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, New York, N.Y., ca. June 1946 (William P. Gottlieb 06171).jpg)
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![John Lennon - Crippled Inside - Imagine [Remastered] - 2000](http://web.archive.org./web/20110612080637im_/http://i.ytimg.com/vi/MQwWp98IuGE/0.jpg "John Lennon - Crippled Inside - Imagine [Remastered] - 2000")
| Name | Parlophone Records |
|---|---|
| Parent | EMI |
| Founded | 1896 |
| Founder | Carl Lindström |
| Distributor | Parlophone Records (UK) |
| Location | United Kingdom |
| Genre | jazz, pop, rock, novelty recordings, voice recordings |
| Country | Germany |
| Url |
Parlophone is a record label, founded in Germany in 1896 by the Carl Lindström Company. The ₤ trademark is a German L, for Lindström. (Coincidentally it also resembles the British pound sign, £, which itself is derived from the letter L for Libra, meaning pound in Latin.) Parlophone is best known for its association with The Beatles.
Even though these records were never licensed for sale in the U.S., they were heavily imported through jazz shops like Commodore and Liberty in the late 1930s and were sold through the 1940s and into the early 1950s. They are treasured by collectors because they are pressed from the original stampers and usually sound much better than the worn and usually rare U.S. OKeh original records.
Besides releasing sides from OKeh, Parlophone also issued recordings from US Columbia, Brunswick as well as a few sessions produced at US Decca.
The label's fortunes began to rise in 1962, when Martin signed rising new Liverpool band The Beatles. Along with fellow NEMS stablemates Cilla Black, Billy J. Kramer and the Fourmost, and contemporary Mancunian band The Hollies, The Beatles soon turned Parlophone into one of the world's most famous and prestigious record labels.
An interesting note is that Parlophone's 45 rpm releases continue, as of late 2010, to be numbered using the same "R-xxxx" catalog number series that it has used continuously since 1956 (starting around R-4200 and currently up to the R-6800 range).
The labels shown here include those used for 78s and LPs. The label design for 7" singles had the same standard template as several other EMI labels, with the large "45" insignia to the right. In recent years, design uniformity has relaxed from release to release.
Category:British record labels Category:Record labels established in 1896 Category:Companies associated with The Beatles Category:Jazz record labels Category:Pop record labels Category:Dance music record labels Category:Rock record labels Category:EMI
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Sky Ferreira |
|---|---|
| Background | solo_singer |
| Born | July 08, 1992 Los Angeles, California, United States |
| Genre | Electropop |
| Occupation | Singer, songwriter, actress |
| Years active | 2009–present |
| Label | Parlophone, Capitol Records |
| Url | www.skyferreira.com |
Sky Ferreira (born July 8, 1992), is an American singer, songwriter, model and actress.
Ferreira signed to Parlophone in July 2009. She subsequently appeared in the video for "Pop the Glock" by Uffie and starred in the 2010 film Putty Hill directed by Matthew Porterfield. In June 2010, Ferreira appeared on the cover of Jalouse magazine after being featured in Dazed & Confused, Interview, Purple and Nylon. Ferreira is due to star in an upcoming Diesel campaign with Kristin Prim, which will be her first major advertising appearance.
Ferreira will release her yet untitled debut album January 11, 2011 in the US. The album took nearly a year to complete. "One", the album's first European single was released on June 1, 2010. The song was performed on numerous live performances, and charted in the UK at number sixty-four. "Obsession", the album's first North American single was released on September 14, 2010. The song is featured on the Vampire Diaries soundtrack. "Obsession" debuted at number forty-four on the US Hot Dance Club Songs Chart before moving to number thirty-seven the following week. In 2011, Ferreira made Entertainment Weekly's "11 to Watch in 2011" list, ranking number eleven.
Category:Living people Category:1992 births Category:2010s singers Category:English-language singers Category:Musicians from North Carolina Category:American female singers Category:American pop singers Category:American child singers Category:American people of Portuguese descent
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| Birth name | Patrick Junior Chukwuem Okogwu |
|---|---|
| Born | November 07, 1988 |
| Origin | London, United Kingdom |
| Instrument | Vocals |
| Genre | Grime, hip hop, Dubstep, electro, Drum 'n' Bass |
| Occupation | Rapper, songwriter |
| Years active | 2005–present |
| Label | Parlophone/DL Records Ltd |
| Associated acts | DJ Ironik, Labrinth, Chipmunk, Malorie Blackman, Bashy, Tinchy Stryder, N-Dubz, Mr. Hudson, Emeli Sandé, Ellie Goulding, Vex King, Eric Turner, Sean Combs, Kelly Rowland, JLS, Snoop Dogg |
| Url |
He has three siblings - a younger brother and two younger sisters.
In 2006, Tinie gained a great deal of airplay on British music TV channel, Channel U, for his song 'Wifey Riddim' and then in late 2007, Tinie Tempah collaborated on a track with grime artists Agent X and Ultra. The song was titled "Perfect Girl".
He announced his signing to Parlophone by running a competition on his blog, with the winner invited to High Tea at Claridges to celebrate the deal. He toured with Chipmunk in February 2009. According to MTV, Patrick's major label debut album, titled Disc-Overy (pronounced discovery), was due for release in August 2010. Tinie then announced his second single, "Frisky", which was released on 6 June 2010. Tinie performed at Radio 1 Big Weekend in Bangor on 22 May 2009 and 2010 on the In New Music We Trust stage and informed the crowd his album would be out in August 2010. He also toured with Mr Hudson in May 2010.
Tinie supported Rihanna for four dates (London on 11 May, Nottingham on 14 May, and Glasgow on 19 and 20 May.) on her 10-date UK tour with Tinchy Stryder and Pixie Lott. Tinie performed at many summer balls at various universities around the United Kingdom.
Tinie Tempah played the Summertime Ball at Wembley Stadium on 6 June 2010, at Wakestock in Abersoch on 3 July, both T4 On The Beach and the Wireless Festival in London's Hyde Park on 4 July, and both days of the V Festival on 21 and 22 August 2010.
"Written in the Stars" was the third single from Disc-Overy, the debut album, and was released on 27 September 2010 where it topped the charts on 3 October 2010; the day before his album release. "Invincible" is his next single off the album, Disc-overy. It was revealed by Ellie Goulding on BBC Radio 1's Live Lounge that she had recently recorded a music video with Tinie Tempah, indicating that "Wonderman" would be the next single released from the album.
Tempah has confirmed he is writing a second album, saying there will be a more electronic and live feel to it. It is not yet known what the title will be.
Category:British rappers Category:Black British people Category:English people of Nigerian descent Category:Grime artists Category:Black British musicians Category:People from London Category:British hip hop musicians Category:1988 births Category:Living people
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| Name | Kylie Minogue |
|---|---|
| Background | solo_singer |
| Birth name | Kylie Ann Minogue |
| Birth date | May 28, 1968 |
| Birth place | Melbourne, Australia |
| Genre | Pop, synthpoprock, dance, electronic |
| Occupation | Singer, songwriter, actress, record producer, fashion designer, author, entrepreneur, philanthropist |
| Years active | 1979–present |
| Label | PWL (1987-1993) Deconstruction (1993-1998) Parlophone (1999-present) Mushroom (Australia) |
| Url |
Initially presented as a "girl next door", Minogue attempted to convey a more mature style in her music and public image. Her singles were well received, but after four albums her record sales were declining, and she left Stock, Aitken & Waterman in 1992 to establish herself as an independent performer. Her next single, "Confide in Me", reached number one in Australia and was a hit in several European countries in 1994, and a duet with Nick Cave, "Where the Wild Roses Grow", brought Minogue a greater degree of artistic credibility. Drawing inspiration from a range of musical styles and artists, Minogue took creative control over the songwriting for her next album, Impossible Princess (1997). It failed to attract strong reviews or sales in the UK, but was successful in Australia and Israel where it reached the number 1 position.
Minogue returned to prominence in 2000 with the single "Spinning Around" and the dance-oriented album Light Years, and she performed during the closing ceremonies of the 2000 Sydney Olympics. Her music videos showed a more sexually provocative and flirtatious personality and several hit singles followed. "Can't Get You Out of My Head" reached number one in more than 40 countries, and the album Fever (2001) was a hit throughout the world, including the United States, a market in which Minogue had previously received little recognition. Minogue embarked on a concert tour but cancelled it when she was diagnosed with breast cancer in 2005. After surgery and chemotherapy treatment, she resumed her career in 2006 with . Her tenth studio album X was released in 2007 and was followed by the KylieX2008 tour. In 2009, she embarked upon her For You, For Me Tour, her first concert tour of the US and Canada.
Minogue has achieved worldwide record sales of more than 60 million, and has received notable music awards, including multiple ARIA and Brit Awards and a Grammy Award. She has mounted several successful concert tours and received a Mo Award for "Australian Entertainer of the Year" for her live performances. She was awarded the Order of the British Empire "for services to music", and an Ordre des Arts et des Lettres in 2008.
The Minogue sisters began their careers as children on Australian television. Interested in following a career in music, she made a demo tape for the producers of the weekly music programme Young Talent Time, which featured Dannii as a regular performer. Kylie gave her first television singing performance on the show in 1985 but was not invited to join the cast. Dannii's success overshadowed Kylie's acting achievements,
Her popularity in Australia was demonstrated when she became the first person to win four Logie Awards in one event, and the youngest recipient of the "Gold Logie" as the country's "Most Popular Television Performer", with the result determined by public vote.
Her follow-up album Enjoy Yourself (1989) was a success in the United Kingdom, Europe, New Zealand, Asia and Australia, and contained several successful singles, including the British number one "Hand on Your Heart", In December 1989, Minogue was one of the featured vocalists on the remake of "Do They Know It's Christmas", and her debut film, The Delinquents, premiered in London. It was poorly received by critics, but it proved popular with audiences; in the UK it grossed more than £200,000, and in Australia it was the fourth-highest grossing local film of 1989 and the highest grossing local film of 1990.
Rhythm of Love (1990) presented a more sophisticated and adult style of dance music and also marked the first signs of Minogue's rebellion against her production team and the "girl-next-door" image. Determined to be accepted by a more mature audience, Minogue took control of her music videos, starting with "Better the Devil You Know", and presented herself as a sexually aware adult. Her relationship with Michael Hutchence was also seen as part of Minogue's departure from her earlier persona; Hutchence was quoted as saying that his hobby was "corrupting Kylie", and that the INXS song "Suicide Blonde" had been inspired by her. The singles from Rhythm of Love sold well in Europe and Australia and were popular in British nightclubs. Pete Waterman later reflected that "Better the Devil You Know" was a milestone in her career and said that it made her "the hottest, hippest dance act on the scene and nobody could knock it as it was the best dance record around at the time". Her fourth album, Let's Get to It (1991), reached number 15 on the British album charts and was the first of her albums to fail to reach the Top 10;
A Greatest Hits album was released in 1992. It reached number one in the UK and the singles "What Kind of Fool (Heard All That Before)" and her cover version of Kool & The Gang's "Celebration" each reached the UK Top 20. She performed a striptease in the video for her next single, "Put Yourself in My Place", inspired by Jane Fonda in the film Barbarella. This single and her next, "Where Is the Feeling?" each reached the British top 20, During this period she made a guest appearance as herself, in an episode of the comedy The Vicar of Dibley. The director Steven E. de Souza was intrigued by Minogue's cover photo in Australia's Who Magazine as one of "The 30 Most Beautiful People in the World", and offered her a role opposite Jean-Claude Van Damme in Street Fighter (1994). The film was a moderate success, earning USD$70 million in the U.S., She co-starred with Pauly Shore and Stephen Baldwin in Bio-Dome (1996), but it was a failure, dismissed by Movie Magazine International as the "biggest waste of celluloid space".
Australian artist Nick Cave had been interested in working with Minogue since hearing "Better the Devil You Know", saying it contained "one of pop music's most violent and distressing lyrics" and "when Kylie Minogue sings these words, there is an innocence to her that makes the horror of this chilling lyric all the more compelling". They collaborated on "Where the Wild Roses Grow" (1995), a brooding ballad whose lyrics narrated a murder from the points of view of both the murderer (Cave), and his victim (Minogue). The video was inspired by John Everett Millais's painting Ophelia (1851–1852), and showed Minogue as the murdered woman, floating in a pond as a serpent swam over her body. The single received widespread attention in Europe, where it reached the top 10 in several countries, and acclaim in Australia where it reached number two on the singles chart, and won ARIA Awards for "Song of the Year" and "Best Pop Release". Following concert appearances with Cave, Minogue recited the lyrics to "I Should Be So Lucky" as poetry in London's Royal Albert Hall "Poetry Jam", at the suggestion of Cave, and later described it as a "most cathartic moment". She credited Cave with giving her the confidence to express herself artistically, saying: "He taught me to never veer too far from who I am, but to go further, try different things, and never lose sight of myself at the core. For me, the hard part was unleashing the core of myself and being totally truthful in my music." By 1997, Minogue was in a relationship with the French photographer Stéphane Sednaoui, who encouraged her to develop her creativity. Inspired by a mutual appreciation of Japanese culture, they created a visual combination of "geisha and manga superheroine" for the photographs taken for the album Impossible Princess and the video for "German Bold Italic", Minogue's collaboration with Towa Tei. Minogue drew inspiration from the music of artists such as Shirley Manson and Garbage, Björk, Tricky and U2, and Japanese pop musicians such as Pizzicato Five and Towa Tei.
Impossible Princess featured collaborations with musicians such as James Dean Bradfield and Sean Moore of the Manic Street Preachers. Mostly a dance album, its style was not represented by its first single "Some Kind of Bliss", and Minogue countered suggestions that she was trying to become an indie artist. She told Music Week, "I have to keep telling people that this isn't an indie-guitar album. I'm not about to pick up a guitar and rock." Acknowledging that she had attempted to escape the perceptions of her that had developed during her early career, Minogue commented that she was ready to "forget the painful criticism" and "accept the past, embrace it, use it". Billboard described the album as "stunning" and concluded that "it's a golden commercial opportunity for a major [record company] with vision and energy [to release it in the United States]. A sharp ear will detect a kinship between Impossible Princess and Madonna's hugely successful album, Ray of Light". Retitled Kylie Minogue in the UK following the death of Diana, Princess of Wales, it became the lowest-selling album of her career. At the end of the year a campaign by Virgin Radio stated, "We've done something to improve Kylie's records: we've banned them." to become her most successful album since Kylie in 1988, and her Intimate and Live tour was extended due to demand. The Victorian Premier, Jeff Kennett, hosted a civic reception for Minogue in Melbourne, and she maintained her high profile in Australia with live performances, including the 1998 Sydney Gay and Lesbian Mardi Gras, and Sydney's Fox Studios in 1999, where she performed Marilyn Monroe's "Diamonds Are a Girl's Best Friend", and a Christmas concert in Dili, East Timor in association with the United Nations Peace-Keeping Forces. Returning to Australia, she appeared in the film Sample People and recorded a cover version of Russell Morris's "The Real Thing" for the soundtrack. Her album Light Years (2000) was a collection of dance songs, influenced by disco music. Minogue said that her intention was to present dance-pop music in a "more exaggerated form" and to make it "fun". The single "Spinning Around" became her first British number one in ten years, and its accompanying video featured Minogue in revealing gold hot pants, which came to be regarded as a "trademark". The single was described by a 2009 The Times article as heralding a new era in synthpop that was continuing. and number two in the UK. She then embarked upon a concert tour, On A Night like This Tour, which played to sell-out crowds in Australia and the United Kingdom. Minogue was inspired by Madonna's 1993 world tour The Girlie Show which incorporated Burlesque and theatre, William Baker also cited the style of Broadway shows such as 42nd Street, films such as Anchors Aweigh, South Pacific, the Fred Astaire and Ginger Rogers musicals of the 1930s and the live performances of Bette Midler. Minogue was praised for her new material and her reinterpretations of some of her greatest successes, turning "I Should Be So Lucky" into a torch song and "Better the Devil You Know" into a 1940s big band number. She won a "Mo Award" for Australian live entertainment as "Performer of the Year". Following the tour she was asked by a Seattle Post-Intelligencer journalist what she thought was her greatest strength, and replied, "[That] I am an all-rounder. If I was to choose any one element of what I do, I don't know if I would excel at any one of them. But put all of them together, and I know what I'm doing."
She appeared as "The Green Fairy" in Moulin Rouge! (2001), shortly before the release of Fever, an album containing disco elements combined with 1980s electropop and synthpop. Fever reached number one in Australia, the UK, and throughout Europe, eventually achieving worldwide sales in excess of eight million. Its lead single "Can't Get You Out of My Head" became the biggest success of her career, reaching number one in more than 40 countries. She won four ARIA Awards including a "Most Outstanding Achievement" award, and two Brit Awards, for "Best international female solo artist" and "Best international album". Rolling Stone states that "Can't Get You out of My Head" "was easily the best and most omnipresent dance track of the new century", and following extensive airplay by American radio, Capitol Records released it and the album Fever in the U.S. in 2002. Fever debuted on the Billboard 200 albums chart at number three, and "Can't Get You out of My Head" reached number seven on the Hot 100. and the following year won the same award for "Come into My World".
Minogue's stylist and creative director William Baker explained that the music videos for the Fever album were inspired by science fiction films—specifically those by Stanley Kubrick—and accentuated the electropop elements of the music by using dancers in the style of Kraftwerk. Alan MacDonald, the designer of the 2002 KylieFever tour, brought those elements into the stage show which drew inspiration from Minogue's past incarnations. The show opened with Minogue as a space age vamp, which she described as "Queen of Metropolis with her drones", through to scenes inspired by Kubrick's A Clockwork Orange, followed by the various personas of Minogue's career. and 2006 in the U.S.; she voiced one of the principal characters, Florence.
Minogue began a relationship with the French actor, Olivier Martinez, after meeting him at the 2002 Grammy Awards ceremony. Her next album, Body Language (2003), was released following an invitation-only concert, titled Money Can't Buy, at the Hammersmith Apollo in London. The event marked the presentation of a new visual style, designed by Minogue and Baker, inspired in part by Brigitte Bardot, about whom Minogue commented: "I just tended to think of BB [Bardot] as, well, she's a sexpot, isn't she? She's one of the greatest pinups. But she was fairly radical in her own way at that time. And we chose to reference the period, which was ... a perfect blend of coquette and rock and roll." The album downplayed the disco style and Minogue said she was inspired by 1980s artists such as Scritti Politti, The Human League, Adam and the Ants and Prince, blending their styles with elements of hip hop. It received positive reviews with Billboard Magazine writing of "Minogue's knack for picking great songs and producers". Allmusic described it as "a near perfect pop record... Body Language is what happens when a dance-pop diva takes the high road and focuses on what's important instead of trying to shock herself into continued relevance". Sales of Body Language were lower than anticipated after the success of Fever, After reaching number one on the US club chart, "Slow" received a Grammy Award nomination in the Best Dance Recording category. The Wall Street Journal described Minogue as "an international superstar who seems perpetually unable to conquer the U.S. market".
Minogue played a guest role in the season finale of the comedy series Kath & Kim, in which she referenced her earlier role as Charlene in Neighbours, during a wedding sequence. The episode achieved the Australian Broadcasting Corporation's highest ratings of the year.
She released her second official greatest hits album in November 2004, entitled Ultimate Kylie, along with her music videos on a DVD compilation of the same title. The album introduced her singles "I Believe in You", co-written with Jake Shears and Babydaddy from the Scissor Sisters, and "Giving You Up". "I Believe in You" reached the U.S. Hot Dance Club Play top three, and was exhibited at the Victoria and Albert Museum in London in February 2007. Minogue commenced her , and after performing in Europe, travelled to Melbourne, where she was diagnosed with breast cancer.
In February 2007, Minogue and Olivier Martinez announced that they had ended their relationship, but remained on friendly terms. Minogue was reported to have been "saddened by false [media] accusations of [Martinez's] disloyalty". in November 2007. The electro-styled album included contributions from Guy Chambers, Cathy Dennis, Bloodshy & Avant and Calvin Harris. The album received some criticism for the triviality of its subject matter in light of Minogue's experiences with breast cancer; she responded by explaining the personal nature of some of the album's songs, and said "My conclusion is that if I'd done an album of personal songs it'd be seen as 'Impossible Princess 2' and be equally critiqued." and said of her breast cancer, "thankfully, the experience hasn't made her music discernibly deeper". X and "2 Hearts" entered at number one on the Australian albums and singles charts respectively. In the UK, X initially attracted lukewarm sales, and Minogue won a Brit Award for "International solo female". X was released in the U.S. in April 2008, and debuted outside the top 100 on the albums chart despite some promotion. X was nominated for the 2009 Grammy Award for Best Electronic/Dance Album, Minogue's fifth Grammy Award nomination.
In December 2007, Minogue participated in the Nobel Peace Prize Concert in Oslo, Norway, and later performed in the final of the UK talent show The X Factor with the eventual winner, Leon Jackson, whose mentor was Dannii Minogue. From May 2008, Minogue promoted X with a European tour, KylieX2008, which is her most expensive tour to date with production costs of £10 million. Although she described the rehearsals as "grim" and the set list went through several overhauls, She appeared in The Kylie Show, which featured highly stylised set-piece song performances from Minogue as well as comedy sketches with Mathew Horne, Dannii Minogue, Jason Donovan and Simon Cowell. She co-starred in the 2007 Doctor Who Christmas special episode, "Voyage of the Damned", as Astrid Peth, a waitress on a spaceship Titanic. The episode aired on 25 December 2007, with 13.31 million viewers, the show's highest viewing figures since 1979.
It was announced in late December 2007 that Minogue was to be among those honoured in Queen Elizabeth II's 2008 New Years Honours list, with an OBE for services to music. Minogue commented "I am almost as surprised as I am honoured. I feel deeply touched to be acknowledged by the UK, my adopted home, in this way." She received the OBE officially from The Prince of Wales in July 2008. In May, 2008 Minogue was awarded the French Ordre des Arts et des Lettres, France's highest cultural honour. Culture Minister Christine Albanel described Minogue as a "midas of the international music scene who turns everything she touches into gold", and saluted her for publicly discussing her breast cancer. and won the "Best International Female Solo Artist" award at the 2008 BRIT Awards.
In late September 2008, Minogue made her Middle East debut as the headline act at the opening of Atlantis, The Palm, an exclusive hotel resort in Dubai, and from November, she continued with her KylieX2008 tour, taking the show to cities across South America, Asia and Australia. The tour visited 21 countries, and was considered a success, with ticket sales estimated at $70,000,000. She hosted the 2009 BRIT Awards on 18 February 2009 with James Corden and Mathew Horne.
In September and October 2009, Minogue embarked on the For You, For Me Tour, her first North American concert tour, which included shows in the U.S. and Canada. On 14 December 2009, Minogue released a download-only concert album entitled . The album was recorded at New York's Hammerstein Ballroom and contains 25 live version songs.
In July 2010, Minogue filmed a cameo performance as a rock star in the American independent film Jack and Diane. The movie stars Juno Temple, Riley Keough and Jena Malone. She also recorded a duet titled "Devotion" with British synthpop duo Hurts for their debut album Happiness, released on 6 September 2010. The second single from Aphrodite, titled "Get Outta My Way" was released on 27 September 2010. In October 2010, Minogue performed in front of the Sphinx and the Pyramids at Giza, Eygpt to celebrate the anniversary of "Enigma" magazine, with profits going to the We Owe It To Egypt Foundation. A third single, Better Than Today, was released on 6 December 2010. It peaked at number thirty-two in the UK and became her lowest charting single to have a proper physical release.
On 1 December 2010, Minogue and Parlophone records released A Kylie Christmas (EP) on iTunes, which included a cover of the 1945 song Let It Snow as well as Santa Baby which was previously available as a b-side to her 2000 single Please Stay.
By 2000, when Minogue returned to prominence, she was considered to be have achieved a degree of musical credibility for having maintained her career longer than her critics had expected. That same year, Birmingham Post noted "[o]nce upon a time, long before anybody had even heard of Britney, Christina, Jessica or Mandy, Australian singer Kylie Minogue ruled the charts as princess of pop. Back in 1988 her first single, I Should Be So Lucky, spent five weeks at number one, making her the most successful female artist in the UK charts with 13 successive Top 10 entries." Her progression from the wholesome "girl next door" to a more sophisticated performer with a flirtatious and playful persona attracted new fans to her. After 20 years as a performer, Minogue was described as a fashion "trend-setter" and a "style icon who constantly reinvents herself". She has been acknowledged for mounting successful tours, and for worldwide record sales of more than 60 million.
Minogue is regarded as a gay icon, which she encourages with comments such as "I am not a traditional gay icon. There's been no tragedy in my life, only tragic outfits..." and "My gay audience has been with me from the beginning ... they kind of adopted me." Minogue has been inspired by and compared to Madonna throughout her career. Kathy McCabe for The Telegraph notes that Minogue and Madonna follow similar styles in music and fashion, and concludes, "Where they truly diverge on the pop-culture scale is in shock value. Minogue's clips might draw a gasp from some but Madonna's ignite religious and political debate unlike any other artist on the planet... Simply, Madonna is the dark force; Kylie is the light force." During the same week a bronze cast of her hands was added to Wembley Arena's "Square of Fame".
In March 2010, Minogue was declared by researchers as the "most powerful celebrity in Britain". The study examined how marketers identify celebrity and brand partnerships. Mark Husak, head of Millward Brown's UK media practice, said: "Kylie is widely accepted as an adopted Brit. People know her, like her and she is surrounded by positive buzz". In June 2010, after a performance at Glastonbury with the Scissor Sisters on their track "Any Which Way", Minogue started filming a cameo role in the film Jack and Diane, in New York.
Minogue was acknowledged for the impact she had made by publicly discussing her cancer diagnosis and treatment; in May 2008, the French Cultural Minister Christine Albanel said, "Doctors now even go as far as saying there is a 'Kylie effect' that encourages young women to have regular checks."
Category:1968 births Category:Living people Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Actors from Melbourne Category:ARIA Award winners Category:Australian child actors Category:Australian dance musicians Category:Australian expatriates in the United Kingdom Category:Australian female singers Category:Australian film actors Category:Australian pop singers Category:Australian television actors Category:Australian people of Irish descent Category:Australian people of Welsh descent Category:Breast cancer survivors Category:BRIT Award winners Category:Capitol Records artists Category:Disco musicians Category:Freestyle musicians Category:Gold Logie winners Category:Grammy Award winners Category:LGBT rights activists from Australia Category:Officers of the Order of the British Empire Category:Parlophone artists Category:Recipients of the Centenary Medal Category:Singers from Melbourne Category:The X Factor judges Category:The X Factor (UK)
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| Name | John Lennon |
|---|---|
| Img alt | A bearded, bespectacled man in his late twenties, with long black hair and wearing a loose-fitting pajama shirt, sings and plays an acoustic guitar. White flowers are visible behind and to the right of him. |
| Background | solo_singer |
| Birth name | John Winston Lennon |
| Born | October 09, 1940Liverpool, England, UK |
| Died | December 08, 1980New York, New York, US |
| Instrument | Vocals, guitar, piano, banjo, harmonica, Mellotron, six-string bass, percussion |
| Genre | Rock, pop |
| Occupation | Musician, singer-songwriter, record producer, artist, writer |
| Years active | 1957–1975, 1980 |
| Label | Parlophone, Capitol, Apple, EMI, Geffen, Polydor |
| Associated acts | The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, John & Yoko/Plastic Ono Band |
| Notable instruments | Rickenbacker 325Epiphone CasinoGibson J-160EGibson Les Paul Junior |
Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". Lennon disengaged himself from the music business in 1975 to devote time to his family, but re-emerged in 1980 with a new album, Double Fantasy. He was murdered three weeks after its release.
Lennon revealed a rebellious nature and acerbic wit in his music, his writing, his drawings, on film, and in interviews, and he became controversial through his political activism. He moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while his songs were adopted as anthems by the anti-war movement.
As of 2010, Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 27 number-one singles on the US Hot 100 chart. In 2002, a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital, to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth. He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill. His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother, but the cheques stopped when he went absent without leave in February 1944. When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea. After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946, Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him. Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her. It would be 20 years before he had contact with his father again.
Throughout the rest of his childhood and adolescence, he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton. His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, playing "Ain't That a Shame" by Fats Domino.
In September 1980 he talked about his family and his rebellious nature: }}
He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas. During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby. After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16." He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).
Lennon was raised as an Anglican and attended Dovedale Primary School. From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad." He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl, but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."
His mother bought him his first guitar in 1957, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations. As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it". On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.
Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class. He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."
McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon. According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble"; although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road. During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.
George Harrison joined the band as lead guitarist, even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played Raunchy for Lennon. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them. Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.
Brian Epstein, the Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage. Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me". McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963, a day when Lennon was suffering the effects of a cold, which is evident in the vocal on the last song to be recorded that day, Twist and Shout. The Lennon/McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant". In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".
The Beatles achieved mainstream success in the UK around the start of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery." After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.
" with The Beatles in 1967 to 400 million viewers of "Our World".]] Deprived of the routine of live performances after their final commercial concert in 1966, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year." According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity". 1967 saw the release of "Strawberry Fields Forever", hailed by Time magazine for its "astonishing inventiveness", and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon/McCartney's early years.
In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared". They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.
The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles full-length film, was shown in cinemas in October 1967. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Carroll-inspired "I am the Walrus", was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure", but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple’s chief executive by Lennon, Harrison and Starr, but McCartney never signed the management contract.
At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film. Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond the Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: (known more for its cover than for its music), and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced. Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969), "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin) and "Instant Karma!".
Lennon left the Beatles in September 1969. He agreed not to inform the media while the band renegotiated their recording contract, and was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!" He later wrote, "I started the band. I disbanded it. It's as simple as that." In later interviews with Rolling Stone, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record." He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"
With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant". The album's title track would become an anthem for anti-war movements, while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed, were directed at him and Ono. However, Lennon softened his stance in the mid-70s and said he had written "How Do You Sleep?" about himself. He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and the Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".
Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)". To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT". The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.
Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card, the album was poorly received—unlistenable, according to one critic. "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger". Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility. Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.
In 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson soon made the headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation ‘towel’ on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon decided to produce Nilsson's album Pussy Cats and Pang rented an L.A. beach house for all the musicians but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than thirty years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).
Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano. A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano. On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There".
Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording. He and Ono were reunited shortly afterwards. The same month, Elton John topped the charts with his own cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. Soon afterwards, "Stand By Me", taken from the album and a US and UK hit, became his last single for five years. He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June. Playing acoustic guitar, and backed by his eight-piece band BOMF (introduced as "Etcetera"), Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine". The band wore masks on the backs of their heads, making them appear two-faced, a dig at Grade, with whom Lennon and McCartney had been in conflict because of his control of the Beatles' publishing company. (Dick James had sold his majority share to Grade in 1969.) During "Imagine", Lennon interjected the line "and no immigration too", a reference to his battle to remain in the United States.
He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June, that reflected Lennon's fulfillment in his new-found stable family life. Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984). Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".
Ono issued a statement the next day, saying "There is no funeral for John," ending it with the words, "John loved and prayed for the human race. Please pray the same for him." His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. Chapman pleaded guilty to second degree murder and was sentenced to 20 years to life; as of 2010, he remains in prison, having been repeatedly denied parole.
Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married." The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.
Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her. When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Mahesh Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolize the ending of their marriage. After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.
Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish. When Epstein invited suggestions for the title of his autobiography, Lennon offered Queer Jew; on learning of the eventual title, A Cellarful of Noise, he parodied, "More like A Cellarful of Boys". He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't." During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".
Lennon's first son, Julian, was born as his commitments with the Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with the Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten the Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'" Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song." McCartney corroborated Lennon's explanation that Julian innocently came up with the name. Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into the Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."
Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973. With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland. Julian started to see his father regularly, and Lennon gave him a drumming part on a Walls and Bridges track. He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques. Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."
In a Playboy interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future." After his death it was revealed that he had left Julian very little in his will.
Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar. Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of the Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in." The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, Notations, but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".
Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit". In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the Two Virgins album, after which, he said, they "made love at dawn." When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi." Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968, a few weeks after Lennon's divorce from Cynthia was granted.
During Lennon's last two years in the Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry, so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in the Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by the Beatles' Let It Be rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on the Beatles' last album, Abbey Road. To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971. They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.
According to author Albert Goldman, Ono was regarded by Lennon as an "almost magical being" who could solve all his problems for him, but this was a "grand illusion", and she openly cheated on him with gigolos. Eventually, writes Goldman, "both he and Yoko were burnt out from years of hard drugs, overwork, emotional breakdowns, quack cures, and bizarre diets, to say nothing of the effects of living constantly in the glare of the mass media." After their separation, "no longer collaborating as a team, they remained in constant communication. ... No longer able to live together, they found that they couldn’t live apart either."
On moving to New York, they "prepared a spare room" in their newly rented apartment for Julian to visit. Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking—but after the meeting failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.
Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of Saturday Night Live in which Lorne Michaels made a $3,000 cash offer to get the Beatles to reunite on the show. The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired. Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."
Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product". When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he couldn't get the tune out of his head. Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."
Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence. Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene." In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty", and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.
Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000. On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman. Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug. In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others. Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming Some Time in New York City album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair’s crimes and three days after the rally, he was released on bail. The performance was recorded and two of the tracks later appeared on John Lennon Anthology (1998).
Following the Bloody Sunday massacre in 1972, in which 27 civil rights protesters were shot by the British Army during a Northern Ireland Civil Rights Association march, Lennon said that given the choice between the army and the IRA he would side with the latter. Lennon and Ono wrote two songs protesting England's actions in the Northern Irish political situation on their Some Time in New York City album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA. Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film The Irish Tapes, a political documentary with a pro-IRA slant.
According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968. However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".
John and Yoko add a great voice and drive to the country’s so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country’s got plenty of room and space. Let John and Yoko stay!
On 23 March 1973, Lennon was ordered to leave the US within 60 days. Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York chapter of the American Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people". Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary The U.S. vs. John Lennon. Lennon's Mind Games (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence. Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.
Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that In His Own Write (1964) was published after "Some journalist who was hanging around the Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the Daily Howl it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". The Times Literary Supplement considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". Book Week reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".
In combination with A Spaniard in the Works (1965), In His Own Write formed the basis of the stage play The John Lennon Play: In His Own Write, co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date. After Lennon's death, further works were published, including Skywriting by Word of Mouth (1986); Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook (1992), with Lennon's illustrations of the definitions of Japanese words; and Real Love: The Drawings for Sean (1999). The Beatles Anthology (2000) also presented examples of his writings and drawings.
As his Beatles era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic John Lennon/Plastic Ono Band." David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style. Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair" Music historian Ben Urish recalls hearing the Beatles' Ed Sullivan Show performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."
In a 2006 Guardian article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today." Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."
Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon’s 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon. The sculpture entitled ‘Peace & Harmony’ exhibits peace symbols and carries the inscription “Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980”.
The Lennon/McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 27 number one singles on the US Hot 100 chart. His album sales in the US stand at 14 million units. Double Fantasy, released shortly before his death, and his best-selling, post-Beatles studio album at three million shipments in the US, won the 1981 Grammy Award for Album of the Year. The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon. Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons". Between 2003 and 2008, Rolling Stone recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time" and 38th of "The Immortals: The Fifty Greatest Artists of All Time", and his albums John Lennon/Plastic Ono Band and Imagine, 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time". He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
, Liverpool]]
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Jack Purvis (December 11, 1906 – March 30, 1962) was an American jazz musician.
Purvis was best known as a trumpet player and the composer of Dismal Dan and Down Georgia Way. He was one of the earliest trumpeters to incorporate the innovations pioneered by Louis Armstrong in the late 1920s. He also played trombone and on occasion a number of other instruments professionally (including harp).
After high school he worked in his home state for a time then went to Lexington, Kentucky where he played with the Original Kentucky Night Hawks. Around this time he learned to fly planes. In 1926 he was with Bud Rice and toured New England. He then worked the remainder of 1926 and the beginning of 1927 with Whitey Kaufman's Original Pennsylvanians. Purvis married in Pittsburgh, in 1927, and soon became a father. His daughter, Betty Lou, was, for a time, a disc jockey in Pittsburgh in the late 1940s, and a correspondent for Down Beat magazine. This was Purvis' only verified marriage, and rumors persist that he committed bigamy on several occasions. For a short time he played trumpet with Arnold Johnson's orchestra, and by July 1928 he traveled to France with George Carhart's band. It is reported that he had an early brush with the law when he cheated a tourist out of his travelers checks and was forced to leave the band and flee France.
When returning in the United States in 1929 he joined Hal Kemp's band. From 1929 to 1930 Purvis recorded with Kemp, Smith Ballew, Ted Wallace, Rube Bloom, the California Ramblers, Roy Wilson's Georgia Crackers, and the Carolina Club Orchestra. On December 17, 1929 Purvis led his own recording groups using Hal Kemp's rhythm section to produce Copyin' Louis, and Mental Strain at Dawn.
Purvis' mental stability was always in question, and he attempted suicide on several occasions. Although he was a brilliant musician, capable of either a hot jazz solo or a difficult passage through the hardest of arrangements, he could not be counted on to arrive anywhere on time. This lack of accountability plagued him throughout his life, and can be traced to his earliest years. In many instances, once Jack Purvis showed up to play an extended engagement, not so coincidentally, there was a spike in petty thefts and burgalaries for the vicinity of that gig.
From 1931 to 1932 he played with a few radio orchestras and worked with Fred Waring. In 1933 he toured the South with Charlie Barnet. He even talked his way into a job with the New Orleans Symphony Orchestra playing The Carnival of Venice. During this time he also worked in Texas as a pilot perhaps smuggling illegal goods out of Mexico.
He moved to California and was successful with radio broadcasting work. In Los Angeles, Purvis worked for the George Stoll Orchestra as a writer and even worked for Warner Bros. Studios arranging. He composed Legends of Haiti for a one hundred and ten piece orchestra. Afterwards he found work in San Francisco as a chef.
At the end of 1935 he joined Frank Froeba's Swing Band in New York. These 1935 recordings with Froeba were the end of Purvis' recording career. He played a couple of weeks with Joe Haymes' orchestra and then disappeared for a couple of years. There was a confirmed sighting of him working in a diner in the midwest around this time. It is also speculated that he worked as a ship's cook on a freighter at the time.
He was arrested in Texas in June 1937, while working as a cook, for his involvement in a robbery in El Paso, Texas. He was tried and convicted and sentenced to jail time in Huntsville Prison. While in prison he directed the Rhythmic Swingsters, the prison band and also played piano with them. The band regularly broadcast on radio station WBAP in 1938.
On September 30, 1946 Purvis was released from prison one last time. He had a wild reputation and is said to have set hotel rooms on fire. He seldom stuck with one band for very long and was known to hit the streets as a busker. From this time onward he worked at non-musical careers which included working as a chef, an aviator in Florida, a carpenter, an radio repair-man in San Francisco. At sometime in his checkered life he was also a mercenary in South America.
Purvis is supposed to have killed himself in San Francisco, California on March 30, 1962, however stories persist that a man who looked like (and introduced himself as) Jack Purvis showed up at a band date by cornetist Jim Goodwin and the two men had a long talk about his life on two occasions in 1968.
Category:American jazz trumpeters Category:American jazz composers Category:Jazz trumpeters Category:Jazz trombonists Category:Jazz musicians who committed suicide Category:American buskers Category:American aviators Category:People from Kokomo, Indiana Category:1906 births Category:1962 deaths Category:Suicides in California
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| Name | Eric Turner |
|---|---|
| Number | 29, 42 |
| Position | Safety |
| Birthdate | September 20, 1968 |
| Birthplace | Ventura, California |
| Deathdate | May 28, 2000 |
| Deathplace | Thousand Oaks, California |
| Heightft | 6 |
| Heightin | 1 |
| Weight | 208 |
| College | UCLA |
| Draftyear | 1991 |
| Draftround | 1 |
| Draftpick | 2 |
| Debutyear | 1991 |
| Debutteam | Cleveland Browns |
| Finalteam | Oakland Raiders |
| Finalyear | 1999 |
| Pastteams | |
| Highlights | |
| Statseason | 1999 |
| Statlabel1 | Interceptions |
| Statvalue1 | 30 |
| Statlabel2 | Interception yards |
| Statvalue2 | 469 |
| Statlabel3 | Touchdowns |
| Statvalue3 | 3 |
| Nfl | TUR297924 |
Turner attended Ventura High School and then played college football at UCLA where he was a All-American in 1990. Nicknamed "E-Rock" by his teammates, Turner drew comparisons to former Bruins great Don Rogers. He was the 2nd overall pick in the 1991 NFL Draft—the highest choice for a defensive back in football's modern era (technically the highest since Jerry Stovall in 1963).
Originally drafted by the Cleveland Browns, signed a four-year, $6 million contract, which included a $3.15 million signing bonus, making the first-year compensation a record for a National Football League rookie.
After the Browns moved to Baltimore in 1996, Turner played one more season for them. He made his second Pro Bowl and was second on the team with 112 tackles and tied for lead with five interceptions, although those numbers went largely unnoticed on a defense that allowed 441 points, third-highest in the league. Following the 1996 season Turner, who had the most expensive contract among all NFL safeties, was cut by the Ravens and became an unrestricted free agent for the first time in his six-year career.
Turner signed a four-year, $6 million deal with the Raiders in 1997.
Turner recorded 30 interceptions in just 109 career games, including returns for touchdowns of 93 and 94 yards.
In 2001 he was named to the Ventura County Sports Hall of Fame. The football field at Ventura High School is named in his honor.
Category:1968 births Category:2000 deaths Category:Sportspeople from California Category:People from Ventura County, California Category:African American players of American football Category:American Conference Pro Bowl players Category:American football safeties Category:Deaths from colorectal cancer Category:Cleveland Browns players Category:Baltimore Ravens players Category:Oakland Raiders players Category:UCLA Bruins football players Category:Cancer deaths in California Category:All-American college football players
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| Name | Dash Berlin |
|---|---|
| Background | group_or_band |
| Birth name | Jeff X. Sutorius |
| Born | November 1979 |
| Origin | The Hague, Netherlands |
| Genre | Trance |
| Years active | 2008-Present |
| Label | Armada Music |
| Url |
Dash Berlin is a progressive-trance project created in 2007 in The Hague, Netherlands by Eelke Kalberg and Sebastiaan Molijn . The front man of the group is the DJ Jeffrey Sutorius . Kalberg and Molijn have been contributing to the international dance scene for over ten years, with award-winning and platinum-selling hits for dance acts such as Alice Deejay, Vengaboys, Candee Jay, Pronti & Kalmani and Solid Sessions . They also have been working together with DJ Sander Kleinenberg on classic tracks like “This Is Miami” and “The Fruit” and remixes for major artists such as Justin Timberlake, Janet Jackson, BT, Usher, N.E.R.D., Lenny Kravitz, Junkie XL, Röyksopp, Mylo, and Annie Lennox .
Jeffrey Sutorius was born in November 1979 in The Hague, Netherlands . While in high school he became a fan of electronic music and in his late teens worked in a record store and became a collector of vinyl trance music. Inspired by pioneering figures such as Sven Vath, Oliver Lieb and Sander Kleinenberg, Sutorius began mixing and producing his own music. He started performing in the Dutch underground music scene in early 2006 and within a year teamed up with fellow producers and close friends Kalberg and Molijn to form Dash Berlin .
The breakthrough for the Dash Berlin project came in 2007 with their track “Till the Sky Falls Down”. The track shot straight to the top of the trance charts worldwide due in part to Armin van Buuren who included it on his acclaimed “Universal Religion” album. Van Buuren subsequently signed the group to the Armada Music label .In early 2009 plans emerged to expand the Dash Berlin influence with its own label called “Aropa.” The first release under this new label was the anthem “Man on the Run”, a collaboration with fellow Armada artists Cerf, Mitiska, & Jaren. The track rocketed to the top of the international Trance charts and received a prestigious nomination for ‘Best Trance Track’ at the annual Trance Awards .
October 2009 brought the global release of Dash Berlin’s critically acclaimed debut album, “The New Daylight”, which contained the hits, “Till the Sky Falls Down”, “Man on the Run”, “Waiting” and “Never Cry Again”. A world tour followed beginning in January 2010 in Australia.
In March 2010 Dash Berlin released their first official mix album entitled, “United Destination”.
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