The Jews ( Yehudim ), also known as the Jewish people, are a nation and ethnoreligious group originating in the Israelites or Hebrews of the Ancient Near East. The Jewish ethnicity, nationality, and religion are strongly interrelated, as Judaism is the traditional faith of the Jewish nation. Converts to Judaism, whose status as Jews within the Jewish ethnos is equal to those born into it, have been absorbed into the Jewish people throughout the millennia.

In Jewish tradition, Jewish ancestry is traced to the Biblical patriarchs Abraham, Isaac and Jacob in the second millennium BCE. The Jews currently enjoy political autonomy in the State of Israel, an independent state which is located in their national homeland, the Land of Israel. It officially defines itself as a Jewish state in its Basic Laws, and is the only country in the world where Jews constitute a majority of the population.

Jews also experienced political autonomy twice during ancient history. The first of the two ancient eras spanned from 1350 to 586 BCE, and encompassed the periods of the Judges, the United Monarchy, and the Divided Monarchy of the Kingdoms of Israel and Judah, ending with the destruction of the First Temple. The second era was the period of the Hasmonean Kingdom spanning from 140 to 37 BCE. Since the destruction of the First Temple, the diaspora has been the home of most of the world's Jews. Except in the modern State of Israel, Jews are a minority in every country in which they live, and they have frequently experienced persecution throughout history, resulting in a population that fluctuated both in numbers and distribution over the centuries.

In 2010, the world Jewish population was estimated at 13.4 million by the North American Jewish Data Bank, or roughly 0.2% of the total world population. According to this report, about 42% of all Jews reside in Israel and about 42% in the United States and Canada, with most of the remainder living in Europe. The Israel Central Bureau of Statistics believes the number of Israeli Jews to be 5.6 million, and the U.S. Census Bureau calculated the American Jewish population at 6.4 million. The total world Jewish population, however, is difficult to measure. In addition to issues with census methodology, there are halakhic disputes regarding who is a Jew and secular, political, and ancestral identification factors that may affect the figure considerably.

The Ladino name is , Djudio (sg.); , Djudios (pl.); : Yid (sg.)}}; , Yidn (pl.).

The etymological equivalent is in use in other languages, e.g., "Jude" in German, "juif" in French, "jøde" in Danish, "judío" in Spanish, etc., but derivations of the word "Hebrew" are also in use to describe a Jewish person, e.g., in Italian (Ebreo), and , (Yevrey). The German word "Jude" is pronounced , and is the origin of the word Yiddish. (See Jewish ethnonyms for a full overview.)

According to The American Heritage Dictionary of the English Language, Fourth Edition (2000):

It is widely recognized that the attributive use of the noun Jew, in phrases such as Jew lawyer or Jew ethics, is both vulgar and highly offensive. In such contexts Jewish is the only acceptable possibility. Some people, however, have become so wary of this construction that they have extended the stigma to any use of Jew as a noun, a practice that carries risks of its own. In a sentence such as There are now several Jews on the council, which is unobjectionable, the substitution of a circumlocution like Jewish people or persons of Jewish background may in itself cause offense for seeming to imply that Jew has a negative connotation when used as a noun.

Origins

The Jewish people claim to have originated from the Israelites of the Southern Levant, who had several independent states before being overtaken first by the Assyrian and Babylonian Empires and later the Roman Empire, with a large portion of the population being taken scattered throughout the world. According to the Hebrew Bible, all Israelites were descended from Abraham, who was born in the Sumerian city of Ur, and migrated to Canaan (commonly known as the Land of Israel) with his family. Genetic studies on Jews show that most Jews worldwide do indeed bear a common genetic heritage which originates in the Middle East, and that they bear their strongest resemblance to the peoples of the Fertile Crescent, with only minor contribution from their host populations (historically due to the taboo on intermarriage in Jewish tradition, the low number of converts to Judaism, as well as the general isolations and persecutions of Jews throughout history). According to some Biblical archaeologists, however, Israelite culture did not overtake the region, but rather grew out of Canaanite culture.

Judaism

Judaism guides its adherents in both practice and belief, and has been called not only a religion, but also a "way of life," which has made drawing a clear distinction between Judaism, Jewish culture, and Jewish identity rather difficult. Throughout history, in eras and places as diverse as the ancient Hellenic world, in Europe before and after The Age of Enlightenment (see Haskalah), in Islamic Spain and Portugal, in North Africa and the Middle East, and China, or the contemporary United States and Israel, cultural phenomena have developed that are in some sense characteristically Jewish without being at all specifically religious. Some factors in this come from within Judaism, others from the interaction of Jews or specific communities of Jews with their surroundings, others from the inner social and cultural dynamics of the community, as opposed to from the religion itself. This phenomenon has led to considerably different Jewish cultures unique to their own communities, each as authentically Jewish as the next.

Who is a Jew?

Judaism shares some of the characteristics of a nation, an ethnicity, a religion, and a culture, making the definition of who is a Jew vary slightly depending on whether a religious or national approach to identity is used. Generally, in modern secular usage, Jews include three groups: people who were born to a Jewish family regardless of whether or not they follow the religion; those who have some Jewish ancestral background or lineage (sometimes including those who do not have strictly matrilineal descent); and people without any Jewish ancestral background or lineage who have formally converted to Judaism and therefore are followers of the religion. At times, conversion has accounted for a substantial part of Jewish population growth. In the 1st century of the Christian era, for example, the population more than doubled, from 4 to 8–10 million within the confines of the Roman Empire, in good part as a result of a wave of conversion.

Historical definitions of Jewish identity have traditionally been based on halakhic definitions of matrilineal descent, and halakhic conversions. Historical definitions of who is a Jew date back to the codification of the oral tradition into the Babylonian Talmud. Interpretations of sections of the Tanakh, such as Deuteronomy 7:1–5, by learned Jewish sages, are used as a warning against intermarriage between Jews and non-Jews because "[the non-Jewish husband] will cause your child to turn away from Me and they will worship the gods of others." Leviticus 24:10 says that the son in a marriage between a Hebrew woman and an Egyptian man is "of the community of Israel." This contrasts with Ezra 10:2–3, where Israelites returning from Babylon vow to put aside their gentile wives and their children. Since the Haskalah, these halakhic interpretations of Jewish identity have been challenged.

Ethnic divisions

of late 19th century Eastern Europe portrayed in Jews Praying in the Synagogue on Yom Kippur (1878), by Maurycy Gottlieb.]] Within the world's Jewish population there are distinct ethnic divisions, most of which are primarily the result of geographic branching from an originating Israelite population, and subsequent independent evolutions. An array of Jewish communities were established by Jewish settlers in various places around the Old World, often at great distances from one another resulting in effective and often long-term isolation from each other. During the millennia of the Jewish diaspora the communities would develop under the influence of their local environments; political, cultural, natural, and populational. Today, manifestation of these differences among the Jews can be observed in Jewish cultural expressions of each community, including Jewish linguistic diversity, culinary preferences, liturgical practices, religious interpretations, as well as degrees and sources of genetic admixture.

Jews are often identified as belonging to one of two major groups: the Ashkenazim, or "Germanics" (Ashkenaz meaning "Germany" in Medieval Hebrew, denoting their Central European base), and the Sephardim, or "Hispanics" (Sefarad meaning "Spain/Hispania" or "Iberia" in Hebrew, denoting their Spanish, and Portuguese, base). The Mizrahim, or "Easterners" (Mizrach being "East" in Hebrew), that is, the diverse collection of Middle Eastern and North African Jews, constitute a third major group, although they are sometimes termed Sephardi for liturgical reasons.

Smaller groups include, but are not restricted to, Indian Jews such as the Bene Israel, Bnei Menashe, Cochin Jews, and Bene Ephraim; the Romaniotes of Greece; the Italian Jews ("Italkim" or "Bené Roma"); the Teimanim from Yemen and Oman; various African Jews, including most numerously the Beta Israel of Ethiopia; and Chinese Jews, most notably the Kaifeng Jews, as well as various other distinct but now almost extinct communities.

The divisions between all these groups are approximate and their boundaries are not always clear. The Mizrahim for example, are a heterogeneous collection of North African, Central Asian, Caucasian, and Middle Eastern Jewish communities that are often as unrelated to each other as they are to any of the earlier mentioned Jewish groups. In modern usage, however, the Mizrahim are sometimes termed Sephardi due to similar styles of liturgy, despite independent development from Sephardim proper. Thus, among Mizrahim there are Iraqi Jews, Egyptian Jews, Berber Jews, Lebanese Jews, Kurdish Jews, Libyan Jews, Syrian Jews, Bukharian Jews, Mountain Jews, Georgian Jews, and various others. The Teimanim from Yemen and Oman are sometimes included, although their style of liturgy is unique and they differ in respect to the admixture found among them to that found in Mizrahim. In addition, there is a differentiation made between Sephardi migrants who established themselves in the Middle East and North Africa after the expulsion of the Jews from Spain and Portugal in the 1490s and the pre-existing Jewish communities in those regions. Only in Israel is the Jewish population representative of all groups, a melting pot independent of each group's proportion within the overall world Jewish population.

Jewish languages

Hebrew is the liturgical language of Judaism (termed l'shon ha-kodesh, "the holy tongue"), the language in which the Hebrew scriptures (Tanakh) were composed, and the daily speech of the Jewish people for centuries. By the 5th century BCE, Aramaic, a closely related tongue, joined Hebrew as the spoken language in Judea. By the 3rd century BCE, Jews of the diaspora were speaking Greek. Modern Hebrew is now one of the two official languages of the State of Israel along with Arabic.

Hebrew was revived as a spoken language by Eliezer ben Yehuda, who arrived in Palestine in 1881. It had not been used as a mother tongue since Tannaic times. For centuries, Jews worldwide have spoken the local or dominant languages of the regions they migrated to, often developing distinctive dialectal forms or branches that became independent languages. Yiddish is the Judæo-German language developed by Ashkenazi Jews who migrated to Central Europe, and Ladino is the Judæo-Spanish language developed by Sephardic Jews who migrated to the Iberian peninsula. Due to many factors, including the impact of the Holocaust on European Jewry, the Jewish exodus from Arab lands, and widespread emigration from other Jewish communities around the world, ancient and distinct Jewish languages of several communities, including Gruzinic, Judæo-Arabic, Judæo-Berber, Krymchak, Judæo-Malayalam and many others, have largely fallen out of use.

Yiddish has been spoken by more Jews in history than any other language, closely followed by English and Hebrew (if modern and biblical are counted as one variety).

Genetic studies

Genetic studies indicate various lineages found in modern Jewish populations; however, most of these populations share a lineage in common, traceable to an ancient population that underwent geographic branching and subsequent independent evolutions.

DNA analysis further determined that modern Jews of the priesthood tribe—"Kohanim"—share an ancestor dating back about 3,000 years. This result is consistent for all Jewish populations around the world. The scientists estimated the date of the original priest based on genetic mutations, which indicated that the priest lived roughly 106 generations ago, between 2,650 and 3,180 years ago depending whether one counts a generation as 25 or 30 years.

Male lineages: Y chromosomal DNA

A study published by the National Academy of Sciences found that "the paternal gene pools of Jewish communities from Europe, North Africa, and the Middle East descended from a common Middle Eastern ancestral population", and suggested that "most Jewish communities have remained relatively isolated from neighboring non-Jewish communities during and after the Diaspora". Researchers expressed surprise at the remarkable genetic uniformity they found among modern Jews, no matter where the diaspora has become dispersed around the world. Skorecki and colleague wrote that "the extremely close affinity of Jewish and non-Jewish Middle Eastern populations observed ... supports the hypothesis of a common Middle Eastern origin".

A study of haplotypes of the Y-chromosome, published in 2000, addressed the paternal origins of Ashkenazi Jews. Hammer et al. 20.0% of the Ashkenazim results and 12% of the Sephardic results. However, J1 is most frequent in Yemen(76%), Saudi (64%) Qatar (58%).). It is also very common among other Arabs such as those of the Levant, i.e. Palestinian (38.4%), Syria (30%), Lebanon (25%). In Europe, higher frequencies have been reported in the central Adriatic regions of Italy: Gargano (17.2%), Pescara (15%), Fairly high frequencies have also been reported in other nearby Mediterranean areas: Crete (8.3%), Malta (7.8%), Cyprus (6.2%), Greece (5.3%). is found mainly in the Fertile Crescent, the Caucasus, Anatolia, the Balkans, Italy, the Mediterranean , the Iranian plateau, Central Asia, and South Asia. More specifically, it is found in Iraq, Syria, Lebanon, Turkey, Israel, Palestine, Greece, Italy and the eastern coasts of the Iberian Peninsula, and more frequently in Iraqis 29.7%, Lebanese 25%, Palestinians 16.8%, Kurds 28.4%, Saudi Arabia 15.92%, Jordan 14.3%, Oman 10-15%, UAE 10.4%, Yemen 9.7%, in Israel,

Female lineages: Mitochondrial DNA

Before 2006, geneticists largely attributed the genesis of most of the world's Jewish populations to founding acts by males who migrated from the Middle East and "by the women from each local population whom they took as wives and converted to Judaism." , though no genetic relation was found between Jewish and non Jewish female lineages. However, more recent findings of studies of maternally inherited mitochondrial DNA, at least in Ashkenazi Jews, has led to a review of this archetype. This research has suggested that, in addition to Israelite male, significant female founder ancestry might also derive from the Middle East-with 40% of Ashkenazim descended from four women lived about 1000–1500 years ago in the Middle East. Approximately 32% of people with Ashkenazi Jewish ancestry belong to the mtDNA haplogroup K. This high percentage points to a genetic bottleneck occurring some 100 generations ago.

Research in 2008 found significant founder effects in many non-Asheknazi Jewish populations. In Belmonte, Azerbaijani, Georgian, Bene Israel and Libyan Jewish communities "a single mother was sufficient to explain at least 40% of their present-day mtDNA variation". In addition, "the Cochin and Tunisian Jewish communities show an attenuated pattern with two founding mothers explaining >30% of the variation." In contrast, Bulgarian, Turkish, Moroccan and Ethiopian Jews were heterogeneous with no evidence "for a narrow founder effect or depletion of mtDNA variation attributable to drift". The authors noted that "the first three of these communities were established following the Spanish expulsion and/or received large influxes of individuals from the Iberian Peninsula and high variation presently observed, probably reflects high overall mtDNA diversity among Jews of Spanish descent. Likewise, the mtDNA pool of Ethiopian Jews reflects the rich maternal lineage variety of East Africa." Jewish communities from Iraq, Iran, and Yemen showed a "third and intermediate pattern... consistent with a founding event, but not a narrow one".

In this and other studies Yemenite Jews differ from other Mizrahim, as well as from Ashkenazim, in the proportion of sub-Saharan African gene types which have entered their gene pools. African-specific Hg L(xM,N) lineages were found only in Yemenite and Ethiopian Jewish populations.

A 2006 study by Seldin et al. used over five thousand autosomal SNPs to demonstrate European genetic substructure amongst the Ashkenazi. The results showed “a consistent and reproducible distinction between ‘northern’ and ‘southern’ European population groups”. Most northern, central, and eastern Europeans (Finns, Swedes, English, Irish, Germans, and Ukrainians) showed >90% in the ‘northern’ population group, while most individual participants with southern European ancestry (Italians, Greeks, Portuguese, Spaniards) showed >85% in the 'southern' group. Both Ashkenazi Jews as well as Sephardic Jews showed >85% membership in the “southern” group. Referring to the Jews clustering with southern Europeans, the authors state the results were "consistent with a later Mediterranean origin of these ethnic groups".

A 2007 study by Bauchet et al. found that Ashkenazi Jews were most closely clustered with Arabic North African populations when compared to Global population, and in the European structure analysis, they share similarities only with Greeks and Southern Italians, reflecting their east Mediterranean origins.

A 2010 study on Jewish ancestry by Atzmon-Ostrer et al. stated "Two major groups were identified by principal component, phylogenetic, and identity by descent (IBD) analysis: Middle Eastern Jews and European/Syrian Jews. The IBD segment sharing and the proximity of European Jews to each other and to southern European populations suggested similar origins for European Jewry and refuted large-scale genetic contributions of Central and Eastern European and Slavic populations to the formation of Ashkenazi Jewry.", as both groups - the Middle Eastern Jews and European/Syrian Jews shared common ancestors in the Middle East about 2500 years ago. The study also found that the population most closely related to Ashkenazi Jews are modern-day Italians. The study speculated that the genetic-similarity between Ashkenazi Jews and Italians may be due to inter-marriage and conversions in the time of the Roman Empire.

A 2010 study by Bray et al, using SNP microarray techniques and linkage analysis, estimated that 35 to 55 percent of the modern Ashkenazi genome is specifically traceable to Europe, and that European "admixture is considerably higher than previous estimates by studies that used the Y chromosome". The linkage disequilibrium in the Ashkenazi Jewish population "matches signs of interbreeding or 'admixture' between Middle Eastern and European populations". In their press release, Bray stated: "We were surprised to find evidence that Ashkenazi Jews have higher heterozygosity than Europeans, contradicting the widely-held presumption that they have been a largely isolated group".

Demographics

Population centres

There are an estimated 13–14 million Jews worldwide. |style="text-align: right"|1.68% | |- |France |style="text-align: right"|490,000 |style="text-align: right"|64,102,000 |style="text-align: right"|0.8% | |- |Total |style="text-align: right"|13,156,500 |style="text-align: right"|6,455,078,000 |style="text-align: right"|0.2% | Israel was established as an independent democratic and Jewish state on May 14, 1948. Of the 120 members in its parliament, the Knesset, currently, 12 members of the Knesset are Arab citizens of Israel, most representing Arab political parties and one of Israel's Supreme Court judges is a Palestinian Arab.

Between 1948 and 1958, the Jewish population rose from 800,000 to two million. Currently, Jews account for 75.8% of the Israeli population, or 5.4 million people. Israel also has a large population of Ethiopian Jews, many of whom were airlifted to Israel in the late 1980s and early 1990s. Between 1974 and 1979 nearly 227,258 immigrants arrived in Israel, about half being from the Soviet Union. This period also saw an increase in immigration to Israel from Western Europe, Latin America, and the United States

A trickle of immigrants from other communities has also arrived, including Indian Jews and others, as well as some descendants of Ashkenazi Holocaust survivors who had settled in countries such as the United States, Argentina, Australia and South Africa. Some Jews have emigrated from Israel elsewhere, due to economic problems or disillusionment with political conditions and the continuing Arab-Israeli conflict. Jewish Israeli emigrants are known as yordim.

Diaspora (outside Israel)

The waves of immigration to the United States and elsewhere at the turn of the 19th century, the founding of Zionism and later events, including pogroms in Russia, the massacre of European Jewry during the Holocaust, and the founding of the state of Israel, with the subsequent Jewish exodus from Arab lands, all resulted in substantial shifts in the population centers of world Jewry by the end of the 20th century.

greeting card from the early 1900s, Russian Jews, packs in hand, gaze at the American relatives beckoning them to the United States. Over two million Jews would flee the pogroms of the Russian Empire to the safety of the US from 1881–1924.]] Currently, the largest Jewish community in the world is located in the United States, with 5.3 million or 6.4 million Jews by various estimates. Elsewhere in the Americas, there are also large Jewish populations in Canada, Argentina, and Brazil, and smaller populations in Mexico, Uruguay, Venezuela, Chile, and several other countries (see History of the Jews in Latin America). There are 295,000 Jews in the United Kingdom. In Eastern Europe, there are anywhere from 350,000 to one million Jews living in the former Soviet Union, but exact figures are difficult to establish. The fastest-growing Jewish community in the world, outside Israel, is the one in Germany, especially in Berlin, its capital. Tens of thousands of Jews from the former Eastern Bloc have settled in Germany since the fall of the Berlin Wall.

The Arab countries of North Africa and the Middle East were home to around 900,000 Jews in 1945. Fueled by anti-Zionism after the founding of Israel, systematic persecution caused almost all of these Jews to flee to Israel, North America, and Europe in the 1950s (see Jewish exodus from Arab lands). Today, around 8,000 Jews remain in all Arab nations combined.

Outside Europe, the Americas, the Middle East, and the rest of Asia, there are significant Jewish populations in Australia and South Africa. Assimilation took place in all areas, and during all time periods, The advent of the Jewish Enlightenment of the 18th century (see Haskalah) and the subsequent emancipation of the Jewish populations of Europe and America in the 19th century, accelerated the situation, encouraging Jews to increasingly participate in, and become part of, secular society. The result has been a growing trend of assimilation, as Jews marry non-Jewish spouses and stop participating in the Jewish community.

Rates of interreligious marriage vary widely: In the United States, they are just under 50%, in the United Kingdom, around 53%, in France, around 30%, and in Australia and Mexico, as low as 10%. In the United States, only about a third of children from intermarriages affiliate themselves with Jewish religious practice. The result is that most countries in the Diaspora have steady or slightly declining religiously Jewish populations as Jews continue to assimilate into the countries in which they live.

War and persecution

:Related articles: Antisemitism, Islam and antisemitism, History of antisemitism, New antisemitism

that they were required to wear) being killed by Christian knights. French Bible illustration from 1255.]] The Jewish people and Judaism have experienced various persecutions throughout Jewish history. During late Antiquity and the early Middle Ages the Roman Empire (in its later phases known as the Byzantine Empire) repeatedly repressed the Jewish population, first by ejecting them from their homelands during the pagan Roman era and later by officially establishing them as second-class citizens during the Christian Roman era.

According to James Carroll, "Jews accounted for 10% of the total population of the Roman Empire. By that ratio, if other factors had not intervened, there would be 200 million Jews in the world today, instead of something like 13 million." Of course, there are many other complex demographic factors involved; the rate of population growth, epidemics, migration, assimilation, and conversion could all have played major roles in the current size of the global Jewish population.

Later in medieval Western Europe, further persecutions of Jews in the name of Christianity occurred, notably during the Crusades—when Jews all over Germany were massacred—and a series of expulsions from England, Germany, France, and, in the largest expulsion of all, Spain and Portugal after the Reconquista (the Catholic Reconquest of the Iberian Peninsula), where both unbaptized Sephardic Jews and the ruling Muslim Moors were expelled. In the 19th and (before the end of World War II) 20th centuries, the Roman Catholic Church adhered to a distinction between "good antisemitism" and "bad antisemitism". The "bad" kind promoted hatred of Jews because of their descent. This was considered un-Christian because the Christian message was intended for all of humanity regardless of ethnicity; anyone could become a Christian. The "good" kind criticized alleged Jewish conspiracies to control newspapers, banks, and other institutions, to care only about accumulation of wealth, etc.

Islam and Judaism have a complex relationship. Traditionally Jews and Christians living in Muslim lands, known as dhimmis, were allowed to practice their religions and to administer their internal affairs, but subject to certain conditions. They had to pay the jizya (a per capita tax imposed on free adult non-Muslim males) to the Islamic state. Many of the disabilities were highly symbolic. The one described by Bernard Lewis as "most degrading" On the other hand, Jews rarely faced martyrdom or exile, or forced compulsion to change their religion, and they were mostly free in their choice of residence and profession.

Notable exceptions include the massacre of Jews and/or forcible conversion of some Jews by the rulers of the Almohad dynasty in Al-Andalus in the 12th century, as well as in Islamic Persia, and the forced confinement of Morrocan Jews to walled quarters known as mellahs beginning from the 15th century and especially in the early 19th century. In modern times, it has become commonplace for standard antisemitic themes to be conflated with anti-Zionist publications and pronouncements of Islamic movements such as Hezbollah and Hamas, in the pronouncements of various agencies of the Islamic Republic of Iran, and even in the newspapers and other publications of Turkish Refah Partisi."

, 1941. Before World War II some 40% of the population was Jewish. By the time the Red Army retook the city on 3 July 1944, there were only a few Jewish survivors.]] Throughout history, many rulers, empires and nations have oppressed their Jewish populations or sought to eliminate them entirely. Methods employed ranged from expulsion to outright genocide; within nations, often the threat of these extreme methods was sufficient to silence dissent. The history of antisemitism includes the First Crusade which resulted in the massacre of Jews; the Spanish Inquisition (led by Torquemada) and the Portuguese Inquisition, with their persecution and Auto de fé against the New Christians and Marrano Jews; the Bohdan Chmielnicki Cossack massacres in Ukraine; the Pogroms backed by the Russian Tsars; as well as expulsions from Spain, Portugal, England, France, Germany, and other countries in which the Jews had settled.

The persecution reached a peak in Adolf Hitler's Final Solution, which led to the Holocaust and the slaughter of approximately 6 million Jews from 1939 to 1945. According to a recent study published in the American Journal of Human Genetics 19.8% of the modern Iberian population has Sephardic Jewish ancestry, indicating that the number of conversos may have been much higher than originally thought.

The most notable modern day persecution of Jews remains the Holocaust — the state-led systematic persecution and genocide of European Jews (and certain communities of North African Jews in European controlled North Africa) and other minority groups of Europe during World War II by Nazi Germany and its collaborators. The persecution and genocide were accomplished in stages. Legislation to remove the Jews from civil society was enacted years before the outbreak of World War II.

Concentration camps were established in which inmates were used as slave labour until they died of exhaustion or disease. Where the Third Reich conquered new territory in eastern Europe, specialized units called Einsatzgruppen murdered Jews and political opponents in mass shootings. Jews and Roma were crammed into ghettos before being transported hundreds of miles by freight train to extermination camps where, if they survived the journey, the majority of them were killed in gas chambers. Virtually every arm of Germany's bureaucracy was involved in the logistics of the mass murder, turning the country into what one Holocaust scholar has called "a genocidal nation."

Migrations

. The text says: "1380 persons old and young were counted at the exit of the gate"]] in the Shanghai Ghetto during World War II. Shanghai offered unconditional asylum for tens of thousands of Jewish refugees from Europe escaping the Holocaust.]] Throughout Jewish history, Jews have repeatedly been directly or indirectly expelled from both their original homeland, and the areas in which they have resided. This experience as both immigrants and emigrants (see: Jewish refugees) has shaped Jewish identity and religious practice in many ways, and is thus a major element of Jewish history. An incomplete list of such migrations includes: The patriarch Abraham was a migrant to the land of Canaan from Ur of the Chaldees after an attempt on his life by King Nimrod. The Children of Israel experienced the Exodus (meaning "departure" or "exit" in Greek) from ancient Egypt, as recorded in the Book of Exodus. The Kingdom of Israel was sent into permanent exile by Assyria, initially to the Upper Mesopotamian provinces of the Assyrian Empire, from whence they scattered all over the world (or at least to unknown locations). The Kingdom of Judah was exiled by Babylonia, then returned to Judea by Cyrus the Great of the Persian Achaemenid Empire, and then many were exiled again by the Roman Empire. The 2,000 year dispersion of the Jewish diaspora beginning under the Roman Empire, as Jews were spread throughout the Roman world and, driven from land to land, and settled wherever they could live freely enough to practice their religion. Over the course of the diaspora the center of Jewish life moved from Babylonia to the Iberian Peninsula to Poland to the United States and, as a result of Zionism, to Israel. Many expulsions during the Middle Ages and Enlightenment in Europe, including: 1290, 16,000 Jews were expelled from England, see the (Statute of Jewry); in 1396, 100,000 from France; in 1421 thousands were expelled from Austria. Many of these Jews settled in Eastern Europe, especially Poland. Following the Spanish Inquisition in 1492, the Spanish population of around 200,000 Sephardic Jews were expelled by the Spanish crown and Catholic church, followed by expulsions in 1493 in Sicily (37,000 Jews) and Portugal in 1496. The expelled Jews fled mainly to the Ottoman Empire, the Netherlands, and North Africa, others migrating to Southern Europe and the Middle East. During the 19th century, France's policies of equal citizenship regardless of religion led to the immigration of Jews (especially from Eastern and Central Europe). The arrival of millions of Jews in the New World, including immigration of over two million Eastern European Jews to the United States from 1880–1925, see History of the Jews in the United States and History of the Jews in Russia and the Soviet Union. The Pogroms in Eastern Europe, the Holocaust, and the rise of Arab nationalism all served to fuel the movements and migrations of huge segments of Jewry from land to land and continent to continent, until they arrived back in large numbers at their original historical homeland in Israel. When the Soviet Union collapsed, many of the Jews in the affected territory (who had been refuseniks) were suddenly allowed to leave. This produced a wave of migration to Israel in the early 1990s.

Orthodox and Conservative Judaism discourage proselytism to non-Jews, but many Jewish groups have tried to reach out to the assimilated Jewish communities of the Diaspora in order for them to reconnect to their Jewish roots. Additionally, while in principle Reform Judaism favors seeking new members for the faith, this position has not translated into active proselytism, instead taking the form of an effort to reach out to non-Jewish spouses of intermarried couples.

There is also a trend of Orthodox movements pursuing secular Jews in order to give them a stronger Jewish identity so there is less chance of intermarriage. As a result of the efforts by these and other Jewish groups over the past twenty-five years, there has been a trend of secular Jews becoming more religiously observant, known as the Baal Teshuva movement, though the demographic implications of the trend are unknown. Additionally, there is also a growing movement of Jews by Choice by gentiles who make the decision to head in the direction of becoming Jews.

Jewish leadership

There is no single governing body for the Jewish community, nor a single authority with responsibility for religious doctrine. Instead, a variety of secular and religious institutions at the local, national, and international levels lead various parts of the Jewish community on a variety of issues.

Notable Jews

Jews have made contributions in a broad range of human endeavors, including the sciences, arts, politics, and business. The number of Jewish Nobel prize winners is far out of proportion to the percentage of Jews in the world's population.

See also

More complete guides to topics related to the Jews is available from the guide at the or of this page. Some topics of interest include:

Ashkenazi Jews

Antisemitism

:Category: Jewish ethnic groups

:Category: Jewish history by country

Interfaith marriage in Judaism

Israel

* Basic Laws of Israel

* Law of Return

* Politics of Israel

Jewish diaspora

Jewish identity

Jewish languages

Jewish population

Jewish population by cities and city areas

Judaism

Lists of Jews

Mizrahi Jews

Pogrom

Sephardi Jews

Notes

References

Baron, Salo Wittmayer (1952). A Social and Religious History of the Jews, Volume II, Ancient Times, Part II. Philadelphia: Jewish Publication Society of America.

Lewis, Bernard (1984). The Jews of Islam. Princeton: Princeton University Press. ISBN 0-691-00807-8

Lewis, Bernard (1999). Semites and Anti-Semites: An Inquiry into Conflict and Prejudice. W. W. Norton & Co. ISBN 0-393-31839-7

Poliakov, Leon (1974). The History of Anti-semitism. New York: The Vanguard Press.

Ruderman, David B. Early Modern Jewry: A New Cultural History (Princeton University Press; 2010) 326 pages. Examines print culture, religion, and other realms in a history emphasizing the links among early modern Jewish communities from Venice and Krakow to Amsterdam and Smyrna.

Stillman, Norman (1979). The Jews of Arab Lands: A History and Source Book. Philadelphia: Jewish Publication Society of America. ISBN 0-8276-0198-0

External links

Jewish Virtual Library

Judaism 101

Maps related to Jewish history

WORLD JEWISH NEWS AGENCY

The Future of Judaism series at Patheos

Secular organizations

American Jewish Committee

American Jewish Congress

Anti-Defamation League

B'nai B'rith International

Hillel: The Foundation for Jewish Campus Life

United Jewish Communities: The Federations of North America

Religious organizations

Aish HaTorah (Orthodox)

ALEPH: Alliance for Jewish Renewal (Renewal)

American Sephardi Federation (Sephardic)

Chabad Lubavitch (Chabad)

Jewish Reconstructionist Federation (Reconstructionist)

The Karaite Korner (Karaite)

The Orthodox Union (Orthodox)

Society for Humanistic Judaism (Humanistic)

Union for Reform Judaism (Reform)

The United Synagogue of Conservative Judaism (Conservative)

Zionist organizations

Ameinu

Hadassah: the Women's Zionist Organization of America

The Jewish Agency for Israel

Religious Zionists of America

World Mizrachi Movement

Zionist Organization of America

Category:Ancient peoples Category:Ethnic groups in the Middle East Category:Ethno-cultural designations Category:Semitic peoples Category:Religious identity

Name	Sarah Silverman
Caption	Silverman at the 2010 Brooklyn Book Festival
Birth name	Sarah Kate Silverman
Birth date	December 01, 1970
Birth place	Bedford, New Hampshire, United States
Pseudonym	Big S
Medium	Stand-up, television, film, music
Active	1992–present
Influences	Steve Martin
Notable work	Saturday Night LiveSarah Silverman on The Sarah Silverman Program
Domesticpartner	Jimmy Kimmel (2002–2007; 2008–2009)Alec Sulkin (2010)

}}

Sarah Kate Silverman (born December 1, 1970) is an American comedian, writer, actress, singer and musician. Although usually credited as Sarah Silverman, she is sometimes credited by her nickname, Big S. Her satirical comedy addresses social taboos and controversial topics such as racism, sexism, and religion.

Silverman first gained notice as a writer and occasional performer on Saturday Night Live. She starred in and produced The Sarah Silverman Program, which ran from 2007 to 2010, on Comedy Central. She often performs her act by playing a caricature of a Jewish-American princess, mocking bigotry and stereotypes of ethnic groups and religious denominations by having her comic character endorse them in an ironic fashion.

Early life

Sarah Silverman, the youngest of four daughters, was born in Bedford, New Hampshire. Her mother, Beth Ann Halpin, was George McGovern's personal campaign photographer and founded the theater company New Thalian Players. Her father, Donald Silverman, was a social worker by training who ran the discount clothing store Crazy Sophie's Outlet. Her family is Jewish, the descendants of immigrants from Poland and Russia.

She appeared in community theater at age 12, most notably with Community Players of Concord, New Hampshire in Annie and also appeared on a local television show in the Boston area called Community Auditions at age 15. At seventeen, she performed stand-up comedy in a restaurant, singing a song she called "Mammaries."

After graduating from The Derryfield School in Manchester, New Hampshire, she attended New York University and continued her stand-up in Greenwich Village.

Career

Silverman first received national attention in the 1993–94 season of Saturday Night Live (SNL) as a writer and featured player. She was fired after one season because only one of the sketches she wrote survived to dress rehearsal, and none aired. Bob Odenkirk, a former SNL writer explained, "I could see how it wouldn't work at SNL because she's got her own voice, she's very much Sarah Silverman all the time. She can play a character but she doesn't disappear into the character — she makes the character her." In 2007, she placed #29 and appeared on the cover. She made the cover of The Observer in the United Kingdom, with an article naming her "the world's hottest, most controversial comedian".

In June 2007 she hosted the MTV Movie Awards. During her opening act, she commented on the upcoming jail sentence of Paris Hilton, who was in the audience, "In a couple of days, Paris Hilton is going to jail... As a matter of fact, I heard that to make her feel more comfortable in prison, the guards are going to paint the bars to look like penises. I think it is wrong, too. I just worry she is going to break her teeth on those things." In September 2007 she appeared at the MTV Video Music Awards. Following the comeback performance of Britney Spears, Silverman mocked her on stage, saying: "Wow, she is amazing. I mean, she is 25 years old, and she has already accomplished everything she's going to accomplish in her life."

In January 2008 she appeared on Jimmy Kimmel Live! to show Jimmy Kimmel, her boyfriend at the time, a special video. The video turned out to be a song called "I'm Fucking Matt Damon", in which she and Matt Damon sang a duet about having an affair behind Kimmel's back. The video created an "instant YouTube sensation". Kimmel responded with his own video a month later with Damon's friend Ben Affleck, which enlisted a panoply of stars, to record Kimmel's song "I'm Fucking Ben Affleck". On September 13, 2008, Silverman won a Creative Arts Emmy for writing the song "I'm Fucking Matt Damon".

In October 2008, Silverman visited the United Kingdom to promote the release of The Sarah Silverman Program on Paramount Comedy, but her media and stage performances failed to impress audiences. Her debut stand-up performance at the Hammersmith Apollo was widely panned by the critics and audiences alike. The performance bombed when Silverman's warm-up act failed to appear and Silverman rushed through a short 35–40 minute set. The heckling audience, who had been charged £40–50 a seat, refused to leave the theatre and Silverman, sporting a pair of after-show slippers, was forced to return to the stage for an impromptu question and answer session. Steve Bennett from comedy website Chortle declared that "minute for minute, there are sex phonelines that are cheaper than Sarah Silverman."

Silverman sold her idea of a book of humorous essays to HarperCollins for $2.5 million. The Observer reported that David Hirshey was her editor. The Bedwetter: Stories of Courage, Redemption, and Pee was released in April 2010. In early May 2010, the book made The New York Times Best-Seller List. Critic Julian Heller said of her book, "This is the single best collection of personal essays ever conceived. I plan on starting a new religion, and The Bedwetter would be our bible. 8 thumbs up."

She also appears in Strange Powers, the 2009 documentary by Kerthy Fix and Gail O'Hara about cult songwriter Stephin Merritt and his band, the Magnetic Fields.

Sarah Silverman: Jesus Is Magic

Silverman's concert film, Sarah Silverman: Jesus Is Magic, based on her one-woman show of the same name, was released in 2005. Liam Lynch directed the movie, distributed by Roadside Attractions. Rotten Tomatoes gave Jesus Is Magic a "fresh" rating of 64% with 54 positive reviews and 30 negative ones, with the "cream of the crop" giving it a rating of 67%. It made US$124,475 on its opening weekend, showing on seven screens. The box office performance led to an expanded release in as many as 57 theaters, resulting in a box office take of more than US$1.3 million. The DVD was released in June 2006. The soundtrack featured songs and standup from the movie, and previously unreleased songs.

The Sarah Silverman Program

Silverman's television sitcom, The Sarah Silverman Program, debuted on Comedy Central in February 2007. The show proved to be a ratings success, scoring the highest premiere ratings of any Comedy Central show in three years, with 1.81 million viewers and the highest 18–49 rating of the night on cable. It portrays the day-to-day adventures of fictionalized versions of Silverman, her sister Laura and their friends. A number of comedic actors from Mr. Show have reappeared on The Sarah Silverman Program. Silverman was nominated for a Primetime Emmy Award for her acting on the show. At the awards ceremony, she wore a fake mustache.

Comedy Central canceled the Sarah Silverman Program after three seasons.

Controversy

In a July 2001 interview on NBC's Late Night with Conan O'Brien Silverman used the ethnic slur "chink" explaining that a friend advised her to avoid jury duty by writing a racial slur on the selection form, "something inappropriate, like 'I hate chinks.'" Silverman said she decided that she did not want to be thought of as a racist, so "I wrote 'I love chinks' – and who doesn't?" Silverman said that the joke satirizes the racist thought process. Guy Aoki, of the Media Action Network for Asian Americans (MANAA), objected to her use of the slur. NBC and O'Brien apologized, but Silverman did not, later appearing on Politically Incorrect with Bill Maher in July and August 2001. Silverman questioned Aoki's sincerity, accusing him of exploiting the opportunity for publicity. On an episode of the show, Aoki appeared with Silverman, and stated that he did not accept Silverman's explanation, saying that it was not successful satire and that comedians should consult with groups such as his before performing such material. Silverman stated in an NPR's Fresh Air interview that she was asked to repeat the joke on Politically Incorrect, among other places, but she eventually dropped the joke from her act because she felt it was becoming stale.

A minor controversy also arose over Silverman's performance in the documentary film The Aristocrats (2005). The film shows Silverman giving an apparently autobiographical account of her life as a child sex performer and mentions how Joe Franklin, a New York radio and TV personality whose nostalgic programs have aired since the early 1950s, would ask her to perform privately for him in his apartment. Silverman looks at the camera and, in a deadpan voice, accused Franklin of raping her. The film was edited in such a way that it appears as if Franklin knows what Silverman said about him. Later, after her clip, Franklin is shown stating "Sarah Silverman is a young lady to watch". After the film came out, Franklin took offense to Silverman's using his name and considered suing her. A month later the New York Times noted he remained undecided, but said, "the best thing I could do is get Sarah better writers so she'd have funnier material."

Personal life

Silverman has said that she does not consume alcohol, because it nauseates her. She is open about her lifelong battle with clinical depression, crediting her subsequent emotional health to taking prescription drug Zoloft. She struggled with bedwetting from the time she was young until well into her teens and has stated that the last time she wet her bed was when she was fired from Saturday Night Live. She referred to the relationship in some of her comedy, "I'm Jewish, but I wear this Saint Christopher medal sometimes; my boyfriend is Catholic — but you know... it was cute the way he gave it to me. He said if it doesn't burn a hole through my skin, it will protect me." The couple attended the wedding of Howard Stern together, but split again in March 2009.

Silverman has stated she does not want to get married until same-sex couples are able to. She has also stated she doesn't want to have biological children to avoid the risk that they might inherit her depression.

Silverman's biological sister Laura plays her sister on The Sarah Silverman Program. Another sister, Susan, is a rabbi who lives on a kibbutz in Israel with her husband and five children.

Silverman is a fan of Jenny Lewis and appeared in Lewis' music video for the song "Rise Up With Fists!!" She is also a fan of comedian Steve Martin who was one of her major inspirations as a younger comedian. She credited comedian Tig Notaro as one of her best friends in an interview in The Advocate. and does not follow the religion claiming, "I have no religion. But culturally I can't escape it; I'm very Jewish." Her humor has also touched on other religions. In 2009, she suggested the Pope sell the Vatican and use some of the money for luxurious housing and the remainder to stop world hunger saying he would "get crazy pussy."

As of January 2010, Silverman was dating Family Guy producer/writer Alec Sulkin. By October 2010, they had broken up, but remain good friends.

Filmography

Features:

Who's the Caboose? (1997)

Overnight Delivery (1998)

Bulworth (1998)

There's Something About Mary (1998)

The Bachelor (1999)

What Planet Are You From? (2000)

Screwed (2000)

The Way of the Gun (2000)

Black Days (2001)

Say It Isn't So (2001)

Heartbreakers (2001)

Evolution (2001)

Run Ronnie Run (2002)

School of Rock (2003)

Bad Santa (2003) (deleted scene)

Hair High (2004) (voice)

The Aristocrats (2005) (documentary)

(2005)

Rent (2005)

I Want Someone to Eat Cheese With (2006)

School for Scoundrels (2006)

Fired! (2007) (documentary)

Certifiably Jonathan (2007) (documentary)

'' (2007) (voice)

Super High Me (2008) (documentary, cameo)

Funny People (2009) (cameo)

Saint John of Las Vegas (2010)

Short subjects:

Strippers Pole (2002)

Nobody's Perfect (2004)

Supermarket (2004)

Give The Jew Girl Toys (satirical music video)

Confetti

Television

Community Auditions (1985)

Saturday Night Live (writer & cast member, 1993–1994)

Mr. Show (featured performer, 1995)

The Larry Sanders Show (1994–1996)

Star Trek Voyager ("Future's End", two episodes, 1996)

Brotherly Love (pizza parlor waitress 1997)

Seinfeld ("The Money", 1997)

Dr. Katz, Professional Therapist (voice as herself, "Alderman", 1998)

Smog (unsold pilot, 1999)

Late Last Night (1999)

Futurama ("The Cryonic Woman", 2000; "Futurama: Bender's Big Score, 2007)

Super Nerds (unsold pilot, 2000)

Rocky Times (unsold pilot, 2000)

Greg the Bunny (2002–2004)

Crank Yankers (voice, 2002–2007)

Frasier (Jane, "Maris Returns", 2003)

Pilot Season (miniseries, 2004)

Entourage (herself, 2004)

Aqua Teen Hunger Force ("Robositter", 2004, credited as Big S)

Drawn Together ("The Other Cousin", episode 1.5, 2004, Cousin Bleh)

Monk (Marci Maven, "Mr. Monk and the TV Star", 2004)

American Dad! ("Stan Knows Best", 2005, voice)

Tom Goes to the Mayor ("Pipe Camp", episode 11, 2005)

Celebrity Poker Showdown (twice, 2003–2004)

''Comic Relief (stand-up segment 2006)

Monk (Marci Maven,Mr. Monk and His Biggest Fan, 2007)

The Andy Milonakis Show (herself, 2007)

The Sarah Silverman Program (2007–2010)

Monk (Marci Maven, Mr. Monk's 100th Case, 2008)

8 out of 10 cats ("Herself", 2008)

Friday Night with Jonathan Ross ("Herself", 2008)

JAG (Blind Side "Lt. Schiparelli", 1997)

The Comedy Central Roast of Bob Saget (2008) (pre-recorded video message)

The Simpsons ("Stealing First Base", 2010, voice)

Vitamin Water Commercial (Voice, 2010)

Warren The Ape ("Black Lotus", 2010 as Herself)

References

;Notes

External links

Sarah Silverman Online

in 2010 in 2007 in 2005

TheJC.com: Interview with Sarah Silverman

Sarah Silverman's Guest DJ Project on KCRW KCRW Guest DJ set

Sarah Silverman questionnaire November 2007

Sarah Silverman interviewed by Antonella Gambotto-Burke

Guardian interview

AV Club article

Nerve article

Category:1970 births Category:Living people Category:American agnostics Category:American comedians Category:American comedy musicians Category:American female singers Category:American film actors Category:American guitarists Category:American Jews Category:American stand-up comedians Category:American television actors Category:American television writers Category:American actors of Russian descent Category:American actors of Polish descent Category:American vegetarians Category:Jewish comedians Category:Jewish actors Category:Jewish agnostics Category:LGBT rights activists from the United States Category:Actors from New Hampshire Category:Women comedians Category:People from Manchester, New Hampshire

Name	Frank Zappa
Background	solo_singer
Birth name	Frank Vincent Zappa
Born	December 21, 1940Baltimore, Maryland, U.S.
Died	December 04, 1993Los Angeles, California, U.S.
Instrument	Guitar, vocals, bass, keyboards, drums, synclavier
Genre	Rock, jazz, classical, avant-garde
Occupation	Composer, musician, conductor, producer
Years active	1950s–1993
Label	Verve, Bizarre/Straight/DiscReet/Barking Pumpkin
Associated acts	The Mothers of InventionCaptain BeefheartSteve Vai
Url	Zappa.com
Notable instruments	Hagström VikingGibson ES-5 SwitchmasterGibson SGGibson Les PaulFender StratocasterSynclavier }}

Frank Vincent Zappa (; December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, record producer, and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, electronic, orchestral, and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band Mothers of Invention and as a solo artist.

While in his teens, he acquired a taste for percussion-based avant-garde composers such as Edgard Varèse and 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands—he later switched to electric guitar. He was a self-taught composer and performer, and his diverse musical influences led him to create music that was often impossible to categorize. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was one of rock, jazz or classical. He wrote the lyrics to all his songs, which—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education and the abolition of censorship.

Zappa was a highly productive and prolific artist and gained widespread critical acclaim. Many of his albums are considered essential in rock and jazz history. He is regarded as one of the most original guitarists and composers of his time. He also remains a major influence on musicians and composers. He had some commercial success, particularly in Europe, and for most of his career was able to work as an independent artist. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995 and received the Grammy Lifetime Achievement Award in 1997.

Zappa was married to Kathryn J. "Kay" Sherman from 1960 to 1964. In 1967, he married Adelaide Gail Sloatman, with whom he remained until his death from prostate cancer in 1993. They had four children: Moon Unit, Dweezil, Ahmet Emuukha Rodan and Diva Thin Muffin Pigeen. Gail Zappa manages the businesses of her late husband under the name the Zappa Family Trust.

Early life

Frank Zappa was born in Baltimore, Maryland, on December 21, 1940. His mother, Rose Marie (née Colimore), was of Italian and French descent, and his father, Francis Vincent Zappa, was a native of Partinico, Sicily and had Greek and Arab ancestry. Zappa was the eldest of four children, and had two brothers and a sister. The family moved often during Zappa's childhood because his father, a chemist and mathematician, had various jobs in the US defense industry. After a brief time in Florida in the mid-1940s, the family returned to Maryland, where Zappa's father worked at the Edgewood Arsenal chemical warfare facility at the Aberdeen Proving Ground. Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the house in case of an accident. This had a profound effect on the young Zappa: references to germs, germ warfare and other aspects of the defense industry occur throughout his work.

During his childhood, Zappa was often sick, suffering from asthma, earaches and sinus problems. A doctor treated the latter by inserting a pellet of radium into each of Zappa's nostrils; little was known at the time about the potential dangers of being subjected to even small amounts of therapeutic radiation. Nasal imagery and references appear both in his music and lyrics, as well as in the collage album covers created by his long-time visual collaborator, Cal Schenkel.

Many of Zappa's childhood diseases may have arisen from exposure to mustard gas. Furthermore, his health worsened when he lived in the Baltimore area. They next moved to Monterey, California, where Zappa's father taught metallurgy at the Naval Postgraduate School. Shortly afterward, they moved to Claremont, then to El Cajon before finally moving to San Diego.

Musical influences

Zappa joined his first band, The Ramblers, at Mission Bay High School in San Diego. He was the band's drummer. About the same time his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. R&B; singles were early purchases, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age 12, he had obtained a snare drum and began learning the basics of orchestral percussion. The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as "a weird jumble of drums and other unpleasant sounds". Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the "mad scientist" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works.

At Antelope Valley High School, Zappa met Don Vliet (who later expanded his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B; records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, The Blackouts. (In the 1970s and '80s, he invited Watson to perform on several albums.) Zappa considered soloing as the equivalent of forming "air sculptures", He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out! Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. He left community college after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college.

Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After meeting Kathryn J. "Kay" Sherman during his short stay at Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising. His sojourn in the commercial world was brief, but gave him valuable insights into how it works. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos.

Early 1960s: Studio Z

Zappa attempted to earn a living as a musician and composer, and played different nightclub gigs, some with a new version of The Blackouts. Financially more rewarding were Zappa's earliest professional recordings, two soundtracks for the low-budget films The World's Greatest Sinner (1962) and Run Home Slow (1965). The former score was commissioned by actor-producer Timothy Carey and recorded in 1961. It contains many themes that appeared on later Zappa records. The latter soundtrack was recorded in 1963 after the film was completed, but it was commissioned by one of Zappa's former high school teachers in 1959 and Zappa may have worked on it before the film was shot. Excerpts from the soundtrack can be heard on the posthumous album The Lost Episodes (1996).

During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their "Memories of El Monte" was recorded by The Penguins (although only Cleve Duncan of the original group was featured). Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. With Captain Beefheart, Zappa recorded some songs under the name of The Soots. They were rejected by Dot Records for having no "commercial potential"; a quote Zappa later used on the sleeve of Freak Out!

In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This set a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James "Motorhead" Sherwood. Zappa started performing as guitarist with a power trio, The Muthers, in local bars in order to support himself.

An article in the local press describing Zappa as "the Movie King of Cucamonga" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. Zappa was charged with "conspiracy to commit pornography". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His entrapment and brief imprisonment left a permanent mark, and was key in the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police only returned 30 out of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966.

Late 1960s: The Mothers of Invention

In 1965, Zappa was approached by Ray Collins who asked him to join a local R&B; band, The Soul Giants, as a guitarist. The band was renamed The Mothers, coincidentally on Mother's Day. The group increased their bookings after beginning an association with manager Herb Cohen, while they gradually gained attention on the burgeoning Los Angeles underground music scene. In early 1966, they were spotted by leading record producer Tom Wilson when playing "Trouble Every Day", a song about the Watts Riots. Wilson had earned acclaim as the producer for singer-songwriter Bob Dylan and the folk-rock act Simon & Garfunkel, and was notable as one of the few blacks working as a major label pop music producer at this time.

Wilson signed The Mothers to the Verve Records division of MGM Records, which had built up a strong reputation in the music industry for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially re-title themselves "The Mothers of Invention" because "Mother", in slang terminology, was short for "motherfucker"—a term that apart from its profane meanings can denote a skilled musician.

Debut album: Freak Out! (1966)

With Wilson credited as producer, The Mothers of Invention and a studio orchestra recorded the groundbreaking double album Freak Out! (1966). It mixed R&B;, doo-wop, musique concrète, and experimental sound collages that captured the "freak" subculture of Los Angeles at that time. The album immediately established Zappa as a radical new voice in rock music, providing an antidote to the "relentless consumer culture of America". The sound was raw, but the arrangements were sophisticated. (while recording in the studio, some of the additional session musicians were shocked that they were expected to read the notes on sheet music from charts with Zappa conducting them, since it was not standard when recording rock music.) The lyrics praised non-conformity, disparaged authorities, and had dadaist elements. Yet, there was a place for seemingly conventional love songs. Most compositions are Zappa's, which set a precedent for the rest of his recording career. He had full control over the arrangements and musical decisions and did most overdubs. Wilson provided the industry clout and connections to get the group the financial resources needed.

During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. He labeled people on drugs "assholes in action", and he only tried cannabis a few times without any pleasure. He was a regular tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. After a short promotional tour following the release of Freak Out!, Zappa met Adelaide Gail Sloatman. He fell in love within "a couple of minutes", and she moved into the house over the summer. Examples are "Plastic People" and "Brown Shoes Don't Make It", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, "[W]e're satirists, and we are out to satirize everything." At the same time, Zappa had recorded material for a self-produced album based on orchestral works to be released under his own name. Due to contractual problems, the recordings were shelved and only made ready for release late in 1967. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue to finalize what became his first solo album (under the name Francis Vincent Zappa It is an "incredible ambitious musical project", a "monument to John Cage", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques.

New York period (1966–1968)

The Mothers of Invention played in New York in late 1966 and were offered a contract at the Garrick Theater during Easter 1967. This proved successful and Herb Cohen extended the booking, which eventually lasted half a year. As a result, Zappa and his wife, along with the Mothers of Invention, moved to New York. Guest performers and audience participation became a regular part of the Garrick Theater shows. One evening, Zappa managed to entice some US Marines from the audience onto the stage, where they proceeded to dismember a big baby doll, having been told by Zappa to pretend that it was a "gook baby".

Situated in New York, and only interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. The cover photo parodied that of The Beatles' Sgt Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a life-long collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums.

Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa has noted that the album was conceived in the way Stravinsky's compositions were in his neo-classical period: "If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?" A theme from Stravinsky's The Rite of Spring is heard during one song.

In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album Uncle Meat (1969), where the track "King Kong" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process "xenochrony" (strange synchronizations)—reflecting the Greek "xeno" (alien or strange) and "chrono" (time).

Disbanding the original Mothers of Invention (1969)

|title=Peaches en Regalia [Song Review] |last=Couture |first=François |work=Allmusic |accessdate=11 April 2010}} and has been covered by many artists. |title="Peaches En Regalia"|pos=right|}}

Zappa and the Mothers of Invention returned to Los Angeles in the summer of 1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive in the autumn. This was to be Zappa's home for the rest of his life. Despite being a success with fans in Europe, the Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music". but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's preference for perfection over feelings. Others were irritated by "his autocratic ways", Several members would, however, play for Zappa in years to come. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).

After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. and had a major influence on the development of the jazz-rock fusion genre.

Rebirth of the Mothers and film making (1970)

Later in 1970, Zappa formed a new version of The Mothers (from then on, he mostly dropped the "of Invention"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of The Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name "The Phlorescent Leech and Eddie", or "Flo & Eddie".

This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring The Mothers, The Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. co-director Palmer tried afterwards to have his name removed from the film. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process which allowed for novel visual effects. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.

After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East - June 1971 and Just Another Band From L.A.; the latter included the 20-minute track "Billy the Mountain", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances in which songs were used to build up sketches based on 200 Motels scenes as well as new situations often portraying the band members' sexual encounters on the road.

Accident, attack and their aftermath (1971–1972)

, Germany in 1971]] In December 1971, there were two serious setbacks. While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song "Smoke on the Water", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation. After a week's break, The Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member pushed Zappa off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. Musically, the albums were close to that of Hot Rats. Zappa began touring again in late 1972.

Top 10 album (1973–1975)

Zappa then formed and toured with smaller groups that variously included Ian Underwood (reeds, keyboards), Ruth Underwood (vibes, marimba), Sal Marquez (trumpet, vocals), Napoleon Murphy Brock (sax, flute and vocals), Bruce Fowler (trombone), Tom Fowler (bass), Chester Thompson (drums), Ralph Humphrey (drums), George Duke (keyboards, vocals), and Jean-Luc Ponty (violin). , Sydney, Australia, May 1973]] By 1973 the Bizarre and Straight labels were discontinued. In their place, Zappa and Cohen created DiscReet Records, also distributed by Warner Bros. Zappa continued a high rate of production through the first half of the 1970s, including the solo album Apostrophe (') (1974), which reached a career-high #10 on the Billboard pop album charts helped by the chart single "Don't Eat The Yellow Snow". Other albums from the period are Over-Nite Sensation (1973), which contained several future concert favorites, such as "Dinah-Moe Humm" and "Montana", and the albums Roxy & Elsewhere (1974) and One Size Fits All (1975) which feature ever-changing versions of a band still called the Mothers, and are notable for the tight renditions of highly difficult jazz fusion songs in such pieces as "Inca Roads", "Echidna's Arf (Of You)" and "Be-Bop Tango (Of the Old Jazzmen's Church)". A live recording from 1974, You Can't Do That on Stage Anymore, Vol. 2 (1988), captures "the full spirit and excellence of the 1973–75 band". They later became estranged for a period of years, but were in contact at the end of Zappa's life.

Business breakups and touring (1976–1979)

, seated left, during a 1975 concert]] Zappa's relationship with long-time manager Herb Cohen ended in 1976. Zappa sued Cohen for skimming more than he was allocated from DiscReet Records, as well as for signing acts of which Zappa did not approve. Cohen filed a lawsuit against Zappa in return, which froze the money Zappa and Cohen had gained from an out-of-court settlement with MGM over the rights of the early Mothers of Invention recordings. It also prevented Zappa access to any of his previously recorded material during the trials. Zappa therefore took his personal master copies of the rock-oriented Zoot Allures (1976) directly to Warner Bros., thereby bypassing DiscReet.

In the mid-1970s Zappa prepared material for Läther (pronounced "leather"), a four-LP project. Läther encapsulated all the aspects of Zappa's musical styles—rock tunes, orchestral works, complex instrumentals, and Zappa's own trademark distortion-drenched guitar solos. Wary of a quadruple-LP, Warner Bros. Records refused to release it. Zappa managed to get an agreement with Mercury-Phonogram, and test pressings were made targeted at a Halloween 1977 release, but Warner Bros. prevented the release by claiming rights over the material. Zappa responded by appearing on the Pasadena, California radio station KROQ, allowing them to broadcast Läther and encouraging listeners to make their own tape recordings. A lawsuit between Zappa and Warner Bros. followed, during which no Zappa material was released for more than a year. Eventually, Warner Bros. issued major parts of Läther against Zappa's will as four individual albums with limited promotion. Läther was released posthumously in 1996.

Although Zappa eventually gained the rights to all his material created under the MGM and Warner Bros. contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece "The Purple Lagoon". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's song, "I'm the Slime", was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced "Peaches En Regalia" on the same airing.

Zappa's band at the time, with the additions of Ruth Underwood and a horn section (featuring Michael and Randy Brecker), performed during Christmas in New York, recordings of which appear on one of the albums released by Warner Bros., Zappa in New York (1978). It mixes intense instrumentals such as "The Black Page" and humorous songs like "Titties and Beer". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure, radical changes of tempo and meter, and short, densely arranged passages.

Zappa in New York featured a song about sex criminal Michael H. Kenyon, "The Illinois Enema Bandit", which featured Don Pardo providing the opening narrative in the song. Like many songs on the album, it contained numerous sexual references, Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: "What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?" The remaining albums released by Warner Bros. Records without Zappa's consent were Studio Tan in 1978 and Sleep Dirt in 1979, which contained complex suites of instrumentally-based tunes recorded between 1973 and 1976, and which was overlooked in the midst of the legal problems. Also released by the label without the artist's consent was Orchestral Favorites in 1979, which featured recordings of a concert with orchestral music from 1975.

Zappa as an independent artist (1979)

Resolving the lawsuits successfully, Zappa ended the 1970s "stronger than ever", by releasing two of his most successful albums in 1979: the best selling album of his career, Sheik Yerbouti, and the "bona fide masterpiece", The double album Sheik Yerbouti was the first release on Zappa Records, and contained the Grammy-nominated single "Dancin' Fool", which reached #45 on the Billboard charts, and "Jewish Princess", which received attention when a Jewish lobby group, the Anti-Defamation League (ADL), attempted to prevent the song from receiving radio airplay due to its alleged anti-Semitic lyrics. The album's commercial success was attributable in part to "Bobby Brown". Due to its explicit lyrics about a young man's encounter with a "dyke by the name of Freddie", the song did not get airplay in the US, but it topped the charts in several European countries where English is not the primary language. The triple LP Joe's Garage featured lead singer Ike Willis as the voice of the character "Joe" in a rock opera about the danger of political systems,—and about the "strange relationship Americans have with sex and sexual frankness". "Lucille Has Messed My Mind Up", and the title track, as well as extended live-recorded guitar improvisations combined with a studio backup band dominated by drummer Vinnie Colaiuta (with whom Zappa had a particularly good musical rapport) adopting the xenochrony process. The album contains one of Zappa's most famous guitar "signature pieces", "Watermelon in Easter Hay".

On December 21, 1979, Zappa's movie Baby Snakes premiered in New York. The movie's tagline was "A movie about people who do stuff that is not normal". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which later become available on the video The Dub Room Special (1982)). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. The Zappa Family Trust released it on DVD, and it has been available since 2003. Miami Vice and The Ren and Stimpy Show.

1980s: Productive as ever

, Buffalo, New York, 1980. The concert was released in 2007 as Buffalo.]]

After spending most of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). the political and sociological satire in songs like the title track and "The Blue Light" have been described as a "hilarious critique of the willingness of the American people to believe anything". The album is also notable for the presence of guitar virtuoso Steve Vai, who joined Zappa's touring band in the fall of 1980.

The same year the double album You Are What You Is was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, The album included one complex instrumental, "Theme from the 3^rd Movement of Sinister Footwear", but focused mainly on rock songs with Zappa's sardonic social commentary—satirical lyrics targeted at teenagers, the media, and religious and political hypocrisy. "Dumb All Over" is a tirade on religion, as is "Heavenly Bank Account", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the US administration as well as their use of religion as a means of raising money. In 1981, Zappa also released three instrumental albums, Shut Up 'N Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through the CBS label due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979–1980; they highlight Zappa's improvisational skills with "beautiful performances from the backing group as well". Another guitar-only album, Guitar, was released in 1988, and a third, Trance-Fusion, which Zappa completed shortly before his death, was released in 2006.

From hit single to classical performances

In May 1982, Zappa released Ship Arriving Too Late to Save a Drowning Witch, which featured his biggest selling single ever, the Grammy Award-nominated song "Valley Girl" (topping out at #32 on the Billboard charts). Most Americans who only knew Zappa from his few singles successes now thought of him as a person writing "novelty songs", even though the rest of the album contained highly challenging music. Zappa was irritated by this and never played the song live. Zappa was not satisfied with the LSO recordings. One reason is "Strictly Genteel", which was recorded after the trumpet section had been out for drinks on a break: the track took 40 edits to hide out-of-tune notes. Some reviews noted that the recordings were the best representation of Zappa's orchestral work so far. In 1984 Zappa teamed again with Nagano and the Berkeley Symphony Orchestra for a live performance of A Zappa Affair with augmented orchestra, life-size puppets, and moving stage sets. Although critically acclaimed the work was a financial failure, and only performed twice.

Synclavier

For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier as a compositional and performance tool. Even considering the complexity of the music he wrote, the Synclavier could realize anything he could dream up. The Synclavier could be programmed to play almost anything conceivable, to perfection: "With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with one-millisecond accuracy—every time". Zappa viewed the Synclavier and real-life musicians as separate. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.

The album Thing-Fish was an ambitious three-record set in the style of a Broadway play dealing with a dystopian "what-if" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; "the work is an extraordinary example of bricolage". Finally, in 1984, Zappa released Francesco Zappa, a Synclavier rendition of works by 18th century composer Francesco Zappa (no known relation), and Them or Us, a two-record set of heavily edited live and session pieces.

Senate testimony

, 1985]] On September 19, 1985, Zappa testified before the United States Senate Commerce, Technology, and Transportation committee, attacking the Parents Music Resource Center or PMRC, a music organization, co-founded by Tipper Gore, wife of then-senator Al Gore. The PMRC consisted of many wives of politicians, including the wives of five members of the committee, and was founded to address the issue of song lyrics with sexual or satanic content. Zappa saw their activities as on a path towards censorship, and called their proposal for voluntary labelling of records with explicit content "extortion" of the music industry. In his prepared statement, he said:

The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow "J" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?

Zappa set excerpts from the PMRC hearings to Synclavier music in his composition "Porn Wars" on the 1985 album Frank Zappa Meets the Mothers of Prevention. Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton, Al Gore (who claimed, at the hearing, to be a Zappa fan), and in an exchange with Florida Senator Paula Hawkins over what toys Zappa's children played with. Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986. Zappa's passion for American politics was becoming a bigger part of his life. He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for President of the United States.

Digital medium and last tour

Around 1986, Zappa undertook a comprehensive re-release program of his earlier vinyl recordings. He personally oversaw the remastering of all his 1960s, 1970s and early 1980s albums for the new digital compact disc medium. Certain aspects of these re-issues were, however, criticized by some fans as being unfaithful to the original recordings. Nearly twenty years before the advent of online music stores, Zappa had proposed to replace "phonographic record merchandising" of music by "direct digital-to-digital transfer" through phone or cable TV (with royalty payments and consumer billing automatically built into the accompanying software). In 1989, Zappa considered his idea a "miserable flop".

Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis), The Best Band You Never Heard in Your Life (Zappa "standards" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's "Stairway to Heaven"), and Make a Jazz Noise Here (mostly instrumental and avant-garde music). Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6.

1990s: Classical music and death

In early 1990, Zappa visited Czechoslovakia at the request of President Václav Havel, and was asked to serve as consultant for the government on trade, cultural matters and tourism. Havel was a lifelong fan of Zappa who had large influence in the avant-garde and underground scene in Central Europe in the 1970s and 1980s (a Czech rock group that was imprisoned in 1976 took its name from Zappa's 1968 song "Plastic People"). Zappa enthusiastically agreed and began meeting with corporate officials interested in investing in Czechoslovakia. Within a few weeks, however, the US administration put pressure on the Czech government to withdraw the appointment. Havel made Zappa an unofficial cultural attaché instead. Zappa also planned to develop an international consulting enterprise to facilitate trade between the former Eastern Bloc and Western businesses. Most of Zappa's projects came to a halt in 1990, when he was diagnosed with terminal prostate cancer. The disease had been developing unnoticed for ten years and was considered inoperable.

In 1991, Zappa was chosen to be one of four featured composers at the world-acclaimed Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen and Alexander Knaifel). Zappa was approached by the German chamber ensemble, Ensemble Modern, which was interested in playing his music for the event. Although ill, Zappa invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. In addition to being satisfied with the ensemble's performances of his music, Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for the fall. It would become his last professional public appearance, as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found "exhilarating". On Monday, December 6 his family publicly announced that "Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday".

Legacy

Acclaim and honors

Zappa earned widespread critical acclaim in his lifetime and after his death. The 2004 Rolling Stone Album Guide writes: "Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable". Even though his work drew inspiration from many different genres, Zappa was seen establishing a coherent and personal expression. In 1971, biographer David Walley noted that "The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: "It was all one; all part of his 'conceptual continuity. Guitar Player Magazine devoted a special issue to Zappa in 1992, and asked on the cover "Is FZ America's Best Kept Musical Secret?" Editor Don Menn remarked that the issue was about "The most important composer to come out of modern popular music". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said "I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music." Conductor Kent Nagano remarked in the same issue that "Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that". Pierre Boulez stated in Musician Magazine's posthumous Zappa tribute article that Zappa "was an exceptional figure because he was part of the worlds of rock and classical music and that both types of his work would survive." Many music scholars acknowledge Zappa as one of the most influential composers of his generation. As an electric guitarist, he has become highly regarded.

In 1994, jazz magazine Down Beat's critics poll placed Zappa in its Hall of Fame. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995. There, it was written that "Frank Zappa was rock and roll's sharpest musical mind and most astute social critic. He was the most prolific composer of his age, and he bridged genres—rock, jazz, classical, avant-garde and even novelty music—with masterful ease". He received the Grammy Lifetime Achievement Award in 1997. In 2005, the US National Recording Preservation Board included We're Only in It for the Money in the National Recording Registry as "Frank Zappa's inventive and iconoclastic album presents a unique political stance, both anti-conservative and anti-counterculture, and features a scathing satire on hippiedom and America's reactions to it". The same year, Rolling Stone magazine ranked him 71 on its list of the 100 Greatest Artists of All Time.

Artists influenced by Zappa

A number of notable musicians, bands and orchestras from diverse genres have been influenced by Frank Zappa's music. Rock artists like Alice Cooper, Primus, Fee Waybill of The Tubes all cite Zappa's influence, as do progressive rock artists like Henry Cow, Trey Anastasio of Phish, Paul McCartney regarded Sgt. Pepper's Lonely Hearts Club Band as The Beatles' Freak Out! Heavy rock and metal acts like Black Sabbath, Mike Portnoy, Warren DeMartini, Steve Vai, System of a Down, Clawfinger, and Devin Townsend acknowledge Zappa's inspiration. On the classical music scene, Tomas Ulrich, Meridian Arts Ensemble,, Ensemble Ambrosius and the Fireworks Ensemble regularly perform Zappa's compositions and quote his influence. Contemporary jazz musicians and composers Bill Frisell and John Zorn are inspired by Zappa, as is funk legend George Clinton. Other artists whose work is affected by Zappa include new age pianist George Winston, electronic composer Bob Gluck, parody singer "Weird Al" Yankovic, and noise music artist Masami Akita of Merzbow.

References in arts and sciences

Scientists from various fields have honored Zappa by naming new discoveries after him. In 1967, paleontologist Leo P. Plas, Jr. identified an extinct mollusc in Nevada and named it Amaurotoma zappa with the motivation that, "The specific name, zappa, honors Frank Zappa". In the 1980s, biologist Ed Murdy named a genus of gobiid fishes of New Guinea Zappa, with a species named Zappa confluentus. Biologist Ferdinando Boero named a Californian jellyfish Phialella zappai (1987), noting that he had "pleasure in naming this species after the modern music composer". Belgian biologists Bosmans and Bosselaers discovered in the early 1980s a Cameroonese spider, which they in 1994 named Pachygnatha zappa because "the ventral side of the abdomen of the female of this species strikingly resembles the artist's legendary moustache". A gene of the bacterium Proteus mirabilis that causes urinary tract infections was in 1995 named zapA by three biologists from Maryland. In their scientific article, they "especially thank the late Frank Zappa for inspiration and assistance with genetic nomenclature". In the late 1990s, American paleontologists Marc Salak and Halard L. Lescinsky discovered a metazoan fossil, and named it Spygori zappania to honor "the late Frank Zappa ... whose mission paralleled that of the earliest paleontologists: to challenge conventional and traditional beliefs when such beliefs lacked roots in logic and reason".

In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brozek, and the citation for its naming says that "Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia".

In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in the Lithuanian capital Vilnius. A replica was offered to the city of Baltimore in 2008, and on September 19, 2010—the twenty-fifth anniversary of Zappa's testimony to the US senate—a ceremony dedicating the replica was held. Speakers at the event included Gail Zappa and Baltimore Mayor Stephanie Rawlings-Blake. In 2002, a bronze bust was installed in German city Bad Doberan, since 1990 location of the Zappanale, an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district "Frank-Zappa-Straße" in 2007. The same year, Baltimore's mayor Sheila Dixon proclaimed August 9 as the city's official "Frank Zappa Day" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.

Discography

;Studio Albums

Freak Out! (1966)

Absolutely Free (1967)

Lumpy Gravy (1977)

We're Only in It for the Money (1968)

Cruising with Ruben & the Jets (1968)

Uncle Meat (1969)

Hot Rats (1969)

Burnt Weeny Sandwich (1970)

Weasels Ripped My Flesh (1970)

Chunga's Revenge (1970)

200 Motels (1971)

Waka/Jawaka(1972)

The Grand Wazoo (1972)

Over-Nite Sensation (1973)

Apostrophe (') (1974)

One Size Fits All (1975)

Zoot Allures (1976)

Studio Tan (1978)

Sleep Dirt (1979)

Sheik Yerbouti (1979)

Orchestral Favorites (1979)

Joe's Garage (1979)

Shut Up 'n Play Yer Guitar (1981)

You Are What You Is (1981)

Ship Arriving Too Late to Save a Drowning Witch (1982)

The Man from Utopia (1983)

London Symphony Orchestra, Vol. 1 (1983)

(1984)

Them or Us (1984)

Thing-Fish(1984)

Francesco Zappa (1984)

Frank Zappa Meets the Mothers of Prevention (1985)

Jazz from Hell (1986)

London Symphony Orchestra, Vol. 2 (1987)

Guitar (1988)

; Posthumous Studio Releases

Civilization, Phaze III (1994)

The Lost Episodes (1996)

Läther (1996)

Have I Offended Someone? (1997)

Mystery Disc (1997)

Everything Is Healing Nicely (1998)

Joe's Corsage (2004)

QuAUDIOPHILIAc (2004)

Joe's Domage (2004)

Joe's XMASage (2005)

The Making Of Freak Out! Project/Object (2006)

The Frank Zappa AAAFNRAA Birthday Bundle (2006)

The Dub Room Special (2007)

The Lumpy Money Project/Object (2009)

Greasy Love Songs (2010)

;Live Albums

Fillmore East – June 1971 (1971)

Just Another Band From L.A. (1972)

Roxy & Elsewhere (1974)

Bongo Fury (1975)

Zappa in New York (1978)

Tinseltown Rebellion (1981)

Baby Snakes (1983)

Does Humor Belong in Music? (1986)

You Can't Do That on Stage Anymore, Vol. 1 (1988)

You Can't Do That on Stage Anymore, Vol. 2 (1988)

Broadway the Hard Way (1988)

You Can't Do That on Stage Anymore, Vol. 3 (1989)

The Best Band You Never Heard in Your Life (1991)

You Can't Do That on Stage Anymore, Vol. 4 (1991)

Make a Jazz Noise Here (1991)

Beat the Boots (1991)

Beat the Boots II (1992)

You Can't Do That on Stage Anymore, Vol. 5 (1992)

You Can't Do That on Stage Anymore, Vol. 6 (1992)

Playground Psychotics (1992)

Ahead of Their Time (1993)

The Yellow Shark (1993)

;Posthumous Live Releases

(1996)

(2002)

Halloween (2003)

Imaginary Diseases (2006)

Trance-Fusion (2006)

Buffalo (2007)

Wazoo (2007)

One Shot Deal (2008)

Joe's Menage (2008)

Beat the Boots III (2009)

Philly '76 (2009)

Hammersmith Odeon (2010)

References

. . . . . . . . . . . . . .

Notes

External links

The official Frank Zappa website

Category:1940 births Category:1993 deaths Category:1960s music groups Category:20th-century classical composers Category:American atheists Category:American comedy musicians Category:American composers Category:American experimental filmmakers Category:American humanists Category:American multi-instrumentalists Category:American jazz guitarists Category:American blues guitarists Category:American rock guitarists Category:American rock singers Category:American satirists Category:Songwriters from Maryland Category:American voice actors Category:American people of Arab descent Category:American musicians of Italian descent Category:American people of Sicilian descent Category:Musicians from California Category:Cancer deaths in California Category:Censorship in the arts Category:Deaths from prostate cancer Category:Contemporary classical music performers Category:Experimental composers Category:American experimental musicians Category:Free speech activists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Lead guitarists Category:People from Baltimore, Maryland Category:People from Harford County, Maryland Category:Progressive rock musicians Category:Rock and Roll Hall of Fame inductees‎ Category:The Mothers of Invention members Category:Rykodisc artists Category:Warner Bros. Records artists Category:Verve Records artists Category:Captain Beefheart