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- Published: 14 Oct 2010
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Title | Peggy Fleming |
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Country | |
Dateofbirth | July 27, 1948 |
Height | 5'4" (162 cm) |
Formercoach | William Kipp, Carlo Fassi |
Skating club | Arctic Blades FSCLake Arrowhead/Broadmoor Skating Club |
Retired | 1968 |
Peggy Gail Fleming She began skating at age nine when her family moved to Cleveland and soon began skating in earnest on the advice of her father. In 1961, when Fleming was twelve years old, her coach William Kipp was killed in the crash of Sabena Flight 548 along with the rest of the United States figure skating team while on route to the 1961 World Figure Skating Championships. Fleming was subsequently coached by Carlo Fassi. Her unusual style led to five U.S. titles, three World titles and the gold medal in the 1968 Olympics in Grenoble, France. Her award in Grenoble was singularly important for the American athletes and the nation as a whole, for this was the only gold medal that the U.S. Olympic team won in the 1968 Winter Games. It signaled a return to American dominance in the sport of women's figure skating following the unprecedented tragedy of the 1961 plane crash.
Within six months, she starred in the first of five television specials. For several years she toured the U.S. as a special guest star in the Ice Follies ice show, cheered on by huge crowds of admirers at certain large cities along the show's tour route. One of the memorable highlights during her ice shows was a solo skate in blue light to the music of "Ave Maria." Peggy Fleming has skated for four U.S. presidents and was a featured performer at the 1986 rededication of the Statue of Liberty. She has been a commentator on figure skating for ABC Sports for over 20 years, as well as a spokesperson for the National Osteoporosis Foundation.
In 1970, she married dermatologist Dr. Greg Jenkins (who as a young man had competed as an ice dancer). They live in the San Francisco Bay Area. They have two sons, Andrew and Todd (born 1977 and 1988) and three grandsons.
In 1993, the Associated Press released results of a national sports study by Nye Lavalle's Sports Marketing Group. Fleming was ranked as the 3rd most popular athlete in America, behind fellow Olympians Mary Lou Retton and Dorothy Hamill.
Fleming was diagnosed with breast cancer in 1998. The cancer was detected in its early stages, and surgery was successful. She became a breast cancer activist who recommends not procrastinating and advocates for early detection.
Fleming and her husband also own and operate Fleming Jenkins Vineyards & Winery in California. The winery produces close to 2,000 cases of wine a year with such brands as "Choreography Cabernet" and "San Francisco Bay Syrah Rosé." Profits from the "Victories Rosé" go towards charities that support research towards breast cancer.
Category:1948 births Category:American female single skaters Category:Breast cancer survivors Category:Figure skaters at the 1964 Winter Olympics Category:Figure skaters at the 1968 Winter Olympics Category:Figure skating commentators Category:Living people Category:Olympic figure skaters of the United States Category:Olympic gold medalists for the United States Category:People from San Jose, California Category:Women sports announcers Category:Winter Olympics medalists
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Position | Quarterback |
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Number | 11, 22 |
Birthdate | March 19, 1938Santa Fe, New Mexico |
Debutyear | 1959 |
Finalyear | 1978 |
Draftyear | 1959 |
Draftround | 18 |
Draftpick | 209(By the Washington Redskins) |
College | California |
Teams | |
Stat1label | TD-INT |
Stat1value | 40-64 |
Stat2label | Yards |
Stat2value | 5,911 |
Stat3label | QB Rating |
Stat3value | 55.1 |
Nfl | KAP747522 |
Highlights | |
Retired #s | 22 (BC Lions) |
Collegehof | 90074 |
Cfhof | kappjoe |
Cfhofyear | 1984 |
Kapp joined the Calgary Stampeders of the CFL for his rookie season in 1959. The following year, Kapp led Calgary to their first playoff appearance in years. The season was a difficult one, because he injured his knee against the Toronto Argonauts early in the season, but did not miss any games, because he played heavily taped.
In 1961, the BC Lions, then the CFL's newest franchise, traded four starting players to the Calgary Stampeders for Joe Kapp. The move paid off for the Lions when Kapp led the team to a Grey Cup appearance in 1963. While the following season, Kapp led the Lions to their first Grey Cup victory in 1964. However, the Lions proved unable to defend their championship in 1965.
By that time, Joe Kapp had proven he was an elite quarterback, and also developed the reputation of being a tough player and a great leader. While most quarterbacks dislike being hit, Kapp was the opposite. He loved to hit and when he took off on a run he’d try to run over defenders.
Before the 1967 season, Joe Kapp made the decision to return to the U.S. to play pro football. The AFL's Oakland Raiders, San Diego Chargers, and Houston Oilers were heavily pursuing him.
Kapp ended up signing with the NFL's Minnesota Vikings in a multi-player "trade" between the CFL and NFL teams, one of the very few transactions to ever occur between the two leagues.
The Minnesota Vikings in 1965 had drafted running back Jim Young out of Queens University in Kingston, Ontario. He had spent the 1965 and 1966 seasons with the Vikings, but wanted to return to Canada. The BC Lions were very interested in acquiring Young, but the Toronto Argonauts had his CFL rights.
The Minnesota Vikings general manager was Jim Finks, who had brought Kapp to Canada in 1959, and their head coach was Bud Grant who had faced Kapp while coaching the Winnipeg Blue Bombers. Both Finks and Grant thought Joe Kapp would be the best replacement for Fran Tarkenton who had been traded to the New York Giants. To make this transaction possible, the BC Lions traded all-star defensive lineman Dick Fouts, and future CFL Hall of Fame running back Bill Symons to the Toronto Argonauts for the CFL rights to future CFL Hall of Fame wide receiver Jim Young. They then managed getting Kapp waived out of the CFL.
The Minnesota Vikings managed getting Jim Young waived out of the NFL. The expansion New Orleans Saints wanted Young and it took some work from Finks to keep them from claiming Young.
Kapp, waived from the CFL, was free to sign with the Minnesota, who had previously claimed his NFL playing rights from Washington. On the other hand, Jim Young waived from the NFL signed with the BC Lions.
In a September 1969 game against the Colts, Kapp threw for 7 touchdown passes, which still stands as the all-time record with 4 other players (Sid Luckman, Adrian Burk, George Blanda and Y.A. Tittle). Burk was one of the officials that worked the Kapp 7 td game. Kapp led the Vikings to a 12-2 record, and a berth in Super Bowl IV after defeating the Cleveland Browns 27-7 in the last NFL Championship game ever played. However, he was unable to lead the team to victory in the Super Bowl, as the Vikings lost 23-7 to the Kansas City Chiefs. In 1970, the NFL and AFL consummated a merger that had been agreed to in 1966, and the NFL Championship game was no more after 50 years of NFL competition. On July 20, 1970, Sports Illustrated dubbed Kapp "The Toughest Chicano" on the cover of its weekly magazine.
Prior to the 1969 season, the Minnesota Vikings had exercised the option clause of his contract, so Kapp had played the entire season without a new contract. It was unusual and unprecedented for teams to use the team’s option and not to offer a new contract prior to a season. This dispute made him a free agent for the 1970 season, by the NFL's own rules.
Despite being a Super Bowl quarterback, no teams in the NFL made contact with Kapp until September of the 1970 season, when the Boston Patriots signed him to a four-year contract, making him the highest paid player in the league. Pete Rozelle stepped in and forced the Boston Patriots to give up two number one draft picks as compensation to the Minnesota Vikings.
The Boston Patriots of 1970 were a poor-performing team and the late-arriving Kapp played poorly himself that season, leading the team to the league's worst record at 2-12. When the year ended Pete Rozelle demanded that Kapp sign a Standard Player Contract. After conferring with his lawyer and the NFL Players Association, Kapp refused to sign a new contract.
With the top pick in the 1971 NFL Draft, the Patriots selected a quarterback, Jim Plunkett of Stanford. Kapp reported to the newly-renamed New England Patriots' training camp in 1971 and was turned away. The headlines in the Boston papers read “KAPP QUITS!”. After this incident Kapp never played again, his 12 year career as a professional football player was over.
Kapp started an anti-trust lawsuit vs. the NFL claiming the standard NFL contract was unconstitutional and a restraint of trade. He won the Summary Judgment after four years. The court had ruled that Joe Kapp’s trade was indeed restrained. It was two years later (April 1, 1976) in the trial for damages, that the jury decided that Kapp was not damaged.
Although Kapp was not awarded any damages, in 1977 the rules at issue in the Kapp case were later revised, a new system was instituted, and a multi-million dollar settlement was made between the NFL and the NFL Players Association.
In December 1981, Kapp made a promise to the football team that he would not consume any of his favorite alcoholic beverage, tequila, until the Golden Bears reached the Rose Bowl. As of October 2008, the Golden Bears have yet to return to the Rose Bowl and Kapp has resorted to drinking rum instead.
Kapp had several philosophies while coaching at Cal. He called his special teams the "special forces." He told his players to play "One hundred precent for 60 minutes." He also wanted the players to have fun. On Sundays, he would have his players play a game of "garbazz," described as a mix of basketball and football where the only objective is to pass the ball downfield. There are no football rules such as offsides or forward passes. He was notified that he would be released after the 1986 Big Game, played in Berkeley. The Bears responded to the student section's pre-game chants of "Win one for the zipper" by beating the #16 ranked and Gator Bowl-bound Cardinal 17-11. This gave Kapp a 3-2 record in the Big Game. He was carried out of the stadium amid chanting from the student section, "We Want Kapp!", echoing a cheer from his playing days with the Boston Patriots.
Category:1938 births Category:American players of Canadian football Category:Boston Patriots players Category:BC Lions players Category:Calgary Stampeders players Category:California Golden Bears football coaches Category:California Golden Bears football players Category:California Golden Bears men's basketball players Category:Canadian Football Hall of Fame inductees Category:Canadian Football League executives Category:Canadian football quarterbacks Category:College Football Hall of Fame inductees Category:Grey Cup champions Category:American sportspeople of Mexican descent Category:Minnesota Vikings players Category:American football quarterbacks Category:New England Patriots players Category:People from Santa Fe, New Mexico Category:Players of American football from California Category:Western Conference Pro Bowl players Category:Living people
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Caption | Jack Hanna in 2006 |
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Name | Jack Hanna |
Birth date | January 02, 1947 |
Birth place | Knoxville, Tennessee |
John Bushnell "Jack" Hanna (born January 2, 1947) is an American zookeeper who is the Director Emeritus of the Columbus Zoo and Aquarium. He was Director of the zoo from 1978 to 1993, and is viewed as largely responsible for elevating its quality and reputation. His media appearances have made him one of the most notable animal experts in the United States. Hanna, nicknamed “Jungle Jack,” is known for his khaki safari outfit, deep tan, and Southern accent.
At the time he became the zoo's director, the grounds of the zoo were unkempt and the facilities run down. Hanna initially struck many as a "zealous" zoo director, often traveling around the zoo grounds after closing to personally pick up trash. He also realized the importance of increasing the profile of the Columbus Zoo in central Ohio to get more public support and funding, and the "everyman"-seeming Hanna proved to be very well-suited to public relations for the zoo. From 1981 until 1983, Hanna hosted a television show called "Hanna's Ark" that aired on the local CBS affiliate in Columbus, WBNS. Hanna's live animal demonstrations on Good Morning America and both of David Letterman's talk show incarnations brought national attention to the Columbus Zoo as well as to Hanna himself. Over the course of Hanna's tenure as director, the zoo made the transition from cage-like enclosures to habitat environments, and the grounds were significantly expanded. The annual attendance of the Columbus Zoo increased by over 400% during this time.
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Hanna has published an autobiography, Monkeys on the Interstate in 1989, as well as many other books for children. He has been the host of the syndicated television show "Jack Hanna's Animal Adventures" since 1993. Hanna also occasionally contributes commentary as an animal expert on various local and national news programs, and has done guest spots on other shows such as Larry King Live, Nancy Grace, Maury, and Hollywood Squares. He was also named one of the "50 Most Beautiful People" by People magazine in 1996 http://www.people.com/people/archive/article/0,,20122069,00.html. Hanna also appeared in Neal McCoy's 2005 music video for "Billy's Got His Beer Goggles On" with a Hyacinth Macaw, a sloth and an albino burmese python. Hanna, along with Emmy-award winning musician Mark Frye, released an album through Virgin Records in 1996 entitled Jack Hanna's World.
Hanna and his wife, Suzi, have three daughters: Kathaleen, Suzanne, and Julie. He spends much of his time at his home in Montana, where he expects to retire soon. Hanna has been granted honorary Ph.D.s from Muskingum College, Otterbein College in Westerville, Ohio, and Capital University in Columbus, Ohio.
Category:1947 births Category:Living people Category:American zoologists Category:Zookeepers Category:American Christians Category:Otterbein College alumni Category:People from Knoxville, Tennessee Category:People from Columbus, Ohio Category:Muskingum University alumni
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Width | 200px |
---|---|
Caption | Don Nelson in March 2009 |
Position | Forward |
Number | 19 |
Birthdate | May 15, 1940Muskegon, Michigan, USA |
Debutyear | 1962 |
Finalyear | 1976 |
Draftyear | 1962 |
Draftround | 3 |
Draftpick | 1 |
Draftteam | Chicago Zephyrs |
College | Iowa |
Teams | |
Bbr | nelsodo01 |
Letter | n |
Stat1label | Points |
Stat1value | 10,898 |
Stat2label | Rebounds |
Stat2value | 5,192 |
Stat3label | Assists |
Stat3value | 1,526 |
Highlights | |
Coach |
Donald Arvid Nelson (born May 15, 1940, in Muskegon, Michigan) is a former NBA player and head coach. He coached the Milwaukee Bucks, the New York Knicks, and the Dallas Mavericks, and the Golden State Warriors.
An innovator, Nelson is credited with, among other things, inventing the concept of the point forward, a tactic which is frequently employed by teams at every level today. His unique brand of basketball is often referred to as Nellie Ball. He was named one of the Top 10 coaches in NBA history. On April 7, 2010, he passed Lenny Wilkens for first place on the all-time NBA wins list with 1,333 wins. His all-time record is 1,335-1,063 (.557).
Nelson resigned as head coach of the Warriors before the start of training camp on September 27, 2010.
In his first season with Boston, Nelson averaged 10.2 points and 5.4 rebounds, helping the Celtics to the 1966 NBA title as one of their role players. Four more championships with Boston followed in 1968, 1969, 1974, and 1976. In Game 7 of the 1969 NBA Finals, against his former team the Lakers, Nelson converted one of the most famous shots in playoff history -- a foul-line jumper which dropped through the basket after hitting the heel of the rim and bouncing several feet straight up. The shot, taken with just over a minute to go in the game and the Celtics clinging to a one-point lead, helped secure Boston's 11th NBA title in 13 seasons.
A model of consistency, Nelson would average more than 10 points per game every season between 1968-69 and 1974-75 (before the introduction of the three-point shot). He led the NBA in field-goal percentage in 1974-75. Nelson was coined as one of the best "sixth men" ever to play in the NBA. He was also known for his distinctive one-handed style for shooting free throws. He would place the ball in his shooting hand, lean in almost off-balance and toe the free-throw line with his right foot and his left leg trailing. He would then push the ball toward the basket completely with his right hand while springing with his right knee and lifting the trailing foot in a sort of "hop." This technique helped him to a career 76.5% free-throw shooting percentage.
Nelson retired as a player following the 1975-76 season. His number 19 jersey was retired to the Boston Garden rafters in 1978.
It was also in Milwaukee where Nelson became known for his unorthodox, innovative basketball philosophy. He was known to have introduced the concept of the point forward - a tactic wherein small forwards are used to direct the offense. In Nelson's tenure with the Bucks, he used 6-5 small forward Paul Pressey for the role. This enabled Nelson to field shooting guards Sidney Moncrief and Craig Hodges or Ricky Pierce at the same time without worrying about who would run the offense. In his offensive half-court sets, he would also put a center who wasn't a threat on offense, like Lister or Randy Breuer, at mid-court instead of near the basket to keep a shot-blocking center like the Utah Jazz's Mark Eaton away from the basket to make him less of a threat on defense. This system created a lot of mismatches and enabled Nelson to lead the Bucks to Central Division championships and playoff berths for most of the 1980s. He would leave Milwaukee after ten seasons, seven with over 50 wins.
After a year's hiatus, Nelson then became Coach and Vice President of the Golden State Warriors, and was named NBA Coach of the Year a third time. In Golden State, he instilled a run-and-gun style of offense. Again using an unconventional lineup which featured three guards (Mitch Richmond, Tim Hardaway and Sarunas Marciulionis) and two forwards (Chris Mullin and the 6-8 Rod Higgins at center), Nelson led the Warriors to many winning seasons and playoff berths despite an under-sized lineup. He continued to retool his lineup and drafted talent such as Chris Webber and Latrell Sprewell. It was during this time that he reached the peak of his fame, due to his style of offense enabling Hardaway, Richmond, and Mullin (also known as Run TMC) to emerge as premier players. After four winning seasons, he left Golden State following a prolonged public dispute with Webber and a 14-31 start.
He was invited to coach the Dream Team II at the 1994 FIBA World Championship in Toronto. He accepted and led them to the Gold Medal.
In 1995, Nelson would begin his stint with the Knicks, which lasted from July 1995 until March 1996. Despite coaching the Knicks to a respectable 34-25 record, Nelson had many personal problems with the players: e.g., he tried to convince management to trade Patrick Ewing in order to be in a position to make an offer to rising free agent Shaquille O'Neal. He also favored a more up-tempo style of offense, sharply contrasting the hard-nosed defensive style of play that the Knicks had employed under Pat Riley.
Nelson was named Head Coach and General Manager of the Dallas Mavericks in 1997, and led them to four consecutive 50-win seasons. The trio of Steve Nash, Michael Finley, and Dirk Nowitzki became the foundation for their dramatic turnaround. In Dallas, Nelson created an offensive powerhouse in which every player could score at any time. However, lacking interior defense - as the front court with Raef LaFrentz, Shawn Bradley and Nowitzki was weak in the paint - they never reached the NBA Finals.
One notable result of Nelson's tenure at the helm of the Mavericks was the introduction of the "Hack-a-Shaq" defense to the NBA.
On March 19, 2005, Nelson stepped down as Dallas' Head Coach, naming Avery Johnson as his successor. Nelson retained his job as Dallas' GM until after the season, when he named his son, Assistant GM Donnie Nelson, as his replacement. The Mavericks reached the NBA Finals in 2006.
On August 29, 2006, the Warriors bought out Mike Montgomery's contract and hired Nelson to take over the team again. By this time, Mullin, a longtime favorite of Nelson's, was the team's general manager. Nelson's Warriors won their final five regular season games and qualified for the 2006-07 playoffs.
Nelson faced his old team, the Mavericks, in the first round of the playoffs. The Mavs had the NBA's best record, and were a trendy pick to win their first NBA title. However, in one of the biggest upsets in NBA playoff history, Nelson coached the 8th-seeded Warriors to victory over the top-seeded Mavericks in six games. The Warriors went on to lose to the Utah Jazz.
A season later, Nelson led the Warriors to their most wins since 1993-94. However, in a Western Conference where all eight playoff teams won 50 games, they missed the playoffs by two games. The next two seasons saw the Warriors plunge back into mediocrity.
On September 23, Comcast SportsNet Bay Area, citing numerous sources close to the Warriors, reported that Nelson had decided to resign as head coach. This was later confirmed by the San Francisco Chronicle, which reported that new owners Joe Lacob and Peter Guber wanted "a young, up-and-coming coach" to help revive the Warriors' fortunes. Longtime assistant Keith Smart succeeded Nelson as coach.
– | after=Bob Lanier (interim) }} | after=Jeff Van Gundy }} – | after=Avery Johnson}} – | after=Keith Smart }} }}
Category:Boston Celtics players Category:Chicago Zephyrs draft picks Category:Chicago Zephyrs players Category:National Basketball Association players with retired numbers Category:Dallas Mavericks executives Category:Dallas Mavericks head coaches Category:Golden State Warriors executives Category:Golden State Warriors head coaches Category:Iowa Hawkeyes men's basketball players Category:Los Angeles Lakers players Category:Milwaukee Bucks executives Category:Milwaukee Bucks head coaches Category:New York Knicks head coaches Category:National Basketball Association executives Category:National Basketball Association general managers Category:National Basketball Association head coaches Category:People from Muskegon, Michigan Category:1940 births Category:Living people
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Name | Barbra Streisand |
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Background | solo_singer |
Birth name | Barbara Joan Streisand |
Born | April 24, 1942Brooklyn, New York, U.S. |
Genre | Broadway, traditional pop, adult contemporary |
Occupation | singer-songwriter, actress, film producer, director |
Other names | Mrs. Elliotvt Gould, Barbra Streisand Gould, Mrs. Barbra Gould, Ms. Barbra Streisand, Mrs. James Brolin, Barbra Gould Brolin, Barbra Streisand Gould Brolin, Mrs. Barbra Streisand, Mrs. Barbra Brolin |
Years active | 1957–present |
Label | Columbia Records |
Url | |
Spouse | Elliott Gould (1963–1971)James Brolin (1998–present) |
According to the RIAA, Streisand holds the record for the most top ten albums of any female recording artist - a total of 31 since 1963. Streisand has the widest span (46 years) between first and latest top ten albums of any female recording artist. With her 2009 album, Love Is the Answer, she became the only artist to achieve number-one albums in five consecutive decades. According to the RIAA, she has released 51 Gold albums, 30 Platinum albums, and 13 Multi-Platinum albums in the United States. She attended Erasmus Hall High School in Brooklyn and joined the Freshman Chorus and Choral Club. Diana Rosen Streisand remarried and gave Barbra a half-sister who grew up to become a professional singer with the name Roslyn Kind.
Barbra Streisand became a nightclub singer while in her teens. She wanted to be an actress and appeared in summer stock and in a number of Off-Off-Broadway productions, including Driftwood (1959), with the then-unknown Joan Rivers. (In her autobiography, Rivers wrote that she played a lesbian with a crush on Streisand's character, but this was later refuted by the play's author.) Driftwood ran for only six weeks. When her boyfriend, Barry Dennen, helped her create a club act—first performed at The Lion, a popular gay nightclub in Manhattan's Greenwich Village in 1960—she achieved success as a singer. While singing at The Lion for several weeks, she changed her name to Barbra. One early appearance outside of New York City was at Enrico Banducci’s hungry i nightclub in San Francisco. In 1961, Streisand appeared at the Town and Country nightclub in Winnipeg, Manitoba, Canada, but her appearance was cut short; the club owner did not appreciate her singing style. Streisand's first television appearance was on The Tonight Show, then hosted by Jack Paar, in 1961, singing Harold Arlen's A Sleepin' Bee. Orson Bean, who substituted for Paar that night, had seen the singer perform at a gay bar and booked her for the telecast. (Her older brother Sheldon paid NBC for a kinescope film so she could use it in 1961 to promote herself. Decades later the film was preserved through digitizing and is available for viewing on a website.) Streisand became a semi-regular on PM East/PM West, a talk/variety series hosted by Mike Wallace, in late 1961. Westinghouse Broadcasting, which aired PM East/PM West in a select few cities (Boston, New York, Baltimore, Washington, DC, Pittsburgh, Cleveland, Chicago and San Francisco), has since wiped all the videotapes because of the cost of videotape at the time. Audio segments from some episodes are part of the compilation CD Just for the Record, which went platinum in 1991. The singer said on 60 Minutes in 1991 that 30 years earlier Mike Wallace had been "mean" to her on PM East/PM West. He countered that she had been "self-absorbed". 60 Minutes included the audio of Streisand saying to him in 1961, "I like the fact that you are provoking. But don't provoke me."
In 1962, after several appearances on PM East/PM West, Streisand first appeared on Broadway, in the small but star-making role of Miss Marmelstein in the musical I Can Get It for You Wholesale. Her first album, The Barbra Streisand Album, won two Grammy Awards in 1963. Following her success in I Can Get It for You Wholesale, Streisand made several appearances on The Tonight Show in 1962. Topics covered in her interviews with host Johnny Carson included the empire-waisted dresses that she bought wholesale, to her "crazy" reputation at Erasmus Hall High School. It was at about this time that Streisand entered into a long and successful professional relationship with Lee Solters and Sheldon Roskin as her publicists with the firm Solters/Roskin (later Solters/Roskin/Friedman).
Streisand returned to Broadway in 1964 with an acclaimed performance as entertainer Fanny Brice in Funny Girl at the Winter Garden Theatre. The show introduced two of her signature songs, "People" and "Don't Rain on My Parade". Because of the play's overnight success she appeared on the cover of Time. In 1966, she repeated her success with Funny Girl in London's West End at the Prince of Wales Theatre. From 1965 to 1967 she appeared in her first four solo television specials.
Beginning with My Name Is Barbra, her early albums were often medley-filled keepsakes of her television specials. Starting in 1969, she began attempting more contemporary material, but like many talented singers of the day, she found herself out of her element with rock. Her vocal talents prevailed, and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album Stoney End in 1971. The title track, written by Laura Nyro, was a major hit for Streisand.
During the 1970s, she was also highly prominent on the pop charts, with Top 10 recordings such as The Way We Were (US No. 1), Evergreen (US No. 1), No More Tears (Enough Is Enough) (1979, with Donna Summer), which as of 2010 is reportedly still the most commercially successful duet,(US No. 1), You Don't Bring Me Flowers (with Neil Diamond) (US No. 1) and The Main Event (US No. 3), some of which came from soundtrack recordings of her films.
As the 1970s ended, Streisand was named the most successful female singer in the U.S.—only Elvis Presley and The Beatles had sold more albums. In 1980, she released her best-selling effort to date, the Barry Gibb-produced Guilty. The album contained the hits Woman In Love (which spent several weeks atop the pop charts in the Fall of 1980), Guilty, and What Kind of Fool.
After years of largely ignoring Broadway and traditional pop music in favor of more contemporary material, Streisand returned to her musical-theater roots with 1985's The Broadway Album, which was unexpectedly successful, holding the coveted No. 1 Billboard position for three straight weeks, and being certified quadruple platinum. The album featured tunes by Rodgers & Hammerstein, George Gershwin, Jerome Kern, and Stephen Sondheim, who was persuaded to rework some of his songs especially for this recording. The Broadway Album was met with acclaim, including a Grammy nomination for album of the year and, ultimately, handed Streisand her eighth Grammy as Best Female Vocalist. After releasing the live album One Voice in 1986, Streisand was set to take another musical journey along the Great White Way in 1988. She recorded several cuts for the album under the direction of Rupert Holmes, including On My Own (from Les Misérables), a medley of How Are Things in Glocca Morra? and Heather on the Hill (from Finian's Rainbow and Brigadoon, respectively), All I Ask of You (from Phantom of the Opera), Warm All Over (from The Most Happy Fella) and an unusual solo version of Make Our Garden Grow (from Candide). Streisand was not happy with the direction of the project and it was ultimately scrapped. Only Warm All Over and a reworked, lite FM-friendly version of All I Ask of You were ever released, the latter appearing on Streisand's 1988 effort, Till I Loved You.
At the beginning of the 1990s, Streisand started focusing on her film directorial efforts and became almost inactive in the recording studio. In 1991, a four-disc box set, Just for the Record, was released. A compilation spanning Streisand's entire career to date, it featured over 70 tracks of live performances, greatest hits, rarities and previously unreleased material.
The following year, Streisand's concert fundraising events helped propel former President Bill Clinton into the spotlight and into office. Streisand later introduced Clinton at his inauguration in 1993. Streisand's music career, however, was largely on hold. A 1992 appearance at an APLA benefit as well as the aforementioned inaugural performance hinted that Streisand was becoming more receptive to the idea of live performances. A tour was suggested, though Streisand would not immediately commit to it, citing her well-known stage fright as well as security concerns. During this time, Streisand finally returned to the recording studio and released Back to Broadway in June 1993. The album was not as universally lauded as its predecessor, but it did debut at No. 1 on the pop charts (a rare feat for an artist of Streisand's age, especially given that it relegated Janet Jackson's Janet to the No. 2 spot). One of the album's highlights was a medley of I Have A Love/One Hand, One Heart, a duet with the legendary Johnny Mathis, who Streisand said is one of her favorite singers.
In 1993, New York Times music critic Stephen Holden wrote that Streisand "enjoys a cultural status that only one other American entertainer, Frank Sinatra, has achieved in the last half century."
In September 1993, Streisand announced her first public concert appearances in 27 years. What began as a two-night New Year's event at the MGM Grand Hotel in Las Vegas eventually led to a multi-city tour in the summer of 1994. Tickets to the tour were sold out in under one hour. Streisand also appeared on the covers of major magazines in anticipation of what Time magazine named "The Music Event of the Century". The tour was one of the biggest all-media merchandise parlays in history. Ticket prices ranged from US$50 to US$1,500 – making Streisand the highest-paid concert performer in history. Barbra Streisand: The Concert went on to be the top-grossing concert of the year and earn five Emmy Awards and the Peabody Award, while the taped broadcast on HBO is, to date, the highest-rated concert special in HBO's 30-year history.
Following the tour's conclusion, Streisand once again kept a low profile musically, instead focusing her efforts on acting and directing duties as well as a burgeoning romance with actor James Brolin. In 1997, she finally returned to the recording studio, releasing Higher Ground, a collection of songs of a loosely-inspirational nature which also featured a duet with Celine Dion. The album received generally favorable reviews and, remarkably, once again debuted at No. 1 on the pop charts.
Following her marriage to Brolin in 1998, Streisand recorded an album of love songs entitled A Love Like Ours the following year. Reviews were mixed, with many critics carping about the somewhat syrupy sentiments and overly-lush arrangements; however, it did produce a modest hit for Streisand in the country-tinged If You Ever Leave Me, a duet with Vince Gill.
On New Year's Eve 1999, Streisand returned to the concert stage, with the highest-grossing single concert in Las Vegas history to date. At the end of the millennium, she was the number-one female singer in the U.S., with at least two No. 1 albums in each decade since she began performing. A two-disc live album of the concert entitled was released in 2000. Streisand performed versions of the "Timeless" concert in Sydney and Melbourne, Australia, in early 2000.
In advance of four concerts (two each in Los Angeles and New York) in September 2000, Streisand announced she was retiring from paying public concerts. Her performance of the song People was broadcast on the Internet via America Online.
Streisand's most-recent albums have been Christmas Memories (2001), a somewhat somber collection of holiday songs (which felt entirely—albeit unintentionally—appropriate in the early post-9/11 days), and The Movie Album (2003), featuring famous film themes and backed by a large symphony orchestra. Guilty Pleasures (called Guilty Too in the UK), a collaboration with Barry Gibb and a sequel to their Guilty, was released worldwide in 2005.
In February 2006, Streisand recorded the song Smile alongside Tony Bennett at Streisand's Malibu home. The song is included on Tony Bennett's 80th birthday album, Duets. In September 2006, the pair filmed a live performance of the song for a special directed by Rob Marshall entitled Tony Bennett: An American Classic. The special aired on NBC November 21, 2006, and was released on DVD the same day. Streisand's duet with Bennett opens the special.
In 2006, Streisand announced her intent to tour again, in an effort to raise money and awareness for multiple issues. After four days of rehearsal at the Sovereign Bank Arena in Trenton, New Jersey, the tour began on October 4 at the Wachovia Center in Philadelphia, continued with a featured stop in Fort Lauderdale, Florida, (this was the concert Streisand chose to film for a TV special), and concluded at Staples Center in Los Angeles on November 20, 2006. Special guests Il Divo were interwoven throughout the show. On stage closing night, Streisand hinted that six more concerts may follow on foreign soil. The show was known as .
Streisand's 20-concert tour set box-office records. At the age of 64, well past the prime of most performers, she grossed US$92,457,062, and set house gross records in 14 of the 16 arenas played on the tour. She set the third-place record for her October 9, 2006, show at Madison Square Garden, the first- and second-place records of which are held by her two shows in September 2000. She set the second-place record at the MGM Grand Garden Arena, with her December 31, 1999, show being the house record and the highest-grossing concert of all time. This led many people to openly criticize Streisand for price gouging, as many tickets sold for upwards of US$1,000.
A collection of performances culled from different stops on this tour, Live in Concert 2006, debuted at No. 7 on the Billboard 200, making it Streisand's 29th Top 10 album. In the summer of 2007, Streisand gave concerts for the first time in continental Europe. The first concert took place in Zürich (June 18), then Vienna (June 22), Paris (June 26), Berlin (June 30), Stockholm (July 4, canceled), Manchester (July 10) and Celbridge, near Dublin (July 14), followed by three concerts in London (July 18, 22 and 25), the only European city where Streisand had performed before 2007. Tickets for the London dates cost between £100.00 and GB£1,500.00 and for the Ireland date between €118 and €500. The tour included a 58-piece orchestra.
In February 2008, Forbes listed Streisand as the No. 2 earning female musician, between June 2006 and June 2007, with earnings of about US$60 million. Although Streisand's range has changed with time and her voice has deepened over the years, her vocal prowess has remained remarkably secure for a singer whose career has endured for nearly half a century. Streisand is a contralto or possibly a mezzo-soprano who has a range consisting of well over two octaves from “low E to a high G and probably a bit more that in either direction.”
On November 17, 2008, Streisand returned to the studio to begin recording what will be her sixty-third album and it was announced that Diana Krall was producing the album.
On April 25, 2009, CBS aired Streisand's latest TV special, , highlighting the aforementioned featured stop from her 2006 North American tour, in Fort Lauderdale, Florida.
Streisand is one of the recipients of the 2008 Kennedy Center Honors. On December 7, 2008, she visited the White House as part of the ceremonies. This performance was later released on DVD as One Night Only Barbra Streisand and Quartet at The Village Vanguard.
On September 29, 2009, Streisand and Columbia Records released her newest studio album, Love is the Answer, produced by Diana Krall. On October 2, 2009, Streisand made her British television performance debut with an interview on Friday Night With Jonathan Ross to promote the album. This album debuted at No. 1 on the Billboard 200 and registered her biggest weekly sales since 1997, making Streisand the only artist in history to achieve No. 1 albums in five different decades.
On February 1, 2010, Streisand joined over 80 other artists in recording a new version of the 1985 charity single "We Are the World". Quincy Jones and Lionel Richie planned to release the new version to mark the 25th anniversary of its original recording. These plans changed, however, in view of the devastating earthquake that hit Haiti on January 12, 2010, and on February 12, the song, now called "We Are the World 25 for Haiti", made its debut as a charity single to support relief aid for the beleaguered island nation.
Streisand will be honored as MusiCares Person of the Year on February 11, 2011, two days prior to the 53rd Annual Grammy Awards.
Streisand is one of many singers who uses teleprompters during their live performances. Streisand has defended her choice in using teleprompters to display lyrics and, sometimes, banter.
During the 1970s, Streisand starred in several screwball comedies, including What's Up, Doc? (1972) and The Main Event (1979), both co-starring Ryan O'Neal, and For Pete's Sake (1974) with Michael Sarrazin. One of her most famous roles during this period was in the drama The Way We Were (1973) with Robert Redford, for which she received an Academy Award nomination as Best Actress. She earned her second Academy Award for Best Original Song as composer (together with lyricist Paul Williams) for the song "Evergreen", from A Star Is Born in 1976.
Along with Paul Newman, Sidney Poitier and later Steve McQueen, Streisand formed First Artists Production Company in 1969, so the actors could secure properties and develop movie projects for themselves. Streisand's initial outing with First Artists was Up the Sandbox (1972).
From a period beginning in 1969 and ending in 1980, Streisand appeared in the annual motion picture exhibitors poll of Top 10 Box Office attractions a total of 10 times, often as the only woman on the list. After the commercially disappointing All Night Long in 1981, Streisand's film output decreased considerably. She has only acted in five films since.
Streisand produced a number of her own films, setting up Barwood Films in 1972. For Yentl (1983), she was producer, director, and star, an experience she repeated for The Prince of Tides (1991) and The Mirror Has Two Faces (1996). There was controversy when Yentl received five Academy Award nominations, but none for the major categories of Best Picture, Actress, or Director. Prince of Tides received even more Oscar nominations, including Best Picture, but the director was not nominated. Streisand also scripted "Yentl", something she is not always given credit for. According to New York Times Editorial Page Editor Andrew Rosenthal in an interview (story begins at minute 16) with Allan Wolper, "the one thing that makes Barbra Streisand crazy is when nobody gives her the credit for having written 'Yentl'."
In 2004, Streisand made a return to film acting, after an eight-year hiatus, in the comedy Meet the Fockers (a sequel to Meet the Parents), playing opposite Dustin Hoffman, Ben Stiller, Blythe Danner and Robert De Niro.
In 2005, Streisand's Barwood Films, Gary Smith, and Sonny Murray purchased the rights to Simon Mawer's book Mendel's Dwarf. In December 2008, she stated that she was considering directing an adaptation of Larry Kramer's play The Normal Heart, a project she has worked on since the mid-1990s In 2009, Andrew Lloyd Webber stated that Streisand was one of several actresses (alongside Meryl Streep and Glenn Close) who were interested in playing the role of Norma Desmond in the film adaptation of Webber's musical version of Sunset Boulevard
In December 2010, Streisand appeared in Little Fockers, the third film from the Meet the Parents trilogy. She reprised the role of Roz Focker alongside Dustin Hoffman.
On 4 January 2011, the New York Post reported that Streisand was in negotiations to produce, direct, and star in a new film version of Gypsy. In an interview with the New York Post, Arthur Laurents said: "We've talked about it a lot, and she knows what she's doing. She has my approval." He said that he would not write the screenplay. The following day, the New York Times reported that Arthur Laurents clarified in a telephonic interview that Streisand would not direct the film "but playing Rose is enough to make her happy." Streisand's spokesperson confirmed that "there have been conversations".
Jon Peters' daughters, Caleigh Peters and Skye Peters, are her goddaughters.
Streisand shares a birthday with Shirley MacLaine, and they celebrate together every year.
Streisand is the older sister of singer/actress Roslyn Kind. Kind was born 9 January 1951 in Brooklyn, New York.
Streisand's philanthropic organization, The Streisand Foundation, gives grants to "national organizations working on preservation of the environment, voter education, the protection of civil liberties and civil rights, women’s issues and nuclear disarmament" and has given large donations to programs related to women's health. Streisand was named third most generous celebrity. The Giving Back Fund claimed Streisand donated $11 million, which The Streisand Foundation distributed.
At Julien’s Auctions in October 2009, Streisand, a long-time collector of art and furniture, sold 526 items with all the proceeds going to her foundation. Items included a costume from Funny Lady and a vintage dental cabinet purchased by the performer at 18 years old. The sale’s most valuable lot was a painting by Kees van Dongen.
Streisand is mentioned many times in television sitcoms. In the CBS 1993–1999 sitcom The Nanny, Fran Drescher's character Fran Fine, along with her entire family, is obsessed with the performer. And Fran is obsessed with the fact that many times she almost meets Ms. Streisand, most notably when her stepdaughter, Margret S. Sheffield, marries Michael Brolin, nephew of James Brolin who is Barbra Gould Brolin's husband.
Streisand is frequently mentioned in the sitcom Will & Grace, particularly by the character Jack McFarland. Songs made famous by Streisand, such as "Papa, Can You Hear Me?" from Yentl and "Can't Help Lovin' Dat Man" from The Broadway Album are reproduced by characters in the show.
The sitcom Friends refers to Streisand in at least two episodes. In "The One Where Chandler Can't Remember Which Sister", Monica names a sandwich at her 1950s-styled restaurant after Barbra Streisand. A soup is also named after Streisand's movie Yentl. Meanwhile, in The One After 'I Do', Phoebe pretends she is pregnant with James Brolin's baby, to which Chandler Bing responds "[A]s in Barbra Streisand's husband, James Brolin?" In the same episode, Gould appears on the show as Ross and Monica's father.
At least four episodes of the animated sitcom The Simpsons refer to Streisand. Outside Springfield Elementary School, announcing Lisa's jazz concert and noting tickets have been sold out, is an advertisement for a Streisand concert in the same venue for the following day, with tickets still on sale. In another episode, after Marge undergoes therapy, she informs the therapist that whenever she hears the wind blow, she'll hear it saying "Lowenstein", Streisand's therapist character in The Prince of Tides, despite Marge's therapist having a completely different name. Another reference comes in "Sleeping with the Enemy" when Bart exclaims after seeing Lisa make a snow-angel in a cake on the kitchen table, "At least she's not singing Streisand". Nelson Muntz sings a song from Yentl earlier in the episode, which is the reason for Bart's reference. In "Simple Simpson", the on-stage patriotic western-singer says that Ms. Streisand is unpatriotic and could be pleased by spitting on the flag and strangling a bald eagle.
Another enduring satirical reference is in the animated series South Park, most notably in the episode "Mecha-Streisand", where Streisand is portrayed as a self-important, evil, gigantic robotic dinosaur with a terrible singing voice about to conquer the universe before being defeated by Robert Smith of The Cure. This was because she criticized South Park saying it was bad for children. On another occasion, the Halloween episode "Spookyfish" is promoted for a week as being done in "Spooky-Vision", which involves Streisand's face seen at times during the episode in the four corners of the screen. At the end of the feature film , her name is used as a powerful curse word, a gag repeated in the episode "Osama bin Laden Has Farty Pants". The Mecha-Streisand character made a return in the Season 14 episodes "200" and "201", as one of several celebrities the show had lampooned over the years.
In the episode titled "Ex in the City" from Season 2 of Sex and the City, protagonist Carrie Bradshaw likens herself and her lovelife to that of Streisand's character, Katie Morosky in The Way We Were before breaking into a rendition of the title song.
In the 2002–04 Icebox.com cartoon and animated TV series Queer Duck, the title character is obsessed with Streisand. He undergoes Christian-based conversion therapy to be made straight; only Barbra's magic nose can return him to his gayness.
In the 2005 Fox animated sitcom American Dad!, Season 5 Episode 1 shows Roger preparing to watch a Streisand special where the entertainer sings the collected works of Celine Dion in Las Vegas.
In Season 1 Episode 12 of Boston Legal aired in August 2005, Denny Crane boasts that he once had a threesome with Shirley Schmidt and Barbra Streisand. Schmidt corrects him by reminding him that "Barbra Streisand" was actually a female impersonator, whose penis should have been a clue.
In the 2007 Fox animated sitcom Family Guy, one episode shows Lois singing a cabaret act with "Don't Rain on My Parade"—originally sung by Streisand in Funny Girl—only slowed down and jazzier, as an act of defiance to Peter. In another episode, Peter received life insurance after Lois died and claimed that he has more money than Streisand. This was followed by a cut scene showing Streisand and her husband in their home. The husband asked for money and Streisand pressed one nostril of her nose and dollar bills came out the other nostril. Another earlier episode shows Streisand and husband James Brolin, with Streisand remarking "I'm glad I married you and not a celebrity".
Streisand is referenced frequently on the Fox TV musical series Glee. The character Rachel (Lea Michele) mentions that Streisand refused to alter her nose in order to become famous in the show's third episode Acafellas. Also, in the mid-season finale of Glee, Rachel sings the Streisand anthem "Don't Rain on My Parade". In the episode Hell-O, she says that she will be heartbroken for life, "Like Barbra in The Way We Were." Also in the episode Hell-O, Jesse St.James (Jonathan Groff) criticizes Rachel's performance of "Don't Rain on My Parade" by saying that she "lacked Barbra's emotional depth." In the episode Theatricality, Rachel is spying on the opposing team's dance rehearsal when the director, Shelby Corcoran (Idina Menzel), expresses dissatisfaction at the team's routine. She demonstrates how it's done with the title song from Funny Girl, and Rachel, sitting in the audience, whispers to her friend, "Exactly what I would have done--Barbra. I could do it in my sleep."
When Glee won the prize for "Best TV Series-Comedy Or Musical" at the 2010 Golden Globe Awards, creator Ryan Murphy quipped on stage, "Thank you to the Hollywood Foreign Press and Miss Barbra Streisand".
In the 1980 musical film Fame, one of the characters, Mrs. Finsecker, announces that Barbra Streisand did not have to change her name to get to the top. Also, Doris Finsecker, played by Maureen Teefy, sings "The Way We Were" for her audition to get into the drama department.
In the 1988 comedy, BIG, Tom Hanks goes home and to prove to his mother that he is her "little" boy he sings the first line of her favorite song, "Memories, like the corner of my mind..." from "The Way We Were."
In the 1993 romantic comedy Mrs. Doubtfire, Robin Williams, while trying different looks to apply to the Mrs. Doubtfire character that he portrays, uses a wig "a la Streisand" and sings some lines from "Don't Rain on My Parade".
In the 1996 comedy "The Associate", Whoopi Goldberg plays a business woman, Laurel Ayers, who creates a business associate, Robert S. Cutty, who is said to have known and dated Streisand. In addition to having an autographed picture of Streisand in her office, Ayers also has a cross-dressing friend who dresses up to resemble Streisand throughout the film.
In the 1998 film adaptation of the novel Fear and Loathing in Las Vegas a teenage runaway played by Christina Ricci paints images of Streisand while being administered large amounts of LSD by Hunter Thompson's Samoan attorney.
In the 1999 film based on the TV series, Cartman shouted out Barbra Streisand's name and shot electricity out of his hands. She is also mentioned in a relationship conversation between the characters of Satan and Saddam Hussein.
In the 2000 remake of the comedy Bedazzled, the Devil (Elizabeth Hurley) tells Elliot (Brendan Fraser): "It's not easy being the Barbra Streisand of evil, you know."
The characters Carla and Connie, as aspiring song-and-dance acts in the 2004 comedy Connie and Carla, include four Streisand references. They sing "Papa, Can You Hear Me?" and "Memory" at an airport lounge and "Don't Rain on My Parade" onstage in a gay bar, and talk about the plot of Yentl at the climax of the film after they ask how many in their audience have seen the movie (everyone raised their hands).
In the 2005 animated feature Chicken Little, Chicken's best friend Runt's mom says, after she thinks he is lying about seeing an alien spaceship, "Don't make me take away your Streisand collection!" and Runt returns with, "Mother, you leave Barbra out of this!"
Her name consists both the title and the complete lyrics of the "Barbra Streisand" disco house song by Duck Sauce which reached number 1 in the UK Dance charts. It also reached number 1 in several other countries.
The 2005 Broadway musical Spamalot carries the song "You won't succeed on Broadway" which references lines from "People" and "Papa, Can You Hear Me?".
The 2008 Broadway musical "Title of show" has a line where the character, Susan, was suggesting names for the title of the show. She threw out the name "Color Me Susan", a reference to Barbra's Color Me Barbra.
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