Name	Guitar
Image capt	A classical guitar (nylon string)
Background	string
Classification	String instrument (plucked, nylon-stringed guitars usually played with fingerpicking, and steel-, etc. usually with a pick.)
Hornbostel sachs	321.322
Hornbostel sachs desc	Composite chordophone
Range
Related	*Bowed and plucked string instruments

The guitar is a plucked string instrument, usually played with fingers or a pick. The guitar consists of a body with a rigid neck to which the strings, generally six in number but sometimes more, are attached. Guitars are traditionally constructed of various woods and strung with animal gut or, more recently, with either nylon or steel strings. Some modern guitars are made of polycarbonate materials. Guitars are made and repaired by luthiers. There are two primary families of guitars: acoustic and electric.

Acoustic guitars (and similar instruments) with hollow bodies, have been in use for over a thousand years. There are three main types of modern acoustic guitar: the classical guitar (nylon-string guitar), the steel-string acoustic guitar, and the archtop guitar. The tone of an acoustic guitar is produced by the vibration of the strings, which is amplified by the body of the guitar, which acts as a resonating chamber. The classical guitar is often played as a solo instrument using a comprehensive fingerpicking technique.

Electric guitars, introduced in the 1930s, rely on an amplifier that can electronically manipulate tone. Early amplified guitars employed a hollow body, but a solid body was found more suitable. Electric guitars have had a continuing profound influence on popular culture. Guitars are recognized as a primary instrument in genres such as blues, bluegrass, country, flamenco, jazz, jota, mariachi, reggae, rock, soul, and many forms of pop.

History

Psalter from the 9th century, showing a guitar-like plucked instrument.]] Before the development of the electric guitar and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden soundboard, ribs, and a flat back, most often with incurved sides". The term is used to refer to a number of related instruments that were developed and used across Europe beginning in the 12th century and, later, in the Americas. These instruments are descended from ones that existed in ancient central Asia and India. For this reason guitars are distantly related to modern instruments from these regions, including the tanbur, the setar, and the sitar. The oldest known iconographic representation of an instrument displaying the essential features of a guitar is a 3,300 year old stone carving of a Hittite bard.

The modern word guitar, and its antecedents, have been applied to a wide variety of cordophones since ancient times and as such is the cause of confusion. The English word guitar, the German , and the French were adopted from the Spanish , which comes from the Andalusian Arabic , itself derived from the Latin , which in turn came from the Ancient Greek , and is thought to ultimately trace back to the Old Persian language. Tar means string in Persian.

Although the word guitar is descended from the Latin word cithara, the modern guitar itself is not generally believed to have descended from the Roman instrument. Many influences are cited as antecedents to the modern guitar. One commonly cited influence is of the arrival of the four-string oud, which was introduced by the invading Moors in the 8th century. Another suggested influence is the six-string Scandinavian lut (lute), which gained in popularity in areas of Viking incursions across medieval Europe. Often depicted in carvings c. 800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried. It is likely that a combination of influences led to the creation of the guitar; plucked instruments from across the Mediterranean and Europe were well known in Iberia since antiquity.

Two medieval instruments that were called "guitars" were in use by 1200: the (Moorish guitar) and the (Latin guitar). The guitarra moresca had a rounded back, wide fingerboard, and several soundholes. The guitarra latina had a single soundhole and a narrower neck. By the 14th century the qualifiers "moresca" and "latina" had been dropped and these two cordophones were usually simply referred to as guitars.

The Spanish vihuela or (in Italian) "", a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been a seminal influence in the development of the guitar. It had six courses (usually), lute-like tuning in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four course guitars. By the late 15th century some vihuelas were played with a bow, leading to the development of the viol. By the sixteenth century the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs, than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the lute; the last surviving published music for the instrument appeared in 1576. Meanwhile the five-course baroque guitar, which was documented in Spain from the middle of the 16th century, enjoyed popularity, especially in Spain, Italy and France from the late 16th century to the mid 18th century. Confusingly, in Portugal, the word vihuela referred to the guitar, whereas guitarra meant the "Portuguese guitar", a variety of cittern.

Types

Guitars can be divided into two broad categories, acoustic and electric:

Acoustic guitars

There are several notable subcategories within the acoustic guitar group: classical and flamenco guitars; steel-string guitars, which include the flat-topped, or "folk," guitar; twelve-string guitars; and the arched-top guitar. The acoustic guitar group also includes unamplified guitars designed to play in different registers, such as the acoustic bass guitar, which has a similar tuning to that of the electric bass guitar.

Renaissance and Baroque guitars

:These are the gracile ancestors of the modern classical guitar. They are substantially smaller and more delicate than the classical guitar, and generate a much quieter sound. The strings are paired in courses as in a modern 12-string guitar, but they only have four or five courses of strings rather than six. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in early music performances. (Gaspar Sanz' Instrucción de Música sobre la Guitarra Española of 1674 constitutes the majority of the surviving solo corpus for the era.) Renaissance and Baroque guitars are easily distinguished because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with ivory or wood inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.

Classical guitars

:These are typically strung with nylon strings, plucked with the fingers, played in a seated position and are used to play a diversity of musical styles including classical music. The classical guitar's wide, flat neck allows the musician to play scales, arpeggios, and certain chord forms more easily and with less adjacent string interference than on other styles of guitar. Flamenco guitars are very similar in construction, but are associated with a more percussive tone. In Mexico, the popular mariachi band includes a range of guitars, from the tiny requinto to the guitarrón, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small bandola (sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger tiple, to the full sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by the Spaniard Antonio de Torres Jurado (1817-1892).

Extended-range classical guitars

:An Extended-range classical guitar is a classical guitar with more than 6 strings, usually up to 13.

Flamenco guitars

:The flamenco guitar is similar to the classical guitar, but of lighter construction, with a cypress body and spruce top. Tuning pegs like those of a violin are traditional, although many modern flamenco guitars have machine heads. A distinguishing feature of all flamenco guitars is the tapping plates (golpeadores) glued to the table, to protect them against the taps with the fingernails that are an essential feature of the flamenco style.

:Many modern soloists (following the lead of Paco de Lucía) play what is called a flamenca negra, a hybrid of the flamenco and classical guitar constructions

Flat-top (steel-string) guitars

:Similar to the classical guitar, however, within the varied sizes of the steel-stringed guitar the body size is usually significantly larger than a classical guitar, and has a narrower, reinforced neck and stronger structural design. The robust X-bracing typical of the steel-string was developed in the 1840s by German-American luthiers of whom C. F. Martin is the best known. Originally used on gut-strung instruments, the strength of the system allowed the guitar to withstand the additional tension of steel strings when this fortunate combination arose in the early 20th century. The steel strings produce a brighter tone, and according to many players, a louder sound. The acoustic guitar is used in many kinds of music including folk, country, bluegrass, pop, jazz, and blues. Many variations are possible from the roughly classical-sized OO and Parlour to the large Dreadnought and Jumbo. Ovation makes a modern variation, with a rounded back/side assembly molded from artificial materials.

Archtop guitars

:These are steel-string instruments in which the top (and often the back) of the instrument are carved from a solid billet in a curved rather than a flat shape; this violin-like construction is usually credited to the American Orville Gibson (1856-1918). Lloyd Loar of the Gibson Mandolin-Guitar Mfg. Co introduced the violin-inspired f-hole design now usually associated with archtop guitars, after designing a style of mandolin of the same type. The typical archtop guitar has a large, deep, hollow body whose form is much like that of a mandolin or violin family instrument. Nowadays, most archtops are equipped with magnetic pickups and are therefore both acoustic and electric. F-hole archtop guitars were immediately adopted upon their release by both jazz and country musicians and have remained particularly popular in jazz music, usually with flatwound strings.

Selmer-Maccaferri guitars

:These are usually played by those who follow the style of Django Reinhardt. It is an unusual-looking instrument, distinguished by a fairly large body with squarish bouts, and either a "D"-shaped or longitudinal oval soundhole. The strings are gathered at the tail like an archtop guitar, but the top is formed from thin spruce (like a flat-top or classical) forced into a shallow dome. It also has a wide fingerboard and slotted head like a nylon-string guitar. The loud volume and penetrating tone make it suitable for single-note soloing and it is frequently employed as a lead instrument in gypsy swing.

tricone resonator guitar.]]

Resonator, resophonic or Dobro guitars

:All three principal types of resonator guitars were invented by the Slovak-American John Dopyera (1893-1988) for the National and Dobro (Dopyera Brothers) companies. Similar to the flat top guitar in appearance, but with a body that may be made of brass, nickel-silver, or steel as well as wood, the sound of the resonator guitar is produced by one or more aluminum resonator cones mounted in the middle of the top. The physical principle of the guitar is therefore similar to the loudspeaker. The original purpose of the resonator was to produce a very loud sound; this purpose has been largely superseded by electrical amplification, but the resonator guitar is still played because of its distinctive tone. Resonator guitars may have either one or three resonator cones. The method of transmitting sound resonance to the cone is either a "biscuit" bridge, made of a small piece of hardwood at the vertex of the cone (Nationals), or a "spider" bridge, made of metal and mounted around the rim of the (inverted) cone (Dobros). Three-cone resonators always use a specialized metal bridge. The type of resonator guitar with a neck with a square cross-section–called "square neck" or "Hawaiian"–is usually played face up, on the lap of the seated player, and often with a metal or glass slide. The round neck resonator guitars are normally played in the same fashion as other guitars, although slides are also often used, especially in blues.

Twelve-string guitars

:The twelve-string guitar usually has steel strings and is widely used in folk music, blues, and rock and roll. Rather than having only six strings, the 12-string guitar has six courses made up of two strings each, like a mandolin or lute. The highest two courses are tuned in unison, while the others are tuned in octaves. The 12-string guitar is also made in electric forms.

Russian guitars

:These seven-string acoustic guitars were the norm for Russian guitarists throughout the 19th and well into the 20th centuries. The Russian guitar is traditionally tuned to open G major.

Acoustic bass guitars

:These have steel strings or gut strings and often the same tuning as an electric bass guitar.

Guitarrón

:The guitarrón is a very large, deep-bodied Mexican 6-string acoustic bass played in mariachi bands. It is fretless with heavy gauge nylon strings, and is usually played by doubling notes at the octave, which is facilitated by the unusual tuning of A D G C E A.

Tenor guitars

:A number of classical guitarists call the Niibori prime guitar a "Tenor Guitar" on the grounds that it sits in pitch between the alto and the bass. Elsewhere the name is taken for a 4-string guitar with a scale length of 23" (585 mm)—about the same as a Terz Guitar. The tenor guitar is tuned in fifths, C G D A, as is the tenor banjo and the cello. It is generally accepted that the tenor guitar was created to allow a tenor banjo player to follow the fashion as it evolved from Dixieland Jazz towards the more progressive Jazz that featured guitar. It allows a tenor banjo player to provide a guitar-based rhythm section with little to learn. A small minority of players (such as Nick Reynolds of the Kingston Trio) close tuned the instrument to D G B E to produce a deep instrument that could be played with the 4-note chord shapes found on the top 4 strings of the guitar or ukulele. The deep pitch warrants the wide-spaced chords that the banjo tuning permits, and the close tuned tenor does not have the same full, clear sound.

Harp guitars

:Harp Guitars are difficult to classify as there are many variations within this type of guitar. They are typically rare and uncommon in the popular music scene. Most consist of a regular guitar, plus additional 'harp' strings strung above the six normal strings. The instrument is usually acoustic and the harp strings are usually tuned to lower notes than the guitar strings, for an added bass range. Normally there is neither fingerboard nor frets behind the harp strings. Some harp guitars also feature much higher pitch strings strung below the traditional guitar strings. The number of harp strings varies greatly, depending on the type of guitar and also the player's personal preference (as they have often been made to the player's specification). The Pikasso guitar; 4 necks, 2 sound holes, 42 strings] and also the Oracle Harp Sympitar; 24 strings (with 12 sympathetic strings protruding through the neck) are modern examples.

Extended-range guitars

:For well over a century guitars featuring seven, eight, nine, ten or more strings have been used by a minority of guitarists as a means of increasing the range of pitch available to the player. Usually, it is bass strings that are added. Classical guitars with an extended range are useful for playing lute repertoire, some of which was written for lutes with more than six courses. A typical example is the modern 11 string archguitar, invented and played by Peter Blanchette.

Guitar battente

:The battente is smaller than a classical guitar, usually played with four or five metal strings. It is mainly used in Calabria (a region in southern Italy) to accompany the voice.

Electric guitars

playing a Fender electric guitar with three single-coil pickups]] Electric guitars can have solid, semi-hollow, or hollow bodies, and produce little sound without amplification. Electromagnetic pickups convert the vibration of the steel strings into signals, which are fed to an amplifier through a cable or radio transmitter. The sound is frequently modified by other electronic devices or the natural distortion of valves (vacuum tubes) in the amplifier. There are two main types of magnetic pickups, single and double coil (or humbucker), each of which can be passive or active. The electric guitar is used extensively in jazz, blues, R & B, and rock and roll. The first successful magnetic pickup for a guitar was invented by George Beauchamp, and incorporated into the 1931 Ro-Pat-In (later Rickenbacker) "Frying Pan" lap steel; other manufacturers, notably Gibson, soon began to install pickups in archtop models. After World War II the completely solid-body electric was popularized by Gibson in collaboration with Les Paul, and independently by Leo Fender of Fender Music. The lower fretboard action (the height of the strings from the fingerboard), lighter (thinner) strings, and its electrical amplification lend the electric guitar to techniques less frequently used on acoustic guitars. These include tapping, extensive use of legato through pull-offs and hammer-ons (also known as slurs), pinch harmonics, volume swells, and use of a tremolo arm or effects pedals.

The first electric guitarist of note to use a seven-string guitar was jazz guitarist George Van Eps, who was a pioneer of this instrument. Solid body seven-strings were popularized in the 1980s and 1990s in part due to the release of the Ibanez Universe guitar, endorsed by Steve Vai. Other artists go a step further, by using an eight-string guitar with two extra low strings. Although the most common seven-string has a low B string, Roger McGuinn (of The Byrds and Rickenbacker) uses an octave G string paired with the regular G string as on a 12-string guitar, allowing him to incorporate chiming 12-string elements in standard six-string playing. In 1982 Uli Jon Roth developed the "Sky Guitar", with a vastly extended number of frets, which was the first guitar to venture into the upper registers of the violin. Roth's seven-string and 33-fret "Mighty Wing" guitar features a six-octave range.

The electric bass guitar is similar in tuning to the traditional double bass viol. Hybrids of acoustic and electric guitars are also common. There are also more exotic varieties, such as guitars with two, three, or rarely four necks, all manner of alternate string arrangements, fretless fingerboards (used almost exclusively on bass guitars, meant to emulate the sound of a stand-up bass), 5.1 surround guitar, and such.

Some electric guitar and electric bass guitar models feature piezoelectric pickups, which function as transducers to provide a sound closer to that of an acoustic guitar with the flip of a switch or knob, rather than switching guitars. Those that combine piezoelectric pickups and magnetic pickups are sometimes known as hybrid guitars.

Construction and components

General

Guitars can be constructed to meet the demands of both left and right-handed players. Traditionally the dominant hand is assigned the task of plucking or strumming the strings. For the majority of people this entails using the right hand. This is because musical expression (dynamics, tonal expression, color, etc.) is largely determined by the plucking hand, while the fretting hand is assigned the lesser mechanical task of depressing and gripping the strings. This is similar to the convention of the violin family of instruments where the right hand controls the bow. Left-handed players generally choose a left-handed (mirror) instrument, although some play in a standard right-handed manner, others play a standard right-handed guitar reversed, and still others (for example Jimi Hendrix) play a right-handed guitar strung in reverse. This last configuration differs from a true left-handed guitar in that the saddle is normally angled in such a way that the bass strings are slightly longer than the treble strings to improve intonation. Reversing the strings therefore reverses the relative orientation of the saddle (negatively affecting intonation), although in Hendrix' case this is believed to have been an important element in his unique sound.

Headstock

The headstock is located at the end of the guitar neck furthest from the body. It is fitted with machine heads that adjust the tension of the strings, which in turn affects the pitch. Traditional tuner layout is "3+3" in which each side of the headstock has three tuners (such as on Gibson Les Pauls). In this layout, the headstocks are commonly symmetrical. Many guitars feature other layouts as well, including six-in-line (featured on Fender Stratocasters) tuners or even "4+2" (Ernie Ball Music Man). However, some guitars (such as Steinbergers) do not have headstocks at all, in which case the tuning machines are located elsewhere, either on the body or the bridge.

Nut

The nut is a small strip of bone, plastic, brass, corian, graphite, stainless steel, or other medium-hard material, at the joint where the headstock meets the fretboard. Its grooves guide the strings onto the fretboard, giving consistent lateral string placement. It is one of the endpoints of the strings' vibrating length. It must be accurately cut, or it can contribute to tuning problems due to string slippage, and/or string buzz. To reduce string friction in the nut, which can adversely affect tuning stability, some guitarists fit a roller nut. Some instruments use a zero fret just in front of the nut. In this case the nut is used only for lateral alignment of the strings, the string height and length being dictated by the zero fret.

Fretboard

Also called the fingerboard, the fretboard is a piece of wood embedded with metal frets that comprises the top of the neck. It is flat on classical guitars and slightly curved crosswise on acoustic and electric guitars. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is. Most modern guitars feature a 12" neck radius, while older guitars from the 1960s and 1970s usually feature a 6-8" neck radius. Pinching a string against the fretboard effectively shortens the vibrating length of the string, producing a higher pitch. Fretboards are most commonly made of rosewood, ebony, maple, and sometimes manufactured or composite materials such as HPL or resin. See below on section "Neck" for the importance of the length of the fretboard in connection to other dimensions of the guitar.

Frets

Frets are metal strips (usually nickel alloy or stainless steel) embedded along the fretboard and located at exact points that divide the scale length in accordance with a specific mathematical formula. Pressing a string against a fret determines the strings' vibrating length and therefore its resultant pitch. The pitch of each consecutive fret is defined at a half-step interval on the chromatic scale. Standard classical guitars have 19 frets and electric guitars between 21 to 24 frets (though Caparison Guitars issue guitars with as many as 27 frets).

Frets are laid out to a mathematical ratio that results in equal tempered division of the octave. The ratio of the spacing of two consecutive frets is the twelfth root of two. The twelfth fret divides the scale length in two exact halves and the 24th fret position divides the scale length in half yet again. Every twelve frets represents one octave. In practice, luthiers determine fret positions using the constant 17.817, which is derived from the twelfth root of two (17.817 = (1-2^-1/12)⁻¹). The scale length divided by this value yields the distance from the nut to the first fret. That distance is subtracted from the scale length and the result is divided in two sections by the constant to yield the distance from the first fret to the second fret. Positions for the remainder of the frets are calculated in like manner. Actual fret spacing does not use this exact value; the fret spacing on the fretboard was also done by trial and error (testing) method over the ages.

There are several different fret gauges, which can be fitted according to player preference. Among these are "jumbo" frets, which have much thicker gauge, allowing for use of a slight vibrato technique from pushing the string down harder and softer. "Scalloped" fretboards, where the wood of the fretboard itself is "scooped out" between the frets allows a dramatic vibrato effect. Fine frets, much flatter, allow a very low string-action but require other conditions such as curvature of the neck to be well maintained to prevent buzz.

On steel-string guitars, frets are eventually bound to wear down; when this happens, frets can be replaced or, to a certain extent, leveled, polished, recrowned, or reshaped as required.

Truss rod

The truss rod is a metal rod that runs along the inside of the neck. It is used to correct changes to the neck's curvature caused by the neck timbers aging, changes in humidity or to compensate for changes in the tension of strings. The tension of the rod and neck assembly is adjusted by a hex nut or an allen-key bolt on the rod, usually located either at the headstock, sometimes under a cover, or just inside the body of the guitar underneath the fretboard and accessible through the sound hole. Some truss rods can only be accessed by removing the neck. The truss rod counteracts the immense amount of tension the strings place on the neck, bringing the neck back to a straighter position. Turning the truss rod clockwise tightens it, counteracting the tension of the strings and straightening the neck or creating a backward bow. Turning the truss rod counter-clockwise loosens it, allowing string tension to act on the neck and creating a forward bow. Adjusting the truss rod affects the intonation of a guitar as well as the height of the strings from the fingerboard, called the action. Some truss rod systems, called "double action" truss systems, tighten both ways, allowing the neck to be pushed both forward and backward (standard truss rods can only be released to a point beyond which the neck is no longer compressed and pulled backward).

Classical guitars do not require truss rods as their nylon strings exert a lower tensile force with lesser potential to cause structural problems. However their necks are often reinforced with a strip of harder wood, such as an ebony strip running down the back of a cedar neck. There is no tension adjustment on this form of reinforcement.

Inlays

Inlays are visual elements set into the exterior surface of a guitar. The typical locations for inlay are on the fretboard, headstock, and on acoustic guitars around the soundhole, known as the rosette. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar (front and back). Some guitar players have used LEDs in the fretboard to produce a unique lighting effects onstage.

Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets. Dots are usually inlaid into the upper edge of the fretboard in the same positions, small enough to be visible only to the player. These usually appear on the odd numbered frets, but also on the 12th fret (the one octave mark) instead of the 11th and 13th frets. Some older or high-end instruments have inlays made of mother of pearl, abalone, ivory, coloured wood or other exotic materials and designs. Simpler inlays are often made of plastic or painted. High-end classical guitars seldom have fretboard inlays as a well trained player is expected to know his or her way around the instrument.

In addition to fretboard inlay, the headstock and soundhole surround are also frequently inlaid. The manufacturer's logo or a small design is often inlaid into the headstock. Rosette designs vary from simple concentric circles to delicate fretwork mimicking the historic rosette of lutes. Bindings that edge the finger and sound boards are sometimes inlaid. Some instruments have a filler strip running down the length and behind the neck, used for strength and/or to fill the cavity through which the trussrod was installed in the neck.

Elaborate inlays are a decorative feature of many limited edition, high-end and custom-made guitars. Guitar manufacturers often release such guitars to celebrate significant or historic milestones.

Neck

A guitar's frets, fretboard, tuners, headstock, and truss rod, all attached to a long wooden extension, collectively constitute its neck. The wood used to make the fretboard usually differs from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see Tuning), and the ability of the neck to resist bending (see Truss rod) is important to the guitar's ability to hold a constant pitch during tuning or when strings are fretted. The rigidity of the neck with respect to the body of the guitar is one determinant of a good instrument versus a poor one. The shape of the neck can also vary, from a gentle "C" curve to a more pronounced "V" curve. There are many different types of neck profiles available, giving the guitarist many options. Some aspects to consider in a guitar neck may be the overall width of the fingerboard, scale (distance between the frets), the neck wood, the type of neck construction (for example, the neck may be glued in or bolted on), and the shape (profile) of the back of the neck. Other type of material used to make guitar necks are graphite (Steinberger guitars), aluminium (Kramer Guitars, Travis Bean and Veleno guitars), or carbon fiber (Modulus Guitars and ThreeGuitars).

Double neck electric guitars have two necks, allowing the musician to quickly switch between guitar sounds.

Neck joint or "Heel"

This is the point at which the neck is either bolted or glued to the body of the guitar. Almost all acoustic steel-string guitars, with the primary exception of Taylors, have glued (otherwise known as set) necks, while electric guitars are constructed using both types. Most classical guitars have a neck and headblock carved from one piece of wood, known as a "Spanish heel."

Commonly used set neck joints include mortise and tenon joints (such as those used by CF Martin & Co.), dovetail joints (also used by CF Martin on the D-28 and similar models) and Spanish heel neck joints, which are named after the shoe they resemble and commonly found in classical guitars. All three types offer stability. Bolt-on necks, though they are historically associated with cheaper instruments, do offer greater flexibility in the guitar's set-up, and allow easier access for neck joint maintenance and repairs.

Another type of neck, only available for solid body electric guitars, is the neck-through-body construction. These are designed so that everything from the machine heads down to the bridge are located on the same piece of wood. The sides (also known as wings) of the guitar are then glued to this central piece. Some luthiers prefer this method of construction as they claim it allows better sustain of each note. Some instruments may not have a neck joint at all, having the neck and sides built as one piece and the body built around it.

Strings

The standard guitar has six strings but four-, seven-, eight-, nine-, ten-, eleven-, twelve-, thirteen- and eighteen-string guitars are also available.

Classical and flamenco guitars historically used gut strings but these have been superseded by polymer materials, such as nylon and fluorocarbon.

Modern guitar strings are constructed of metal, polymers, or animal or plant product materials. Instruments utilising "steel" strings may have strings made of alloys incorporating steel, nickel or phosphor bronze. Bass strings for both instruments are wound rather than monofilament.

Body (acoustic guitar)

In acoustic guitars, string vibration is transmitted through the bridge and saddle to the body via sound board. The sound board is typically made of tone woods such as spruce or cedar. Timbers for tone woods are chosen for both strength and ability to transfer mechanical energy from the strings to the air within the guitar body. Sound is further shaped by the characteristics of the guitar body's resonant cavity.

In electric guitars, transducers known as pickups convert string vibration to an electric signal, which in turn is amplified and fed to speakers, which vibrate the air to produce the sounds we hear. Nevertheless, the body of the electric guitar still performs a role in shaping the resultant tonal signature.

In an acoustic instrument, the body of the guitar is a major determinant of the overall sound quality. The guitar top, or soundboard, is a finely crafted and engineered element made of tonewoods such as spruce and red cedar. This thin piece of wood, often only 2 or 3 mm thick, is strengthened by differing types of internal bracing. The top is considered by many luthiers to be the dominant factor in determining the sound quality. The majority of the instrument's sound is heard through the vibration of the guitar top as the energy of the vibrating strings is transferred to it.

Body size, shape and style has changed over time. 19th century guitars, now known as salon guitars, were smaller than modern instruments. Differing patterns of internal bracing have been used over time by luthiers. Torres, Hauser, Ramirez, Fleta, and C.F. Martin were among the most influential designers of their time. Bracing not only strengthens the top against potential collapse due to the stress exerted by the tensioned strings, but also affects the resonance characteristics of the top. The back and sides are made out of a variety of timbers such as mahogany, Indian rosewood and highly regarded Brazilian rosewood (Dalbergia nigra). Each one is primarily chosen for their aesthetic effect and can be decorated with inlays and purfling.

The body of an acoustic guitar has a sound hole through which sound projects. The sound hole is usually a round hole in the top of the guitar under the strings. Air inside the body vibrates as the guitar top and body is vibrated by the strings, and the response of the air cavity at different frequencies is characterised, like the rest of the guitar body, by a number of resonance modes at which it responds more strongly.

Instruments with larger areas for the guitar top were introduced by Martin in an attempt to create louder volume levels. The popularity of the larger "dreadnought" body size amongst acoustic performers is related to the greater sound volume produced.

Body (electric guitar)

Most electric guitar bodies are made of wood, and include a plastic pick guard. Boards wide enough to use as a solid body are very expensive due to the worldwide depletion of hardwood stock since the 70's, so the wood is rarely one solid piece. Most bodies are made of two pieces of wood with some of them including a seam running down the centre line of the body. The most common woods used for electric guitar body construction include maple, basswood, ash, poplar, alder, and mahogany. Many bodies consist of good sounding but inexpensive woods, like ash, with a "top", or thin layer of another, more attractive wood (such as maple with a natural "flame" pattern) glued to the top of the basic wood. Guitars constructed like this are often called "flame tops". The body is usually carved or routed to accept the other elements, such as the bridge, pickup, neck, and other electronic components. Most electrics have a polyurethane or nitrocellulose lacquer finish. Other alternative materials to wood, are used in guitar body construction. Some of these include carbon composites, plastic material (such as polycarbonate), and aluminum alloys.

Pickups

has features common to many electric guitars: multiple pickups, a vibrato unit/tremolo bar, and volume and tone knobs.]] Pickups are transducers attached to a guitar that detect (or "pick up") string vibrations and convert the mechanical energy of the string into electrical energy. The resultant electrical signal can then be electronically amplified. The most common type of pickup is electromagnetic in design. These contain magnets that are tightly wrapped in a coil, or coils, of copper wire. Such pickups are usually placed right underneath the guitar strings. Electromagnetic pickups work on the same principles and in a similar manner to an electrical generator. The vibration of the strings causes a small voltage to be created in the coils surrounding the magnets; this signal voltage is later amplified.

Traditional electromagnetic pickups are either single-coil or double-coil. Single-coil pickups are susceptible to noise induced from electric fields, usually mains-frequency (60 or 50 hertz) hum. The introduction of the double-coil humbucker in the mid-1950s did away with this problem through the use of two coils, one of which is wired in a reverse polarity orientation.

The types and models of pickups used can greatly affect the tone of the guitar. Typically, humbuckers, which are two magnet–coil assemblies attached to each other are traditionally associated with a heavier sound. Single-coil pickups, one magnet wrapped in copper wire, are used by guitarists seeking a brighter, twangier sound with greater dynamic range.

Modern pickups are tailored to the sound desired. A commonly applied approximation used in selection of a pickup is that less wire (lower DC resistance) = brighter sound, more wire = "fat" tone. Other options include specialized switching that produces coil-splitting, in/out of phase and other effects. Guitar circuits are either active, needing a battery to power their circuit, or, as in most cases, equipped with a passive circuit.

Fender Stratocaster type guitars generally utilize three single-coil pickups, while most Gibson Les Paul types use humbucker pickups.

Piezoelectric, or piezo, pickups represent another class of pickup. These employ piezoelectricity to generate the musical signal and are popular in hybrid electro-acoustic guitars. A crystal is located under each string, usually in the saddle. When the string vibrates, the shape of the crystal is distorted, and the stresses associated with this change produce tiny voltages across the crystal that can be amplified and manipulated.

Some piezo-equipped guitars use what is known as a hexaphonic pickup. "Hex" is a prefix meaning six. In a hexaphonic pickup separate outputs are obtained from discrete piezoelectric pickups for each of the six strings. This arrangement allows the signal to be easily modified by on-board modelling electronics, as in the Line 6 Variax brand of electric guitars; the guitars allow for a variety of sounds to be obtained by digitally manipulating the signal. This allows a guitar to mimic many vintage models of guitar, as well as output alternate tunings without the need to adjust the strings.

Another use for hexaphonic pickups is to send the output signals to a MIDI interpretation device, which determines the note pitch, duration, attack and decay characteristics and so forth. The MIDI (Musical Instrument Digital Interface) interpreter then sends the note information to a sound bank device. The resulting sound can closely mimic numerous types of instruments.

Electronics

On guitars that have them, these components and the wires that connect them allow the player to control some aspects of the sound like volume or tone. These at their simplest consist of passive components such as potentiometers and capacitors, but may also include specialized integrated circuits or other active components requiring batteries for power, for preamplification and signal processing, or even for assistance in tuning. In many cases the electronics have some sort of shielding to prevent pickup of external interference and noise.

Lining, Binding, and Purfling

The top, back and ribs of an acoustic guitar body are very thin (1–2 mm), so a flexible piece of wood called lining is glued into the corners where the rib meets the top and back. This interior reinforcement provides 5 to 20 mm of solid gluing area for these corner joints. Solid linings are often used in classical guitars, while kerfed lining is most often found in steel string acoustics. Kerfed lining is also called kerfing (because it is scored, or kerfed to allow it to bend with the shape of the rib).

During final construction, a small section of the outside corners is carved or routed out and filled with binding material on the outside corners and decorative strips of material next to the binding, which are called purfling. This binding serves to seal off the end grain of the top and back. Purfling can also appear on the back of an acoustic guitar, marking the edge joints of the two or three sections of the back.

Binding and purfling materials are generally made of either wood or plastic.

Bridge

The main purpose of the bridge on an acoustic guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings.

On all electric, acoustic and original guitars, the bridge holds the strings in place on the body. There are many varied bridge designs. There may be some mechanism for raising or lowering the bridge to adjust the distance between the strings and the fretboard (action), and/or fine-tuning the intonation of the instrument. Some are spring-loaded and feature a "whammy bar", a removable arm that lets the player modulate the pitch by moving the bridge back and forth. The whammy bar is sometimes also referred to as a "tremolo bar" (see Tremolo for further discussion of this term—the effect of rapidly changing pitch produced by a whammy bar is more correctly called "vibrato"). Some bridges also allow for alternate tunings at the touch of a button.

On almost all modern electric guitars, the bridge is adjustable for each string so that intonation stays correct up and down the neck. If the open string is in tune but sharp or flat when frets are pressed, the bridge can be adjusted with a screwdriver or hex key to remedy the problem. In general, flat notes are corrected by moving the bridge forward and sharp notes by moving it backwards. On an instrument correctly adjusted for intonation, the actual length of each string from the nut to the bridge saddle is slightly but measurably longer than the scale length of the instrument. This additional length is called compensation, which flattens all notes a bit to compensate for the sharping of all fretted notes caused by stretching the string during fretting.

Saddle

The saddle of a guitar refers to the structure on or parallel to the bridge. The saddle is most commonly found on acoustic guitars, but some models of hollow-bodied electric guitars have it. Its basic purpose is to hold the strings above the bridge and guitar, and to mute the vibration of the string so the strings do not buzz and/or damage themselves or the bridge. It is comparable in size and function to the nut, and variations in its design are not uncommon.

Pickguard

Also known as a scratchplate. This is usually a piece of laminated plastic or other material that protects the finish of the top of the guitar from damage due to the use of a plectrum or fingernails. Electric guitars sometimes mount pickups and electronics on the pickguard. It is a common feature on steel-string acoustic guitars. Vigorous performance styles such as flamenco, which can involve the use of the guitar as a percussion instrument, call for a scratchplate to be fitted to nylon-string instruments.

Whammy Bar (Tremolo Arm)

Many electric guitars are fitted with a vibrato and pitch bend device known as a "tremolo bar (or arm)", "sissy bar", "wang bar", "slam handle", "whammy handle", and "whammy bar". The latter two terms led stompbox manufacturers to use the term 'whammy' in coming up with a pitch raising effect introduced by popular guitar effects pedal brand Digitech.

The tremolo arm is common enough that there is a technical term, hard tail, for a guitar without one.

Leo Fender, who did much to create the electric guitar, also created much confusion over the meaning of the terms "tremolo" and "vibrato" by the naming the "tremolo" unit on many of his guitars and also the "vibrato" unit on his "Vibrolux" amps. In general, vibrato is a variation in pitch, whereas tremolo is a variation in volume, so the tremolo bar is actually a vibrato bar and the "Vibrolux" amps actually had a tremolo effect. However, following Fender's example, electric guitarists traditionally reverse these meanings when speaking of hardware devices and the effects they produce. See vibrato unit for a more detailed discussion, and tremolo arm for more of the history.

Another type of pitch bender is the B-Bender, a spring and lever device mounted in an internal cavity of a solid body electric, guitar that allows the guitarist to bend just the B string of the guitar using a lever connected to the strap handle of the guitar. The resulting pitch bend is evocative of the sound of the pedal steel guitar.

Guitar strap

A guitar strap is a strip of fabric with a leather or synthetic leather piece on each end. It is made to hold a guitar via the shoulders, at an adjustable length to suit the position favoured by the guitarist.

Guitars have varying accommodations for attaching a strap. The most common are strap buttons, also called strap pins, which are flanged steel posts anchored to the guitar with screws. Two strap buttons come pre-attached to virtually all electric guitars, and many steel-string acoustic guitars. Strap buttons are sometimes replaced with "strap locks" which connect the guitar to the strap more securely.

The lower strap button is usually located at the bottom (bridge end) of the body. The upper strap button is usually located near or at the top (neck end) of the body: on the upper body curve, at the tip of the upper "horn" (on a double cutaway), or at the neck joint (heel). Some electrics, especially those with odd-shaped bodies, have one or both strap buttons on the back of the body. Some Steinberger electric guitars, owing to their minimalist and lightweight design, have both strap buttons at the bottom of the body. Rarely, on some acoustics, the upper strap button is located on the headstock.

Some acoustic and classical guitars only have a single strap button at the bottom of the body—the other end must be tied onto the headstock, above the nut and below the machine heads.

Some acoustic and classical guitars come with no strap buttons at all. In this case, one or two strap buttons can usually be added to the guitar, or a "classical guitar strap" (also called a "guitar harness" or "neck strap") can be used, which supports the guitar by hooking into the sound hole.

Self-tuning guitars

Self-tuning guitars are computerized guitars programmed to tune themselves. The Gibson Robot Guitar, released in 2007, is often mistaken as the first of this kind, but was preceded by the Transperformance system by at least 20 years. Gibson has also released a second, self-tuning model called the Dark Fire.

Tuning

The guitar is a transposing instrument. Its pitch sounds one octave lower than it is notated on a score.

A variety of tunings may be used. The most common tuning, known as "Standard Tuning," has the strings tuned from a low E, to a high E, traversing a two octave range—EADGBE. When all strings are played open the resulting chord is an Em7/add11.

The pitches are as follows:

The table below shows a pitch's name found over the six strings of a guitar in standard tuning, from the nut (zero), to the twelfth fret.

A guitar using this tuning can tune to itself using the fact, with a single exception, that the 5th fret on one string is the same note as the next open string; that is, a 5th-fret note on the sixth string is the same note as the open fifth string. The exception is the interval between the second and third strings, in which the 4th-fret note on the third string is equivalent to the open second string.

Standard tuning has evolved to provide a good compromise between simple fingering for many chords and the ability to play common scales with minimal left hand movement. Uniquely, the guitar's tuning allows for repeatable patterns, which also facilitates the ease of playing common scales. There are also a variety of commonly used alternate tunings. Most of these are open tunings, i.e., the unfretted strings produce a simple chord, such as a G Major chord. Many open tunings, where all of the strings are tuned to a similar note or chord, are popular for slide guitar playing. Alternate tunings are used for two main reasons: the ease of playing and the variation in tone that can be achieved.

Many guitarists use a long established, centuries-old tuning variation where the lowest string is 'dropped' down a whole tone. Known as Drop-D (or dropped D) tuning it is, from low to high, DADGBE. This allows for open string tonic and dominant basses in the keys of D and D minor. It also enables simple fifths (powerchords) to be more easily played. Eddie Van Halen sometimes uses a device known as a 'D Tuna,' which he patented. It is a small lever, attached to the fine tuner of the 6th string on a Floyd Rose tremolo, which allows him to easily drop that string from E to D. Many contemporary rock bands retune all strings by several semi-tones, making, for example, Drop-C or Drop-B tunings, However this terminology is inconsistent with that of "drop-D" as "drop-D" refers to dropping a single string to the named pitch. Often these new tunings are also simply referred to as the "Standard" of the note in question e.g.–"D Standard" (DGcfad').

Some guitarists tune in straight fourths, avoiding the major third between the third and second strings. While this makes playing major and minor triads slightly more difficult, it facilitated playing chords with more complicated extended structures. One proponent of the straight fourth tuning (EADGCF) is Stanley Jordan.

As with all stringed instruments a large number of scordatura are possible on the guitar. A common form of scordatura involves tuning the 3rd string to F to mimic the standard tuning of the lute, especially when playing renaissance repertoire originally written for the lute.

Guitar accessories

Though a guitar may be played on its own, there are a variety of common accessories used for holding and playing the guitar.

Capotasto

A capo (short for capotasto) is used to change the pitch of open strings. Capos are clipped onto the fret board with the aid of spring tension, or in some models, elastic tension. To raise the guitar's pitch by one semitone, the player would clip the capo onto the fret board just below the first fret. Its use allows players to play in different keys without having to change the chord formations they use. Because of the ease with which they allow guitar players to change keys, they are sometimes referred to as "cheaters" or the "hillbilly crutch." Classical performers are known to use them to enable modern instruments to match the pitch of historical instruments such as the renaissance lute.

Slides

A slide, (neck of a bottle, knife blade or round metal bar) used in blues and rock to create a glissando or 'Hawaiian' effect. The necks of bottles were often used in blues and country music. Modern slides are constructed of glass, plastic, ceramic, chrome, brass or steel, depending on the weight and tone desired. An instrument that is played exclusively in this manner, (using a metal bar) is called a steel guitar or pedal steel. Slide playing to this day is very popular in blues music and country music. Some slide players use a so called Dobro guitar.

Some performers that have become famous for playing slide are Robert Johnson, Elmore James, Ry Cooder, George Harrison, Bonnie Raitt, Derek Trucks, Warren Haynes, Duane Allman, Muddy Waters, Rory Gallagher, and George Thorogood.

Plectrum

A "guitar pick" or "plectrum" is a small piece of hard material generally held between the thumb and first finger of the picking hand and is used to "pick" the strings. Though most classical players pick with a combination of fingernails and fleshy fingertips, the pick is most often used for electric and steel-string acoustic guitars. Though today they are mainly plastic, variations do exist, such as bone, wood, steel or tortoise shell. Tortoise shell was the most commonly used material in the early days of pick-making, but as tortoises and turtles became endangered, the practice of using their shells for picks or anything else was banned. Tortoise-shell picks made before the ban are often coveted for a supposedly superior tone and ease of use, and their scarcity has made them valuable.

Picks come in many shapes and sizes. Picks vary from the small jazz pick to the large bass pick. The thickness of the pick often determines its use. A thinner pick (between .2 and .5 mm) is usually used for strumming or rhythm playing, whereas thicker picks (between .7 and 1.5+ mm) are usually used for single-note lines or lead playing. The distinctive guitar sound of Billy Gibbons is attributed to using a quarter or peso as a pick. Similarly, Brian May is known to use a sixpence coin as a pick. David Persons is known for using old credit cards, cut to the correct size, as plectrums.

Thumb picks and finger picks that attach to the finger tips are sometimes employed in finger-picking styles on steel strings. These allow the fingers and thumb to operate independently, whereas a flat pick requires the thumb and one or two fingers to manipulate.

Notes

See also

External links

Instruments In Depth: The Guitar An online feature from Bloomingdale School of Music (October, 2007)

Stalking the Oldest Six-String Guitar

Guitar physics

International Guitar Research Archive

The Guitar, Heilbrunn Timeline of Art History, The Metropolitan Museum of Art featuring many historic guitars from the Museum's collection

Category:Guitars Category:Celtic musical instruments Category:Irish musical instruments Category:Spanish musical instruments Category:Arabic words and phrases

Name	Tommy Emmanuel AM
Background	non_vocal_instrumentalist
Born	May 31, 1955Muswellbrook, New South Wales, Australia
Genre	Folk, Rock, Pop, Blues, Country
Instrument	Guitar
Occupation	Musician, Songwriter
Associated acts	Dragon
Years active	1962 - present
Url	Official website
Notable instruments	Maton TE Signature model, Williamson Guitars

William Thomas "Tommy" Emmanuel AM (born 31 May 1955) is an Australian guitarist, best known for his complex fingerpicking style, energetic performances and the use of percussive effects on the guitar. In the May 2008 and 2010 issue of Guitar Player Magazine, he was named as "Best Acoustic Guitarist" in their readers poll.

Biography

Tommy was born in Australia in 1955. He received his first guitar in 1959 at the age of 4 - being taught by his mother to accompany her playing lap steel guitar. At the age of 7 he heard Chet Atkins on the radio. He vividly remembers this moment and says it greatly inspired him.

By the age of 9, in 1964, he was a working professional musician. Recognizing the musical talents of Tommy and his brother Phil, their father created a family band, sold the family home and took his family on the road. With the family living in two station wagons, much of Emmanuel’s childhood was spent touring Australia with his family, playing rhythm guitar, and rarely going to school. The family found it difficult living on the road; they were poor and were often hungry, never settling in one place. His father would often drive ahead, organize interviews, advertising and finding the local music shop where they'd have an impromptu concert the next day. Eventually the New South Wales Department of Education insisted that the Emmanuel children needed to go to school regularly.

After his father died in 1966, the family settled in Parkes. Tommy eventually moved to Sydney where he came to be noticed nationally when he won a string of talent contests in his teen years. By the late 1970s, he was playing drums with his brother Phil in the group Goldrush as well doing session work on numerous albums and jingles. He gained further prominence in the late 1970s as the lead guitarist in The Southern Star Band, the backing group for vocalist Doug Parkinson. During the early 1980s, he joined the reformed lineup of leading '70s rock group Dragon, touring widely with them, including a 1987 tour with Tina Turner. He left the group to embark on a solo career.

Throughout his career he has played with many notable artists including Chet Atkins, Eric Clapton, Sir George Martin, Air Supply, John Denver, Les Paul and Doc Watson. Eric Clapton, Chet Atkins, Les Paul, and Joe Satriani all say that he is the best they have ever heard which is a testament to his extraordinary abilities.

In 1994 he became a member of the John Farnham Band. Australian music veteran John Farnham invited him to play guitar next to Stuart Fraser from Noiseworks for the Concert For Rwanda.

Tommy and his brother Phil performed live in Sydney at the closing ceremony of the Summer Olympics in 2000. The event was televised worldwide with an estimated 2.85 billion viewers. and was forced to take a break from his hectic touring schedule due to exhaustion, but returned to full-time touring in early 2008.

In late January 2010, having been deeply touched by the tragic 2010 Haiti earthquake earlier in the same month, Emmanuel announced that he would be auctioning off three guitars, that he personally played and owned, on eBay, in order to raise money to donate to UNICEF in Haiti.

In June 2010 he was appointed a Member of the Order of Australia (AM).

Musical style

Tommy has said that even at a young age he was fascinated by Atkins’ musical style – sometimes referred to as Travis picking – of playing bass with the thumb and melody parts with the first two or three fingers at the same time. This technique became the basis of Tommy's guitar style.

While Tommy has never had formal music training, his playing ability has won him fans from all over the world. He is known to play percussion parts on the body of his guitar. As a solo performer he never plays to a set list and uses a minimum of effects.

In July 1999, at the 15th Annual Chet Atkins Appreciation Society Convention, Chet presented Tommy with a Certified Guitar Player award, an honor Atkins has bestowed on other guitarists.

In 1997, Emmanuel and Atkins recorded as a duo and released the album The Day Finger Pickers Took Over The World, which was also to be Atkins' last recorded album before he died.

Discography

, Poland in 2005]]

1979 From Out Of Nowhere

1987 Up From Down Under

1990 Dare to Be Different

1992 Determination

1993 The Journey

1993 The Journey Continues

1995 Initiation

1995 Terra Firma (with Phil Emmanuel)

1995 Classical Gas

1996 Can't Get Enough

1997 Midnight Drive (US release of Can't Get Enough)

1997 The Day Finger Pickers Took Over The World (With Chet Atkins)

1998 Collaboration

2000 Only

2001 The Very Best of Tommy Emmanuel

2004 Endless Road

2005 Live One

2006 Happy Hour (with Jim Nichols)

2006 The Mystery

2008 Center Stage

2009 Just Between Frets (with Frank Vignola)

2010 Little by Little

2010 Tommy Emmanuel Essential 3.0

Tommy released the DVD "Live At Her Majesty's Theatre, Ballarat, Australia" on 11 July 2006 and also the "Center Stage" accompanying DVD in late 2008.

Tommy has produced 3 instructional videos: Guitar Talk (1993), Up Close (1996), Emmanuel Labor (2008)

Awards

"Smokey Mountain Lullaby", a duet with Chet Atkins, was nominated for the 1998 Grammy award for Country Instrumental Performance but did not win. His song "Gameshow Rag/Cannonball Rag" won "Instrumental of the Year" at the 35th Tamworth Country Music Festival on Saturday, 27 January 2007, and also was nominated that year for a Grammy for "Best Country Instrumental Performance".

In the May 2008 and 2010 issue of Guitar Player Magazine, Tommy Emmanuel was named as "Best Acoustic Guitarist in the World" in their readers poll.

References

External links

TommyEmmanuel.com

tommyemmanuel.wordpress.com

MySpace.com/TommyEmmanuel

Tommy Emmanuel page on The Party Of The Century project

2007 interview on Modern Guitars magazine

2007 interview with Madam Music on madammusic.com

favorednations.com

Tommyfest - Tommy Emmanuel/Jake Shimabukuro

TommyEmmanuelFans.net - Social Network for Fans of Tommy Emmanuel

Category:ARIA Award winners Category:Australian guitarists Category:Australian jazz guitarists Category:Fingerstyle guitarists Category:1955 births Category:Living people Category:people from New South Wales Category:Members of the Order of Australia

Name	Taylor Swift
Background	solo_singer
Birth name	Taylor Alison Swift
Birth date	December 13, 1989Wyomissing, Pennsylvania, United States
Instrument	Vocals, guitar, piano, ukulele
Genre	Country pop, pop, teen pop, country
Occupation	Singer-songwriter, musician, actress
Years active	2006–present
Label	Big Machine
Notable instruments	Custom-built Taylor acoustic guitars
Url
Associated acts	Nathan Chapman, Liz Rose

Taylor Alison Swift (born December 13, 1989) is an American country pop Fearless topped the Billboard 200 for 11 non-consecutive weeks; no album has spent more time at No. 1 since 2000. Swift was named Artist of the Year by Billboard Magazine in 2009. Swift released her third album Speak Now on October 25, 2010 which sold 1,047,000 copies in its first week.

In 2008, her albums sold a combined four million copies, making her the best-selling musician of the year in the United States, according to Nielsen SoundScan. Forbes ranked Swift 2009's 69th-most powerful celebrity with earnings of $18 million and 2010's 12th-most powerful celebrity with earnings of $45 million. Swift was ranked the 38th Best Artist of the 2000–10 decade by Billboard. In January 2010 Nielsen SoundScan listed Swift as the most commercially successful country (or country/pop crossover) artist in music history with over 28 million digital tracks sold. , she has sold over 16 million albums worldwide.

Early life

Swift was born on December 13, 1989, the only daughter of Andrea Gardner (née Finlay), a homemaker, and Scott Kingsley Swift, a stockbroker. She was born and raised in Wyomissing, Pennsylvania. Her maternal grandmother, Majorie Finlay, was an opera singer. Swift has a younger brother, Austin.

When she was in fourth grade, she won a national poetry contest with a three-page poem entitled "Monster In My Closet". When Swift was 10, a computer repairman showed her how to play three chords on a guitar, sparking her interest in learning the instrument. Afterwards, she wrote her first song, "Lucky You". She began writing songs regularly and used it as an outlet to help her with her pain from not fitting in at school. She was a victim of bullying, and often wrote songs to express her emotions. Swift also started performing at karaoke contests, festivals, and fairs around her hometown. When she was 12, she devoted an entire summer to writing a 350-page novel, which remains unpublished. Her first major show was a well-received performance at the Bloomsburg Fair. Swift attended Hendersonville High School but was subsequently homeschooled for her junior and senior years. In 2008, she earned her high-school diploma.

Swift's greatest musical influence is Shania Twain. Her other influences include LeAnn Rimes, Tina Turner, Dolly Parton, and her grandmother. Although her grandmother was a professional opera singer, Swift's tastes always leaned more toward country music. In her younger years, she developed a love for Patsy Cline and Dolly Parton. She also credits the Dixie Chicks for demonstrating the impact you can make by "stretching boundaries".

Music career

2000–05: Musical beginnings

At age 11, Swift made her first trip to Nashville, hoping to obtain a record deal by distributing a demo tape of her singing with karaoke songs. She gave a copy to every label in town, but was rejected.

After Swift returned to Pennsylvania, she was asked to sing at the U.S. Open tennis tournament, where her rendition of the national anthem received much attention. Swift started writing songs and playing 12-string guitar when she was 12. Swift began to regularly visit Nashville and wrote songs with local songwriters. By the time she was 14, her family decided to move to an outlying Nashville suburb.

When Swift was 15, she rejected RCA Records because the company wanted to keep her on an artist development deal. After performing at Nashville's songwriters' venue, The Bluebird Café, she caught the attention of Scott Borchetta, who signed her to his newly formed record label, Big Machine Records. At age 14, she became the youngest staff songwriter ever hired by the Sony/ATV Tree publishing house.

guitar in June 2006. Swift continues to perform with custom-made Taylor guitars.]]

2006–08: Taylor Swift

Swift released her debut single, "Tim McGraw", in mid-2006, reaching #6 on Billboard magazine's Hot Country Songs chart. Her self-titled debut album was later released on October 24, 2006. Debuting high on the Billboard 200, the album sold 39,000 copies during its first week. It peaked at #1 on the Billboard Top Country Albums and #5 on the Billboard 200. Her debut album spent eight consecutive weeks at the top of the Top Country Albums charts and remained at the top for 24 out of 91 weeks. The only other country artists this decade to achieve the number-one sales position for 20 weeks or more are The Dixie Chicks and Carrie Underwood.

The music video for "Tim McGraw" won Swift an award for Breakthrough Video of the Year at the 2007 CMT Music Awards. Her pursuit of country music stardom was the subject of "GAC Short Cuts", a part-documentary, part-music-video series airing since the summer of 2006. On May 15, 2007, Swift performed "Tim McGraw" at the Academy of Country Music Awards. Swift has been an opening act for Tim McGraw and Faith Hill on their Soul2Soul 2007 tour. She has opened in the past for George Strait, Brad Paisley and Rascal Flatts as well.

The second single from the Taylor Swift album, "Teardrops on My Guitar", was released February 24, 2007. In mid-2007, the song peaked at #2 on Billboard's Hot Country Songs chart and #33 on the Billboard Hot 100. The song was re-released with a pop remix that brought "Teardrops on My Guitar" to #13 on the Hot 100 and #11 on the Pop 100. In October 2007, Swift was awarded Songwriter/Artist of the Year by the Nashville Songwriters Assn. Intl., making her the youngest artist ever to win the award.

Her third song off her debut album, "Our Song" spent six weeks at #1 on the Country charts, peaked at #16 on the Billboard Hot 100, and rose to #24 on the Billboard Pop 100. Swift recorded a holiday album, , which was released exclusively at Target in late 2007. Swift was nominated for a 2008 Grammy Award in the category of Best New Artist, but lost to Amy Winehouse. Swift's successful single, "Picture to Burn", was the fourth single from her debut album. The song debuted and soon peaked at #3 on the Billboard Country chart in spring 2008.

HQ in 2007.]]

"Should've Said No" became Swift's second #1 single. In Summer 2008, Swift released Beautiful Eyes, an EP sold exclusively at Wal-Mart. In its first week of release, the album sold 45,000 copies, debuting at #1 on Billboard's Top Country Albums chart and #9 on the Billboard 200. With her self-titled debut album sitting at #2 during the same week, Swift became the first artist since 1997 to hold the Top 2 positions of the Top Country Albums chart. In October 2008, Swift performed a duet with best selling rock band Def Leppard in a taped show in Nashville, Tennessee, and their collaboration was up for both Performance of the Year and Wide Open Country Video of the Year at the CMT Music Awards in 2009.

2008–09: Fearless and MTV VMA incident

Swift's latest studio album, Fearless, was released in the United States on November 11, 2008. The album debuted at #1 on the Billboard 200 Album Chart. Its sales of 592,304 were the highest debut of any country artist in 2008. This is also the largest opening U.S. sales week in 2008 by a female artist in all genres of music, and the fourth biggest overall behind Lil Wayne, AC/DC and Coldplay. Its lead single "Love Story" became a hit on both the country and pop charts. During the first week of release, more than 129,000 of Swift's sales were sold digitally. This gives Swift the best online start for any country album in history. It also makes Swift the fourth biggest week for a digital album since Nielsen SoundScan began tracking them in 2004. Through its eighth week of release, Fearless has sold more than 338,467 downloads, making it the bestselling country album in digital history. In second place is Swift's debut Taylor Swift with sales of 236,046 downloads as of April 18, 2009.

In its debut week, seven songs in total on Fearless were charted on Billboard Hot 100, tying Swift with Miley Cyrus for the most by a female artist in a single week. With "White Horse" charted at #13, this gave Swift her sixth top 20 debut of 2008, a calendar year record for any artist in the history of the Billboard Hot 100. Of the 13 tracks on Fearless, 11 have already spent time on the Hot 100. The song was also featured as part of the soundtrack of NBC's broadcast package of the Olympics.

The lead single from the album, "Love Story", was released on September 12, 2008. The Fearless album includes the "Love Story" music video which is based on Romeo and Juliet. The song has reached #2 on iTunes Store Top Downloaded Songs and #4 on the Billboard Hot 100. Fifteen weeks after being added to pop radio, "Love Story" also became the first country crossover recording to hit number one on the Nielsen BDS CHR/Top 40 chart in the 16-year-history of the list, as well as number one on the Mediabase Top 40 Chart.

The second single from Fearless, "White Horse", was released on December 8, 2008. The music video for the song premiered on CMT on February 7, 2009. Though it missed the #1 spot on Billboard's Hot Country Songs as of the week April 11, 2009, "White Horse" claimed the #1 spot atop the USA Today/Country Aircheck chart (powered by Mediabase) in that week. "Forever & Always", another song from the album, was based on Swift's relationship with singer Joe Jonas.

She was the first artist in the history of Nielsen SoundScan to have two different albums in the Top 10 on the year end album chart.

Swift is Billboard's Top Country Artist and Hot Country Songwriter of 2008; she is also country music's best-selling artist of 2008. Swift ranked seventh on Nielsen SoundScan Canada's top-10 selling artists across all genres in 2008. Fearless and Taylor Swift took the #1 and #2 slots on 2008 Year-End Canadian Country Albums Chart. Swift sang the Star-Spangled Banner at game three of the World Series in Philadelphia on October 25, 2008.

in Prince Edward Island, Canada.]] In January 2009, Swift announced her North American Fearless Tour planned for 52 cities in 38 states and provinces in the US and Canada over the span of 6 months. The tour kicked off April 23 in Evansville, Indiana. In the same month, Swift made her first musical guest appearance on Saturday Night Live. On February 8, 2009, Swift performed her song "Fifteen" with Miley Cyrus at the 51st Grammy Awards.

As of the week ending February 8, 2009, Swift's single "Love Story" became the country song with the most paid downloads in history. Since the release of Swift's second album, Fearless, she has released one new song "Crazier" for the of the feature film . At the 44th Annual Academy of Country Music Awards, Swift picked up Album of the Year honors as a performer and producer for Fearless.

Swift is the youngest artist in history to win the ACM Album of the Year award. The Academy lauded her for career achievements including selling more albums in 2008 than any other artist in any genre of music, the breakthrough success of her debut album, and the worldwide crossover success of her #1 single "Love Story". The Academy also cited Swift's contribution to helping country music attract a younger audience. As of late April 2009, Swift has sold more than 14 million downloads, as well as three Gold Mobile Ringtones.

On April 28, 2009, Swift gave a free, private concert to students at Bishop Ireton High School, a small Catholic school in Alexandria, Virginia after the school won a national "TXT 2 WIN" contest from Verizon Wireless. The students sent over 19,000 text messages to Verizon during a roughly one month long contest. Swift played for about an hour during the school's field day, an annual day-long recess with games and activities. On October 8, 2009 Swift's official website announced that her sold-out Fearless Tour would return to North America for 37 additional dates in 2010.

Scheduled to perform on September 13, 2009, Swift attended the 2009 MTV Video Music Awards.

This was her first VMA performance, where she became the first country music artist to win an MTV Video Music Award. During the show, as Swift was on stage accepting the award for Best Female Video for "You Belong with Me," singer/rapper Kanye West came on stage and took the microphone from Swift, saying that Beyoncé's video for "Single Ladies (Put a Ring on It)", nominated for the same award, was "one of the best videos of all time," an action that caused the many audience members to boo West. He handed the microphone back to a stunned and reportedly upset Swift, who did not finish her acceptance speech. When Beyoncé later won the award for Best Video of the Year for "Single Ladies (Put a Ring on It)", she called Swift up on stage so that she could finish her acceptance speech.

Following the awards show, West apologized for his verbal outburst in a blog entry (which was subsequently removed). and even by President Barack Obama in an "off the record" comment. He later posted a second apology on his blog and made his first public apology one day after the incident on the debut episode of The Jay Leno Show. She said West had not spoken to her following the incident.

On the chart week of November 14, 2009, Swift set a record for the most songs on the Billboard Hot 100 by a female artist at the same time with eight singles from the re-release of her 2008 album Fearless namely five debut new songs in the top 30: "Jump Then Fall" at #10, "Untouchable" at #19, "The Other Side of the Door" at #22, "Superstar" at #27 and "Come in With the Rain" at #30 and three already-charted songs that were released as singles—"You Belong with Me" (#14), "Forever & Always" which re-entered the chart at #34, and "Fifteen" (#46).

In addition, the song "Two Is Better Than One" by Boys Like Girls which features Swift, debuted at #80 in the same issue. This gives Swift six debuts in one week, the biggest number of debuts by any female artist of all time. It also lifts the number of her simultaneously-charting songs to nine, setting another record for the biggest number of charting songs by the same female artist in the same week. When "Fifteen" reached #38 on the chart week of November 21, 2009, Swift became the female artist with the most Top 40 singles this decade, surpassing Beyoncé. "Fifteen" became Swift's twentieth Top 40 single overall. "Two Is Better Than One" by Boys Like Girls and John Mayer's "Half of My Heart" both featured Swift, peaking at #40 and #25 respectively. The two songs are her 21st and 22nd Top 40 singles.

Fearless was the best-selling album of 2009 in the US with more than 3.2 millions copies sold in that year. Swift claimed both the #1 and #2 positions atop Nielsen's BDS Top 10 Most Played Songs chart (all genres), with "You Belong With Me" and "Love Story," respectively. She also topped the all format 2009 Top 10 Artist Airplay chart with over 1.29 million song detections, and the Top 10 Artist Internet Streams chart with more than 46 million song plays.

2010–present: Speak Now

Swift released the track "Today Was a Fairytale" as a digital download on iTunes on January 19, 2010. The song was featured on the soundtrack for the film Valentine's Day, in which she made her feature-film acting debut. The song debuted on the Billboard Hot 100 at No. 2, becoming her sixth Top 10 and 23rd Top 40 single on that chart. According to Nielsen SoundScan, with sales of "Today Was a Fairytale" more than 325,000 in its first week, Swift has broken the record for first-week download sales by a female artist. The song also debuted at number one on the Canadian Hot 100, making it Swift's first number one hit in Canada.

In February 2010, Swift brought her Fearless Tour to 5 cities in Australia. Opening acts included Gloriana.

In mid-July 2010, Billboard revealed that Swift's new album is called Speak Now. It was released on October 25, 2010. She has written the album completely by herself in Arkansas, New York, Boston and Nashville with Nathan Chapman serving as co-producer. On Wednesday, August 4, 2010, the lead single from the album, "Mine," was leaked onto the internet. Big Machine Records decided to rush the release of the song to counteract the leak.

Taylor Swift appeared at the 44th Annual Country Music Awards on November 10, 2010.

Songwriting style

Swift's lyrics are highly autobiographical; she has said that "If you listen to my albums, it’s like reading my diary." For example, the song "Forever & Always" was inspired by her relationship with Joe Jonas, while the song "Hey Stephen" was written about a boy who she toured with in the past. She has also indicated that she tries to write so her fans can relate to the lyrics, saying "My goal is to never write songs that my fans can't relate to." She parodied her confrontational style of songwriting during her appearance on Saturday Night Live; during her opening monologue, she performed an original song that featured lines such as "You might think I'd bring up Joe, that guy who broke up with me on the phone/ Hey, Joe, I'm doing real well, tonight I'm hosting 'SNL'" referring to her highly publicized relationship with Joe Jonas.

The intensely personal nature of the songs has drawn her attention in the music industry. Swift once said, "I thought people might find them hard to relate to, but it turned out that the more personal my songs were, the more closely people could relate to them."

The autobiographical nature of her songs has led some fans to research the songs' origins. Swift once said, "Every single one of the guys that I’ve written songs about has been tracked down on MySpace by my fans." The New York Times described Swift as "one of pop's finest songwriters, country’s foremost pragmatist and more in touch with her inner life than most adults".

Other work

Acting

In 2008, Swift made her acting debut in Brad Paisley's music video "Online". In that same year Swift filmed a documentary for MTV entitled MTV's Once Upon a Prom and a documentary with Def Leppard for CMT entitled CMT Crossroads, which premiered on November 7, 2008. Swift collaborated with the Jonas Brothers in their 3D Concert Film, . The film was released on February 27, 2009 in North America and brought in $12.7 million on its opening weekend. Swift made her primetime television acting debut on CBS's "Turn, Turn, Turn" as Haley Jones on March 5, 2009 in the U.S. and Canada. The episode was watched by 20.8 million viewers. Swift made a cameo appearance in Kellie Pickler's music video "Best Days of Your Life". Swift also appeared in credited as "woman singing in the barn". The film was released on April 10, 2009 in North America. The television show Dateline NBC showcased an hour on Swift on May 31, 2009. The episode titled Dateline NBC: On Tour With Taylor Swift included scenes from her tour bus, concert footage, and rehearsals. Swift both hosted and performed as the musical guest for the November 7, 2009 episode of Saturday Night Live. In 2010, Swift made her feature film acting debut as Felicia in the film Valentine's Day. For this role she won the Teen Choice Award for Movie Female Breakout.

Cover model and recognition

Swift has been featured on the cover of a number of magazines. She has been a cover girl for Blender, for which she was one of two country artists during the magazine’s fifteen year run to be a cover subject. She was included in People's annual "100 Most Beautiful People" 2008, 2009, and 2010 lists. Additionally, she was named number fifty-seven on Maxim's sexiest women of 2008, and number thirty-one on the 2010 list. CosmoGirl voted Swift as the "2008 Girl of the Year". Swift was named by Rolling Stone magazine as one of "The RS 100: Agents of Change". She was nominated as a candidate for Times "2009 The Time 100 Finalists" list, which is determined by online voting. People magazine named Swift one of 25 Most Intriguing People of 2009.

Merchandise

Jakks Pacific released a celebrity doll of Swift in late 2008. Taylor Swift has been the face of L.E.I. Jeans (Life Energy Intelligence) since 2008. Swift and the L.e.i. Clothing Line made a deal to create a line based on Swift's style of dressing, which will appear in Wal-Mart in the coming months. However, Swift said she does not want to be called a designer. Instead, she says she will inspire the clothing company's dress line based on her own style. "I don't look at it like I'm branching out as a designer... It's not the Taylor Swift designer line." In 2009, Swift became the National Hockey League's newest celebrity spokesperson. She appears in commercials for the Nashville Predators.

In May 2009, Swift filed a lawsuit (kept sealed until August 2010) against numerous sellers of unauthorized counterfeit merchandise bearing her name, likeness, and trademarks, where she demanded a trial by jury, sought a judgement for compensatory damages, punitive damages, three times the actual damages sustained, and statutory damages, and sought for recovery of her attorney's fees and prejudgement interest. Nashville's U.S. District Court granted an injunction and judgment against the sellers, who had been identified at Swift's concerts in several states. The court ordered merchandise seized from the defendants to be destroyed.

Philanthropy

]] On September 21, 2007, Swift helped launch a campaign to protect children from online predators. She has teamed up with Tennessee Governor Phil Bredesen to combat internet sex crimes.

Swift donated $100,000 to the Red Cross in Cedar Rapids, Iowa to help the victims of the Iowa flood of 2008. Swift has teamed up with Sound Matters to make listeners aware of listening "responsibly". Swift supports @15, a teen-led social change platform underwritten by Best Buy to give teens opportunities to direct the company's philanthropy through the newly-created @15 Fund. Swift's song, "Fifteen", is featured in this campaign. Swift lent her support to the Victorian Bushfire Appeal by joining the lineup at Sydney's Sound Relief concert, reportedly making the biggest contribution of any artist playing at Sound Relief to the Australian Red Cross. Swift donated her prom dress, which raised $1,200 for charity, to DonateMyDress.org. On November 20, 2009 after a live performance on BBC's Children in Need night Swift announced to Sir Terry Wogan she would donate £13,000 of her own money to the cause.

On December 13, Swift's own birthday, she donated $250,000 to various schools around the country which she had either attended or been involved with. Taylor Swift has donated a pair of her shoes - a gently-worn pair of black Betsey Johnson heels with her autograph on the sole - to the Wish Upon a Hero Foundation's Hero in Heels fundraiser for auction to raise money to benefit women with cancer.

In response to the May 2010 Tennessee floods, Swift donated $500,000 during a flood relief telethon hosted by WSMV, a Nashville television station.

Personal life

In 2008, Swift was in a relationship with pop singer Joe Jonas which ended in November of that year. Swift indicated that her heartbreak song, "Forever & Always", on her album Fearless was inspired by Jonas. The song "Back To December" off her album Speak Now, which Swift has described as an apology song, has been widely speculated to be dedicated to Lautner.

Filmography

Discography

Taylor Swift (2006)

Fearless (2008)

Speak Now (2010)

Awards and nominations

References

External links

Category:1989 births Category:Living people Category:2000s singers Category:2010s singers Category:American child singers Category:American country singer-songwriters Category:American female guitarists Category:American female singers Category:American film actors Category:American television actors Category:Big Machine Records artists Category:English-language singers Category:Grammy Award winners Category:Musicians from Pennsylvania Category:People from Berks County, Pennsylvania Category:Ukulele players Category:American Christians

Name	Steve Vai
Background	solo_singer
Birth name	Steven Syro Vai
Born	June 06, 1960Carle Place, New York, USA
Instrument	Guitar, keyboards, vocals
Genre	Instrumental rock, hard rock, heavy metal, progressive rock, progressive metal, experimental rock
Years active	1980–present
Label	Favored NationsRelativity RecordsUrantia Records Akashic RecordsEpic Records
Associated acts	Joe Satriani, Frank Zappa, Alcatrazz, David Lee Roth, Whitesnake, Ozzy Osbourne, Zappa plays Zappa, Billy Sheehan, G3, Bad4Good, Incubus, The Shardheads
Url	Official website
Notable instruments	Ibanez JEMIbanez Universe

Steven Siro "Steve" Vai (born June 6, 1960) is a three time Grammy Award-winning Italian-American rock guitarist, songwriter, vocalist and producer. After starting his professional career as a music transcriptionist for Frank Zappa, Vai recorded and toured in Zappa's band for two years, from 1980 to 1982. The guitarist began a solo career in 1983 and has released 13 solo albums as of 2008. Apart from his work with Frank Zappa, Vai has also recorded and toured with Public Image Ltd., Alcatrazz, David Lee Roth, and Whitesnake. Vai has been a regular touring member of the G3 Concert Tour which began in 1996. In 1999 Vai started his own record label, Favored Nations, intending to showcase, as Vai describes, "...artists that have attained the highest performance level on their chosen instruments."

Career

1970s and 1980s

Vai began playing guitar in 1973, at the age of 13. In 1974, he took guitar lessons from guitarist Joe Satriani, and played in numerous local bands, one of which was called "The Steve Vais." He acknowledged the influence of many guitarists including Jeff Beck, Jimmy Page, Glen Buxton, and jazz fusion guitarist Allan Holdsworth. Vai followed those lessons by attending the Berklee College of Music, afterwards recording a promotional piece for them in which he spoke about auditioning for Frank Zappa at age twenty. and band during a concert at the Memorial Auditorium, Oct 25, 1980 Buffalo, New York]] Vai mailed Frank Zappa a transcription of Zappa's "The Black Page", an instrumental for drums, along with a tape with some of Vai's guitar playing. Zappa was so impressed that, in 1979, he hired him to transcribe a number of his guitar solos, including some on the Joe's Garage album and the Shut Up 'n' Play Yer Guitar series. These transcriptions were published in 1982 in The Frank Zappa Guitar Book.

Subsequent to being hired as a transcriber, Vai did overdubs on many of the guitar parts for Zappa's album You Are What You Is. Thereafter he became a full-fledged band member, going on his first tour with Zappa in the autumn of 1980. One of those early shows with Vai on guitar, recorded in Buffalo, was released in 2007. While touring with Zappa's band, Vai sometimes asked audience members to bring musical scores and see if he could sight-read them on the spot. Zappa referred to Vai as his "little Italian virtuoso" and listed him in the liner notes as performing "stunt guitar" or "impossible guitar parts." Later, Vai was a featured artist on the 1993 recording Zappa's Universe. In 2006 he returned to Frank Zappa's music as a special guest on Dweezil Zappa's 'Zappa Plays Zappa' tour, alongside friends from his early years with Zappa.

After leaving Zappa in 1982 he moved to California, where he recorded his first album, Flex-Able, in 1983 and performed in a couple of bands. In 1985 he replaced Yngwie Malmsteen as lead guitarist in Graham Bonnet's Alcatrazz, with whom he recorded the album Disturbing the Peace. Later in 1985, he joined former Van Halen front man David Lee Roth's group to record the albums Eat 'Em and Smile and Skyscraper.

In 1986, Vai played with John Lydon's Public Image Ltd on their album Album (also known as Compact Disc or Cassette). Then, in 1989, Vai joined Whitesnake, replacing Vivian Campbell. When Adrian Vandenberg injured his wrist shortly before recording was to begin for the album Slip of the Tongue, Vai played all the guitar parts. Vai also played on the Alice Cooper album Hey Stoopid, along with Joe Satriani on the song "Feed my Frankenstein."

1990s and 2000s

Vai continues to tour regularly, with his own group and with his one-time teacher and fellow guitar instrumentalist friend Joe Satriani on the G3 series of tours. Former David Lee Roth and Mr. Big bassist Billy Sheehan also joined him for a world tour. In 1990, Vai released his critically acclaimed solo album Passion and Warfare

The song "For the Love of God" was voted #29 in a readers' poll of the 100 greatest guitar solos of all time in Guitar World Magazine.

In 1994 Vai began writing and recording with Ozzy Osbourne. Only one track from these sessions, "My Little Man", was released on the Ozzmosis album. Despite Vai penning the track he does not appear on the album. His guitar parts were replaced by Zakk Wylde. Another track, "Dyin' Day", appeared as an instrumental on Vai's Fire Garden album. Vai's band members in the 90's included drummer Mike Mangini, guitarist Mike Keneally, and bassist Philip Bynoe. In 1994 Vai received a Grammy Award for his performance on the Frank Zappa song Sofa from the album Zappa's Universe.

Steve Vai released a DVD of his performance at The Astoria in London in December, 2001. The performance featured Billy Sheehan, guitarist/pianist Tony MacAlpine, guitarist Dave Weiner, and Australian drummer Virgil Donati.

In July 2002, Steve Vai performed with the Tokyo Metropolitan Symphony Orchestra at the Suntory Hall in Tokyo, Japan, in the world premiere of composer Ichiro Nodaira's Fire Strings, a concerto for electric guitar and 100-piece orchestra.

In 2004, a number of his compositions and orchestral arrangements including some previously recorded pieces, were performed in The Netherlands by the Metropole Orchestra in a concert series entitled The Aching Hunger. In 2003, drummer Jeremy Colson joined Vai's group, replacing Virgil Donati. Vai's latest album, Sound Theories, was released in 2007.

In February 2005, Vai premiered a dual-guitar (electric and classical) piece that he called The Blossom Suite, with classical guitarist Sharon Isbin at the Châtelet Theatre in Paris. In 2006, Vai played as a special guest guitarist alongside additional guest Zappa band members, drummer Terry Bozzio, guitarist-singer Ray White, and saxophonist-singer Napoleon Murphy Brock in the "Zappa Plays Zappa" tour led by Frank's son Dweezil Zappa in Europe and the U.S. in the Spring, as well as a short U.S. tour in October.

On September 21, 2006, Vai made a special appearance at the Video Games Live concert at the Hollywood Bowl in Hollywood, California. He played two songs with the Hollywood Bowl Orchestra; Halo Theme, and a second song for the world premier trailer for Halo 3.

Steve Vai made an appearance at the London Guitar Show in 2007 on the April 28, 2007 at the ExCeL Center. In late April 2007, Vai confirmed the release of his most recent record, Sound Theories, on June 26. The release is a two-CD set, mostly of previously released material that Vai rearranged and played with a full orchestra. Vai says the project was a great joy because he considers himself a composer more than a guitarist, and he is happy to see music he has composed played by an orchestra that can play it well. A DVD followed the record later that year. He guested on the Dream Theater album, Systematic Chaos, on the song "Repentance". The appearance was vocal rather than instrumental, as Vai was only one of many musical guests recorded. The song features contributions from many artists, with the aim of apologizing to important people in their lives for wrongdoings committed in their pasts. On August 29, 2009, he appeared on stage with Dream Theater during the final show of their Progressive Nation tour at the Greek Theater, where he performed in an improvised jam with the other musicians on tour. Broken Records magazine (Volume 1, Issue 3) quotes Vai as saying, "I enjoy challenging myself to come up with new ideas that I believe are unique."

In 2010, Vai released several "VaiTunes" singles of tracks that were previously recorded and later finished. They are available on www.vai.com, iTunes and Amazon.com. On September 14, 2010, Steve released "Where The Wild Things Are" as double vinyl through his label Favored Nations and made a guest appearance with Rickey Minor and The Tonight Show Band on NBC. In October, 2010 Steve completed his first full symphony and performed the compositions at the Steve Vai Festival which featured Vai and the North Netherlands Symphony Orchestra (NNO) on October 20-24, 2010. Immediately after the Holland shows, Steve embarked for the US to headline the "Experience Hendrix Tour" which features Eric Johnson, Kenny Wayne Shephard, Susan Tedeschi, Billy Cox, Vernon Reid, Robert Randolph, Johnny Lang, Brad Whitford and other top-notch guitarists.

Video games

"Juice" was featured on the 1996 video game "Formula One" for the PlayStation.

In 1998, "Erotic Nightmares" was featured as the menu music in the video game WCW/nWo Revenge for the Nintendo 64.

Steve Vai's guitar-work appeared in the video game . David Lee Roth's "Yankee Rose" was featured on the game's soundtrack as well as "God Blessed Video" by Alcatrazz as part of the Lazlow-led, 1980s rock/metal radio station "V-Rock."

In 2004, Steve Vai was featured on Xbox's Halo 2 (a game by Bungie Studios) Volume 1 soundtrack, performing a heavy rock-guitar rendition of the Halo theme, known as Halo Theme (MJOLNIR Mix). He also performed on the track Never Surrender. He later featured in the second volume of the soundtrack, where he performed on the track Reclaimer.

In 2008, Steve Vai's For the Love of God and Halo Theme (MJOLNIR Mix) were featured as downloadable tracks for the game Guitar Hero 3. A live version of the song "For the Love of God" was also available at release on the Rock Band Network as well as the song "Get the Hell Out of Here" from his 2002 album "The Elusive Light and Sound, Vol. 1" on March 4, 2010.

A re-recording of "Speeding" is featured in the 2010 video game for Xbox 360, Wii and Playstation 3.

Movies

Steve Vai's music has appeared in a number of feature films, including Dudes and Ghosts of Mars. He appeared onscreen in the 1986 Walter Hill movie Crossroads, playing the demonically-inspired Jack Butler. At the film's climax, Vai engages in a guitar duel with Ralph Macchio, whose guitar parts were dubbed by Vai and also Ry Cooder, who played the initial slide work in the duel and Macchio's earlier performances in the film. Vai also composed the fast-paced neo-classical track Eugene's Trick Bag that wins Macchio the competition. He based the body of the piece heavily on Paganini's Capriccio number 5. He later borrowed the opening riff from the track Head Cuttin' Duel for a song called Bad Horsie from his 1995 EP Alien Love Secrets. Later, the Crossroads duel reappeared on the 2002 album The Elusive Light and Sound, volume 1.

In 1991's Bill & Ted's Bogus Journey, the introductory riff to KISS' "God Gave Rock 'n' Roll to You II", as performed by the Wyld Stallyns in the Battle of the Bands, was performed by Vai. He also composed and performed the soundtrack to PCU (1994), and made contributions in 2001 to the score for John Carpenter's Ghosts of Mars, performing on the tracks "Ghosts of Mars" and "Ghost Poppin'." His track, "I'm the Hell Outta Here", can be heard during 1992's Encino Man in the scene where Brendan Fraser is taking a driving lesson. He plays guitar in the animated short film "Live Music".

Playing style

Vai is a virtuoso in the world of guitar music. His 1990 album Passion and Warfare and the ballad For the Love of God in particular received a significant amount of press, and are often cited by critics and fans alike as amongst his best work.

Vai's playing style has been characterized as quirky and angular, owing to his technical ability with the instrument and deep knowledge of music theory. He regularly uses odd rhythmic groupings and his melodies often employ the Lydian mode. Perhaps his most readily-identifiable stylistic feature is his creative use of the floating vibrato, using it to add melodic lines that sound odd to the ear. His playing can also be described as lyrical, as if sung by a human voice. He often uses exotic guitars: he plays both double and triple neck guitars (including a custom-made heart-shaped triple-neck model built by luthier Joe Despagni), and is regarded as the first to use the 7-string guitar in a rock context. Along with Ibanez, he designed a signature 7-string guitar, the Ibanez Universe, in 1989. He is also noted for being physically expressive as he plays his guitar as well.

On Composing/The "Evo Era"

“I wanted to be a composer ever since I was a young boy. To me written music on paper was (and is) beautiful. It looked like art and I wanted to have a complete understanding of how to speak, read and write that language. I knew that through the little black dots I could get the music that was in my head out into the world. Though the guitar fell into my lap and my fingers were glued to the instrument, I studied composition and musical notation long before I even started playing the guitar. Through high school, college and beyond, I kept up my studies and kept composing through the years as I felt my eventual calling was in the compositional world. Although I have listened to and studied most of the great older and contemporary composers, when I compose my music I take a similar approach as to when I am developing my voice on the guitar and that's to find and cultivate ideas that I have not heard before. That's the exciting part!

Once you understand the written language of music and the possibilities and limitations of various instruments, composing music is pure liberation. It's an art form that allows for deep personal expression. For me composing is the ultimate playground for my imagination. And to have the opportunity to hear your music performed is the greatest gift a composer could hope for, provided it's performed correctly.

I feel that my task is to merge my authentic rock sensibilities with my orchestrational skills to create a brand of contemporary music that is unique and fulfilling on an emotional and melodic level for the listener. Although rock musicians have worked with orchestras and contemporary composers have written for rock band instruments, I believe the catalog of music that I am building in this field is not what would be expected from either. I'm very excited about this brand and hope to inspire other composers to walk their own parallel lines within this movement. I call this movement "Evo", short for evolution. As it has been in the past through all of history, the 21st century will see a whole new wave of orchestral musical awareness develop. We are now entering the "Evo Era." -Steve Vai

Equipment

Vai is also a producer. He owns two studios ("The Mothership" and "The Harmony Hut" ), and his own recordings combine his guitar skills and novel compositions with studio and recording effects.

Vai helped design his signature Ibanez JEM guitar series. They feature a hand grip (fondly referred to as a "monkey grip") cut into the top of the body of the guitar, a humbucker–single coil-humbucker (H/S/H) DiMarzio pickup configuration with several different types of pickup including Evolution, Breed and EVO 2. He also uses the Ibanez Edge and Lo-Pro Edge double-locking tremolo systems (the current production JEMs have the newer Edge Pro), as well as an elaborate and extensive "Tree of Life" inlay down the neck. Vai also equips many of his guitars with an Ibanez Backstop, a tremolo stabilizer that has been discontinued. Lately Vai has also equipped some of his guitars with True Temperament fretboards to make his chords sound more in tune. Vai also has a 7-string model designed by him named Ibanez Universe, featuring DiMarzio Blaze II pickups in an HSH arrangement. The Universe later influenced the 7-string guitars used by Korn and other bands to create nu metal sounds in the late 1990s. He also has a signature Ibanez acoustic, the Euphoria. Before Ibanez, he briefly endorsed Jackson guitars, but this relationship only lasted two years. His two main guitars are white JEMs dubbed "Evo" and "Flo", each with their own unique modifications.

Steve Vai has also worked with Carvin Guitars and Pro Audio to develop the Carvin Legacy line of guitar amplifiers. Vai wanted to create an affordable amp that was unique, and equal in sound and versatility to any guitar amp he had previously used. Over his long musical career, Steve Vai has used and designed an array of guitars. He even had his blood put into the swirl paint job on one of his signature JEM guitars, the JEM2KDNA. Only 300 of these were made. Currently, he mainly uses his white "Evo", a JEM7V, and his "Flo", which is a customized Floral JEM 77FP painted white. They are both inscribed with their names in two places, mainly so he can distinguish between them onstage. "Flo" is equipped with a Fernandes sustainer system.

He also has a guitar named "Mojo" with dot inlays that are blue LED lights. Additionally, he has a custom-made triple-neck guitar that has the same basic features as his JEM7V guitars. The top neck is a 12-string guitar, the middle is a six-string, and the bottom is a six-string fretless guitar with a Fernandes Sustainer pickup. This guitar was featured on the G3 2003 tour on the piece I Know You're Here. Vai's effects pedals include a modified Boss DS-1, Ibanez Tube Screamer, Morley Bad Horsie, Ibanez Jemini Twin Distortion Pedal, TC Electronics G-System, Morley Little Alligator Volume pedal, Digitech Whammy, and an MXR Phase 90/Phase 100 on the Passion and Warfare album. His flight cases are labeled "Mr. Vai", or lately, "Dr. Vai." He has used a number of rack effects units controlled via MIDI, but used a floor-based TC electronics G system instead for the Zappa Plays Zappa tour.

Philanthropy

In 2005, Vai signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and instruction to children in public schools throughout the U.S. He sits on LKR's Honorary Board of Directors.

Vai was a judge for the 3rd and 8th annual Independent Music Awards to support independent artists.

Vai is also the founder of the Make A Noise Foundation, which he started with his manager Ruta Sepetys. The foundation's goal is to provide funding for music education and programs for those unable to pursue music-related activities due to limited resources. Vai is also a patron of music education around the world giving master classes in such prestigious music schools as the Fermatta Music Academy.

Favored Nations

Vai owns Favored Nations, a recording and publishing company that specializes in internationally procuring and maintaining recording artists. Favored Nations is separated into three sections, 'Favored Nations', 'Favored Nations Acoustic' and 'Favored Nations Cool (Jazz style)'.

Personal life

Vai is married to Pia Maiocco, former bass player of Vixen, who can be seen in Hardbodies. Vai and Maiocco have two children, Julian and Fire. In his spare time Vai is an avid beekeeper. His bees regularly produce a crop of honey that Vai sells for his Make a Noise Foundation.

Band history – not including guest appearances

Frank Zappa (1980–1982)

Alcatrazz (1984–1985)

David Lee Roth (1985–1989)

Public Image Ltd.

Whitesnake (1989–1991)

Solo (1983–present)

Current band members

Steve Vai – vocals, lead guitar

Dave Weiner – rhythm guitar, electric sitar

Ann Marie Calhoun – violin, keyboards

Alex DePue – violin, keyboards

Bryan Beller – bass guitar

Jeremy Colson – drums, percussion

Discography

Solo albums

Flex-Able (1984)

Flex-Able Leftovers (1988)

Passion and Warfare (1990) – Gold (USA), #18 on the Billboard 200 on June 30, 1990

Sex & Religion (1993)

Alien Love Secrets (1995)

Fire Garden (1996)

The Ultra Zone (1999)

The 7th Song - Enchanting Guitar Melodies, Archives Vol. 1 (2000)

Alive in an Ultra World (2001)

The Elusive Light and Sound, volume 1 (2002)

FZ Original Recordings; Steve Vai Archives, Vol. 2 (2001)

Mystery Tracks - Archives Vol. 3 (2003)

Various Artists - Archives Vol. 4 (2003)

(2003)

Live In London (2004)

(2005)

Sound Theories Vol. I & II (2007)

Where the Wild Things Are (2009)

Where the Other Wilds Are (2010)

Appearances on Zappa albums

With other artists

Orchestral Works

Soundtracks

Compilations

Awards and Nominations

Grammy Awards

|- | 1990 | Passion & Warfare | Best Rock Instrumental Album | |- | 1994 | "Sofa" from Zappa's Universe | Best Rock Instrumental Performance | |- | 1995 | "Tender Surrender" from Alien Love Secrets | Best Rock Instrumental Performance | |- | 1997 | "For the Love of God" from | Best Rock Instrumental Performance | |- | 1999 | "Windows to the Soul" from The Ultra Zone | Best Rock Instrumental Performance | |- | rowspan=2 | 2001 | "Whispering a Prayer" from Alive in an Ultra World | Best Rock Instrumental Performance | |- | No Substitutions | Best Pop Instrumental Album | |- | 2006 | "Lotus Feet" | Best Rock Instrumental Performance | |- | 2008 | "The Attitude Song" | Best Rock Instrumental Performance | |- | 2009 | "Peaches En Regalia" from Zappa Plays Zappa | Best Rock Instrumental Performance | |- | 2010 | "Now We Run" from Where the Wild Things Are | Best Rock Instrumental Performance | |}

Guitar Player magazine

1995 Gallery of Greats

1995 Best Rock Guitarist (Tie with Jimmy Page)

1995 Best Overall Guitarist - 3rd Place

1995 Best Experimental Guitarist (tie with Buckethead)

1995 Best Metal Recording - 3rd Place

1995 Best Overall Guitar Recording - 2nd Place

1995 Best Metal Guitarist - 3rd Place

1990 Best Rock Guitarist

1990 Best Overall Guitarist

1990 Best Guitar Album

1990 Best Metal Guitarist

1989 Best Rock Guitarist

1988 Best Rock Guitarist

1987 Best Rock Guitarist

1987 Best Overall Guitarist

1986 Best Rock Guitarist

Guitar World

1990 Most Valued Player (tie with Stevie Ray Vaughan)

1990 Best Album

1990 Best Rock Guitarist

1990 Best Guitar Solo (For the Love of God)

1989 Best Rock Guitarist

International Music Award Nomination

1990 Best Guitarist

Select magazine (UK)

1990 Best Album (Passion and Warfare)

1990 Best Musician

1990 Sexiest Male

Guitar for the Practicing Musician

1993 Editor's Choice Award

1990 Reader's Choice – Guitar Album of the Year

1990 Best Instrumental Guitarist of the Year

1988 Rock Guitarist of the Year

1987 Hall of Fame

1986 Guitar in the 90's Award

Kerrang (UK)

1993 Best Hard Rock Performance

1990 Guitarist of the Year

1989 Best Rock Guitarist

Young Guitar (Japan)

1991 Best Rock Guitarist

1997 Best Rock Guitarist

Rock Brigade

1996 Best Guitarist

1997 Best Guitarist

RAW

1990 Best Selling LP Sleeve (No. 1)

1990 Best Selling Promo Video (No. 5, I Would Love To)

1990 Best Selling Promo Video (No. 7, The Audience is Listening)

1990 Best Sex Object (No. 6)

1990 Best RAW Cover (No. 3)

Player

1995 Best Hard Rock Guitarist – 2nd Place

Making Music

1990 Best Album

1990 Best Guitarist

1990 Best Musician

Metal Hammer

1990 Best Guitarist (Reader's Poll)

California Music Awards

2001 Outstanding Guitarist (nominee)

Golden Stag Awards Romania

2009 Excellence Prize

See also

List of rock instrumentals

Steve Vai songs

References

External links

Steve Vai's Official homepage

[ Steve Vai] at Allmusic

Audio Interview with Steve Vai on Guitar Jam Daily

Billboard.com Discography of Steve Vai

Steve Vai (1989) - Poster (Hi Res Scan)

Category:1960 births Category:American heavy metal guitarists Category:American rock guitarists Category:American vegetarians Category:Beekeepers Category:Berklee College of Music alumni Category:G3 Category:Grammy Award winners Category:American musicians of Italian descent Category:Lead guitarists Category:Living people Category:Musicians from New York Category:People from Nassau County, New York Category:Seven-string guitarists Category:The Ozzy Osbourne Band members Category:Whitesnake members

Name	Peter NalitchПётр Налич
Background	solo_singer
Birth name	Piotr Andreevich Nalich
Born	April 30, 1981 in Russian SFSR, USSR
Origin	Moscow
Instrument	Vocals, accordion, classical guitar
Genre	Pop
Associated acts	"Peter Nalitch's musical collective" (Музыкальный коллектив Петра Налича; Muzykalny kollektiv Petra Nalitcha, MKPN) also nown as "Peter Nalitch and Friends"
Url	peternalitch.ru

Peter Andreyevich Nalitch (, also spelled as Petr Nalich or Pyotr Nalich, is a Russian singer and composer who represented Russia at the Eurovision Song Contest 2010 in Oslo. In the final on May 29, he came 11th with his song "Lost and Forgotten".

Personal Info

Peter Nalitch was born on 30 April 1981 in Moscow, into a Russian family. His grandfather Zahid Nalić, was a Bosnian opera singer from Tuzla, hence the Balkanic surname. Peter graduated from the Moscow University of Architecture (MARHI) and studied music at Orfei Studio directed by Irina Mukhina. He has worked for two years as an architect. He has a son from his first marriage and a daughter from the second.

"Gitar"

Peter Nalitch has become famous in Russia after the publication in 2007 on YouTube of the clip of his song "Gitar" (where he makes fun of himself with broken English lyrics and dubious film editing qualities). In about three years, more than 4,000,000 people had watched it. Interviews and articles about Peter followed in some Russian papers. The song "Gitar" is most popular in Greece, Germany and Slovakia.

Peter Nalitch and Friends

Beginnings

In 2007, Peter already had about 40 songs written down, all available on his website for free. Fans archived them, they can still be found on the web. It is with these songs that Peter gave his first concert, on November 9, 2007, in the club "Apshu" ("Апшу") in Moscow.

After the success of this first concert (a lot of people had been unable to enter the first crowded venue), articles were written on blogs and in newspapers. Peter then gathered a band of musicians, with whom he gave two more concerts during the winter of 2008 in the club "IKRA" ("Икра"), in Moscow. Tickets were sold out several months before the event.

The band took the name Peter Nalitch's Musical Collective - "Muzykalny kollektiv Petra Nalitcha" ("Музыкальный коллектив Петра Налича") or more simply "MKPN" ("МКПН").

Success

Over the following two years, in addition to the Moscow venues, MKPN went on tour, performing in Saint Petersburg, Yekaterinburg, Nizhny Novgorod and other large Russian cities. The band released their first album in 2008 - "Radost Prostykh Melody" ("Радость простых мелодий" - translated as "The Joy of Simple Melodies" on their website). They also released a DVD of the footage of a concert in Moscow – "MKPN v B1 Maximum" ("МКПН в Б1 Maximum" – "MKPN at the B1 Maximum") and an EP, "More" ("Море" – "The Sea"). In 2009, the band was one of the headliners at the "Sfinks" festival in Antwerp, (Belgium).

Nalitch is self-produced.

Eurovision 2010

Peter Nalitch and Friends was chosen to represent Russia in the Eurovision Song Contest 2010, in Oslo, with the song Lost and Forgotten. The final, on May 29, saw the song finishing 11^th.

Musical style

Peter Nalitch sings in Russian, English (the latter with a Russian accent, which he refuses to hide), Italian ("Santa Lucia"), French ("Il pleut toujours", on the EP "More") and Baburi, an invented language.

The lyrics of his songs are often humorous and can sometimes be compared to child songs ("Yeti" - «Йети», is a song about a lonely yeti). MKPN also did covers of Russian romances and Cossack songs. All albums and songs are available for free on the band's official website, with the mention "Pay what you will", even though the album and the EP have been released. Peter Nalitch had declared in an interview that they were not really making money from album sales, only from the concerts given in Russia.

In the wake of this idea of self-promotion on the web, the band has given, on September 17, 2009, an acoustic concert from their own flat, broadcast live on RuTube (a local videohosting and live broadcasting site). On October 30, 2009, they broadcast another show live on RuTube, this time a real concert in Moscow.

Band members

Peter Nalitch — voice, guitar, piano, accordion

Yura Kostenko — saxophone, flute, piano

Sergei Sokolov — domra, guitar, voice

Kostia Shvetsov — guitar

Dima Simonov — bass

Denis Marinkin — drums

Discography

2007 — Single of summer 2008 (with the magazine "Afisha" ("Афиша"))

2008 — "Radost prostykh melody" ("Радость простых мелодий" - "The Joy of Simple Melodies") 2009 — "Kontsert MKPN v B1 Maximum" ("Концерт МКПН в Б1 Maximum" - Concert of MKPN at the B1 Maximum") 2009 — EP "More" ("Море" - "The Sea")

2010 — "Vesyoliye Baburi" ("Весёлые Бабури" - "Jolly Baburi")

References

External links

Official website

www.youtube.com/user/hanurpriehal — MKPN channel on YouTube

Official Peter Nalitch mp3 free download from Yandex

Peter Nalitch on MySpace.com

Peter Nalitch on Yandex.Video

peternalitch.livejournal.com — MKPN on LiveJournal

Yandex interview with Peter Nalitch

Category:Russian Eurovision Song Contest entrants Category:Eurovision Song Contest entrants of 2010 Category:Russian people of Ukrainian descent Category:Living people Category:1981 births

Name	Joe Penna
Birth name	Jonatas Penna
Birth date	May 29, 1987
Birth place	São Paulo, Brazil
Nationality	Brazilian
Years active	June 16, 2006–present
Notable works	YouTube video series (YouTube Partner, Director)
Known for	Stop motion, animation, music, and videography
Website	pennajoe.com
Web alias	MysteryGuitarMan, jp
Web host service	YouTube

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Joe Penna (born May 29, 1987 in São Paulo), known online as MysteryGuitarMan, is a guitarist, animator, and filmmaker. He currently resides in Los Angeles, California.

YouTube

Penna maintains a popular channel on YouTube by the name of MysteryGuitarMan. He usually uploads videos every Tuesday and Thursday.

As of December 2010, he is the most subscribed in Brazil and the 6th most subscribed on YouTube, with approximately 1.5 million subscribers. His videos have been viewed over 200 million times.

On February 18, 2010, Penna started a second YouTube channel, jp, where he uploads his making-of videos and vlogs. Within 6 hours, it became the third most subscribed channel in Brazil. after his "The Puzzle" video was featured on the front page of YouTube.

In 2009, Penna was again seen on the front page of YouTube with his "Guitar: Impossible" video, which has been covered by De Wereld Draait Door, the highest-rated primetime show in the Netherlands. On December 6, 2009, Penna was featured on FM4, an Austrian national radio station. Shortly after uploaded, his "Guitar:Impossible" video was featured on the MSN.com front page.

Best Buy announced Penna as the $15,000 winner of their Tech-U-Out Video Challenge. He was also a finalist in the "Oreo Global Moments" video competition. Ford selected Penna as a Fiesta Agent for the 2011 Ford Fiesta Movement. Penna's "Guitar: Impossible" video was also featured by YouTube as one of the best videos of 2009.

In 2010, Penna's "Root Beer Mozart" was featured on CNN's morning show Morning Express with Robin Meade and on Germany's nationally broadcasted Taff show. Penna's collaboration with YouTubers Rhett and Link and Billy Reid for "T-Shirt War" garnered national attention. Following the success of the original, Penna and the original cast were hired to produce a national television and cinema spot for Coca-Cola and McDonalds.

Penna was recently highlighted by CNN Money on their Best Jobs series. On June 24, Penna was selected as one of the top 10 new directors of 2010 at the 20th Cannes Lions Saatchi & Saatchi New Directors' Showcase with "T-Shirt War". "Guitar: Impossible" was selected for the YouTube Play Shortlist, which is a collaboration between YouTube and the Guggenheim Museum.

References

External links

MysteryGuitarMan YouTube Home Page

MysteryGuitarMan's Second Channel

Joe Penna's Website

Category:1987 births Category:Living people Category:YouTube video producers Category:Brazilian Internet personalities Category:Brazilian guitarists

Name	Ewan Dobson
Background	non_vocal_instrumentalist
Birth name	Ewan Dobson
Born	September 9, 1981
Origin	Richmond Hill, Ontario, Canada
Instrument	Guitar
Genre	Fingerstyle guitar
Occupation	Musician, composer
Label	CandyRat
Url
Notable instruments	Stonebridge 23CR Martin D-28CW

Ewan Dobson is a Canadian fingerstyle guitarist and Candyrat Records recording artist noted for the creativity and intensity of his playing as well as his use of extended technique. Dobson's music borrows from bluegrass, classical music, folk, techno, heavy metal as well as trance. In 1993, he was diagnosed with Attention Defecit Hyperactivity Disorder, Obsessive Compulsive Disorder and mild Tourette's Syndrome. In support of Tourette's Syndrome awareness Ewan has performed at the Tourette's Syndrome National Conference in Canada. As a classical guitarist Dobson won numerous awards such as the Grand Prizes of both the Burlington Rotary Fall Music Festival and the Pickering Rotary Music Festival (1996 and 1998) as well as the D'addario Scholarship from the Kiwanis Music Festival which is given to the top classical guitarist in the competition. As a fingerstyle guitarist, Ewan placed first at the 5th Annual Canadian Fingerstyle Guitar Competition. Two months after this he competed in the 38th Annual International Fingerstyle Guitar Competition in Winfield, Kansas and placed third. Immediately following this he placed first in the Acoustic Category of the 4th Annual Montreal Guitar Grand Prix.

Solo albums

2007: Guitar, Self released title.

2008: The Red Army Love Potion, Self released title

2009: Healthy Obsession, Self released title.

2009: Ewan Dobson, CandyRat Records 2010: Ewan Dobson II, CandyRat Records

See also

Music of Canada

References

External links

Candyrat Records label website

Category:Living people Category:Canadian guitarists Category:Fingerstyle guitarists

Name	Andy McKee
Background	solo_singer
Born	April 04, 1979 Topeka, Kansas, U.S.
Instrument	Guitar, baritone guitar, harp guitar
Genre	Folk, fingerstyle, instrumental
Occupation	Guitarist
Years active	2001 – present
Label	Razor & Tie, CandyRat Records
Url	www.andymckee.com
Religion	Atheist

Andy McKee (born April 4, 1979 in Topeka, Kansas) is an American fingerstyle guitarist, currently signed to the American record label Candyrat Records. His style of playing and his compositions have earned him a considerable international fanbase; in late 2006, a live performance of his signature song "Drifting" became a Featured Video on YouTube and MySpace, achieving over 35,000,000 views on the former to date and remaining one of its highest rated music clips. A handful of McKee's other songs have experienced lesser success on YouTube, such as "Rylynn" with over 17,000,000 views. Similarly, McKee's cover of "Africa" reached over 9,000,000 views before suddenly being removed by Candyrat Records.

Life and career

McKee played his first guitar, an Aria nylon string bought by his father, at age 13. Initially underwhelmed by his guitar lessons, McKee's electric guitar-playing cousin inspired him to continue learning, taking him out for his 16th birthday to see a guitarist named Preston Reed perform live at a clinic. McKee later bought an instructional videotape from Reed and began to learn more complex guitar techniques from it, also earning his GED that year in order to drop out of high school. He began to take influence from guitarists such as Michael Hedges, Billy McLaughlin, Pat Kirtley, and from Passion Session by Don Ross, as he self-studied the instrument.

Nocturne (2001)

In 2001, McKee independently released his first album, Nocturne. That same year, he was placed third at the National Fingerstyle Guitar Competition in Winfield, Kansas. In 2003, McKee toured in Taiwan with Jacques Stotzem, Isato Nakagawa, and Masaaki Kishibe, and earned first place in the Miscellaneous Acoustic Instrument contest of the Kansas State Fiddling and Picking Championships with a Ron Spillers harpguitar he purchased from Stephen Bennett in 2002.^, The instrument can be heard in a number of his songs, such as "Into The Ocean" and "Gates of Gnomeria". Only 1,000 copies of Nocturne were ever produced and the album is now out of circulation.

Dreamcatcher (2004)

(2004)]] McKee released his second album, Dreamcatcher, in 2004. The album includes his cover of "Africa" , as well as "The Friend I Never Met", a song written in tribute to Michael Hedges. McKee used the title track to win the opportunity to perform with bassist Michael Manring, with whom he has since toured. Additionally, he placed second in the Fingerstyle Guitar Competition of the Canadian Guitar Festival that year. The album was later re-released by McKee's label in response to the popularity he garnered on YouTube.

Art of Motion (2005)

McKee's third CD, Art of Motion, was released on Candyrat Records in November 2005 and earned considerable praise from established acoustic guitarists such as Don Ross, whom McKee is currently on the same label with and has noted as one of his favorite artists. Most of the songs that McKee is known for on YouTube appear on the album, which has a handful of tracks carried over from Dreamcatcher as well. During the early stages of McKee's success on YouTube in late 2006 and early 2007, Art of Motion was the only album of his carried by Candyrat Records, and saw the most mainstream exposure as a result. In a couple of his songs he plays a harp guitar shown down and to the right.

Gates of Gnomeria (2007)

After his popularity due to his performances on YouTube and touring extensively throughout much of 2007, McKee returned to the studio to record his fourth CD, Gates of Gnomeria. The album contains six new songs, one of which had already been seen on YouTube ("Gates of Gnomeria"), as well as two cover songs. McKee spent the majority of 2008 on tour throughout the world, performing with other Candyrat artists and promoting both Gates of Gnomeria and his collaborative album with Don Ross, The Thing That Came From Somewhere. He released a split DVD that same year with labelmate Antoine Dufour, each artist contributing eight songs to the disc; two of McKee's from Gates of Gnomeria.

Common Ground EP (2009)

In between touring extensively, and helping promote his duo guitar record with Don Ross, McKee recorded an EP of 2 re-recordings of songs from his Dreamcatcher album, and a cover song by Japanese guitarist Masaaki Kishibe. The album was released digitally only, along with videos available on iTunes that include his performance of his 2 compositions, a video each that either does or doesn't include commentary.

Joyland (2010)

McKee announced in May 2009 that he was intending to finish touring in the second half of the year and concentrate on recording his upcoming album. He stated in July 2009 that it will most likely be titled "Joyland", the title track of the album which originally went under the name "Music For A Vacant Amusement Park". The album was completed in November 2009 and was released in iTunes on March 23, 2010, and in stores on March 30, 2010 on Razor & Tie Records. According to McKee, "On this album I've branched out a bit and included some instrumentation on a couple of songs. There's also a new harpguitar tune and a couple of covers such as "Layover" by Michael Hedges and one of my favorite 80's tunes." (That one is Tears For Fears' "Everybody Wants To Rule The World".) The album also features a DVD full of 75 minutes worth of additional video material, including a documentary called , and four new performance music videos. All four music videos have been released on Youtube and can be found at:

"Never Grow Old"

"Everybody Wants to Rule the World"

"Hunter's Moon"

"Joyland"

The documentary is currently only available for purchase as a part of the Joyland album CD/DVD.

Career progression

Self-described as "just this guy from Topeka, Kansas who kind of blew up on the Internet about a week before Christmas", McKee became one of Candyrat Records' best-selling artists after their video of "Drifting" was massively upvoted by users at Digg. In the wake of this exposure, he appeared by invitation on Woodsongs as well as Last Call with Carson Daly, and his online store completely sold out of his various guitar tablature books. Due to the increased demand, he began to offer sheet music for nearly all of his songs on his official website. He also contributed to Josh Groban's 2007 Grammy-nominated Christmas album, Noël, playing guitar on the song "Little Drummer Boy". Groban's album went on to become the best-selling CD of 2007 in the U.S., hitting #1 on the U.S. Billboard 200.

Response to filesharing

.]] McKee has, at least once in the past, personally commented on BitTorrent websites hosting his music, chastising downloaders for their actions. Posting to The Pirate Bay under the name "AlteredTuning" (which is the same handle he uses in all his internet message board appearances as well as on his own website's message boards), McKee sarcastically echoed other commenters' thanks to the original uploader of his album and urged people to purchase his work legitimately. His comments were met with approval while some pointed out that the exposure on The Pirate Bay might lead to increased sales.

"Yeah thanks a lot for uploading! It's not like I need to make a living with my music or anything. 8,676 thieves. If you really appreciate what I am doing, buy my CD legitimately so I can continue to compose music rather than work at K-Mart. I'm not Metallica. I don't have hundreds of thousands of dollars, much less millions. Andy McKee"

Equipment and influences

McKee currently uses the following equipment:

Greenfield G4 and GB Guitars

Greenfield HG1.2 Harp Guitar

Lance McCollum Baritone Guitar

Ron Spillers Harp Guitars

Avalon Guitars

K&K; Sound Pickups (internal)

DTAR Solstice Pre-Amp

D'Addario Phosphor Bronze Medium Gauge

Shubb Capos

in Toronto, Ontario.]] McKee's influences include: Eric Johnson, Dream Theater, Michael Hedges, Preston Reed, Billy McLaughlin, Tommy Emmanuel, Björk, Steve Lukather, Metallica, Joe Satriani, Iron Maiden, Pantera, Steve Erquiaga, Vince Di Cola, Toto, Peter Gabriel, Imogen Heap, King Crimson, Primus, Pat Metheny, and Don Ross,

McKee began listening to metal, such as Dream Theater, at the age of 13. He described on Woodsongs how he was a "metal freak" during childhood, even performing a Metallica song in his high school talent show. It wasn't until he saw Preston Reed that his influences began to shift towards acoustic songwriters such as Don Ross and Michael Hedges. Both walks of music continue to influence him, though he has stuck with acoustic music in his professional life.

In response to certain comments regarding the source of his creative talent, McKee has proudly admitted to have never taken any recreational drugs in his life—a fact lauded by many of his fans online, including fellow guitarist Don Ross. Commenting on McKee's MySpace, Ross wrote:

:I too have never touched weed, pills, blow or needles. I'm always insulted when people find that hard to believe. 'How can you write such insane music straight?!?' Frick! Some of us are just creative using only the chemicals already present in our bodies. That goes for almost any musician I've had a close association with, contrary to the stereotypes. Hell, Zappa was sober all the time! :Bravo, Andy. I appreciate the fact that when you and I tour together, there's no junk going around, no smokes, no nothing. Keeping it clean. And we always have a fabulous time.

Discography

References

External links

McKee's Official Website

Andy McKee's MySpace

Andy McKee @ Razor & Tie

McKee @ Candyrat Records

Interview @ InstruMentalCase

Bio of Andy McKee in German

Profile from honesttune.com.

http://www.andymckee.lapunk.hu (Andy McKee info)

Andy McKee

Category:1979 births Category:Living people Category:American folk guitarists Category:American Internet personalities Category:YouTube video producers Category:Fingerstyle guitarists Category:Musicians from Kansas