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Name | The Washington Post |
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Caption | Front page for Sunday, October 25, 2009. |
Type | Daily newspaper |
Format | Broadsheet |
Foundation | 1877 |
Owners | The Washington Post Company |
Headquarters | 1150 15th Street, N.W. Washington, D.C., United States |
Editor | Marcus Brauchli |
Publisher | Katharine Weymouth |
Issn | 0190-8286 |
Website | washingtonpost.com |
Circulation | 578,482 Daily542,463 Saturday797,679 Sunday |
The Washington Post is Washington, D.C.'s largest newspaper and its oldest still-existing paper, founded in 1877. Located in the capital of the United States, The Post has a particular emphasis on national politics. D.C., Maryland, and Virginia editions are printed for daily circulation.
The newspaper is published as a broadsheet, with photographs printed both in color and black and white. Weekday printings include the main section, containing the first page, national, international news, business, politics, and editorials and opinions, followed by the sections on local news (Metro), sports, style (feature writing on pop culture, politics, fine and performing arts, film, fashion, and gossip), and classifieds. The Sunday edition includes the weekday sections as well as several weekly sections: Outlook (opinion and editorials), Style & Arts, Travel, Comics, TV Week, and the Washington Post Magazine. There are also weekly sections that appear on weekdays: Health & Science on Tuesday, Food on Wednesday, Local Living (Home and Garden) on Thursday, and Weekend on Friday, which details events going on over the weekend in the Washington, D.C. Metro area. The latter two are in a tabloid format. Beyond the newspaper, The Washington Post operates a syndication service (The Washington Post Writers Group) and under its parent company of The Washington Post Company, is involved in the Washington Post Media, Washington Post Digital, and washingtonpost.com.
Perhaps the most notable incident in The Post history was when, in the early 1970s, reporters Bob Woodward and Carl Bernstein led the American media's investigation into what became known as the Watergate scandal. The newspaper's reporting greatly contributed to the resignation of U.S. President Richard Nixon. In later years, its investigations led to increased review of the Walter Reed Army Medical Center. The newspaper is also known as the namesake of "The Washington Post March", the 1889 march composed by John Phillip Sousa while he was leading the U.S. Marine Band; it became the standard music to accompany the two-step, a late 19th-century dance craze.
Since Leonard Downie, Jr. was named executive editor in 1991, The Post has won 25 Pulitzer Prizes, more than half of the paper's total collection of 47 Pulitzers awarded. This includes six separate Pulitzers given in 2008, the second-highest record of Pulitzers ever given to a single newspaper in one year. The Post has also received 18 Nieman Fellowships, and 368 White House News Photographers Association awards, among others.
The Post is one of a few U.S. newspapers with foreign bureaus, located in Baghdad, Beijing, Berlin, Bogota, Islamabad, Jerusalem, Johannesburg, Kabul, London, Mexico City, Moscow, Nairobi, New Delhi, Paris, and Tokyo. In November 2009, it announced the closure of its U.S. regional bureaus — Chicago, Los Angeles and New York — as part of an increased focus on "political stories and local news coverage in Washington." The paper has local bureaus in Maryland (Annapolis, Montgomery County, Prince George's County, Southern Maryland) and Virginia (Alexandria, Fairfax, Loudoun County, City of Richmond, and Prince William County).
, its average weekday circulation was 582,844, according to the Audit Bureau of Circulations, making it the fifth largest newspaper in the country by circulation, behind USA Today, The Wall Street Journal, The New York Times, and the Los Angeles Times. While its circulation (like that of almost all newspapers) has been slipping, it has one of the highest market-penetration rates of any metropolitan news daily.
Wilkins acquired Hatton's share of the paper in 1894 at Hatton's death. After Wilkins' death in 1903, his sons John and Robert ran The Post for two years before selling it in 1905 to John Roll McLean, owner of the Cincinnati Enquirer. During the Wilson presidency, The Post was credited with having made the most famous newspaper typo in D.C. history according to Reason magazine; The Post tried to report that President Wilson had been entertaining his future-wife Mrs. Galt, but instead wrote, erroneously, that he had been entering Mrs. Galt. When John McLean died in 1916, he put the paper in trust, having little faith that his playboy son Edward "Ned" McLean could manage his inheritance. Ned went to court and broke the trust, but, under his management, the paper slumped toward ruin.
In 1954, The Post consolidated its position by acquiring and merging with its last morning rival, the Washington Times-Herald. (The combined paper would officially be named The Washington Post and Times-Herald until 1973, although the Times-Herald portion of the masthead became less and less prominent after the 1950s.) The merger left The Post with two remaining local competitors, the afternoon Washington Star (Evening Star) and The Washington Daily News, which merged in 1972 and folded in 1981. The Washington Times, established in 1982, has been a local rival with a circulation () about one-seventh that of The Post. — Two Men Walk on the Moon."]] After Graham's death in 1963, control of The Washington Post Company passed to Katharine Graham, his wife and Meyer's daughter. No woman before had ever run a nationally prominent newspaper in the United States. She described her own anxiety and lack of confidence based on her gender in her autobiography, and she did not assign duties to her daughter at the paper as she did to her son. She served as publisher from 1969 to 1979 and headed The Washington Post Company into the early 1990s as chairman of the board and CEO. After 1993, she retained a position as chairman of the executive committee until her death in 2001.
Her tenure is credited with seeing The Post rise in national stature through effective investigative reporting, most notably to ensure that The New York Times did not surpass its Washington reporting of the Pentagon Papers and Watergate scandal. Executive editor Ben Bradlee put the paper's reputation and resources behind reporters Bob Woodward and Carl Bernstein, who, in a long series of articles, chipped away at the story behind the 1972 burglary of Democratic National Committee offices in the Watergate Hotel complex in Washington. The Post dogged coverage of the story, the outcome of which ultimately played a major role in the resignation of President Richard Nixon, won the paper a Pulitzer Prize in 1973.
In 1972, the "Book World" section was introduced. It featured Pulitzer Prize winning critics such as Jonathan Yardley and Michael Dirda, the later established his career as a critic at The Post. In 2009, after 37 years, "Book World" as a standalone insert was discontinued, the last issue being Sunday, February 15, 2009. However, book reviews were still being published in the Outlook section on Sundays, and in the Style section the rest of the week, as well as some reviews posted online. describing the life of an eight-year-old heroin addict in Washington, for which reporter Janet Cooke won acclaim and a Pulitzer Prize. Subsequent investigation, however, revealed the story to be a fabrication. The Pulitzer Prize was returned.
Donald Graham, Katharine's son, succeeded her as publisher in 1979 and in the early 1990s became both chief executive officer and chairman of the board. He was succeeded in 2000 as publisher and CEO by Boisfeuillet Jones, Jr., with Graham remaining as chairman.
The Post was slow in moving to color photographs and features. On January 28, 1999, its first color front-page photograph appeared. After that, color slowly integrated itself into other photographs and advertising throughout the paper.
In 1996, the newspaper established a web site, .
The paper is part of The Washington Post Company, a diversified education and media company that also owns educational services provider Kaplan, Inc., Post-Newsweek Stations, Cable One, Washingtonpost.Newsweek Interactive, Newsweek magazine, the online magazine Slate, The Gazette and Southern Maryland Newspapers, The Herald (Everett, WA),CourseAdvisor.com and StudentAdvisor.com.
The paper runs its own syndication service for its columnists and cartoonists, The Washington Post Writers Group.
The Post has its main office at 1150 15th St, N.W., and the newspaper has the exclusive zip code 20071.
On July 7, 2008, it was announced that former The Wall Street Journal editor Marcus Brauchli would become the paper's top editor, succeeding Leonard Downie, Jr. in September.
On January 29, 2009, The Post announced that it was dropping Book World as a separate Sunday section and moving its coverage to the Outlook and Style sections. Deputy editor Rachel Hartigan Shea was named the new Book World editor, replacing Marie Arana, who stepped down on December 31, 2008 after accepting an early retirement offer earlier that year.
On November 24, 2009, The Post announced that is was closing its remaining national bureaus, noting, "We are not a national news organization of record serving a general audience." Almost a year later, the paper cited its local focus as a reason for running its first-ever front page advertisement: the Capital One ad was being run to draw attention to the rebranding of Chevy Chase Bank, a bank Capital One bought in 2009. According to the Post's vice president of advertising, the page one advertisement is a "very local, useful-information-for-our-readers type of campaign."
In the mid-1970s, some conservatives called The Washington Post "Pravda on the Potomac" due to their perceived left-wing bias in both reporting and editorials, This characterization referred to the official newspaper of the Soviet communist party. Since then, the appellation has been used by both liberal and conservative critics of The Post. In 1963, FBI director J. Edgar Hoover reportedly told President Lyndon B. Johnson, "I don't have much influence with The Post because I frankly don't read it. I view it like the Daily Worker."
As Katharine Graham (the former publisher of The Post) noted in her memoirs Personal History, the paper long had a policy of not making endorsements for presidential candidates. However, since at least 2000, The Washington Post has endorsed Democratic presidential candidates, Kerry and Obama. It also has endorsed Republican politicians, such as Maryland Governor Robert Ehrlich. In 2006, it repeated its historic endorsements of every Republican incumbent for Congress in Northern Virginia. There have also been times when The Post has specifically chosen not to endorse any candidate, such as in 1988 when it refused to endorse then Governor Michael Dukakis or then Vice President George H.W. Bush. On October 17, 2008, The Post endorsed Barack Obama for President of the United States.
The Post editorial positions on foreign policy and economic issues have seen a definitively conservative bent: it has steadfastly supported the 2003 invasion of Iraq, warmed to President George W. Bush's proposal to partially privatize Social Security, opposed a deadline for U.S. withdrawal from the Iraq War, and advocated free trade agreements, including CAFTA.
In "Buying the War" on PBS, Bill Moyers noted 27 editorials supporting George W. Bush's ambitions to invade Iraq. National security correspondent Walter Pincus reported that he had been ordered to cease his reports that were critical of Republican administrations.
In 1992, the PBS investigative news program Frontline suggested that The Post had moved to the right in response to its smaller, more conservative rival The Washington Times, which is owned by News World Communications, an international media conglomerate owned by the Unification Church which also owns newspapers in South Korea, Japan, and South America. The program quoted Paul Weyrich, one of the founders of the conservative activist organization the Moral Majority, as saying "The Washington Post became very arrogant and they just decided that they would determine what was news and what wasn't news and they wouldn't cover a lot of things that went on. And The Washington Times has forced The Post to cover a lot of things that they wouldn't cover if the Times wasn't in existence." In 2008, Thomas F. Roeser of the Chicago Daily Observer also mentioned competition from the Washington Times as a factor moving The Post to the right.
On March 26, 2007, Chris Matthews said on his television program, "Well, The Washington Post is not the liberal newspaper it was, Congressman, let me tell you. I have been reading it for years and it is a neocon newspaper". It has regularly published an ideological mixture of op-ed columnists, some of them liberal (including E.J. Dionne, Ezra Klein, Greg Sargent, and Eugene Robinson), and some on the right (including George Will, Marc Thiessen, Robert Kagan Robert Samuelson, Michael Gerson, and Charles Krauthammer).
In November 2007, The Post was criticized by independent journalist Robert Parry for reporting on anti-Obama chain e-mails without sufficiently emphasizing to its readers the false nature of the anonymous claims. In 2009, Parry criticized The Post for its allegedly unfair reporting on liberal politicians, including Vice President Al Gore and President Barack Obama.
In a November 19, 2008 column, The Washington Post ombudsman Deborah Howell stated: "I'll bet that most Post journalists voted for Obama. I did. There are centrists at The Post as well. But the conservatives I know here feel so outnumbered that they don't even want to be quoted by name in a memo". Responding to criticism of the newspaper's coverage during the run-up to the 2008 presidential election, Howell wrote: "The opinion pages have strong conservative voices; the editorial board includes centrists and conservatives; and there were editorials critical of Obama. Yet opinion was still weighted toward Obama. It's not hard to see why conservatives feel disrespected".
Category:1877 establishments in the United States Category:Investigative news sources Category:National newspapers published in the United States Category:Newspapers published in Washington, D.C. Category:Publications established in 1877 Category:Pulitzer Prize winning newspapers * Category:Worth Bingham Prize recipients
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Nora Roberts |
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Pseudonym | Nora RobertsJ.D. RobbJill MarchSarah Hardesty |
Birthname | Eleanor Marie Robertson |
Birthdate | October 10, 1950 |
Birthplace | Silver Spring, Maryland, United States |
Occupation | Novelist |
Nationality | American |
Period | 1981–present |
Genre | Romance, fantasy, suspense |
Spouse | Ronald Aufdem-Brinke (1968–1983),Bruce Wilder (1985–present) |
Children | 2 |
Website | http://www.noraroberts.com/ |
Nora Roberts (born Eleanor Marie Robertson, October 10, 1950 in Silver Spring, Maryland, USA), is a bestselling American author of more than 209 romance novels. She writes as J.D. Robb for the "In Death" series, and has also written under the pseudonym Jill March. Additionally, some of her works were published in the UK as Sarah Hardesty.
Nora Roberts was the first author to be inducted into the Romance Writers of America Hall of Fame. As of 2006, her novels had spent a combined 660 weeks on the New York Times Bestseller List, including 100 weeks in the number-one spot. Over 280 million copies of her books are in print, including 12 million copies sold in 2005 alone.
Roberts believes that pursuing a career as a writer requires discipline: "You're going to be unemployed if you really think you just have to sit around and wait for the muse to land on your shoulder." She then writes a short first draft that has the basic elements of a story. After finishing the first draft, Roberts goes back to the beginning of the novel. The second draft usually sees the addition of details, the "texture and color" of the work, as well as a more in-depth study of the characters. She then does a final pass to polish the novel before sending it to her agent, Amy Berkower. She often writes trilogies, finishing the three books in a row so that she can remain with the same characters. When possible, she does the same with the "In Death" books, writing three in a row before returning to contemporary romances.
Roberts does much of her research over the internet, as she has an aversion to flying. While writing down her ideas for the first time, she fell in love with the writing process, and quickly produced six manuscripts. She submitted her manuscripts to Harlequin, the leading publisher of romance novels, but was repeatedly rejected. Roberts says, "I got the standard rejection for the first couple of tries, then my favorite rejection of all time. I received my manuscript back with a nice little note which said that my work showed promise, and the story had been very entertaining and well done. But that they already had their American writer. That would have been Janet Dailey."
After publishing 18 novels in the "In Death" series, Putnam published the nineteenth, Divided in Death first in hardcover. The book became Roberts's first bestselling novel of 2004.
As of December 2009, Roberts had published 36 books in the In Death series, with more scheduled.
Since 1999, every one of Roberts's novels has been a New York Times bestseller, and 124 of her novels have ranked on the Times bestseller list, including twenty-nine that debuted in the number-one spot. As of 2006, Roberts's novels had spent a combined 660 weeks on the New York Times Bestseller List, including 100 weeks in the number-one spot. Outside of the United States she is marketed by a single woman, Judy Piatkus of the independently-run company Piatkus Books, which publishes about 150 books a year. Over 280 million copies of her books are in print, including 12 million copies sold in 2005 alone. Her novels have been published in 35 countries.
Two of Roberts' novels, Sanctuary and Magic Moments, had previously been made into TV movies. In 2007, Lifetime Television adapted four Nora Roberts novels into TV movies: Angels Fall starring Heather Locklear, Montana Sky starring Ashley Williams, Blue Smoke starring Alicia Witt, and Carolina Moon starring Claire Forlani. This was the first time that Lifetime had adapted multiple works by the same author. Four more films were released on four consecutive Saturdays in March and April 2009. The 2009 collection included Northern Lights starring LeAnn Rimes, Midnight Bayou starring Jerry O'Connell, High Noon starring Emilie de Ravin, and Tribute starring Brittany Murphy.
Time named Roberts one of their 100 Most Influential People in 2007, saying she "has inspected, dissected, deconstructed, explored, explained and extolled the passions of the human heart." Roberts was one of only two authors on the list, the other being David Mitchell. In April 1998, Dailey settled the case. Although terms were not released, Roberts had previously indicated that any settlement funds should be donated to the Literacy Volunteers of America.
In January 2008, Roberts joined the chorus strongly criticizing fellow romance writer Cassie Edwards, who had lifted many passages from much older sources (many in the public domain), without giving credit, forcing Edwards out of the business.
The 2007 Collection featured:
The 2009 Collection featured:
Peter Guber's Mandalay TV and Stephanie Germain Prods., produced the eight adaptations.
Many of Roberts' novels have been, or will be, reissued. To avoid confusion, all of Roberts's new releases include a logo that is a circle with the initials "NR" inside, indicating that the book has never been published before.
Category:American novelists Category:American romantic fiction writers Category:American writers of Irish descent Category:Writers from Maryland Category:American people of Irish descent Category:People from Montgomery County, Maryland Category:People from Washington County, Maryland Category:RITA Award winners Category:1950 births Category:Living people Category:Female authors who wrote under male or gender-neutral pseudonyms
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Joshua Bell |
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Background | non_vocal_instrumentalist |
Born | December 09, 1967 |
Origin | Bloomington, Indiana, United States |
Instrument | Violin |
Genre | Classical music |
Occupation | Violinist |
Years active | 1980s–present |
Url | http://www.joshuabell.com/ |
Notable instruments | Gibson Stradivarius |
Joshua David Bell (born December 9, 1967) is an American Grammy Award-winning violinist.
Bell began taking violin lessons at the age of four after his mother discovered her son had taken rubber bands from around the house and stretched them across the handles of his dresser drawer to pluck out music he had heard her play on the piano. His parents got a scaled-to-size violin for their then five-year-old son and started giving him lessons. A bright student, Bell took to the instrument but lived an otherwise normal midwest Indiana life playing video games and excelling at sports, namely tennis and bowling, even placing in a national tennis tournament at the age of ten.
Bell studied as a boy first under Donna Bricht, widow of Indiana University music faculty member Walter Bricht. His second teacher was Mimi Zweig, and then he switched to the violinist and pedagogue Josef Gingold after Bell's parents assured Gingold that they were not interested in pushing their son in the study of the violin but simply wanted him to have the best teacher for his abilities. Satisfied that the boy was living a normal life, Gingold took Bell on as his student. By age 12, Bell was serious about the instrument, thanks in large part to Gingold's inspiration.
At the age of 14, Bell appeared as a soloist with the Philadelphia Orchestra conducted by Riccardo Muti. He studied the violin at the Indiana University Jacobs School of Music, while managing to graduate from Bloomington High School North in 1984, In 1989, Bell received an Artist Diploma in Violin Performance from Indiana University. His alma mater also honored him with a Distinguished Alumni Service Award only two years after his graduation. He has been named an “Indiana Living Legend” and received the Indiana Governor’s Arts Award.
Bell's instrument is a 300-year-old Stradivarius violin called the Gibson ex Huberman, which was made in 1713 during what is known as Antonio Stradivari's "Golden Era." This violin had been stolen twice from the previous owner, Bronisław Huberman; the last time the thief confessed to the act on his deathbed.
Bell was awarded the Avery Fisher Prize on April 10, 2007, at Lincoln Center in New York City. The prize is given once every few years to classical instrumentalists for outstanding achievement. On May 3, 2007, the Indiana University Jacobs School of Music announced that Bell had joined the faculty as a senior lecturer.
Bell collaborated with film composer Hans Zimmer by providing violin solos for the soundtrack for the 2009 film, Angels and Demons, based on Dan Brown's 2000 novel of the same name.
Bell identifies himself as Agnostic, although he also identifies as a "cultural Jew" for the public's sake.
Soundtrack Albums
Category:1967 births Category:Academics of the Royal Academy of Music Category:American classical violinists Category:Columbia Records artists Category:Grammy Award winners Category:Indiana University alumni Category:Indiana University faculty Category:Jewish American musicians Category:Jewish classical musicians Category:Jewish violinists Category:Living people Category:Musicians from Indiana Category:People from Bloomington, Indiana Category:Honorary Members of the Royal Academy of Music
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Bill Frisell |
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Background | non_vocal_instrumentalist |
Birth name | William Richard Frisell |
Born | March 18, 1951Baltimore, Maryland |
Instrument | Electric guitar, acoustic guitar |
Genre | Jazz, alternative country, experimental rock, world, soundtrack |
Occupation | Guitarist, composer, music arranger |
Url | Official website |
Notable instruments | Fender Telecaster, Steve Klein Electric |
William Richard "Bill" Frisell (born March 18, 1951) is an American guitarist and composer.
One of the leading guitarists in jazz since the late '80s, Frisell's eclectic music touches on progressive folk, classical music, country music, noise and more. He is known for using an array of effects (delay, distortion, reverb, octave shifters, and volume pedals, to name a few) to create unique sounds from his instrument.
His original guitar teacher in the Denver area was Dale Bruning, with whom Frisell released the 2000 duo album "Reunion". After graduating from Northern Colorado, where he studied with Johnny Smith, Frisell went to the Berklee College of Music in Boston and studied with Jon Damian and Jim Hall.
1955 Built his first guitar out of a piece of cardboard and some rubber bands for strings after being inspired by Jimmy, leader of the Mousekateers on the Mickey Mouse Club TV show.
1960 Began study of the clarinet. Joined the "Gold Sash Band," a marching and concert band he would be involved in for eight years. Studied clarinet privately with Jack Stevens, the band's director. It was here where he really learned the fundamentals of music. Also played clarinet in the Teller Elementary School band directed by Jack Fredrickson.1962 Bill really looked up to his older friend George Kawamoto, who lived across the street. George was playing guitar by this time and Bill wanted to also. The first things he tried to learn were by the Ventures and the Astronauts. Got his first "real guitar" for Christmas - a 20 dollar archtop.
1963 Bought his first record "Little Deuce Coupe/Surfer Girl", by the Beach Boys, a 45 rpm single. Entered Gove Jr. High School. Played in the school band directed by Charles Fields. Began playing tenor saxophone.1964 Traveled to New York for the first time to perform at the World's Fair with the "Gold Sash Band." Saw the Beatles on the Ed Sullivan Show. Took some guitar lessons from Bob Marcus at the Denver Folklore Center. This was a fantastic music store, record shop, concert hall, and meeting place for musicians, where he heard about Paul Butterfield, Otis Spann, Junior Wells, Buddy Guy, Elizabeth Cotton, and many others. It was here where he heard Frank Zappa's "Freak Out" album for the first time.
1965 Bought his first electric guitar with money earned on a paper route (Fender Mustang guitar and Deluxe amp) at Happy Logan Music. Went to Herman's Hermits concert (first live concert). Started first band with Greg Jones on drums and Tony Eberhart on guitar ("The Weeds").1966 Started going to many more live concerts (Buffalo Springfield, Bob Dylan, Jimi Hendrix, Paul Butterfield, Ravi Shankar, James Brown). Started East High School and continued playing clarinet in the school band directed by Vincent Tagliavore. Other East High students included Philip Bailey, Larry Dunn, and Andrew Wolfolk who were in a band called the "Mellow Mystics." After high school, they all went to Los Angeles and joined "Earth Wind and Fire."
1968 Played in the "McDonald's All American High School Band" at the Rose bowl Parade in Los Angeles and the Thanksgiving Day Parade in New York. Went to a Charles Lloyd concert. The band included Keith Jarrett, Ron McClure, and Paul Motian. Heard Gary Burton, Thelonious Monk, Cannonball Adderley, and Dionne Warwick at a jazz festival at Red Rocks Amphitheater.
1969 Began guitar lessons with Dale Bruning who brought to his attention Charlie Parker, Sonny Rollins, Jim Hall, Bill Evans, Charles Ives and so many others for the first time. Bruning helped Bill apply many of the theoretical things he had learned on clarinet to the guitar and opened up the whole world of jazz. His parents moved to South Orange, New Jersey, just outside of New York City. Made his first visit to the Village Vanguard where he would eventually hear Charles Mingus, Roland Kirk, Gary Burton, Thad Jones&Mel; Lewis, Elvin Jones, Dexter Gordon, Charlie Rouse, Hank Jones, Freddie Hubbard, Sonny Rollins, and Chick Corea. Went to hear Lou Rawls and Al Kooper in Central Park instead of going to Woodstock. Started studies at the University of Northern Colorado as a music major on clarinet. Played tenor saxophone and guitar in the big bands.1970 With UNC Jazz band went to intercollegiate jazz festivals in Salt Lake City, Utah and Champaign Urbana, Illinois. Won outstanding soloist awards at both festivals. Judges included Quincy Jones, Gary Burton, Oliver Nelson, Cannonball Adderley, Benny Carter. Continued studies with Dale Bruning. Also studied with Johnny Smith at UNC. Heard Miles Davis Group with Gary Bartz, Michael Henderson, Jack DeJohnette, Airto, and Keith Jarrett. Played in the group "Joshua" with other UNC students - Lyle Waller-trombone, John Sherberg-electric piano, Bob Gillis-trumpet, Keary Nitta-saxophone, Fred Hamilton-bass, Alan Aluisi-drums.
1971 Decided to stop playing clarinet and saxophone and to concentrate on the guitar only. Jim Hall came to Denver to play for a week at the Senate Lounge with Bill's teacher Dale Bruning on bass and guitar. Bill met Jim for the first time there. Attended Berklee College of Music in Boston for one semester. Went to the Jazz Workshop and Paul's Mall in Boston for the first time where he would eventually hear Hubert Laws, Herbie Hancock, Larry Corryell, Jack DeJohnette, Dave Liebman, McCoy Tyner, Anthony Braxton, Sonny Rollins, the Tony Williams Lifetime, Bill Evans, the MJQ, Pat Martino, Ron Carter, Dave Sanborn, B.B. King, James Cotton, Pat Metheny, Stuff, Gary Burton, and others. Heard Jim Hall and Ron Carter Duet at "The Guitar" in New York City.1972 Studied for eight weeks with Jim Hall in NYC. Heard Sonny Rollins at the Village Vanguard. Moved back to Colorado and continued studies with Dale Bruning. Played in the "Bermuda Brass," a small big band that played Glenn Miller arrangements. The Bill Evans Trio performed for a week at the "Senate Lounge" - Bill was there almost every night and had the opportunity to meet him. Taught guitar lessons at Gordon Close's Melody Music. One of Bill students at the time was Kenny Vaughn, a great guitarist now living in Nashville who plays with Lucinda Williams and many others.
1973-74 Continued teaching, performed jazz gigs around Denver with Bob Gillis and Dale Bruning at places like the Folklore Center, Global Village, Downstairs Lounge. Recorded a few local commercial jingles, went to jam sessions, and played shows with Rod McCuen, Frank Gorshin. Met and played a lot with Mike Miller, a guitarist who influenced Bill a lot at the time.1975-77 Returned to Boston and the Berklee College of Music where, on the first day, he met Kermit Driscoll. He also met and played with Tiger Okoshi, Pat Metheny, Mike Stern, Vinnie Johnson, Vinnie Colaiuta, Tommy Campbell, Leni Stern, Joe Lovano, Hank Roberts, Lowell Davidson, Donald Rubinstein. Studied jazz guitar with John Damian and arranging and composition with Mike Gibbs and Herb Pomeroy. Played in a top 40 band, "The Boston Connection," with Kermit Driscoll and Vinnie Colaiuta. Played often at "Michael's" and "Pooh's Pub." Heard Michael Gregory Jackson who's way of playing would be very influential.
1978 Moved to Belgium to play in a band with Steve Houben, Greg Badolato, Vinnie Johnson, Kermit Driscoll, resulting in first record, "Mauve Traffic." Began writing his own music. Met Carole D'Inverno who he would marry one year later. Heard Ornette Coleman at the North Sea Jazz Festival. On two separate occasions during the festival Ornette approached Bill and asked, "Where did you get that Coke?" and "What's back here?" Toured England with Mike Gibbs' Orchestra which included Charlie Mariano, Kenny Wheeler, and Eberhard Weber. Recorded on Eberhard Weber's "Fluid Rustle" with Gary Burton for ECM. This is where Bill first met Manfred Eicher.1979-80 Moved to New Jersey/New York City area. Met and played with D. Sharpe, Bob Moses, Percy Jones, Mike Clark, Dave Samuels, Julius Hemphill, Billy Drewes, Tom Rainey, Scott Lee, Ratzo Harris, Nick Pike... Played club dates, weddings... Played with "Men Working" with Alan Brower. Recorded with Chet Baker in Belgium. Played at NY clubs "7th Avenue South" and "55 Grand St."
1983 Met Bob Hurwitz who worked for ECM in New York. Bob would later take over Nonesuch Records.
1984 Recorded "Rambler"... Toured with Julius Hemphill1985 Daughter Monica Jane was born...
1986 Played duet concert with Jim Hall at Walker Art Center in Minneapolis. Started the first band under his own name with Kermit Driscoll, Joey Baron, and Hank Roberts. Recorded "Lookout For Hope," his first band record and first time he worked with Lee Townsend as producer. Lee is now Bill's manager.
In the 1980s Frisell lived in New York City and was an active participant in the city's music scene. He forged an early partnership with John Zorn—including as a member of quick-change band Naked City—and performed or recorded with many others. He also became known for his work in drummer Paul Motian's trio, along with saxophonist Joe Lovano.
1979-80 Moved to New Jersey/New York City area. Met and played with D. Sharpe, Bob Moses, Percy Jones, Mike Clark, Dave Samuels, Julius Hemphill, Billy Drewes, Tom Rainey, Scott Lee, Ratzo Harris, Nick Pike... Played club dates, weddings... Played with "Men Working" with Alan Brower. Recorded with Chet Baker in Belgium. Played at NY clubs "7th Avenue South" and "55 Grand St."
1987 Left ECM and began present relationship with Nonesuch Records. Performed at the Knitting Factory in New York playing the music of Robin Holcomb with Doug Wieselman and John Zorn's composition "Hu Die" with Fred Frith and Ruby Chang during the Knitting Factory's first series of concerts.
1988 Bill's friend, Betty Berkin, gave him a John Hiatt record, "Bring the Family" with Jim Keltner, Ry Cooder, and Nick Lowe. He became a big fan of all these guys
Since moving to Seattle, Bill's work has been very well documented on his many recordings. His performance schedule has been more and more taken up with his own projects. He continues to play with Paul Motian's Trio with Joe Lovano and has also performed with Jim Hall, Don Byron, Ginger Baker, Charlie Haden, David Sanborn, Marianne Faithful, Elvis Costello, Ron Carter, and the Hal Willner produced tribute to Harry Smith. He performed Steve Mackey's composition "Deal" at Carnegie Hall with the American Composers Orchestra conducted by Dennis Russell Davies and in Los Angeles with members of the L.A. Philharmonic conducted by Esa-Pekka Salonen. As he is also becoming more active as a film composer, Bill's music can be heard in Gary Larson's "Tales from the Farside," Gus van Sant's "Psycho" and "Finding Forrester," Rory Kennedy's documentary for HBO, "American Hollow," and Wim Wenders's "Million Dollar Hotel" (with Brian Blade, Jon Hassell, Bono, Daniel Lanois, Brian Eno, Greg Cohen, and Adam Dorn.) He has also written music for the Frankfurt Ballett and the ACT Theatre's production of "Temporary Help." He has been featured on TV on "Night Music," "The Tonight Show with Jay Leno," and "Sessions at West 54th Street."
When he's home, he likes to play at clubs like "The Tractor Tavern". He continues to work with Wayne Horvitz and Robin Holcomb - and it was in the Northwest where he had the opportunity to meet many musicians and artists who have been an inspiration, such as Eyvind Kang, Michael Shrieve, Kevin Sawka, Danny Barnes, Keith Lowe, Christos Govetas, Martin Hayes, Boubacar Traore, Sidiki Camara, the film director Gus van Sant, cartoonists Jim Woodring and Gary Larson, the painter Claude Utley and so many others.
In the mid-1990s, Frisell disbanded his trio. He continued the trend marked by Have a Little Faith by more explicitly incorporating elements of bluegrass and country music into his music. His friendship with Gary Larson led him to provide music for the TV version of The Far Side (released on the album Quartet along with music written for Keaton's Convict 13). Since the late 1990s Bill Frisell has lived in Bainbridge Island, Washington, near Seattle.
In 1999, Frisell was commissioned by the Walker Art Center in Minneapolis, Minnesota to compose Blues Dream, which he premiered on November 15, 1999. He later recorded the work for a 2001 release on Nonesuch.
Also in 1999, he released The Sweetest Punch which featured a seven-piece jazz ensemble reworking the tunes written and recorded by Elvis Costello and Burt Bacharach on Painted from Memory.
Between 2003 and 2005 Frisell acted as musical director for Century of Song, a series of concerts at the German arts festival RuhrTriennale (produced by Lee Townsend). Frisell invited artists including Rickie Lee Jones, Elvis Costello, Suzanne Vega, Arto Lindsay, Loudon Wainwright III, Vic Chesnutt, Van Dyke Parks, Buddy Miller, Ron Sexsmith and Chip Taylor to perform their favorite songs in new arrangements.
In 2003, Frisell's The Intercontinentals was nominated for a Grammy award; he won the 2005 Grammy Award for Best Contemporary Jazz Album for his album Unspeakable. His 2008 album, History, Mystery was nominated for a 2009 Grammy award for Best Jazz Instrumental Album, Individual or Group. Frisell was also a judge for the 6th annual Independent Music Awards to support independent artists' careers.
Frisell has united with Matt Chamberlain, Tucker Martine, and Lee Townsend in the Floratone band, and they have released an album on Blue Note (2007), featuring guest performance of Viktor Krauss, Ron Miles, Eyvind Kang.
In 2008, Frisell performed as a featured guest on Earth's album The Bees Made Honey in the Lion's Skull.
In 2009, Frisell featured in a duet rendition of Leonard Cohen's "Hallelujah" with singer/songwriter Sam Shrieve. The recording was released on Shrieve's debut album Bittersweet Lullabies.
Category:American jazz guitarists Category:Jazz fusion guitarists Category:Post-bop guitarists Category:People from Baltimore, Maryland Category:Musicians from Colorado Category:People from Denver, Colorado Category:1951 births Category:Living people Category:Grammy Award winners Category:ECM artists
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