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Name | Brasília |
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Settlement type | Federal capital |
Established title | Founded |
Established date | April 21, 1960 |
Nickname | Capital Federal, BSB, |
Motto | "Venturis ventis"(Latin)"To the coming winds" |
Website | http://www.brasilia.df.gov.br |
Image seal | Brasão do Distrito Federal (Brasil).svg |
Pushpin map | Brazil |
Pushpin map size | 250 |
Pushpin map caption | Location in Brazil |
Coordinates region | BR |
Subdivision type | Country |
Subdivision type1 | Region |
Subdivision type2 | State |
Subdivision name | |
Subdivision name1 | Central-West |
Subdivision name2 | Brazilian Federal District |
Leader title | Governor |
Leader name | Agnelo Queiroz (PT) |
Area total sq mi | 2204.2 |
Area total km2 | 5802 |
Population as of | 2009 |
Population total | 2,606,885 (4th) |
Population density km2 | 435.98 |
Population density sq mi | 1129.17 |
Population metro | 3,451,549 |
Timezone | BRT |
Utc offset | -3 |
Timezone dst | BRST |
Utc offset dst | -2 |
Latns | S |
Longew | W |
Elevation m | 1172 |
Postal code type | Postal Code |
Postal code | 70000-000 |
Area code | +55 61 |
Website | Brasília, Federal District |
Brasília () is the capital of Brazil. The name is commonly spelled Brasilia in English. The city and its District are located in the Central-West region of the country, along a plateau known as Planalto Central. It has a population of about 2,557,000 (3,599,000 in the metropolitan area) as of the 2008 IBGE estimate, making it the fourth largest city in Brazil. However, as a metropolitan area, it ranks lower at sixth. It is listed as a World Heritage Site by UNESCO. Brasília hosts 119 foreign embassies.
As the national capital, Brasília is the seat of all three branches of the Brazilian government. The city also hosts the headquarters of many Brazilian companies such as the Banco do Brasil, Caixa Econômica Federal, Correios and Brasil Telecom. The city is a world reference for urban planning. Planning policies such as the locating of residential buildings around expansive urban areas,as well as building the city around large avenues and dividing it into sectors, have sparked a debate and reflection on life in big cities in the 20th century. The city's planned design included specific areas for almost everything, including accommodation, Hotel Sectors North and South. New areas are now being developed for hotels, such as the Hotels and Tourism Sector North, on the shore of Lake Paranoá.
The city was planned and developed in 1956 with Lúcio Costa as the principal urban planner and Oscar Niemeyer as the principal architect. On April 22 of 1960, it formally became Brazil's national capital. Viewed from above, the main portion of the city resembles an airplane or a butterfly. The city is commonly referred to as Capital Federal, or simply BSB. Residents of Brasília are known as brasilienses or candangos (the latter referring to those not born in the city, but migrated there when the city was established).
Brasília has a sui generis status in Brazil, as it is not a municipality like nearly all cities in Brazil. Although there is no legal definition for Brasília, the term is almost always used synonymously with the Brazilian Federal District, and thus constitutes an indivisible Federative Unit, analogous to a state. In the region, however, the word Brasília often refers only to the First Administrative Region within the Distrito Federal (Federal District), " where the most important government buildings are located. This is in contrast with the surrounding "satellite cities," which nevertheless are also part of the Federal District, and as such, Brasília, in a broader sense.
Brasília International Airport is a major airline hub for the rest of the country, connecting the capital to all major Brazilian cities and many international destinations. It is the third most important airport of Brazil, in terms of passengers and aircraft movements.
Lúcio Costa won a contest and was the main urban planner in 1957, with 5550 people competing. Oscar Niemeyer, a close friend, was the chief architect of most public buildings and Roberto Burle Marx was the landscape designer. Brasília was built in 41 months, from 1956 to April 21, 1960, when it was officially inaugurated. From 1763 to 1960, Rio de Janeiro was the capital of Brazil. At this time, resources tended to be centered in Brazil's southeast region near Rio de Janeiro. Brasília's geographically central location fostered a more regionally neutral federal capital. The idea of locating the capital in the center of Brazil was first suggested in 1891, but not defined until 1922.
From the beginning, the growth of Brasília exceeded expectations. Until the 1980s, the governor of the Distrito Federal was appointed by the Federal Government, and the laws of Brasília were issued by the Brazilian Federal Senate. With the Constitution of 1988 Brasília gained the right to elect its Governor, and a District Assembly (Câmara Legislativa) was elected to exercise legislative power.
According to legend, Italian saint Don Bosco in 1883 had a dream in which he described a futuristic city that roughly fitted Brasília's location. In Brasília today, there are many references to this educator who founded the Salesian order, and one church in the city bears his name.
By relocating the capital city to the interior, the government intended to help populate that area of the country. People from all over the country were hired to build the city, especially those from the Northeast region of Brazil. Brasília is known internationally for having applied the principles in the Athens Charter of 1933.
Brasília was planned to have smooth transit flow. Lúcio Costa planned the streets so that traffic signals would be unnecessary. Cars and buses would take thoroughfares to travel long distances, then use one of several loops for access to local streets to reach specific destinations.
Much of the original planning had to be changed, mostly because of the growth of Brasília. Costa didn't foresee such a quick growth of the city, much less the explosive growth in the satellite cities around it. Brasília today has traffic signals, and there is a scarcity of parking places, and traffic jams are usual at peak hours, particularly in some busier loops. Although the present situation is not as planned by Costa, transit in Brasília is much better than in other major Brazilian cities. There is stricter law enforcement, which results in better educated drivers; for example, Brasília is one of the few cities in Brazil where a driver will yield to a pedestrian in a crosswalk. The streets are usually in good condition, which minimizes accidents.
The main reason for Brasília having better transit is Costa's plan: vehicles still make use of the system of thoroughfares, loops and local streets to reach their destinations. The main thoroughfare is the Eixão (big Axis, or Eixo Rodoviário, in Costa's Plan). It is a high speed highway which bisects Brasília from north to south, with three lanes each direction, and no traffic signals.
Parallel to the Eixão, there are two Eixinhos (small Axis), which facilitate the access to loops and local streets. The other major thoroughfare is the Eixo Monumental, which bisects Brasília from east to west. The Monumental is wider than the Eixão, with a few traffic lights. The other two important city avenues are the W3, which runs west of the Eixão, parallel to it, and L2, which runs east of the Eixão. Most bus lines going from north to south use W3 and L2, rather than the Eixão (vehicles are forbidden to stop along the Eixão).
The dry season lasts from late March or early April to late September or early October, though there is commonly some rain also in late May. Humidity averages about 50% during the dry season, but often falls below 20% around noon.
In the 1960 census there were almost 140,000 residents in the new Federal District. By 1970 this figure had grown to more than 537,000. In 2000 the population of the Brazilian Federal District was over 2,000,000. Planned for only 500,000 inhabitants, Brasília has seen its population grow much more than expected. Several satellite cities have been created over the years to house the extra inhabitants.
From the beginning, the growth of Brasília was greater than original estimates. According to the original plans, Brasília would be a city for government authorities and staff. However, during the construction period, Brazilians from all over the country migrated to Brasília, seeking public and private jobs.
This makes it the largest city (by population) in the world at the close of the 20th century that didn't exist at the beginning of the century (a distinction held by Chicago in the 19th century). Brasília has one of the highest growth rates in Brazil, with its population increasing by 2.82% each year, mostly because of internal migration.
Brasília's inhabitants include a foreign population of mostly embassy workers as well as large numbers of Brazilian migrants. Today, the city has important communities of immigrants and refugees. The Human Development Index in the city is at 0.936 in the year 2000, (developed nation level), and the illiteracy rate is around 4.35%.
Whs | Brasília |
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Infoboxwidth | 170px |
State party | Brazil |
Type | Cultural |
Criteria | i, iv |
Id | 445 |
Region | Latin America and the Caribbean |
Year | 1987 |
Session | 11th |
At the northwestern end of the Monumental Axis are federal district and municipal buildings, while at the southeastern end, near the middle shore of Lake Paranoá, stand the executive, judicial, and legislative buildings around the Square of Three Powers, the conceptual heart of the city.
These and other major structures were designed by Brazilian architect Oscar Niemeyer. In the Square of Three Powers, he created as a focal point the dramatic Congressional Palace, which is a composed of five parts: twin administrative towers flanked by a large, white concrete dome (the meeting place of the Senate) and by an equally massive concrete bowl (the Chamber of Deputies), which is joined to the dome by an underlying, flat-roofed building.
A series of low-lying annexes (largely hidden) flank both ends. Also in the square are the glass-faced Planalto Palace housing the presidential offices, and the Palace of the Supreme Court. Farther east, on a triangle of land jutting into the lake, is the Palace of the Dawn (Palácio da Alvorada; the presidential residence). Between the federal and civic buildings on the Monumental Axis is the city's cathedral, considered by many to be Niemeyer's finest achievement (see photographs of the and interior). The parabolically shaped structure is characterized by its 16 gracefully curving supports, which join in a circle 115 feet (35 meters) above the floor of the nave; stretched between the supports are translucent walls of tinted glass. The nave is entered via a subterranean passage rather than conventional doorways. Other notable buildings are Buriti Palace, Itamaraty Palace (the Palace of Foreign Affairs), the National Theater, and several foreign embassies that creatively embody features of their national architecture. The Brazilian landscape architect Roberto Burle Marx designed landmark modernist gardens for some of the principal buildings.
Both low-cost and luxury housing were built by the government in the central city. The residential zones of the inner city are arranged into superquadras ("superblocks"): groups of apartment buildings along with a prescribed number and type of schools, retail stores, and open spaces. At the northern end of Lake Paranoá, separated from the inner city, is a peninsula with many fashionable homes, and a similar neighbourhood exists on the southern lakeshore. Originally the city planners envisioned extensive public areas along the shores of the artificial lake, but during early development private clubs, hotels, and upscale residences and restaurants gained footholds around the water. Set well apart from the city are suburban satellite cities, including Gama, Ceilândia, Taguatinga, Núcleo Bandeirante, Sobradinho, and Planaltina. These towns, with the exception of Gama and Sobradinho were not planned.
After a visit to Brasília, the French writer Simone de Beauvoir complained that all of its superquadras exuded "the same air of elegant monotony," and other observers have equated the city's large open lawns, plazas and fields to wastelands. As the city has matured, some of these have gained adornments, and many have been improved by landscaping, giving some observers a sense of "humanized" spaciousness. Although not fully accomplished, the "Brazilian utopia" has produced a city of relatively high quality of life, in which the citizens live in forested areas with sporting and leisure structure (the superquadras) flanked by small commercial areas, bookstores and cafes; the city is famous for its cuisine and efficiency of transit.
Even these positive features have sparked controversy, expressed in the nickname "ilha da fantasia" ("fantasy island"), indicating the sharp contrast between the city and surrounding regions, marked by poverty and disorganization in the cities of the state of Goiás, around Brasília.
Critics of Brasília's grand scale have characterized it as a modernist platonic fantasy about the future:
Besides being the political center, Brasília is an important economic center. The city is the 3rd richest of Brazil, showing a gross domestic product (GDP) from 99.5 billion reais, representing 3.76% of the total Brazilian GDP. The main economic activity of the federal capital results from its administrative function. Its industrial planning is studied carefully by the Government of the Federal District. Being a town registered by UNESCO, the government in Brasilia has opted to encourage the development of non-polluting industries such as software, film, video, and gemology among others, with emphasis on environmental preservation and maintaining ecological balance, preserving the city property.
The Federal District, where Brasília is located, has a GDP of R$ 89,630,109 (about US$ 69,844 billion), according to IBGE. Its share of the total Brazilian GDP is about 3.8%.
The Federal District has the largest GDP per capita income of Brazil R$ 40.996,00 (about US$ 27,610 per person, according to the IBGE, 2007 year). Brasília's per capita income is believed to be much higher.
Brasília hosts a wide range of services such as hospitals, schools, fitness clubs, clubs, colleges, restaurants, and cafes.
Brasília receives visitors from all of Brazil and the world, and offers a range of restaurants serving a variety of Brazilian regional and international food.
The city also hosts a varied assortment of art works from artists like Bruno Giorgi, Alfredo Ceschiatti, Athos Bulcão, Marianne Peretti, Alfredo Volpi, Di Cavalcanti, Dyllan Taxman, Victor Brecheret and Burle Marx, whose works have been integrated into the city's architecture, making it a unique landscape. The cuisine in the city is very diverse. Many of the best restaurants in the city can be found in the Asa Sul district.
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Brazil's bicameral National Congress consists of the Senate (the upper house) and the Chamber of Deputies of Brazil (the lower house). Since the 1960s, the National Congress has its seat in Brasília. As with most of the official buildings in the city, it was designed by Oscar Niemeyer in the style of modern Brazilian architecture. The hemisphere to the left is the seat of the Senate and the hemisphere to the right is the seat of the Chamber of Deputies. Between them there are two towers of offices. The Congress also occupies other surrounding buildings, some connected by tunnels.
The building is located in the middle of the Eixo Monumental, the main avenue of the capital. In front of it there is a large lawn and a reflecting pool. The building faces the Praça dos Três Poderes, where the Palácio do Planalto and the Supremo Tribunal Federal are located.
One of the first structures built in the republic's new capital city, the "Alvorada" lies on a peninsula at the margins of Lake Paranoá. The principles of simplicity and modernity, that in the past characterized the great works of architecture, motivated Niemeyer. The viewer has an impression of looking at a glass box, softly landed on the ground with the support of thin external columns.
The building has an area of 7,000 m2 and three floors: basement, landing and second floor. The auditorium, kitchen, laundry, medical center, and the administration are at basement level. The rooms used by the presidency for official receptions are on the landing. There are four suites, two apartments and other private rooms on the second floor which is the residential part of the palace.
The building also has a library, a heated Olympic-sized swimming pool, a music room, two dining rooms and various meeting rooms. A chapel and heliport are in adjacent buildings.
The Palácio do Planalto is the official workplace of the President of Brazil. It is located at the Praça dos Três Poderes in Brasília. As the seat of government, the term "O Planalto" is often used as a metonym for the executive branch of government.
The main working office of the President of the Republic is in the Palácio do Planalto. The President and his family do not live in it, rather in the official residence, the Palácio da Alvorada. Besides the President, senior advisors also have offices in the "Planalto," including the Vice-President of Brazil and the Chief of Staff. The other Ministries are along the Esplanada dos Ministérios.
The architect of the Palácio do Planalto was Oscar Niemeyer, creator of most of the important buildings in Brasília. The idea was to project an image of simplicity and modernity using fine lines and waves to compose the columns and exterior structures.
The Palace is four stories high, and has an area of 36,000 m2. Four other adjacent buildings are also part of the complex.
The National Library of Brasília (Biblioteca Nacional de Brasília in Portuguese) occupies an area of 14,000 m2, consisting of reading and study rooms, auditorium and a collection of over 300,000 items.
The National Museum of the Republic (Museu Nacional da República in Portuguese) consists of a 14,500 m2 exhibit area, two 780-seat auditoriums, and a laboratory. The space is mainly used to display temporary art exhibits.
It consists of three tall asymmetrical steel arches that crisscross diagonally. With a length of 1,200 m (0.75 miles), it was completed in 2002 at a cost of US$ 56.8 million. The bridge has a pedestrian walkway and is accessible to bicyclists and skaters.
It is a tourist attraction in Brasília, designed by Lúcio Costa and Oscar Niemeyer as a place where the three branches would meet harmoniously.
According to Don Bosco's prophecy:
Brasília lies between the parallels 15° S and 20° S, where an artificial lake (Paranoá Lake) was formed. Don Bosco is Brasília's patron saint.
American Flagg!, the First Comics comic book series created by Howard Chaykin, portrays Brasilia as a cosmopolitan world capital of culture and exotic romance. In the series, it is a top vacation and party destination.
The airport is located about 11 km (6.8 mi) from the central area of Brasília, outside the metro system. There are many taxis outside the main gate, and some bus lines which connect the airport to the central area of Brasília. The parking lot accommodates 1,200 cars. In addition to domestic and regional services (TAM, GOL, Azul, WebJET, Trip and Avianca). Brasilia is improving its international connections; non-stop flights to Miami, United States with AA started in Nov 2010 and with TAM in Dec 2010. There are already direct flights to Atlanta, United States with Delta; Lima, Peru with LAN and TACA ; and to Lisbon, Portugal with TAP. There are also rumors of a direct service to Buenos Aires, Argentina and Montevideo, Uruguay (with PLUNA) by 2011.
A new inter-state station was opened in July 2010. It is on Saída Sul (South Exit) near Parkshopping and a metro station.
The main football stadiums are the Estádio Mané Garrincha and the Serejão.
Brasília is one of the host cities of the 2014 FIFA World Cup, for which Brazil is the host nation. The rebuilding of Garrincha Stadium is planned.
Brasília will also host football tournaments during the 2016 Summer Olympics to be held in Rio de Janeiro.
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Category:Cities in Brazil Category:State capitals in Brazil Category:Capitals in South America Category:Planned cities in Brazil Category:Planned capitals Category:World Heritage Sites in Brazil Category:Populated places established in 1960 Category:Oscar Niemeyer buildings Category:1960 architecture Category:Modernist heritage districts
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Caption | Niemeyer aged 40. |
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Name | Oscar Niemeyer |
Nationality | Brazilian |
Birth date | December 15, 1907(age ) |
Birth place | Rio de Janeiro, Brazil |
Spouse(s) | Annita Baldo (1928-2004) and Vera Lucia Cabreira (2006-present) |
Significant buildings | Edifício Copan National Congress of Brazil |
Significant projects | United Nations headquarters City of Brasília |
Significant design | Cathedral of Brasília |
Awards | 1988 Pritzker Prize |
Oscar Ribeiro de Almeida Niemeyer Soares Filho (born December 15, 1907) is a Brazilian architect specializing in international modern architecture. He is a pioneer in exploring the formal possibilities of reinforced concrete solely for their aesthetic impact.
His buildings are often characterized by being spacious and exposed, mixing volumes and empty space to create unconventional patterns and often propped up by pilotis. Both lauded and criticized for being a "sculptor of monuments", he has been praised for being a great artist and one of the greatest architects of his generation by his supporters. His works include public buildings designed for the city of Brasília, and the United Nations Headquarters in New York City (with others).
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He started to work in his father's typography house and entered the Escola de Belas Artes (Brazil), from which he graduated as engineer architect in 1934. At the time he had financial difficulties but decided to work without payment in the architecture studio of Lúcio Costa and Carlos Leão. He felt dissatisfied with the architecture that he saw in the streets and believed he could find a career there.
In 1945, he joined the Brazilian Communist Party, and in 1992 he would become president of that party. Niemeyer was a boy at the time of the Russian Revolution of 1917, and by the Second World War he became a young idealist. During the military dictatorship of Brazil his office was raided and he was forced into exile in Europe. The Minister of Aeronautics of the time reportedly said that "the place for a communist architect is Moscow." He visited the USSR, met with diverse socialist leaders and became a personal friend of some of them. Fidel Castro once said: "Niemeyer and I are the last Communists of this planet."
Following Niemeyer's request, the headquarters were renamed Palácio Gustavo Capanema in 1985. It was the first state-sponsored modernist skyscraper in the world, and of a much larger scale than anything Le Corbusier had built until then. Completed in 1943, when he was 36, the building which housed the regulator and manager of Brazilian culture and cultural heritage developed the elements of what was to become recognized as Brazilian modernism. It employed local materials and techniques, like the azulejos linked to the Portuguese tradition; the revolutionized Corbusian brises-soleil, made adjustable and related to the Moorish shading devices of colonial architecture; bold colors; the tropical gardens of Roberto Burle Marx; the Imperial Palm (Roystonea oleracea), known as the Brazilian order; further allusions to the icons of the Brazilian landscape; and specially commissioned works by Brazilian artists.
In 1939, at 32, Niemeyer with Lúcio Costa designed the Brazilian pavilion at the New York World's Fair (executed in collaboration with Paul Lester Wiener). Impressed by the executed Pavilion, Mayor Fiorello La Guardia awarded Niemeyer the keys to the city of New York. Costa explained that the Brazilian Pavilion adopted a language of ‘grace and elegance’, lightness and spatial fluidity, open plan, curves and free walls, which he termed ‘Ionic’, contrasting it to the contemporaneous stern Modernist architecture, which he termed ‘Doric’. By mid-twentieth century, Brazilian architectural Modernism had been recognized as the first national style in modern architecture by Reyner Bahnam. The international architectural periodicals of the 1940s and 1950s dedicated hundreds of dithyrambic pages to the ‘chosen land of the most original and most audacious contemporary architecture’, followed by monographs on individual architects like Niemeyer and Affonso Eduardo Reidy.
The buildings were completed in 1943, and provoked some controversy. They received international acclaim following the 1943 ‘Brazil Builds’ exhibition, at the New York Museum of Modern Art (MoMA). The conservative Church authorities of Minas Gerais refused to consecrate the church until 1959, in part because of its unorthodox form, in part because of the altar mural painted by Candido Portinari. The mural depicts Saint Francis of Assisi as the savior of the ill, the poor and, most importantly, the sinner.
Pampulha, says Niemeyer, offered him the opportunity to 'challenge the monotony of contemporary architecture, the wave of misinterpreted functionalism that hindered it, and the dogmas of form and function that had emerged, counteracting the plastic freedom that reinforced concrete introduced. I was attracted by the curve – the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches. […] I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete. […] This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.' (Niemeyer, Oscar, 2000, The Curves of Time: The Memoirs of Oscar Niemeyer (London: Phaidon), pp. 62 and 169-70).
In 1947, at 40, his worldwide recognition was confirmed when Niemeyer traveled to the United States to be part of the international team working on the design for the headquarters of the United Nations in New York. Niemeyer's 'scheme 32' was approved by the Board of Design, but he eventually gave in to pressure by Le Corbusier, and together they submitted project 23/32 (developed with Bodiansky and Weissmann), which combined elements from Niemeyer's and Le Corbusier's schemes, but was primarily based on Niemeyer's scheme. Despite Le Corbusier’s insistence to remain involved, the conceptual design for the United Nations Headquarters (scheme 23/32), approved by the Board, was carried forward by the Director of Planning, Wallace Harrison, and Max Abramovitz, then a partnership. In the previous year Niemeyer had received an invitation to teach at Yale University; however, his visa was denied. In 1950 the first book about his work was published in the USA by Stamo Papadaki. In 1953, at 46, Niemeyer was selected for the position of dean of the Harvard Graduate School of Design. His Communist Party membership meant that, for the second time, he was refused a visa to enter the United States.
In Brazil, he designed São Paulo's Ibirapuera Park (for the celebrations of the city's 400th anniversary) 1951, the Copan apartment building (1953–66), and the JK Building in Belo Horizonte (1951). In 1952-53, he built his own house in Rio de Janeiro, the House at Canoas (Casa das Canoas), and, in 1954-60, the Niemeyer luxury apartment building in Belo Horizonte.
In 1955, at 48, Niemeyer designed the Museum of Modern Art of Caracas (MAM Caracas). According to him, this project marked a new direction his work was beginning to take, exemplified by his government buildings for Brasilia.
It was at the Canoas House that Juscelino Kubitschek visited Niemeyer one September morning of 1956, soon after he assumed the Brazilian presidency. While driving back to the city, the politician ‘eagerly’ spoke to the architect about his most audacious scheme: ‘I am going to build a new capital for this country and I want you to help me […] Oscar, this time we are going to build the capital of Brazil.’
Niemeyer organized a competition for the lay-out of Brasília, the new capital, and the winner was the project of his old master and great friend, Lúcio Costa. Niemeyer would design the buildings, Lucio the plan of the city.In the space of a few months, Niemeyer designed a large number of residential, commercial and government buildings. Among them were the residence of the President (Palácio da Alvorada), the House of the deputy, the National Congress of Brazil, the Cathedral of Brasília (a hyperboloid structure), diverse ministries, and residential buildings. Viewed from above, the city can be seen to have elements that repeat themselves in every building, giving it a formal unity.
Behind the construction of Brasília lay a monumental campaign to construct an entire city in the barren center of the country, hundreds of kilometers from any major city. The brainchild of Kubitschek, Niemeyer had as aims included stimulating the national industry, integrating the country's distant areas, populating inhospitable regions, and bringing progress to a region where only cattle ranching had a foothold. Niemeyer and Lúcio Costa used it to test new concepts of city planning: streets without transit, buildings floating off the ground supported by columns and allowing the space underneath to be free and integrated with nature.
The project also had a socialist ideology: in Brasília all the apartments would be owned by the government and rented to its employees. Brasília did not have "nobler" regions, meaning that top ministers and common laborers would share the same building. Of course, many of these concepts were ignored or changed by other presidents with different visions in later years. Brasília was designed, constructed, and inaugurated within four years. After its completion, Niemeyer was nominated head chief of the college of architecture of the University of Brasília. In 1963, he became an honorary member of the American Institute of Architects in the United States; the same year, he received the Lenin Peace Prize from the USSR.
Niemeyer and his contribution to the construction of Brasília are portrayed in the 1964 French movie L'homme de Rio (The Man From Rio), starring Jean-Paul Belmondo.
In 1964, at 57, after being invited by Abba Hushi, the mayor of Haifa, Israel, to plan the campus of the University of Haifa, he came back to a completely different Brazil. In March President João Goulart, who succeeded President Jânio Quadros in 1961, was deposed in a military coup. General Castello Branco assumed command of the country, which would remain a dictatorship until 1985.
The leftist position of Niemeyer cost him much during the military dictatorship. His office was pillaged, the headquarters of the magazine he coordinated was destroyed, his projects mysteriously began to be refused and clients disappeared. In 1965, two hundred professors, Niemeyer among them, asked for their resignation from the University of Brasília, in protest against the government treatment of universities. In the same year he traveled to France for an exhibition in the Louvre museum.
The following year, Niemeyer moved to Paris. Also in 1966, at 59, he travelled to the city of Tripoli, Lebanon to design the International Permanent Exhibition Centre. Despite completing construction, the start of the civil war in Lebanon prevented it from achieving its full utility.
He opened an office on the Champs-Élysées, and had customers in diverse countries, especially in Algeria where he designed the University of Science and Technology-Houari Boumediene. In Paris he created the headquarters of the French Communist Party (photos), Place du Colonel Fabien, and in Italy that of the Mondadori publishing company. In Funchal on Madeira, a 19th-century hotel was removed to build a casino by Niemeyer. Another prominent design of his was the Penang State Mosque in George Town the state capital of Penang, Malaysia in the 1970s.
While in Paris, Niemeyer began designing furniture which was produced by Mobilier International. He created an easy chair and ottoman composed of bent steel and leather in limited numbers for private clients. Later, in 1978, this chair and other designs including the "Rio" chaise-longue were produced in Brazil by the Japanese company Tendo, then Tendo Brasileira. The easy chairs and ottomans were made of bent wood and were placed in different Communist party headquarters around the world. Much like his architecture, Niemeyer's furniture designs were meant to evoke the beauty of Brazil, with curves mimicking the female form and the hills of Rio de Janeiro.
In 1988, at 81, Niemeyer was awarded the Pritzker Architecture Prize, together with the American architect Gordon Bunshaft.
From 1992 to 1996, Niemayer was the president of the Brazilian Communist Party (PCB); as a lifelong activist, Niemeyer was chosen as a powerful public figure that could be linked to the party at a time when it appeared to be in its death throes after the demise of the USSR. Although not active as a political leader his image helped the party to survive through its crisis, after the 1992 split and to remain as a political force in the national scene, which eventually lead to its reconstruction. He was replaced by Zuleide Faria de Mello in 1996.
He designed at least two more buildings in Brasilia, small ones, the Memorial dos Povos Indigenas ("Memorial for the Indigenous People") and the Catedral Militar, Igreja de N.S. da Paz.
In 1996, at the age of 89, he created the Niterói Contemporary Art Museum (in Niterói, a city next to Rio de Janeiro). The building flies from a rock, giving a view of the Guanabara Bay and the city of Rio de Janeiro.
In 2003, at 96, Niemeyer was called to design the Serpentine Gallery Summer Pavilion in Hyde Park London, a gallery that each year invites a famous architect who has never previously built in the UK, to design this temporary structure. A publication of Niemeyer's structure called Serpentine Gallery Pavilion 2003 was published by Trolley Books later that year, ISBN 9781904563136.
In 2004, Niemeyer, at 97 designed the tombstone for Communist Carlos Marighella in Salvador da Bahia, to commemorate the 35th anniversary of his death. He was widowed after 76 years of marriage to Annita, Annita died at 93 years old. Also his brother Paulo Niemeyer died.
In 2005, at 98, a entitled "ESTAÇÃO CIÊNCIA, CULTURA e ARTES" was approved to be built at João Pessoa, the easternmost point of the Americas.
In 2006, Niemeyer at the age of 99 wed longtime aide Vera Lucia Cabreira. They married at his apartment in Rio de Janeiro's Ipanema district a month after fracturing his hip in a fall.
2007 saw Niemeyer turn 100 and still involved in diverse projects, mainly sculptures and readjustments of old works of his that, protected by national (and some cases international) historic heritage regulations, can only be modified by him. He is currently designing a statue showing a tiger with its mouth open and a man fighting it raising the Cuban flag against the US blockade of Cuba.On Niemeyer's 100th birthday, Russia's president Vladimir Putin awarded him the Order of Friendship.
In April 2008, the building of one of his biggest European projects started in the Principality of Asturias, Spain. As a thanks for the Prince of Asturias Award received in 1989, his design of a cultural center was donated to Asturias. The "International Cultural Centre Óscar Niemeyer" (also known as Centro Niemeyer), will be located in Avilés, Asturias (North Spain). These modern buildings were described by himself as “a big square open to all men and women of the world, a big loge between the river and the ancient town".
The Holoteca, a library specialized on consciousness and the paranormal, in the Cognopolis neighborhood of Iguassu Falls is one of his latest projects.
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Name | Ronnie James Dio |
---|---|
Background | solo_singer |
Birth name | Ronald James Padavona |
Born | July 10, 1942Portsmouth, New Hampshire, |
Died | May 16, 2010Houston, Texas, |
Genre | Heavy metal, hard rock, blues-rock |
Occupation | Musician, singer-songwriter, producer |
Years active | 1957–2010 |
Instrument | Vocals, bass, guitar, keyboards, trumpet |
Voice type | |
Associated acts | Elf, Rainbow, Black Sabbath, Dio, Hear 'n Aid, Heaven & Hell |
Url | Official website |
Dio graduated from the Cortland City School in 1960, and was inducted to the Cortland City School Hall of Fame in 2004. He was also honored on November 15, 1988 by his hometown naming a street after him, Dio Way.
During a performance at the Darien Lake Performing Arts Center in Darien, NY (near Buffalo, NY) on September 19, 2007, Dio revealed that he had attended the University at Buffalo, majoring in pharmacy. He attended from 1960 to 1961 but did not graduate.
He was offered a scholarship to the Juilliard School of Music but did not pursue it due to his interest in rock music. Despite being known for his powerful singing voice, Dio claimed never to have taken any vocal training. He attributed his singing ability to the correct breathing techniques he learned when playing the French horn as a child.
Dio's musical career began in 1957 when several Cortland, New York musicians formed the band The Vegas Kings, which soon changed their name to Ronnie and the Rumblers. This band's lineup had Padavona on the bass guitar, along with singer Billy DeWolfe, guitarist Nick Pantas, drummer Tom Rogers, and saxophone player Jack Musci.
In 1958, the band again changed their name, along with a few changes of personnel. The band was now known as Ronnie and the Redcaps. At this point, Padavona began singing, replacing DeWolfe. Musci also left the band, and a new guitarist, Dick Botoff, joined. The Redcaps lineup released two singles: "Lover" b/w "Conquest" (with DeWolfe on vocals on the A-side) on the Reb label, and on Seneca (S 178-102, USA), "An Angel Is Missing" with "What'd I Say" on the B side (both songs featuring Padavona on vocals).
In 1961, they changed their name to Ronnie Dio and The Prophets. The Prophets lineup lasted for quite a long time and produced several singles and one album. Some sources state that some of the single releases were made by Ronnie James Dio solo, but others, such as Dio himself, state that all of the singles were made as a band.
Padavona took up the name "Dio" after mafia member Johnny Dio, and first used it professionally in 1961, when he added it to the band's second release on Seneca. Soon after that the band changed their name to Ronnie Dio and the Prophets. The group released several singles during the following years, until 1967.
Ronnie Dio and the Prophets disbanded in 1967, but he and Prophets guitarist Nick Pantas started a new band called the Electric Elves. They shortened their name to Elf in 1969, and went on to become an opening act for Deep Purple.
In 1980, Dio sang the tracks "To Live for the King" and "Mask of the Great Deceiver" on Kerry Livgren's solo album Seeds of Change. Dio, who was between stints as singer for Ritchie Blackmore's Rainbow and Black Sabbath, later proved somewhat controversial among Livgren's Christian fans, as Black Sabbath and Dio were then perceived as "satanic" by many Christians. Dio said in an interview that he did not consider the album to be a "Christian" album and had performed on it as a favor to Livgren.
In 1985, Dio gave the world a metallic answer to Band Aid and USA for Africa within the Hear'n Aid project. With a heavy metal all-star ensemble, he released the single "Stars" and an album full of songs from other artists given to charity. The project raised $1 million within a year.
In 1997, Dio made a cameo on Pat Boone's , an album of famous heavy metal songs played in big band style. Dio can be heard singing backup on Boone's take of "Holy Diver".
Tenacious D included a tribute song entitled "Dio" that appeared on their self-titled album. The song jokingly called for the singer to "pass the torch" on to them. Reportedly, Dio approved of it, and had Tenacious D appear in his video "Push" from Killing the Dragon in 2002. He also appeared in the film Tenacious D in The Pick of Destiny, playing himself.
In 2005, Dio was revealed to be the voice behind Dr. X in , the sequel to Queensrÿche's seminal concept album . His part was shown in a prerecorded video on the subsequent tour, and Ronnie appeared onstage to sing the part live on at least one occasion (both shown on the Mindcrime at the Moore DVD).
On January 17, 2007, he was inducted into the Rock Walk of Fame at Guitar Center on Hollywood's Sunset Boulevard.
After divorcing Berardi, he married Wendy Galaxiola (born 1945), who also served as his manager. In the 1980s she managed the Los Angeles rock bands Rough Cutt and Hellion. She is the chair of the privately sponsored organization, Children of the Night, dedicated to rescuing America's children from prostitution. Dio remained married to Galaxiola until his death.
"Ronnie has been diagnosed with the early stages of stomach cancer. We are starting treatment immediately at the Mayo Clinic. After he kills this dragon, Ronnie will be back on stage, where he belongs, doing what he loves best, performing for his fans. Long live rock and roll, long live Ronnie James Dio. Thanks to all the friends and fans from all over the world that have sent well wishes. This has really helped to keep his spirit up."
On March 14, 2010, Wendy posted an online update on his condition:
"It has been Ronnie's 7th chemo, another cat scan and another endoscopy, and the results are good – the main tumor has shrunk considerably, and our visits to Houston (cancer clinic in Texas) are now every three weeks instead of every two weeks."
On May 4, 2010, Heaven & Hell announced they were canceling all summer dates as a result of Dio's ill health.
Dio died at 7:45 am (CDT) on May 16, 2010, of metastasized Stomach Cancer, according to official sources. Wendy said on Dio's official site:
"Today my heart is broken, Ronnie passed away at 7:45am 16th May. Many, many friends and family were able to say their private good-byes before he peacefully passed away. Ronnie knew how much he was loved by all. We so appreciate the love and support that you have all given us. Please give us a few days of privacy to deal with this terrible loss. Please know he loved you all and his music will live on forever."
A free public memorial service was held on May 30, 2010 at 2 p.m. at The Hall Of Liberty, Forest Lawn Hollywood Hills, 6300 Forest Lawn Drive in Los Angeles. The hall was filled with over 1,500 people, so the remainder of the fans had to sit outside of the hall and watch from a live screen. Friends, family, and former and current band mates of Dio's gave speeches and performed, including Rudy Sarzo, John Payne, Glenn Hughes, Joey Belladonna & Dio/Heaven & Hell keyboard player Scott Warren. On the screen was an accompanying documentary covering Dio's career, from his beginnings in Elf to his final project Heaven & Hell. Everybody who attended had the opportunity to view Dio's coffin. The Westboro Baptist Church did hold a small rally, denouncing Dio as worshipping Satan. Wendy Dio urged those attending the funeral to ignore the protest, saying:
"Ronnie hates prejudice and violence. We need to turn the other cheek on these people that only know how to hate someone they didn't know. We only know how to love someone we know!"
Rolling Stone magazine eulogized Dio with these words: "It wasn't just his mighty pipes that made him Ronnie James Dio — it was his moral fervor...what always stood out was Dio's raging compassion for the lost rock & roll children in his audience. Dio never pretended to be one of the kids — he sang as an adult assuring us that we weren't alone in our suffering, and some day we might even be proud of conquering it".
Category:1942 births Category:2010 deaths Category:1950s singers Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:American rock singers Category:American heavy metal singers Category:Heavy metal Category:American male singers Category:American musicians of Italian descent Category:American tenors Category:Rainbow members Category:Black Sabbath members Category:Dio (band) members Category:Cancer deaths in Texas Category:Deaths from stomach cancer Category:People from Cortland, New York Category:People from Portsmouth, New Hampshire Category:American fantasy writers
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Name | Ira Levin |
---|---|
Birthdate | August 27, 1929 |
Birthplace | The Bronx, New York City,New York, United States |
Deathdate | November 12, 2007 |
Deathplace | Manhattan, New York City,New York, United States |
Nationality | American |
Period | 1953–1997 |
Ira Levin (August 27, 1929 – November 12, 2007) was an American author, dramatist and songwriter.
After college, he wrote training films and scripts for television. The first of these was Leda’s Portrait, for Lights Out in 1951.
Levin's first produced play was No Time for Sergeants (adapted from Mac Hyman's novel), a comedy about a hillbilly drafted into the United States Air Force that launched the career of Andy Griffith. The play was turned into a movie in 1958, and co-starred Nick Adams. No Time for Sergeants is generally considered the precursor to Gomer Pyle, USMC.
Levin's first novel, A Kiss Before Dying, was well received, earning him the 1954 Edgar Award for Best First Novel. A Kiss Before Dying was turned into a movie twice, first in 1956, and again in 1991.
Levin's best-known play is Deathtrap, which holds the record as the longest-running comedy-thriller on Broadway and brought Levin his second Edgar Award. In 1982, it was made into a film starring Christopher Reeve and Michael Caine.
Levin's best-known novel is Rosemary's Baby, a horror story of modern day Satanism and other occultisms, set in Manhattan's Upper West Side. In 1968, it was made into a film starring Mia Farrow and John Cassavetes. Ruth Gordon won an Oscar for Best Actress in a Supporting Role for her performance. Roman Polanski, who wrote and directed the film, was nominated for Best Writing, Screenplay Based on Material from Another Medium.
Other Levin novels that were made into films included The Boys from Brazil in 1978; The Stepford Wives in 1975 and again in 2004 and Sliver in 1993. Currently a new version of The Boys from Brazil is in development for 2009.
In the 1990s, Levin wrote two more bestselling novels: Sliver (1991) which became a film by Philip Noyce, the director of Patriot Games with Sharon Stone and Tom Berenger, and Son of Rosemary (1997), the sequel to Rosemary's Baby.
Stephen King has described Ira Levin as "the Swiss watchmaker of suspense novels, he makes what the rest of us do look like cheap watchmakers in drugstores." Chuck Palahniuk, in , calls Levin's writing "a smart, updated version of the kind of folksy legends that cultures have always used."
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.