Eupolemus is the earliestHellenistic Jewish historian whose work survives only in five fragments (or possibly six fragments) in the Eusebius of Caesarea's Praeparatio Evangelica (hereafter abbreviated as Praep.) embedded in quotations from the historian Alexander Polyhistor and in the Stromata (hereafter abbreviated as Strom.) of Clement of Alexandria.

A sixth passage which Polyhistor attributes to Eupolemus in Eusebius' quotations of Polyhistor is usually considered spurious as being dissimilar to the other passages quoted and has come to be called Pseudo-Eupolemus.

Style and vocabulary indicate the writing as also originally in Greek and the date of composition of the seemingly genuine passages is about 158/7 BC. That the author dates his work by the Seleucids rather than the Ptolemies suggests Palestinian rather than Egyptian origin. It has been speculated that the author might be the Eupolemus who was ambassador of Judas Maccabeus to Rome as found in 1 Maccabees 8.17f and 2 Maccabees 4.11.

Dame Janet Abbott Baker, CH, DBE, FRSA (born 21 August 1933) is an English mezzo-soprano best known as an opera, concert, and lieder singer.

She was particularly closely associated with baroque and early Italian opera and the works of Benjamin Britten. During her career, which spanned the 1950s to the 1980s, she was considered an outstanding singing actress and widely admired for her dramatic intensity, perhaps best represented in her famous portrayal as Dido, the tragic heroine of Berlioz's magnum opus Les Troyens. As a concert performer, Baker was noted for her interpretations of the music of Gustav Mahler and Edward Elgar. David Gutman, writing in the Gramophone, described her performance of Mahler's Kindertotenlieder as "intimate, almost self-communing."

Baker was born in Hatfield, South Yorkshire, northern England. Her father was an engineer who sang in a male voice choir. Members of her family worked at Bentley pit, in Doncaster, South Yorkshire.^{[citation needed]} She attended York College for Girls and then Wintringham Girls' Grammar School in Grimsby. The death of her elder brother, Peter, when she was 10 years old, from a heart condition, was a formative moment that made her take responsibility for the rest of her life, she revealed in a BBC Radio 3 Lebrecht Interview in September 2011.

Dame Felicity Joan Palmer, DBE (born 6 April 1944, Cheltenham), is an English mezzo-soprano and music professor. She sang soprano roles until 1983.

Palmer studied at the Guildhall School of Music and Drama in London and under Marianne Schech's guidance at the Munich College for Music and Theatre. In April 1970, she won first prize in the Kathleen Ferrier Memorial Scholarship. She made her operatic debut in 1971 as Dido in Dido and Aeneas with the Kent Opera. In 1973, she made her US debut with the Houston Grand Opera, and in 1975 she made her debut with English National Opera (ENO). Her Metropolitan Opera debut was in 2000 as Waltraute (Götterdämmerung).

Palmer has performed and recorded Gilbert and Sullivan operas, as Katisha in The Mikado for the ENO and the Welsh National Opera (WNO), Dame Carruthers in The Yeomen of the Guard (WNO) and Little Buttercup in H.M.S. Pinafore (WNO). In 1998, she played Widow Begbick in the Lyric Opera of Chicago production of The Rise and Fall of the City of Mahagonny. In 2003, she performed the role of Mrs Lovett in Stephen Sondheim's Sweeney Todd at the Royal Opera House (the only musical the ROH has ever presented).