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- Duration: 4:53
- Published: 07 May 2007
- Uploaded: 11 May 2011
- Author: a1a3r199
Name | Illmatic | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Type | studio | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Artist | Nas | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cover | NasIllmatic.jpg | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Released | April 19, 1994 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recorded | 1992–1993 Battery Studios, Unique Studios, Chung King Studios, D&D; Recording (New York City, New York) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Genre | Hip hop | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Length | 39:43 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Label | Columbia CK 57684 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Producer | DJ Premier, Large Professor, L.E.S., MC Serch (exec.), Nas, Q-Tip, Pete Rock | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This album | Illmatic(1994) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Next album | It Was Written(1996) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Misc |
Illmatic is the debut album of American rapper Nas, released April 19, 1994, on Columbia Records. Following his signing to Columbia with the help of MC Serch, recording sessions for the album took place during 1992 to 1993 at Chung King Studios, D&D; Recording, Battery Studios, and Unique Recording Studios in New York City. Its production was handled by Nas, Large Professor, Pete Rock, Q-Tip, L.E.S., and DJ Premier. Stylistically a hardcore hip hop album, Illmatic features Nas's multi-syllabic internal rhyme patterns expressing inner city lyrical themes and narratives based on his native Queensbridge, New York.
Upon its release, the album debuted at number 12 on the U.S. Billboard 200 chart, selling 59,000 copies in its first week. However, its initial sales fell below expectations and its five singles failed to achieve significant chart success. While it experienced initial low sales, Illmatic received positive reviews from most music critics upon its release and earned praise for its lyrical content, production, and Nas's lyricism. On January 17, 1996, the album was certified gold by the Recording Industry Association of America, and in 2001, it earned platinum certification after shipments of one million copies in the United States. Since its initial reception, the album has been recognized by writers and music critics as a landmark album in East Coast hip hop. It contributed to the regional scene's artistic renaissance in New York, while marking an influential, stylistic change in hip hop at the time. Its influence on subsequent hip hop artists has been attributed to the album's production and Nas's rapping. Several writers have cited Illmatic as one of the quintessential hip hop recordings and one of the greatest hip hop albums of all time. In 2003, the album was ranked number 400 on Rolling Stones list of the 500 greatest albums of all time.
BackgroundAs a teenager, Nas chose to pursue a career in rapping and enlisted his best friend and neighbor, Queensbridge, Queens-native Willy "Ill Will" Graham, as his DJ. Nas first went by the nickname "Kid Wave" before adopting his more commonly known alias of "Nasty Nas". At fifteen, Nas met seventeen-year old producer Large Professor from Flushing, Queens, and was introduced to Main Source, a hip hop group of which Large Professor was a member. Nas made his recorded debut with Main Source, recording the opening verse on "Live at the Barbeque", from Main Source's debut studio album Breaking Atoms (1991), which would soon gather a considerable cult following. He later made his solo debut on the 1992 single "Halftime" for the soundtrack to the drama film Zebrahead (1992). The single added to the buzz surrounding Nas, earning him comparisons to the influential golden age rapper Rakim. while his brother had also been shot, and survived, that night. Nas later cited this moment as a "wake-up call" for him.Meanwhile, the hip hop group 3rd Bass had dissolved, and MC Serch, a former member of the group, began working on a solo project. In mid-1992, Serch approached Nas. At the suggestion of producer T-Ray, Serch collaborated with Nas for "Back to the Grill", the lead single for Serch's solo debut album, Return of the Product (1992). At the recording session of this song, Serch discovered that Nas did not have a recording contract and, as a result, he contacted Faith Newman, an A&R; executive at Sony Music Entertainment. As Serch recounted, "Nas was in a position where his demo had been sittin' around, 'Live at the Barbeque' was already a classic, and he was just tryin' to find a decent deal ... So when he gave me his demo, I shopped it around. I took it to Russell first, Russell said it sounded like G Rap, he wasn't wit' it. So I took it to Faith. Faith loved it, she said she'd been looking for Nas for a year and a half. They wouldn't let me leave the office without a deal on the table. Once MC Serch assumed the role of executive producer for Nas's upcoming debut album, he attempted to connect Nas with various producers. Based on his buzz at the time, numerous New York-based producers were eager to work with him and soon entered the Power House Studios with Nas. Among those producers was DJ Premier,
RecordingPrior to recording, DJ Premier had listened to Nas's debut single, later stating "When I heard 'Half Time', that was some next shit to me. That's just as classic to me as 'Eric B For President' and 'The Bridge'. It just had that type of effect. As simple as it is, all of the elements are there. So from that point, after Serch approached me about doing some cuts, it was automatic. You'd be stupid to pass that up even if it wasn't payin' no money." DJ Premier later discussed the unexpectedness of Nas's delivery during the recording, stating "He didn’t know how he was gonna come in, but he just started going because we were recording. I’m actually yelling, ‘We’re recording!’ and banging on the [vocal booth] window. ‘Come on, get ready!’ You hear him start the shit: Rappers…. And then everyone in the studio was like, ‘Oh, my God’, ’cause it was so unexpected. He was not ready. So we used that first verse. And that was when he was up and coming, his first album. So we was like, 'Yo, this guy is gonna be big.'" Richard Harrington of The Washington Post described Nas's performance on the album as "balancing limitations and possibilities, distinguishing hurdles and springboards, and acknowledging his own growth from roughneck adolescent to a maturing adult who can respect and criticize the culture of violence that surrounds him. More importantly, he recognizes the older, deeper culture of familial community that is poverty and racism's first casualty". The majority of the album consists of vintage funk, soul, and jazz samples. One music critic wrote that "Illmatic is laced with some of the finest beats this side of In Control Volume 1".
ContentThe intro, "Genesis", begins with an audio sample of the "Subway Theme" by Grand Wizard Theodore from the film Wild Style (1982), the first major hip hop motion picture. Nas made another ode to Wild Style, while shooting the music video for his single, "It Ain't Hard To Tell", on the same stage as the finale scene for the film. Nas's debut, "Live at the Barbeque" is played in the background of "Genesis". The aural montage begins with the sound of an elevated train and an almost-inaudible voice rhyming beneath it. Over these sounds, a snatch of dialogue, two men arguing. According to music writer Mickey Hess, in the intro, "Nas tells us everything he wants us to known about him. The train is shorthand for New York; the barely discernible rap is, in fact, his "Live at the Barbeque" verse; and the dialogue comes from Wild Style, one of the earliest movies to focus on hip hop culture. Each of these is a point of genesis. New York for Nas as a person, 'Live at the Barbeque' for Nas the rapper, and Wild Style, symbolically at least, for hip hop itself. These are my roots, Nas was saying, and he proceeded to demonstrate exactly what those roots had yielded." It opens with high-pitched guitar notes looped from jazz and funk musician Donald Byrd's "Flight Time" (1972), while the prominent groove of piano notes was sampled from the Joe Chambers composition "Mind Rain" (1978). "N.Y. State of Mind" focuses on a mind state that a person obtains from living in Nas's impoverished environment in New York City. While citing "Life's a Bitch" as "possibly the saddest hip-hop song ever recorded", Rhapsody's Sam Chennault wrote that "The World Is Yours" "finds optimism in the darkest urban crevices". "The World Is Yours" was named the seventh greatest rap song by About.com. The nostalgic "Memory Lane (Sittin' in da Park)" contains a Reuben Wilson sample managed by DJ Premier, which comprises the sound of a Hammond organ, guitar, vocals and percussion, Spence D. of IGN stated that the song's lyrics evoke "the crossroads of Old School and New School." recounting mutual acquaintances and events that have occurred since the receiver's imprisonment, According to one writer, the phrase "one love" represents street loyalty in the song. while describing himself as "The brutalizer, crew de-sizer, accelerator/The type of nigga who be pissin' in your elevator". It opens with guitars and synths of Michael Jackson's "Human Nature" (1983); the song's vocals are sampled for the intro and chorus sections, creating a swirling mix of horns and tweaked-out voices. Nas later described the title name as "supreme ill. It's as ill as ill gets. That shit is a science of everything ill." The album cover features a picture of Nas as a child, which was taken after his father, musician Olu Dara, returned home from an overseas tour. The XXL columnist also compared the cover to that of rapper Lil Wayne's sixth studio album Tha Carter III (2008), stating that it also "reflects the reality of disenfranchised youth today." On the song "Shark Niggas (Biters)" from his debut album Only Built 4 Cuban Linx... (1995), rapper Raekwon with Ghostface Killah criticized the cover of The Notorious B.I.G's Ready to Die (1994), which was released a few months after Illmatic, for featuring a picture of a baby with an afro, implying that his cover had copied the idea from Nas. In a 2009 interview with XXL, Nas discussed the purpose behind the album artwork among other promotional efforts, stating "Really the record had to represent everything Nasir Jones is about from beginning to end, from my album cover to my videos. My record company had to beg me to stop filmin' music videos in the projects. No matter what the song was about I had 'em out there. That’s what it was all about for me, being that kid from the projects, being a poster child for that, that didn’t exist back then." The album also featured international distribution that same year in countries including France, the Netherlands, Canada and the United Kingdom. In its first week of release, Illmatic made its debut on the Billboard 200 albums chart at number 12, while selling 59,000 copies. In spite of this, initial record sales fell below expectations. The album's five radio singles failed to obtain considerable Billboard success, as each single did not gain significant charting on the Billboard Hot 100. The lead single "Halftime" only charted on the Hot Rap Singles chart at number 8, while "Life's a Bitch" did not chart at all. In April 2002, the album was also certified gold by the Canadian Recording Industry Association for shipments in excess of 50,000 copies in Canada.
Initial reaction{{Album ratings | rev1 = Allmusic | rev1Score = | rev2 = Chicago Tribune | rev2Score = | rev6 = Rolling Stone | rev6Score = 1994 | rev8 = The Source | rev8Score = Entertainment Weeklys Dimitri Ehrlich gave Illmatic an A- rating, and stated that its "witty lyrics and gruffly gratifying beats" draw listeners into Nas's lifestyle with "poetic efficiency". Touré of Rolling Stone gave it 4 out of 5 stars and praised Nas for his "sharp articulation, finely detailed lyrics and a controlled tone reminiscent of Rakim." Christopher John Farley of Time commended its themes concerning ghetto life and described the album as a "wake-up call to [Nas]'s listeners." Richard Harrington of The Washington Post commended the album's "beats and textures" and praised Nas for "balancing limitations and possibilities, distinguishing hurdles and springboards, and acknowledging his own growth from roughneck adolescent to a maturing adult who can respect and criticize the culture of violence that surrounds him". USA Todays James T. Jones IV gave the album 3½ out of 4 stars and lauded Nas's performance, writing that he "combines 'phat' beats with the most urgent poetry since Public Enemy's... His lyrics are deep and take several listenings to fully absorb... NAS feels 'blessed' to have reached age 20, but he portrays this bleak life honestly and with lyrical finesse - and without bashing women - unlike many so-called gangstas' shock-for-sales rantings".In contrast, Los Angeles Times writer Heidi Siegmund gave Illmatic 2 out of 4 stars and viewed Nas's rapping as expressing "tired attitudes and posturing". She also accused East Coast-based hip hop critics of "an obvious attempt to wrestle hip-hop away from the West" through their acclaim of the album, while stating "Don't believe the hype". The New York Times noted that Nas "imbues his chronicle with humanity and humor, not just hardness ... [He] reports violence without celebrating it, dwelling on the way life triumphs over grim circumstances rather than the other way around". In his consumer guide for The Village Voice, critic Robert Christgau commended Nas for his realism and gave the album an honorable mention () rating, indicating "an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure". Spins Charles Aaron described the album as "the most extensive tour of a housing project ever committed to CD" and commended Nas's lyrical narratives, stating "Illmatic pays serious mind to uncertain sources, to abstract anxiety, spiritual and otherwise... Nas searches for an inner calm to break down his left-field-corner crazy streak". Hip hop publication The Source initially awarded Illmatic a five mic rating, a classic rating and prestigious achievement, given the magazine's influence in the hip hop community at the time.
RetrospectFollowing its initial reception and critical acclaim, Illmatic earned recognition as one of the quintessential hip hop recordings of the 1990s, while its rankings near the top of many publications' "best album" lists in disparate genres have given it a reputation as one of the greatest hip hop albums of all time. The album has also been recognized by writers and music critics as one of the most celebrated and influential albums in hip hop history, while writers have also acknowledged its redefining of the East Coast hip hop musical milieu in the mid-1990s, resulting in a renewed focus on lyricism and in the revival of the Queensbridge rap scene. The album has been described by a number of writers and critics as "classic". Similar to The Sources initial sentiment, XXL later gave the album a classic "XXL" rating in a retrospective review. In 2002, Prefix Mags Matthew Gasteier re-examined Illmatic eight years following its initial reception, stating:
Illmatic has been included in numerous publications' "best album" lists in disparate genres. Illmatic was listed as one of thirty-three hip hop/R&B; albums in Rolling Stones "Essential Recordings of the 90s". It was ranked number five in "The Critics Top 100 Black Music Albums of All Time" and number three in Hip Hop Connection magazine's "Top 100 Readers Poll". The album was also ranked number four in Vibes list of the Top 10 Rap Albums and number two on MTV's list of The Greatest Hip Hop Albums of All Time. In 1998, it was selected as one of The Source's 100 Best Rap Albums. In 2003, Rolling Stone ranked Illmatic number 400 on its list of the 500 Greatest Albums of All Time, along with twenty-six other hip hop albums. On March 30, 2004, Illmatic was remastered and re-released with a bonus disc of remixes and new material produced by Marley Marl and Large Professor, in commemoration of its tenth anniversary. Upon its re-release, Marc Hill of PopMatters wrote in retrospect "Ten years after its release, Illmatic stands not only as the best hip-hop album ever made, but also one of the greatest artistic productions of the twentieth century." Along with the critical acclaim of the Wu-Tang Clan's debut album Enter the Wu-Tang (36 Chambers) (1993) and the critical and commercial success of The Notorious B.I.G.'s debut Ready to Die (1994), Illmatic was instrumental in restoring interest in the East Coast hip hop scene, while shifting the emphasis away from the melodious, synth-driven, and funk-induced West Coast G-funk, which dominated the charts for some time after Dr. Dre's The Chronic (1992). According to writer Mickey Hess, Illmatic was among those East Coast records that helped "create sparse, rough and rugged soundscapes that clearly differed from Dre's multi-layered melodies." As Nas later recounted: "It felt amazing to be accepted by New York City in that way...at the time a lot of West Coast [hip-hop] was selling; East Coast wasn't selling as much, especially for a new artist. So back then you couldn't tell in the sales, but you could tell in the streets". The assembly of producers DJ Premier, Q-Tip, Pete Rock, and Large Professor also proved influential, as this style on a single project was unprecedented in hip hop music at the time, since most hip hop albums had been primarily the work of one dedicated production team.
QueensbridgeIllmatic is also credited with reviving the Queensbridge rap scene.Following Illmatic's release, Queensbridge returned to prominence after years of obscurity, with the ascendancy of the influential hardcore rap group, Mobb Deep (who gained credibility due to their affiliation with Nas) and later with the emergence of the trend-setting duo, Capone-n-Noreaga.
LyricismDespite its initial low sales, Illmatic made a profound impact on the burgeoning hip hop underground circuit, and marked a major stylistic change in hip hop music by introducing a new standard of lyricism. The other was characterized by a slurred "lazy drawl" that sacrificed lyrical complexity for clarity and rhythmic cadence, and was exemplified by West Coast hip hop emcees including Snoop Doggy Dogg and Warren G. However, Nas's rhythmically-immaculate verbal pace and intricate, multi-syllabic internal rhyme patterns on the album inspired several rappers to modify their rapping abilities — bringing a renewed focus on lyricism to hip hop during the time of its release. According to musicologist and pianist Guthrie P. Ramsey of the University of Pennsylvania, the album "set a benchmark for rappers in an artistic field consumed by constantly shifting notions of 'realness', authenticity, and artistic credibility." Music journalist Kelefa Sanneh of The New York Times wrote of Illmatic, stating that Nas "perfected a dense, rat-a-tat rhyme style that built upon the legacy of 1980s pioneers like Rakim and Big Daddy Kane." Boyd also wrote of Illmatics initial impact on lyricism, stating "The baby-faced Nas was a young man blessed with an old spirit when Illmatic hit the streets and therefore his prescient words had that much more of an impact." Yet as music journalist Adam Heimlich writes, "In 1994, there appeared likely to be more money (and definitely more cultural rewards) in working with Arrested Development or Digable Planets." and Reef The Lost Cauze, Talib Kweli, Lupe Fiasco, and Saigon, the producers Just Blaze and Alchemist, as well as the platinum-selling rappers Eminem and The Game, who makes references to the album on his debut, The Documentary. In his collaboration with Nas, "Hustlers", The Game made another ode towards Illmatic: "1995, eleven years from the day/I'm in the record shop with choices to make/Illmatic on the top shelf, The Chronic on the left, homie/Wanna cop both but only got a twenty on me/So fuck it, I stole both, spent the twenty on a dub-sack/Ripped the package of Illmatic and bumped that/For my niggas it was too complex when Nas rhymed/I was the only Compton nigga with a New York State of Mind". Underground hip hop artist Fashawn released his mixtape Ode to Illmatic to "pay homage, ’cause Illmatic was one of them kinda albums that really impacted my life”.Lyrics from Illmatic have also been sampled by other rappers, including Big L's "Ebonics" (which samples "It Ain't Hard to Tell"), Miilkbone's "Keep It Real" (which samples "Life's a Bitch"), Real Live's "Real Live Shit" (which samples "It Ain't Hard to Tell"), and most notably, Blu & Exile's "In Remembrance" (which samples "The World Is Yours" and "One Love") and Jay-Z's "Rap Game/Crack Game" (which samples "Represent") and "Dead Presidents II" (which samples "The World Is Yours"). Common's critically acclaimed album Be (2005) has been said to have been molded after Illmatic. On XXL's website, Illmatic was featured in a list of acclaimed hip hop albums, compiled by Clipse. Malice, a member of the hip hop duo, claimed: "Illmatic captured the whole New York state of mind for me. It embraced everything I knew New York to be. The album had 10 songs, all of them flawless. Me and my homies got great memories of rolling around listening to that, huslin', smokin', chillin'. That embodied everything that was right with hip-hop. That CD never came out my deck."
Subsequent work by NasWhile Illmatics success helped Nas's infant career immeasurably, hip hop aficionados have cited it as his inextricable "gift and curse". Many fans of Illmatic labeled Nas's subsequent efforts as 'selling out', due to his crossover sensibilities (e.g. his participation with the hip hop group The Firm) and his radio-friendly hits aimed at the pop charts, such as "If I Ruled the World (Imagine That)" (1996) and "Hate Me Now" (1999). Nas, however, made something of a comeback with his fifth album Stillmatic (2001) and the acclaimed follow-up God's Son (2002), as well as The Lost Tapes (2002), a compilation of previously unreleased tracks from the I Am… and Nastradamus sessions. Nevertheless, most fans have regarded Illmatic as his definitive album. !Recorded !Length |- |1 |"The Genesis" |; Anniversary edition In 2004, a 10th Anniversary Edition of Illmatic contained a second disc of bonus songs. {|class="wikitable" |- !# !Title !Producer(s) !Samples !Length |- |1 |"Life's a Bitch" (Remix) (feat. AZ) |Rockwilder |
Personnel
Chart history
Chart positions
Certifications{|class="wikitable" ! Country ! Certifications(sales thresholds) ! Shipments |- |United States (RIAA) | Platinum | 1,000,000 |- | Canada (CRIA) | Gold | 2008 |align="center"|1 |- |Best Rap Albums of 1994 | 2008 |align="center"|1 |- |10 Essential Hip-Hop Albums | 2008 |align="center"|1 |- |Blender |500 CDs You Must Own Before You Die | 2003 |align="center"|* |- |ego trip |Hip Hop's 25 Greatest Albums by Year 1980-98 | 1999 |align="center"|1 |- |Ink Blot |Albums of the 90s |2002 |align="center"|11 |- |MTV |The Greatest Hip Hop Albums of All Time |2005 |align="center"|2 |- |Music Underwater |Top 100 Albums 1990-2003 |2004 |align="center"|45 |- |Pitchfork Media |Top 100 Favorite Records of the 1990s |2003 |align="center"|33 |- |Robert Dimery |1001 Albums You Must Hear Before You Die |2006 |align="center"|* |- |rowspan=2|Rolling Stone |The 500 Greatest Albums of All Time |2003 |align="center"|400 |- |The Essential Recordings of the 90s |1999 |align="center"|* |- |rowspan=2|The Source |100 Best Rap Albums |2008 |align="center"|* |- |rowspan=2|Vibe |51 Albums representing a Generation, a Sound and a Movement |2004 |align="center"|* |- |Top 10 Rap Albums |2002 |align="center"|4 |- |Village Voice |Albums of the Year |2000 |align="center"|33 |- |Hip Hop Connection |rowspan=6|United Kingdom |Top 100 Readers Poll |2003 |align="center"|3 |- | Mojo | Mojo 1000, the Ultimate CD Buyers Guide | 2001 | align="center"|* |- | NME | Albums of the Year | 1994 | align="center"|33 |- | The New Nation | Top 100 Albums by Black Artists | 2004 | align="center"|5 |- |rowspan=2|Select |Albums of the Year |1994 |align="center"|18 |- |The 100 Best Albums of the 90s |1996 |align="center"|99 |- |Juice |Australia |The 100 (+34) Greatest Albums of the 90s |1999 |align="center"|101 |- |Exclaim! |Canada |100 Records That Rocked 100 Issues |2000 |align="center"|* |- |Les Inrockuptibles |France |50 Years of Rock'n'Roll |2004 |align="center"|* |- | Spex |rowspan=2|Germany | Albums of the Year | 1994 | align="center"|9 |- |Juice |The Hundred Most Influential Rap Albums Ever |2002 |align="center"|4 |- | OOR |rowspan=2|Netherlands | Albums of the Year | 1994 | align="center"|42 |- | VPRO | 299 Nominations of the Best Album of All Time | 2006 | align="center"|* |- |The Movement |New Zealand |The 101 Best Albums of the 90s |2004 |align="center"|51 |- |Dance de Lux |rowspan=2|Spain |The 25 Best Hip-Hop Records |2001 |align="center"|25 |- |Rock de Lux |The 150 Best Albums from the 90s |2000 |align="center"|134 |- |Pop |Sweden |Albums of the Year |1994 |align="center"|9 |- |align="center" colspan="7" style="font-size: 8pt"| (*) designates lists that are unordered. |- |}
Notes
ReferencesISBN 0-31333-902-3
External links
Category:1994 albums Category:Nas albums Category:Columbia Records albums Category:Albums produced by DJ Premier Category:Albums produced by Pete Rock Category:Albums produced by L.E.S. Category:Albums produced by Large Professor Category:Albums produced by Q-Tip Category:Albums produced by Marley Marl Category:Debut albums This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Vince Carter
A high school McDonald's All-American, Carter went on to star for three years at the University of North Carolina before being selected as the #5 pick in the 1998 NBA Draft by the Golden State Warriors, who traded him to the Toronto Raptors. The NBA Rookie of the Year his first season, he shot to fame as the winner of the 2000 NBA Slam Dunk Contest the next season, competing alongside his third cousin and then-teammate, Tracy McGrady. An eight-time NBA All-Star, Carter joined NBA icons Julius Erving and Michael Jordan as the only players to lead the NBA All-Star Game fan voting three or more times. He helped lead the Raptors to three consecutive playoff appearances before various injuries and losing seasons caused relations between Carter and the Raptors to deteriorate. In 2004, he was traded to the New Jersey Nets, where he spent five years before being moved to the Orlando Magic on the day of the 2009 NBA Draft. In December 2010 he was traded by the Magic to the Phoenix Suns.
Collegiate careerBorn in Daytona Beach, Florida, Carter was a 1995 McDonald's All-American at Mainland High School in Daytona Beach before spending three seasons playing college basketball at North Carolina under Dean Smith and later, Bill Guthridge. During the 1997–1998 season, he was a member of new coach Guthridge's successful rotation of Antawn Jamison, Shammond Williams, Ed Cota, Ademola Okulaja, and Makhtar N'diaye.Carter also became a pioneer of the Internet during his collegiate career. In 1995 he followed teammate Shammond Williams as the second collegiate athlete to have his own website.
NBA careerToronto Raptors (1998–2004)In 1998, Carter was drafted by the NBA's Golden State Warriors with the fifth overall pick, and then traded to the Toronto Raptors for the fourth overall pick, Antawn Jamison, his college teammate and good friend. His first agent was National Football League super agent William "Tank" Black who was later imprisoned in connection with money laundering and other charges. Carter's rookie season was the shortened 50-game 1999 season, after the NBA locked out its players in 1998–99. Carter started almost every game for coach Butch Carter, averaged 18.3 points per game (ppg), and eventually won the NBA Rookie of the Year Award. The next year, Carter was selected to an All-Star Team for the first time, averaged 25.7 ppg, made the Third Team All-NBA, and showcased his athleticism and dunking abilities in the 2000 NBA Slam Dunk Contest. He won the contest by performing an array of dunks including a 360° windmill, a between the legs bounce dunk, and an "elbow in the rim" dunk (also known as a "cookie jar" dunk or the "honey dip").In Carter's first two seasons, he and his distant cousin Tracy McGrady formed a formidable one-two punch as Raptor teammates. The two led the Raptors to their first playoff berth in the 2000 NBA Playoffs, but they were swept in the first round by the New York Knicks, in 3 games. Upon McGrady's departure to the Orlando Magic the following season, Carter became the Raptors' franchise player. In 2000–01, his third season, Carter averaged a career-high 27.6 ppg, made the Second Team All-NBA, and was voted in as a starter in the 2001 NBA All-Star Game, while the Raptors finished the regular season with a franchise-record 47 wins. In the playoffs, the Raptors beat the New York Knicks 3–2 in the first round, and advanced to the 2001 Eastern Conference Semifinals, where they took the Philadelphia 76ers to a decisive seventh game. On the morning of the day of Game 7, May 20, 2001, Carter attended his university graduation. In that game, Carter missed a game-winning shot with 2.0 seconds remaining, and afterwards, he was criticized for his decision to attend his graduation by media and fans. In the summer of 2001, Carter signed a $94 million, six-year extension with the Raptors. In addition, Carter announced that he would be hosting a charity basketball game featuring fellow NBA stars that would be played at the Air Canada Centre in Toronto on August 3, 2001. The success of the first game encouraged Carter to make the game an annual summer event. The next season was an injury-riddled one for Carter. He started in 60 games and he averaged 24.7 ppg. He was voted into the 2002 NBA All-Star Game, but he could not participate due to injury. The Raptors did not fare well without their All-Star player. The team lost 17 of 18 games to drop to 30–38, then won 12 of their last 14 to finish at 42–40. Carter was injured during the 2002 NBA Playoffs, and his team was defeated in the first round by the Detroit Pistons, in 5 games. During the 2003 NBA All-Star Game, as a sign of respect, Carter gave up his starting All-Star spot to the Washington Wizards' Michael Jordan to allow Jordan to make his final start as an All-Star. During his Raptors tenure, Carter developed jumper's knee in his left knee. In the 2004 off-season, Carter became frustrated with the Raptors' management for their desire to rebuild. In particular, Carter was unhappy with Maple Leaf Sports & Entertainment (MLSE), especially president Richard Peddie. In a private meeting, Peddie gave the impression to Carter that MLSE was serious in building a contender in Toronto, would pursue players like Steve Nash and Jamaal Magloire, and consider a G.M. like Julius Erving, who could attract players to Toronto. During the early part of the 2004–05 season, Carter posted a career-low 15.9 ppg on reduced playing time, under new head coach Sam Mitchell. Mitchell often benched Carter in the 4th quarter to emphasize his new coaching philosophy, spurring rumors of fights between Carter and Mitchell. Mitchell would later deny them.
New Jersey Nets (2004–2009)On December 17, 2004, new Raptors General Manager Rob Babcock traded Carter to the New Jersey Nets for Alonzo Mourning, Eric Williams, Aaron Williams and two future first-round draft picks.In early January 2005, when asked by TNT's John Thompson if he always pushed himself as hard as he should, Carter replied, "In years past, no. I was fortunate to have the talent. You get spoiled when you're able to do a lot of things. You see that you don't have to work at it." Though Carter's comments were perceived by Raptors fans as his confession to not giving his all as a Raptor, Thompson said the comments were misinterpreted, saying, "That boy never said to me, 'Coach, I just laid down and quit.' ...I was embarrassed and felt awful about it for his sake, because I knew what he was communicating to me. I think he was more expressing a desire of wanting to do better, as we all do." Despite Thompson's defense, the Toronto Star's Dave Feschuk wrote that Carter "cheated on (the Raptors). He quit on the floor.", and Carter is still booed by Raptors fans each time he has returned to play in Toronto. On the eve of the Raptors and Nets' playoff series in 2007, Carter told New York's WFAN radio station, "One day, maybe the fans will understand how it all went down. That's all I can say." Both Carter and Kidd made their eighth All-Star game appearance. In a 120–114 overtime win over the Washington Wizards, April 7, 2007, Carter and Jason Kidd became the first teammates in over 18 years to record triple-doubles in the same game since the Chicago Bulls' Michael Jordan and Scottie Pippen achieved this feat against the Los Angeles Clippers in 1989. Carter finished with 46 points, a career-high 16 rebounds, and 10 assists. Kidd finished with 10 points, tied a career-high with 16 rebounds, and tied a season-high with 18 assists. Carter's triple double is the second highest total for a triple double, second only to Alvan Adams of the Phoenix Suns who tallied 47 points and 18 rebounds and 12 assists over 30 years ago. in 2009.]] After the Nets eliminated the Raptors, the Nets were eliminated from the playoffs by the Cleveland Cavaliers (lost series 4–2). In the offseason, rumors of the Nets trading Carter again arose. After the New York Knicks and Nets discussed a trade around February of Carter (which was ended with the trading deadline), the two teams again revisited the subject. Carter, who opted out of his contract on June 30, reportedly wanted a three-year, $60 million deal however, which the Knicks were wary of. On July 1, 2007 Carter signed a 4-year, $61.8 million contract with the Nets. On January 24, 2008, the Nets played on the road against the Golden State Warriors. The game was broadcast on TNT, and at the half-time show, Magic Johnson claimed that Carter's game was on the decline due to chronic injuries to his knees. This was proven to be unfounded as Carter had hurt his ankle in an October game against the Boston Celtics which would hinder him throughout the 2007–2008 season. Hampered by injuries, Carter was not named as one of the reserves for the 2008 NBA All-Star Game. This marked the first time in his NBA career Carter was not named as an All-Star since his rookie season, when the game was canceled due to the NBA lockout. Despite playing with an ankle injury, Carter finished the season strong with averages of 22.7 points, 6.6 rebounds and 5.1 assists after the All-Star break. He was one of only three NBA players, along with LeBron James and Kobe Bryant, to average at least 21 points, 6 rebounds and 5 assists for the year, with averages of 21.3 points, 6.0 rebounds and 5.1 assists per game. He led the Nets in freethrow percentage, assists and steals per game (81.6%, 5.1, 1.2). Rod Thorn credited Carter for becoming a leader since the All-Star break, and said he believed that Carter could lead the Nets back to the playoffs the following year. Carter's injury was confirmed after undergoing a successful arthroscopic ankle surgery in the off-season. For the 2008–09 season, Carter was voted team captain, a title that had been given to Jason Kidd for the previous 6 years.
Orlando Magic (2009–2010).]]On June 25, 2009, the day of the NBA Draft, Carter was traded to his hometown-team, the Orlando Magic with Ryan Anderson for Rafer Alston, Tony Battie and Courtney Lee; the Magic were searching for a go-to scorer who could take pressure off Dwight Howard. The Nets without Carter ended up going 12-70. Carter made his season debut with the Magic on October 28, 2009 against the Philadelphia 76ers at home, recording 15 points and 2 assists to help the Magic defeat the Sixers. On February 8, 2010, Carter scored a season-high 48 points in a 123-117 win against the New Orleans Hornets, including 34 points in the second half to help rally the Magic back from a 17-point deficit. Vince Carter helped lead the Magic to the 2010 NBA Playoffs, sweeping the Charlotte Bobcats and the Atlanta Hawks in the first two rounds, before falling to the Boston Celtics in Eastern Conference Finals in 6 games. This marked the first time Carter made it to the Conference Finals.
Phoenix Suns (2010–present)On December 18, 2010, Carter was traded to the Phoenix Suns along with Marcin Gortat, Mickael Pietrus, a 2011 first-round draft pick, and $3 million, for Hedo Türkoğlu, Jason Richardson, and Earl Clark.
2000 Summer Olympics}}During the 2000 Summer Olympics in Sydney, Carter performed a memorable dunk when he jumped over 7-foot-2 (2.18 m) French center Frédéric Weis. Carter stole the ball, sprinted, took off—legs spread in midair, and hit Weis's head as he bent over to avoid the collision, before slamming the ball. Teammate Jason Kidd said it was "One of the best plays I've ever seen." The French media later dubbed it "le dunk de la mort" ("the Dunk of Death"). The U.S. team went on to win the gold medal that year.
Awards and achievementsNBA playoff records New Jersey Nets franchise records Career highs
Personal lifeCarter has donated to his high school, Mainland, as well as the foundation he established upon being drafted into the NBA in 1998, The Embassy of Hope. The foundation's slogan, "Believing in Your Dreams", is Carter's personal mantra for success. On February 3, 2007, a statue of Carter was unveiled at the Mainland.Carter visited with the Duquesne University basketball team in Pittsburgh as a show of support after its shooting incident in September 2006. He is a member of the Omega Psi Phi fraternity. Carter married Ellen Rucker, a doctor of chiropractic medicine, in July 2004; the couple divorced in 2006. They have one daughter, Kai Michelle Carter. born on June 1, 2005. In Spring 2010, a restaurant opened in Daytona Beach located on LPGA Boulevard named "Vince Carter's Restaurant".
NBA career statistics
Regular season|- | style="text-align:left;"| 1998–99 | style="text-align:left;"| Toronto | 50 || 49 || 35.2 || .450 || .288 || .761 || 5.7 || 3.0 || 1.1 || 1.5 || 18.3 |- | style="text-align:left;"| 1999–00 | style="text-align:left;"| Toronto | 82 || 82 || 38.1 || .465 || .403 || .791 || 5.8 || 3.9 || 1.3 || 1.1 || 25.7 |- | style="text-align:left;"| 2000–01 | style="text-align:left;"| Toronto | 75 || 75 || 39.7 || .460 || .408 || .765 || 5.5 || 3.9 || 1.5 || 1.1 || 27.6 |- | style="text-align:left;"| 2001–02 | style="text-align:left;"| Toronto | 60 || 60 || 39.8 || .428 || .387 || .798 || 5.2 || 4.0 || 1.6 || .7 || 24.7 |- | style="text-align:left;"| 2002–03 | style="text-align:left;"| Toronto | 43 || 42 || 34.2 || .467 || .344 || .806 || 4.4 || 3.3 || 1.1 || .9 || 20.6 |- | style="text-align:left;"| 2003–04 | style="text-align:left;"| Toronto | 73 || 73 || 38.2 || .417 || .383 || .806 || 4.8 || 4.8 || 1.2 || .9 || 22.5 |- | style="text-align:left;"| 2004–05 | style="text-align:left;"| Toronto | 20 || 20 || 30.4 || .411 || .322 || .694 || 3.3 || 3.1 || 1.2 || .8 || 15.9 |- | style="text-align:left;"| 2004–05 | style="text-align:left;"| New Jersey | 57 || 56 || 38.9 || .462 || .425 || .817 || 5.9 || 4.7 || 1.5 || .6 || 27.5 |- | style="text-align:left;"| 2005–06 | style="text-align:left;"| New Jersey | 79 || 79 || 36.8 || .430 || .341 || .799 || 5.8 || 4.3 || 1.2 || .7 || 24.2 |- | style="text-align:left;"| 2006–07 | style="text-align:left;"| New Jersey | 82 || 82 || 38.1 || .454 || .357 || .802 || 6.0 || 4.8 || 1.0 || .4 || 25.2 |- | style="text-align:left;"| 2007–08 | style="text-align:left;"| New Jersey | 76 || 72 || 38.9 || .456 || .359 || .816 || 6.0 || 5.1 || 1.2 || .4 || 21.3 |- | style="text-align:left;"| 2008–09 | style="text-align:left;"| New Jersey | 80 || 80 || 36.8 || .437 || .385 || .817 || 5.1 || 4.7 || 1.0 || .5 || 20.8 |- | style="text-align:left;"| 2009–10 | style="text-align:left;"| Orlando | 75 || 74 || 30.8 || .428 || .367 || .840 || 3.9 || 3.1 || .7 || .2 || 16.6 |- | style="text-align:left;"| 2010–11 | style="text-align:left;"| Orlando | 22 || 22 || 30.2 || .470 || .346 || .747 || 4.1 || 2.9 || .9 || .1 || 15.1 |- | style="text-align:left;"| 2010–11 | style="text-align:left;"| Phoenix | 51 || 41 || 27.2 || .422 || .366 || .735 || 3.6 || 1.6 || .9 || .3 || 13.5 |- | style="text-align:left;"| Career | style="text-align:left;"| | 925 || 907 || 36.4 || .445 || .374 || .797 || 5.2 || 4.0 || 1.2 || .7 || 22.2 |- | style="text-align:left;"| All-Star | style="text-align:left;"| | 7 || 5 || 20.7 || .477 || .375 || .600 || 2.6 || 1.9 || .9 || .1 || 10.1
Playoffs|- | style="text-align:left;"| 1999–00 | style="text-align:left;"| Toronto | 3 || 3 || 39.7 || .300 || .100 || .871 || 6.0 || 6.3 || 1.0 || 1.3 || 19.3 |- | style="text-align:left;"| 2000–01 | style="text-align:left;"| Toronto | 12 || 12 || 44.9 || .436 || .410 || .784 || 6.5 || 4.7 || 1.7 || 1.7 || 27.3 |- | style="text-align:left;"| 2004–05 | style="text-align:left;"| New Jersey | 4 || 4 || 44.8 || .365 || .316 || .861 || 8.5 || 5.8 || 2.2 || .0 || 26.8 |- | style="text-align:left;"| 2005–06 | style="text-align:left;"| New Jersey | 11 || 11 || 40.9 || .463 || .241 || .796 || 7.0 || 5.3 || 1.8 || .6 || 29.6 |- | style="text-align:left;"| 2006–07 | style="text-align:left;"| New Jersey | 12 || 12 || 40.6 || .396 || .389 || .693 || 6.8 || 5.3 || .9 || .6 || 22.3 |- | style="text-align:left;"| 2009–10 | style="text-align:left;"| Orlando | 14 || 14 || 34.4 || .402 || .235 || .826 || 4.2 || 2.3 || .9 || .2 || 15.5 |- | style="text-align:left;"| Career | style="text-align:left;"| | 56 || 56 || 40.3 || .415 || .312 || .788 || 6.2 || 4.5 || 1.3 || .7 || 23.3
See also
Notes
External linksCategory:1977 births Category:Living people Category:African American basketball players Category:American basketball players Category:American expatriate basketball people in Canada Category:Basketball players at the 2000 Summer Olympics Category:Basketball players from Florida Category:Golden State Warriors draft picks Category:McDonald's High School All-Americans Category:Male basketball guards Category:NBA Slam Dunk Contest champions Category:New Jersey Nets players Category:North Carolina Tar Heels men's basketball players Category:Olympic gold medalists for the United States Category:Olympic basketball players of the United States Category:Orlando Magic players Category:Parade High School All-Americans (boys' basketball) Category:Phoenix Suns players Category:People from Bergen County, New Jersey Category:People from Volusia County, Florida Category:Shooting guards Category:Small forwards Category:Toronto Raptors players Category:United States men's national basketball team members This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community. omarion
Early yearsBorn in Watts, California, to Leslie Burrell and Trent Grandberry, Omarion is the oldest of seven children. At school he captained his football team and was also known for his slick dance moves. Although he dropped out of school midway, Omarion began to perform at age five. He was part of 'UAC' but soon disbanded as he wanted to focus on his talent, hip-hop. Before he made it into the music business, he was in commercials for Kelloggs Corn Pops and McDonald's. He also made cameos in the R&B; girl group Before Dark's music videos. He embarked on a career in music. The smooth harmony singing that formed an integral part of the band B2K, helped him establish a solo career. His younger brother O'Ryan is also a singer.
Music careerB2KIn 1998, Omarion was the last member to join B2K and became the lead singer of the group. The band, including Omarion, was made up of four members, Lil Fizz, J-Boog, and Raz-B. The band released their debut album, B2K, to some success. Their second album, Pandemonium!, was far more successful, reaching the top ten on the Billboard 200, giving them their first #1 with "Bump, Bump, Bump". Following their third album, a soundtrack to the movie You Got Served, B2K announced they had broken up.
O (2004-2005)After the break up of B2K, Omarion started his solo career he was eventually signed to Epic Records and Sony. In 2004 Omarion released his debut single "O" the single was a top 30 hit on the U.S. Billboard. Then in 2005 Omarion released his second single "Touch" which was not as successful than his first single, and was followed by his third single "I'm Tryna". Omarion released his debut album which was entitled O which was his nickname. The album went gold selling over 500,000 units. That same year, he was featured on Bow Wow's hit song "Let Me Hold You". The song reached #4 of the Billboard 100, becoming Omarion's first top-ten single as a solo artist.
21 (2006-2007)On December 26, 2006 Omarion released His sophomore album, 21, dominated radio airplay and also debuted #1 on the R&B;/Hip-Hop chart and #1 on the Billboard 200 chart. The first single from the album was "Entourage". The second single from 21, "Ice Box" produced by Timbaland, reached the top 20 of the Billboard Hot 100 chart. It became a platinum selling ringtone and is Omarion's highest selling single to date. The single was certified gold by the RIAA. In early 2010, Omarion signed with EMI and created his own label, StarrWorld Entertainment. Omarion later re-released the single "I Get It In" with Lil Wayne replaced by Gucci Mane. Then he released his second single "Speedin'". He released his third studio album Ollusion, which sold 19,400 copies in its first week.
The Awakening (Mixtape)In early 2011 Omarion worked on his first mixtape presented by DJ Drama, titled 'The Awakening'. Originally to be released on April 27th, 2011, the mixtape was instead released on May 11th, 2011.
Other venturesActing careerIn early 2004, Omarion appeared in several films, most notably You Got Served in which he starred alongside Marques Houston, as well as his former B2K band mates. The movie centered around a group of friends in a hip hop dance crew who take part in underground dance competitions. Later that year, he played the role of the school bully "Reggie" in the comedy Fat Albert, based on the animated series Fat Albert and the Cosby Kids. Towards the end of 2007, he displayed his acting skills in the thriller Somebody Help Me. This movie was released exclusively on DVD and aired on BET in celebration of Halloween. Omarion has also made several appearances in a number of TV shows, including One on One. Omarion also played the voice of Fifteen Cent in The Proud Family Movie. His portrayal of a rapper, who gets involved with thugs, in the movie Feel The Noise, received mixed-to-positive reviews from critics. Omarion also co-produced Feel the Noise.
America's Best Dance CrewIn 2010, Omarion became a judge on the fifth season of America's Best Dance Crew, replacing former judge Shane Sparks.
Discography;Studio albums ;Official mixtapes
Filmography;Films {| border="2" cellpadding="3" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;" |- style="background:#ccc; text-align:center;" !Year !Film !Role !Notes |- |rowspan=2|2004 |You Got Served |David |lead role |- |Fat Albert |Reggie |main role |- ||2005 |The Proud Family Movie |Fifteen Cent |main role |- |rowspan=2|2007 |Feel the Noise |Rob |lead role |- |Somebody Help Me |Darryl Jennings |lead role |- |rowspan=2|2010 |Wrong Side of Town |Stash |cast |- |Somebody Help Me 2 |Darryl Jennings |lead role |} ;Television
Awards and nominations
References
External linksCategory:Cash Money Records artists Category:1984 births Category:African American dancers Category:African American male singers Category:American pop singers Category:American rhythm and blues singers Category:Hip hop singers Category:B2K members Category:Living people Category:People from Inglewood, California Category:Singers from California Category:African American record producers Category:African American actors Category:African American singer-songwriters Category:Songwriters from California Category:2010s singers This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community. |