Name | Viva Maria! |
---|---|
Director | Louis Malle |
Starring | Brigitte BardotJeanne Moreau |
Writer | Louis MalleJean-Claude Carrière |
Language | English French |
Cinematography | Henri Decaë |
Editing | Suzanne BaronKenout Peltier |
Producer | Óscar Dancigers |
Music | Georges Delerue |
Distributor | Les Productions Artistes AssociésUnited Artists |
Released | 1965 |
Runtime | 119 min. |
Viva Maria! is a 1965 comedy-adventure film starring Brigitte Bardot and Jeanne Moreau as two women both named Marie (they later become referred to as "Maria") who meet and become revolutionaries in the early twentieth century. It also starred George Hamilton as Florès, a revolutionary leader. Filmed in Eastman Color, it was directed by Louis Malle. The majority of the film was made on location in Mexico. The film was released in both French and an English-dubbed version.
In her debut as a singer Maria II accidentally invents striptease, an action that lets the circus achieve great fame. Shortly afterwards the Marias meet Florès (George Hamilton), a socialist revolutionary. He invites them to join his cause, a revolution against El Dictador (José Ángel Espinoza). But Florès is soon shot. On his deathbed he makes them promise to finish his cause and both agree.
The rest of the film concerns the revolution. After Maria I leads her men into an ambush, and Maria II saves them, the women create a peasant army, organizing the countryside into a quasi-Socialist state. There are numerous sight gags and comic actions.
Preparing to take the capital city, the Marias are captured by Catholic churchmen who fear the disorder of a revolution and want to stop the people from treating the women like saints. After a bungled attempt to tickle torture them (the Inquisition's equipment is too old to work well) the Marias are rescued by their victorious army. Finally they move to France, where the circus is recreated as a successful musical version of the revolution. The women now wear dark wigs to look more "Spanish."
The last minute of the movie, with the women singing a Spanish song on stage, was cut from later American releases. MGM Technical Services archivist John Kirk was able to restore this final scene to the DVD release.
Category:1965 films Category:French films Category:1960s adventure films Category:Action comedy films Category:Buddy films Category:Adventure comedy films Category:Films directed by Louis Malle Category:French comedy films Category:Western (genre) comedy films
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Brigitte Bardot |
---|---|
Caption | Bardot in 1968 |
Birth name | Brigitte Anne-Marie Bardot |
Birth date | September 28, 1934 |
Birth place | Paris, France |
Other names | BB |
Occupation | Actress, model, singer, animal rights activist |
Years active | 1952–1973 |
Spouse | |
Children | 1 son |
Brigitte Anne-Marie Bardot (, ; born 28 September 1934) is a French former fashion model, actress and singer, and animal rights activist.
In her early life, Bardot was an aspiring ballet dancer. She started her acting career in 1952 and, after appearing in 16 films, became world-famous due to her role in her then-husband Roger Vadim's controversial film And God Created Woman. She later starred in Jean-Luc Godard's 1963 cult film, Contempt. She was nominated for a BAFTA Award for Best Foreign Actress for her role in Louis Malle's 1965 film, Viva Maria!.
She caught the attention of French intellectuals. She was the subject of Simone de Beauvoir's 1959 essay, The Lolita Syndrome, which described Bardot as a "locomotive of women's history" and built upon existentialist themes to declare her the first and most liberated woman of post-war France.
After her retirement, Bardot established herself as an animal rights activist. During the 1990s, she became controversial due to her criticism of immigration, Islamization and Islam in France, and has been fined five times for "inciting racial hatred".
In 1947, Bardot was accepted to the Conservatoire de Paris, and for three years attended the ballet classes of Russian choreographer Boris Knyazev. (One of her classmates was Leslie Caron; fellow ballerinas nicknamed Bardot: Bichette [Little Doe]).
At the invitation of her an acquaintance of her mother, she modeled in a fashion show in 1949. In the same year, she modeled for a fashion magazine "Jardin des Modes" managed by journalist Hélène Lazareff. Aged 15, she appeared on an 8 March 1950 cover of ELLE and was noticed by a young film director, Roger Vadim, while babysitting. He showed an issue of the magazine to director and screenwriter Marc Allégret who offered Bardot the opportunity to audition for "Les lauriers sont coupés" thereafter. Although Bardot got the role, the shooting of the film was cancelled but it made her consider becoming an actress. Moreover, her acquaintance with Vadim, who attended the audition, influenced her further life and career.
Soon afterwards, Bardot withdrew to the seclusion of Southern France where she had bought the house La Madrague in Saint-Tropez in May 1958. In 1963, she starred in Jean-Luc Godard's critically acclaimed film Contempt. Bardot was featured in many other films along with notable actors such as Alain Delon (Famous Love Affairs, Spirits of the Dead), Jean Gabin (In Case of Adversity), Sean Connery (Shalako), Jean Marais (Royal Affairs in Versailles, School for Love), Lino Ventura (Rum Runners), Annie Girardot (The Novices), Claudia Cardinale (The Legend of Frenchie King), Jeanne Moreau (Viva Maria!), Jane Birkin (Don Juan, or If Don Juan Were a Woman).
In 1973, Bardot announced that she was retiring from acting as "a way to get out elegantly".
She participated in various musical shows and recorded many popular songs in the 1960s and 1970s, mostly in collaboration with Serge Gainsbourg, Bob Zagury and Sacha Distel, including "Harley Davidson", "Je Me Donne A Qui Me Plait", "Bubble gum", "Contact", "Je Reviendrais Toujours Vers Toi", "L'Appareil A Sous", "La Madrague", "On Demenage", "Sidonie", "Tu Veux, Ou Tu Veux Pas?", "Le Soleil De Ma Vie" (the cover of Stevie Wonder's "You Are the Sunshine of My Life") and the notorious "Je t'aime... moi non plus".
Bardot pleaded with Gainsbourg not to release this duet and he complied with her wishes; the following year he re-recorded a version with British-born model and actress Jane Birkin, which became a massive hit all over Europe. The version with Bardot was issued in 1986 and became a popular download hit in 2006 when Universal Records made their back catalogue available to purchase online, with this version of the song ranking as the third most popular download.
She once had a neighbor's donkey castrated while looking after it, on the grounds of its "sexual harassment" of her own donkey and mare, for which she was taken to court by the donkey's owner in 1989. In 1999, Bardot wrote a letter to Chinese President Jiang Zemin, published in French magazine VSD, in which she accused the Chinese of "torturing bears and killing the world's last tigers and rhinos to make aphrodisiacs".
She has donated more than $140,000 over two years for a mass sterilization and adoption program for Bucharest's stray dogs, estimated to number 300,000. She is planning to house many of these stray animals in a new animal rescue facility that she is having built on her property.
In August 2010, she addressed a letter to the Danish Queen, Margrethe II of Denmark appealing for the sovereign to halt the killing of dolphins in the Faroe Islands. In the letter, Bardot describes the activity as a "macabre spectacle" that "is a shame for Denmark and the Faroe Islands." She continued: "This is not a hunt but a mass slaughter" and also described it as an "outmoded tradition that has no acceptable justification in today's world".
On 22 April 2011, French culture minister Frédéric Mitterrand officially inscribed bullfighting on a list enumerating the country's cultural heritage, a decision which Bardot is currently publicly contesting. "French culture is a culture of enlightenment and has nothing to do with bloody things like bullfighting," she wrote.
In a book she wrote in 1999, called "Le Carré de Pluton" (Pluto's Square), Bardot criticizes the procedure used in the ritual slaughter of sheep during the Muslim festival of Eid al-Adha. Additionally, in a section in the book entitled, Open Letter to My Lost France, Bardot writes: "...my country, France, my homeland, my land is again invaded by an overpopulation of foreigners, especially Muslims.". For this comment, a French court fined her 30,000 francs in June 2000. She had previously been fined in 1997 for the original publication of this open letter in Le Figaro and again 1998 for making similar remarks.
In her 2003 book, Un cri dans le silence ("A Scream in the Silence"), she warned of an “Islamicization of France”, and said of Muslim immigration:}} In May 2003, the Movement Against Racism and for Friendship between Peoples (MRAP) announced they were going to sue Bardot for the comments. The "Ligue des droits de l'homme" (Human Rights League) announced they were considering similar legal proceedings. In her own defence, Bardot wrote in a letter to a French gay magazine, saying, "Apart from my husband—who maybe will cross over one day as well—I am entirely surrounded by homos. For years, they have been my support, my friends, my adopted children, my confidants." Bardot's book was also against "the mixing of genes"; made attacks on modern art, which Bardot equated with "shit"; drew similarities between French politicians and weather vanes; and compared her own beliefs with previous generations who had "given their lives to push out invaders".
On 10 June 2004, Bardot was again convicted by a French court for "inciting racial hatred" and fined €5,000, the fourth such conviction/fine the French courts gave her. Bardot denied the racial hatred charge and apologized in court, saying: "I never knowingly wanted to hurt anybody. It is not in my character."
In 2008, she was convicted of inciting racial/religious hatred in relation to a letter she wrote, a copy of which she sent to Nicolas Sarkozy when he was Interior Minister of France. The letter stated her objections to Muslims in France ritually slaughtering sheep by slitting their throats without anesthetizing them first but also expressed that she was "fed up with being under the thumb of this population which is destroying us, destroying our country and imposing its habits" in reference to Muslims. The trial concluded on 3 June 2008, with a conviction and fine of 15,000 euros, the largest of her fines to date. The prosecutor stated that she was tired of charging Bardot with offences related to racial hatred.
On 13 August 2010, she lashed out at director Kyle Newman regarding his plans on making a biographical film on her life. Her response was, "Wait until I'm dead before you make a movie about my life!". Bardot warned Newman that if the project progresses "sparks will fly".
Bardot is recognized for popularizing bikini swimwear in early films such as Manina (Woman without a Veil, 1952), in her appearances at Cannes and in many photo shoots.
Bardot also brought into fashion the choucroute ("Sauerkraut") hairstyle (a sort of beehive hair style) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel, at her wedding to Charrier. She was the subject for an Andy Warhol painting.
In addition to popularizing the bikini swimming suit, Bardot has also been credited with popularizing the city of St. Tropez and the town of Buzios, Brazil, which she visited in 1964 with her boyfriend at the time, Brazilian musician Bob Zagury. A statue by Christina Motta honours Brigitte Bardot in Buzios, Brazil.
Bardot was idolized by young John Lennon and Paul McCartney. They made plans to shoot a film featuring The Beatles and Bardot, similar to A Hard Day's Night, but the plans were never fulfilled. According to the liner notes of his first (self-titled) album, musician Bob Dylan dedicated the first song he ever wrote to Bardot. He also mentioned her by name in "I Shall Be Free", which appeared on his second album, The Freewheelin' Bob Dylan.
She dabbled in pop music and played the role of a glamour model. In 1965, she appeared as herself in the Hollywood production Dear Brigitte (1965) starring James Stewart, one of the few American films in which she appeared. She refused to travel to Hollywood to film her scene, requiring the needed cast and crew members to travel to film in Paris.
In 1970, the sculptor Alain Gourdon used Bardot as the model for a bust of Marianne, the French national emblem.
In 2007, she was named among Empire magazine's 100 Sexiest Film Stars.
The first-ever official exhibition looking at Bardot's influence and legacy opened in Paris on 29 September 2009 – a day after her 75th birthday.
Category:1934 births Category:Animal rights advocates Category:Breast cancer survivors Category:French activists Category:French female models Category:French female singers Category:French film actors Category:French-language singers Category:French vegetarians Category:Légion d'honneur refusals Category:Living people Category:MGM Records artists Category:People from Paris Category:Individuals associated with animal welfare
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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