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- Published: 13 Jul 2009
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Name | Pitchfork Media |
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Logo | |
Caption | Pitchfork's main page in March 2009. |
Url | www.pitchfork.com |
Type | Music webzine |
Registration | No |
Owner | Ryan Schreiber |
Author | Ryan Schreiber |
Launch date | 1995 |
Current status | Active |
The site, which was established in 1995, concentrates on new music, but Pitchfork journalists also review reissued albums and box sets. The site has published "best-of" lists–such as the best albums of the 1970s, 1980s, 1990s, and 2000s, and the best songs of the 1960s, 1990s and 2000s–as well as annual features detailing the best singles and albums of each year since 1999.
In early 1999, Schreiber uprooted Pitchfork from its Minneapolis base and relocated to Chicago, Illinois. By then, the site had expanded to four full-length album reviews daily, as well as sporadic interviews, features, and columns. It had also begun garnering a following for both its extensive coverage of underground music and its writing style, which was often unhindered by the conventions of print journalism. In October of that year, the site added a daily music news section. Early 2009 saw a complete renovation of the website's layout and a move to a new domain, Pitchfork.com.
In 2008, the book The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present–edited and compiled by the Pitchfork staff and freelance writers–was released.
Conversely, Pitchfork has also been seen as being a negative influence on some indie artists. As suggested in a Washington Post article in April 2006, Pitchfork's reviews can have a significant influence on an album's popularity, especially if it had previously only been available to a limited audience or had been released on an independent record label. A dismissive 0.0 review of former Dismemberment Plan vocalist Travis Morrison's debut solo album Travistan led to a large sales drop and a virtual college radio blacklist. On the other hand, as one Washington Post reporter wrote, "an endorsement from Pitchfork – which dispenses its approval one-tenth of a point at a time, up to a maximum of 10 points – is very valuable, indeed." Clap Your Hands Say Yeah member Lee Sargent has discussed the impact of Pitchfork's influence on their album, saying, "The thing about a publication like Pitchfork is that they can decide when that happens. You know what I mean? They can say, 'We're going to speed up the process and this is going to happen...now!' And it was a kick in the pants for us, because we lost control of everything." Wired magazine has attributed the success of indie rock band Broken Social Scene to editor-in-chief Ryan Schreiber's hype-generating review of the band. Frontman Kevin Drew said that, following the review, "Everyone was coming up to us, saying, 'We heard about you from Pitchfork.' It basically opened the door for us. It gave us an audience", and that the band "suddenly found [themselves] selling out venues."
The majority of criticism, however, is aimed at the site's album reviewing style, with the site being accused of often placing the emphasis on the reviewer's own writing and personal biases over the actual music being reviewed. Pitchfork is also known to give "0.0" ratings, deeming the work utterly worthless. One critic wrote that Pitchfork's "0.0" rating of a particular album amounts to no more than a "cheap publicity stunt" for a website that "thrives on controversy."
The site has also removed its earlier reviews of three albums which it later rated 10.0/10: Boards of Canada's Music Has the Right to Children, DJ Shadow's Endtroducing, and Neutral Milk Hotel's In the Aeroplane Over the Sea.
The festival has been held every year since, and has featured artists such as Animal Collective, Fleet Foxes, Bon Iver, The National, The Hold Steady, !!!, Spoon, Ghostface Killah, Dinosaur Jr., Cat Power, Spiritualized, Mastodon, Yoko Ono, Stephen Malkmus, Vampire Weekend, De La Soul, Yo La Tengo, The New Pornographers, Of Montreal, Band of Horses, M. Ward, Iron and Wine, The Mountain Goats, Clipse, Girl Talk, Grizzly Bear, No Age, Ted Leo, Les Savy Fav, Devendra Banhart, Liars, and Deerhunter.
The 2009 festival, which took place in July, featured Built to Spill, The Jesus Lizard, Yo La Tengo, and Tortoise performing setlists voted on by attendees, as well as performances by The Flaming Lips, The National, Grizzly Bear, M83, The Walkmen, Yeasayer, Blitzen Trapper, The Black Lips, The Pains of Being Pure at Heart, Matt and Kim, and Pharoahe Monch.
Pitchfork also collaborated with All Tomorrow's Parties to co-curate the ATP vs Pitchfork festival in Camber Sands, UK.
Re-release and compilations:
Category:Companies based in Chicago, Illinois Category:Internet properties established in 1995 Category:Music publications Category:Music webzines
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Dan Deacon |
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Background | solo_singer |
Born | August 28, 1981West Babylon, New York, |
Origin | Baltimore, Maryland, |
Instrument | Effects pedals, wave function generators, keyboards, trombone, tuba, voice, computer |
Genre | Electronic, electropop |
Years active | 2003–present |
Label | Carpark Records, Mistletone, Wildfire Wildfire, Psych-o-path, Standard Oil Records, Comfort Stand |
Url | http://www.dandeacon.com |
Time traveler | No |
Dan Deacon (born August 28, 1981) is an American electronic musician who originates from Babylon, New York and Baltimore, Maryland.
In 2004 he moved to Baltimore, Maryland and moved into the Copycat Building and, along with friends from SUNY Purchase, formed Wham City, an arts and music collective.
His first two albums as a solo artist, Meetle Mice and Silly Hat vs Egale Hat were released on CD-R on the Standard Oil Records label in 2003 while he was a student at Purchase. The albums are both collections of computer music and live recordings of ensemble pieces. They are markedly different from his first popular record, 2007's Spiderman of the Rings, in that they contain almost no tracks where Deacon sings or uses vocal manipulation. Most of the pieces are instrumentals or sound collages.
Following those two albums came another set of records that were pieces of sine waves. "Green Cobra is Awesome Vs The Sun" is a 42-minute piece of six sine waves that slowly drift. "Goose On The Loose" is a 60-minute piece of Wavetek 180 signal generator being processed through a Digitech Whammy Pedal and a Line 6 Loop/Delay pedal.
His next two releases were the EPs Twacky Cats on Comfort Stand Recordings and Acorn Master on Psych-o-path Records. These were the first releases that contained material with which most of his current listeners would associate him.
Spiderman of the Rings was Deacon's first commercially distributed full-length album, released by Carpark Records in May 2007. The album was well received by the press and was included in the Best New Music section of Pitchforkmedia.com. The album was also ranked as number 24 on the website's "Top 50 Albums of 2007".
Ultimate Reality was released as a DVD in November 2007. It was a return for Deacon to composing music for others to perform. The pieces for percussion and electronics were performed by Jeremy Hyman of Ponytail and Kevin Omeara of Videohippos. The pieces were set to collaged and heavily altered video created by Deacon's long time friend and collaborator Jimmy Joe Roche.
Deacon has performed at several leading art centers including Whitney Museum of American Art in New York, Getty Center in Los Angeles, and the Hirshhorn Museum and Sculpture Garden in Washington, DC.
Originally to be released in the fall of 2008, Deacon's new album entitled Bromst was released on March 24, 2009. It was produced by Chester Gwazda at Snow Ghost Studios in Whitefish, Montana and features live instruments including player piano and a variety of percussion instruments. It was also very well received. Pitchfork gave it an 8.5/10, and it made it to the "best new music" section. Bromst also ranked #46 in Pitchfork's Best Albums of 2009.
In stark contrast to Deacon's electronic performances, the Bromst tour was with a 14-person ensemble of members of various Baltimore bands including So Percussion, Future Islands, and Chester Gwazda. He was accompanied by various acts including Nuclear Power Pants. This tour is also notable for the musicians' use of a veggie oil powered bus.
In the summer of 2009, Dan Deacon went on tour with two other notable acts, Deerhunter and No Age, on the "No Deachunter" tour.
In the fall of 2009, Dan Deacon was forced to cancel the small remainder of his North American tour, which included shows at Rensselaer Polytechnic Institute in Troy, NY and Connecticut College in New London, CT due to health complications involving a battle with acute sciatica, all of which were rescheduled in winter of 2010.
Category:American electronic musicians Category:State University of New York at Purchase alumni Category:Living people Category:People from Baltimore, Maryland Category:1981 births
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Kurt Vile |
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Background | solo_singer |
Birth name | Kurt Vile |
Instrument | Vocals/Guitar/Trumpet/Banjo/Keyboard |
Genre | Rock, heartland rock, roots rock, lo-fi, indie rock |
Occupation | Musician |
Label | Matador Records |
Associated acts | The War on Drugs |
Kurt Vile is a guitarist and singer from Philadelphia. He was signed by Matador Records as a solo artist in May 2009.
His music has been likened to that of Bruce Springsteen, Bob Seger and Tom Petty. His first album for Matador Records is titled Childish Prodigy. In an interview with Women's Wear Daily, Sonic Youth bassist and singer Kim Gordon was asked, "Your guilty pleasure right now?" Gordon replied, "Listening to Kurt Vile's latest CD, Childish Prodigy. Guilty because I listen to it too much..."
Vile released two previous solo albums, God Is Saying This To You and Constant Hitmaker, on Mexican Summer and Woodsist, respectively. He plays solo shows as well as shows with a backing band called The Violators.
Vile's "He's Alright" is featured during the credits of Eastbound & Down in the second season's finale.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.