriage. Tyaag saw Khanna plays a boyfriend who convinces his girlfriend that since her father does not approve of the relationship, they should not marry each other. Public liked Khanna’s pairing with Mumtaz and Sharmila, the most as a result there was a big rivalry between the two heroines.
During the peak of his career he would be mobbed during public appearances. Fans kissed his car, which would be covered with lipstick marks, and lined the road, cheering and chanting his name. Female fans sent him letters written in their own blood. There used to be a line of cars of his producers and hysterical fans outside his bungalow every day. Actor Mehmood parodied him in his film Bombay to Goa where the driver and conductor of the bus were called 'Rajesh' and 'Khanna'. Even today, he remains the favourite of mimicry artists, who copy his trademark style and dialogue delivery. During the filming of Amar Prem there was scene that needed to be filmed at Howrah Bridge in Calcutta with a boat carrying Khanna with Sharmila moving under the bridge but the authorities ruled this scene out as they realised that if the public found out that the hero of the film would be there, it may create problems on the bridge itself, and that it might collapse due to the amount of people trying to get a glimpse of their favourite actor. Film critic Monojit Lahiri remembers “Girls married themselves to photographs of Rajesh Khanna, cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such hysteria.”
Several songs sung by Kishore Kumar in the 1970s were based on Rajesh Khanna. During the filming of the song 'Mere Sapnon Ki Rani' in Aradhana, Sharmila Tagore was shooting for a Satyajit Ray film and the director Shakti Samanta had to shoot their scenes separately and then join the scenes together.
The BBC made a film on him, Bombay Superstar, in 1974, the shooting for which began the same time when he got married and his film Daag premiered. In the video it can be noticed that Khanna was shooting for Aap Ki Kasam. A textbook was prescribed by the Bombay University contained an essay, 'The Charisma of Rajesh Khanna!'.
Music remained one of the biggest attractions of all Rajesh Khanna films throughout his career, and most of the best scores for his films were composed by Sachin Dev Burman, R.D. Burman and Laxmikant-Pyarelal. The trio of Rajesh Khanna, Kishore Kumar and R.D. Burman went on to make several hits, including Kati Patang, Amar Prem, Apna Desh, Mere Jeevan Saathi, Aap Ki Kasam, Ajnabee, Namak Haraam, Maha Chor, Karm, Phir Wohi Raat, Aanchal, Kudrat, Agar Tum Na Hote, Awaaz, Hum Dono, Alag Alag among others.
Rajesh Khanna had 15 consecutive hits between 1969 to 1972, which is still an unbroken record in Indian film history. His success began to diminish in terms of box office results of his films in the period 1976–78.
Tina Munim and Rajesh Khanna became the leading couples of 80’s on and off screen with hits Fiffty Fiffty, Souten, Aakhir Kyun, Bewafai , Insaaf Main Karoonga and Adhikar(1986). Ram Awatar Agnihotri wrote that Tina Munim showed the first sparks of the dedicated actress she would become in the films Alag Alag and Adhikar both with Khanna. He also acted in the Marathi hit film Sundara Satarkar in 1981. He has performed in the least number of multistar films in comparison to his contemporaries and had the main central character in the few multistarrers he acted. During the multi-starrer era, Khanna delivered multi-starrer superhits like Rajput, Dharam Aur Kanoon, Zamana, Dil-E-Nadan, Ashanti, Awam (film) and Ghar Ka Chiraag. He did three potboiler movies with Jeetendra, which were big blockbusters Dharam Kanta, Nishaan and Maqsad. Aaj Ka M.L.A. Ram Avtar is one of the memorable political film of Rajesh Khanna. Khanna presented a character of corrupt politician and how he gets success for "Power" has been resembled in this film.The viewers praised his role in the film as Khanna was successful acting as the politician. The year 1985 saw him turn a producer with Alag Alag.Ten films with Khanna in the lead role released in the year 1985 and six of them became hits as his films ate up the box office collections of his own films and in addition had three films with him in special appearance.
He shared a very close relationship with R.D. Burman and Kishore Kumar. The trio were very close friends and have worked together in more than thirty films. Work of Pancham with Khanna is regarded as legendary and far superior than any other actor-music director combinations. The king of playback singing Kishore Kumar had even credited Rajesh Khanna for his resurgence, so much so that he sang for Alag Alag,the first film produced by Rajesh Khanna without charging anything. In 1985 Pancham found himself being sidelined after failure of few films but Rajesh Khanna was among the few who continued to stand by him. Rajesh and Pancham worked together even after the death of Kishore in the films Jai Shiv Shankar and the unreleased film Police Ke Peechhe Police,both produced by Khanna and Sautela Bhai.Khanna even helped Leena Gangully and Amit Kumar in completing Mamta Ki Chhaon Mein, the last film directed by Kishore himself as Kishore died before the completion of the film.
Actors who were part of the cast of most of his films include Ashok Kumar, Sujith Kumar, Prem Chopra, Madan Puri, Asrani, Bindu, Vijay Arora, Roopesh Kumar and A. K. Hangal, who remained part of his " working team" since the start until the late eighties. The lyricist whom he preferred for his movies were Anand Bakshi. Films by Shakti Samanta with Khanna in the lead, music by Pancham and lyrics by Anand Bakshi had people swooning over. The films Samanta directed without Khanna in the eighties went downhill. His other close friends from the film industry include Raj Babbar, J. Om Prakash and Jeetendra.
Pyarelal quoted in an interview that “Rajesh Khanna was lucky for us and we were lucky for him too. From the 1969 Do Raaste to the 1986 Amrit, we gave hits together both as films and as music scores.... When we went on our first overseas concert tour in 1984, he came and danced to three songs. He was very particular about his music and would take a tape home if he could not assess a song. He would then give his feedback after a day or two. But if he liked a song at the sitting, he would loudly shout “Wah! Wah!” in appreciation…. It was God’s blessing that we came up with such a vast range of hit songs for him, including in his home productions Roti and films like Chhailla Babu, Chakravyuha, Fiffty Fiffty, Amar Deep and Bewafai. Incidentally, he had a stake in Mehboob Ki Mehndi too. He had great interest in music and a terrific sense of melody too. His music is dominated by Pancham (R.D. Burman) and us and we accepted Shakti Samanta’s Anurodh only because Rajesh Khanna had some misunderstanding with Pancham then and did not want to work with him.” The younger generation stars like Imran Khan still regard Rajesh Khanna as someone who would take the top slot as the most romantic hero of all time. Tom Alter confesses “I still dream of being Rajesh Khanna. For me, in the early 1970s, he was the only hero — romantic to the core, not larger than life, so Indian and real — he was my hero; the reason I came into films and he still is.” Rajesh Khanna was the last super star to set fashion trends before stars of post nineties era came in. The trend of wearing guru kurtas and wearing belt on shirts became famous in seventies and eighties because of Khanna.
Akshay Kumar was a fan of Khanna since his childhood and later as he became son in law he told "Look at what destiny had in store for me. I married my idol's daughter! I still can't believe it.Who wasn't his fan in the 1970s? I remember queuing up for hours to watch Aradhana, Amar Prem, Kati Patang. These are among my favourite films of all times." When Action Replayy, a film starring Akshay in the lead released in 2010, Akshay ensured that Rajesh Khanna became the first person to watch the film in theaters.On the eve of the film's release Akshay said "The film is set in the era that belongs to my father-in-law. I am proud of being part of the family now. Mr Khanna will be the first person to watch the film. I'm determined about that." Action Replayy was a film which paid homage to the decade when Rajesh Khanna ruled. Amitabh Bachchan, while presenting the lifetime achievement award to Khanna at the IIFA awards of 2009 acknowledged, "The word superstar in the Indian film industry was for the first time coined for him".
From the early nineties onwards he stopped acting and served as M.P. of New Delhi Constituency from 1991 to 1996. During that period, he returned to acting, appearing in Khudai(1994). He made a comeback as a NRI in Aa Ab Laut Chalen(1999), and Kyaa Dil Ne Kahaa(2002). In September 2007, he officially announced his planned return to the big screen, signing a contract for several new films, including some Television serials.
Khanna and a group of foreign investors have bought land in Shirdi on which they plan to build a religious resort for disciples of Sai Baba of Shirdi.
Category:1942 births Category:Living people Category:Indian film actors Category:Hindi film actors Category:Indian film producers Category:Indian politicians Category:People from Amritsar Category:Filmfare Awards winners Category:Indian Hindus Category:Indian actor-politicians Category:Indian television actors Category:Indian playback singers Category:Lok Sabha members
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Kishore Kumar |
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Background | solo_singer |
Spouse | Rama Devi, Madhubala, Yogeeta Bali, Leena Chandawarkar |
Birth name | Abhas Kumar Ganguly |
Born | August 04, 1929Khandwa, Central Provinces and Berar |
Died | October 13, 1987Mumbai, Maharashtra |
Genre | Playback, Rabindra Sangeet, rock and roll |
Occupation | Singer, actor, director, musician, producer |
Years active | 1946–1987 |
Kishore Kumar (, ; 4 August 1929 – 13 October 1987) was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He was the winner of 8 Filmfare Award for Best Male Playback Singer and holds the record for most number of Filmfare Awards won for that category.
While Kishore Kumar was still a child, Ashok Kumar became a popular Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore Kumar also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and he tried to follow Saigal's singing style.
Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.
He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music. However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.
Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving brothers.
Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. He kept Burman's advice in mind, and eventually developed his own style of singing, which featured the yodeling that he had heard on some records of Jimmie Rodgers bought by his brother Anoop Kumar.
S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). When S. D. Burman was not on good terms with Lata Mangeshkar during 1957-62, he gave patronage to her younger sister, Asha Bhosle. The Asha Bhosle-Kishore Kumar duets composed by S. D. Burman include "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).
C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.
R. D. Burman frequently used Kishore Kumar as the male singer, and recorded several hit songs with him in the 1970s. Some of the popular Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote", Humein Tum Se Pyaar Kitna from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke" (Amar Prem), "Jab Bhi Koi Kangana" from Shaukeen (1986). R. D. Burman also recorded several hit duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).
Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many hit songs sung by Kishore Kumar. Some of their hit songs include Mere Mehboob Qayamat Hogi from Mr. X In Bombay, Mere Naseeb Mein Aye Dost from Do Raaste, Yeh Jeevan Hai from Piya Ka Ghar, Mere Dil Mein Aaj Kya Hai from , Nahi Mai Nahi Dekh Sakta from Majboor, Mere diwanepan ki bhi from Mehboob Ki Mehndi, Naach Meri Bulbul from Roti, Chal Chal Mere Haathi from Haathi Mere Saathi, Gaadi Bula Rahi Hai from Dost, Ruk Jaana Nahi from Imtihaan, Ek Ritu Aaye from Gautam Govinda, My Name Is Anthony Gonsalves from Amar Akbar Anthony Bahut Khoobsurat Jawan Ek Ladki from Dostana and Om Shanti Om as well as Paisa Yeh Paisa from Karz. L-P, also composed several hit Kishore-Lata duets, including Achchha To Hum Chalte Hain from Aan Milo Sajna, Gore Rang Pe Na Itna from Roti, Main Solah Baras Ki from Karz, and Din Mahine Saal from Avtaar, Tu Kitne Baras Ki from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, I love you (Kaate Nahin Katate Yeh Din Yeh Raat) from Mr. India in (1987). Salil Chowdhury recorded songs like Koi Hota Jisko Apna from Mere Apne and Gujar Gaye Din Din from Annadata. Ravindra Jain recorded Ghungroo Ki Tarah, and the duet Tota Maina Ki Kahani from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as Hazar Rahein from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several hit songs with Kishore Kumar including Zindagi Ka Safar and Jeevan se na haar Jeenewale , from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam''.
Other composers including Rajesh Roshan, Sapan Chakravarty, and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's first hit film Julie featured hit songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other hits include Chhookar mere man ko from Yaarana , Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge from Baaton Baaton Mein. Bappi Lahiri also recorded many popular songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.
During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for a Congress rally in Mumbai, but Kishore Kumar refused. As a result, the Government put an unofficial ban on playing Kishore Kumar songs on the All India Radio or television.
With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar also became a Bollywood singer in the 1980s. Kishore Kumar also continuted singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.
However, on 13 October 1987, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.
Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled Kiss Kiss, Bang Bangalore. His songs have also been featured in several films, including Such a Long Journey (1998) and Side Streets (1998). Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.
He married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar's second wife was the actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage. Kishore Kumar even converted to Islam, and took the name Karim Abdul.
His family was against the marriage, and the couple also had a Hindu marriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala's death on 23 February 1969. Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore Kumar was married to Leena Chandavarkar from 1980 until his death.
Kishore Kumar had two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.
Kishore Kumar is said to have been paranoid about not being paid. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.
In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.
Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut". 1972 - Best Male Playback Singer for Andaz 1973 - Best Male Playback Singer for Hare Rama Hare Krishna 1975 - Best Male Playback Singer for Kora Kagaz
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