A stage name, also called a showbiz name or screen name, is a pseudonym used by performers and entertainers such as actors, wrestlers, comedians, and musicians.

Motivation to use a stage name

A performer will often take a stage name because his/her real name is considered unattractive, dull, unintentionally amusing or difficult to pronounce or spell, or because it has been used by another notable individual or because it projects an undesired image. Sometimes a performer adopts a name that is unusual or outlandish to attract attention. Other performers use a stage name in order to retain anonymity. The equivalent concept among writers is called a nom de plume or pen name, while the term ring name is used in professional wrestling. In radio, the term "radio name" or "air name" is used. (e.g. well-known talk radio host Rush Limbaugh, who now uses his real name, was known under the radio name Jeff Christie in his days as a top-40 disk jockey.)

Family connection

Some individuals who are related to a celebrity take a different last name so that they are not perceived to have received undue advantage from their family connection. Examples of these include Luka Bloom (real name Kevin Barry Moore), brother of Christy Moore; and Mike McGear (brother of Paul McCartney). Conversely, individuals who wish to receive benefit from their family connections may take that person's first or last name. For example, Lon Chaney Sr.’s son Creighton spent a number of years appearing in minor roles before renaming himself Lon Chaney Jr. Actress Rebecca Isabelle Laemmle rechristened herself Carla Laemmle in reference to her uncle, Universal Studios head Carl Laemmle. Emilio Estévez and his sister Renee chose not to take their father Martin Sheen’s professional name and use their birth names; however, their brother Carlos chose to use their father's professional name, and took the name Charlie Sheen. Actor David Jason, born David John White, chose the name 'David Jason' after he found out that his twin brother Jason died at birth.

Guild and association rules

Guilds and associations that represent actors, such as the Screen Actors Guild (SAG) in the United States and British Actors' Equity Association in the United Kingdom, stipulate that no two members may have identical working names. An actor whose name has already been taken must choose a new name. Notable examples include David Tennant, born David McDonald, who said in an interview that he adopted the surname Tennant after reading Smash Hits magazine. Nathan Lane, whose birth name, Joseph Lane, was already in use, Stewart Granger, whose birth name was James Stewart, and Michael Keaton, born Michael Douglas. The latter chose the last name Keaton simply because he came across a picture of actress Diane Keaton and "liked the sound of [her] name," so he adopted it as his own. Michael Andrew Fox became Michael J. Fox because a Michael Fox was already a member of the Screen Actors' Guild. Ugly Betty actress Vanessa Williams officially uses "Vanessa L. Williams" due to SAG guidelines, although the other actress by the same name (Vanessa A. Williams) is arguably less notable. Similarly, David Walliams changed one letter in his surname due to there being another "David Williams". Terry O'Quinn of Lost fame changed his surname from Quinn to O'Quinn as another registered actor already had the name Terrance Quinn.

A person hoping to become successful as an entertainer who has a name identical to a name already familiar to the public (in any field of endeavor) may change his/her name in order to not have his/her name evoke the other person with that name. By way of example, the actor/writer/director Albert Brooks was named "Albert Einstein" by his parents and chose a different second name so that his name would not be a distraction that would evoke the renowned physicist of the same name. Singer Katy Perry, born Katheryn Elizabeth Hudson released her self-titled album under the name Katy Hudson, but later changed her surname to Perry to avoid confusion with actress Kate Hudson.

Involuntary Name Changes

A performer may also have had their stage name chosen for them by their agent (such was the case with Barbara Eden, born Barbara Jean Huffman; her agent gave her a list of stage names and told her to "pick one"). Joan Rivers (born Joan Alexandra Molinsky) went one step further and named herself after a former agent, Tony Rivers, when he told her to change her name.

Cary Grant (born Archibald Leach) had his name selected for him by Paramount Pictures. He had been using the name "Cary Lockwood", but the studio decided against it, deeming it too similar to another actor working at the time. Cary and the studio eventually settled on "Cary Grant" (Cary thought the letters "C" and "G" to be lucky: they had brought previous success for both Clark Gable and Gary Cooper).

Ethnicity

In the past, a stage name was often used when a performer's real name was considered to denote a specific ethnicity that faced potential discrimination. An example of this type of name change involved Freddie Mercury of the British rock band Queen, who was born Farrokh Bulsara to Parsi parents; his name change was partly intended to conceal his heritage. Similarly, Steven Tyler of Aerosmith changed his name from the original Steven Victor Tallarico "for more promotional appeal". The actor Kal Penn changed his name from Kalpen Modi for professional purposes; after changing his name, calls back increased by 50%. Historically, Jews in Hollywood were encouraged to anglicize their names to avoid possible discrimination. This still happens to a degree (Jason Alexander, Jon Stewart, Brad Garrett, Jonah Hill, Winona Ryder and Natalie Portman for instance), but the growing acceptance of ethnic performers in the performing arts has made this occurrence less frequent. Ramón Estévez changed his name to Martin Sheen because he expected a better reception for an Irish name than a Spanish name; his sons made divergent choices: Carlos Irwin Estévez is now Charlie Sheen, while Emilio Estévez left his name unchanged. German-born actor Hans Gudegast adopted the non-German stage name of Eric Braeden. Cherilyn Sarkisian is now known to the world by the single name Cher.

In a more extreme example, the American Spanish actress Margarita Carmen Cansino underwent electrology to change her hairline to a more Northern European appearance, and was renamed Rita Hayworth.

Also, legendary actor Anthony Quinn was also advised to anglicize his name, as 'Antonio Rodolfo Quinn Oaxaca' was considered too 'ethnic' for Hollywood at the time.

Ease of use

Another consideration in choosing a stage name is ease of use. The Actors' Equity Association (AEA) advises performers to select a name that is easy for others to pronounce, spell, and remember. Some performers while paying great attention to their skills and abilities give little thought to the difference that a well-thought-out name can make to their career. Often it is only after the realization that a poorly chosen name results in an undesired impression that a person or group decides on a different name.

Actor Michael Caine was born Maurice Micklewhite and chose the name Michael because he preferred the sound of it to the less glamorous-sounding "Maurice". He chose the name Caine reputedly because at the precise instant he needed to decide upon his new stage name, he saw a cinema marquee for the then-current movie The Caine Mutiny and thought that it would make a good last name in conjunction with Michael. ("Had I looked the other direction," he would later quip, "I'd be known as Michael The One Hundred and One Dalmatians.")

Relevance to image

Commonly in the music world, and especially those of heavy metal, punk rock, industrial and hip hop, musicians will rename themselves with names more menacing than their birth names. Examples include Davey Havok, Slash, Sting, Darby Crash, Marilyn Manson, Sid Vicious, Johnny Rotten, Zakk Wylde, Nikki Sixx, Count Grishnackh, Necrobutcher, Blasphemer, Nivek Ogre, Rob Zombie, Dimebag Darrell, Trey Azagthoth and Doyle Wolfgang von Frankenstein as well as every member of Avenged Sevenfold (M. Shadows, Synyster Gates, Zacky Vengeance, Johnny Christ, and the late The Rev). Being that those genres pride themselves on a larger-than-life quality, larger-than-life names are desirable. Madonna, Lady Gaga, Prince, and Pink are pop music examples, though both Madonna and Prince were given those names at birth (Lady Gaga named herself after the song "Radio Gaga" by Queen). Every member of the punk band The Ramones took the pseudonymous "Ramone" surname as part of their collective stage persona.

Actor John Wayne's real name was Marion Morrison. He adopted the stage name because the name Marion had since his birth become a female name and he felt at odds with the masculine cowboy characters he portrayed. Similarly, Norma Jeane Baker changed her name to the far more glamorous-sounding Marilyn Monroe.

Euphony and ease of remembrance

Some performers and artists may choose to simplify their name to make it easier to spell and pronounce (and easier for others to remember). For instance, Andy Warhol dropped an "a" from his original name, Warhola, while couturier Yves Mathieu-Saint-Laurent dropped the first of his two surnames. Rodolfo Alfonso Raffaello Piero Filiberto Guglielmi adopted the stage name Rudolph Valentino in part because American casting directors found his original surname difficult to pronounce. Singer George Michael (the son of a Greek Cypriot restaurateur in North London) was born Georgios Kyriacos Panayiotou.

Some surnames may carry unfortunate connotations in English. Hal Linden, born Harold Lipshitz, adopted his stage name for fear that the embedded obscenity in his original surname could cost him work. Ralph Lauren's brother (who was his guardian) changed their family name from Lifshitz for a similar reason: fear of mockery.

Musical use

Some types of music are more associated with stage names than others. For example hip hop artists almost always use stage names, whereas "classical" composers and performers virtually never do. Some Algerian raï musicians use the prefix Cheb (for men) or Chaba (Chebba) for women. Both Arabic words mean "young" (e.g. as in Cheb Khaled, or "Young Khaled"). Some performers take a series of different stage names. The British pop singer successful in the 1970s as Alvin Stardust previously went by the stage name of Shane Fenton in the 1960s. He had been born Bernard William Jewry. Some performers will use different names in different settings. Charles Thompson, singer/songwriter for the alternative band the Pixies, was known in that band as Black Francis. He was called Frank Black as a solo performer, and again called Black Francis in a reunited Pixies.

Many performers refer to their stage name as their "professional name". In some cases performers subsequently adopt their stage name as their legal name. For instance, the former Robert Allen Zimmerman's legal name has been Robert Dylan (Bob Dylan) since he changed it in New York City Supreme Court in August 1962. Elton John was born Reginald Dwight but changed his name by deed poll, making Elton John his real name. When he was knighted, he became Sir Elton John rather than Sir Reginald Dwight. Elvis Costello (born Declan MacManus), who had adopted his professional name as a legal name, changed it back to his birth name in 1986.

Due to recording contracts which do not permit them to openly record for competing companies, musicians may appear on other performers' recordings using other names.

See also

Alter ego

List of stage names

Moniker

Ring name

Pen name

Pseudonym

References

Category:All articles with unsourced statements Category:Acting Category:Lists of actors

Name	Rambo Amadeus
Background	solo_singer
Birth name	Antonije Pušić
Born	June 14, 1963Kotor, Montenegro, SFR Yugoslavia
Instrument	Electric guitar
Genre	Jazz, Nu jazz, Rock
Occupation	Singer-songwriter, Guitarist
Url	www.ramboamadeus.com

Rambo Amadeus (Cyrillic: Рамбо Амадеус, born June 14, 1963 in Kotor, Montenegro, former Yugoslavia) is the stage name of the Belgrade-based Montenegrin singer-songwriter Antonije Pušić, popular all over the former Yugoslavia. A self-titled "musician, poet, and media manipulator" continues to be one of the most interesting phenomena on music scene(s) of the former Yugoslavia.

His songs combine satirical lyrics on the nature of common people and silliness of local politics. He uses a mixture of musical styles including jazz and Rock (converging towards drum and bass lately), and self-conscious ironic wit (for example, one of his aliases is "Rambo Amadeus Svjetski Mega Car" (RASMC) — "Rambo Amadeus World Mega Tzar"). His stage name itself is made from John Rambo and Wolfgang Amadeus Mozart. Known also as a "charming king of jovial pop", his concerts are never mere repetitions of recorded songs, but a mixture of musical improvisation and humor exploiting all aspects of human nature in a crude manner. Some fans compare his style and career path with those of Frank Zappa or Captain Beefheart.

Early life

He is a graduate of the University of Belgrade's Faculty of Mathematics and Natural Sciences and he also completed six grades of elementary music school for piano before dropping out.

Before taking up music as a career choice, Rambo was an accomplished competitive sailor. Between 1972 and 1984, he represented Yugoslavia in numerous international regattas. During this period he was champion of Montenegro several times, an 8-time South-Adriatic champion, national title winner in the junior category, as well as International Đerdap Cup winner in 1980. He still occasionally attends and participates in some recreational sailing regattas in the Gulf of Kotor.

He began to sing and compose during first year of high school (gymnasium) which soon led to involvement with various local bands in Herceg Novi and Titograd. One of his first performances saw him play the mandolin in an orchestra that entertained guests of Herceg Novi's Plaza hotel.

In 1985, he moved to Belgrade in pursuit of higher education. Parallel to his university studies, he also played with various amateur bands and musicians.

Musical career

1980s

In 1988 he dropped onto the music scene right out of nowhere with a debut album O tugo jesenja. His sound was a seemingly coarse blend of folkish ululations and even opera, further mixed in with humorous lyrics and classic guitar riffs. Since very few people had any prior knowledge of him, Rambo delighted in creating confusion by introducing himself as Nagib Fazlić Nagon, mine shaft operator who saved up enough money to record an album. He referred to his own musical style as turbo folk, long before the term would obtain grave social connotations and come to symbolize moral and cultural decline throughout the Balkans during the wars of the 1990s.

In reality, it was actually thanks to producer Saša Habić that Rambo got the opportunity to sign for the state television's record company PGP RTB (Rambo later wrote an anecdotal tribute to that event, in the hit song "Balkan boy"). Habić also played the synthesizer on this album, from which a track named "Vanzemaljac" (Extraterrestrial) continues to be very popular to this day. The record's sales weren't particularly high, but Rambo certainly created enough of a buzz to be able to remain active on the scene.

Next album Hoćemo gusle came out in 1989 and gave a small taste of much of Rambo's future musical direction - overt political activism. The track "Amerika i Engleska (biće zemlja proleterska)" was originally supposed to be named "Kataklizma komunizma" (Cataclysm of Communism) but powers that be wouldn't allow it. The album title pokes fun at a bizarre event from the 1989 protests in Montenegro that eventually grew into the anti-bureaucratic revolution that swept Milo Đukanović, Momir Bulatović, and Svetozar Marović into power. Protesters were heard chanting "Hoćemo Ruse" ("We want the Russians"), but when the authorities and state-controlled media criticized them for it, many quickly began backpedaling by claiming they actually chanted "Hoćemo gusle" ("We want gusle").

Other songs like "Glupi hit" and afore mentioned "Balkan boy" would also become considerable hits and Rambo even received solid critical acclaim for chances he took in "Samit u buregdžinici Laibach". On that track, he created a catchy hybrid by mixing pretentiously heavy sound of Laibach with poetry of Laza Kostić and Desanka Maksimović, as well as with folk kafana standard "Čaše lomim" and his own turbo-poetry. Album sleeve lists the lyrics of a song that wasn't actually recorded and explains that "it was dropped at the last moment because there was no room for it" but gives assurances it would appear on the next album. Since the song in question, named "Pegepe ertebe", was all about taking shots at Rambo's label PGP RTB it isn't surprising that it didn't appear on the next, or any subsequent album for that matter.

1990s

As the 1990s were beginning, Rambo was growing into an established performer. His third album M-91 came out towards the end of 1991 at a time when the conflict across former Yugoslavia was already in full swing. For obvious reasons, the least of which was the album's subtitle - Psychological Propaganda Set, many songs contained heavy lyrics and a dark, militaristic atmosphere. In your face profanity and descriptive cursing was also par for the course, making this the first major music release in former Yugoslavia to take such narrative liberties. Tracks like "Smrt popa Mila Jovovića" (30-year old poem by Božo Đuranović), "Jemo voli jem" (incorporating samples from Yugoslav aviators' anthem "Hej vojnici vazduhoplovci" as well as Šemsa Suljaković's "Izgubila sve sam bitke"), "Inspektor Nagib" and "Zdravo damo" became instant hits.

The discrepancy between what's listed on the cover and what is actually recorded is there again as sleeve announces the track called "KPGS" which would, this time for real, appear on the next live album, but does not list "Halid invalid Hari" and "Prijatelju, prijatelju" which were included and became big hits. Many consider the two tracks to be classic Rambo: observant, opinionated, direct and profane. The latter of the two originally included excerpts from Slobodan Milošević and Franjo Tuđman speeches, but the record company censors took them out.

This album further solidified Rambo's presence on the scene as he started playing bigger arenas like Sava centar. Due to outspoken and entertaining nature he would often get invited on various TV and radio outlets across the country.

Trying to take the new situation in stride, he hit the road, becoming one of the first performers from FR Yugoslavia to regularly start touring Macedonia and Slovenia in the years following those states' declarations of independence.

After live album KPGS (taped on December 29, 1992 in Skopje) that included new studio track "Karamba karambita" followed by a greatest hits compilation Izabrana dela 1989–1994, Rambo recorded peculiar new material during July 1995 in Paris with Goran Vejvoda. Released the following year as Mikroorganizmi, it featured inaccessible, moody sound garnered with terse, experimental lyrics marking a sizable departure from his usual antics.

He simultaneously released Muzika za decu, personal musical take on Ljubivoje Ršumović's poetry featuring two bonus new tracks - "Sex" and "ABVGD".

Old-school Rambo fans did not have to wait long for a return to earlier style. Towards the end of 1996, on Titanik he delivered a new batch of traditional fare like "Šakom u glavu", "Sado-mazo", "Zreo za penziju" and "Otiš'o je svak ko valja" (dedicated to Toma Zdravković and members of Šarlo Akrobata). Seasoned musicians like Ognjan Radivojević (later to perform with Goran Bregović and Zdravko Čolić), Goran Ljuboja, Dragan Markovski and Marija Mihajlović took part in recording sessions for this album.

Extensive tour followed and it again included Slovenia (live album was recorded over two Ljubljana concerts in April 1997 and later released as R.A. u KUD France Prešern), as well as Bosnia where Rambo appeared as a guest at Sejo Sexon's Zabranjeno pušenje gig in Sarajevo. That appearance in December 1997 was the first post-war visit by a Serbian-Montenegrin performer to the Muslim part of Bosnia.

On June 9, 1998, Rambo played Belgrade's Dom sindikata hall in what he announced to be the farewell performance before retirement. Even if many doubted his sincerity, the concert was a memorable one. Soon, Rambo packed his bags and left for the Netherlands, though not before squeezing in two more shows in Bosnia. In the Netherlands, he worked a series of menial jobs including construction, before deciding to return to Belgrade after only 4 months abroad. Back home, not surprisingly, he also returned to music and continued to break down inter-ethnic barriers: on December 10, 1998, he and Margita Stefanović played a show in Pula at the local cinema with KUD Idijoti, which was a first opportunity since the war for a Croatian audience to see performers from Serbia and Montenegro.

2000s

Throughout the year 2000, Rambo worked on what would eventually become the Don't Happy, Be Worry album. This album included the song Laganese in which sampled the Norwegian journalist Åsne Seierstad singing the Norwegian Folk song Eg rodde meg ut på seiegrunnen and swearing. By this time, sampling and local pop-cultural references became two more staples of his sound, and this material, too, was heavy on both. Produced by Iztok Turk, it featured tracks like "Čoban je upravo napustio zgradu" (loose cover of Neda Ukraden's "Zora je svanula"), "Moj skutere" that borrows from Oliver Dragojević's "Moj galebe", and "Izađite molim" with sprinkled in dialogues from Goran Marković's 1975 movie Variola vera.

In 2004, Rambo released his third live album Bolje jedno vruće pivo nego četri ladna, which was followed by the studio album Oprem dobro in mid-2005.

He made a song "Dikh tu kava" in collaboration with ethno-jazz fusion band Kal, and in 2007 he appeared on their album as a featured artist in the song "Komedija" ("Comedy").

He gave us another extraordinary performance called "Mixing of alternative rocks" in autumn 2007, when he "played" on 12 concrete mixers in front of the audience, during The Alternative Rock Festival in SKC, Belgrade.

For the purpose of the New Year's show on RTV, he appeared in the song "Rakija" followed by Zorule, the traditional folk orchestra. This song was used later as one of the tracks for "Vratiće se rode" tv serial. In February 2008, Rambo Amadeus performed as a guest star of The RTS Big Band jazz orchestra, for their 60th Anniversary.

Hipishizik Metafizik is his latest studio album, released for PGP RTS in July 2008.

Other endeavours

In addition to a prolific solo recording career, Rambo frequently engaged in different, often bizarre side projects.

In 1989 in Sarajevo, for a short while, he hosted an erotic quiz show with actress Jasna Beri named Turbo-lilihip, which aired on a local TV station SA3.

He wrote music for different theatre plays such as , , as well as for which he was awarded Sterija prize in 1994. Rambo also wrote lyrics for commercial folk stars like Lepa Brena and Vesna Zmijanac, as well as the entire score for 1994 film , which was a star vehicle for another folk performer Dragana Mirković.

That same year he wrote a musical base for 1927 silent movie Metropolis by Fritz Lang. At a movie screening at Sava Center, Rambo's music was played by Belgrade Philharmonic. The material was later recorded by Rambo himself along with Miroslav Savić and Heavily Manipulated Orchestra, and released as Metropolis B (Tour de Force).

A year later, he arranged a cadenza within "A concerto for piano and orchestra in C-minor" by W.A. Mozart. In 1995, candenza was performed by Ivan Tasovac, while the entire concert was conducted by Oskar Danon at Belgrade's Kolarac concert hall.

Since early 2005 Rambo has been writing a column (Mega-Imperial Thoughts) for the daily tabloid Blic. He was a guest on Studio B's Agape program together with Serbian Orthodox priest Porfirije where they talked about the meaning of life, finding your self, slowing down, drug abuse and rehabilitation.

Discography

Studio albums

1988 - O tugo jesenja (Oh Autumn Sorrow), PGP RTB

1989 - Hoćemo gusle (We Want Gusle) , PGP RTB

1991 - Psihološko propagandni komplet M-91 (Psychological Propaganda Set M-91), PGP RTB

1995 - Muzika za decu (Music for Children), B92

1996 - Mikroorganizmi (Microorganisms), Komuna

1997 - Titanik, Komuna

1998 - Metropolis B (tour-de-force), B92

2000 - Don't happy, be worry, Metropolis (Released as Čobane vrati se (Shepherd, Come Back) in Slovenia and Croatia by Dallas Records)

2005 - Oprem Dobro, B92

2008 - Hipishizik Metafizik, PGP RTS

EPs

2008 - Yes No, Hip Son Music/Tunecore

Live albums

1993 - Kurac, Pička, Govno, Sisa (Dick, Pussy, Shit, Tit), Gema & DE

1998 - R.A. u KUD France Prešern, Vinilmania

2004 - Bolje jedno vruće pivo nego četri ladna (One Hot Beer is Better than Four Cold Ones), Metropolis

Compilations

1994 - Izabrana dela (Selected Works), PGP RTS

1998 - Zbrana dela 1 (Selected Works 1), Vinilmania

1998 - Zbrana dela 2 (Selected Works 2), Vinilmania

References

Janjatovic, Petar. Ilustrovana ex-Yu rock enciklopedija 1960–2000 (dopunjeno izdanje). Novi Sad: Prometej, 2001.

External links

Official website

Official MySpace Page

Official YouTube Page

Official Facebook Page

Category:1963 births Category:Living people Category:Montenegrin male singers Category:Montenegrin singer-songwriters Category:People from Kotor Category:Yugoslav musicians Category:University of Belgrade alumni

Name	Yusuf Islam / Cat Stevens
Background	solo_singer
Birth name	Steven Demetre Georgiou
Alias	Steve Adams, Yusuf
Born	July 21, 1948Marylebone, London, England
Instrument	Vocals, guitar, bass, mandolin, organ, piano, mellotron, double bass, percussion
Genre	Folk rock, psychedelic rock soft rockpop rock
Pos	right
Filename	Catfirstcut.ogg
Title	"The First Cut is the Deepest" (1967)
Description	Sample of "The First Cut is the Deepest", performed by Cat Stevens. Appears on New Masters.
Format	Ogg

Over the next two years, Stevens recorded and toured with artists ranging from Jimi Hendrix to Engelbert Humperdinck. The music business had not yet begun targeting specific audiences, so he frequently toured with what now would be considered an unusual array of celebrities. Stevens was considered a fresh-faced teen star, placing several single releases in the British pop music charts. Some of that success was attributed to the pirate radio station Wonderful Radio London, which gained him fans by playing his records. In August 1967, he went on the air with other recording artists who had benefited from the station to mourn its closure.

His December 1967 album New Masters failed to chart in the United Kingdom. The album is now most notable for his song "The First Cut Is the Deepest", a song he sold for £30 to P.P. Arnold that was to become a massive hit for her, and an international hit for Keith Hampshire, Rod Stewart, James Morrison, and Sheryl Crow. Forty years after he recorded the first demo of the song, it earned him two back-to-back ASCAP "Songwriter of the Year" awards, in 2005 and 2006.

Tuberculosis

Stevens contracted tuberculosis in 1969 and was close to death at the time of his admittance to the King Edward VII Hospital, Midhurst; read about other religions; and became a vegetarian. but developed a fast friendship; Davies, like Stevens, was a perfectionist, appearing after all the sound checks had been completed, just to be sure that all the equipment and sound were prepared for each concert. He recorded on all but two of the succeeding pop music albums Stevens released, and continued performing and recording with him until Stevens' retirement. The two remained friends, however, and years later, when Stevens re-emerged as Yusuf Islam after 27 years, Davies appeared again performing at his side, and has remained there.

The first single released from Mona Bone Jakon was "Lady D'Arbanville", which Stevens wrote about his young American girlfriend Patti D'Arbanville. The record, with a madrigal sound unlike most music played on pop radio, with sounds of djembes and bass in addition to Stevens' and Davies' guitars, reached #8 in the UK. It was the first of his hits to get real airplay in the United States. Other songs written for her included "Maybe You're Right", and "Just Another Night". In addition, the song, "Pop Star", about his experience as a teen star, and "Katmandu", featuring Genesis frontman Peter Gabriel playing flute, were featured. Mona Bone Jakon was an early example of the solo singer-songwriter album format that was becoming popular for other artists as well. Rolling Stone magazine compared its popularity with that of Elton John's Tumbleweed Connection, saying it was played "across the board, across radio formats".

Mona Bone Jakon was the precursor for Stevens' international breakthrough album, Tea for the Tillerman, which became a top-10 Billboard hit. Within six months of its release, it had sold over 500,000 copies, attaining gold record status in the United States and in Britain. The combination of Stevens' new folk-rock style and accessible lyrics which spoke of everyday situations and problems, mixed with the beginning of spiritual questions about life, would remain in his music from then on. The album features the top 20 single "Wild World"; a parting song after D'Arbanville moved on. "Wild World" has been credited as the song that gave Tea for the Tillerman 'enough kick' to get it played on FM radio; and the head of Island Records, Chris Blackwell, was quoted as calling it "the best album we’ve ever released". It is ranked at #206 in Rolling Stone Magazine's 2003 list of the "500 Greatest Albums of All Time".

After the end of his relationship with D'Arbanville, Stevens noted the effect it had on writing his music, saying,

"Everything I wrote while I was away was in a transitional period and reflects that. Like Patti. A year ago we split; I had been with her for two years. What I write about Patti and my family... when I sing the songs now, I learn strange things. I learn the meanings of my songs late..."

For seven months from 1971 to 1972 Stevens was romantically linked to popular singer Carly Simon while both were produced by Samwell-Smith. During that time both wrote songs for and about one another. Simon wrote and recorded at least two top 50 songs, "Legend in Your Own Time" and "Anticipation" about Stevens. He reciprocated in his song to her, after their romance, entitled, "Sweet Scarlet".

His next album, Catch Bull at Four, released in 1972, was his most rapidly successful album in the United States, reaching gold record status in 15 days, and holding the number-one position on the Billboard charts for three weeks. This album continued the introspective and spiritual lyrics that he was known for, combined with a rougher-edged voice and a less acoustic sound than his previous records, utilizing synthesizers and other instruments. Although the sales of the album indicated Stevens' popularity, the album did not produce any real hits, with the exception of the single "Sitting", which charted at #16. Catch Bull at Four was Platinum certified in 2001.

Exploration with movie soundtracks

In July 1970, Stevens recorded one of his songs, "But I Might Die Tonight", for the Jerzy Skolimowski film Deep End. In 1971, Stevens provided nine songs to the soundtrack of the black comedy Harold and Maude which became a popular cult movie celebrating the free spirit, and brought Stevens' music to a wider audience, continuing to do so long after he stopped recording in the late 1970s. Among the songs were "Where Do the Children Play?," "Trouble," and "I Think I See the Light." Two of the songs, "Don't Be Shy" and "If You Want to Sing Out, Sing Out," were not released on any album until their inclusion in 1984 on a second "greatest hits" collection: .

After his religious conversion in the late 1970s, Stevens stopped granting permission for his songs to be used in films. However, almost twenty years later, in 1997, the movie Rushmore was allowed to use his songs "Here Comes My Baby" and "The Wind", showing a new willingness on his part to release his music from his Western "pop star" days. This was followed in 2000 by the inclusion of "Peace Train" in the movie Remember the Titans, in 2000 by the use in Almost Famous of the song "The Wind", and in 2006 the inclusion of "Peace Train" on the soundtrack to We Are Marshall. In 2007, an excerpt of "If You Want To Sing Out, Sing Out" is sung by characters in Charlie Bartlett whose title character resembles the character of Harold in Harold and Maude, where the song first appeared. In 2009, the song "Father and Son" was in the soundtrack of the movie The Boat That Rocked (known as Pirate Radio in the U.S.).

Later Cat Stevens recordings

Subsequent releases in the 1970s also did well on the charts and in ongoing sales, although they did not touch the success he had from 1970 to 1973. In 1973, Stevens moved to Rio de Janeiro, Brazil, as a tax exile from the United Kingdom, (however, he later donated the money to UNESCO). During that time he created the album Foreigner, which was a departure from the music that had brought him to the height of his fame. It differed in several respects: entirely written by Stevens, he dropped his band and produced the record without the assistance of Samwell-Smith, who had played a large role in catapulting him to fame, and instead of guitar, he played keyboard instruments throughout the album. It was intended to show a funk/soul element rising in popularity that Stevens had come to appreciate. One side of Foreigner was continuous, much different from the radio-friendly pop tunes fans had come to expect. In November 1973 he performed side two of the album at the Aquarius Theater in Hollywood, with a pre-arranged uninterrupted quadraphonic simulcast on the ABC network titled the "Moon and Star" concert; this performance included his band, but they were all but overshadowed by an orchestra. The album produced a couple of singles including "The Hurt", but did not reach the heights he had once enjoyed.

The follow-up to Foreigner was Buddha and the Chocolate Box, largely a return to the instrumentation and styles employed in Teaser and the Firecat and Tea for the Tillerman. Featuring the return of Alun Davies and best known for "Oh Very Young", Buddha and the Chocolate Box reached platinum status in 2001. Stevens' next album was the concept album Numbers, a less successful departure for him.

The 1977 Izitso included his last chart hit, "(Remember the Days of the) Old Schoolyard", a duet with fellow UK singer Elkie Brooks. Linda Lewis appears in the song's video, with Cat Stevens singing to her, as they portray former schoolmates, singing to each other on a schoolyard merry-go-round. This is one of few videos that Stevens made, other than simple videos of concert performances.

His final original album under the name Cat Stevens was Back to Earth, released in late 1978, which was also the first album produced by Samwell-Smith since his peak in single album sales in the early 1970s.

Several compilation albums were released before and after he stopped recording. After Stevens left Decca Records they bundled his first two albums together as a set, hoping to ride the commercial tide of his early success; later his newer labels did the same, and he himself released compilations. The most successful of the compilation albums was the 1975 Greatest Hits which has sold over 4 million copies in the United States. In May 2003 he received his first Platinum Europe Award from the IFPI for Remember Cat Stevens, The Ultimate Collection, indicating over one million European sales.

Religious conversion

While on holiday in Marrakech, Morocco, shortly after visiting Ibiza, Stevens was intrigued by the sound of the Aḏhān, the Islamic ritual call to prayer, which was explained to him as "music for God". Stevens said, "I thought, music for God? I’d never heard that before – I’d heard of music for money, music for fame, music for personal power, but music for God!"

In 1976 Stevens nearly drowned off the coast of Malibu, California, USA and claims to have shouted: “Oh God! If you save me I will work for you.” He says that right afterward a wave appeared and carried him back to shore. This brush with death intensified his long-held quest for spiritual truth. He had looked into "Buddhism, Zen, I Ching, Numerology, tarot cards and Astrology". Stevens' brother David Gordon brought him a copy of the Qur'an as a birthday gift from a trip to Jerusalem. Stevens took to it right away, and began his transition to Islam.

During the time he was studying the Qur'an, he began to identify more and more with the name of Joseph, a man bought and sold in the market place, which is how he says he had increasingly felt within the music business. Regarding his conversion, in his 2006 interview with Alan Yentob, he stated, "to some people, it may have seemed like an enormous jump, but for me, it was a gradual move to this." And, in a Rolling Stone magazine interview, he reaffirmed this, saying, "I had found the spiritual home I'd been seeking for most of my life. And if you listen to my music and lyrics, like "Peace Train" and "On The Road To Find Out", it clearly shows my yearning for direction and the spiritual path I was travelling." Stevens had been seeking inner peace and spiritual answers throughout his career, and now believed he had found what he had been seeking.

Stevens formally converted to the Islamic religion on 23 December 1977, taking the name Yusuf Islam in 1978. Yusuf is the Arabic rendition of the name Joseph. He stated that he "always loved the name Joseph" and was particularly drawn to the story of Joseph in the Qur'an. The concert closed with a performance by Stevens, David Essex, Alun Davies, and Stevens' brother, David, who wrote the song that was the finale, "Child for a Day". and this was the primary reason he gave for retreating from the spotlight. But in his first performance on the television show Later... with Jools Holland, 27 years after leaving the music business, and in other interviews, he gave different reasons for leaving: "A lot of people would have loved me to keep singing," he said. "You come to a point where you have sung, more or less ... your whole repertoire and you want to get down to the job of living. You know, up until that point, I hadn't had a life. I'd been searching, been on the road." he decided to use his accumulated wealth and ongoing earnings from his music career on philanthropic and educational causes in the Muslim community of London and elsewhere. In 1981, he founded the Islamia Primary School in Salusbury Road in the north London area of Kilburn and, soon after, founded several Muslim secondary schools; in 1992, Yusuf set up The Association of Muslim Schools (AMS-UK), a charity that brought together all the Muslim schools in the UK, and served as chairman. He is also the founder and chairman of the Small Kindness charity, which initially assisted famine victims in Africa and now supports thousands of orphans and families in the Balkans, Indonesia, and Iraq. He served as chairman of the charity Muslim Aid from 1985 to 1993.

In 1985, Yusuf decided to return to the public spotlight for the first time since his religious conversion, at the historic Live Aid concert, concerned with the famine threatening Ethiopia. Though he had written a song especially for the occasion, his appearance was skipped when Elton John's set ran too long.

Salman Rushdie controversy

The singer attracted controversy in 1989, during an address to students at London's Kingston University, where he was asked about the fatwa calling for the death of author Salman Rushdie. The media interpreted his response as support for the fatwa. Yusuf released a statement the following day denying that he supported vigilantism, and claiming that he had merely recounted the legal Islamic punishment for blasphemy. In a BBC interview, he displayed a newspaper clipping from that time period, which quotes from his statement. Subsequent comments made by him in 1989 on a British television programme were also seen as being in support of the fatwa. In a statement in the FAQ section of one of his web sites, Yusuf asserted that while he regretted the comments, he was joking and that the show was improperly edited. In the years since these comments, he has repeatedly denied ever calling for the death of Rushdie or supporting the fatwa.

He appeared on videotape on a VH1 pre-show for the October 2001 Concert for New York City, condemning the attacks and singing his song "Peace Train" for the first time in public in more than 20 years, as an a cappella version. He also donated a portion of his box-set royalties to the Fund for victims' families, and the rest to orphans in underdeveloped countries. During the same year, Yusuf Islam dedicated time and effort in joining the Forum Against Islamophobia and Racism, an organization that worked towards battling misperceptions and acts against others because of their religious beliefs and/or racial identity, after many Muslims reported a backlash against them due in part to the grief caused by the events in the United States on 9-11.

The following day, Yusuf was denied entry and flown back to the United Kingdom. A spokesman for Homeland Security claimed there were "concerns of ties he may have to potential terrorist-related activities". The Israeli government had deported Yusuf in 2000 over allegations that he provided funding to the Palestinian organisation Hamas; he denied doing so knowingly. "I have never knowingly supported or given money to Hamas," says Yusuf, who repeatedly has condemned terrorism and Islamic extremism. "At the time I was reported to have done it, I didn't know such a group existed. Some people give a political interpretation to charity. We were horrified at how people were suffering in the Holy Land." Powell responded by stating that the watchlist was under review, adding, "I think we have that obligation to review these matters to see if we are right".

Yusuf believed his inclusion on a "watch list" may have simply been an error: a mistaken identification of him for a man with the same name, but different spelling. On 1 October 2004 Yusuf requested the removal of his name, "I remain bewildered by the decision of the US authorities to refuse me entry to the United States". According to a statement by Yusuf, the man on the list was named "Youssef Islam", indicating that Yusuf himself was not the suspected terrorism supporter. Yusuf said of the incident at the time, that, "No reason was ever given, but being asked to repeat the spelling of my name again and again, made me think it was a fairly simple mistake of identity. Rumors which circulated after made me imagine otherwise."

Yusuf has written a song about the 2004 exclusion from the U.S., entitled "Boots and Sand", recorded in the summer of 2008 and featuring Paul McCartney, Alison Krauss, Dolly Parton, and Terry Sylvester.

Libel cases

British reports regarding inadmissibility to the U.S.

In October 2004 the British newspapers The Sun and The Sunday Times voiced their support for Yusuf's exclusion from the U.S., claiming that he had supported terrorism. Yusuf successfully sued for libel and received a substantial out-of-court financial settlement and apologies from the newspapers stating that he had never supported terrorism and acknowledging that he had recently been given a Man of Peace award from the private Nobel Peace Prize Laureates Committee. However The Sunday Times managing editor Richard Caseby said that while there was an "agreed settlement", they "always denied liability" and "disagreed with Cat Stevens' lawyers interpretation", but took a "pragmatic view" of the lawsuit.

Yusuf responded that he was "delighted by the settlement [which] helps vindicate my character and good name. ... It seems to be the easiest thing in the world these days to make scurrilous accusations against Muslims, and in my case it directly impacts on my relief work and damages my reputation as an artist. The harm done is often difficult to repair", and added that he intended to donate the financial award given to him by the court to help orphans of the tsunami in the Indian Ocean.

False rumour regarding unveiled women

On 18 July 2008, Yusuf received substantial undisclosed damages from the World Entertainment News Network following their distribution of the false rumour that the singer did not speak to unveiled women. The allegations first surfaced in German newspaper [[B.Z. (newspaper)| B.Z.]] after Yusuf's trip to Berlin in March 2007 to collect the Echo music award for "life achievements as musician and ambassador between cultures". Once again he was awarded damages after the World Entertainment News Network allowed an article to be published on Contactmusic.com, a "website said to have 2.2 million page views a month", The offending news agency apologized, admitting that Yusuf has never had any problem in working with women and, contrary to the article in question, never has required a third party as an intermediary to function at work.

Return to music

2009 Photo: Simon Fernandez]] Yusuf gradually resumed his musical career in the 1990s. His initial recordings had not included any musical instruments other than percussion, and featured lyrics about Islamic themes. He invested in building his own recording studio which he named Mountain of Light Studios in the late 1990s, and he was featured as a guest singer on "God Is the Light", a song on an album of nasheeds by the group Raihan. In addition, he invited and collaborated with other Muslim singers, including Canadian artist Dawud Wharnsby. After Yusuf's friend, Irfan Ljubijankic, the Foreign Minister of Bosnia and Herzegovina, was killed by a Serbian rocket attack, Yusuf appeared at a 1997 benefit concert in Sarajevo and recorded a benefit album named after a song written by Ljubijankic, I Have No Cannons That Roar. Realizing there were few educational resources designed to teach children about the Islamic religion, Yusuf wrote and produced a children's album, A Is for Allah, in 2000 with the assistance of South African singer-songwriter Zain Bhikha. The title song was one Yusuf had written years before to introduce his first child to both the religion and the Arabic alphabet. He also established his own record label, "Jamal Records", and Mountain of Light Productions, and he donates a percentage of his projects' proceeds to his Small Kindness charity, whose name is taken from the Qur'an.

On the occasion of the 2000 re-release of his Cat Stevens albums, he explained that he had stopped performing in English due to his misunderstanding of the Islamic faith. "This issue of music in Islam is not as cut-and-dried as I was led to believe ... I relied on heresy [sic], that was perhaps my mistake."

In 2003, after repeated encouragement from within the Muslim world, Yusuf once again recorded "Peace Train" for a compilation CD, which also included performances by David Bowie and Paul McCartney. He performed "Wild World" in Nelson Mandela's 46664 concert with his former session player Peter Gabriel, the first time he had publicly performed in English in 25 years. In December 2004, he and Ronan Keating released a new version of "Father and Son": the song entered the charts at number two, behind Band Aid 20's "Do They Know It's Christmas?". They also produced a video of the pair walking between photographs of fathers and sons, while singing the song. The proceeds of "Father and Son" were donated to the Band Aid charity. Keating's former group, Boyzone, had a hit with the song a decade earlier. As he had been persuaded before, Yusuf contributed to the song, because the proceeds were marked for charity. However, this marked a point in his artistic career where he entertained the concept of using more than simply voice and drums.

On 21 April 2005 Yusuf gave a short talk before a scheduled musical performance in Abu Dhabi, United Arab Emirates, on the anniversary of Muhammad's birthday. He said, "There is a great deal of ignorance in the world about Islam today, and we hope to communicate with the help of something more refined than lectures and talks. Our recordings are particularly appealing to the young, having used songs as well as Qur'an verses with pleasing sound effects..." Yusuf observed that there are no real guidelines about instruments and no references about the business of music in the Qur'an, and that Muslim travellers first brought the guitar to Moorish Spain. He noted that Muhammad was fond of celebrations, as in the case of the birth of a child, or a traveller arriving after a long journey. Thus, Yusuf concluded that healthy entertainment was acceptable within limitations, and that he now felt that it was no sin to perform with the guitar. Music, he now felt, is uplifting to the soul; something sorely needed in troubled times. At that point, he was joined by several young male singers who sang backing vocals and played a drum, with Yusuf as lead singer and guitarist. They performed two songs, both half in Arabic, and half in English; "Tala'a Al-Badru Alayna", an old song in Arabic which Yusuf recorded with a folk sound to it, and another song, "The Wind East and West", which was newly written by Yusuf and featured a distinct R&B; sound.

With this performance, Yusuf began slowly to integrate instruments into both older material from his Cat Stevens era (some with slight lyrical changes) and new songs, both those known to the Muslim communities around the world and some that have the same Western flair from before with a focus on new topics and another generation of listeners.}}

In early 2005, Yusuf released a new song entitled "Indian Ocean" about the 2004 tsunami disaster. The song featured Indian composer/producer A. R. Rahman, a-ha keyboard player Magne Furuholmen and Travis drummer Neil Primrose. Proceeds of the single went to help orphans in Banda Aceh, one of the areas worst affected by the tsunami, through Yusuf's Small Kindness charity. At first, the single was released only through several online music stores but later featured on the compilation album Cat Stevens: Gold. "I had to learn my faith and look after my family, and I had to make priorities. But now I've done it all and there's a little space for me to fill in the universe of music again."

On 28 May 2005, Yusuf delivered a keynote speech and performed at the Adopt-A-Minefield Gala in Düsseldorf. The Adopt-A-Minefield charity, under the patronage of Paul McCartney, works internationally to raise awareness and funds to clear landmines and rehabilitate landmine survivors. Yusuf attended as part of an honorary committee which also included George Martin, Richard Branson, Boutros Boutros-Ghali, Klaus Voormann, Christopher Lee and others.

In mid-2005, Yusuf played guitar for the Dolly Parton album, Those Were the Days, on her version of his "Where Do the Children Play?". (Parton had also covered "Peace Train" a few years earlier.)

In May 2006, in anticipation of his forthcoming new pop album, the BBC1 programme "Imagine" aired a 49-minute documentary with Alan Yentob called Yusuf: The Artist formerly Known as Cat Stevens. This documentary film features rare audio and video clips from the late 1960s and 1970s, as well as an extensive interview with Yusuf, his brother David Gordon, several record executives, Bob Geldof, Dolly Parton, and others outlining his career as Cat Stevens, his conversion and emergence as Yusuf Islam, and his return to music in 2006. There are clips of him singing in the studio when he was recording An Other Cup as well as a few 2006 excerpts of him on guitar singing a few verses of Cat Stevens songs including "The Wind" and "On the Road to Find Out". and his debut album was released in February 2007. Yoriyos created the art on Yusuf's album An Other Cup, something that Cat Stevens did for his albums in the 1970s.

Starting in 2006, the Cat Stevens song "Tea for The Tillerman" was used as the theme tune for the Ricky Gervais BBC-HBO sitcom Extras. A Christmas-season television commercial for gift-giving by the diamond industry aired in 2006 with Cat Power's cover of "How Can I Tell You". That song is also covered by John Frusciante of the Red Hot Chili Peppers frequently in concert.

In December 2006, Yusuf was one of the artists who performed at the Nobel Peace Prize Concert in Oslo, Norway, in honour of the prize winners, Muhammad Yunus and Grameen Bank. He performed the songs "Midday (Avoid City After Dark)", "Peace Train", and "Heaven/Where True Love Goes". He also gave a concert in New York City that month as a Jazz at Lincoln Center event, recorded and broadcast by KCRW-FM radio, along with an interview by Nic Harcourt. Accompanying him, as in the Cat Stevens days, was Alun Davies, on guitar and vocals.

In April 2007, BBC1 broadcast a concert given at the Porchester Hall by Yusuf as part of BBC Sessions, his first live performance in London in 28 years (the previous one being the UNICEF "Year of the Child" concert in 1979). He played several new songs along with some old ones like "Father and Son", "The Wind", "Where Do the Children Play?", "Don't Be Shy", "Wild World", and "Peace Train".

In July 2007, he performed at a concert in Bochum, Germany, in benefit of Archbishop Desmond Tutu's Peace Centre in South Africa and the Milagro Foundation of Deborah and Carlos Santana. The audience included Nobel Laureates Mikhail Gorbachev, Desmond Tutu and other prominent global figures. He later appeared as the final act in the German leg of Live Earth in Hamburg performing some classic Cat Stevens songs and more recent compositions reflecting his concern for peace and child welfare. His set included Stevie Wonder's "Saturn", "Peace Train", "Where Do the Children Play?", "Ruins", and "Wild World". He performed at the Peace One Day concert at the Royal Albert Hall on 21 September 2007. In 2008 Yusuf contributed the song "Edge of Existence" to the charity album Songs for Survival, in support of the indigenous rights organization Survival International.

In January 2009, Yusuf released a charity song in aid of children in Gaza. He recorded a rendition of the George Harrison song "The Day the World Gets Round", along with the German bassist and former Beatles collaborator Klaus Voorman. Yusuf said that all proceeds from the song will be donated to the U.N. agency in charge of Palestinian refugees, UNRWA, and to the nonprofit group Save the Children to be directed to aiding Gaza residents. Israeli Consul David Saranga criticized Yusuf for not dedicating the song to all the children who are victims of the violence, including Israeli children.

An Other Cup

In March 2006, Yusuf finished recording his first all-new pop album since 1978. The album, An Other Cup, was released internationally in November 2006 on his own label, Ya Records (distributed by Polydor Records in the UK and internationally by Atlantic Records) — the 40th anniversary of his first album, Matthew and Son. A single, called Heaven/Where True Love Goes, was simultaneously released. The album was produced with Rick Nowels, who has worked with Dido and Rod Stewart. The performer is noted as "Yusuf", with a cover label identifying him as "the artist formerly known as Cat Stevens". The art on the album is credited to Yoriyos. Yusuf wrote all of the songs except "Don't Let Me Be Misunderstood", and recorded it in the United States and the United Kingdom. Originally, Yusuf began to return only to his acoustic guitar as he had in the past, but his son encouraged him to "experiment", which resulted in the purchase of a Stevie Ray Vaughan Fender Stratocaster in 2007.

Also in November 2006, Billboard magazine was curious as to why the artist is credited as just his first name, "Yusuf" rather than "Yusuf Islam". for Island Records' 50th Anniversary]] A new pop album, Roadsinger, was released on 5 May 2009. The lead track, "Thinking 'Bout You", received its debut radio play on a BBC programme on 23 March 2009. Unlike An Other Cup, Yusuf promoted the new album with appearances on American television as well as in the U.K. He appeared on the Chris Isaak Hour on the A&E; network in April 2009, performing live versions of his new songs, "World O'Darkness", "Boots and Sand", and "Roadsinger". On 13 May he appeared on The Tonight Show with Jay Leno in Los Angeles, and on 14 May, on The Colbert Report in New York City, performing the title song from the Roadsinger album. On 15 May, he appeared on Late Night with Jimmy Fallon, performing "Boots and Sand" and "Father and Son". On 24 May he appeared on the BBC's The Andrew Marr Show, where he was interviewed and performed the title track of Roadsinger. On 15 August, he was one of many guests at Fairport Convention's annual Fairport's Cropredy Convention where he performed five songs accompanied by Alun Davies, with Fairport Convention as his backing band.

A world tour was announced on his web site to promote the new album. He was scheduled to perform at an invitation-only concert at New York City's Highline Ballroom on 3 May and to go on to Los Angeles, Chicago and Toronto, as well as some to-be-announced European venues. and New Zealand for the first time ever.

On October 30, 2010 Yusuf appeared at Jon Stewart and Stephen Colbert's Rally to Restore Sanity and/or Fear in Washington, DC, singing alongside Ozzy Osbourne. Yusuf performed "Peace Train" and Ozzy performed "Crazy Train" at the same time, followed by The O'Jays performance of "Love Train".

Awards

Philanthropic and humanitarian awards

2003 World Award also known as the "World Social Award" for "humanitarian relief work helping children and victims of war".

2004 Man for Peace Award presented by Mikhail Gorbachev for his "dedication to promote peace, the reconciliation of people and to condemn terrorism", the ceremony was held in Rome, Italy and attended by five Nobel Peace Prize laureates.

(2005) Honorary Doctorate by the University of Gloucestershire for services to education and humanitarian relief. 4 January 2007, The Mediterranean Prize for Peace in Naples, Italy. The award was received "as a result of the work he has done to increase peace in the world." 10 July 2007, honorary doctorate (LLD) by the University of Exeter, in recognition of "his humanitarian work and improving understanding between Islamic and Western cultures". The ceremony was attended by esteemed personalities including Professor Ekmeleddin Ihsanoglu and guitarist Brian May.

6 November 2009, Special Achievement Award of the German Sustainability Award.

Music awards and recognition

2005 Nominated for induction into the Rock and Roll Hall of Fame 20 October 2005, ASCAP named Songwriter of the Year and Song of the Year for "The First Cut Is the Deepest" 8 June 2006, listed as #49 in Paste magazine's "100 Best Living Songwriters" 11 October 2006, awarded Songwriter of the Year for the second year running, for the same song "The First Cut Is the Deepest" 25 March 2007, received the German ECHO "special award for life achievements as musician and ambassador between cultures", Europe's Grammy, in Berlin

Discography

:(includes Yusuf discography)

See also

List of best-selling music artists

List of converts to Islam

Rolling Stone's 500 Greatest Albums of All Time

Notes and references

Further reading

#Cat Stevens Complete Illustrated Biography & Discography by George Brown, 2006 (finalist for the award for "Best Research in Recorded Rock Music" from the Association for Recorded Sound Collections). #My Journey From Cat Stevens to Yusuf Islam By Yusuf Islam (Mountain of Light, 2001 Autobiographical account published by Mountain of Light in 2001. #Cat Stevens biography by Chris Charlesworth (Proteus, 1985) #Cat Stevens/Yusuf Islam, (a German language biography) by Albert Eigner Hannibal Verlag GmbH, 2006) #Cat Stevens Breaks His Silence Rolling Stone article, 14 June 2000 #Billboard Q&A; with Yusuf Islam November 2006 #New York Times Magazine Q&A; with Yusuf Islam January 2007 #Roadsinger album demo

External links

Yusuf Islam's official website

Small Kindness, Yusuf Islam's charity

Mountain of Light, Yusuf Islam's spiritual website

Category:1948 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Atlantic Records artists Category:English expatriates in the United Arab Emirates Category:English folk singers Category:English humanitarians Category:English male singers Category:English multi-instrumentalists Category:English Muslims Category:English people of Cypriot descent Category:English people of Swedish descent Category:English pop singers Category:English rock guitarists Category:English singer-songwriters Category:English songwriters Category:English vegetarians Category:Ivor Novello Award winners Category:Living people Category:Musicians from London Category:People deported from the United States Category:People from Soho Category:People from Marylebone Category:Performers of Islamic music Category:Decca Records artists Category:Island Records artists Category:British converts to Islam

Name	Park Sandara
Background	solo_singer
Birth name	Park Sandara
Born	November 12, 1984
Origin	Busan, South Korea
Genre	Pop, R&B;, Hip Hop
Occupation	Singer, Actress, Rapper, Dancer, Television Host
Years active	2004–present
Label	YG Entertainment
Associated acts	2NE1, Big Bang
Url

Color	khaki
Title	Korean name
Hangul	박산다라
Hanja	산다라
Rr	Bak Sandara
Mr	Pak Sandara
Tablewidth	245

Park Sandara (박산다라) (born November 12, 1984), better known as Dara (다라), is a Korean singer, dancer, rapper, actress, television host and model. She is best known as being a member of the Korean girl group 2NE1.

Early life and career

Sandara Park was born in Busan, South Korea to Korean parents. Her family moved to the Philippines in 1995 to start a trading business. In 2004, Park was involved in a talent survival show, known as Star Circle Quest in the ABS-CBN Network. In the final rounds of voting, she earned a record setting number of over 1,800,000 text votes but came in 2nd place to Hero Angeles in the Grand Finals. After appearing in dramas, movies and commercial spots, Park released a song collection, which achieved 2x platinum status in sales.

When she broke up with her on-screen partner and reacted by returning to Korea for a while. She attended workshop classes and looked for opportunities in Korea. Six months later she went back to the Philippines but the hype had died down in her absence, and her schedule was much less packed than before. During an interview she revealed how her father had left their family and taken all their money with him. Soon after she starred in a movie alongside Joseph Bitangcol, in which her single was used as the movie theme. It was during this time that she attempted to show a new side of herself by being on the cover of UNO. After a period of almost no projects coming in the entertainment arena, Sandy (as she was often referred to in the Philippine media) packed up her bags and returned to Korea once again.

Park returned to South Korea on August 1, 2007 with her mother and siblings to begin a new life. The next day, YG Entertainment reported that they had signed a contract with Park. She was featured in a TV drama "The Return of Iljimae", and in Gummy's music video for "I'm Sorry." Her younger brother, Sang-Hyun Park (Thunder Park), also debuted in early October 2009 as a rapper and dancer of a Korean boy band, MBLAQ in J.Tune Entertainment.

2009–present: Debut with 2NE1

YG Entertainment announced that the group would consist of four members and debut sometime in May 2009. The company stated that the group had trained for four years, and that their debut album would contain songs produced by 1TYM leader Teddy Park and Big Bang's GDragon. The group's name was initially announced as "21"; however, due to the discovery of a singer with the same name, the group was renamed "2NE1". "NE" means the abbreviation of "New Evolution".

Discography

Extended plays

{|class="wikitable plainrowheaders" style="text-align:center;" border="1" ! scope="col" style="width:12em;"| Title ! scope="col" style="width:15em;"| Album details ! scope="col" style="width:150px;"| Certifications |- ! scope="row" |Sandara |

Released: 2004

Label: Star Records

|

PH: 2× Platinum

|- ! scope="row" |Sandara: Walang Sabit |

Released: 2004

Label: Star Records

| |- ! scope="row" |Sandara: Ang Ganda Ko |

Released: 2006

Label: Star Records

|| |}

Singles

{|class="wikitable plainrowheaders" style="text-align:center;" border="1" ! rowspan="2" style="width:12em;"|Title ! rowspan="2" style="width: 4em;"|Year ! colspan="2" style="width: 10em;"| Peak chart positions ! rowspan="2" style="width: 151px;"|Album |- ! align="center" style="width: 5em;"|KOR ! align="center" style="width: 5em;"|PHI

|- ! scope="row"| "In Or Out" |align="center"|2004 |align="center"|— |align="center"|1 |align="center"|Sandara |- ! scope="row"| "Walang Sabit" |align="center"|2005 |align="center"|— |align="center"|1 |align="center"|Sandara: Walang Sabit |- ! scope="row"| "Ang Ganda Ko" |align="center"|2006 |align="center"|— |align="center"|1 |align="center"|Sandara: Ang Ganda Ko |- ! scope="row"| "Kiss" (feat. CL) |align="center"|2009 |align="center"|1 |align="center"|— |align="center"|To Anyone |}

Filmography

{| border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 90%;" |- bgcolor="#CCCCCC" align="center" ! colspan="4" style="background: LightSteelBlue;" | Film |- style="background:#ccc; text-align:center;" ! Year ! Film ! Role ! Notes |- | rowspan="2"| 2004 | Volta | Herself | Cameo role |- | Bcuz of U | April | Won – 21st PMPC Star Awards for Moviesfor Best New Actress |- | 2005 | Can This Be Love | Daisy | |- | 2006 | D' Lucky Ones | Lucky Girl | |- | 2007 | Super Noypi | Michie Rapisora | |- | 2009 | Girlfriends | Herself | Cameo role |- |- style="background:#ccc; text-align:center;" ! colspan="4" style="background: LightSteelBlue;" | Television |- style="background:#ccc; text-align:center;" ! Year ! Title ! Role ! Notes |- | rowspan="6"|2004 | Star Circle Quest | rowspan="3"|Herself | Reality show |- | Sandara's Romance | Host |- | ASAP Fanatic | Supporting host |- | SCQ Reload: OK Ako! | Sandara Soh | Reality show |- | Krystala | Kim | |- | My Name isSandara Park | Herself | TV special |- | rowspan="3"| 2005 | Maalaala Mo Kaya | rowspan="3"| Herself | Cameo role |- | Farewell Lovers:A Lover in Paris Special | Host |- | Ang PambansangKrung-Krung ng Pilipinas | TV special |- | rowspan="8"|2006 | Komiks | Mara | Episode: "Machete" |- | Your Song | Herself | Episode: "Everything You Do" |- | Star Circle Presents | Barbie | Episode: "Bongga" |- | Abt Ur Luv | Betina | |- | Crazy for You | Ara | |- | Gudtaym | rowspan="2"| Herself | Variety show |- | O-Ha! | |- | Nuts Entertainment | Various roles | Sketch comedy show |- | 2007 | Dalawag Tisoy | Kim Chee | |- |rowspan="4"| 2009 | The Return of Iljimae | Rie | |- | Style | rowspan="4"| Herself | Cameo role |- | 2NE1 TV | 2009–2010Reality show |- | Strong Heart | Variety show |- | 2010 | Win Win | Variety show |- | 2010 |2NE1 TV Season 2 | herself | Reality show |}

References

External links

YGfamily.com

Category:1984 births Category:Korean expatriates in the Philippines Category:SCQ Category:Living people Category:People from Busan Category:South Korean actors Category:South Korean female singers Category:K-pop singers Category:2NE1 members

Name	Kerli
Background	solo_singer
Birth name	Kerli Kõiv
Born	February 07, 1987 Elva, Estonia
Instrument	Vocals, piano
Genre	Pop, electronic, alternative rock
Occupation	Singer, songwriter, music producer
Years active	2002–present
Label	Island
Url

Kerli Kõiv (born February 7, 1987), better known mononymously as Kerli, is an Estonian recording artist.

She was signed to Island Def Jam Music Group in 2006 by LA Reid and in 2008, she released her debut album, Love Is Dead which charted at 126 on the Billboard 200 in July 2008 and at 2 on the Billboard Heatseekers chart the following month. The album contained the singles "Love Is Dead", "Walking on Air" and "Creepshow", with "Walking on Air" being the most notable. It charted at number seventy-five on the European Hot 100 and was featured twice on the United States television dance competition So You Think You Can Dance.

In 2010, she appeared on the Almost Alice album — music inspired by the film Alice in Wonderland — with the song "Tea Party". She is currently working on her second studio album which she plans to release in 2011.

Early life

Kerli was born in Tartu County, Estonia in the municipality Elva, with a population of 5,000 during the Soviet occupation of Estonia which ended when she was four years old. Her mother, Piret, was a social worker and her father, Toivo Kõiv, was an auto mechanic. Her parents separated when she was 16. Her younger sister, Eliisa Kõiv is also a musician and competed in season three of Eesti otsib superstaari. Her great-great-grandmother, nicknamed "Beautiful May" for her beauty, was a maid to a duke in Germany, with whom she had a baby.

As a child, she studied ballroom dancing for eight years, practicing five days a week. She was first introduced to music by her kindergarten teacher when she told her mom that Kerli had "nice pitch" and that she was interested in taking her to various singing competitions. At 8 years old, Kerli gained interested in classical music and as there was an absence of music in her early life, she only possessed one cassette by Bonnie Tyler.

Career

2002–05: Career beginnings

, Utah in May, 2008.]] In 2002, Kerli competed in the singing competition Laulukarussell in the age group category 13–15 and on May 18, won with the song "Bridge over Troubled Water". Also in 2002, she lied about her age to enter Fizz Superstar (a "Baltic equivalent of American Idol") as the minimum age was fifteen. She ended up winning the contest, gaining a singing contract to Universal Sweden. She was later dropped as the person who signed her was fired. Later, the media in Estonia labeled failure as "Kerli Syndrome". Kerli has stated she feels no resentment towards her home country, as she told in a 2008 interview:

}}

Kerli was later signed to an independent label founded by the person who was previously fired from Universal Sweden but the label went bankrupt. In 2004, she was the runner-up in that year's Eurolaul – a televised competition that determines the song that will represent Estonia in the Eurovision Song Contest – with her song "Beautiful Inside".

While in Stockholm for two years, she worked with numerous producers and due to lack of money as the contracts she had gained previously were unsuccessful, she ate nothing but rice for three months when she lived in an abandoned house during winter and slept on a cot. Kerli's song "Creepshow" was used in the game Burnout Paradise for its in-game soundtrack and by Fox for its promotion of Fringe's April 7, 2009 return.

She was chosen to perform the theme for the 2008 videogame Quantum of Solace, "When Nobody Loves You." She also performs the song "Bulletproof" on the official soundtrack of .

2009–present: "Army of Love" and second studio album

In 2009, Kerli performed at the Estonian music festival Õllesummer in Tallinn. On September 10, 2009 Island Def Jam announced Kerli's iPhone application and the first song, Saima was released the following month. Kerli re-released the single "The Creationist", which is a duet with the Italian songwriter Cesare Cremonini.

Kerli received an European Border Breakers Award for the success of the album Love Is Dead in Estonia. On January 12, 2010, the track listing for Disney's Alice in Wonderland soundtrack Almost Alice was released and features two songs by Kerli, "Tea Party" and "Strange" which is a collaboration with Tokio Hotel. She covered the song "Nature Boy" for a promo for the tenth season of Smallville. On October 27, Kerli revealed a new fan website titled "Kerli's MoonChild Academy".

Kerli is currently working on her second studio album. She has stated that she's developing a "new musical style called Bubble Goth" and that the Love Is Dead album was "really moody and dark and introverted, so this album is actually more fun, but it still has that twistedness" and that she's "trying to develop a whole new sound-scape that [she doesn't think she's] heard before". She has also said that it is a "a very strong album" about "overcoming the darkness in [her]..overcoming blaming the world for what's wrong...taking responsibility, being inspired and inspiring others." The album is not expected to be released until 2011 and will be followed by a tour.

The video for the promotional single, "Army of Love", was filmed over several days in Estonia during early November. The video "sets the undertone of [her] entire new album". On December 1, Kerli began a series of five video blogs via AOL's PopEater blog that documented the production of the music video. "Army of Love" (the song) was released on December 16, 2010. The music video officially premiered on December 22, 2010.

Style and influences

She frequently cites Björk as a major influence and one of her favorite musicians and Sigur Rós as her favorite band. Among her other influences are Anouk, Joni Mitchell and Janis Joplin.

She frequently wears three dots called "Moon Marks" that represent integrity, love and unity, three things that are also followed by Moon Children: an elaborated fan community/street team established by Kerli for people who "feel too much and find it hard to exist in this world, so that they wouldn't think they're crazy."

Personal life

Kerli has five tattoos. At the age of 15, Kerli asked her mother for a tattoo that states "music" in Chinese ("音乐"). Dubious, her mother told her that if she read "every book ... in town" on China and did a report on it, she would allow her to get the tattoo. Kerli did as requested and her mother took her to get the tattoo the day before her 16th birthday.

Kerli currently lives in Los Angeles, California.

Discography

Love Is Dead (2008)

Awards and nominations

|- | rowspan="2" | 2008 || Herself || MTV Europe Music Award for Best Baltic Act || |- | rowspan="3" | "Walking on Air" || MTV Video Music Award for Best Pop Video || |- | rowspan="5" | 2009 || Raadio 2 Hit of the Year 2008 || |- | Estonian Music Award for Music Video of the Year || |- | rowspan="2" | Herself || Estonian Music Award for Pop Artist of the Year || |- | Estonian Music Award for Female Artist of the Year || |- | rowspan="2" | Love Is Dead || Estonian Music Award for Album of the Year || |- | 2010 || European Border Breakers Award (EBBA) || |-

References

External links

iamamoonchild.net, official news site and fan community

Category:1987 births Category:2000s singers Category:2010s singers Category:Dance musicians Category:English-language singers Category:Estonian composers Category:Estonian expatriates in the United States Category:Estonian female singers Category:Estonian people of German descent Category:Estonian people of Swedish descent Category:Estonian pop singers Category:Estonian record producers Category:Estonian rock singers Category:Female rock singers Category:Island Records artists Category:Living people Category:People from Elva

Name	Eric Church
Background	solo_singer
Birth name	Kenneth Eric Church
Born	May 03, 1977
Origin	Granite Falls, North Carolina, United States
Instrument	Vocals, guitar
Genre	Country, Country rock
Occupation	Singer-songwriter
Years active	2005–present
Label	Capitol NashvilleEMI Records Nashville
Associated acts	Terri Clark, Jay Joyce
Url	www.ericchurch.com

Kenneth Eric Church (born May 3, 1977 in Granite Falls, North Carolina) is an American country music singer and songwriter. Signed to Capitol Records in 2006, Church released his debut album Sinners Like Me that year. This album produced four chart singles on the Billboard country charts, including the Top 20 hits "How 'Bout You," "Two Pink Lines" and "Guys Like Me." His second album, 2009's Carolina, has produced two more singles: "Love Your Love the Most" and "Hell on the Heart" which have become his first two Top 10 hits.

Biography

Eric Church grew up in Granite Falls, North Carolina. At age thirteen, he bought a guitar and began writing songs of his own. By his senior year of high school, he had found a gig at a local bar, which occupied most of his time. He played many Jimmy Buffett cover songs and a few of his own original songs in some unpleasant places. Some of these places were so rough that he got into a few altercations from the stage. For a few years, his band played often in bars and restaurants throughout North Carolina. His band consisted of his college roommate, brother, and other fellow guitarist, temporarily naming their band the "Mountain Boys."

Music career

2006-2007: Sinners Like Me

Arthur Buenahora at the publishing company later introduced Church to producer Jay Joyce. Following a showcase, Church signed to Capitol Records' Nashville division. His first single, "How 'Bout You," peaked at #14 on the Hot Country Songs charts and led off his debut album Sinners Like Me. In April 2006, Church performed on the Grand Ole Opry for the first time.

The album's other two singles, "Two Pink Lines" and "Guys Like Me," both reached the country Top 20 as well. The fourth single, which was the title track, peaked at #51. An additional track from the album, "Lightning," was made into a music video despite not being released as a single. Church wrote this song shortly after his moving to Nashville, and was inspired to write it after seeing the movie The Green Mile.

Other charted songs

This song charted from unsolicited airplay.

Music videos

Awards and nominations

References

External links

Official Site

Category:1977 births Category:American country singers Category:American country singer-songwriters Category:Appalachian State University alumni Category:Capitol Records artists Category:Living people Category:Musicians from North Carolina Category:People from Caldwell County, North Carolina

Name	George Orwell
Caption	Orwell's press card portrait, taken in 1933
Pseudonym	George Orwell, John Freeman
Birthname	Eric Arthur Blair
Birthdate	June 25, 1903
Birthplace	Motihari, Bihar, British India
Deathdate	January 21, 1950
Deathplace	Camden, London, England
Resting place	Sutton Courtenay, Oxfordshire
Occupation	Novelist, political writer and journalist
Nationality	British
Spouse	Eileen O'Shaughnessy (1935–1945, her death)Sonia Brownell (1949–1950, his death)
Notableworks	Homage to Catalonia (1938)Animal Farm (1945)Nineteen Eighty-Four (1949)essays
Influences	James Burnham, Charles Dickens, Henry Fielding, Gustave Flaubert, Aldous Huxley, James Joyce, Arthur Koestler, Jack London, W. Somerset Maugham, Upton Sinclair, Jonathan Swift, Leo Tolstoy, Leon Trotsky, H. G. Wells, Tom Wintringham, Yevgeny Zamyatin, Émile Zola
Influenced	Margaret Atwood, Ray Bradbury, Anthony Burgess, Albert Camus, Noam Chomsky, Cory Doctorow, Christopher Hitchens, Peter Hitchens, John King, Ignazio Silone, Kurt Vonnegut, Thomas Pynchon
Signature	Orwell Signature.png|380px

Eric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English author and journalist. His work is marked by keen intelligence and wit, a profound awareness of social injustice, an intense, revolutionary opposition to totalitarianism, a passion for clarity in language and a belief in democratic socialism.

Considered perhaps the twentieth century's best chronicler of English culture, Orwell wrote fiction, polemical journalism, literary criticism and poetry. He is best known for the dystopian novel Nineteen Eighty-Four (published in 1949) and the satirical novella Animal Farm (1945). They have together sold more copies than any two books by any other twentieth-century author. His Homage to Catalonia (1938), an account of his experiences as a volunteer on the Republican side during the Spanish Civil War, together with his numerous essays on politics, literature, language and culture, are widely acclaimed.

Orwell's influence on contemporary culture, popular and political, continues. Several of his neologisms, along with the term Orwellian, now a byword for any draconian or manipulative social phenomenon or concept inimical to a free society, have entered the vernacular.

Biography

Early life and education

Eric Arthur Blair was born on 25 June 1903 in Motihari, Bihar, Bengal Presidency, British India. His great-grandfather Charles Blair had been a wealthy country gentleman in Dorset who had married Lady Mary Fane daughter of Thomas Fane, 8th Earl of Westmorland, and he was supported, as an absentee landlord, by a good income from slave plantations in Jamaica. His grandfather, Thomas Richard Arthur Blair, was a clergyman. Although the gentility was passed down the generations, the prosperity was not; Eric Blair described his family as "lower-upper-middle class". His father, Richard Walmesley Blair, worked in the Opium Department of the Indian Civil Service. His mother, Ida Mabel Blair (née Limouzin), grew up in Burma where her French father was involved in speculative ventures.

In 1904, Blair's mother settled at Henley-on-Thames. Eric was brought up in the company of his mother and sisters, and apart from a brief visit he did not see his father again until 1912. His mother's diary from 1905 indicates a lively round of social activity and artistic interests. The family moved to Shiplake before World War I, and Eric became friendly with the Buddicom family, especially Jacintha Buddicom. When they first met, he was standing on his head in a field, and on being asked why, he said, "You are noticed more if you stand on your head than if you are right way up". Jacintha and Eric read and wrote poetry and dreamed of becoming famous writers. He told her that he might write a book in similar style to that of H. G. Wells's A Modern Utopia. During this period, he enjoyed shooting, fishing, and birdwatching with Jacintha’s brother and sister.

At the age of five, Eric Blair was sent as a day-boy to the convent school in Henley-on-Thames which Marjorie attended - a Catholic convent run by French Ursulines, exiled from France after religious education was banned there in 1903. His mother wanted him to have a public school education, but his family was not wealthy enough to afford the fees, making it necessary for him to obtain a scholarship. Ida Blair's brother Charles Limouzin, who lived on the South Coast, was asked to find the best possible school to prepare Eric for higher things ( whose education the family believed was more important than that of his sisters) and he recommended St Cyprian's School, Eastbourne, Sussex. The headmaster undertook to help Blair to win the scholarship, and made a private financial arrangement which allowed Blair's parents to pay only half the normal fees. Blair hated the school and many years later based his posthumously published essay Such, Such Were the Joys on his time there. At St. Cyprian's, Blair first met Cyril Connolly, who himself became a noted writer and who, as the editor of Horizon magazine, published many of Orwell's essays. While at the school Blair wrote two poems that were published in the Henley and South Oxfordshire Standard, the local newspaper, came second to Connolly in the Harrow History Prize, had his work praised by the school's external examiner, and earned scholarships to Wellington College and Eton College, two distinctive English independent boarding schools. Cyril Connolly followed Blair to Eton, but because they were in separate years they did not associate with each other. Blair's academic performance reports suggest that he neglected his academic studies, but during his time he worked with Roger Mynors to produce a college magazine and participated in the Eton Wall Game. His parents could not afford to send him to university without another scholarship, and they concluded from his poor results that he would not be able to obtain one. However Stephen Runciman, who was a close contemporary, noted that he had a romantic idea about the East and, for whatever reason, it was decided that Blair should join the Indian Imperial Police. To do this, it was necessary to pass an entrance examination. His father had retired to Southwold, Suffolk by this time and Blair was enrolled at a "crammer" there called "Craighurst" where he brushed up on his classics, English and History. Blair passed the exam, coming seventh out of twenty-seven.

In April 1926 he moved to Moulmein, where his grandmother lived. At the end of that year, he went to Katha, where he contracted Dengue fever in 1927. He was entitled to leave in England that year, and in view of his illness, was allowed to go home in July. While on leave in England in 1927, he reappraised his life and resigned from the Indian Imperial Police with the intention of becoming a writer. His Burma police experience yielded the novel Burmese Days (1934) and the essays "A Hanging" (1931) and "Shooting an Elephant" (1936).

London and Paris

In England, he settled back in the family home at Southwold, renewing acquaintance with local friends and attending an Old Etonian dinner. He visited his old tutor Gow at Cambridge for advice on becoming a writer, and as a result he decided to move to London. Ruth Pitter, a family acquaintance, helped him find lodgings and by the end of 1927 he had moved into rooms in Portobello Road (a blue plaque commemorates his residence there). Pitter took a vague interest in his writing as he set out to collect literary material on a social class as different from his own as were the natives of Burma.

Following the precedent of Jack London, whom he admired, he started his exploratory expeditions slumming in the poorer parts of London. On his first outing he set out to Limehouse Causeway spending his first night in a common lodging house, possibly George Levy's 'kip'. For a while he "went native" in his own country, dressing like a tramp and making no concessions to middle class mores and expectations; he recorded his experiences of the low life for later use in "The Spike", his first published essay, and the latter half of his first book, Down and Out in Paris and London (1933). In the spring of 1928, he moved to Paris, where the comparatively low cost of living and bohemian lifestyle offered an attraction for many aspiring writers and lived in the Rue du Pot-de-Fer. He went painting and bathing on the beach, and there he met Mabel and Francis Fierz who were later to influence his career. Over the next year he visited them in London often meeting their friend Max Plowman. Other homes available to him were those of Ruth Pitter and Richard Rees. These acted as places for him to "change" for his sporadic tramping expeditions where one of his jobs was to do domestic work at a lodgings for half a crown a day.

Meanwhile, Blair now contributed regularly to Adelphi, with "A Hanging" appearing in August 1931. In August and September 1931 his explorations extended to following the East End tradition of working in the Kent hop fields (an activity which his lead character in A Clergyman's Daughter also engages in). At the end of this, he ended up in the Tooley Street kip, but could not stand it for long and with a financial contribution from his parents moved to Windsor Street where he stayed until Christmas. "Hop Picking", by Eric Blair, appeared in the October 1931 issue of New Statesman, where Cyril Connolly was on the staff. Mabel Fierz put him in contact with Leonard Moore who was to become his literary agent.

At this time Jonathan Cape rejected A Scullion's Diary, the first version of Down and Out. On the advice of Richard Rees he offered it to Faber & Faber, whose editorial director, T. S. Eliot, also rejected it. To conclude the year Blair attempted another exploratory venture of getting himself arrested so that he could spend Christmas in prison, but the relevant authorities did not cooperate and he returned home to Southwold after two days in a police cell.

Teaching

Blair then took a job teaching at the Hawthorne High School for Boys in Hayes, West London. This was a small school that provided private schooling for children of local tradesmen and shopkeepers and comprised only 20 boys and one other master. While at the school he became friendly with the local curate and became involved with the local church. Mabel Fierz had pursued matters with Moore, and at the end of June 1932, Moore told Blair that Victor Gollancz was prepared to publish A Scullion's Diary for a £40 advance, for his recently founded publishing house, Victor Gollancz Ltd, which was an outlet for radical and socialist works.

At the end of the school summer term in 1932 Blair returned to Southwold, where his parents had been able to buy their own home as a result of a legacy. Blair and his sister Avril spent the summer holidays making the house habitable while he also worked on Burmese Days. He was also spending time with Eleanor Jacques but her attachment to Dennis Collings remained an obstacle to his hopes of a more serious relationship.

"Clink", an essay describing his failed attempt to get sent to prison, appeared in the August 1932 number of Adelphi. He returned to teaching at Hayes and prepared for the publication of his work now known as Down and Out in Paris and London which he wished to publish under an assumed name. In a letter to Moore (dated 15 November 1932) he left the choice of pseudonym to him and to Gollancz. Four days later, he wrote to Moore, suggesting the pseudonyms P. S. Burton (a name he used when tramping), Kenneth Miles, George Orwell, and H. Lewis Allways. He finally adopted the nom de plume George Orwell because, as he told Eleanor Jacques, "It is a good round English name." Down and Out in Paris and London was published on 9 January 1933 when Blair was back at the school at Hayes. He had little free time and was still working on Burmese Days. Down and Out was successful and it was published by Harper and Brothers in New York.

In the summer Blair finished at Hawthornes to take up a teaching job at Frays College, at Uxbridge, West London. This was a much larger establishment with 200 pupils and a full complement of staff. He acquired a motorcycle and took trips through the surrounding countryside. On one of these expeditions he became soaked and caught a chill which developed into pneumonia. He was taken to Uxbridge Cottage Hospital where for a time his life was believed to be in danger. When he was discharged in January 1934, he returned to Southwold to convalesce and, supported by his parents, never returned to teaching.

He was disappointed when Gollancz turned down Burmese Days, mainly on the grounds of potential libel actions but Harpers were prepared to publish it in the United States. Meanwhile back at home Blair started work on the novel A Clergyman's Daughter drawing upon his life as a teacher and on life in Southwold. Eleanor Jacques was now married and had gone to Singapore and Brenda Salkield had left for Ireland, so Blair was relatively lonely in Southwold — pottering on the allotments, walking alone and spending time with his father. Eventually in October, after sending A Clergyman's Daughter to Moore, he left for London to take a job that had been found for him by his Aunt Nellie Limouzin.

Hampstead

This job was as a part-time assistant in "Booklover's Corner", a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope who were friends of Nellie Limouzin in the Esperanto movement. The Westropes had an easy-going outlook and provided him with comfortable accommodation at Warwick Mansions, Pond Street. He was job sharing with Jon Kimche who also lived with the Westropes. Blair worked at the shop in the afternoons, having the mornings free to write and the evenings to socialise. These experiences provided background for the novel Keep the Aspidistra Flying (1936). As well as the various guests of the Westropes, he was able to enjoy the company of Richard Rees and the Adelphi writers and Mabel Fierz. The Westropes and Kimche were members of the Independent Labour Party although at this time Blair was not seriously politically aligned. He was writing for the Adelphi and dealing with pre-publication issues with A Clergymans Daughter and Burmese Days.

At the beginning of 1935 he had to move out of Warwick Mansions, and Mabel Fierz found him a flat in Parliament Hill. A Clergyman's Daughter was published on the 11 March 1935. In the spring of 1935 Blair met his future wife Eileen O'Shaughnessy when his landlady, who was studying at the University of London, invited some of her fellow students. Around this time, Blair had started to write reviews for the New English Weekly.

In July, Burmese Days was published and following Connolly's review of it in the New Statesman, the two re-established contact. In August Blair moved into a flat in Kentish Town, which he shared with Michael Sayer and Rayner Heppenstall. He was working on Keep the Aspidistra Flying, and also tried to write a serial for the News Chronicle, which was an unsuccessful venture. By October 1935 his flat-mates had moved out, and he was struggling to pay the rent on his own.

The Road to Wigan Pier

At this time, Victor Gollancz suggested Orwell spend a short time investigating social conditions in economically depressed northern England. Two years earlier J. B. Priestley had written of England north of the Trent and this had stimulated an interest in reportage. Furthermore the depression had introduced a number of working-class writers from the North of England to the reading public.

On 31 January 1936, Orwell set out by public transport and on foot via Coventry, Stafford, the Potteries and Macclesfield, reaching Manchester. Arriving after the banks had closed, he had to stay in a common lodging house. Next day he picked up a list of contact addresses sent by Richard Rees. One of these, trade union official Frank Meade, suggested Wigan, where Orwell spent February staying in dirty lodgings over a tripe shop. At Wigan, he gained entry to many houses to see how people lived, took systematic notes of housing conditions and wages earned, went down a coal mine, and spent days at the local public library consulting public health records and reports on working conditions in mines.

During this time he was distracted by dealing with libel and stylistic issues relating to Keep the Aspidistra Flying. He made a quick visit to Liverpool and spent March in South Yorkshire, spending time in Sheffield and Barnsley. As well as visiting mines and observing social conditions, he attended meetings of the Communist Party and of Oswald Mosley where he saw the tactics of the Blackshirts. He punctuated his stay with visits to his sister at Headingley, during which he visited the Brontë Parsonage at Haworth.

His investigations gave rise to The Road to Wigan Pier, published by Gollancz for the Left Book Club in 1937. The first half of this work documents his social investigations of Lancashire and Yorkshire. It begins with an evocative description of working life in the coal mines. The second half is a long essay on his upbringing, and the development of his political conscience, which includes criticism of some of the groups on the left. Gollancz feared the second half would offend readers and inserted a mollifying preface to the book while Orwell was in Spain.

Orwell needed somewhere where he could concentrate on writing his book, and once again help was provided by Aunt Nellie who was living in a cottage at Wallington, Hertfordshire. It was a very small cottage called the "Stores" with almost no modern facilities in a tiny village. Orwell took over the tenancy and had moved in by 2 April 1936. He started work on the book by the end of April, and as well as writing, he spent hours working on the garden and investigated the possibility of reopening the Stores as a village shop.

Orwell married Eileen O'Shaughnessy on 9 June 1936. Shortly afterwards, the political crisis began in Spain and Orwell followed developments there closely. At the end of the year, concerned by Francisco Franco's Falangist uprising, Orwell decided to go to Spain to take part in the Spanish Civil War on the Republican side. Under the erroneous impression that he needed papers to cross the frontier, on John Strachey's recommendation Orwell applied unsuccessfully to Harry Pollitt, leader of the British Communist Party, who suggested joining the International Brigade and advised him to get safe passage from the Spanish Embassy in Paris. Not wishing to commit himself until he'd seen the situation in situ, Orwell instead used his Independent Labour Party contacts to get a letter of introduction to John McNair in Barcelona.

The Spanish Civil War and Catalonia

Orwell set out for Spain on about 23 December, dining with Henry Miller in Paris on the way. A few days later at Barcelona, he met John McNair of the Independent Labour Party (ILP) Office who quoted him: "I've come to fight against Fascism". Orwell stepped into a complex political situation in Catalonia. The Republican government was supported by a number of factions with conflicting aims, including the Workers' Party of Marxist Unification (POUM — Partido Obrero de Unificación Marxista), the anarcho-syndicalist Confederación Nacional del Trabajo and the Unified Socialist Party of Catalonia (a wing of the Spanish Communist Party, which was backed by Soviet arms and aid). The ILP was linked to the POUM and so Orwell joined the POUM.

After a time at the Lenin Barracks in Barcelona he was sent to the relatively quiet Aragon Front under Georges Kopp. By January 1937 he was at Alcubierre above sea level in the depth of winter. There was very little military action, and the lack of equipment and other deprivations made it uncomfortable. Orwell, with his Cadet Corps and police training was quickly made a corporal. On the arrival of a British ILP Contingent about three weeks later, Orwell and the other English militiaman, Williams, were sent with them to Monte Oscuro. The newly-arrived ILP contingent included Bob Smillie, Bob Edwards, Stafford Cottman and Jack Branthwaite. The unit was then sent on to Huesca.

Meanwhile, back in England, Eileen had been handling the issues relating to the publication of The Road to Wigan Pier before setting out for Spain herself, leaving Aunt Nellie Limouzin to look after The Stores. Eileen volunteered for a post in John McNair's office and with the help of Georges Kopp paid visits to her husband, bringing him English tea, chocolate and cigars. Orwell had to spend some days in hospital with a poisoned hand and had most of his possessions stolen by the staff. He returned to the front and saw some action in night attack on the Nationalist trenches where he chased an enemy soldier with a bayonet and bombed an enemy rifle position.

In April, Orwell returned to Barcelona where he applied to join the International Brigades to become involved in fighting closer to Madrid. However this was the time of Barcelona May Days and Orwell was caught up in the factional fighting. He spent much of the time on a roof, with a stack of novels, but encountered Jon Kimche from his Hampstead days during the stay. The subsequent campaign of lies and distortion carried out by the Communist press, in which the POUM was accused of collaborating with the fascists, had a dramatic effect on Orwell. Instead of joining the International Brigades as he had intended, he decided to return to the Aragon Front. Once the May fighting was over, he was approached by a Communist friend who asked if he still intended transferring to the International Brigades. Orwell expressed surprise that they should still want him, because according to the Communist press he was a fascist.

After his return to the front, a sniper's bullet caught him in the throat. Orwell was considerably taller than the Spanish fighters and had been warned against standing against the trench parapet. Unable to speak, and with blood pouring from his mouth, Orwell was stretchered to Siétamo, loaded on an ambulance and after a bumpy journey via Barbastro arrived at the hospital at Lleida. He recovered sufficiently to get up and on the 27 May 1937 was sent on to Tarragona and two days later to a POUM sanatorium in the suburbs of Barcelona. The bullet had missed his main artery by the barest margin and his voice was barely audible. He received electrotherapy treatment and was declared medically unfit for service.

By the middle of June the political situation in Barcelona had deteriorated and the POUM — painted by the pro-Soviet Communists as a Trotskyist organisation — was outlawed and under attack. The Communist line was that the POUM were 'objectively' Fascist, hindering the Republican cause. " A particularly nasty poster appeared, showing a head with a POUM mask being ripped off to reveal a Swastika-covered face beneath. " Members, including Kopp, were arrested and others were in hiding. Orwell and his wife were under threat and had to lie low, although they broke cover to try to help Kopp.

Finally with their passports in order, they escaped from Spain by train, diverting to Banyuls-sur-Mer for a short stay before returning to England. Orwell's experiences in the Spanish Civil War gave rise to Homage to Catalonia (1938).

Rest and recuperation

Orwell returned to England in June 1937, and stayed at the O'Shaughnessy home at Greenwich. He found his views on the Spanish Civil War out of favour. Kingsley Martin rejected two of his works and Gollancz was equally cautious. At the same time, the communist Daily Worker was running an attack on The Road to Wigan Pier, misquoting Orwell as saying "the working classes smell"; a letter to Gollancz from Orwell threatening libel action brought a stop to this. Orwell was also able to find a more sympathetic publisher for his views in Frederic Warburg of Secker & Warburg. Orwell returned to Wallington, which he found in disarray after his absence. He acquired goats, a rooster he called "Henry Ford", and a poodle puppy he called "Marx" and settled down to animal husbandry and writing Homage to Catalonia.

There were thoughts of going to India to work on a local newspaper there, but by March 1938 Orwell's health had deteriorated. He was admitted to a sanitorium at Aylesford, Kent to which his brother-in-law Laurence O'Shaughnessy was attached. He was thought initially to be suffering from tuberculosis and stayed in the sanitorium until September. A stream of visitors came to see him including Common, Heppenstall, Plowman and Cyril Connolly. Connolly brought with him Stephen Spender, a cause of some embarrassment as Orwell had referred to Spender as a "pansy friend" some time earlier. Homage to Catalonia was published by Secker & Warburg and was a commercial flop. In the latter part of his stay at the clinic Orwell was able to go for walks in the countryside and study nature.

The novelist L.H. Myers secretly funded a trip to French Morocco for half a year for Orwell to avoid the English winter and recover his health. The Orwells set out in September 1938 via Gibraltar and Tangier to avoid Spanish Morocco and arrived at Marrakech. They rented a villa on the road to Casablanca and during that time Orwell wrote Coming Up for Air. They arrived back in England on 30 March 1939 and Coming Up for Air was published in June. Orwell spent time in Wallington and Southwold working on a Dickens essay and it was in July 1939 that Orwell's father, Richard Blair, died.

World War II and Animal Farm

On the outbreak of World War II, Orwell's wife Eileen started work in the Censorship Department in London, staying during the week with her family in Greenwich. Orwell also submitted his name to the Central Register for war effort but nothing transpired. He returned to Wallington, and in the autumn of 1939 he wrote essays for Inside the Whale. For the next year he was occupied writing reviews for plays, films and books for The Listener, Time and Tide and New Adelphi. At the beginning of 1940, the first edition of Connolly's Horizon appeared, and this provided a new outlet for Orwell's work as well as new literary contacts. In May the Orwells took lease of a flat in London at Dorset Chambers, Chagford Street, Marylebone. It was the time of the Dunkirk evacuation and the death in France of Eileen's brother Lawrence caused her considerable grief and long-term depression.

Orwell was declared "unfit for any kind of military service" by the Medical Board in June, but soon afterwards found an opportunity to become involved in war activities by joining the Home Guard. He shared Tom Wintringham's socialist vision for the Home Guard as a revolutionary People's Militia. Sergeant Orwell managed to recruit Frederic Warburg to his unit. During the Battle of Britain he used to spend weekends with Warburg and his new friend Zionist Tosco Fyvel at Twyford, Berkshire. At Wallington he worked on "England Your England" and in London wrote reviews for various periodicals. Visiting Eileen's family in Greenwich brought him face-to-face with the effects of the blitz on East London.

Early in 1941 he started writing for the American Partisan Review and contributed to Gollancz' anthology The Betrayal of the Left, written in the light of the Molotov–Ribbentrop Pact (although Orwell referred to it as the Russo-German Pact and the Hitler-Stalin Pact ). He also applied unsuccessfully for a job at the Air Ministry. In the Home Guard his mishandling of a mortar put two of his unit in hospital. Meanwhile he was still writing reviews of books and plays and at this time met the novelist Anthony Powell. He also took part in a few radio broadcasts for the Eastern Service of the BBC. In March the Orwells moved to St John's Wood in a 7th floor flat at Langford Court, while at Wallington Orwell was "digging for victory" by planting potatoes.

In August 1941, Orwell finally obtained "war work" when he was taken on full time by the BBC's Eastern Service. He supervised cultural broadcasts to India to counter propaganda from Nazi Germany designed to undermine Imperial links. This was Orwell's first experience of the rigid conformity of life in an office. However it gave him an opportunity to create cultural programmes with contributions from T. S. Eliot, Dylan Thomas, E. M. Forster, Ahmed Ali, Mulk Raj Anand, and William Empson among others.

At the end of August he had a dinner with H. G. Wells which degenerated into a row because Wells had taken offence at observations Orwell made about him in a Horizon article. In October Orwell had a bout of bronchitis and the illness recurred frequently. David Astor was looking for a provocative contributor for The Observer and invited Orwell to write for him — the first article appearing in March 1942. In spring of 1942 Eileen changed jobs to work at the Ministry of Food and Orwell's mother and sister Avril took war work in London and came to stay with the Orwells. In the summer, they all moved to a basement at Mortimer Crescent in Kilburn.

At the BBC, Orwell introduced Voice, a literary programme for his Indian broadcasts, and by now was leading an active social life with literary friends, particularly on the political left. Late in 1942, he started writing for the left-wing weekly Tribune directed by Labour MPs Aneurin Bevan and George Strauss. In March 1943 Orwell's mother died and around the same time he told Moore he was starting work on a new book, which would turn out to be Animal Farm.

In September 1943, Orwell resigned from the BBC post that he had occupied for two years. His resignation followed a report confirming his fears that few Indians listened to the broadcasts, but he was also keen to concentrate on writing Animal Farm. At this time he was also discharged from the Home Guard.

In November 1943, Orwell was appointed literary editor at Tribune, where his assistant was his old friend Jon Kimche. On 24 December 1943, the Tribune published, under the authorship of "John Freeman"—possibly in reference to the British politician—the short essay "Can Socialists Be Happy?", which has since been widely attributed to Orwell; see Bibliography of George Orwell. Orwell was on staff until early 1945, writing over 80 book reviews as well as the regular column "As I Please". He was still writing reviews for other magazines, and becoming a respected pundit among left-wing circles but also close friends with people on the right like Powell, Astor and Malcolm Muggeridge. By April 1944 Animal Farm was ready for publication. Gollancz refused to publish it, considering it an attack on the Soviet regime which was a crucial ally in the war. A similar fate was met from other publishers (including T. S. Eliot at Faber and Faber) until Jonathan Cape agreed to take it.

In May the Orwells had the opportunity to adopt a child, thanks to the contacts of Eileen's sister Gwen O'Shaughnassy, then a doctor in Newcastle upon Tyne. In June a V-1 flying bomb landed on Mortimer Crescent and the Orwells had to find somewhere else to live. Orwell had to scrabble around in the rubble for his collection of books, which he had finally managed to transfer from Wallington, and carting them away in a wheelbarrow.

Another bombshell was Cape's reversal of its plan to publish Animal Farm. The decision is believed to be due to the influence of Peter Smollett, who worked at the Ministry of Information and was later disclosed to be a Soviet agent.

The Orwells spent some time in the North East dealing with matters in the adoption of a boy whom they named Richard Horatio. In October 1944 they had set up home in Islington in a flat on the 7th floor of a block. Baby Richard joined them there, and Eileen gave up work to look after her family. Secker and Warburg had agreed to publish Animal Farm, planned for the following March, although it did not appear in print until August 1945. By February 1945 David Astor had invited Orwell to become a war correspondent for the Observer. Orwell had been looking for the opportunity throughout the war, but his failed medical reports prevented him from being allowed anywhere near action. He went to Paris after the liberation of France and to Cologne once it had been occupied by the Allies.

It was while he was there that Eileen went into hospital for a hysterectomy and died under anaesthetic on 29 March 1945. She had not given Orwell much notice about this operation because of worries about the cost and because she expected to make a speedy recovery. Orwell returned home for a while and then went back to Europe. He returned finally to London to cover the 1945 UK General Election at the beginning of July. Animal Farm: A Fairy Story was published in Britain on 17 August 1945, and a year later in the U.S., on 26 August 1946.

Jura and Nineteen Eighty-Four

Animal Farm struck a particular resonance in the post-war climate and its worldwide success made Orwell a sought-after figure.

For the next four years Orwell mixed journalistic work — mainly for the Tribune, the Observer and the Manchester Evening News, though he also contributed to many small-circulation political and literary magazines — with writing his best-known work, Nineteen Eighty-Four, which was published in 1949. In the year following Eileen's death he published around 130 articles and was active in various political lobbying campaigns. He employed a housekeeper, Susan Watson, to look after his adopted son at the Islington flat, which visitors now described as "bleak". In September he spent a fortnight on the island of Jura in the Inner Hebrides and saw it as a place to escape from the hassle of London literary life. David Astor was instrumental in arranging a place for Orwell on Jura. Astor's family owned Scottish estates in the area and a fellow Old Etonian Robert Fletcher had a property on the island. During the winter of 1945 to 1946 Orwell made several hopeless and unwelcome marriage proposals to younger women, including Celia Kirwan (who was later to become Arthur Koestler's sister-in-law), Ann Popham who happened to live in the same block of flats and Sonia Brownell, one of Connolly's coterie at the Horizon office. Orwell suffered a tubercular haemorrhage in February 1946 but disguised his illness. In 1945 or early 1946, while still living at Canonbury Square, Orwell wrote an article on "British Cookery", complete with recipes, commissioned by the British Council. Given the post-war shortages, both parties agreed not to publish it. His sister Marjorie died of kidney disease in May and shortly after, on 22 May 1946, Orwell set off to live on the Isle of Jura.

Barnhill was an abandoned farmhouse with outbuildings near the northern end of the island, situated at the end of a five-mile (8 km), heavily rutted track from Ardlussa, where the owners lived. Conditions at the farmhouse were primitive but the natural history and the challenge of improving the place appealed to Orwell. His sister Avril accompanied him there and young novelist Paul Potts made up the party. In July Susan Watson arrived with his son Richard. Tensions developed and Potts departed after one of his manuscripts was used to light the fire. Orwell meanwhile set to work on Nineteen Eighty-Four. Later Susan Watson's boyfriend David Holbrook arrived. A fan of Orwell since schooldays, he found the reality very different, with Orwell hostile and disagreeable probably because of Holbrook's membership of the Communist Party. Susan Watson could no longer stand being with Avril and she and her boyfriend left.

Orwell returned to London in late 1946 and picked up his literary journalism again. Now a well-known writer, he was swamped with work. Apart from a visit to Jura in the new year he stayed in London for one of the coldest British winters on record and with such a national shortage of fuel that he burnt his furniture and his child's toys. The heavy smog in the days before the Clean Air Act 1956 did little to help his health about which he was reticent, keeping clear of medical attention. Meanwhile he had to cope with rival claims of publishers Gollancz and Warburg for publishing rights. About this time he co-edited a collection titled British Pamphleteers with Reginald Reynolds. In April 1947 he left London for good, ending the leases on the Islington flat and Wallington cottage. Back on Jura in gales and rainstorms he struggled to get on with Nineteen Eighty-Four but through the summer and autumn made good progress. During that time his sister's family visited, and Orwell led a disastrous boating expedition which nearly led to loss of life and a soaking which was not good for his health. In December a chest specialist was summoned from Glasgow who pronounced Orwell seriously ill and a week before Christmas 1947 he was in Hairmyres hospital in East Kilbride, then a small village in the countryside, on the outskirts of Glasgow. Tuberculosis was diagnosed and the request for permission to import streptomycin to treat Orwell went as far as Aneurin Bevan, now Minister of Health. By the end of July 1948 Orwell was able to return to Jura and by December he had finished the manuscript of Nineteen Eighty-Four. In January 1949, in a very weak condition, he set off for a sanatorium in Gloucestershire, escorted by Richard Rees.

The sanatorium at Cranham consisted of a series of small wooden chalets or huts in a remote part of the Cotswolds near Stroud. Visitors were shocked by Orwell's appearance and concerned by the short-comings and ineffectiveness of the treatment. Friends were worried about his finances, but by now he was comparatively well-off and making arrangements with his accountants to reduce his tax bill. He was writing to many of his friends, including Jacintha Buddicom, who had "rediscovered" him, and in March 1949, was visited by Celia Kirwan. Kirwan had just started working for a Foreign Office unit, the Information Research Department, set up by the Labour government to publish anti-communist propaganda, and Orwell gave her a list of people he considered to be unsuitable as IRD authors because of their pro-communist leanings. Orwell's list, not published until 2003, consisted mainly of writers but also included actors and Labour MPs. Orwell received more streptomycin treatment and improved slightly. In June 1949 Nineteen Eighty-Four was published to immediate critical and popular acclaim.

Final months and death

Orwell courted Sonia Brownell a second time during the summer, and they announced their marriage in September, shortly before he was removed to University College Hospital in London. Sonia took charge of Orwell's affairs and attended diligently in hospital, causing concern to some old friends such as Muggeridge. The wedding took place in the hospital room on 13 October 1949, with David Astor as best man. Orwell was in decline and visited by an assortment of visitors including Muggeridge, Connolly, Lucian Freud, Stephen Spender, Evelyn Waugh, Paul Potts, Anthony Powell and his Eton tutor Anthony Gow.

Orwell had requested to be buried in accordance with the Anglican rite in the graveyard of the closest church to wherever he happened to die. The graveyards in central London had no space, and fearing that he might have to be cremated, against his wishes, his widow appealed to his friends to see whether any of them knew of a church with space in its graveyard. David Astor lived in Sutton Courtenay, Oxfordshire and negotiated with the vicar for Orwell to be interred in All Saints' Churchyard there, although he had no connection with the village. His gravestone bore the simple epitaph: "Here lies Eric Arthur Blair, born 25 June 1903, died 21 January 1950"; no mention is made on the gravestone of his more famous pen-name.

Orwell's son, Richard Blair, was raised by an aunt after his father's death. He maintains a low public profile, though he has occasionally given interviews about the few memories he has of his father. Richard Blair worked for many years as an agricultural agent for the British government.

Literary career

During most of his career, Orwell was best known for his journalism, in essays, reviews, columns in newspapers and magazines and in his books of reportage: Down and Out in Paris and London (describing a period of poverty in these cities), The Road to Wigan Pier (describing the living conditions of the poor in northern England, and the class divide generally) and Homage to Catalonia. According to Irving Howe, Orwell was "the best English essayist since Hazlitt, perhaps since Dr Johnson."

Modern readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles Animal Farm and Nineteen Eighty-Four. The former is often thought to reflect degeneration in the Soviet Union after the Russian Revolution and the rise of Stalinism; the latter, life under totalitarian rule. Nineteen Eighty-Four is often compared to Brave New World by Aldous Huxley; both are powerful dystopian novels warning of a future world where the state machine exerts complete control over social life. In 1984, Nineteen Eighty-Four and Ray Bradbury's Fahrenheit 451 were honored with the Prometheus Award for their contributions to dystopian literature.

Coming Up for Air, his last novel before World War II is the most 'English' of his novels; alarums of war mingle with images of idyllic Thames-side Edwardian childhood of protagonist George Bowling. The novel is pessimistic; industrialism and capitalism have killed the best of Old England, and there were great, new external threats. In homely terms, Bowling posits the totalitarian hypotheses of Borkenau, Orwell, Silone and Koestler: "Old Hitler's something different. So's Joe Stalin. They aren't like these chaps in the old days who crucified people and chopped their heads off and so forth, just for the fun of it ... They're something quite new — something that's never been heard of before".

Literary influences

In an autobiographical piece that Orwell sent to the editors of Twentieth Century Authors in 1940, he wrote: "The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills." Elsewhere, Orwell strongly praised the works of Jack London, especially his book The Road. Orwell's investigation of poverty in The Road to Wigan Pier strongly resembles that of Jack London's The People of the Abyss, in which the American journalist disguises himself as an out-of-work sailor in order to investigate the lives of the poor in London. In his essay "Politics vs. Literature: An Examination of Gulliver's Travels" (1946) Orwell wrote: "If I had to make a list of six books which were to be preserved when all others were destroyed, I would certainly put Gulliver's Travels among them."

Other writers admired by Orwell included: Ralph Waldo Emerson, G. K. Chesterton, George Gissing, Graham Greene, Herman Melville, Henry Miller, Tobias Smollett, Mark Twain, Joseph Conrad and Yevgeny Zamyatin. He was both an admirer and a critic of Rudyard Kipling, praising Kipling as a gifted writer and a "good bad poet" whose work is "spurious" and "morally insensitive and aesthetically disgusting," but undeniably seductive and able to speak to certain aspects of reality more effectively than more enlightened authors.

Orwell as literary critic

Throughout his life Orwell continually supported himself as a book reviewer, writing works so long and sophisticated they have had an influence on literary criticism. He wrote in the conclusion to his 1940 essay on Charles Dickens,

George Woodcock suggested that the last two sentences characterised Orwell as much as his subject.

Reactions to Orwell's works

Koestler mentioned Orwell's "uncompromising intellectual honesty [which] made him appear almost inhuman at times." Ben Wattenberg stated: "Orwell’s writing pierced intellectual hypocrisy wherever he found it." According to historian Piers Brendon, "Orwell was the saint of common decency who would in earlier days, said his BBC boss Rushbrook Williams, 'have been either canonised – or burnt at the stake'". However, Raymond Williams in describes Orwell as a "successful impersonation of a plain man who bumps into experience in an unmediated way and tells the truth about it." Christopher Norris declared that Orwell's "homespun empiricist outlook – his assumption that the truth was just there to be told in a straightforward common-sense way – now seems not merely naive but culpably self-deluding".

Orwell's work has taken a prominent place in the school literature curriculum in England, with Animal Farm a regular examination topic at the end of secondary education (GCSE), and Nineteen Eighty-Four a topic for subsequent examinations below university level (A Levels). Alan Brown noted that this brings to the forefront questions about the political content of teaching practices. Study aids, in particular with potted biographies, might be seen to help propagate the Orwell myth so that as an embodiment of human values he is presented as a "trustworthy guide", while examination questions sometimes suggest a "right ways of answering" in line with the myth.

Historian John Rodden stated: "John Podhoretz did claim that if Orwell were alive today, he’d be standing with the neo-conservatives and against the Left. And the question arises, to what extent can you even begin to predict the political positions of somebody who’s been dead three decades and more by that time?"

John Rodden points out the "undeniable conservative features in the Orwell physiognomy" and remarks on how "to some extent Orwell facilitated the kinds of uses and abuses by the Right that his name has been put to. In other ways there has been the politics of selective quotation."

In 1981, a Baptist minister in Jackson County, Florida challenged the novel Nineteen Eighty-Four suitability as proper reading for young Americans, arguing it contained pro-Communist, anti-Semitic, and sexually explicit material.

Influence on language and writing

In his essay Politics and the English Language (1946), Orwell wrote about the importance of honest and clear language and said that vague writing can be used as a powerful tool of political manipulation. In Nineteen Eighty-Four he described how the state controlled thought by controlling language, making certain ideas literally unthinkable. The adjective Orwellian refers to the frightening world of Nineteen Eighty-Four, in which the state controls thought and misinformation is widespread. Several words and phrases from Nineteen Eighty-Four have entered popular language. Newspeak is a simplified and obfuscatory language designed to make independent thought impossible. Doublethink means holding two contradictory beliefs simultaneously. The Thought Police are those who suppress all dissenting opinion. Prolefeed is homogenized, manufactured superficial literature, film and music, used to control and indoctrinate the populace through docility. Big Brother is a supreme dictator who watches everyone.

From Orwell's novel Animal Farm comes the sentence, "All animals are equal, but some animals are more equal than others", describing theoretical equality in a grossly unequal society. Orwell may have been the first to use the term cold war, in his essay, "You and the Atom Bomb", published in Tribune, 19 October 1945. He wrote: "We may be heading not for general breakdown but for an epoch as horribly stable as the slave empires of antiquity. James Burnham's theory has been much discussed, but few people have yet considered its ideological implications;— this is, the kind of world-view, the kind of beliefs, and the social structure that would probably prevail in a State which was at once unconquerable and in a permanent state of 'cold war' with its neighbours."

In "Politics and the English Language", Orwell provides six rules for writers:

Personal life

Childhood

Jacintha Buddicom's account Eric & Us provides an insight into the Blair's childhood. She quoted his sister Avril that "he was essentially an aloof, undemonstrative person" and said herself of his friendship with the Buddicoms "I do not think he needed any other friends beyond the schoolfriend he occasionally and appreciatively referred to as 'CC'". Cyril Connolly provides an account of Blair as a child in Enemies of Promise. Years later, Blair mordantly recalled his Prep School in the essay "Such, Such Were the Joys", claiming among other things that he "was made to study like a dog" to earn a scholarship, which he alleged that was solely to enhance the school's prestige with parents. Jacintha Buddicom repudiated Orwell's schoolboy misery described in the essay, stating that "he was a specially happy child".

Connolly remarked of him as a schoolboy, "The remarkable thing about Orwell was that alone among the boys he was an intellectual and not a parrot for he thought for himself". Roger Mynors concurs: "Endless arguments about all sorts of things, in which he was one of the great leaders. He was one of those boys who thought for himself...."

Blair liked to carry out practical jokes. Buddicom recalls him swinging from the luggage rack in a railway carriage like an orangutan to frighten a woman passenger out of the compartment. Gow, his tutor, said he "made himself as big a nuisance as he could" and "was a very unattractive boy". Later Blair was expelled from the crammer at Southwold for sending a dead rat as a birthday present to the town surveyor. In one of his As I Please essays he refers to a protracted joke when he answered an advertisement for a woman who claimed a cure for obesity.

Blair had an enduring interest in natural history which stemmed from his childhood. In letters from school he wrote about caterpillars and butterflies. and Buddicom recalls his keen interest in ornithology. He also enjoyed fishing and shooting rabbits, and conducting experiments as in cooking a hedgehog and Hayes. His adult diaries are permeated with his observations on nature.

Relationships

Buddicom and Blair lost touch shortly after he went to Burma, and she became unsympathetic towards him. She wrote that it was because of the letters he wrote complaining about his life, but an addendum to Eric & Us by Venables reveals that he may have lost sympathy through an incident which was at best a clumsy seduction.

Brenda Salkield (Southwold) preferred friendship to any deeper relationship and maintained a correspondence with Blair for many years, particularly as a sounding board for his ideas. She wrote "He was a great letter writer. Endless letters, And I mean when he wrote you a letter he wrote pages."

When Orwell was in the sanitorium in Kent his wife's friend Lydia Jackson visited. He invited her for a walk and out of sight "an awkward situation arose." Jackson was to be the most critical of Orwell's marriage to Eileen O'Shaughnessy but their later correspondence hints a complicity. Eileen at the time was more concerned about Orwell's closeness to Brenda Salkeld. Orwell was to have an affair with his secretary at Tribune which caused Eileen much distress, and others have been mooted. In a letter to Ann Popham he wrote: 'I was sometimes unfaithful to Eileen, and I also treated her badly, and I think she treated me badly, too, at times, but it was a real marriage, in the sense that we had been through awful struggles together and she understood all about my work, etc.', Similarly he suggested to Celia Kirwan that they had both been unfaithful. There are several testaments that it was a well-matched and happy marriage

Orwell was very lonely after Eileen's death, and desperate for a wife, both as companion for himself and as mother for Richard. He proposed marriage to four women, and eventually Sonia Brownell accepted.

Religious views

Orwell was a communicant member of the Church Of England, he attended holy communion regularly, and allusions to Anglican life are made in his book A Clergyman's Daughter. He was married according to the rites of the Church of England in both his first marriage at the church at Wallington, and in his second marriage on his deathbed in University College Hospital. He left instructions that he was to receive an Anglican funeral. However his belief in religion was ambiguous; Stephen Ingle wrote that it was as if the writer George Orwell "vaunted" his atheism while Eric Blair the individual retained "a deeply ingrained religiosity". Stephen Ingle further wrote that he believed in the finality of death, while living and advocating a moral code based on Judeo-Christian beliefs.

Political views

Orwell liked to provoke argument by challenging the status quo, but he was also a traditionalist with a love of old English values. He criticised and satirised, from the inside, the various social milieus in which he found himself – provincial town life in A Clergyman's Daughter; middle-class pretention in Keep the Aspidistra Flying; preparatory schools in Such Such were the Joys; colonialism in Burmese Days, and some socialist groups in The Road to Wigan Pier. In his Adelphi days he described himself as a "Tory-anarchist".

The Spanish Civil War played the most important part in defining Orwell's socialism. He wrote to Cyril Connolly from Barcelona on 8 June 1937: "I have seen wonderful things and at last really believe in Socialism, which I never did before". Having witnessed the success of the anarcho-syndicalist communities, for example in Anarchist Catalonia, and the subsequent brutal suppression of the anarcho-syndicalists, anti-Stalin communist parties and revolutionaries by the Soviet Union-backed Communists, Orwell returned from Catalonia a staunch anti-Stalinist and joined the Independent Labour Party, his card being issued on 13 June 1938. Orwell was a proponent of a federal socialist Europe, a position outlined in his 1947 essay "Toward European Unity", which first appeared in Partisan Review. According to biographer John Newsinger,

the other crucial dimension to Orwell's socialism was his recognition that the Soviet Union was not socialist. Unlike many on the left, instead of abandoning socialism once he discovered the full horror of Stalinist rule in the Soviet Union, Orwell abandoned the Soviet Union and instead remained a socialist — indeed he became more committed to the socialist cause than ever."

Towards the end of the essay, he wrote: "I do not mean I have lost all faith in the Labour Party. My most earnest hope is that the Labour Party will win a clear majority in the next General Election."

Orwell was opposed to rearmament against Nazi Germany — but he changed his view after the Molotov-Ribbentrop Pact and the outbreak of the war. He left the ILP over its pacifism and adopted a political position of "revolutionary patriotism". In December 1940 he wrote in Tribune (the Labour left's weekly): "We are in a strange period of history in which a revolutionary has to be a patriot and a patriot has to be a revolutionary." During the war, Orwell was highly critical of the popular idea that an Anglo-Soviet alliance would be the basis of a post-war world of peace and prosperity. In 1942, commenting on journalist E. H. Carr's pro-Soviet views, Orwell stated: "all the appeasers, e.g. Professor E. H. Carr, have switched their allegiance from Hitler to Stalin."

On anarchism, Orwell wrote in The Road to Wigan Pier: "I worked out an anarchistic theory that all government is evil, that the punishment always does more harm than the crime and the people can be trusted to behave decently if you will only let them alone." He continued, however and argued that "it is always necessary to protect peaceful people from violence. In any state of society where crime can be profitable you have got to have a harsh criminal law and administer it ruthlessly."

In his reply (dated 15 November 1943) to an invitation from the Duchess of Atholl to speak for the British League for European Freedom, he stated that he didn't agree with their objectives. He admitted that what they said was "more truthful than the lying propaganda found in most of the press" but added that he could not "associate himself with an essentially Conservative body" that claimed to "defend democracy in Europe" but had "nothing to say about British imperialism". His closing paragraph stated: "I belong to the Left and must work inside it, much as I hate Russian totalitarianism and its poisonous influence in this country."

Orwell joined the staff of Tribune as literary editor, and from then until his death, was a left-wing (though hardly orthodox) Labour-supporting democratic socialist. According to Newsinger, although Orwell "was always critical of the 1945–51 Labour government's moderation, his support for it began to pull him to the right politically. This did not lead him to embrace conservatism, imperialism or reaction, but to defend, albeit critically, Labour reformism." Between 1945 and 1947, with A. J. Ayer and Bertrand Russell, he contributed a series of articles and essays to Polemic, a short-lived British "Magazine of Philosophy, Psychology, and Aesthetics" edited by the ex-Communist Humphrey Slater.

Writing in the spring of 1945 a long essay titled "Antisemitism in Britain", for the Contemporary Jewish Record, Orwell stated that anti-Semitism was on the increase in Britain, and that it was "irrational and will not yield to arguments." He argued that it would be useful to discover why anti-Semites could "swallow such absurdities on one particular subject while remaining sane on others." He wrote: "For quite six years the English admirers of Hitler contrived not to learn of the existence of Dachau and Buchenwald. ... Many English people have heard almost nothing about the extermination of German and Polish Jews during the present war. Their own anti-Semitism has caused this vast crime to bounce off their consciousness." In Nineteen Eighty-Four, written shortly after the war, Orwell portrayed the Party as enlisting anti-Semitic passions against their enemy, Goldstein. Nevertheless, he opposed the creation of a Jewish state in Palestine, taking an anti-colonialist stance against Zionism.

Orwell publicly defended P.G. Wodehouse against charges of being a Nazi sympathiser, a defence based on Wodehouse's lack of interest in and ignorance of politics.

The British intelligence group Special Branch maintained a file on Orwell for more than 20 years of his life. The dossier, published by The National Archives, mentions that according to one investigator, Orwell had "advanced Communist views and several of his Indian friends say that they have often seen him at Communist meetings". MI5, the intelligence department of the Home Office, noted: "It is evident from his recent writings—'The Lion and the Unicorn'—and his contribution to Gollancz's symposium The Betrayal of the Left that he does not hold with the Communist Party nor they with him."

Social interactions

Orwell was noted for very close and enduring friendships with a few friends, but these were generally people with a similar background or with a similar level of literary ability. Ungregarious, he was out of place in a crowd and his discomfort was exacerbated when he was outside his own class. Though representing himself as a spokesman for the common man, he often appeared out of place with real working people. His brother-in-law Humphrey Dakin, a "Hail fellow, well met" type, who took him to a local pub in Leeds, said that he was told by the landlord: "Don't bring that bugger in here again". Adrian Fierz commented "He wasn't interested in racing or greyhounds or pub crawling or shove ha'penny. He just did not have much in common with people who did not share his intellectual interests". Awkwardness attended many of his encounters with working class representatives as with Pollitt and McNair. but his courtesy and good manners were often commented on. Jack Common observed on meeting him for the first time "Right away manners, and more than manners — breeding — showed through".

In his tramping days, he did domestic work for a time. His extreme politeness was recalled by a member of the family he worked for; she declared that the family referred to him as "Laurel" after the film comedian. When he shared a flat with Heppenstall and Sayer, he was treated in a patronising manner by the younger men. At the BBC, in the 1940s, "everybody would pull his leg" and Spender described him as having real entertainment value "like, as I say, watching a Charlie Chaplin movie". A friend of Eileen's reminisced about her tolerance and humour, often at Orwell's expense. In Burma, he struck out at a Burmese boy who while "fooling around" with his friends "accidentally bumped into him" at a station so that he "fell heavily" down some stairs. One of his former pupils recalled being beaten so hard he could not sit down for a week. When sharing a flat with Orwell, Heppenstall came home late one night in an advanced stage of loud inebriation. The upshot was that Heppenstall ended up with a bloody nose and was locked in a room. When he complained, Orwell hit him a crack across the legs with a shooting stick and Heppenstall then had to defend himself with a chair. Years later, after Orwell's death, Heppenstall wrote a dramatic account of the incident called "The Shooting Stick" and Mabel Fierz confirmed that Heppenstall came to her in a sorry state the following day.

However, Orwell got on well with young people. The pupil he beat considered him the best of teachers, and the young recruits in Barcelona tried to drink him under the table — though without success. His nephew recalled Uncle Eric laughing louder than anyone in the cinema at a Charlie Chaplin film. At this time, he was severely ill; it was wartime or the austerity period after it; during the war his wife suffered from depression; and after her death he was lonely and unhappy. In addition to that, he always lived frugally and seemed unable to care for himself properly. As a result of all this, people found his circumstances bleak. Some, like Michael Ayrton, called him "Gloomy George", but others developed the idea that he was a "secular saint".

Lifestyle

Orwell was a heavy smoker, rolling his own cigarettes from strong shag tobacco, in spite of his bronchial condition. He undermined his health with a penchant for the rugged life which often put him in cold and damp situations both in the long term as in Catalonia and Jura, and short term, for example in motorcycling in the rain and a shipwreck of his own creation. His love of strong tea was legendary — he had Fortnum & Mason's tea brought to him in Catalonia and wrote about an imagined, ideal pub in his 1946 newspaper article "The Moon Under Water". Not being particular about food, he enjoyed the wartime "Victory Pie" extolled canteen food at the BBC However he preferred traditional English dishes such as roast beef and kippers and reports of his Islington days refer to the cosy afternoon tea table.

His dress sense was unpredictable and usually casual. In Southwold he had the best cloth from the local tailor, but was equally happy in his tramping outfit. His attire in the Spanish Civil War, along with his size 12 boots was a source of amusement. David Astor described him as looking like a prep school master, while according to the Special Branch dossier, Orwell's tendency of clothing himself "in Bohemian fashion" revealed that the author was "a Communist".

Orwell's confusing approach to matters of social decorum—on the one hand expecting a working class guest to dress for dinner, and on the other hand slurping tea out of a saucer at the BBC canteen—helped stoke his reputation as an English eccentric.

Biographies

Orwell's will requested that no biography of him be written, and his wife Sonia Brownell repelled every attempt by those who tried to persuade her to let them write about him. Various recollections and interpretations were published in the 1950s and 1960s but Sonia saw the 1968 Collected Works In 1973 American authors Stansky and Williams produced an unauthorised account of his early years which inevitably lacked Sonia Brownell's input. She then commissioned Bernard Crick, a left-wing professor of politics at the University of London to complete a biography and asked all Orwell's friends to co-operate. Crick collated a considerable amount of material in his work which was published in 1980,

After Sonia Brownell's death many more works were produced in the 1980s with 1984 being a particularly fruitful year for Orwelliana. These included collections of reminiscences by Coppard and Crick Shelden attributed to Orwell an obsessive belief in his failure and inadequacy.

Peter Davison's production of the Complete Works of George Orwell, completed in 2000 put most of the Orwell Archive in the public domain. Jeffrey Meyers, a prolific American biographer, was first to take advantage of this and produced a work that was more willing to investigate the darker side of Orwell and question the saintly image. and D. J. Taylor, both academics and writers in the United Kingdom. Taylor notes the stage management which surrounds much of Orwell's behaviour,

Bibliography

;Novels

Burmese Days (1934)

A Clergyman's Daughter (1935)

Keep the Aspidistra Flying (1936)

Coming Up for Air (1939)

Animal Farm (1945)

Nineteen Eighty-Four (1949)

;Books based on personal experiences While the substance of many of Orwell's novels, particularly Burmese Days, is drawn from his personal experiences, the following are works presented as narrative documentaries, rather than being fictionalised.

Down and Out in Paris and London (1933)

The Road to Wigan Pier (1937)

Homage to Catalonia (1938)

The English People (1947)

About George Orwell

Anderson, Paul (ed). Orwell in Tribune: 'As I Please' and Other Writings. Methuen/Politico's 2006. ISBN 1-84275-155-7

Bounds, Philip. Orwell and Marxism: The Political and Cultural Thinking of George Orwell. I.B. Tauris. 2009. ISBN 1845118073

Bowker, Gordon. George Orwell. Little Brown. 2003. ISBN 0-316-86115-4

Buddicom, Jacintha. Eric & Us. Finlay Publisher. 2006. ISBN 0-9553708-0-9

Caute, David. Dr. Orwell and Mr. Blair, Weidenfeld & Nicolson. ISBN 0-297-81438-9

Crick, Bernard. George Orwell: A Life. Penguin. 1982. ISBN 0-14-005856-7

Flynn, Nigel. George Orwell. The Rourke Corporation, Inc. 1990. ISBN 0-86593-018-X

Hitchens, Christopher. Why Orwell Matters. Basic Books. 2003. ISBN 0-465-03049-1

Hollis, Christopher. A Study of George Orwell: The Man and His Works. Chicago: Henry Regnery Co. 1956.

Larkin, Emma. Secret Histories: Finding George Orwell in a Burmese Teashop. Penguin. 2005. ISBN 1-59420-052-1

Lee, Robert A, Orwell's Fiction. University of Notre Dame Press, 1969. LC 74-75151

Leif, Ruth Ann, Homage to Oceania. The Prophetic Vision of George Orwell. Ohio State U.P. [1969]

Meyers, Jeffery. Orwell: Wintry Conscience of a Generation. W.W.Norton. 2000. ISBN 0-393-32263-7

Newsinger, John. Orwell's Politics. Macmillan. 1999. ISBN 0-333-68287-4

Rodden, John (ed.) The Cambridge Companion to George Orwell. Cambridge. 2007. ISBN 978-0-521-67507-9

Shelden, Michael. Orwell: The Authorized Biography. HarperCollins. 1991. ISBN 0-06-016709-2

Smith, D. & Mosher, M. Orwell for Beginners. 1984. London: Writers and Readers Publishing Cooperative.

Taylor, D. J. Orwell: The Life. Henry Holt and Company. 2003. ISBN 0-8050-7473-2

West, W. J. The Larger Evils. Edinburgh: Canongate Press. 1992. ISBN 0-86241-382-6 (Nineteen Eighty-Four – The truth behind the satire.)

West, W. J. (ed.) George Orwell: The Lost Writings. New York: Arbor House. 1984. ISBN 0-87795-745-2

Williams, Raymond, Orwell, Fontana/Collins, 1971

Woodcock, George. The Crystal Spirit. Little Brown. 1966. ISBN 1-55164-268-9

Orwell's meeting with dos Passos in 1937 Barcelona referenced in Stephen Koch, “The Breaking Point: Hemingway, dos Passos, and the Murder of Jose Robles”

See also

Social criticism

Undenk

Wigan Pier

Władysław Reymont

Cultural Health

References

External links

George Orwell – Penguin Books official website for George Orwell

George Orwell.org

'Collected Essays of George Orwell'

Lesson plans for Orwell's works at Web English Teacher

George Orwell: International Socialist? by Peter Sedgwick

The George Orwell Web Source – Essays, novels, reviews and exclusive images of Orwell.

George Orwell-Eric Arthur Blair – Orwell's books, As I Please columns, poems, essays, Orwell news feed.

The Orwell Diaries: a daily extract from Orwell's diary from the same date seventy years before

Blair, Eric Arthur (George Orwell) (1903–1950) at the Oxford dictionary of national biography

George Orwell at the BBC

Thesis statements and important quotes from the novel

(public domain in Canada)

George Orwell archive at the Marxists Internet Archive

'A short outline of my life' by George Orwell at George Orwell Novels (An Orwell primary materials source.)

Category:1903 births Category:1950 deaths Category:Administrators in British Burma Category:Anglo-Indian people Category:Anti-fascists Category:Blue plaques Category:British colonial police officers Category:British libertarians Category:British people of the Spanish Civil War Category:Deaths from tuberculosis Category:Democratic socialists Category:English Anglicans Category:English essayists Category:English memoirists Category:English novelists Category:English people of Scottish descent Category:English poets Category:English political writers Category:English socialists Category:Fascist era scholars and writers Category:Infectious disease deaths in England Category:Language creators Category:Old Etonians Category:Old Wellingtonians Category:People from Bihar Category:Prometheus Award winning authors Category:Shooting survivors

Background	solo_singer
Birth name	Christopher Gholson
Origin	Memphis, Tennessee
Instrument	Roland TR-808, Akai MPC-2500, Apple GarageBand, Korg Triton, Vocals
Genre	Hip hop, R&B;
Occupation	Producer, Rapper, Singer
Years active	2002-Present
Label	Drum Squad
Associated acts	Young Buck, Young Jeezy, T.I., Rick Ross, Gorilla Zoe, Plies, Gucci Mane, Yo Gotti, Rocko
Url	Official Website

Christopher Gholson, better known by his moniker Drumma Boy, is a music producer and rapper from Memphis, Tennessee.

Early life

Born in Memphis (BHZ) and bred in Cordova, Tennessee Drumma Boy was exposed to musicianship at a young age. His mother was a professional opera singer and his father, a professional clarinetist and music professor at the University of Memphis, was the first African-American male to hold the 1st chair position in the Memphis Symphony Orchestra, where he is still an active member. The rest of his extended family including grandmothers and aunts were also musicians are taught music in the schools. Drumma Boy says he had a recorder in his hand at age 3 and a clarinet at age 5. His father was instrumental in teaching him about traditional music but it was his mother that introduced him to Curtis Mayfield and 70’s oldies. Gholson is the younger brother of producer Ensayne Wayne.

Drumma Boy attended the University of Memphis as a Music Business Major. In between attending classes, he would shop his homemade beats to Memphis rappers such as Gangsta Boo and Tela, as well as travel to Texas to work on projects for Scarface and Bun B of UGK.

Career

Drumma Boy relocated to Atlanta in 2004 and founded Drum Squad, an umbrella company that encompasses Drum Squad Productions which represents producers and songwriters, as well as Drum Squad Records. Citing Quincy Jones, Raphael Saadiq and The Funk Brothers as production inspirations his musical influences range from German composers Ludwig van Beethoven and Johann Sebastian Bach to Jazz icons Dizzy Gillespie and Miles Davis all the way to Academy Award winning Three 6 Mafia and Scarface. He is known to combine classical chords with urban street sounds. He has worked with a host of hip hop acts that include Young Buck, Jeezy, T.I., Kanye West, Lil’ Wayne, Nelly, T-Pain, Gorilla Zoe, Drake, Gucci Mane, Ludacris, Plies, Young Joc, Rick Ross, E-40, Rocko, Paul Wall,Lil’ Jon,Travis Porter.

In January 2009 he starred alongside Jazze Pha and Def Jam Recording Artist Vawn in BET's reality series "Welcome to Dreamland". He appeared on a segment of Bravo's "The Real Housewives of Atlanta" while making beats for cast member Kandi Burruss as well as appearing in the studio during an episode of Monica’s BET reality series “Still Standing.” In November 2009 Drumma Boy released his music video “Dis Girl” shot by Mr. Boomtown, the first single off his mixtape Welcome II My City, which went on to receive 5.4 million hits on Worldstarhiphop. He has appeared on FOX Good Day Atlanta, Good Morning Memphis, CBS News Channel 9, BET and MTV.

In 2008 Vibe Magazine named him one of the Top 5 Producers "making noise" in the music industry and in December 2009 he was named by The New York Times as one of the 4 hottest producers “driving the city” in Atlanta, describing his sound as “a busy bee swarm of synths overlaid with brash bass injections that’s equal parts Memphis and Atlanta.". He was quoted in the January 2010 issue of Rolling Stone surrounding his production work for controversial recording artist Gucci Mane’s #1 Rap Album The State vs. Radric Davis.

Drumma Boy's signature drop on his beats is a voice saying "Listen to the Track, B*tch". He is also known for the origination of extending sounds at the end of a verse. "Yea Girl" or "Yea Boy" is another signature.

Awards

Drumma Boy won “Best Indie Producer of the Year” at both the 2009 and 2010 Southern Entertainment Awards. He received a nomination for “Producer of the Year” at the 2008 Ozone Awards . His beats assisted with two nominations during the 2009 Grammy Awards including his work on T.I’s Paper trail (Best Rap Album) and “Put On” by Young Jeezy & Kanye West (Best Performance by a Rap Duo.)

Discography

Welcome II My City - Mixtape (Drum Squad Records 2009)

Production credits

References

External links

Official Website

Official Myspace

Official Beatbuggy

Category:Rappers from Memphis, Tennessee Category:American hip hop record producers Category:African American rappers Category:Living people