concert in the Rod Laver Arena, Melbourne, Australia, 2005]]

A concert is a live performance (typically of music) before an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, a choir, or a musical band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, entertainment centres and parks to large multipurpose buildings, and even sports stadia. Indoor concerts held in the largest venues are sometimes called arena concerts. Regardless of the venue, musicians usually perform on a stage. Before the dominance of recorded music, concerts would provide the only opportunity one would generally have to hear musicians play. Informal names for a concert include "show" and "gig".

Types of concert

in an outdoor concert]]

The nature of a concert will vary by musical genre and the individual performers. Concerts by a small jazz combo or small bluegrass band may have the same order of program, mood, and volume, but vary in music and dress. In a similar way, a particular musician, band, or genre of music might attract concert attendees with similar dress, hairstyle, and behavior. For example, the hippies of the 60s often toted long hair (sometimes in dread lock form), sandals and inexpensive clothing made of natural fibers. The regular attendees to a concert venue might also have a recognizable style, comprising that venue's "scene".

Theatrical

Some performers or groups put on very elaborate and expensive affairs. In order to create a memorable and exciting atmosphere and increase the spectacle, the artist will frequently include additional entertainment devices within their concerts. These tend to include elaborate stage lighting; an image magnification (IMAG) system and/or pre-recorded video; inflatables, artwork or other set pieces; various special effects such as theatrical smoke and fog and pyrotechnics; and unusual costumes or wardrobe. Some singers, especially in genres of popular music, augment the sound of their concerts with pre-recorded accompaniment, back-up dancers, and even broadcast vocal tracks of the singer's own voice. Activities which may take place during these concerts include dancing, sing-alongs, and moshing. Some performers well known for including these elements in their performances include: Pink Floyd, Jean Michel Jarre, Sarah Brightman and KISS.

Festivals

Concerts involving a greater number of artists, especially those that last for multiple days, are known as festivals. Unlike other concerts, which typically remain in a single genre of music or work of a particular artist, festivals often cover a broad scope of music and arts. Due to their size, festivals are almost exclusively held outdoors. A few examples of the hundreds of festivals include the Big Day Out, Coachella, Falls Festival, Glastonbury Festival, Newport Jazz Festival, Oxegen, Parachute Music Festival, Rock In Rio, Rockwave Festival, Salzburg Festival,, Summer Sonic Festival, Woodstock Music and Art Festival, and the Warped Tour.

For a more complete listing of festivals from around the world, see: List of music festivals.

== Concert tour == performed at Red Rocks Amphitheater in Colorado on August 11, 1987.]]

A concert tour is a series of concerts by an artist or group of artists in different cities or locations. Oftentimes concert tours are named, to differentiate different tours by the same artist and associate a specific tour with a particular album or product (for example: Lady Gaga's Monster Ball Tour). Especially in the popular music world, such tours can become large-scale enterprises that last for several months or even years, are seen by hundreds of thousands or millions of people, and bring in millions of dollars (or the equivalent) in ticket revenues.

Different segments of longer concert tours are known as "legs". The different legs of a tour are denoted in different ways, dependant on the artist and type of tour, but the most common means of separating legs are dates (especially if there is a long break at some point), countries and/or continents, or different opening acts. In the largest concert tours it is becoming more common for different legs to employ separate touring production crews and equipment, local to each geographical region. Concert tours are often administered on the local level by concert promoters or by performing arts presenters.

Revenue

While admission to some concerts is free, it is common practice to charge money for concerts by selling admission tickets. Historically, concerts were the primary source of revenue for musicians. Revenue from ticket sales typically goes to the performing artists, producers, venue and organizers. In the case of benefit concerts, a portion of profits will often go towards a charitable organization.

Additional revenue is also often raised through in-concert advertising, from free local concerts for local sponsorships to sponsorships from corporations during major tours 2009's "Vans' Warped Tour Presented by AT&T;". Both Vans and AT&T; would have paid significant amounts to have their company names included at the forefront in all marketing material for the Warped Tour.

Concessions and merchandise are also often sold during and after concerts; often by the venue in the case of the former, and by the performing band or artist in the case of the latter.

The highest grossing concert tour of all time is The Rolling Stones' A Bigger Bang Tour which earned approximately $558 million in between 2005 and 2007. The highest earning tour by a solo artist is the Sticky & Sweet Tour by pop artist Madonna, which earned $408 million in 2008 and 2009.

See also

Benefit concert

Rock festival

Recorded live track

Guerrilla gig

House concert

Live PA

Smoking concerts

Performing arts presenters

Rehearsal

References

External links

Category:Concerts Category:Concert tours Category:Music performance

, 1893]]

Pyotr Ilyich Tchaikovsky (May 7, 1840 – November 6, 1893) was a Russian composer of the Romantic era. His wide ranging output includes symphonies, operas, ballets, instrumental and chamber music and songs. He wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets Swan Lake, The Sleeping Beauty and The Nutcracker, the 1812 Overture, his First Piano Concerto, his last three numbered symphonies, and the opera Eugene Onegin.

Born into a middle-class family, Tchaikovsky was educated for a career as a civil servant, despite his obvious musical . He pursued a musical career against the wishes of his family, entering the Saint Petersburg Conservatory in 1862 and graduating in 1865. This formal, Western-oriented training set him apart from the contemporary nationalistic movement embodied by the influential group of young Russian composers known as The Five, with whom Tchaikovsky's professional relationship was mixed.

Although he enjoyed many popular successes, Tchaikovsky was never emotionally secure, and his life was punctuated by personal crises and periods of depression. Contributory factors were his suppressed homosexuality and fear of exposure, his disastrous marriage, and the sudden collapse of the one enduring relationship of his adult life, his 13-year association with the wealthy widow Nadezhda von Meck. Amid private turmoil Tchaikovsky's public reputation grew; he was honored by the Tsar, awarded a lifetime pension and lauded in the concert halls of the world. His sudden death at the age of 53 is generally ascribed to cholera, but some attribute it to suicide.

Life

Childhood

Pyotr Ilyich Tchaikovsky was born in Votkinsk, a small town in present-day Udmurtia, formerly province of Vyatka in the Russian Empire, to a family with a long line of military service. His father, Ilya Petrovich Tchaikovsky, was an engineer of Ukrainian descent who served as a lieutenant colonel in the Department of Mines and manager of the famed Kamsko-Votkinsk Ironworks. His grandfather, Petro Fedorovich Chaika, emigrated from Nikolaevka (near Poltava), Ukraine. The composer's mother, Alexandra Andreyevna née d'Assier, 18 years her husband's junior, was of French ancestry on her father's side, and was the second of Ilya's three wives. Tchaikovsky had four brothers (Nikolai, Ippolit, and twins Anatoly and Modest), and a sister, Alexandra. He also had a half-sister Zinaida from his father's first marriage. Tchaikovsky was particularly close to Alexandra and the twins. Anatoly later established a prominent legal career, while Modest became a dramatist, librettist, and translator. Alexandra married Lev Davydov and had seven children, one of whom, "Bob", "[became] a central figure in the composer's final years". The Davydovs provided the only real family life Tchaikovsky knew as an adult,

In 1843, due to the growth in family responsibilities, Tchaikovsky's parents hired a French governess, Fanny Dürbach, a 22-year-old experienced teacher who, Modest later wrote, "knew both French and German equally well, and whose morals were strictly Protestant". Dürbach's love and affection for her charge is said to have provided a counter to Tchaikovsky's mother, who is described by Holden as a cold, unhappy, distant parent not given to displays of physical affection. However, Tchaikovsky scholar Alexander Poznansky wrote that the mother doted on her son.

Tchaikovsky began piano lessons at the age of five. A precocious pupil, he could read music as adeptly as his teacher within three years. His parents were initially supportive of his musical talents, hiring a tutor, buying an orchestrion (a form of barrel organ that could imitate elaborate orchestral effects), and encouraging his study of the piano. However, his parents' passion for his musical talent soon cooled, and, in 1850, the family decided to send Tchaikovsky to the Imperial School of Jurisprudence in Saint Petersburg. The school mainly served the lesser nobility, and would prepare him for a career as a civil servant. As the minimum age for acceptance was 12, Tchaikovsky was required to spend two years boarding at the Imperial School of Jurisprudence's preparatory school, from his family. Once those two years had passed, Tchaikovsky transferred to the Imperial School of Jurisprudence to begin a seven-year course of studies.

Emerging composer

Childhood trauma and school years

On June 25, 1854 Tchaikovsky suffered the shock of his mother's death from cholera. Tchaikovsky authority David Brown calls it "the crucial event of [Tchaikovsky's] years at the School of Jurisprudence", and noted that "it was certainly shattering." Tchaikovsky bemoaned the loss of his mother for the rest of his life, and admitted that it had "a huge influence on the way things turned out for me." He was so affected that he was unable to inform Fanny Dürbach until two years after the fact. At the age of 40, approximately 26 years after his mother's death, Tchaikovsky wrote to his patroness, Nadezhda von Meck, "Every moment of that appalling day is as vivid to me as though it were yesterday." He may have also been exposed to the allegedly widespread homosexual practices at the school. Whether these were formative experiences or practices toward which the composer would have gravitated normally, biographers agree that he may have discovered his sexual orientation at this time.

Music was not considered a high priority at the School of Jurisprudence, but Tchaikovsky maintained a connection to music extracurricularly, by regularly attending the theater and the opera with other students. At this time, he was fond of works by Rossini, Bellini, Verdi and Mozart. He was known to sit at the school's harmonium after choir practice and improvise on whatever themes had just been sung. "We were amused," Vladimir Gerard later remembered, "but not imbued with any expectations of his future glory." Piano manufacturer Franz Becker made occasional visits to the school as a token music teacher. This was the only formal music instruction Tchaikovsky received there. In 1855, Ilya Tchaikovsky funded private lessons with Rudolph Kündinger, a well-known piano teacher from Nuremberg. Ilya also questioned Kündinger about a musical career for his son. Kündinger replied that while he was impressed with Tchaikovsky's ability to improvise at the keyboard, nothing suggested a potential composer or even a fine performer. Tchaikovsky was told to finish his course and then try for a post in the Ministry of Justice.

Civil service; pursuing music

On June 10, 1859, at the age of 19, Tchaikovsky graduated from the School of Jurisprudence with the rank of titular counselor, a low rung on the civil service ladder. On June 15, he was appointed to the Ministry of Justice. Six months later he became a junior assistant and two months after that, a senior assistant, where he remained for the rest of his three-year civil service career.

In 1861, Tchaikovsky attended classes in music theory organized by the Russian Musical Society (RMS) and taught by Nikolai Zaremba. A year later he followed Zaremba to the new Saint Petersburg Conservatory. Tchaikovsky decided not to give up his Ministry post "until I am quite certain that I am destined to be a musician rather than a civil servant." From 1862 to 1865 he studied harmony and counterpoint with Zaremba, while Anton Rubinstein, director and founder of the Conservatory, taught him instrumentation and composition. In 1863, Tchaikovsky abandoned his civil service career and began studying music full-time, graduating from the Conservatory in December 1865. Though Rubinstein was impressed by Tchaikovsky's musical talent, he and Zaremba later clashed with the young composer over his First Symphony, written after his graduation, when he submitted it to them for their perusal. The symphony was given its first complete performance in Moscow in February 1868, where it was well received.

Relationship with The Five

Rubinstein's Western musical orientation brought him into opposition with the nationalistic group of musicians known as The Five. As Tchaikovsky was Rubinstein's best-known pupil, he became a target for the group, especially for César Cui. Cui's criticisms began with a blistering review of a cantata Tchaikovsky had written as his graduation exercise from the Conservatory. Calling the piece "feeble", Cui wrote that if Tchaikovsky had any gift for music, "then at least somewhere or other [the cantata] would have broken through the fetters of the Conservatoire". The effect of this review on Tchaikovsky was devastating: "My vision grew dark, my head spun, and I ran out of the café like a madman.... All day I wandered aimlessly through the city, repeating, 'I'm sterile, insignificant, nothing will come out of me, I'm ungifted'".

When in 1867, Rubinstein resigned as conductor from Saint Petersburg's Russian Musical Society orchestra, he was replaced by composer Mily Balakirev, leader of The Five. Tchaikovsky, now Professor of Music Theory at the Moscow Conservatory, had already promised his Dances of the Hay Maidens (which he later included in his opera The Voyevoda, as Characteristic Dances) to the society. In submitting the manuscript (and perhaps mindful of Cui's review of the graduation cantata), Tchaikovsky included a note to Balakirev that ended with a request for a word of encouragement should the Dances not be performed. Possibly sensing a new disciple in Tchaikovsky, Balakirev wrote "with complete frankness" in his reply that he felt that Tchaikovsky was "a fully fledged artist". These letters set the tone for Tchaikovsky's relationship with Balakirev over the next two years. In 1869, the two entered into a working relationship, the result being Tchaikovsky's first recognised masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced.

Though, personally, Tchaikovsky remained on friendly terms with most of The Five, professionally, he was usually ambivalent about their music. Despite the collaboration with Balakirev on the Romeo and Juliet fantasy-overture, Tchaikovsky made considerable efforts to ensure his musical independence from the group as well as from the conservative faction at the Saint Petersburg Conservatory.

Mature composer

From 1867 to 1878, Tchaikovsky combined his professorial duties with music criticism while continuing to compose. Some of his best-known works from this period include the First Piano Concerto, the Variations on a Rococo Theme for violoncello and orchestra, the Little Russian and Fourth Symphonies, the ballet Swan Lake and the opera Eugene Onegin. The First Piano Concerto suffered an initial rejection by its intended dedicatee, Anton Rubinstein's brother Nikolai, though he eventually championed the work. The work was subsequently premiered in Boston in October 1875, played by Hans von Bülow, whose pianism had impressed Tchaikovsky during an appearance in Moscow in March 1874.

In Moscow, teaching with Nikolai Rubinstein, Tchaikovsky gained his first taste of famed appreciation. Introduced into the Artistic Circle, a club founded by Rubinstein, Tchaikovsky enjoyed a sense of social celebrity status among friends and fellow artists. Nevertheless, while the move to Moscow was bittersweet, filled with friendship, jealousy, and inner struggles, it was successful from a professional point of view. Tchaikovsky's musical works were frequently performed, with few delays between their composition and first performances, and the publication (after 1867) of songs and piano music for the home market helped bolster the composer's popularity.

Sexuality

In his book, Tchaikovsky: The Quest for the Inner Man, Poznansky showed that Tchaikovsky had homosexual tendencies and that some of the composer's closest relationships were with persons of the same sex. Tchaikovsky's servant Aleksei Sofronov and the composer's nephew, Vladimir "Bob" Davydov, have been suggested as possible romantic interests. Tchaikovsky dedicated his Sixth Symphony, the Pathétique, to Davydov. The love theme from Romeo and Juliet is generally considered to have been inspired by Eduard Zak.

More controversial than Tchaikovsky's reported sexual proclivities is how comfortable the composer might have been with his sexual nature. After reading all Tchaikovsky's letters (including unpublished ones), Poznansky concludes that the composer "eventually came to see his sexual peculiarities as an insurmountable and even natural part of his personality ... without experiencing any serious psychological damage." Relevant portions of his brother Modest's autobiography, where he tells of his brother's sexual orientation, have also been published. Modest, like Pyotr, was homosexual. However, biographer Anthony Holden claims British musicologist and scholar Henry Zajaczkowski's research "along psychoanalytical lines" points instead to "a severe unconscious inhibition by the composer of his sexual feelings":

One consequence of it may be sexual overindulgence as a kind of false solution: the individual thereby persuades himself that he does accept his sexual impulses. Complementing this and, also, as a psychological defense mechanism, would be precisely the idolization by Tchaikovsky of many of the young men of his circle [the self-styled "Fourth Suite"], to which Poznansky himself draws attention. If the composer's response to possible sexual objects was either to use and discard them or to idolize them, it shows that he was unable to form an integrated, secure relationship with another man. That, surely, was [Tchaikovsky's] tragedy.

Musicologist and historian Roland John Wiley suggests a third alternative, based on Tchaikovsky's letters. He suggests that while Tchaikovsky experienced "no unbearable guilt" over his homosexuality, he remained aware of the negative consequences of that knowledge becoming public, especially of the ramifications for his family.

Unsuccessful marriage

In 1868, at the age of 28, Tchaikovsky met the Belgian soprano Désirée Artôt, then on a tour of Russia. They became infatuated, and were engaged to be married. He dedicated his Romance in F minor for piano, Op. 5, to her. However, on September 15, 1869, without any communication with Tchaikovsky, Artôt married a member of her company, the Spanish baritone Mariano Padilla y Ramos. The general view has been that Tchaikovsky got over the affair fairly quickly. It has, however, been postulated that he coded her name into the Piano Concerto No. 1 in B-flat minor and the tone-poem Fatum. They met on a handful of later occasions, and in October 1888 he wrote Six French Songs, Op. 65, for her, in response to her request for a single song. Tchaikovsky later claimed she was the only woman he ever loved.

In April 1877 Tchaikovsky's favorite pupil, Vladimir Shilovsky, married suddenly. Shilovsky's wedding may in turn have spurred Tchaikovsky to consider such a step himself. There followed Tchaikovsky's ill-starred marriage to one of his former composition students, Antonina Miliukova. The brief time with his wife drove him to an emotional crisis, which was followed by a stay in Clarens, Switzerland, for rest and recovery. They remained legally married but never lived together again nor had any children, though she later gave birth to three children by another man.

Tchaikovsky's marital debacle may have forced him to face the full truth concerning his sexuality. He apparently never again considered matrimony as a camouflage or escape, nor considered himself capable of loving women in the same manner as men.

A few days later, in another letter to Anatoly, he added that there was "nothing more futile than wanting to be anything other than what I am by nature."

Creative genius and emotional turmoil

It has been commonly held that the strain of the marriage and Tchaikovsky's emotional state immediately preceding it may have enhanced Tchaikovsky's creativity. To some extent, this may have been the case. While the Fourth Symphony was begun some months before Tchaikovsky married Antonina, both the symphony and the opera Eugene Onegin, arguably two of his finest compositions,

Like the First Piano Concerto, the Violin Concerto was rejected initially by its intended dedicatee, virtuoso and pedagogue Leopold Auer, and was premiered by Adolph Brodsky. While the work eventually achieved public success, the audience hissed at its premiere in Vienna, and it was denigrated by music critic Eduard Hanslick:

The Russian composer Tchaikovsky is surely no ordinary talent, but rather, an inflated one, obsessed with posturing as a man of genius, and lacking all discrimination and taste ... the same can be said for his new, long, and ambitious Violin Concerto. For a while it proceeds soberly, musically, and not mindlessly, but soon vulgarity gains the upper hand and dominates until the end of the first movement. The violin is no longer played: it is tugged about, torn, beaten black and blue ... The Adagio is well on the way to reconciling us and winning us over when, all too soon, it breaks off to make way for a finale that transports us to the brutal and wretched jollity of a Russian church festival. We see a host of gross and savage faces, hear crude curses, and smell the booze. In the course of a discussion of obscener illustrations, Friedrich Vischer once maintained that there were pictures whose stink one could see. Tchaikovsky's Violin Concerto confronts us for the first time with the hideous idea that there may be musical compositions whose stink one can hear.

Auer belatedly accepted the concerto, and eventually played it to great public success. In future years he taught the work to his pupils, including Jascha Heifetz and Nathan Milstein. Auer later said about Hanslick's comment that "the last movement was redolent of vodka [...] did credit neither to his good judgment nor to his reputation as a critic."

The intensity of personal emotion now flowing through Tchaikovsky's works was entirely new to Russian music. The critic Osoovski wrote of Tchaikovsky and Dostoyevsky: "With a hidden passion they both stop at moments of horror, total spiritual collapse, and finding acute sweetness in the cold trepidation of the heart before the abyss, they both force the reader to experience those feelings, too."

Tchaikovsky's fame among concert audiences began to expand outside Russia, and continued to grow within it. Hans von Bülow had become a fervent champion of the composer's work after hearing some of it in a Moscow concert during Lent of 1874. Nevertheless, by 1880, all of the operas Tchaikovsky had completed up that point had been staged, and his orchestral works had been given performances that had been sympathetically received.

Nadezhda von Meck

Nadezhda von Meck was the wealthy widow of a Russian railway tycoon and an influential patron of the arts. Having already heard some of Tchaikovsky's work, she was encouraged by Iosif Kotek to commission some chamber pieces from him. Her support became an important element in Tchaikovsky's life; she eventually paid him an annual subsidy of 6,000 rubles, which made it possible for him to resign from the Moscow Conservatory in October 1878 at the age of 38, and concentrate on composition. With von Meck's patronage came a relationship that, at her insistence, was mainly epistolary – she stipulated they were never to meet face to face. They exchanged well over 1,000 letters between 1877 and 1890. In these letters Tchaikovsky was more open about much of his life and his creative processes than he had been to any other person.

As well as being a dedicated supporter of Tchaikovsky's musical works, Nadezhda von Meck became a vital enabler in his day-to-day existence by her financial support and friendship. As he explained to her,

There is something so special about our relationship that it often stops me in my tracks with amazement. I have told you more than once, I believe, that you have come to seem to me the hand of Fate itself, watching over me and protecting me. The very fact that I do not know you personally, while feeling so close to you, accords you in my eyes the special status of an unseen but benevolent presence, like a benign Providence.

In 1884 Tchaikovsky and von Meck became related by marriage when one of her sons, Nikolay, married Tchaikovsky's niece Anna Davydova. However, in 1890 she suddenly ended her relationship with the composer. She was suffering from health problems that made writing difficult; there were family pressures, and also financial difficulties arising from the mismanagement of her estate by her son Vladimir. The break with Tchaikovsky was announced in a letter delivered by a trusted servant, rather than by the usual postal service. It contained a request that he not forget her, and was accompanied by a year's subsidy in advance. She claimed bankruptcy, which, if not literally true, was evidently a real threat at the time.

Tchaikovsky may have been aware for nearly a year of his patroness's financial difficulties. While he may have no longer needed her money as much as in the past, the loss of her friendship and encouragement was devastating; he remained bewildered and resentful about her abrupt disappearance for the remaining three years of his life.

Years of wandering

Alexander III, who remained a devotee of Tchaikovsky's music, conferred an award and a lifelong pension on the composer.]]

Tchaikovsky returned to Moscow Conservatory in the autumn of 1879, having been away from Russia for a year after the disintegration of his marriage. However, he quickly resigned, settling in Kamenka yet traveling incessantly. This may have been due in part to troubles with Antonina, who alternately agreed to, then refused, divorce, at one point exacerbating matters by moving into an apartment directly above her husband's. These factors may explain why, except for the piano trio which he wrote upon the death of Nikolai Rubinstein, his best work from this period is found in genres which did not depend heavily on personal expression.

While Tchaikovsky's reputation grew rapidly outside Russia, it was, as Alexandre Benois wrote in his memoirs, "considered obligatory [in progressive musical circles in Russia] to treat Tchaikovsky as a renegade, a master overly dependent on the West." An unprecedented acclaim for Dostoyevsky's message spread throughout Russia, and disdain for Tchaikovsky's music dissipated. He even drew a cult following among the young intelligentsia of St. Petersburg, including Benois, Léon Bakst and Sergei Diaghilev.

, Moscow in 1903]]

In 1880 the Cathedral of Christ the Saviour, commissioned by Tsar Alexander I to commemorate the defeat of Napoleon in 1812, was nearing completion in Moscow; the 25th anniversary of the coronation of Alexander II in 1881 was imminent; and the 1882 Moscow Arts and Industry Exhibition was in the planning stage. Nikolai Rubinstein suggested a grand commemorative piece for use in related festivities. Tchaikovsky began the project in October 1880, finishing it within six weeks. He wrote to Nadezhda von Meck that the resulting work, the 1812 Overture, would be "very loud and noisy, but I wrote it with no warm feeling of love, and therefore there will probably be no artistic merits in it." He also warned conductor Eduard Nápravník that "I shan't be at all surprised and offended if you find that it is in a style unsuitable for symphony concerts."

On March 23, 1881, Nikolai Rubinstein died in Paris. Tchaikovsky was holidaying in Rome, and he went immediately to attend the funeral in Paris for his greatly respected mentor, but arrived too late (although he was part of a group of people who saw Rubinstein's coffin off on a train back to Russia). In December, he started work on his Piano Trio in A minor, "dedicated to the memory of a great artist." The trio was first performed privately at the Moscow Conservatory, where Rubinstein had been director, on the first anniversary of his death by three of its staff—pianist Sergei Taneyev, violinist Jan Hřímalý and cellist Wilhelm Fitzenhagen. The piece became extremely popular during the composer's lifetime and, in an ironic twist of fate, became Tchaikovsky's own elegy when played at memorial concerts in Moscow and St. Petersburg in November 1893.

Return to Russia

During 1884, now 44 years old, Tchaikovsky began to shed his unsociability and restlessness. In March of that year Tsar Alexander III conferred upon him the Order of St. Vladimir (fourth class), which carried with it hereditary nobility This rehabilitation may have been cemented in the composer's mind with the extreme success of his Orchestral Suite No. 3 at its January 1885 premiere in Saint Petersburg, under Hans von Bülow's direction. The press was likewise unanimously favorable.

, now the Tchaikovsky Museum]]

In 1885, after Tchaikovsky resettled in Russia, the Tsar asked personally for a new production of Eugene Onegin to be staged in Saint Petersburg. The opera had previously been seen only in Moscow, produced by a student ensemble from the Conservatory. Though critical reception to the Saint Petersburg production of Onegin was negative, the opera drew full houses every night; 15 years later the composer's brother Modest identified this as the moment Tchaikovsky became known and appreciated by the masses, and he achieved the greatest degree of popularity ever accorded to a Russian composer. News of the opera's success spread, and the work was produced by opera houses throughout Russia and abroad.

A feature of the Saint Petersburg production of Onegin was that Alexander III requested that the opera be staged not at the Mariyinsky Theater but at the Bolshoi Kamennïy Theater. This served notice that Tchaikovsky's music was replacing Italian opera as the official imperial art. In addition, thanks to Ivan Vsevolozhsky, Director of the Imperial Theaters and a patron of the composer, Tchaikovsky was awarded a lifetime pension of 3,000 rubles per year from the Tsar. This essentially made him the premier court composer, in practice if not in actual title.

While he still felt a disdain for public life, Tchaikovsky now participated in it for two reasons—his increasing celebrity and what he felt was his duty to promote Russian music. To this end, he helped support his former pupil Taneyev, who was now director of Moscow Conservatory, by attending student examinations and negotiating the sometimes sensitive relations among various members of the staff. He had wanted to conquer conducting for at least a decade, as he saw that success outside Russia depended to some extent on his conducting his own works. Within a year of the Cherevichki performances, Tchaikovsky was in considerable demand throughout Europe and Russia, which helped him overcome a life-long stage fright and boosted his self-assurance. Conducting brought him to America in 1891, where he led the New York Music Society's orchestra in his Festival Coronation March at the inaugural concert of New York's Carnegie Hall.

In 1888 Tchaikovsky led the premiere of his Fifth Symphony in Saint Petersburg, repeating the work a week later with the first performance of his tone poem Hamlet. While both works were received with extreme enthusiasm by audiences, critics proved hostile, with César Cui calling the symphony "routine" and "meretricious." Undeterred, Tchaikovsky continued to conduct the symphony in Russia and Europe.

Belyayev circle

, 1887.]] In November 1887, Tchaikovsky arrived in Saint Petersburg in time to hear several of the Russian Symphony Concerts, which were devoted exclusively to the music of Russian composers. One of these concerts included the first complete performance of the final version of his First Symphony; another featured the premiere of the revised version of Rimsky-Korsakov's Third Symphony. Before this visit Tchaikovsky had spent much time keeping in touch with Rimsky-Korsakov and those around him. Rimsky-Korsakov, along with Alexander Glazunov, Anatoly Lyadov and several other nationalistically minded composers and musicians, had formed a group called the Belyayev circle. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Glazunov's work.

A side benefit of Tchaikovsky's friendship with Glazunov, Lyadov and Rimsky-Korsakov was an increased confidence in his own abilities as a composer, along with a willingness to let his musical works stand alongside those of his contemporaries. Tchaikovsky wrote to Nadezhda von Meck in January 1889, after being once again well-represented in Belyayev's concerts, that he had "always tried to place myself outside all parties and to show in every way possible that I love and respect every honorable and gifted public figure in music, whatever his tendency", and that he considered himself "flattered to appear on the concert platform" beside composers in the Belyayev circle. This was an acknowledgment of wholehearted readiness for his music to be heard with that of these composers, delivered in a tone of implicit confidence that there were no comparisons from which to fear.

In 1892, Tchaikovsky was voted a member of the Académie des Beaux-Arts in France; he was only the second Russian, after the sculptor Mark Antokolsky, to be so honored. The following year, the University of Cambridge in Britain awarded Tchaikovsky an honorary Doctor of Music degree.

Death

Tchaikovsky died in Saint Petersburg on November 6, 1893, nine days after the premiere of his Sixth Symphony, the Pathétique. Though only 53 years old, he lived a long life compared to many Russian 19th century composers. He was interred in Tikhvin Cemetery at the Alexander Nevsky Monastery, near the graves of fellow-composers Alexander Borodin, Mikhail Glinka, Nikolai Rimsky-Korsakov, Mily Balakirev and Modest Mussorgsky. Because of the Pathétique's formal innovation and the overwhelming emotional content of its outer movements, the work was received by the public with silent incomprehension at its first performance. The second performance, led by Nápravník, took place 20 days later at a memorial concert and was much more favorably received. The Pathétique has since become one of Tchaikovsky's best known works.

Tchaikovsky's death has traditionally been attributed to cholera, most probably contracted through drinking contaminated water several days earlier. However, some, including English musicologist and Tchaikovsky authority David Brown and biographer Anthony Holden, have theorized that his death was a suicide. According to one variation of the theory, a sentence of suicide was imposed in a "court of honor" by Tchaikovsky's fellow alumni of the St. Petersburg Imperial School of Jurisprudence, as a censure of the composer's homosexuality. This unproven theory was first broached publicly by Russian musicologist Alexandra Orlova in 1979, when she emigrated to the West. Wiley writes in the New Grove'' (2001), "The polemics over [Tchaikovsky's] death have reached an impasse ... Rumor attached to the famous die hard ... As for illness, problems of evidence offer little hope of satisfactory resolution: the state of diagnosis; the confusion of witnesses; disregard of long-term effects of smoking and alcohol. We do not know how Tchaikovsky died. We may never find out ....." He adds, however, that "there is more attractive and resourceful music in some of these pieces than one might be inclined to expect."

Creative range

Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques. His music showcases a wide range and breadth of technique, from a poised "Classical" form simulating 18th century Rococo elegance, to a style more characteristic of Russian nationalists, or (according to Brown) a musical idiom expressly to channel his own overwrought emotions. Despite his reputation as a "weeping machine," self-expression was not a central principle for Tchaikovsky. In a letter to von Meck dated December 5, 1878, he explained there were two kinds of inspiration for a symphonic composer, a subjective and an objective one, and that program music could and should exist, just as it was impossible to demand that literature make do without the epic element and limit itself to lyricism alone. Correspondingly, the large scale orchestral works Tchaikovsky composed can be divided into two categories—symphonies in one category, and other works such as symphonic poems in the other. According to musicologist Francis Maes, program music such as Francesca da Rimini or the Manfred Symphony was as much a part of the composer's artistic credo as the expression of his "lyric ego." Maes also identifies a group of compositions which fall outside the dichotomy of program music versus "lyrical ego," where he hearkens toward pre-Romantic aesthetics. Works in this group include the four orchestral suites, Capriccio Italien, the Violin Concerto and the Serenade for Strings.

One of the recognizable characteristics of Tchaikovsky’s works is his use of harmony or rhythm to create a sudden, powerful release of emotion. Like the other Romantic composers of the era, Tchaikovsky colored his works with rich harmonies, utilizing German Augmented Sixth chords, minor triads with added major sixths, and augmented triads. These colorful harmonies progressed to moments of extreme emotion. Though the peaks were preceded by building tension, Tchaikovsky was often criticized for his lack of development throughout his material. Yet what critics failed to accept was the fact that Tchaikovsky was not attempting to smoothly develop his works, but rather disregard seamless flow and embrace the intense emotion created by momentous bursts of fervid harmonies.

Reception and reputation

Although Tchaikovsky's music has always been popular with audiences, it has at times been judged harshly by musicians and composers. However, his reputation as a significant composer is now generally regarded as secure. His music has won a significant following among concert audiences that is second only to the music of Beethoven, thanks in large part to what Harold C. Schonberg terms "a sweet, inexhaustible, supersensuous fund of melody ... touched with neuroticism, as emotional as a scream from a window on a dark night." According to Wiley, this combination of supercharged melody and surcharged emotion polarized listeners, with popular appeal of Tchaikovsky's music counterbalanced by critical disdain of it as vulgar and lacking in elevated thought or philosophy.

He may also have been influenced by the almost "eighteenth-century" patronage prevalent in Russia at the time, which was still strongly influenced by its aristocracy. In this style of patronage, the patron and the artist often met on equal terms. Dedications of works to patrons were not gestures of humble gratitude but expressions of artistic partnership. The dedication of the Fourth Symphony to Nadezhda von Meck is known to be a seal on their friendship. Tchaikovsky's relationship with Duke Konstantin Konstantinovich bore creative fruit in the Six Songs, Op. 63, for which the grand duke wrote the words. Tchaikovsky found no aesthetic conflict in playing to the tastes of his audiences, though it was never established that he satisfied any other tastes but his own. The patriotic themes and stylization of 18th-century melodies in his works lined up with the values of the Russian aristocracy.

Compositional style

According to Brown in the New Grove (1980), Tchaikovsky's melodies ranged "from Western style to folksong stylizations and occasionally folksongs themselves." His use of repetitions within these melodies generally reflect the sequential style of Western practices, which he sometimes extended at immense length, building "into an emotional experience of almost unbearable intensity."

Holden maintains that Tchaikovsky was the first legitimate professional Russian composer, stating that only traditions of folksong and music for the Russian Orthodox Church existed before Tchaikovsky's birth. Holden continues, "Twenty years after Tchaikovsky's death, in 1913, Igor Stravinsky's The Rite of Spring erupted onto the musical scene, signalling Russia's arrival into 20th century music. Between these two very different worlds Tchaikovsky's music became the sole bridge."

Russian musicologist Solomon Volkov maintains that Tchaikovsky was perhaps the first Russian composer to think seriously about his country's place in European musical culture. As the composer wrote to Nadezhda von Meck from Paris,

How pleasant it is to be convinced firsthand of the success of our literature in France. Every book étalage displays translations of Tolstoy, Turgenev, and Dostoyevsky ... The newspapers are constantly printing rapturous articles about one or another of these writers. Perhaps such a time will come for Russian music as well!

Tchaikovsky became the first Russian composer to personally acquaint foreign audiences with his own works, as well as those of other Russian composers. He also formed close business and personal ties with many of the leading musicians of Europe and the United States. For Russians, Volkov asserts, this was all something new and unusual.

Finally, the impact of Tchaikovsky's own works, especially in ballet, should not be underestimated; his mastery of danseuse (melodies which match physical movements perfectly), along with vivid orchestration, effective themes and continuity of thought were unprecedented in the genre, setting new standards for the role of music in classical ballet. Noel Goodwin characterized Swan Lake as "one of [ballet's] enduring masterworks" while Wiley called the latter work "powerful, diverse and rhythmically complex."

See also

Tchaikovsky in popular media

Footnotes

Notes

References

ed Abraham, Gerald, Music of Tchaikovsky (New York: W.W. Norton & Company, 1946). ISBN n/a.

* Lockspeiser, Edward, "Tchaikovsky the Man"

* Cooper, Martin, "The Symphonies"

* Blom, Eric, "Works for Solo Instrument and Orchestra"

* Wood, Ralph W., "Miscellaneous Orchestral Works"

* Mason, Colin, "The Chamber Music"

* Dickinson, A.E.F., "The Piano Music"

* Abraham, Gerald, "Operas and Incidental Music"

* Evans, Edwin, "The Ballets"

* Alshvang, A., tr. I. Freiman, "The Songs"

* Abraham, Gerald, "Religious and Other Choral Music"

Brown, David, ed. Stanley Sadie, "Tchaikovsky, Pyotr Ilyich", The New Grove Encyclopedia of Music and Musicians (London: MacMillan, 1980), 20 vols. ISBN 0-333-23111-2.

Brown, David, Tchaikovsky: The Early Years, 1840–1874 (New York: W.W. Norton & Company, 1978). ISBN 0-393-07535-2.

Brown, David, Tchaikovsky: The Crisis Years, 1874–1878, (New York: W.W. Norton & Company, 1983). ISBN 0-393-01707-9.

Brown, David, Tchaikovsky: The Years of Wandering, 1878–1885, (New York: W.W. Norton & Company, 1986). ISBN 0-393-02311-7.

Brown, David, Tchaikovsky: The Final Years, 1885–1893, (New York: W.W. Norton & Company, 1991). ISBN 0-393-03099-7.

Brown, David, Tchaikovsky: The Man and His Music (New York: Pegasus Books, 2007). ISBN 0-571-23194-2.

Figes, Orlando, Natasha's Dance: A Cultural History of Russia (New York: Metropolitan Books, 2002). ISBN 0-8050-5783-8 (hc.).

Goodwin, Noel, ed. Stanley Sadie, "Dance: VI. 19th Century, (iv) The classical ballet in Russia to 1900", The New Grove Encyclopedia of Music and Musicians (London: MacMillan, 1980), 20 vols. ISBN 0-333-23111-2.

Hanson, Lawrence and Hanson, Elisabeth, Tchaikovsky: The Man Behind the Music (New York: Dodd, Mead & Company). Library of Congress Catalog Card No. 66–13606.

Holden, Anthony, Tchaikovsky: A Biography (New York: Random House, 1995). ISBN 0-679-42006-1.

Jackson, Timothy L., Tchaikovsky, Symphony no. 6 (Pathétique) (Cambridge: Cambridge University Press, 1999). ISBN 0-521-64676-6.

Maes, Francis, tr. Arnold J. Pomerans and Erica Pomerans, A History of Russian Music: From Kamarinskaya to Babi Yar (Berkeley, Los Angeles and London: University of California Press, 2002). ISBN 0-520-21815-9.

Mochulsky, Konstantin, tr. Minihan, Michael A., Dostoyevsky: His Life and Work (Princeton: Princeton University Press, 1967). Library of Congress Catalog Card No. 65–10833.

Poznansky, Alexander Tchaikovsky: The Quest for the Inner Man (New York: Schirmer Books, 1991). ISBN 0-02-871885-2.

Poznansky, Alexander. Tchaikovsky through others' eyes. (Bloomington: Indiana Univ. Press, 1999). ISBN 0-253-33545-0.

Rimsky-Korsakov, Nikolai, Letoppis Moyey Muzykalnoy Zhizni (St. Petersburg, 1909), published in English as My Musical Life (New York: Knopf, 1925, 3rd ed. 1942). ISBN n/a.

Schonberg, Harold C. Lives of the Great Composers (New York: W.W. Norton & Company, 3rd ed. 1997). ISBN 0-393-03857-2.

Steinberg, Michael, The Concerto (New York and Oxford: Oxford University Press, 1998).

Steinberg, Michael, The Symphony (New York and Oxford: Oxford University Press, 1995).

Tchaikovsky, Modest, Zhizn P.I. Chaykovskovo [Tchaikovsky's life], 3 vols. (Moscow, 1900–1902).

Tchaikovsky, Pyotr, Perepiska s N.F. von Meck [Correspondence with Nadzehda von Meck], 3 vols. (Moscow and Lenningrad, 1934–1936).

Tchaikovsky, Pyotr, Polnoye sobraniye sochinery: literaturnïye proizvedeniya i perepiska [Complete Edition: literary works and correspondence], 17 vols. (Moscow, 1953–1981).

Volkov, Solomon, tr. Bouis, Antonina W., St. Petersburg: A Cultural History (New York: The Free Press, a division of Simon & Schuster, Inc., 1995). ISBN 0-02-874052-1.

Warrack, John, Tchaikovsky Symphonies and Concertos (Seattle: University of Washington Press, 1969). Library of Congress Catalog Card No. 78–105437.

Warrack, John, Tchaikovsky (New York: Charles Scribner's Sons, 1973). SBN 684-13558-2.

Wiley, Roland John, Tchaikovsky's Ballets (Oxford and New York: Oxford University Press, 1985). ISBN 0-198-16249-9.

Wiley, Roland John. "Tchaikovsky, Pyotr Ilyich", The New Grove Dictionary of Music and Musicians, Second Edition (London: Macmillian, 2001). ISBN 1-56159-239-0.

Zajaczkowski, Henry. Tchaikovsky's Musical Style (Russian Music Studies, 19). Ann Arbor, MI: Umi Research Pr, 1987.

Further reading

Kamien, Roger. Music: An Appreciation. Mcgraw-Hill College; 3rd edition (August 1, 1997). ISBN 0-07-036521-0.

ed. John Knowles Paine, Theodore Thomas, and Karl Klauser (1891). Famous Composers and Their Works, J.B. Millet Company.

E. Evans : Tchaikovsky (London, 1906/R, 3/1966)

Garden, Edward. Tchaikovsky.. New York: London: Dent 1973. (Master Musicians), 1973

Holden, Anthony. Tchaikovsky. Toronto, Ontario, Canada: Penguin, 1997.

L. and E. Hanson : Tchaikovsky: a New Study of the Man and his Music (London, 1965)

Meck Galina Von, Tchaikovsky Ilyich Piotr, Young Percy M. Tchaikovsky Cooper Square Publishers; 1st Cooper Square Press edition (October, 2000) ISBN 0-8154-1087-5.

Meck, Nadezhda Von, Tchaikovsky Peter Ilyich, To My Best Friend: Correspondence Between Tchaikovsky and Nadezhda Von Meck 1876–1878 (New York and Oxford: Oxford University Press, 1993) ISBN 0-19-816158-1.

Meck, Galina von. Piotr Ilich Tchaikovsky: Letters to His Family: An Autobiography.

Review: Brown, David. "Review: Tchaikovsky Revealed." The Musical Times, 123 (Jan., 1982): 32

Norris, Geoffrey. "Tchaikovsky and the 18th Century." The Musical Times 118 (1977),715-16.

Poznansky, Alexander & Langston, Brett The Tchaikovsky Handbook: A guide to the man and his music. (Indiana University Press, 2002).

: Vol. 1. Thematic Catalogue of Works, Catalogue of Photographs, Autobiography. ISBN 0-253-33921-9.

: Vol. 2. Catalogue of Letters, Genealogy, Bibliography. ISBN 0-253-33947-2.

Poznansky, Alexander, Tchaikovsky's Last Days, (New York and Oxford: Oxford University Press, 1996), ISBN 0-19-816596-X.

Warrack, John Hamilton. Tchaikovsky Ballet Music (BBC Music Guides, 41). The Art Institute of Chicago: Olympic Marketing Corp, 1980.

Review: Garden, Edward. "Review: Tchaikovsky in Perspective," The Musical Times (Oct. 1979), 831.

Bowen, Catherine Drinker and Barbara Von Meck, "BELOVED FRIEND": THE STORY OF TCHAIKOWSKY AND NADEJDA VON MECK, New York: Random House (1937).

External links

Tchaikovsky Research

Tchaikovsky performances on ClassicalTV

Tchaikovsky cylinder recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.

Turgenev and Tchaikovsky (with music samples)

Public domain sheet music

Mutopia Project Tchaikovsky Sheet Music at Mutopia

Category:1840 births Category:1893 deaths Category:Ballet composers Category:Composers of Christian music Category:LGBT musicians Category:Opera composers Category:Honorary Members of the Royal Philharmonic Society Category:Imperial School of Jurisprudence alumni Category:Moscow Conservatory faculty Category:LGBT Christians Category:LGBT composers Category:LGBT people from Russia Category:People from Votkinsk Category:Recipients of the Order of St. Vladimir Category:Romantic composers Category:Russian ballet Category:Russian composers Category:Russian music critics Category:Russian Orthodox Christians Category:Russian people of French descent Category:Russian people of Ukrainian descent Category:Saint Petersburg Conservatory alumni Category:Russian music educators

Img alt	A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare.
Landscape	no
Background	solo_singer
Birth name	Michael Joe Jackson
Alias	Michael Joseph Jackson, Michael Jackson, King of Pop
Born	August 29, 1958Gary, Indiana, U.S.
Died	June 25, 2009Los Angeles, California, U.S.
Instrument	Vocals, Piano, Drums, Beatbox, Guitar, Bass Guitar
Genre	R&B;, pop rock, electronic
Occupation	Singer-songwriter, record producer, composer, musician, dancer, choreographer, actor, author, businessman, philanthropist
Years active	1964–2009
Label	Motown, Epic, Legacy
Associated acts	The Jackson 5
Url

Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, dancer, singer-songwriter, and philanthropist. Referred to as the King of Pop, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The eighth child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5 in the mid-1960s, and began his solo career in 1971.

In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs including "Beat It", "Billie Jean" and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of dance techniques, such as the robot and the moonwalk. His distinctive musical sound and vocal style have influenced numerous hip hop, pop, contemporary R&B; and rock artists.

Jackson's 1982 album Thriller is the best-selling album of all time. His other records, including Off the Wall (1979), Bad (1987), Dangerous (1991) and (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him one of the most-awarded recording artist in the history of music. He was also a notable humanitarian and philanthropist, donating and raising hundreds of millions of dollars for beneficial causes and supporting more than 39 charities.

Aspects of Jackson's personal life, including his changing appearance, personal relationships and behavior, have generated controversy. In 1993, he was accused of child sexual abuse, but the case was settled out of court and no formal charges were brought. In 2005, he was tried and acquitted of further sexual abuse allegations and several other charges after the jury ruled him not guilty on all counts. While preparing for his concert series This Is It, Jackson died on June 25, 2009, after suffering from cardiac arrest. Before his death, Jackson had reportedly been administered drugs such as propofol and lorazepam. The Los Angeles County Coroner declared his death a homicide, and his personal physician pleaded not guilty to charges of involuntary manslaughter. Jackson's death triggered a global outpouring of grief, and as many as one billion people around the world reportedly watched his public memorial service on live television. In March 2010, Sony Music Entertainment signed a US$250 million deal with Jackson's estate to retain distribution rights to his recordings until 2017, and to release seven posthumous albums over the decade following his death. His first posthumous album of new material, simply titled Michael, was released on December 14, 2010.

Life and career

Early life and The Jackson 5 (1958–1975)

, showing floral tributes after his death.]] Michael Jackson was born on August 29, 1958, the eighth of ten children in an African American working-class family, in Gary, Indiana, an industrial suburb of Chicago. His mother, Katherine Esther Scruse, was a devout Jehovah's Witness, and his father, Joseph Walter "Joe" Jackson, was a steel mill worker who performed with an R&B; band called The Falcons. Jackson had three sisters: Rebbie, La Toya, and Janet, and five brothers: Jackie, Tito, Jermaine, Marlon, and Randy. A sixth brother, Brandon, died shortly after birth.

Jackson had a troubled relationship with his father, Joe. Jackson stated that he was physically and emotionally abused during incessant rehearsals, though he also credited his father's strict discipline with playing a large role in his success. Jackson first spoke openly about his childhood abuse in an interview with Oprah Winfrey, broadcast in February 1993. He admitted that he had often cried from loneliness and he would vomit on the sight of his father. Jackson's father was also said to have verbally abused Jackson, saying that he had a fat nose on numerous occasions. In fact, Michael Jackson's deep dissatisfaction with his appearance, his nightmares and chronic sleep problems, his tendency to remain hyper-compliant especially with his father, and to remain child-like throughout his adult life are in many ways consistent with the effects of this chronic maltreatment he endured as a young child. Childhood abuse is also known to impair neurobiological development (i.e. impairing the brain circuitry involved in addiction, motivation and incentive) causing increased susceptibility to drug addiction, which he struggled with; in addition to increased susceptibility by the psychological factor of emotional pain relief.

In an interview with Martin Bashir, later included in the 2003 broadcast of Living with Michael Jackson, Jackson acknowledged that his father hurt him when he was a child, but was nonetheless a "genius", as he admitted his father's strict discipline played a huge role in his success. When Bashir dismissed the positive remark and continued asking about beatings, Jackson put his hand over his face and objected to the questions. He recalled that Joseph sat in a chair with a belt in his hand as he and his siblings rehearsed, and that "if you didn't do it the right way, he would tear you up, really get you".

In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by brothers Jackie, Tito, and Jermaine—as backup musicians playing congas and tambourine. Jackson later began performing backup vocals and dancing. When he was eight, Jackson began sharing the lead vocals with his older brother Jermaine, and the group's name was changed to The Jackson 5.

The Jackson 5 recorded several songs, including "Big Boy", for the local record label Steeltown in 1967, before signing with Motown Records in 1968. The group set a chart record when its first four singles ("I Want You Back", "ABC", "The Love You Save", and "I'll Be There") peaked at number one on the Billboard Hot 100.

Move to Epic and Off the Wall (1975–1981)

In June 1975, the Jackson 5 signed with Epic Records, a subsidiary of CBS Records They continued to tour internationally, releasing six more albums between 1976 and 1984, during which Jackson was the lead songwriter, writing hits such as "Shake Your Body (Down to the Ground)", "This Place Hotel," and "Can You Feel It". In 1979, Jackson broke his nose during a complex dance routine. His subsequent rhinoplasty was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoefflin, who performed Jackson's second rhinoplasty and subsequent operations.

Jones and Jackson produced the Off the Wall album together. Songwriters for the album included Jackson, Rod Temperton, Stevie Wonder, and Paul McCartney. Released in 1979, it was the first solo album to generate four U.S. top 10 hits, including the chart-topping singles "Don't Stop 'til You Get Enough" and "Rock with You". It reached number three on the Billboard 200 and eventually sold over copies worldwide. In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B; Album, Favorite Soul/R&B; Male Artist, and Favorite Soul/R&B; Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Year-End for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B; Vocal Performance, also for "Don't Stop 'Til You Get Enough". Jackson again won at the American Music Awards in 1981 for Favorite Soul/R&B; Album and Favorite Soul/R&B; Male Artist. Despite its commercial success, Jackson felt Off the Wall should have made a much bigger impact, and was determined to exceed expectations with his next release. In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.

Thriller and Motown 25 (1982–83)

In 1982, Jackson contributed the song "Someone In the Dark" to the storybook for the film E.T. the Extra-Terrestrial; the record won a Grammy for Best Recording for Children in 1984. In the same year he won another seven Grammys and eight American Music Awards (including the Award of Merit, the youngest artist to win it), making him the most awarded in one night for both award shows. These awards were thanks to the Thriller album, released in late 1982, which was the 1983's best-selling album worldwide and became the best-selling album of all time in the United States, as well as the best-selling album of all time worldwide, selling an estimated copies so far. The album topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It," and "Wanna Be Startin' Somethin'." Thriller was certified for 29 million shipments by the RIAA, giving it Double Diamond status in the United States. The album won also another Grammy for Best Engineered Recording – Non Classical in 1984, awarding Bruce Swedien for his work. Jackson's attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of his recordings. The videocassette of the documentary The Making of Michael Jackson's Thriller sold over 350,000 copies in a few months. The era saw the arrival of novelties like dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12. Biographer J. Randy Taraborrelli writes that, "Thriller stopped selling like a leisure item—like a magazine, a toy, tickets to a hit movie—and started selling like a household staple." In 1985, The Making of Michael Jackson's Thriller won a Grammy for Best Music Video, Longform.

Time described Jackson's influence at that point as "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".

In March 1983, Jackson reunited with his brothers for a legendary live performance which was taped for a television special. The show aired on May 16, 1983, to an audience of viewers, and featured the Jacksons and a number of other Motown stars. It is best remembered for Jackson's solo performance of "Billie Jean". Wearing a distinctive black sequin jacket and golf glove decorated with rhinestones, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member, Jeffrey Daniel had taught him three years before. The Jacksons' performance drew comparisons to Elvis Presley's and The Beatles' appearances on The Ed Sullivan Show. Anna Kisselgoff of The New York Times later wrote, "The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing."

Pepsi, "We Are the World" and business career (1984–85)

and first lady Nancy Reagan, 1984]]

On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi Cola commercial, overseen by executive Phil Dusenberry, from ad agency BBDO and Pepsi's Worldwide Creative Director, Alan Pottasch at the Shrine Auditorium in Los Angeles. In front of a full house of fans during a simulated concert, pyrotechnics accidentally set Jackson's hair on fire. He suffered second-degree burns to his scalp. Jackson underwent treatment to hide the scars on his scalp, and he also had his third rhinoplasty shortly thereafter. Dusenberry later recounted the episode in his memoir, Then We Set His Hair on Fire: Insights and Accidents from a Hall of Fame Career in Advertising.

On May 14, 1984, Jackson was invited to the White House to receive an award from President Ronald Reagan for his support of charities that helped people overcome alcohol and drug abuse. Jackson won eight awards during the Grammys that year. Unlike later albums, Thriller did not have an official tour to promote it, but the 1984 Victory Tour, headlined by The Jacksons, showcased much of Jackson's new solo material to more than two million Americans. He donated all the funds (around ) raised from the Victory Tour to charity. He also co-wrote the charity single "We Are the World" in 1985 with Lionel Richie, which was released worldwide to aid the poor in the U.S. and Africa. It became one of the best-selling singles of all time, with nearly 30 million copies sold and millions of dollars donated to famine relief. In 1986, "We Are the World" won four Grammys (one for Jackson for Song of the Year). American Music Award directors removed the charity song from the competition because they felt it would be inappropriate, but recognised it with two special honors (one for the creation of the song and one for the USA for Africa idea). They are the only AMAs that Jackson won as non-solo artist.

In 1984, ATV Music Publishing, which had the copyrights to nearly 4000 songs, including the Northern Songs catalog that contained the majority of the Lennon/McCartney compositions recorded by The Beatles, was put up for sale by Robert Holmes à Court. Jackson had become interested in owning music catalogs after working with Paul McCartney in the early 1980s: Jackson had learned McCartney made approximately $40 million a year from other people's songs. In 1981, McCartney was offered the ATV music catalog for £20 million ($40 million USD). According to McCartney, he contacted Yoko Ono about making a joint purchase by splitting the cost equally at £10 million each, but Ono thought they could buy it for £5 million each. Also, an attorney for McCartney assured Jackson's attorney, John Branca, that McCartney was not interested in bidding: McCartney reportedly said "It's too pricey" According to J. Randy Taraborrelli's biography, in 1986, Jackson was diagnosed with vitiligo and lupus; the vitiligo partially lightened his skin, and the lupus was in remission; both illnesses made him sensitive to sunlight. The treatments he used for his condition further lightened his skin tone, and, with the application of pancake makeup to even out blotches, he could appear very pale. Jackson was also diagnosed with vitiligo in his autopsy. Several surgeons speculated that he had undergone various nasal surgeries, a forehead lift, thinned lips, and cheekbone surgery—although Jackson denied this and insisted that he only had surgery on his nose. Jackson claimed that he had only two rhinoplasties and no other surgery on his face, although at one point he mentioned having a dimple created in his chin. Jackson lost weight in the early 1980s because of a change in diet and a desire for "a dancer's body". Witnesses reported that he was often dizzy and speculated that he was suffering from anorexia nervosa; periods of weight loss would become a recurring problem later in life.

During the course of his treatment, Jackson made two close friends: his dermatologist, Dr. Arnold Klein, and Klein's nurse Debbie Rowe. Rowe eventually became Jackson's second wife and the mother of his two eldest children. Long before becoming romantically involved with her, Jackson relied heavily on Rowe for emotional support. He also relied heavily on Klein, for medical and business advice.

, here in the early stages of the disease]] Jackson became the subject of increasingly sensational reports. In 1986, the tabloids ran a story claiming that Jackson slept in a hyperbaric oxygen chamber to slow the aging process; he was pictured lying down in a glass box. Although the claim was untrue, according to tabloid reports that are widely cited, Jackson had disseminated the fabricated story himself. When Jackson bought a chimpanzee called Bubbles from a laboratory, he was reported to be increasingly detached from reality. It was reported that Jackson had offered to buy the bones of Joseph Merrick (the "elephant man") and although untrue, Jackson did not deny the story. These reports became embedded in the public consciousness, inspiring the nickname "Wacko Jacko," which Jackson came to despise. Responding to the gossip, Jackson remarked to Taraborrelli:

Jackson collaborated with Francis Ford Coppola on the 17-minute 3-D film Captain EO, which debuted in September 1986 at both the original Disneyland and at EPCOT in Florida, and in March 1987 at Tokyo Disneyland. The $30 million movie was a popular attraction at all three parks. A Captain EO attraction was later featured at Euro Disneyland after that park opened in 1992. All four parks' Captain EO installations stayed open well into the 1990s: Paris' installation was the last one to close, in 1998. The attraction would later return to Disneyland after Jackson's death in 2010.

In 1987, Jackson disassociated himself from the Jehovah's Witnesses, in response to their disapproval of the Thriller video. With the industry expecting another major hit, Jackson's first album in five years, Bad (1987), was highly anticipated. It did not top Thriller as a commercial or artistic triumph, but Bad was still a substantial success in its own right.

The Bad album spawned seven hit singles in the U.S., five of which ("I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror" and "Dirty Diana") reached number one on the Billboard Hot 100 charts. This was a record for most number one Hot 100 singles from any one album, including Thriller. Although the title track's video was arguably derivative of the video for the earlier single "Beat It", the "Bad" video still proved to be one of Jackson's iconic moments. It was a gritty but colorful epic set against the backdrop of the New York City Subway system, with costuming and choreography inspired by West Side Story. As of 2008, the album had sold 30 million copies worldwide. Thanks to the Bad album, Bruce Swedien and Humberto Gatica won one Grammy in 1988 for Best Engineered Recording – Non Classical and Michael Jackson won one Grammy for Best Music Video, Short Form for "Leave Me Alone" in 1989. In 1988, "Bad" won an American Music Award for Favorite Soul/R&B; Single.

The Bad World Tour began on September 12 that year, finishing on January 14, 1989. Jackson broke a Guinness World Record when 504,000 people attended seven sold-out shows at Wembley Stadium. He performed a total of 123 concerts to an audience of 4.4 million people. The Bad Tour turned out to be the last of Jackson's concert tours to include shows in the continental United States, although later tours did make it to Hawaii.

Autobiography, changing appearance and Neverland (1988–1990)

"]] In 1988, Jackson released his first and only autobiography, Moonwalk, which took four years to complete and sold 200,000 copies. Jackson wrote about his childhood, The Jackson 5, and the abuse he had suffered. He also wrote about his facial appearance, saying he had had two rhinoplastic surgeries and a dimple created in his chin. The musician then released a film called Moonwalker, which featured live footage and short films that starred Jackson and Joe Pesci. The film was originally intended to be released to theaters but due to financial issues, the film was released direct to video. It debuted atop the Billboard Top Music Video Cassette chart, staying there for 22 weeks. It was eventually knocked off the top spot by Michael Jackson: The Legend Continues. In 1989, his annual earnings from album sales, endorsements, and concerts was estimated at $125 million for that year alone. The nickname was popularized by Elizabeth Taylor when she presented him with the Soul Train Heritage Award in 1989, proclaiming him "the true king of pop, rock and soul." President George H. W. Bush designated him the White House's "Artist of the Decade". From 1985 to 1990, he donated $500,000 to the United Negro College Fund, and all of the profits from his single "Man in the Mirror" went to charity. Jackson's live rendition of "You Were There" at Sammy Davis Jr.'s 60th birthday celebration received an Emmy nomination. displacing Neil Diamond's renewal contract with Columbia Records. He released his eighth album Dangerous in 1991. As of 2008, Dangerous had shipped seven million copies in the U.S. and had sold 32 million copies worldwide. The Dangerous album was co-produced by Teddy Riley, one of the pioneers of "new jack swing" which convinced Michael to feature a rapper on his album for the first time, the act worked and it turned out to be the best-selling album associated with that movement. In the United States, the album's first single "Black or White" was its biggest hit, reaching number one on the Billboard Hot 100 and remaining there for seven weeks, with similar chart performances worldwide. In 1993, Jackson performed the song at the Soul Train Awards in a chair, saying he had suffered an injury in rehearsals. In the UK and other parts of Europe, "Heal the World" was the biggest hit from the album; it sold 450,000 copies in the UK and spent five weeks at number two in 1992. He sold the broadcast rights to his Dangerous world tour to HBO for $20 million, a record-breaking deal that still stands.

Following the illness and death of Ryan White, Jackson helped draw public attention to HIV/AIDS, something that was still controversial at the time. He publicly pleaded with the Clinton Administration at Bill Clinton's Inaugural Gala to give more money to HIV/AIDS charities and research. In a high-profile visit to Africa, Jackson visited several countries, among them Gabon and Egypt. His first stop to Gabon was greeted with a sizable and enthusiastic reception of more than 100,000 people, some of them carrying signs that read, "Welcome Home Michael."

First child sexual abuse allegations and first marriage (1993–94)

Jackson gave a 90-minute interview to Oprah Winfrey in February 1993, his second television interview since 1979. He grimaced when speaking of his childhood abuse at the hands of his father; he believed he had missed out on much of his childhood years, admitting that he often cried from loneliness. He denied tabloid rumors that he had bought the bones of the Elephant Man, slept in a hyperbaric oxygen chamber, or bleached his skin, stating for the first time that he had vitiligo. The interview was watched by an American audience of 90 million. Dangerous re-entered the album chart in the top 10, more than a year after its original release. The Chandler family demanded payment from Jackson, and the singer initially refused. Jordan Chandler eventually told the police that Jackson had sexually abused him. Dr. Chandler was tape-recorded discussing his intention to pursue charges, saying, "If I go through with this, I win big-time. There's no way I lose. I will get everything I want and they will be destroyed forever ... Michael's career will be over". Jordan's mother was, however, adamant that there had been no wrongdoing on Jackson's part. a fact confirmed in his autopsy. His friends said he never recovered from the humiliation of the strip search. The investigation was inconclusive and no charges were ever filed. Jackson described the search in an emotional public statement, and proclaimed his innocence. On January 1, 1994, Jackson's insurance carrier settled with the Chandlers out of court for $22 million. A Santa Barbara County grand jury and a Los Angeles County grand jury disbanded on May 2, 1994 without indicting Jackson. After which time the Chandlers stopped co-operating with the criminal investigation around July 6, 1994. The out-of-court settlement's documentation specifically stated Jackson admitted no wrongdoing and no liability; the Chandlers and their family lawyer Larry Feldman signed it without contest. The Chandlers' lawyer Mr. Feldman also explicitly stated "nobody bought anybody's silence". A decade after the fact, during the second round of child abuse allegations, Jackson's lawyers would file a memo stating that the 1994 settlement was done without his consent. According to a friend of Presley's, "their adult friendship began in November 1992 in L.A." They stayed in contact every day over the telephone. As the child molestation accusations became public, Jackson became dependent on Presley for emotional support; she was concerned about his faltering health and addiction to drugs. Presley explained, "I believed he didn't do anything wrong and that he was wrongly accused and yes I started falling for him. I wanted to save him. I felt that I could do it." She eventually persuaded him to settle the allegations out of court and go into rehabilitation to recover. At the time, the tabloid media speculated that the wedding was a ploy to prop up Jackson's public image. The marriage lasted less than two years and ended with an amicable divorce settlement. In a 2010 interview with Oprah, Presley admitted that they spent four more years after the divorce "getting back together and breaking up", until she decided to stop.

HIStory, second marriage and fatherhood (1995–99)

In 1995, Jackson merged his ATV Music catalog with Sony's music publishing division creating Sony/ATV Music Publishing. Jackson retained half-ownership of the company, earned $95 million upfront as well as the rights to even more songs. He then released the double album . The first disc, HIStory Begins, was a 15-track greatest hits album, and was later reissued as in 2001, while the second disc, HIStory Continues, contained 15 new songs. The album debuted at number one on the charts and has been certified for seven million shipments in the US. It is the best-selling multiple-disc album of all-time, with 20 million copies (40 million units) sold worldwide. HIStory received a Grammy nomination for Album of the Year. "You Are Not Alone" was the second single released from HIStory; it holds the Guinness World Record for the first song ever to debut at number one on the Billboard Hot 100 chart. "Earth Song" was the third single released from HIStory, and topped the UK singles chart for six weeks over Christmas 1995; it sold a million copies, making it Jackson's most successful single in the UK. In 1996, Jackson won a Grammy for Best Music Video, Short Form for "Scream" and an American Music Award for Favorite Pop/Rock Male Artist.

The album was promoted with the successful HIStory World Tour. The tour began on September 7, 1996, and finished on October 15, 1997. Jackson performed 82 concerts in 58 cities to over 4.5 million fans, and grossed up a total of . The show, which visited five continents and 35 countries, became Jackson's most successful in terms of audience figures. During the tour, Jackson married his longtime friend Deborah Jeanne Rowe, a dermatology nurse, in an impromptu ceremony in Sydney, Australia. Rowe was approximately six months pregnant with the couple's first child at the time. Originally, Rowe and Jackson had no plans to marry, but Jackson's mother Katherine persuaded them to do so. Michael Joseph Jackson Jr (commonly known as Prince) was born on February 13, 1997; his sister Paris-Michael Katherine Jackson was born a year later on April 3, 1998. The couple divorced in 1999, and Jackson got full custody of the children. The divorce was relatively amicable, but a subsequent custody suit was not settled until 2006. It reached number one in the UK, as did the title track. In the US, the album was certified platinum, but only reached number 24. Later that month, Jackson organized a set of "Michael Jackson & Friends" benefit concerts in Germany and Korea. Other artists involved included Slash, The Scorpions, Boyz II Men, Luther Vandross, Mariah Carey, A. R. Rahman, Prabhu Deva Sundaram, Shobana, Andrea Bocelli and Luciano Pavarotti. The proceeds went to the "Nelson Mandela Children's Fund", the Red Cross and UNESCO.

Label dispute, Invincible and third child (2000–03)

At the turn of the century, the American Music Awards honored Jackson as Artist of the '80s. Throughout 2000 and 2001, Jackson worked in the studio with Teddy Riley and Rodney Jerkins, as well as other collaborators. These sessions would result in the album Invincible, released in October 2001. Invincible was Jackson's first full-length album in six years, and it would be the last album of new material he released while still alive. The release of the album was preceded by a dispute between Jackson and his record label, Sony Music Entertainment. Jackson had expected the licenses to the masters of his albums to revert to him sometime in the early 2000s. Once he had the licenses, he would be able to promote the material however he pleased and he would also be able to keep all the profits. However, due to various clauses in the contract, the revert date turned out to be many years away. Jackson discovered that the attorney who represented him in the deal was also representing Sony. After 9/11, Jackson helped organize the benefit concert at RFK Stadium in Washington, D.C. The concert took place on October 21, 2001, and included performances from dozens of major artists, including Jackson, who performed his song "What More Can I Give" as the finale. However, the sales for Invincible were lower than those of his previous releases, due in part to a lack of promotion, no supporting world tour and the label dispute. The album also came out at a bad time for the music industry in general. He charged that Mottola had called his colleague Irv Gotti a "fat nigger". Sony refused to renew Jackson's contract, and claimed that a promotional campaign had failed because Jackson refused to tour in the United States.

In 2002, Michael Jackson won his 22nd American Music Award for Artist of the Century. In the same year, Jackson's third child, Prince Michael Jackson II (nicknamed "Blanket") was born. The mother's identity is unknown, but Jackson has said the child was the result of artificial insemination from a surrogate mother and his own sperm. On November 20 of that year, Jackson brought his newborn son onto the balcony of his room at the Hotel Adlon in Berlin, as fans stood below, holding him in his right arm, with a cloth loosely draped over the baby's face. The baby was briefly extended over a railing, four stories above ground level, causing widespread criticism in the media. Jackson later apologized for the incident, calling it "a terrible mistake". Sony released Number Ones, a compilation of Jackson's hits on CD and DVD. In the US, the album was certified triple platinum by the RIAA; in the UK it was certified six times platinum for shipments of at least units.

Second child sexual abuse allegations and acquittal (2003–05)

Beginning in May 2002, Jackson allowed a documentary film crew, led by British TV personality Martin Bashir, to follow him around just about everywhere he went. Bashir's film crew was with Jackson during the "baby-dangling incident" in Berlin. The program was broadcast in March 2003 as Living with Michael Jackson, and painted an extraordinarily unflattering portrait of the singer.

In a particularly controversial scene, Jackson was seen holding hands and discussing sleeping arrangements with a young boy. As soon as the documentary aired, the Santa Barbara county attorney's office began a criminal investigation. Jackson was arrested in November 2003, and was charged with seven counts of child molestation and two counts of administering an intoxicating agent in relation to the 13 year old boy shown in the film. After the trial, in a highly publicized relocation he moved to the Persian Gulf island of Bahrain, as a guest of Sheikh Abdullah.

Final years (2006–09)

, 2006]] In March 2006, the main house at the Neverland Ranch was closed as a cost-cutting measure. There were numerous reports around that time that Jackson was having financial problems. Jackson had been deliquent on his repayments of a $270 million loan secured against his music publishing holdings, even though those holdings were reportedly making him as much as a year. Bank of America sold the debt to Fortress Investments. Sony reportedly proposed a restructuring deal which would give them a future option to buy half of Jackson's stake in their jointly owned publishing company (leaving Jackson with a 25% stake). Jackson did not have a recording contract in place with Sony or any other major record label at the time.

In the spring of 2006, there was an announcement that Jackson had signed a contract with a Bahrain-based startup called Two Seas Records. However, nothing ever came of that deal, and the CEO of Two Seas, Guy Holmes, later stated that the deal had never been finalized. Throughout 2006, Sony repackaged 20 singles from the 1980s and 1990s as the series, which subsequently became a boxed set. Most of those singles returned to the charts as a result. In September 2006, Jackson and his ex-wife Debbie Rowe confirmed reports that they had settled their long-running child custody suit. The terms were never made public. Jackson continued to be the custodial parent of the couple's two children. In October 2006, Fox News entertainment reporter Roger Friedman said that Jackson had been recording at a studio in rural Westmeath, Ireland. It was not known at the time what Jackson might be working on, or who might be paying for the sessions, since his publicist had recently issued a statement claiming that he had left Two Seas.

In November 2006, Jackson invited an Access Hollywood camera crew into the studio in Westmeath, and MSNBC broke the story that he was working on a new album, produced by will.i.am of The Black Eyed Peas. Jackson returned to the United States after Christmas 2006 to attend James Brown's funeral in Augusta, Georgia. He gave one of the eulogies, saying that "James Brown is my greatest inspiration." In the spring of 2007, Jackson and Sony teamed up to buy yet another music publishing company: Famous Music LLC, formerly owned by Viacom. This deal gave him the rights to songs by Eminem, Shakira and Beck, among others. Jackson recorded extensively during this period in New York with songwriter and producer will.i.am and also in Las Vegas with producers Akon and RedOne. In March 2007, Jackson gave a brief interview to the Associated Press in Tokyo, where he said, "I've been in the entertainment industry since I was 6 years old, and as Charles Dickens would say, 'It's been the best of times, the worst of times.' But I would not change my career ... While some have made deliberate attempts to hurt me, I take it in stride because I have a loving family, a strong faith and wonderful friends and fans who have, and continue, to support me."

In September 2007 Jackson was reportedly still working with will.i.am, but the album was apparently never completed. However, in 2008, Jackson and Sony released Thriller 25 to mark the 25th anniversary of the original Thriller. This album featured the previously unreleased song "For All Time" (an outtake from the original sessions) as well as remixes, where Jackson collaborated with younger artists who had been inspired by his work. Two of the remixes were released as singles with only modest success: "The Girl Is Mine 2008" (with will.i.am) and "Wanna Be Startin' Somethin' 2008" (with Akon). The first single was based on an early demo version, without Paul McCartney. The album itself was a hit, however. In anticipation of Jackson's 50th birthday, Sony BMG released a series of greatest-hits albums called King of Pop. Slightly different versions were released in various countries, based on polls of local fans. King of Pop reached the top 10 in most countries where it was issued, and also sold well as an import in other countries (such as the United States.)

In the fall of 2008, Fortress Investments threatened to foreclose on Neverland Ranch, which Jackson used as collateral for loans running into many tens of millions of dollars. However, Fortress opted to sell Jackson's debts to Colony Capital LLC. In November, Jackson transferred Neverland Ranch's title to Sycamore Valley Ranch Company LLC, which was a joint venture between Jackson and Colony Capital LLC. This deal cleared Jackson's debt, and he reportedly even gained an extra from the venture. At the time of his death, Jackson still owned a stake in Neverland/Sycamore Valley, but it is unknown how large that stake was. In September 2008, Jackson entered negotiations with Julien's Auction House to display and auction a large collection of memorabilia amounting to approximately 1,390 lots. The auction was scheduled to take place between April 22 and April 25. An exhibition of the lots opened as scheduled on April 14, but the actual auction was eventually cancelled at Jackson's request.

In March 2009, Jackson held a press conference at London's O₂ Arena and announced a series of comeback concerts titled This Is It. The shows would be Jackson's first major series of concerts since the HIStory World Tour finished in 1997. Jackson suggested possible retirement after the shows; he said it would be his "final curtain call". The initial plan was for 10 concerts in London, followed by shows in Paris, New York City and Mumbai. Randy Phillips, president and chief executive of AEG Live, stated that the first 10 dates alone would earn the singer approximately . The London residency was increased to 50 dates after record breaking ticket sales: over one million were sold in less than two hours. Jackson rehearsed in Los Angeles in the weeks leading up to the tour under the direction of choreographer Kenny Ortega. Most of these rehearsals took place at the Staples Center, which was owned by AEG. The concerts would have commenced on July 13, 2009, and finished on March 6, 2010. Less than three weeks before the first show was due to begin in London and with all concerts being sold out, Jackson died after suffering cardiac arrest. Sometime before his death, it was widely stated that he was starting a clothing line with Christian Audigier. However, due to Jackson's untimely death, the current status of the label remains unknown.

Jackson's first posthumous single was a song entitled "This Is It" which Jackson cowrote in the 1980s with Paul Anka. It was not on the set lists for the concerts, and the recording was based on an old demo tape. The surviving brothers reunited in the studio for the first time since 1989 to record backing vocals. On October 28, 2009, a documentary film about the rehearsals entitled Michael Jackson's This Is It was released. Even though it ran for a limited two-week engagement, it became the highest grossing documentary or concert movie of all time, with earnings of more than worldwide. Jackson's estate received 90% of the profits. The film was accompanied by a compilation album of the same name. Two versions of the new song appear on the album, which also featured original masters of Jackson's hits in the order in which they appear in the movie, along with a bonus disc with previously unreleased versions of more Jackson hits as well as a spoken word poem entitled "Planet Earth". At the 2009 American Music Awards Jackson won four posthumous awards, two for him and two for his album Number Ones, bringing his total American Music Awards total to 26. Los Angeles Fire Department paramedics received a 911 call at 12:22 (PDT, 19:22 UTC), arriving three minutes later at Jackson's location. He was reportedly not breathing and CPR was performed. Resuscitation efforts continued en route to the Ronald Reagan UCLA Medical Center, and for an hour after arriving there at 1:13 (20:13 UTC). He was pronounced dead at 2:26 local time (21:26 UTC). Jackson's death triggered a global outpouring of grief. Google initially believed that the input from millions of people searching for "Michael Jackson" meant that the search engine was under attack. Twitter reported a crash, as did Wikipedia at PDT ( EDT). The Wikimedia Foundation reported nearly a million visitors to Jackson's biography within one hour, probably the most visitors in a one-hour period to any article in Wikipedia's history. AOL Instant Messenger collapsed for 40 minutes. AOL called it a "seminal moment in Internet history", adding, "We've never seen anything like it in terms of scope or depth."

Around 15% of Twitter posts—or 5,000 per minute—reportedly mentioned Jackson after the news broke, compared to the 5% recalled as having mentioned the Iranian elections or the flu pandemic that had made headlines earlier in the year. MTV and Black Entertainment Television (BET) aired marathons of Jackson's music videos. Jackson specials aired on multiple television stations around the world. The British soap opera EastEnders added a last-minute scene, in which one character tells another about the news, to the June 26 episode. Jackson was the topic of every front-page headline in the daily British tabloid The Sun for about two weeks following his death. During the same period, the three major U.S. networks' evening newscasts—ABC World News, CBS Evening News, and NBC Nightly News—devoted 34% of their broadcast time to him. Magazines including Time published commemorative editions. A scene that had featured Jackson's sister La Toya was cut from the film Brüno out of respect toward Jackson's family.

Jackson's memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Jackson's casket was present during the memorial but no information was released about the final disposition of the body. While some unofficial reports claimed a worldwide audience as high as one billion people, the U.S. audience was estimated by Nielsen to be 31.1 million, an amount comparable to the estimated that watched the 2004 burial of former president Ronald Reagan, and the estimated Americans who watched the 1997 funeral for Princess Diana.

Mariah Carey, Stevie Wonder, Lionel Richie, John Mayer, Jennifer Hudson, Usher, Jermaine Jackson, and Shaheen Jafargholi performed at the event. Berry Gordy and Smokey Robinson gave eulogies, while Queen Latifah read, "We had him," a poem written for the occasion by Maya Angelou. The Reverend Al Sharpton received a standing ovation with cheers when he told Jackson's children, "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway." Jackson's 11-year-old daughter, Paris Katherine, cried as she told the crowd, "Ever since I was born, Daddy has been the best father you could ever imagine ... I just wanted to say I love him ... so much." Reverend Lucious Smith provided a closing prayer. On August 24, several news outlets quoted anonymous sources as stating that the Los Angeles coroner had decided to treat Jackson's death as a homicide; this was later confirmed by the coroner on August 28. At the time of death, Jackson had been administered propofol, lorazepam and midazolam. Law enforcement officials conducted a manslaughter investigation of his personal physician, Conrad Murray. On February 8, 2010, Murray was charged with involuntary manslaughter by prosecutors in Los Angeles. Jackson was entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California.

On June 25, 2010, the first anniversary of Jackson's death, fans came to Los Angeles to pay their tribute to him. They visited Jackson’s star on the Hollywood Walk of Fame and his family’s home, as well as Forest Lawn Memorial Park. Many of the fans were carrying sunflowers and other tribute items to drop off at the sites. Members of the Jackson family and close friends arrived to pay their respects. Katherine returned to Gary, Indiana to unveil a granite monument constructed in the front yard of the family home. The memorial continued with a candlelight vigil and a special performance of "We Are the World." On June 26, there was a protest march in front of the Los Angeles Police Department's Robbery-Homicide Division at the old Parker Center building and a petition with thousands of signatures demanding justice was delivered. The Jackson Family Foundation in conjunction with Voiceplate presented "Forever Michael", an event bringing together Jackson family members, celebrities, fans, supporters and the community to celebrate and honor his legacy. A portion of the proceeds ere presented to some of Jackson's favorite charities. Katherine also introduced her new book "Never Can Say Goodbye."

Death aftermath

After his death, Jackson became the best-selling artist of 2009 in the United States selling over 8.2 million albums and had sold albums worldwide in the 12 months that followed his death. Following this surge in sales, Sony announced that they had extended their relationship with his material. The distribution rights held by Sony Music were due to expire in 2015. On March 16, 2010, Sony Music Entertainment, in a move spearheaded by its Columbia/Epic Label Group division, signed a new deal with the Jackson estate to extend their distribution rights to his back catalogue until at least 2017, as well as to obtain permission to release ten new albums with previously unreleased material and new collections of released work. On November 4, 2010 Sony announced the release of Michael, the first posthumous album set to be released on December 14, with the promotional single released to the radios on November 8, entitled "Breaking News". The deal was unprecedented in the music industry as it is the most expensive music contract pertaining to a single artist in history; it reportedly involved Sony Music paying for the deal, with the Jackson estate getting the full sum as well as its share of royalties for all works released. Video game developer Ubisoft announced it would release a new dancing-and-singing game featuring Michael Jackson for the 2010 holiday season. The game entitled will be among the first to use Kinect and PlayStation Move, the respective motion-detecting camera systems for Microsoft's Xbox 360 and Sony's PlayStation 3 due out later that year. Cirque du Soleil announced on 3 November 2010 that it would launch "Michael Jackson: The Immortal World Tour" in October 2011 in Montreal. The 90-minute US$57M production will combine Jackson's iconic musical oeuvre and choreography with the Cirque's signature artistry, dance and aerial displays involving 65 artists. The tour was written and directed by Jamie King and centers on Jackson's "inspirational Giving Tree - the wellspring of creativity where his love of music and dance, fairy tale and magic, and the fragile beauty of nature are unlocked."

Artistry

Influences

Jackson's music took root in R&B;, pop and soul. He had been influenced by the work of contemporary musicians such as Little Richard, James Brown, Jackie Wilson, Diana Ross, David Ruffin, Gene Kelly, Fred Astaire, Sammy Davis, Jr., The Isley Brothers, and the Bee Gees. While Little Richard had a substantial influence on Jackson, James Brown was Jackson's greatest inspiration. In reference to Brown, Jackson declared: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."

The young Michael Jackson owed his vocal technique in large part to Diana Ross. In October 1969, it was decided that Jackson would live with Ross. Not only a mother figure to him, she was often observed in rehearsal as an accomplished performer. He later expressed: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang – just the way she was." He told her: "I want to be just like you, Diana." She said: "You just be yourself." But Jackson owed part of his enduring style—especially his use of the oooh interjection—to Ross. From a young age, Jackson often punctuated his verses with a sudden exclamation of oooh. Diana Ross had used this effect on many of the songs recorded with The Supremes.

Musical themes and genres

Unlike many artists, Jackson did not write his songs on paper. Instead he would dictate into a sound recorder, and when recording he would sing the lyrics from memory. In most of his songs, such as "Billie Jean", "Who Is It", and "Tabloid Junkie", he would beatbox and imitate the instruments using his voice instead of playing the actual instruments, along with other sounds. Jackson noted that it is easier to sing a drum line, or sing a bass, instead of playing a drum line or a bass with an instrument. Several critics have said that Jackson's distinct voice is able to replace any instrument convincingly. Steve Huey of Allmusic said that, throughout his solo career, Jackson's versatility allowed him to experiment with various themes and genres. In "Billie Jean", Jackson sings about an obsessive fan who alleges he has fathered a child of hers. "Beat It" decried gang violence in an homage to West Side Story, and was Jackson's first successful rock cross-over piece, according to Huey. The lead single "I Just Can't Stop Loving You" is a traditional love ballad, while "Man in the Mirror" is an anthemic ballad of confession and resolution. He comments the album is more diverse than his previous Bad, as it appeals to an urban audience while also attracting the middle class with anthems like "Heal the World". Dangerous contains sexually charged efforts such as the multifaceted love song, "In the Closet".

HIStory creates an atmosphere of paranoia. Its content focuses on the hardships and public struggles Jackson went through just prior to its production. In the new jack swing-funk-rock efforts "Scream" and "Tabloid Junkie", along with the R&B; ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs much of his anger at the media. In the introspective ballad "Stranger in Moscow", Jackson laments over his "fall from grace", while songs like "Earth Song", "Childhood", "Little Susie" and "Smile" are all operatic pop pieces. Invincible found Jackson working heavily with producer Rodney Jerkins. It is a record made up of urban soul like "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn" and "Butterflies" and mixes Hip-Hop, Pop and R&B; in "2000 Watts", "Heartbreaker" and "Invincible".

Vocal style

Jackson sang from childhood, and over time his voice and vocal style changed noticeably. Between 1971 and 1975, Jackson's voice descended from boy soprano to high tenor. Jackson first used a technique called the "vocal hiccup" in 1973, starting with the song "It's Too Late to Change the Time" from The Jackson 5's album. Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of Off the Wall: it can be seen in full force in the "Shake Your Body (Down to the Ground)" promotional video. 1982 saw the release of Thriller, and Rolling Stone was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness". It contains many features of Jackson's vocal style, including the vocal hiccup he is known for.}}

A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelt "cha'mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album Dangerous. The New York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".

Music videos and choreography

Referred to as the King of Music Videos, Steve Huey of Allmusic observed how Jackson transformed the music video into an art form and a promotional tool through complex story lines, dance routines, special effects and famous cameo appearances; simultaneously breaking down racial barriers. Before Thriller, Jackson struggled to receive coverage on MTV, allegedly because he was African American. Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", leading to a lengthy partnership with Jackson, also helping other black music artists gain recognition. MTV employees deny any racism in their coverage, or pressure to change their stance. MTV maintains that they played rock music, regardless of race. The popularity of his videos on MTV helped to put the relatively young channel "on the map"; MTV's focus shifted in favor of pop and R&B.; His performance on Motown 25: Yesterday, Today, Forever changed the scope of live stage show; "That Jackson lip-synced 'Billie Jean' is, in itself, not extraordinary, but the fact that it did not change the impact of the performance is extraordinary; whether the performance was live or lip-synced made no difference to the audience" thus creating an era in which artists re-create the spectacle of music video imagery on stage. Short films like Thriller largely remained unique to Jackson, while the group dance sequence in "Beat It" has frequently been imitated. The choreography in Thriller has become a part of global pop culture, replicated everywhere from Indian films to prisons in the Philippines. The Thriller short film marked an increase in scale for music videos, and has been named the most successful music video ever by the Guinness World Records. For "Smooth Criminal", Jackson experimented with an innovative "anti-gravity lean" in his performances. The maneuver required special shoes for which he was granted U.S. Patent No. 5,255,452. Although the music video for "Leave Me Alone" was not officially released in the US, in 1989, it was nominated for four Billboard Music Video Awards, winning three; the same year it won a Golden Lion Award for the quality of the special effects used in its production. In 1990, "Leave Me Alone" won a Grammy for Best Music Video, Short Form.

The MTV Video Vanguard Artist of the Decade Award was given to Jackson to celebrate his accomplishments in the art form in the 1980s; the following year the award was renamed in his honor. "Black or White" was accompanied by a controversial music video, which, on November 14, 1991, simultaneously premiered in 27 countries with an estimated audience of 500 million people, the largest viewing ever for a music video. Along with Jackson, it featured Macaulay Culkin, Peggy Lipton and George Wendt. It helped usher in morphing as an important technology in music videos.

"Remember the Time" was an elaborate production, and became one of his longest videos at over nine minutes. Set in ancient Egypt, it featured groundbreaking visual effects and appearances by Eddie Murphy, Iman and Magic Johnson, along with a distinct complex dance routine. The video for "In the Closet" was Jackson's most sexually provocative piece. It featured supermodel Naomi Campbell in a courtship dance with Jackson. The video was banned in South Africa because of its imagery. The song and its accompanying video are a response to the backlash Jackson received from the media after being accused of child molestation in 1993. A year later, it won a Grammy for Best Music Video, Short Form; shortly afterwards Guinness World Records listed it as the most expensive music video ever made at a cost of $7 million.

"Earth Song" was accompanied by an expensive and well-received music video that gained a Grammy nomination for Best Music Video, Short Form in 1997. The video had an environmental theme, showing images of animal cruelty, deforestation, pollution and war. Using special effects, time is reversed so that life returns, wars end, and the forests re-grow. Released in 1997 and premiering at the 1996 Cannes Film Festival, Michael Jackson's Ghosts was a short film written by Jackson and Stephen King and directed by Stan Winston. The video for Ghosts is over 38 minutes long and holds the Guinness World Record as the world's longest music video.

Legacy and influence

, set in 1984]] Jackson throughout his career transformed the art of the music video and paved the way for modern pop music. Daily Telegraph writer Tom Utley described Jackson in 2003 as "extremely important" and a "genius." For much of his career, he had an "unparalleled" level of worldwide influence over the younger generation through his musical and humanitarian contributions. Mariah Carey, Usher, Green Day, Britney Spears, Justin Timberlake,

Allmusic's Steve Huey describes Jackson as "an unstoppable juggernaut, possessed of all the skills to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility and loads of sheer star power".

Shortly after Jackson's death, on June 25, 2009, MTV briefly returned to its original music video format to celebrate and pay tribute to his work. The channel aired many hours of Jackson's music videos, accompanied by live news specials featuring reactions from MTV personalities and other celebrities. The temporary shift in MTV's programming culminated the following week in the channel's live coverage of Jackson's memorial service. At the memorial service on July 7, 2009, founder of Motown Records Berry Gordy proclaimed Jackson as "the greatest entertainer that ever lived."

In 2010, two university librarians found that Jackson's influence extended into academia, and was detectable in scholarly literature pertaining to a range of subject matter. The two researchers combed through various scholars' writings, and compiled an annotated bibliography of those writings that appeared to meet at least one of several criteria. Among these criteria were appearance in a peer-reviewed journal, and the provision of insight into the nature of "popular icons including Jackson". The bibliography located references to Jackson in research reports concerning music, popular culture, and an array of other topics. The bibliographers identified as their most peculiar finding an argument that certain aspects of chemistry can be effectively taught by altering and imitating elements of Jackson's singing. One of the research librarians later reflected that "the fact that someone would take a Michael Jackson song and co-opt it as a means to convey chemistry concepts just shows the pervasiveness of Jackson's influence".

Honors and awards

, Hollywood in Universal City, California.]]

Michael Jackson was inducted onto the Hollywood Walk of Fame in 1980 as member of the The Jacksons and in 1984 as solo artist. Throughout his career he received numerous honors and awards, including the World Music Awards' Best-Selling Pop Male Artist of the Millennium, the American Music Award's Artist of the Century Award and the Bambi Pop Artist of the Millennium Award. He was a double-inductee of the Rock and Roll Hall of Fame, once as a member of The Jackson 5 in 1997 and later as a solo artist in 2001. Jackson was also inducted in several other hall of fames, including Vocal Group Hall of Fame (as The Jackson 5 member) in 1999, Songwriters Hall of Fame in 2002 and Hit Parade Hall of Fame (with his brothers) in 2009. In 2010, Jackson was inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. His awards include many Guinness World Records (eight in 2006 alone), 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award), 26 American Music Awards (24 only as a solo artist, including the "Artist of the Century", but not the poll of "Artist of the '80s")—more than any artist—, 13 number one singles in the US in his solo career—more than any other male artist in the Hot 100 era—and estimated sales of up to 750 million records worldwide, making him the world's best selling male solo pop artist. On December 29, 2009, the American Film Institute recognized Jackson's passing as a "moment of significance" saying, "Michael Jackson's sudden death in June at age 50 was notable for the worldwide outpouring of grief and the unprecedented global eulogy of his posthumous concert rehearsal movie This Is It." Michael Jackson also received a Doctor of Humane Letters Degree from the United Negro College Fund and also an Honorary Doctorate of Humane Letters from Fisk University.

Lifetime earnings

His total lifetime earnings from royalties on his solo recordings and music videos, revenue from concerts and endorsements have been estimated at $500 million; some analysts have speculated that his music catalog holdings could be worth billions of dollars. This speculation however is contradicted by financial documents obtained by the Associated Press, which showed that as of March 31, 2007, Jackson's 50 percent stake in the Sony/ATV Music Publishing catalog (his most prized asset) was worth $390.6 million and Michael Jackson's net worth was . Billboard has estimated that Jackson has generated at least in revenue in the year following his death.

Discography

Got to Be There (1972)

Ben (1972)

Music & Me (1973)

Forever, Michael (1975)

Off the Wall (1979)

Thriller (1982)

Bad (1987)

Dangerous (1991)

(1995)

Invincible (2001)

Filmography

{| class="wikitable sortable" |- !Year!!Film!!Role!!Director |- style="text-align:center;" ||1978||The Wiz||Scarecrow|| |- style="text-align:center;" ||1986||Captain EO||Captain EO|| |- style="text-align:center;" ||1988||Moonwalker||Himself|| |- style="text-align:center;" ||1997||Michael Jackson's Ghosts||Maestro/Mayor/Ghoul/Skeleton|| |- style="text-align:center;" ||2002||Men in Black II||Agent M (cameo)|| |- style="text-align:center;" ||2004||Miss Cast Away and the Island Girls||Agent MJ (cameo)|| |- style="text-align:center;" ||2009||Michael Jackson's This Is It||Himself|| |}

Tours

Bad World Tour (1987–89)

Dangerous World Tour (1992–93)

HIStory World Tour (1996–97)

This Is It (2009–10) (cancelled)

See also

Honorific nicknames in popular music

List of best-selling music artists

List of best-selling music artists in the United States

List of unreleased Michael Jackson material

Notes

Bibliography

Further reading

External links

Michael Jackson Hip Hop influence & samples

Michael Jackson Live: Best Pics - slideshow by Life magazine

Michael Jackson sample map, depicting the influence Jackson's work has had on other users.

Category:1958 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2009 deaths Category:African American dancers Category:African American music Category:African American non-fiction writers Category:African American poets Category:African American record producers Category:African American rock singers Category:African American singer-songwriters Category:American businesspeople Category:American child singers Category:American choreographers Category:American dance musicians Category:American disco musicians Category:American expatriates in Ireland Category:American humanitarians Category:American male singers Category:American philanthropists Category:American pop singers Category:American rhythm and blues singers Category:American soul singers Category:American vegetarians Category:Beatboxers Category:Boy sopranos Category:BRIT Award winners Category:Burials at Forest Lawn Memorial Park (Glendale) Category:Drug-related deaths in California Category:English-language singers Category:Epic Records artists Category:Former Jehovah's Witnesses Category:Grammy Award winners Michael Jackson Category:Motown artists Category:Musicians from Indiana Category:People from Gary, Indiana Category:People from Santa Barbara County, California Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Indiana Category:Songwriters Hall of Fame inductees Michael Jackson Category:World Music Awards winners Category:World record holders

Name	Keith Jarrett
Background	non_vocal_instrumentalist
Born	May 08, 1945Allentown, Pennsylvania, U.S.
Instrument	PianoOrganSoprano Saxophone
Genre	Jazz, Western classical music, Jazz fusion, Free Improvisation
Label	Atlantic RecordsImpulse! RecordsECM/Universal Classics
Occupation	PianistOrganistComposer
Years active	1966–present

Keith Jarrett (born May 8, 1945, in Allentown, Pennsylvania) is an American pianist/composer who has performed in both jazz and classical music.

Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success in jazz, jazz fusion, and classical music; as a group leader and a solo performer. His improvisations draw not only from the traditions of jazz, but from other genres as well, especially Western classical music, gospel, blues, and ethnic folk music.

In 2003, Jarrett received the Polar Music Prize, the first (and to this day only) recipient not to share the prize with a co-recipient, and in 2004 he received the Léonie Sonning Music Prize.

In 2008, he was inducted into the Down Beat Hall of Fame by the Down Beat 73rd Annual Jazz Readers' Poll.

Early years

Jarrett, who is of Hungarian and Scottish extraction, grew up in suburban Allentown, Pennsylvania, with significant early exposure to music. He possessed absolute pitch, and he displayed prodigious musical talents as a young child. He began piano lessons just before his third birthday, and at age five he appeared on a TV talent program hosted by the swing bandleader Paul Whiteman. The young Jarrett gave his first formal piano recital at the age of seven, playing works by composers including Mozart, Bach, Beethoven, and Saint-Saëns, and ending with two of his own compositions. Encouraged especially by his mother, Jarrett took intensive classical piano lessons with a series of teachers, including Eleanor Sokoloff of the Curtis Institute.

In his teens, as a student at Emmaus High School in Emmaus, Pennsylvania, Jarrett learned jazz and quickly became proficient in it. In his early teens, he developed a strong interest in the contemporary jazz scene; a Dave Brubeck performance was an early inspiration. At one point, he had an offer to study classical composition in Paris with the famed teacher Nadia Boulanger—an opportunity that pleased Jarrett's mother but that Jarrett, already leaning toward jazz, decided to turn down.

Following his graduation from Emmaus High School in 1963, Jarrett moved from Allentown to Boston, Massachusetts, where he attended the Berklee College of Music and played cocktail piano in local clubs. After a year he moved to New York City, where he played at the Village Vanguard.

In New York, Art Blakey hired Jarrett to play with the Jazz Messengers. During a show with that group he was noticed by Jack DeJohnette who (as he recalled years later) immediately realized the talent and the unstoppable flow of ideas of the unknown pianist. DeJohnette talked to Jarrett and soon recommended him to his own band leader, Charles Lloyd. The Charles Lloyd Quartet had formed not long before and were exploring open, improvised forms while building supple grooves; without quite realizing it at first, they were moving into terrain that was also being explored, although from another stylistic background, by some of the psychedelic rock bands of the west coast. Their 1966 album Forest Flower was one of the most successful jazz recordings of the mid-1960s and when they were invited to play the Fillmore in San Francisco, they won over the local hippie audience. Although the band would become plagued by internal instability and (according to Jarrett) siphoning-off of show revenue by Lloyd, its tours across America and Europe, even to Moscow, made Jarrett a widely noticed musician in rock and jazz underground circles. It also laid the foundations of a lasting musical bond with drummer Jack DeJohnette (who also plays the piano). The two would cooperate in many contexts during their later careers.

In those years, Jarrett also began to record his own tracks as a leader of small informal groups, at first in a trio with Charlie Haden and Paul Motian. Jarrett's first album as a leader, Life Between the Exit Signs (1967), was released on the Vortex label, to be followed by Restoration Ruin (1968), which is arguably the most bizarre entry in the Jarrett catalog. Not only does Jarrett barely touch the piano, but he plays all the other instruments on what is essentially a folk-rock album, and even sings. Another trio album with Haden and Motian, titled Somewhere Before, followed later in 1968, this one recorded live for Atlantic Records.

Miles Davis

This version of the Charles Lloyd Quartet came to an end in 1969 because of disputes over money as well as artistic differences. Jarrett was asked to join the Miles Davis group after Miles heard him in a New York City club (according to another version Jarrett tells, Miles had brought his entire band to see a tour date of Jarrett's own trio in Paris; the Davis band being practically the only audience, an attention that made Jarrett feel embarrassed). During his tenure with Davis, he played both Fender Contempo electronic organ and Fender Rhodes electric piano, alternating with Chick Corea; they can be heard side by side on some 1970 recordings, for instance the August, 1970 Isle of Wight Festival performance preserved in the film . After Corea left in 1970, Jarrett often played electric piano and organ simultaneously. Despite his growing dislike of amplified music and electric instruments within jazz, he continued with the group out of respect for Davis and because of his desire to work with Jack DeJohnette. He has often cited Davis as a vital influence, both musical and personal, on his own thinking about music and improvisation.

Jarrett is heard on several Davis albums: , The Cellar Door Sessions (recorded December 16–19, 1970, at the Cellar Door club in Washington, DC), and Live-Evil, which is largely composed of heavily edited Cellar Door recordings. The extended sessions from these recordings can be heard on The Complete Cellar Door Sessions. Jarrett also plays electric organ on Get Up With It; the song he is featured on, "Honky Tonk", is an abridged version of a track available in its entirety on The Complete Jack Johnson Sessions. In addition, part of a track called "Konda" (recorded May 21, 1970) was released during Davis's late-1970s retirement on a compilation album called Directions (1980). The track, which features an extended Fender-Rhodes piano introduction by Jarrett, was released in full on 2003's The Complete Jack Johnson Sessions.

1970s quartets

From 1971 to 1976, Jarrett added saxophonist Dewey Redman to the existing trio with Haden and Motian. The so-called American quartet was often supplemented by an extra percussionist, such as Danny Johnson, Guilherme Franco, or Airto Moreira, and occasionally by guitarist Sam Brown. The quartet members played various instruments, with Jarrett often being heard on soprano saxophone and percussion as well as piano; Redman on musette, a Chinese double-reed instrument; and Motian and Haden on a variety of percussion. Haden also produced a variety of unusual plucked and percussive sounds with his acoustic bass, even running it through a wah-wah pedal for one track ("Mortgage on My Soul," on the album Birth). The group recorded two albums for Atlantic Records in 1971, El Juicio (The Judgement) and Birth; one on Columbia Records, Expectations that included rock-influenced guitar by Sam Brown as well as string and brass arrangements, and for which his contract with Columbia was immediately terminated; seven albums on Impulse! Records; and two on the ECM label.

The last two albums, both recorded for Impulse!, feature mainly the compositions of the other band members, as opposed to Jarrett's own, which dominated the previous albums.

Jarrett's compositions and the strong musical identities of the group members gave this ensemble a very distinctive sound. The quartet's music is an amalgam of free jazz, straight-ahead post-bop, gospel music, and exotic, Middle-Eastern-sounding improvisations.

In the mid- and late 1970s Jarrett led a "European quartet" concurrently with the American quartet, which was recorded by ECM. This combo consisted of saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen.

This ensemble played in a style similar to that of the American quartet, but with many of the avant-garde and Americana elements replaced by the European folk influences that characterized the work of ECM artists at the time.

Jarrett became involved in a legal wrangle following the release of the album Gaucho in 1980 by the U.S. rock band Steely Dan. The album's title track, credited to Donald Fagen and Walter Becker, bore an undeniable resemblance to Jarrett's "Long As You Know You're Living Yours," from the Belonging album. When a Musician magazine interviewer pointed out the similarity, Becker admitted that he loved the Jarrett composition and Fagen said they had been influenced by it. After their comments were published, Jarrett sued, and Becker and Fagen were forced to add his name to the credits and to include him in the royalties.

Solo piano

Jarrett's first album for ECM, Facing You (1971), was a solo piano date recorded in the studio. He has continued to record solo piano albums in the studio intermittently throughout his career, including Staircase (1976), The Moth and the Flame (1981), and The Melody at Night, With You (1999). Book of Ways (1986) is a studio recording of clavichord solos.

The studio albums are modestly successful entries in the Jarrett catalog, but in 1973, Jarrett also began playing totally improvised solo concerts, and it is the popularity of these voluminous concert recordings that has made him one of the best-selling jazz artists in history. Albums released from these concerts include The Köln Concert (1975) which became the best selling piano recording in history; and Sun Bear Concerts (1976) - a 10-LP (and later 6-CD) Box Set.

Jarrett has commented that his best performances have been when he has had only the slightest notion of what he was going to play at the next moment. An apocryphal account of one such performance had Jarrett staring at the piano for several minutes without playing; as the audience grew increasingly uncomfortable, one member shouted to Jarrett, "D sharp!", to which the pianist responded, "Thank you!", and launched into an improvisation.

Jarrett's 100th solo performance in Japan was captured on video at Suntory Hall Tokyo on April 14, 1987, and released the same year. The recording was titled Solo Tribute. This is a set of almost all standard songs.

Another video recording, titled Last Solo, was released in 1987 from a live solo concert at Kan-i Hoken hall, Tokyo, Japan, recorded January 25, 1984.

Both Solo Tribute and Last Solo were reissued on DVD in 2002.

Another of Jarrett's solo concerts, Dark Intervals (1987, Tokyo), had less of a free-form improvisation feel to it because of the brevity of the pieces. Sounding more like a set of short compositions, these pieces are nonetheless entirely improvised.

In the late 1990s, Jarrett was diagnosed with chronic fatigue syndrome (CFS) and was unable to leave his home for long periods of time. It was during this period that he recorded The Melody at Night, With You, a solo piano effort consisting of jazz standards presented with very little of the reinterpretation he usually employs. The album had originally been a Christmas gift to his second wife, Rose Anne.

By 2000, Jarrett had returned to touring, both solo and with the Standards Trio. Two 2002 solo concerts in Japan, Jarrett's first solo piano concerts following his illness, were released on the 2005 CD Radiance (a complete concert in Osaka, and excerpts from one in Tokyo), and the 2006 DVD Tokyo Solo (the entire Tokyo performance). In contrast with previous concerts (which were generally a pair of continuous improvisations 30–40 minutes long), the 2002 concerts consist of a linked series of shorter improvisations (some as short as a minute and a half, a few of fifteen or twenty minutes).

In September 2005 at Carnegie Hall, Jarrett performed his first solo concert in North America in more than ten years, released a year later as a double-CD set (The Carnegie Hall Concert).

On November 26, 2008, he performed solo in the Salle Pleyel in Paris, and a few days later, on December 1, at London's Royal Festival Hall, marking the first time Jarrett had played solo in London in seventeen years. These concerts were released in October 2009 on the album .

The Standards Trio

In 1983, at the suggestion of ECM head Manfred Eicher, Jarrett asked bassist Gary Peacock and drummer Jack DeJohnette, with whom he had worked on Peacock's 1977 album Tales of Another, to record an album of jazz standards, simply titled Standards, Volume 1. Two more albums, Standards, Volume 2 and Changes, both recorded at the same session, followed soon after. The success of these albums and the group's ensuing tour, which came as traditional acoustic post-bop was enjoying an upswing in the early 1980s, led to this new Standards Trio becoming one of the premier working groups in jazz, and certainly one of the most enduring, continuing to record and tour for more than twenty-five years.

The trio has recorded numerous live and studio albums consisting primarily of jazz repertory material. The trio members each cite Ahmad Jamal as a major influence in their musical development for his use of both melodic and multi-tonal lines..

The Jarrett-Peacock-DeJohnette trio also produced recordings that consist largely of challenging original material, most notably 1987's Changeless. (These recordings are noted above.) Several of the standards albums contain an original track or two, some attributed to Jarrett but mostly group improvisations. The live recordings Inside Out and Always Let Me Go (both released in 2001) marked a renewed interest by the trio in wholly improvised free jazz. By this point in their history, the musical communication among these three men had become nothing short of telepathic, and their group improvisations frequently take on a complexity that sounds almost composed. The Standards Trio undertakes frequent world tours of recital halls (the only venues in which Jarrett, a notorious stickler for acoustics, will play these days) and is one of the few truly successful jazz groups to play both straight-ahead (as opposed to smooth) and free jazz.

A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette, at the venue in Delaware Water Gap, Pennsylvania, 40 miles from Jarrett's hometown, where he had his first job as a jazz pianist. It was the first time Jarrett and Motian had played together since the demise of the American quartet sixteen years earlier.

Classical music

Since the early 1970s, Jarrett's success as a jazz musician has enabled him to maintain a parallel career as a classical composer and pianist, recording almost exclusively for ECM Records.

In The Light, an album made in 1973, consists of short pieces for solo piano, strings, and various chamber ensembles, including a string quartet and a brass quintet, and a piece for cellos and trombones. This collection demonstrates a young composer's affinity for a variety of classical styles, with varying degrees of success.

Luminessence (1974) and Arbour Zena (1975) both combine composed pieces for strings with improvising jazz musicians, including Jan Garbarek and Charlie Haden. The strings here have a moody, contemplative feel that is characteristic of the "ECM sound" of the 1970s, and is also particularly well-suited to Garbarek's keening saxophone improvisations. From an academic standpoint, these compositions are dismissed by many classical music aficionados as lightweight, but Jarrett appeared to be working more towards a synthesis between composed and improvised music at this time, rather than the production of formal classical works. From this point on, however, his classical work would adhere to more conventional disciplines.

Ritual (1977) is a composed solo piano piece recorded by Dennis Russell Davies that is somewhat reminiscent of Jarrett's own solo piano recordings.

The Celestial Hawk (1980) is a piece for orchestra, percussion, and piano that Jarrett performed and recorded with the Syracuse Symphony under Christopher Keene. This piece is the largest and longest of Jarrett's efforts as a classical composer.

Bridge of Light (1993) is the last recording of classical compositions to appear under Jarrett's name. The album contains three pieces written for a soloist with orchestra, and one for violin and piano. The pieces date from 1984 and 1990.

In 1988 New World Records released the CD Lou Harrison: Piano Concerto and Suite for Violin, Piano, and Small Orchestra, featuring Jarrett on piano, with Naoto Otomo conducting the piano concerto with the New Japan Philharmonic. Robert Hughes conducted the Suite for Violin, Piano, and Small Orchestra. In 1992 came the release of Jarrett's performance of Peggy Glanville-Hicks's Etruscan Concerto, with Dennis Russell Davies conducting the Brooklyn Philharmonic Orchestra. This was released on Music Masters Classics, with pieces by Lou Harrison and Terry Riley. In 1995 the record label Music Masters Jazz released a CD on which one track featured Jarrett performing the exquisite solo piano part in Lousadzak, a 17-minute piano concerto by American composer Alan Hovhaness. The conductor again was Dennis Russell Davies. Most of Jarrett's classical recordings are of older repertoire, but Jarrett may have been introduced to this modern work by his one-time manager George Avakian, who was a friend of the composer.

In addition to his classical work as a composer, Jarrett has also performed and recorded classical music for ECM New Series since the mid-1980s, including the following:

In 2004, Jarrett was awarded the Léonie Sonning Music Prize. The prestigious award usually associated with classical musicians and composers has only previously been given to one other jazz musician—Miles Davis. The first person to receive the award was Igor Stravinsky, in 1959.

Other works

Jarrett also plays harpsichord, clavichord, organ, soprano saxophone, drums, and many other instruments. He often played saxophone and various forms of percussion in the American quartet, though his recordings since the breakup of that group have rarely featured these instruments. On the majority of his recordings in the last twenty years, he has played acoustic piano only. He has spoken with some regret of his decision to give up playing the saxophone, in particular.

On April 15, 1978, Jarrett was the musical guest on Saturday Night Live. His music has also been used on many television shows, including The Sopranos on HBO. The 2001 German film Bella Martha (English title: Mostly Martha), whose music consultant was ECM founder and head Manfred Eicher, features Jarrett's "Country," from the European quartet album My Song.

Idiosyncrasies

One of Jarrett's trademarks is his frequent, loud vocalizations (grunting, squealing, and tuneless singing), similar to that of Glenn Gould, Thelonious Monk, Erroll Garner, Oscar Peterson, Ralph Sutton, Willie "The Lion" Smith, Paul Asaro, and Cecil Taylor. Jarrett is also physically active while playing, writhing, gyrating, and almost dancing on the piano bench. These behaviors occur in his jazz and improvised solo performances, but are for the most part absent whenever he plays classical repertory. Jarrett has noted his vocalizations are based on involvement, not content, and are more of an interaction than a reaction, ultimately enhancing the quality of the music.

However, Jarrett is notoriously intolerant of audience noise, including coughing and other involuntary sounds, especially during solo improvised performances. He feels that extraneous noise affects his musical inspiration, and distracts from the purity of the sound. As a result, cough drops are routinely supplied to Jarrett's audiences in cold weather, and he has even been known to stop playing and lead the crowd in a group cough. This intolerance was made clear during a concert on October 31, 2006, at the restored Salle Pleyel in Paris. After making an impassioned plea to the audience to stop coughing, Jarrett walked out of the concert during the first half, refusing at first to continue, although he did subsequently return to the stage to finish the first half, and also the second. A further solo concert three days later went undisturbed, following an official announcement beforehand urging the audience to minimize extraneous noise. In 2008, during the first half of another Paris concert, Jarrett complained to the audience about the quality of the piano that he had been given, walking off between solos and remonstrating with staff at the venue. Following an extended interval, the piano was replaced. In 2007, in concert in Perugia during the Umbria Jazz Festival, angered by photographers Jarrett implored the audience: "I do not speak Italian, so someone who speaks English can tell all these assholes with cameras to turn them fucking off right now. Right now! No more photographs, including that red light right there. If we see any more lights, I reserve the right (and I think the privilege is yours to hear us), but I reserve the right and Jack and Gary reserve the right to stop playing and leave the goddamn city!" This caused the organizers of the Festival to declare that they will never invite him again.

Jarrett is also extremely protective of the quality of recordings of his concerts. In 1992, a trio concert at the Royal Festival Hall in London was temporarily stopped as he thought he had identified someone in the audience with a recording device. It turned out to be a light on the mixing desk and the concert resumed after an apology. Similarly, a 2010 concert in Lyon was interrupted after he confused the electric devices on an audience member's wheelchair with recording equipment. The concert resumed, although without apology.

Jarrett has been known for many years to be strongly opposed to electronic instruments and equipment. His liner notes for the 1973 album Solo Concerts: Bremen/Lausanne states: "I am, and have been, carrying on an anti-electric-music crusade of which this is an exhibit for the prosecution. Electricity goes through all of us and is not to be relegated to wires." He has largely eschewed electric or electronic instruments since his time with Miles Davis.

For many years he has been a follower of the teachings of metaphysician and mystic G. I. Gurdjieff. In 1980 he recorded an album of Gurdjieff's compositions, called Sacred Hymns, for ECM.

Personal

Jarrett lives in an 18th-century farmhouse in Oxford Township, New Jersey, in rural Warren County. He uses a converted barn on his property as a recording studio and practice facility.

Jarrett's first marriage, to Margot Erney, ended in divorce. His second wife Rose Anne (née Colavito), of thirty years, divorced him in 2010. Jarrett has four brothers, all younger, two of whom are involved in music. Chris Jarrett is also a pianist, and Scott Jarrett is a producer and songwriter. Noah Jarrett, one of two sons from Jarrett's first marriage, is a bassist and composer.

Discography

References

Sources

Carr, Ian. Keith Jarrett: The Man and His Music. 1992 ISBN 0586092196

Ian Carr, Digby Fairweather, Brian Priestley. 'The Rough Guide to Jazz'. 2003 ISBN 1-84353-256-5

External links

KeithJarrett.it The most complete fan site dedicated to Keith Jarrett

Keith Jarrett fansite.

Interview with Ethan Iverson for BBC (2009)

Art of the States: Keith Jarrett performing Lousadzak, op. 48 (1944) by Alan Hovhaness

Keith Jarrett at Yahoo!Groups.

Keith Jarrett on ECM Records.

Keith Jarrett by Otacílio Melgaço

Keith Jarrett: a short biography (fan site).

"Keith Jarrett Standards Trio Celebrates Its 25th Anniversary" by Ted Gioia Jazz.com.

Keith Jarrett on Marian McPartland's Piano Jazz (NPR).

Recent Interview (2007)

1997 New York Times profile of Jarrett

Keith Jarrett Transcriptions Project – Transcriptions

Keith Jarrett on ECM Records

Category:1945 births Category:20th-century classical composers Category:American jazz composers Category:American jazz organists Category:American jazz pianists Category:American jazz saxophonists Category:American jazz percussionists Category:Songwriters from Pennsylvania Category:Atlantic Records artists Category:Berklee College of Music alumni Category:ECM artists Category:Emmaus High School alumni Category:Hard bop pianists Category:American musicians of Scottish descent Category:American people of Scottish descent Category:American people of Hungarian descent Category:Living people Category:People with chronic fatigue syndrome Category:Mainstream jazz pianists Category:Miles Davis Category:Musicians from New Jersey Category:Musicians from Pennsylvania Category:People from Warren County, New Jersey

Category:People from Allentown, Pennsylvania Category:Avant-garde jazz pianists

Name	Jake Shimabukuro
Background	non_vocal_instrumentalist
Born	November 03, 1976
Instrument	Ukulele
Genre	jazz, blues, funk, classical, bluegrass, folk, flamenco and rock
Years active	1998–present
Associated acts	Pure Heart
Url	www.jakeshimabukuro.com

Jake Shimabukuro (born November 3, 1976 in Honolulu, Hawaii) is a ukulele virtuoso known for his complex finger work. His music combines elements of jazz, rock and pop.

History

Shimabukuro's mother gave him a ukulele at age four and he quickly took an interest in the instrument. A fifth generation Japanese-American, Shimabukuro initially gained attention in Hawaii in 1998 as a member of Pure Heart, a trio with Lopaka Colon (percussion), and Jon Yamasato (guitar). Shimabukuro was working at a music store in Honolulu when the group released its eponymous first album, featuring a sound and style somewhat similar to the Kaau Crater Boys. Their first album won them four Na Hoku Hanohano Awards (the Hawaiian counterpart of the Grammy Awards): Island Contemporary Album of the Year, Most Promising Artist(s), Album of the Year and Favorite Entertainment of the Year, the latter determined by unrestricted public vote.

The following year, they released Pure Heart 2, which earned them another Hoku award for Island Contemporary Album of the year. Yamasato informed the others that he was quitting the group via a newspaper story that ran in the Honolulu Advertiser on Thanksgiving Day, and Shimabukuro and Colon formed another group, Colon, which they named in honor of Colon's father, famed percussionist Augie Colon. The new guitarist was Guy Cruz, younger brother of the Kaau Crater Boys' Ernie Cruz, Jr., and John Cruz. Colon won the Hoku Award for Favorite Entertainer of the Year in 2001, after which Shimabukuro decided to pursue a solo career.

As a solo artist after the break-up of Colon he experimented with using effect pedals to make new sounds that few would associate with a ukulele. He has released an instructional DVD called Play Loud Ukulele, and in 2006, composed the music to the Japanese film Hula Girls, which featured hula dancing and a Hawaiian spa resort as its primary theme and setting respectively.

In November 2009, Shimabukuro accompanied fellow Hawaiian-born Bette Midler at the Royal Variety Show. They performed a rendition of the Beatles song "In My Life" as the first of Midler's three-song set.

Media

Discography

Pure Heart

Pure Heart (1998)

Pure Heart 2 (1999)

Pure Heart 2.5 Christmas (1999)

Colon

The Groove Machine (2000)

Solo

Sunday Morning (2002)

Crosscurrent (2003)

Walking Down Rainhill (2004)

Dragon (2005)

Gently Weeps (2006)

Hula Girls (2006)

My Life (2007)

Live (2009)

Peace Love Ukelele (2011)

Singles

Ehime Maru (2001)

Contributions

Song of America (2007) – Stars & Stripes Forever

Songs of Joy & Peace (2008) - Yo-Yo Ma''

DVD

Million Miles Away (Jake Shimabukuro)

Play Loud Ukulele

Television

Japan

NHK Ongaku Yume Club (音楽・夢くらぶ) – May 12, 2005 57th Kōhaku Uta Gassen – December 31, 2006, alongside Rimi Natsukawa NHK Live in Shibuya: Instrumental Music Concert, February 22, 2007

USA

KHON-TV, Honolulu, Jake Live in Japan – September 2003

Late Night with Conan O'Brien – December 2005

Last Call with Carson Daly – February 2007

Late Night with Conan O'Brien – February 2008

Australia

Spicks and Specks, ABC TV, 24 September 2008

United Kingdom

Royal Variety Performance with Bette Midler – Blackpool, Lancashire, ITV, December 2009

Instruments

Shimabukuro plays a custom-made 4 string tenor ukulele from Kamaka Ukulele. He uses a Line 6 Pod XT Live and AnalysisPlus cables.

References

The 1999 Hoku Award

Pure Heart member changes

Jake Shimabukuro Interview

External links

Official website

YouTube clip of live collaboration with beatboxer Jason Tom

Jake in Concert on midnight ukulele disco

Jake Shimabukuro collection at the Internet Archive's live music archive

Interview with Jake Shimabukuro 2009

2006 Shimabukuro Interview from Modern Guitars Magazine

2006 Shimabukuro Interview on NPR

2006 Shimabukuro Interview from AsiaXpress.com

A biography and listing of Shimabukuro's albums from Sony Music Entertainment Japan

- Photos from live show

Jake Shimabukuro featured at the Waikiki Shell, Hawaii Romance Festival, May 2008

Jake Shimabukuro feature by the Pacific Citizen newspaper, Oct. 2009

Interview with Jake Shimabukuro

Category:Musicians from Hawaii Category:1976 births Category:Living people Category:American people of Japanese descent Category:American people of Okinawan descent Category:American musicians of Japanese descent Category:Ukulele players

Name	Freddie Mercury
Background	solo_singer
Birth name	Farrokh Bulsara
Birth date	September 05, 1946
Birth place	Stone Town, Zanzibar
Origin	London, England, UK
Nationality	British Persian
Death date	November 24, 1991
Death place	Kensington, London, England, United Kingdom
Genre	Rock, Hard rock
Instrument	Vocals, piano, keyboards, guitar
Occupation	Musician, singer-songwriter, record producer
Years active	1969–91
Label	Columbia, Polydor, EMI, Parlophone, Hollywood Records
Associated acts	Queen, Wreckage/Ibex, Montserrat Caballé

Freddie Mercury (born Farrokh Bulsara (Gujarati: ફ્રારુક બલ્સારા‌), 5 September 1946 – 24 November 1991) was a British musician, best known as the lead vocalist and a songwriter of the rock band Queen. As a performer, he was known for his flamboyant stage persona and powerful vocals over a four-octave range. As a songwriter, Mercury composed many hits for Queen, including "Bohemian Rhapsody", "Killer Queen", "Somebody to Love", "Don't Stop Me Now", "Crazy Little Thing Called Love" and "We Are the Champions". In addition to his work with Queen, he led a solo career, penning hits such as "Barcelona", "I Was Born to Love You" and "Living on My Own". Mercury also occasionally served as a producer and guest musician (piano or vocals) for other artists. He died of bronchopneumonia brought on by AIDS on 24 November 1991, only one day after publicly acknowledging he had the disease.

Mercury, who was a Parsi born in Zanzibar and grew up there and in India until his mid-teens, has been referred to as "Britain's first Asian rock star". In 2009, a Classic Rock poll saw him voted the greatest rock singer of all time. In 2008, Rolling Stone editors ranked him number 18 on their list of the 100 greatest singers of all time.

Early life

Mercury was born in the British protectorate of Zanzibar, East Africa. His parents, Bomi and Jer Bulsara, were Parsis from the Gujarat region of the then province of Bombay Presidency in British India. The Bulsara family had moved to Zanzibar in order for his father to continue his job as a cashier at the British Colonial Office. He had one younger sister, Kashmira.

In 1954, at the age of eight, Mercury was sent to study at St. Peter's School, an English style boarding school for boys in Panchgani near Bombay (now Mumbai), India. At school, he formed a popular school band, The Hectics, for which he played piano. A friend from the time recalls that he had "an uncanny ability to listen to the radio and replay what he heard on piano". It was also at St. Peter's where he began to call himself "Freddie". Mercury remained in India for most of his childhood, living with his grandmother and aunt. He completed his education in India at St. Mary's School, Bombay.

At the age of 17, Mercury and his family fled from Zanzibar for safety reasons due to the 1964 Zanzibar Revolution. In 1969 he joined the band Ibex, later renamed Wreckage. When this band failed to take off, he joined a second band called Sour Milk Sea. However, by early 1970 this group broke up as well.

In April 1970, Mercury joined guitarist Brian May and drummer Roger Taylor who had previously been in a band called Smile. Despite reservations from the other members, Mercury chose the name "Queen" for the new band. He later said about the band's name, "I was certainly aware of the gay connotations, but that was just one facet of it". His vocal range extended from bass low F (F2) to coloratura falsetto F-natural (F6). His belting register soaring to tenor high F (F5). Biographer David Bret described his voice as "escalating within a few bars from a deep, throaty rock-growl to tender, vibrant tenor, then on to a high-pitched, perfect coloratura, pure and crystalline in the upper reaches". Spanish soprano Montserrat Caballé, with whom Mercury recorded an album, expressed her opinion that "the difference between Freddie and almost all the other rock stars was that he was selling the voice". As Queen's career progressed, he would increasingly alter the highest notes of their songs when live, often harmonising with seconds, thirds or fifths instead. Mercury suffered from vocal fold nodules and claimed never to have had any formal vocal training.

Songwriter

Mercury wrote 10 of the 17 songs on Queen's Greatest Hits album: "Bohemian Rhapsody", "Seven Seas of Rhye", "Killer Queen", "Somebody to Love", "Good Old-Fashioned Lover Boy", "We Are the Champions", "Bicycle Race", "Don't Stop Me Now", "Crazy Little Thing Called Love" and "Play the Game".

The most notable aspect of his songwriting involved the wide range of genres that he used, which included, among other styles, rockabilly, progressive rock, heavy metal, gospel and disco. As he explained in a 1986 interview, "I hate doing the same thing again and again and again. I like to see what's happening now in music, film and theatre and incorporate all of those things." He also wrote six songs from Queen II which deal with multiple key changes and complex material. "Crazy Little Thing Called Love", on the other hand, contains only a few chords. Despite the fact that Mercury often wrote very intricate harmonies, he also claimed that he could barely read music. He wrote most of his songs on the piano and used a wide variety of different key signatures.

Live performer

Mercury was noted for his live performances, which were often delivered to stadium audiences around the world. He displayed a highly theatrical style that often evoked a great deal of participation from the crowd. A writer for The Spectator described him as "a performer out to tease, shock and ultimately charm his audience with various extravagant versions of himself". David Bowie, who performed at the Freddie Mercury Tribute Concert and recorded the song "Under Pressure" with Queen, praised Mercury's performance style, saying: "Of all the more theatrical rock performers, Freddie took it further than the rest... he took it over the edge. And of course, I always admired a man who wears tights. I only saw him in concert once and as they say, he was definitely a man who could hold an audience in the palm of his hand."

One of Mercury's most notable performances with Queen took place at Live Aid in 1985, during which the entire stadium audience of 72,000 people clapped, sang and swayed in unison. Queen's performance at the event has since been voted by a group of music executives as the greatest live performance in the history of rock music. The results were aired on a television program called "The World's Greatest Gigs". In reviewing Live Aid in 2005, one critic wrote, "Those who compile lists of Great Rock Frontmen and award the top spots to Mick Jagger, Robert Plant, etc all are guilty of a terrible oversight. Freddie, as evidenced by his Dionysian Live Aid performance, was easily the most godlike of them all." The band were the first ever to play in South American stadiums, breaking worldwide records for concert attendance in the Morumbi Stadium in São Paulo in 1981. In 1986, Queen also played behind the Iron Curtain, when they performed to a crowd of 80,000 in Budapest. Mercury's final live performance with Queen took place on 9 August 1986 at Knebworth Park in England and drew an attendance estimated as high as 300,000.

Instrumentalist

in Frankfurt, 1984.]]

As a young boy in India, Mercury received formal piano training up to the age of nine. Later on, while living in London, he learned guitar. Much of the music he liked was guitar-oriented: his favourite artists at the time were The Who, The Beatles, Jimi Hendrix, David Bowie, and Led Zeppelin. He was often self-deprecating about his own skills on both instruments and from the early 1980s onward began extensively using guest keyboardists for both Queen and his solo career. Most notably, he enlisted Fred Mandel (a Canadian musician who also worked for Pink Floyd, Elton John and Supertramp) for his first solo project, and from 1985 onward collaborated with Mike Moran (in the studio) and Spike Edney (in concert), leaving most of the keyboard work exclusively to them.

Mercury played the piano in many of Queen's most popular songs, including "Killer Queen", "Bohemian Rhapsody", "Good Old Fashioned Lover Boy", "We Are the Champions", "Somebody To Love" and "Don't Stop Me Now". He used concert grand pianos and, occasionally, other keyboard instruments such as the harpsichord. From 1980 onward, he also made frequent use of synthesizers in the studio. Queen guitarist Brian May claims that Mercury was unimpressed with his own abilities at the piano and used the instrument less over time because he wanted to walk around onstage and entertain the audience. The song also garnered Mercury a posthumous Ivor Novello Award. Allmusic critic Eduardo Rivadavia describes Mr. Bad Guy as "outstanding from start to finish" and expressed his view that Mercury "did a commendable job of stretching into uncharted territory". In particular, the album is heavily synthesiser-driven in a way that is not characteristic of previous Queen albums.

Barcelona, recorded with Spanish soprano Montserrat Caballé, combines elements of popular music and opera. Many critics were uncertain what to make of the album; one referred to it as "the most bizarre CD of the year". The album was a commercial success, and the album's title track debuted at the #8 position in the UK charts and was a hit in Spain. The title track received massive air play as the official hymn of the 1992 Summer Olympics (held in Barcelona one year after Mercury's death). Caballé sang it live at the opening of the Olympics with Mercury's part played on a screen, and again prior to the start of the 1999 UEFA Champions League Final in Barcelona.

In addition to the two solo albums, Mercury released several singles, including his own version of the hit The Great Pretender by The Platters, which debuted at number five in the UK in 1987. In September 2006, a compilation album featuring Mercury's solo work was released in the UK in honour of what would have been his 60th birthday. The album debuted in the top 10 of the UK Album Charts.

In 1981–1983, Mercury recorded several tracks with Michael Jackson, including a demo of "State of Shock", "Victory" and "There Must Be More to Life Than This"; none of these collaborations were officially released, although bootleg recordings exist. Jackson went on to record the former song with Mick Jagger for The Jacksons's album Victory, and Mercury included the solo version of the latter song on his Mr. Bad Guy album.

Personal life

In the early 1970s Mercury had a long-term relationship with Mary Austin, whom he had met through guitarist Brian May. He lived with Austin for several years in West Kensington. By the mid-1970s, however, the singer had begun an affair with a male American record executive at Elektra Records, which ultimately resulted in the end of his relationship with Austin. Mercury and Austin nevertheless remained close friends through the years, with Mercury often referring to her as his only true friend. In a 1985 interview, Mercury said of Austin, "All my lovers asked me why they couldn't replace Mary [Austin], but it's simply impossible. The only friend I've got is Mary and I don't want anybody else. To me, she was my common-law wife. To me, it was a marriage. We believe in each other, that's enough for me." He also wrote several songs about Austin, the most notable of which is "Love of My Life". Mercury was also the godfather of Mary's oldest son, Richard.

During the early-to-mid-80s, he was romantically involved with Barbara Valentin, an Austrian actress, who is featured in the video for "It's a Hard Life". By 1985, he began another long-term relationship with a hairdresser named Jim Hutton. Hutton, who himself was tested HIV-positive in 1990,

Although he cultivated a flamboyant stage personality, Mercury was a very shy and retiring man in person, particularly around people he didn't know well. He also granted very few interviews. Mercury once said of himself: "When I'm performing I'm an extrovert, yet inside I'm a completely different man."

== Illness and death == the day after Mercury's death.]] According to his partner Jim Hutton, Mercury was diagnosed with AIDS shortly after Easter of 1987. Toward the end of his life, he was routinely stalked by photographers, while the daily tabloid newspaper The Sun featured a series of articles claiming that he was seriously ill. However, Mercury and his colleagues and friends continually denied the stories, even after one front page article published on 29 April 1991, which showed Mercury appearing very haggard in what was now a rare public appearance.

On 22 November 1991, Mercury called Queen's manager Jim Beach over to his Kensington home, to discuss a public statement. The next day, 23 November, the following announcement was made to the press on behalf of Mercury:

Following the enormous conjecture in the press over the last two weeks, I wish to confirm that I have been tested HIV positive and have AIDS. I felt it correct to keep this information private to date to protect the privacy of those around me. However, the time has come now for my friends and fans around the world to know the truth and I hope that everyone will join with me, my doctors, and all those worldwide in the fight against this terrible disease. My privacy has always been very special to me and I am famous for my lack of interviews. Please understand this policy will continue.

A little over 24 hours after issuing that statement, Mercury died on the evening of 24 November 1991 at the age of 45. The official cause of death was bronchial pneumonia resulting from AIDS. The news of his death had reached newspaper and television crews by the early hours of 25 November.

Although he had not attended religious services in years, Mercury's funeral was conducted by a Zoroastrian priest. Elton John, David Bowie and the remaining members of Queen were among the few people who attended the funeral. He was cremated at Kensal Green Cemetery and his ashes are in the possession of his mother.

In his will, Mercury left the vast majority of his wealth, including his home and recording royalties, to Mary Austin, and the remainder to his parents and sister. He further left £500,000 to his chef Joe Fanelli, £500,000 to his personal assistant Peter Freestone, £100,000 to his driver Terry Giddings, and £500,000 to Jim Hutton. Hutton was involved in a 2000 biography of Mercury, Freddie Mercury, the Untold Story, and also gave an interview for The Times for what would have been Mercury's 60th birthday.

Criticism and controversy

Sexual orientation and HIV

Mercury was an acknowledged bisexual. While some critics claimed he hid his sexual orientation from the public, others claimed he was "openly gay". When asked directly "So how about being bent? " by NME in December 1974, Mercury replied "You're a crafty cow. Let's put it this way, there were times when I was young and green. It's a thing schoolboys go through. I've had my share of schoolboy pranks. I'm not going to elaborate further." A writer for a gay online newspaper felt that audiences may have been overly naive about the matter: "While in many respects he was overtly queer his whole career ("I am as gay as a daffodil, my dear" being one of his most famous quotes), his sexual orientation seemed to pass over the heads of scrutinising audiences and pundits (both gay and straight) for decades". John Marshall of Gay Times expressed the following opinion in 1992: "[Mercury] was a 'scene-queen', not afraid to publicly express his gayness but unwilling to analyse or justify his 'lifestyle' ... It was as if Freddie Mercury was saying to the world, "I am what I am. So what?" And that in itself for some was a statement."

Mercury hid his HIV status from the public for several years, and it has been suggested that he could have raised a great deal of money and awareness earlier by speaking truthfully about his situation and his fight against the disease.

Other controversies

Members of Queen were widely criticised in the 1980s for the fact that they broke a United Nations cultural boycott by performing a series of shows at Sun City in 1984, an entertainment complex in Bophuthatswana, a homeland of (then) apartheid South Africa. As a result of these shows, Queen was placed on a United Nations list of artists who broke the boycott and was widely criticised in magazines such as the NME.

A further controversy ensued in August 2006, when an organisation calling itself the Islamic Mobilization and Propagation petitioned the Zanzibar government's culture ministry, demanding that a large-scale celebration of what would have been Mercury's sixtieth birthday be cancelled. The organisation issued several complaints about the planned celebrations, including that Mercury was not a true Zanzibari and that he was gay, which is not in accordance with their interpretation of sharia. The organisation claimed that "associating Mercury with Zanzibar degrades our island as a place of Islam". The planned celebration was cancelled.

Legacy

Continued popularity

The extent to which Mercury's death may have enhanced Queen's popularity is not clear. In the United States, where Queen's popularity had lagged in the 1980s, sales of Queen albums went up dramatically in 1992, the year following his death. In 1992 one American critic noted, "what cynics call the 'dead star' factor had come into play—Queen is in the middle of a major resurgence". The movie Wayne's World, which featured "Bohemian Rhapsody", also came out in 1992. According to the Recording Industry Association of America, Queen have sold 32.5 million albums in the United States, about half of which have been sold since Mercury's death in 1991.

Estimates of Queen's total worldwide record sales to date have been set as high as 300 million. In the UK, Queen have now spent more collective weeks on the UK Album Charts than any other musical act (including The Beatles), and Queen's Greatest Hits is the highest selling album of all time in the UK. Two of Mercury's songs, "We Are the Champions" and "Bohemian Rhapsody", have also each been voted as the greatest song of all time in major polls by Sony Ericsson and Guinness World Records, respectively. The former poll was an attempt to determine the world's favourite song, while the Guinness poll took place in the UK. In October 2007, the video for "Bohemian Rhapsody" was voted the greatest of all time by readers of Q magazine. Consistently rated as one of the greatest singers in the history of popular music, Mercury was voted second to Mariah Carey in MTV's 22 Greatest Voices in Music. Additionally, in January 2009, Mercury was voted second to Robert Plant in a poll of the greatest voices in rock, on the digital radio station Planet Rock. In May 2009, Classic Rock magazine voted Freddie Mercury as the greatest singer in rock. In 1999, a Royal Mail stamp with the image of Mercury on stage was issued in his honour as part of the Millennium Stamp series. In 2009, a plaque was unveiled in Feltham where Mercury and his family moved upon arriving in England in 1964. The star in memory of Mercury's achievements was unveiled in Feltham High Street by his mother Jer Bulsara and Queen bandmate Brian May.

A tribute to Queen has been on display at the Fremont Street Experience in downtown Las Vegas throughout 2009 on its video canopy. In December 2009 a large model of Mercury wearing tartan was put on display in the centre of Edinburgh as publicity for the run of We Will Rock You at the Playhouse Theatre.

A statue of Mercury stands over the entrance to the Dominion Theatre in London where the main show, from May 2002, has been Ben Elton's We Will Rock You.

Importance in AIDS history

As the first major rock star to die from AIDS, Mercury's death represented a very important event in the disease's history. In April 1992, the remaining members of Queen founded The Mercury Phoenix Trust and organised The Freddie Mercury Tribute Concert for AIDS Awareness to celebrate the life and legacy of Mercury and raise money for AIDS research, which took place on Easter Monday, 20 April 1992. The Mercury Phoenix Trust has since raised millions of pounds for various AIDS charities. The tribute concert, which took place at Wembley Stadium for an audience of 72,000, featured a wide variety of guests including; Robert Plant (of Led Zeppelin), Roger Daltrey (of The Who), Extreme, Elton John, Metallica, David Bowie, Annie Lennox, Tony Iommi (of Black Sabbath), Guns N' Roses, Elizabeth Taylor, George Michael, Def Leppard, Seal, Liza Minnelli (and also U2 via Satellite). The concert was broadcast live to 76 countries and had an estimated viewing audience of 1 billion people.

Appearances in lists of influential individuals

Several popularity polls conducted over the past decade indicate that Freddie Mercury's reputation may in fact have been enhanced since his death. For instance, in a 2002 vote to determine whom the UK public considers the greatest British people in history, Mercury was ranked number 58 in the list of the "100 Greatest Britons", broadcast by the BBC. He was further listed at the 52nd spot in a 2007 Japanese national survey of the 100 most "influential heroes". Despite the fact that he had been criticised by gay activists for hiding his HIV status, author Paul Russell included Mercury in his book "The Gay 100: A Ranking of the Most Influential Gay Men and Lesbians, Past and Present." Other entertainers on Russell's list included Liberace and Rock Hudson. In 2006, Time Asia magazine named him as one of the most influential Asian heroes of the past 60 years: The article credited Mercury with having "duplicated in popular music what other Indians—such as Salman Rushdie and Vikram Seth — have done in literature: taking the coloniser's art form and representing it in a manner richer and more dazzling than many Anglophones thought possible." that Sacha Baron Cohen, previously best known for his comedic characters Borat, Ali G and Brüno, had been chosen to play Mercury in a film about his life. The motion picture is being written by Peter Morgan, who had been nominated for Oscars for his screenplays The Queen and Frost/Nixon. The film, which is being co-produced by Robert De Niro's TriBeCa Productions, will focus on Queen's formative years and the period leading up to the celebrated performance at the 1985 Live Aid concert. Filming is due to begin sometime in 2011.

Discography

Notes

his parents defined themselves with "Nationality: British Indian" and "Race: Parsi". The Parsis are an originally Persian ethnic group of the Indian subcontinent who follow Zoroastrianism. |- | style="vertical-align:top; width:3em; text-align:right;"|b) | The Bulsara family gets its name from Bulsar, a city and district that is now in the Indian state of Gujarat and is today officially known as Valsad. In the 17th century, Bulsar was one of the five centres of the Zoroastrian religion (the other four were also in what is today Gujarat) and consequently "Bulsara" is a relatively common name amongst Zoroastrians. |- | style="vertical-align:top; width:3em; text-align:right;"|c) | Mercury is also portrayed as himself in the animated show Cromartie High School as the character Freddie, and in the British Channel 4 show House Of Rock along with Marc Bolan, John Lennon, Notorious BIG, John Denver and Kurt Cobain. |}

References

Notation done in Scientific Pitch, and thus is written one octave lower than what is displayed here.

Bibliography

. . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . }}. . . . . }}. . . . . . . . *part 2* *part 3*. . . . . . . .

External links

(official EMI Music)

Freddie Mercury discography at Discogs

Freddie Mercury at Last.FM

Freddie Mercury at Find A Death

Category:1946 births Category:1991 deaths Category:1970s singers Category:1980s singers Category:1990s singers Category:AIDS-related deaths in England Category:Bisexual musicians Category:BRIT Award winners Category:British people of Parsi descent Category:English male singers Category:English people of Indian descent Category:English pianists Category:English rock guitarists Category:English rock keyboardists Category:English rock musicians Category:English rock singers Category:English singer-songwriters Category:English songwriters Category:English tenors Category:English Zoroastrians Category:Freddie Mercury Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT people from Africa Category:LGBT people from South Asia Category:Parsi people Category:Queen (band) members Category:Zanzibari Indians

Name	Bobby McFerrin
Background	solo_singer
Birth name	Robert McFerrin, Jr.
Born	March 11, 1950 Manhattan, New York
Instrument	Vocals, piano, bass guitar, clarinet
Genre	Jazz, Reggae, World Music, Classical Music
Occupation	Singer-songwriter, musician, conductor, producer
Years active	1977–present
Label	Manhattan RecordsBlue Note RecordsElektra RecordsSony Classical
Associated acts	Chick CoreaHerbie Hancock
Url	http://www.bobbymcferrin.com

Robert "Bobby" McFerrin, Jr. (born March 11, 1950) is an American vocalist and conductor. He is best known for his 1988 hit song "Don't Worry, Be Happy". He is a ten-time Grammy Award winner.

Life

Bobby McFerrin was born in Manhattan, New York, the son of the late operatic baritone Robert McFerrin, and singer Sara Copper. Robert, Sr. was the first African American to be a regular with New York's Metropolitan Opera. Sara is a former soloist with regional opera companies, and in Broadway shows, and is a professor emeritus of music at Fullerton College in Fullerton, California.

Bobby McFerrin was married to Debbie Green in 1975. They have three children.

McFerrin's song "Don't Worry, Be Happy" was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors. McFerrin has also worked in collaboration with instrumental performers including pianists Chick Corea, Herbie Hancock, and Joe Zawinul, drummer Tony Williams, and cellist Yo-Yo Ma.

Vocal technique

As a vocalist, McFerrin often switches rapidly between modal and falsetto registers to create polyphonic effects, performing both the main melody and the accompanying parts of songs. He makes use of percussive effects created both with his mouth and by tapping on his chest. McFerrin is also capable of multiphonic singing; as observed in his song "Drive" from the 2005 DVD Live in Montreal.

A notable document of McFerrin's approach to singing is his 1984 album The Voice, the first solo vocal jazz album recorded with no accompaniment or overdubbing.

Career

In the late 1970s, while working as a piano accompanist for the University of Utah Modern Dance Department, McFerrin auditioned to play in a local piano bar -- Room at the Top in the Salt Lake Hilton. Hired after auditioning with his entire repertoire of five songs, he learned a song a day for a month before starting.

In 1986, McFerrin was the voice of Santa Bear in "Santa Bear's First Christmas," and in 1987 he was the voice of Santa Bear/Bully Bear in the sequel "Santa Bear's High Flying Adventure." That same year, he performed the theme song for the opening credits of Season 4 of The Cosby Show, as well as the music for a Cadburys chocolate commercial.

In 1988, McFerrin recorded the hit song "Don't Worry, Be Happy," which brought him widespread recognition across the world. However, the song's success "ended McFerrin's musical life as he had known it," and he began to pursue other musical possibilities -- on stage and in recording studios. The song was used in George H. W. Bush's 1988 U.S. presidential election as Bush's 1988 official presidential campaign song, without Bobby McFerrin's permission or endorsement. In reaction, Bobby McFerrin publicly protested that particular use of his song, including stating that he was going to vote against Bush, and completely dropped the song from his own performance repertoire, to make the point even clearer.

In 1989, he composed and performed the music for the Pixar short film Knick Knack. The rough cut to which McFerrin recorded his vocals had the words "blah blah blah" in place of the end credits (meant to indicate that he should improvise). McFerrin spontaneously decided to sing "blah blah blah" as lyrics, and the final version of the short film includes these lyrics during the end credits. Also in 1989, he formed a ten-person 'Voicestra' which he featured on both his 1990 album Medicine Music and in the score to the 1989 Oscar-winning documentary . The song 'Common Threads' has frequently reappeared in some public service advertisements for AIDS. McFerrin also performed with the Vocal Summit.

As early as 1992, widespread rumors circulated that falsely claimed McFerrin committed suicide. The rumors intentionally made light of the distinctly positive nature of his popular song "Don't Worry, Be Happy" by claiming McFerrin ironically took his own life.

In 1993 McFerrin sang Henry Mancini's "Pink Panther" theme for the movie Son of the Pink Panther.

In addition to his vocal performing career, in 1994, Mr. McFerrin was appointed as creative chair of the Saint Paul Chamber Orchestra. He makes regular tours as a guest conductor for symphony orchestras throughout the United States and Canada, including the San Francisco Symphony (on his 40th birthday), the New York Philharmonic, the Chicago Symphony, the Cleveland Orchestra, the Philadelphia Orchestra, the Los Angeles Philharmonic, the London Philharmonic and many others. In McFerrin's concert appearances, he combines serious conducting of classical pieces with his own unique vocal improvisations, often with participation from the audience and the orchestra. For example, the concerts often end with McFerrin conducting the orchestra in an a cappella rendition of the "William Tell Overture," in which the orchestra members sing their musical parts in McFerrin's vocal style instead of playing their parts on their instruments.

For a few years in the late 1990s, he toured a concert version of Porgy and Bess, partly in honor of his father, who sang the role for Sidney Poitier in the 1959 film version, and partly "to preserve the score's jazziness" in the face of "largely white orchestras" who tend not "to play around the bar lines, to stretch and bend". McFerrin says that because of his father's work in the movie, "This music has been in my body for 40 years, probably longer than any other music".

McFerrin also participates in various music education programs, and makes volunteer appearances as a guest music teacher and lecturer at public schools throughout the U.S. McFerrin has a son, Taylor, and father and son have collaborated on various musical ventures. Taylor has recently been singing, rapping, and playing minimal keyboard accompaniment with Vernon Reid (leader-guitarist of Living Colour) in the eclectic metal-fusion-funk-etc. group Yohimbe Brothers.

In 2009, McFerrin and musician-scientist Daniel Levitin served as co-hosts of "The Music Instinct", a 2 hour award-winning documentary produced by PBS and based on Levitin's best-selling book This Is Your Brain On Music. Later that year, the two appeared together on a panel at the World Science Festival where McFerrin demonstrated audience participation with the ubiquitous nature of human understanding of the pentatonic scale by singing and dancing, and having the audience sing while following his movements.

In October 2010, Bobby McFerrin appeared on NPR's news quiz show Wait, Wait...Don't Tell Me.

Discography

As leader

Bobby McFerrin (1982)

The Voice (1984)

Spontaneous Inventions (1987)

Elephant's Child (1987)

Simple Pleasures (1988)

Don't Worry, Be Happy (1988)

How the Rhino Got His Skin/How the Camel Got His Hump (1990)

Medicine Music (1990)

Play, with Chick Corea, 1992

Hush, with Yo-Yo Ma, 1992

Many Faces of Bird (1991)

Sorrow Is Not Forever (1994)

Paper Music (1995, with the St. Paul Chamber orchestra)

Bang! Zoom (1996)

The Mozart Sessions, with Chick Corea, 1996

Circlesongs (1997)

Mouth Music (2001)

Beyond Words (2002) - featuring Chick Corea, Cyro Baptista and Richard Bona

VOCAbuLarieS (2010)

As sideman

Pharoah Sanders, Journey to the One, 1980

Grover Washington, Jr., The Best Is Yet to Come, 1982

Various Artists, The Young Lions, 1983

Charles Lloyd Quartet, A Night in Copenhagen, 1984

Various Artists, A Tribute to Thelonius Monk, 1984

Chico Freeman, Tangents, 1984

Michael Hedges, Watching My Life Go By, 1985

The Manhattan Transfer, Vocalese, 1985

Joe Zawinul, Di•a•lects, 1986

Weather Report, Sportin' Life, 1985

Al Jarreau, Heart’s Horizon, 1988

Quincy Jones, Back on the Block, 1989

Laurie Anderson, Strange Angels, 1989

Gal Costa, The Laziest Gal in Town, 1991

Dizzy Gillespie, "To Bird With Love", 1992

Jack DeJohnette, Extra Special Edition, 1994

Yellowjackets, Dreamland, 1995

George Martin, In My Life, 1998 - on Come Together with Robin Williams

En Vogue, Masterpiece Theatre, 2000

Bela Fleck and the Flecktones, Little Worlds, 2003

Chick Corea, Rendezvous in New York, 2003

Wynton Marsalis, The Magic Hour, 2004

size2shoes, 2006 (free track)

Grammys

1985, Best Jazz Vocal Performance, male, "Another Night In Tunisia" with Jon Hendricks

1985, Best Vocal Arrangement for two or more voices, "Another Night In Tunisia" with Cheryl Bentyne

1986, Best Jazz Vocal Performance, male, "Round Midnight"

1987, Best Jazz Vocal Performance, male, "What Is This Thing Called Love"

1987, Best Recording for Children, "The Elephant's Child" with Jack Nicholson

1988, Song of the year, Best Pop Vocal Performance, male, Record of the year, "Don't Worry, Be Happy"

1988, Best Jazz Vocal Performance, male, "Brothers"

1992, Best Jazz Vocal Performance, "Round Midnight"

References

External links

Official website

Snopes.com on the suicide rumour

Demonstration of the pentatonic scale, World Science Festival 2009

Category:1950 births Category:Living people Category:African American musicians Category:American conductors (music) Category:American jazz singers Category:California State University, Sacramento alumni Category:Musicians from New York City Category:Grammy Award winners