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Name | Yokohama |
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Official name | 横浜市 · City of Yokohama |
Native name | 横浜 |
Native name lang | ja |
Settlement type | Designated city |
Map caption | Location of Yokohama in Kanagawa |
Dot x | |dot_y = |
Pushpin map | Japan |
Pushpin label position | |
Pushpin map caption | |
Latns | N |
Longew | E |
Coor pinpoint | |
Coordinates display | inline,title |
Coordinates footnotes | |
Coordinates region | JP |
Subdivision type | Country |
Subdivision name | Japan |
Subdivision type1 | Region |
Subdivision name1 | Kantō |
Subdivision type2 | Prefecture |
Subdivision name2 | Kanagawa |
Established title | |
Seat type | |
Government footnotes | |
Leader title | Mayor |
Leader name | Fumiko Hayashi |
Leader name1 | |
Total type | |
Unit pref | |
Area magnitude | |
Area footnotes | |
Area total km2 | 437.35 |
Area total sq mi | |
Elevation footnotes | |
Population total | 3654427 |
Population as of | January 1, 2009 |
Population density km2 | 8335 |
Population demonym | |
Timezone1 | Japan Standard Time |
Utc offset1 | +9 |
Postal code type | |
Area code type | |
Blank name sec1 | City Symbols |
Blank1 name sec1 | - Tree |
Blank1 info sec1 | Camellia, Chinquapin, SangojuSasanqua, Ginkgo, Zelkova |
Blank2 name sec1 | - Flower |
Blank2 info sec1 | Rose |
Blank name sec2 | Phone number |
Blank info sec2 | 045-671-2121 |
Blank1 name sec2 | Address |
Blank1 info sec2 | 1-1 Minato-chō, Naka-ku, Yokohama-shi, Kanagawa-ken231-0017 |
Website | City of Yokohama |
() is the capital city of Kanagawa Prefecture and the second largest city in Japan by population after Tokyo. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshū. It is a major commercial hub of the Greater Tokyo Area.
Yokohama's population of 3.6 million makes it Japan's largest incorporated city.
Yokohama developed rapidly as Japan's prominent port city following the end of Japan's relative isolation in the mid-19th century, and is today one of its major ports along with Kobe, Osaka, Nagoya, Hakata, Tokyo, and Chiba.
It was initially agreed that one of the ports to be opened to foreign ships would be the bustling town of Kanagawa-juku (in what is now Kanagawa Ward) on the Tōkaidō, a strategic highway that linked Edo to Kyoto and Osaka. However, the Tokugawa shogunate decided that Kanagawa-juku was too close to the Tōkaidō for comfort, and port facilities were instead built across the inlet in the sleepy fishing village of Yokohama. The Port of Yokohama was opened on 2 June 1859.
, officers, and men of the squadron to meet the Imperial commissioners at Yokohama 14 July 1853. Lithograph by Sarony & Co., 1855, after Wilhelm Heine.]]
Yokohama quickly became the base of foreign trade in Japan. Japan's first English language newspaper, the Japan Herald, was first published there in 1861. Foreigners occupied a district of the city called "Kannai" (, "inside the barrier"), which was surrounded by a moat, and were protected by their extraterritorial status both within and outside the moat. Many individuals crossed the moat, causing a number of problems. The Namamugi Incident, one of the events that preceded the downfall of the shogunate, took place in what is now Tsurumi Ward in 1862; Ernest Satow described it in A Diplomat in Japan.
After the Meiji Restoration of 1868, the port was developed for trading silk, the main trading partner being Great Britain. Many Western influences first reached Japan in Yokohama, including Japan's first daily newspaper (1870) and first gas-powered street lamps (1872). Japan's first railway was constructed in the same year to connect Yokohama to Shinagawa and Shinbashi in Tokyo. In the same year, Jules Verne set Yokohama, which he had never visited, in an episode of his widely-read Around the World in Eighty Days, capturing the atmosphere of a fast-developing, Western-oriented Japanese city.
In 1887, a British merchant, Samuel Cocking, built the city's first power plant. At first for his own use, this coal-burning plant became the basis for the Yokohama Cooperative Electric Light Company. The city was officially incorporated on 1 April 1889. By the time the extraterritoriality of foreigner areas was abolished in 1899, Yokohama was the most international city in Japan, with foreigner areas stretching from Kannai to the Bluff area and the large Yokohama Chinatown.
The early 20th century was marked by rapid growth of industry. Entrepreneurs built factories along reclaimed land to the north of the city toward Kawasaki, which eventually grew to be the Keihin Industrial Area. The growth of Japanese industry brought affluence, and many wealthy trading families constructed sprawling residences there, while the rapid influx of population from Japan and Korea also led to the formation of Kojiki-Yato, then the largest slum in Japan.
Much of Yokohama was destroyed on 1 September 1923 by the Great Kantō earthquake. The Yokohama police reported casualties at 30,771 dead and 47,908 injured, out of a pre-earthquake population of 434,170. Fuelled by rumours of rebellion and sabotage, vigilante mobs thereupon murdered many Koreans in the Kojiki-yato slum. Many people believed that Koreans used black magic to cause the earthquake. Martial law was in place until 19 November. Rubble from the quake was used to reclaim land for parks, the most famous being the Yamashita Park on the waterfront which opened in 1930.
Yokohama was rebuilt, only to be destroyed again by thirty-odd U.S. air raids during World War II. An estimated seven or eight thousand people were killed in a single morning on 29 May 1945 in what is now known as the Great Yokohama Air Raid, when B-29s firebombed the city and in just one hour and nine minutes reduced 42% of it to rubble. |- | 1985 || 2,992,926 || 1st |- | 1990 || 3,220,331 || 1st |- | 1995 || 3,307,136 || 1st |- | 2000 || 3,426,651 || 1st |- | 2005 || 3,579,133 || 1st |- | 2009 || 3,670,669 || 1st |}
Yokohama's foreign population of nearly 78,000 includes Chinese, Koreans, Filipinos, and Brazilians.
The small but fashionable Motomachi shopping area leads up to Yamate, or "The Bluff" as it used to be known, a 19th/early 20th century Westerners' settlement overlooking the harbour, scattered with foreigners' mansions. A foreigners' cemetery and the Harbour View Park (, Minato no mieru oka kōen) is in the area. Within the park are a rose garden and the Kanagawa Museum of Modern Literature.
There are various points of interest in the futuristic Minato Mirai 21 harbourside redevelopment. The highlights are the Landmark Tower which is the tallest building in Japan, Queen's Square Yokohama (a shopping mall) and the Cosmo Clock 21, which was the tallest Ferris wheel in the world when it was built in 1989 and which also doubles as "the world's biggest clock".
The Shin-Yokohama district, where the Shinkansen station is located, is some distance away from the harbour area, and features the 17,000 capacity Yokohama Arena, the Shin-Yokohama Raumen Museum, and Nissan Stadium, known as the International Stadium Yokohama when it was the setting for the final for the 2002 FIFA World Cup.
The city is home to the Central League baseball team, the Yokohama BayStars, and the soccer teams, Yokohama F. Marinos and Yokohama F.C.
Sankei-en is a traditional Japanese-style garden in Naka Ward. Designed by businessman Tomitaro Hara, it contains seventeen old buildings brought from all over Japan, ten of which have been declared Important National Cultural Properties.
Category:Populated coastal places in Japan Category:Port settlements in Japan Category:Environmental model cities
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Ryōsuke Yamada山田 涼介 |
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Background | solo_singer |
Birth name | Ryōsuke Yamada |
Born | May 09, 1993 |
Origin | Tokyo, Japan |
Height | 163.5cm |
Blood type | B |
Genre | Japanese Pop |
Occupation | Singer, Dancer, Actor, Talent, Pop Idol |
Years active | August 12, 2004 - present |
Label | Johnny & Associates |
Associated acts | Hey! Say! JUMP, Hey! Say! 7 NYC Boys |
Influences | Koichi Domoto (Kinki Kids) |
is a Japanese tarento: actor, singer, dancer and a member of Hey! Say! JUMP. He is under the management of Johnny & Associates and currently resides in Kanagawa Prefecture.
In July 2006, Yamada got his first role in a TV drama, Tantei Gakuen Q Special.
In April 2007, he was chosen to be a member of the temporary unit Hey! Say! 7, which made his CD debut on August 1, when their single "Hey! Say!" was released. Between July and September of 2007, Tantei Gakuen Q became a TV drama series and Yamada played the same role he did in the Special that aired in 2006.
From September 24, 2007, Yamada began performing as a member of Hey! Say! JUMP, making his debut on November 14 .
From January to March 2008 Yamada was in the third episode of the drama series, One-Pound Gospel, as Mukoda Katsumi, with Kazuya Kamenashi (KAT-TUN) and Hey! Say! JUMP member Yuri Chinen. On April 12 of that year Yamada was in the drama, Sensei wa erai! along with fellow Hey! Say! JUMP members Yuto Nakajima, Yuri Chinen and Daiki Arioka. He played Gunjou Hayato. On June 14, Yamada played Furuhata Ninzaburo in the drama Furuhata Chuugakusei.
In October 2008, Yamada was in the drama series Scrap Teacher: Kyoushi Saisei as Takasugi Toichi, along with Hey! Say! JUMP members that appeared with him in Sensei wa erai!.
In June 2009, Yamada became the leader of a temporary group NYC Boys with Yuri Chinen and Yuma Nakayama w/B.I.Shadow as a supporter for the Japanese Volleyball Team for the FIVB World Grand Prix 2009. Their single "NYC/Akuma na Koi" hit the #1 position on the billboard charts.
On August 29 of that year, Yamada played Yuji Kawai in the drama Niini no koto Wasurenaide.
On October 3, 2009, he starred as the lead role in Hidarime Tantei EYE SP playing the role of Ainosuke Tanaka.
On October 17, 2009, it was announced that Hey! Say! JUMP member Yamada Ryosuke will play his first lead role in the upcoming drama series '左目探偵EYE / Hidari-me Tantei EYE [lit. 'Left-eyed Detective EYE']' to be broadcast from January 2010.
On March 2, 2010, an official press release made by Johnny and Associates revealed that Yamada and Chinen will be debuting for the second time as NYC. They will be working as a member of both Hey! Say! JUMP and NYC, which is a rarity in their talent agency. Ryo Nishikido was the first such case of a Johnny's talent officially debuting in two groups (Kanjani8 and NEWS) making Yamada and Chinen the second instance of such a case.
Category:1993 births Category:Johnny's Entertainment Category:Japanese male singers Category:Living people Category:Hey! Say! JUMP members
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Takako Uehara |
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Background | solo_singer |
Birth name | |
Born | January 14, 1983 |
Origin | Tomigusuku, Okinawa, Japan |
Instrument | Vocals, Piano, |
Genre | Japanese Pop, R&B; |
Occupation | Singer, Actress, Model |
Years active | 1995 — Present |
Label | Toys Factory1996— 2001Sonic Groove 2002 — present |
Url | Avex Uehara Takako |
(born January 14, 1983) is a Jpop singer. She is a member of the group Speed. Uehara was born in Okinawa, Japan.
Her highly anticipated first solo single 'My First Love' was released in January 1999, and was produced by legendary Jpop superstar Ryuichi Kawamura (of Luna Sea). "My First Love" was the beginning of a prosperous collaboration between Uehara and Kawamura. The single itself was very successful and topped the charts selling over 500,000 copies. The promotional video along with the cover and leaflet photos for 'My First Love' were all shot on location in Hawaii. Uehara followed up with her second and third singles, 'Come Close to Me' and 'My Greatest Memories'. In July 2000 following the disbandment of Speed, she became the first member of the group to release a solo album: My First Wing.
After Speed, Uehara continued with a moderately successful solo career as well as acting in various TV dramas. Takako is also a highly sought after model endorsing many famous brands such as Shiseido mainly on Proudia & Tsubaki Shampoo, Dunlop Tyres, NTT DoCoMo, FujiFilm FinePix Camera, SAGAWA, FamilyMart, KC Card, Meiji Chocolate, NEC FOMA and other food & beverages. Her most popular campaign was when she teamed up with Vivian Hsu to promote Shiseido's 'Proudia' range of products aimed at the more youthful market.
Uehara has also been a favorite pinup model among teenage men. She has released three photobooks. The first being '17' which was released in the year 2000. Her second photobook was Vingt Takako (Vingt means 20 in French). Vingt Takako was extremely controversial as the book contained many semi-nude and erotic shots of her - some containing rather explicit poses. This book upset and surprised many of her loyal fans as she has often came across as being really innocent. However, Uehara assured that the photos were tastefully done and shot on location in France by an all female crew. Uehara's third photobook Veintitres (meaning 23 in Spanish) was of similar nature to Vingt Takako but contained less daring photos of her. Veintitres was shot on location in Mexico, this time with a mixed crew. The photobook contained a bonus 'making of DVD'. Uehara's has a special preference for her photographs to be taken with minimal make-up and cpu touch-up/alterations. In essence her pictures tend contain a rather ambivalent tone to them in which she tends to come across rather natural/pale looking.
Uehara was selected by Taiwanese singer, Leehom Wang, to be the female lead for his music video, 'Heartbeat'. This is the 1st collaboration between the both of them.
Category:1983 births Category:Living people Category:Japanese actors Category:Japanese female singers Category:Sonic Groove artists Category:People from Okinawa Prefecture
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Bgcolour | #6495ED |
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Name | Joan Jonas |
Caption | The Shape, The Scent, The Feel of Things |
Birthplace | New York City, New York |
Nationality | American |
Field | Video art, Performance art, Sculpture |
Movement | Performance art |
Awards | Foundation for Contemporary Arts Grants to Artists Award, 1995 |
Born in 1936 in New York City, Joan Jonas is a pioneer of video and performance art and one of the most important female artists to emerge in the late 1960s and early 1970s.
She began her career in New York City as a sculptor. By 1968 she moved into what was then leading-edge territory: mixing performance with props and mediated images, situated outside in natural and/or industrial environments. In her early works, such as Wind (1968), Jonas filmed performers stiffly passing through the field of view against a wind that lent the choreography a psychological mystique. Songdelay (1973), filmed with both telephoto and wide-angle lenses (which produce opposing extremes in depth of field) drew on Jonas' travels in Japan, where she saw groups of Noh performers clapping wood blocks and making angular movements.
Jonas’ video performances between 1972 and 1976 pared the cast down to one actor, the artist herself performing in her New York loft as Organic Honey, her seminal alter-ego invented as an “electronic erotic seductress,” whose doll-like visage seen reflected bits on camera explored the fragmented female image and women’s shifting roles. Drawings, costumes, masks, and interactions with the recorded image were effects that optically related to a doubling of perception and meaning. For Jonas, in Organic Honey and earlier performances, the mirror became a symbol of (self-)portraiture, representation, the body, and real vs. imaginary, while also sometimes adding an element of danger and a connection to the audience that was integral to the work.
In 1976 with The Juniper Tree, Jonas arrived at a narrative structure from diverse literary sources, such as fairy tales, mythology, poetry, and folk songs, formalizing a highly complex, nonlinear method of presentation. Using a colorful theatrical set and recorded sound, The Juniper Tree retold a Grimm Brothers tale of an archetypal evil stepmother and her family. In the 1990s, Jonas’ My New Theater series moved away from a dependence on her physical presence. The three pieces investigated, in sequence: a Cape Breton dancer and his local culture; a dog jumping through a hoop while Jonas draws a landscape; and finally, using stones, costumes, memory-laden objects, and her dog, a video about the act of performing.
In her installation/performance commissioned for Documenta 11, Lines in the Sand (2002), Jonas investigated themes of the self and the body in a performance installation based on the writer H.D.’s (Hilda Doolittle) epic poem “Helen in Egypt” (1951–55), which reworks the myth of Helen of Troy. Jonas sited many of her early performances at The Kitchen, including Funnel (1972) and the screening of Vertical Roll (1972).
In The Shape, The Scent, The Feel of Things, produced by The Renaissance Society in 2004, Jonas draws on Aby Warburg's study of Hopi imagery. Jonas sees something of a parallel between herself and Warburg who compared diverse geographical and chronological cultures through an analysis of abstract imagery taken from their various artifacts. Drawing on sources ranging from Noh to Nordic theater, from the Brothers Grimm to Homer, Jonas extrapolates the magic of universal narratives from the most quotidian of circumstances so that she, as well as we, may become the heroes and heroines, victims and villains of the myth of self and origin.
Jonas’ works were first performed in the 1960s and '70s for some of the most influential artists of her generation, including Richard Serra, Robert Smithson, Dan Graham and Laurie Anderson. While she is widely known in Europe, her groundbreaking performances are lesser known in the United States, where, as critic Douglas Crimp wrote of her work in 1983, “the rupture that is effected in modernist practices has subsequently been repressed, smoothed over.” Yet, in restaging early and recent works, Jonas continues to find new layers of meanings in themes and questions of gender and identity that have fueled her art for over thirty years.
Jonas' projects and experiments provided the foundation on which much video performance art would be based. Her influences also extended to conceptual art, theatre performance and other visual media. In 1994, Jonas was honored with a major retrospective at the Stedelijk Museum in Amsterdam in which she transformed several of her performance works into installations for the museum. In 2003 she had solo exhibitions at Rosamund Felsen in Los Angeles and the Pat Hearn Gallery in New York City.
The Queens Museum of Art exhibited "Joan Jonas: Five Works" from December 2003 through March 2004. It was the first major exhibition of Jonas’s work in a New York museum. The exhibition included a video room as well as a survey of drawings, photographs, and sketchbooks. Curated by Valerie Smith, QMA Director of Exhibitions, the exhibition catalog can be seen here:
Jonas is a professor of visual arts at the Massachusetts Institute of Technology (MIT).
Her works include: Organic Honey’s Visual Telepathy (1972), The Juniper Tree (1976), Volcano Saga (1985), Revolted by the Thought of Known Places… (1992), Woman in the Well (1996/2000), her portable My New Theater series (1997–1999), Lines in the Sand (2002), and The Shape, The Scent, The Feel of Things (2004).
Joan Jonas is represented in Paris and New York by Yvon Lambert Gallery.
Category:American artists Category:1936 births Category:Living people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Eric Clapton |
---|---|
Alias | Slowhand |
Landscape | yes |
Background | solo_singer |
Birth name | Eric Patrick Clapton |
Born | March 30, 1945Ripley, Surrey, England |
Instrument | Vocals, Guitar |
Genre | Rock, blues-rock, blues, psychedelic rock, hard rock |
Occupation | Musician, singer-songwriter, artist |
Years active | 1962–present |
Label | Warner Bros., Reprise, Polydor, RSO, Atco, Apple, Deram |
Associated acts | Dire Straits, The Yardbirds, John Mayall & the Bluesbreakers, Powerhouse, Cream, Free Creek, The Dirty Mac, Blind Faith, J.J. Cale, The Plastic Ono Band, Delaney, Bonnie & Friends, Derek and the Dominos, T.D.F. |
Url | Official website |
Notable instruments | See: Guitars sectionBlackieBrownieGibson SGGibson ES-335Gibson Les Paul |
Eric Patrick Clapton, CBE (born 30 March 1945) is an English guitarist, vocalist, and songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked fourth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's Top 50 Guitarists of All Time.
In the mid sixties, Clapton left the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand", and graffiti in London declared "Clapton is God." Immediately after leaving Mayall, Clapton formed with drummer Ginger Baker and bassist Jack Bruce the trio Cream, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the seventies, Clapton's output bore the influence of the mellow style of JJ Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped gain reggae a mass market. Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, and Robert Johnson's "Crossroads", recorded by Cream. A recipient of seventeen Grammy Awards, in 2004 Clapton was awarded a CBE for services to music. In 1998 Clapton, a recovering alcoholic and heroin addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers.
It was during this time period that Clapton's Yardbirds rhythm guitarist Chris Dreja recalled that whenever Clapton broke a guitar string during a concert, he would stay on stage and replace it. The English audiences would wait out the delay by doing what is called a "slow handclap". Clapton told his official biographer, Ray Coleman, that, "My nickname of 'Slowhand' came from Giorgio Gomelsky. He coined it as a good pun. He kept saying I was a fast player, so he put together the slow handclap phrase into Slowhand as a play on words".
Still musically devoted to the blues, Clapton was opposed to the Yardbirds' move toward a pop-oriented sound, in part, because "For Your Love" had been written by pop songwriter-for-hire Graham Gouldman, who had also written hit songs for teen pop outfit Herman's Hermits as well as the radio-friendly music of The Hollies. Clapton recommended fellow guitarist Jimmy Page as his replacement, but Page was at that time unwilling to relinquish his lucrative career as a freelance studio musician, so Page in turn recommended Clapton's successor, Jeff Beck.
Cream's farewell album, Goodbye, featured live performances recorded at The Forum, Los Angeles, 19 October 1968, and was released shortly after Cream disbanded in 1968; it also featured the studio single "Badge", co-written by Clapton and George Harrison. Clapton had met Harrison and become friends with him after the Beatles shared a bill with the Clapton-era Yardbirds at the London Palladium. The close friendship between Clapton and Harrison resulted in Clapton's playing on Harrison's "While My Guitar Gently Weeps" from the Beatles' White Album. In the same year of release as the White Album, Harrison released his solo debut Wonderwall Music, becoming the first of many Harrison solo records to feature Clapton on guitar. Though friends, Clapton would go largely uncredited for his contributions to Harrison's albums due to contractual restraints. The pair would often play live together as each other's guest. A year after Harrison's death in 2001, Clapton helped organise the tribute concert, for which he was musical director.
Cream briefly reunited in 1993 to perform at the ceremony inducting them into the Rock and Roll Hall of Fame; however, a full reunion took place in May 2005, with Clapton, Bruce, and Baker playing four sold-out concerts at London's Royal Albert Hall, and three more at New York's Madison Square Garden that October. Recordings from the London shows, Royal Albert Hall London May 2-3-5-6, 2005, were released on CD, LP, and DVD in September/December 2005.
Clapton decided to step into the background for a time, touring as a sideman with the American group Delaney and Bonnie and Friends, who had been the support act for Blind Faith's U.S. tour. He also played two dates that fall as a member of The Plastic Ono Band, including the famous performance at the Toronto Rock and Roll Revival in September 1969, released as the album Live Peace in Toronto 1969.
Clapton became close friends with Delaney Bramlett, who encouraged him in his singing and writing. During the summer of 1969, Clapton and Bramlett contributed to the Music From Free Creek "supersession" project. Clapton, appearing as "King Cool" for contractual reasons, played with Dr. John on three songs, joined by Bramlett on one track. Jeff Beck also contributed to the sessions as "A. N. Other", though Clapton and Beck did not play together.
Using the Bramletts' backing group and an all-star cast of session players (including Leon Russell and Stephen Stills), Clapton recorded his first solo album during two brief tour hiatuses, fittingly named Eric Clapton. Delaney Bramlett co-wrote six of the songs with Clapton, and Bonnie Bramlett co-wrote "Let It Rain". The album also yielded the unexpected U.S. #18 hit, J. J. Cale's "After Midnight". Clapton went with Delaney and Bonnie from the stage to the studio with the Dominos to record George Harrison's All Things Must Pass in spring 1970. During this busy period, Clapton also recorded with other artists including Dr. John, Leon Russell, Plastic Ono Band, Billy Preston and Ringo Starr.
Clapton's close friendship with George Harrison had brought him into contact with Harrison's wife Pattie Boyd, with whom he became deeply infatuated. When she spurned his advances, Clapton's unrequited affections prompted most of the material for the Dominos' album Layla and Other Assorted Love Songs. This album contained the monster-hit single, love song "Layla", inspired by the classical poet of Persian literature, Nezami Ganjavi's The Story of Layla and Majnun, a copy of which his friend Ian Dallas had given him. The book moved Clapton profoundly as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and who went crazy because he could not marry her.
Working at Criteria Studios in Miami with Atlantic Records producer Tom Dowd, who had worked with Clapton on Cream's Disraeli Gears, the band recorded a double-album. The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the piano part. The album was heavily blues-influenced and featured the combination of twin lead guitars of Allman and Clapton, with Allman's slide guitar as a key ingredient of their sound.
Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix; eight days previously the band had cut a cover of "Little Wing" as a tribute to Hendrix. On 17 September 1970, one day before Hendrix's death, Clapton had purchased a left-handed Fender Stratocaster that he had planned to give to Hendrix as a birthday gift. Adding to Clapton's woes, the Layla album received only lukewarm reviews upon release. The shaken group undertook a U.S. tour without Allman, who had returned to The Allman Brothers Band. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs and alcohol, it resulted in the live double album In Concert. The band had recorded several tracks for a second album in London during the spring of 1971 (five of which were released on the Eric Clapton box-set Crossroads), but the results were mediocre.
A second record was in the works when a clashing of egos took place and Clapton walked, thus disbanding the group. Allman was later killed in a motorcycle accident on 29 October 1971. Although Radle would remain Clapton's bass player until the summer of 1979 (Radle died in May 1980 from the effects of alcohol and narcotics), it would be 2003 before Clapton and Whitlock appeared together again (Clapton guested on Whitlock's appearance on the Later with Jools Holland show). Another tragic footnote to the Dominos story was the fate of drummer Jim Gordon, who was an undiagnosed schizophrenic and years later murdered his mother during a psychotic episode. Gordon was confined to 16-years-to-life imprisonment, later being moved to a mental institution, where he remains today. In addition to his (temporarily) unrequited and intense attraction to Pattie Boyd, he withdrew from recording and touring to isolation in his Surrey, England residence. There he nursed his heroin addiction, resulting in a career hiatus interrupted only by the Concert for Bangladesh in August 1971 (where he passed out on stage, was revived, and continued his performance). Clapton continued to release albums and toured regularly. Highlights of the period include No Reason to Cry, (a collaboration with Bob Dylan and The Band) and Slowhand, which featured "Wonderful Tonight", another song inspired by Boyd, and a second J.J. Cale cover, "Cocaine". In 1976 he performed alongside a string of notable guests, to pay tribute to the final farewell performance of The Band, filmed in a Martin Scorsese documentary called the Last Waltz.
After an embarrassing fishing incident, Clapton finally called his manager and admitted he was an alcoholic. In January 1982, Roger and Clapton flew to Minneapolis-St. Paul; Clapton would be checked in at Hazelden Treatment Center, located in Center City, Minnesota. On the flight over, Clapton indulged himself in a great amount of drinks, for fear he may never be able to drink again. Clapton is quoted as saying from his autobiography, "In the lowest moments of my life, the only reason I didn't commit suicide was that I knew I wouldn't be able to drink anymore if I was dead. It was the only thing I thought was worth living for, and the idea that people were about to try and remove me from alcohol was so terrible that I drank and drank and drank, and they had to practically carry me into the clinic." [Clapton - p. 198]
After being discharged, it was recommended by doctors of Hazelden that Clapton not partake in any activities that would act as triggers for his alcoholism or stress, until he was fully situated back at Hurtwood. A few months after his discharge, Clapton began working on his next album against the Hazelden doctors' orders. Working with Tom Dowd, Clapton produced what he thought as his "most forced" album to date, Money and Cigarettes.
In 1984, he performed on Pink Floyd member Roger Waters' solo album, The Pros and Cons of Hitch Hiking and went on tour with Waters following the release of the album. Since then Waters and Clapton have had a close relationship. In 2005 they performed together for the Tsunami Relief Fund. In 2006 they performed at the Highclere Castle, in aid of the Countryside Alliance, playing two set pieces of "Wish You Were Here" and "Comfortably Numb". Clapton, now a seasoned charity performer, played at the Live Aid concert on 13th July 1985 when offered his place close to peak viewing hours he was apparently flattered. As Clapton recovered from his addictions, his album output continued in the 1980s, including two produced with Phil Collins, 1985's Behind the Sun, which produced the hits "Forever Man" and "She's Waiting", and 1986's August.
and Eric Clapton at Wembley Stadium, 18 June 1987]] August was suffused with Collins's trademark drum and horn sound and became Clapton's biggest seller in the UK to date, matching his highest chart position, number 3. The album's first track, the hit "It's In The Way That You Use It", was also featured in the Tom Cruise-Paul Newman movie The Color of Money. The horn-peppered "Run" echoed Collins' "Sussudio" and rest of the producer's Genesis/solo output, while "Tearing Us Apart" (with Tina Turner) and the bitter "Miss You" echoed Clapton's angry sound. This rebound kicked off Clapton's two-year period of touring with Collins and their August collaborates, bassist Nathan East and keyboard player/songwriter Greg Phillinganes. While on tour for August, two concert videos were recorded of the four-man band, Eric Clapton Live from Montreux and Eric Clapton and Friends. Clapton later remade "After Midnight" as a single and a promotional track for the Michelob beer brand, which had also marketed earlier songs by Collins and Steve Winwood. Clapton won a British Academy Television Award for his collaboration with Michael Kamen on the score for the 1985 BBC television thriller serial Edge of Darkness. In 1989, Clapton released Journeyman, an album which covered a wide range of styles including blues, jazz, soul and pop. Collaborators included George Harrison, Phil Collins, Daryl Hall, Chaka Khan, Mick Jones, David Sanborn and Robert Cray.
and Clapton playing in the Prince's Trust Concert at Wembley Stadium in 1987]] In 1984, while still married to Pattie Boyd, Clapton began a year-long relationship with Yvonne Kelly. The two had a daughter, Ruth, who was born in January 1985; but her existence was kept a secret by her parents. She was not publicly revealed as his child until 1991. Boyd criticised Clapton because he had not revealed the child's existence.
Hurricane Hugo hit Montserrat in 1989 and this resulted in the closure of Sir George Martin and John Burgess's recording studio AIR Montserrat, where Kelly was Managing Director. Kelly and Ruth moved back to England, and the myth of Eric's secret daughter began as a result of newspaper articles published at the time. Boyd herself was never able to conceive children, despite attempts at in vitro fertilisation. Clapton's grief was expressed in the song "Tears in Heaven", which was co-written by Will Jennings. At the 35th Grammy Awards, Clapton received a total of six Grammy Awards for the single "Tears in Heaven", and his Unplugged album.
In October 1992, Clapton was among the dozens of artists performing at Bob Dylan's 30th Anniversary Concert Celebration. Recorded at Madison Square Garden in New York City, the live two-disk CD/DVD captured a show full of celebrities performing classic Dylan songs, before ending with a few performances from Dylan himself. Despite the presence of 10 other guitarists on stage, including George Harrison, Neil Young, Roger McGuinn, Steve Cropper, Tom Petty, and Dylan, Clapton played the lead on a nearly 7-minute version of Dylan's "Knockin' on Heaven's Door" as part of the finale.
While Unplugged featured Clapton playing acoustic guitar, his 1994 album From the Cradle contained new versions of old blues standards highlighted by his electric guitar playing. Clapton's 1996 recording of the Wayne Kirkpatrick/Gordon Kennedy/Tommy Sims tune "Change the World" (featured in the soundtrack of the movie Phenomenon) won the Grammy Award for Song of the Year in 1997, the same year he recorded Retail Therapy (an album of electronic music with Simon Climie under the pseudonym TDF). The following year, Clapton released the album Pilgrim, the first record featuring brand new material for almost a decade.
On 22 January 2005, Clapton performed in the Tsunami Relief Concert held at the Millennium Stadium in Cardiff, in aid of the victims of the 2004 Indian Ocean earthquake. In May 2005, Eric Clapton, Jack Bruce and Ginger Baker reunited as Cream for a series of concerts at the Royal Albert Hall in London. Concert recordings were released on CD and DVD. Later, Cream performed in New York at Madison Square Garden. Back Home, Clapton's first album of new original material in nearly five years, was released on Reprise Records on 30 August. In 2006 he invited Derek Trucks and Doyle Bramhall II to join his band for his 2006–2007 world tour. Trucks is the third member of The Allman Brothers Band to tour supportng Clapton, the second being pianist/keyboardist Chuck Leavell who appeared on the MTV Unplugged album and the 24 Nights performances at the Royal Albert Hall theatre of London in 1990 and 1991, as well as Clapton's 1992 U.S. tour.
On 20 May 2006, Clapton performed with Queen drummer Roger Taylor and former Pink Floyd bassist Roger Waters at the Highclere Castle, in support of the Countryside Alliance. On 13 August 2006, Clapton made a guest appearance at the Bob Dylan concert in Columbus, Ohio, playing guitar on three songs in Jimmie Vaughan's opening act. A collaboration with guitarist J. J. Cale, titled The Road to Escondido, was released on 7 November 2006, featuring Derek Trucks and Billy Preston. The 14-track CD was produced and recorded by the duo in August 2005 in California. The chemistry between Trucks and Clapton convinced him to invite The Derek Trucks Band to open for Clapton's set on his 2007 Crossroads Guitar Festival, with Trucks remaining on set afterward, performing with Clapton's band throughout his performances, and embarking on a world tour with him.
The rights to Clapton's official memoirs, written by Christopher Simon Sykes and published in 2007, were sold at the 2005 Frankfurt Book Fair for USD $4 million.
On 26 February 2008, it was reported that North Korean officials had invited Clapton to play a concert in the communist state. According to reports, Clapton's management received the invitation and passed it on to the singer, who has agreed in principle and suggested it take place sometime in 2009. Kristen Foster, a spokesperson, said, "Eric Clapton receives numerous offers to play in countries around the world," and "[t]here is no agreement whatsoever for him to play in North Korea."
In 2007, Clapton learned more about his father, a Canadian soldier who left the UK after the war. Although Clapton's grandparents eventually told him the truth about his parentage, he only knew that his father's name was Edward Fryer. This was a source of disquiet for Clapton, as witnessed by his 1998 song "My Father's Eyes". A Montreal journalist named Michael Woloschuk researched Canadian Armed Forces service records and tracked down members of Fryer's family, finally piecing together the story. He learned that Clapton's father was Edward Walter Fryer, born 21 March 1920, in Montreal and died 15 May 1985 in Newmarket, Ontario. Fryer was a musician (piano and saxophone) and a lifelong drifter, who was married several times, had several children and apparently never knew that he was the father of Eric Clapton. Clapton thanked Woloschuk in an encounter at Macdonald Cartier Airport, in Ottawa, Canada.
In February 2008, Clapton performed with his long-time friend Steve Winwood at Madison Square Garden and guested on his recorded single "Dirty City" on Winwood's album Nine Lives. The two former Blind Faith bandmates met again for a series of 14 concerts throughout the United States in June 2009.
Clapton's 2008 Summer Tour began on 3 May at the Ford Amphitheatre, Tampa Bay, Florida, and then moved to Canada, Ireland, England, Norway, Iceland, Denmark, Poland, Germany and Monaco. On 28 June 2008, he headlined Saturday night for Hard Rock Calling 2008 in London's Hyde Park (previously Hyde Park Calling) with support from Sheryl Crow & John Mayer. In September 2008, Clapton performed at a private charity fundraiser for The Countryside Alliance at Floridita in Soho, London, that included such guests as the London Mayor Boris Johnson.
at the Beacon Theater]] In March 2009, The Allman Brothers Band (amongst many notable guests), celebrated their 40th year, dedicating their string of concerts to the late Duane Allman on their annual run at the Beacon Theatre. Eric Clapton was one of the performers, with drummer Butch Trucks remarking that the performance wasn't the typical Allman Brothers experience, given the number and musical styles of the guests who were invited to perform. Songs like "In Memory of Elizabeth Reed" were punctuated with others including "The Weight", with Levon Helm; Johnny Winter sitting in on Hendrix's "Red House" and "Layla". Two months later, on 4 May 2009 Clapton appeared as a featured guest at the Royal Albert Hall playing "Further on Up the Road" with Joe Bonamassa.
Clapton was scheduled to be one of the performers at the Rock and Roll Hall of Fame's 25th anniversary concert in Madison Square Garden on 30 October 2009, but cancelled due to gallstone surgery. Van Morrison (who also cancelled) said in an interview that he and Clapton were to do a "couple of songs" but that they would do something else together at "some other stage of the game".
He holds no other artist in higher esteem than Robert Johnson. In 2004, Clapton released a CD and DVD entitled Sessions for Robert Johnson, featuring Clapton recording Robert Johnson covers with electric and acoustic guitars. He performs these tracks live and in the practice space on the DVD, as well as gives brief interviews explaining the huge influence Robert Johnson had on him. Doyle Bramhall II assists Clapton on the acoustic tracks of the CD and the DVD.
In his book, Discovering Robert Johnson (which he co-authored with several other writers), Clapton said of Johnson, that he was "...the most important blues musician who ever lived. He was true, absolutely, to his own vision, and as deep as I have gotten into the music over the last 30 years, I have never found anything more deeply soulful than Robert Johnson. His music remains the most powerful cry that I think you can find in the human voice, really. ... it seemed to echo something I had always felt." Clapton persuaded Freddie King to sign with his record label, RSO in 1974. Clapton has recorded more than six of J. J. Cale's originals and has put out an album with him. Clapton has also collaborated with Frank Zappa, B.B. King, George Harrison, Santana, Ringo Starr, Roger Waters, John Lennon, Mark Knopfler and The Plastic Ono Band. Clapton also collaborated with singer/songwriter John Mayer on his 2006 album release, Continuum. Mayer cites Clapton in his liner notes: "Eric Clapton knows I steal from him and is still cool with it."
A number of guitarists that Clapton has influenced are: Richie Sambora, Stevie Ray Vaughan, Gary Moore, Duane Allman, Derek Trucks, Eddie Van Halen, Brian May, Orianthi, Jimi Hendrix, Brad Paisley, Jonny Buckland, Joe Don Rooney, Alex Lifeson, Jonny Lang, John Mayer, Joe Bonamassa, and Davy Knowles.
Early during his stint in Cream, Clapton's first Les Paul Standard was stolen. He continued to play Les Pauls exclusively with Cream (one bought from Andy Summers was almost identical to the stolen guitar) until 1967 when he acquired his most famous guitar in this period, a 1964 Gibson SG. Just before Cream's first U.S. appearance in 1967, Clapton's SG, Bruce's Fender VI, and Baker's drum head were all repainted in psychedelic designs created by the visual art collective known as The Fool. In 1968 Clapton bought a Gibson Firebird and started using the 1964 Cherry-Red Gibson ES-335 again. Gibson produced a limited run of 250 "Crossroads 335" replicas. The 335 was only the second electric guitar Clapton bought.
In July 1968, Clapton gave George Harrison a red, refinished Les Paul. In the following September, Clapton played the guitar on the Beatles' studio recording of "While My Guitar Gently Weeps". His SG found its way into the hands of George Harrison's friend Jackie Lomax, who subsequently sold it to musician Todd Rundgren for US$500 in 1972. Rundgren restored the guitar and nicknamed it "Sunny", after "Sunshine of Your Love". He retained it until 2000, when he sold it at an auction for US$150,000. First was "Brownie" used during the recording of Eric Clapton which in 1974 became the backup to the most famous of all Clapton's guitars, "Blackie". In November 1970 Eric bought six Fender Stratocasters from the Sho-bud guitar shop in Nashville, Tennessee while on tour with the Dominos. He gave one each to George Harrison, Steve Winwood and Pete Townshend.
Clapton assembled the best components of the remaining three to create "Blackie", which was his favourite stage guitar until its retirement in 1985. It was first played live 13 January 1973 at the Rainbow Concert. Clapton called the 1956/57 Strat a "mongrel". On 24 June 2004, Clapton sold "Blackie" at Christie's Auction House, New York for $959,500 to raise funds for his Crossroads Centre for drug and alcohol addictions. "Brownie" is now on display at the Experience Music Project. The Fender Custom Shop has since produced a limited run of 275 'Blackie' replicas, correct in every detail right down to the 'Duck Brothers' flight case, and artificially aged using Fender's 'Relic' process to simulate years of hard wear. One was presented to Eric upon the model's release and used for three numbers during a concert at the Royal Albert Hall in 17 May 2006.
In 1981, Clapton gave his signed Fender Lead II guitar to the Hard Rock Cafe to designate his favourite bar stool. Pete Townshend also donated his own Gibson Les Paul guitar, with a note attached: "Mine's as good as his! Love, Pete."
In 1988, Fender honoured Clapton with the introduction of his signature Eric Clapton Stratocaster. These were the first two artist models in the Stratocaster range and since then, the artist series has grown to include models inspired both by Clapton's contemporaries such as Rory Gallagher, Mark Knopfler, Jeff Beck, Stevie Ray Vaughan, and by those who have influenced him such as Buddy Guy. Clapton uses Ernie Ball Slinky and Super Slinky strings. Clapton has also been honoured with signature-model 000-28EC and 000-42EC acoustic guitars made by the famous American firm of C.F. Martin & Company. The Crossroads Centre is a treatment base for addictive disorders such as drugs and alcohol. In 2004, Clapton organised and participated in the Crossroads Guitar Festival to benefit the Centre. A second guitar auction, including the "Cream" of Clapton's collection – as well as guitars donated by famous friends – was also held on 24 June 2004. His Lowden acoustic guitar sold for $41,825. The total revenue garnered by this auction at Christie's was US $7,438,624.
The "woman tone" is the informal term used by Clapton to refer to his distinctive mid- to late-1960s electric guitar sound, created using his Gibson SG solidbody guitar (with humbucking pick-ups) and a Marshall tube amplifier. It is an overdriven sound that is articulate yet thick. It is characterised by being quite distorted (or even achieved with a fuzz) but muted, in contrast to the bright and twangy distortion that most guitarists were using at the time. Many players have tried to duplicate it, usually without success, in part because Clapton's playing technique had a lot to do with the tone.
Among the techniques used to replicate Clapton's sound is a technique by which the amplifier's volume is turned up to full, while the guitar's tone knob is turned down to zero or one.
Perhaps the best examples of the "woman tone" are Clapton's famous riff and solo from his band Cream's 1967 hit "Sunshine of Your Love". Clapton has explained that he obtained the tone with his Gibson's tone control rolled all the way down, switching to the neck pick-up (closest to the fretboard) and the volume all the way up, with his distortion turned all the way up. The treble, mids and bass controls on the amplifier were also maxed out. Some versions of the "woman tone" may also have involved strategic positioning of Clapton's wah-wah pedal.
On 12 September 1996, Clapton played a party for Armani at New York City's Lexington Armory with Greg Phillinganes, Nathan East and Steve Gadd. Sheryl Crow appeared on one number, performing "Tearing Us Apart", a track from August, which was first performed by Tina Turner during the Prince's Trust All-Star Rock show in 1986. It was Clapton's sole US appearance that year, following the open-air concert held at Hyde Park with Dave Bronze, Andy Fairweather-Low, The Kick Horns, Jerry Portnoy, Chris Stainton and backing vocalists Katie Kissoon and Tessa Niles. The concert was taped and the footage was released both on VHS video cassette and later, on DVD.
Clapton was featured in the movie version of Tommy, the first full length rock opera written by The Who. The movie version gave Clapton a cameo appearance as the Preacher, performing Sonny Boy Williamson's song, "Eyesight to the Blind". He also appeared in Blues Brothers 2000 as one of the Louisiana Gator Boys. In addition to being in the band, he had a small speaking role. Clapton has also appeared in an advertisement for the Mercedes-Benz G-Wagen. In March 2007, Clapton appeared in an advertisement for RealNetwork's Rhapsody online music service. In 2010 Clapton started appearing as a spokesman for T-Mobile, advertising their MyTouch Fender cell phone.
Eric Clapton was again compared to God's image in the episode "Holy Crap!" of season two of That '70s Show when Eric Forman and Steven Hyde are made by their minister to draw God.
"I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck's sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!"
This incident, along with some explicitly pro-fascism remarks made around the same time by David Bowie as well as uses of Nazi-related imagery by Sid Vicious and Siouxsie Sioux, were the main catalysts for the creation of Rock Against Racism, which occurred on 30 April 1978.
In response to his comments, rock photographer Red Saunders and others published an open letter in NME, Melody Maker, Sounds and the Socialist Worker. It read "Come on Eric... Own up. Half your music is black. You're rock music's biggest colonist". It also concluded, "P.S. Who shot the Sheriff, Eric? It sure as hell wasn't you!".
In a 2004 interview with Uncut, Clapton referred to Powell as "outrageously brave", and stated that his "feeling about this has not changed", because the UK is still "... inviting people in as cheap labour and then putting them in ghettos." In 2004, Clapton told an interviewer for Scotland on Sunday, "There's no way I could be a racist. It would make no sense". In his 2007 autobiography, Clapton called himself "deliberately oblivious to it all" and wrote, "I had never really understood or been directly affected by racial conflict... when I listened to music, I was disinterested in where the players came from or what colour their skin was. Interesting, then, that 10 years later, I would be labelled a racist... Since then, I have learnt to keep my opinions to myself. Of course, it might also have had something to do with the fact that Pattie had just been leered at by a member of the Saudi royal family." In a December 2007 interview with Melvin Bragg on The South Bank Show, Clapton reiterated his support for Enoch Powell and again denied that Powell's views were "racist".
North America – Eastern Region, Japan, Australia and New Zealand – Crossroads Guitar Festival 2007
Support act for European and North America: The Robert Cray Band
European Tour
UK / Ireland Tour
US Tour with Steve Winwood – (10 June – 30 June)
European Tour with Steve Winwood – (18 May – 13 June)
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