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Wenner backed the careers of writers such as Hunter S. Thompson, Joe Klein, Cameron Crowe, and Joe Eszterhas. Wenner also discovered photographer Annie Leibovitz when she was a 21-year-old San Francisco Art Institute student. Many of Wenner's proteges, such as writer/director Cameron Crowe, credit him with giving them their biggest break. Tom Wolfe recognized Wenner's influence in ensuring that his first novel, The Bonfire of the Vanities, was completed, stating "I was absolutely frozen with fright about getting it done and I decided to serialize it and the only editor crazy enough to do that was Jann."
In 1977, Rolling Stone shifted its base of operations from San Francisco to New York City. The magazine's circulation dipped briefly in the late 1970s/early 1980s as Rolling Stone responded slowly in covering the emergence of punk rock and again in the 1990s, when it lost ground to Spin and Blender in coverage of hip hop. Wenner hired former FHM editor Ed Needham, who was then replaced by Will Dana, to turn his flagship magazine around, and by 2006, Rolling Stone's circulation was at an all-time high of 1.5 million copies sold every fortnight. In May 2006, Rolling Stone published its 1000th edition with a holographic, 3-D cover modeled on The Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover.
Wenner has been involved in the conducting and writing of many of the magazine's famous Rolling Stone Interviews. Some of his more recent interview subjects have included: Bill Clinton, Al Gore, John Kerry, and Barack Obama for the magazine during their election campaigns and in November 2005 had a major interview with U2 rockstar Bono, which focused on music and politics. Wenner's interview with Bono received a National Magazine Award nomination.
Rolling Stone and Jann Wenner are chronicled in two books, Gone Crazy and Back Again as well as Rolling Stone: The Uncensored History. Former Rolling Stone journalist David Weir is working on a biography, as is poet and Beat historian Lewis MacAdams.
Wenner founded the magazine Outside in 1977; William Randolph Hearst III and Jack Ford both worked for the magazine before Wenner sold it a year later. He also briefly managed the magazine Look and in 1993, started the magazine Family Life. In 1985, he bought a share in Us Weekly, followed by a joint purchase of the magazine with The Walt Disney Company the following year. The magazine went weekly in 2000; after a rocky start, it now reaches over 11 million readers a week. In August 2006, Wenner bought out Disney's share and now owns 100% of the magazine.
From 2004 to 2006, Wenner contributed approximately $63,000 to Democratic candidates and liberal organizations.
Since 1995, Wenner's partner has been Matt Nye, a fashion designer. Together, Wenner and Nye have three children, Noah and twins Jude & India Rose.
In June 2007, Monkees bassist Peter Tork came forward and alleged to the New York Post that Wenner is excluding the group:
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| Name | John Lennon |
|---|---|
| Img alt | A bearded, bespectacled man in his late twenties, with long black hair and wearing a loose-fitting pajama shirt, sings and plays an acoustic guitar. White flowers are visible behind and to the right of him. |
| Background | solo_singer |
| Birth name | John Winston Lennon |
| Born | October 09, 1940Liverpool, England, UK |
| Died | December 08, 1980New York, New York, US |
| Instrument | Vocals, guitar, piano, banjo, harmonica, Mellotron, six-string bass, percussion |
| Genre | Rock, pop |
| Occupation | Musician, singer-songwriter, record producer, artist, writer |
| Years active | 1957–1975, 1980 |
| Label | Parlophone, Capitol, Apple, EMI, Geffen, Polydor |
| Associated acts | The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, John & Yoko/Plastic Ono Band |
| Notable instruments | Rickenbacker 325Epiphone CasinoGibson J-160EGibson Les Paul Junior |
Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". Lennon disengaged himself from the music business in 1975 to devote time to his family, but re-emerged in 1980 with a new album, Double Fantasy. He was murdered three weeks after its release.
Lennon revealed a rebellious nature and acerbic wit in his music, his writing, his drawings, on film, and in interviews, and he became controversial through his political activism. He moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while his songs were adopted as anthems by the anti-war movement.
As of 2010, Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 27 number-one singles on the US Hot 100 chart. In 2002, a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital, to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth. He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill. His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother, but the cheques stopped when he went absent without leave in February 1944. When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea. After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946, Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him. Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her. It would be 20 years before he had contact with his father again.
Throughout the rest of his childhood and adolescence, he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton. His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, playing "Ain't That a Shame" by Fats Domino.
In September 1980 he talked about his family and his rebellious nature: }}
He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas. During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby. After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16." He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).
Lennon was raised as an Anglican and attended Dovedale Primary School. From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad." He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl, but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."
His mother bought him his first guitar in 1957, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations. As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it". On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.
Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class. He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."
McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon. According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble"; although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road. During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.
George Harrison joined the band as lead guitarist, even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played Raunchy for Lennon. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them. Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.
Brian Epstein, the Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage. Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me". McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963, a day when Lennon was suffering the effects of a cold, which is evident in the vocal on the last song to be recorded that day, Twist and Shout. The Lennon/McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant". In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".
The Beatles achieved mainstream success in the UK around the start of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery." After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.
" with The Beatles in 1967 to 400 million viewers of "Our World".]] Deprived of the routine of live performances after their final commercial concert in 1966, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year." According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity". 1967 saw the release of "Strawberry Fields Forever", hailed by Time magazine for its "astonishing inventiveness", and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon/McCartney's early years.
In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared". They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.
The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles full-length film, was shown in cinemas in October 1967. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Carroll-inspired "I am the Walrus", was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure", but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple’s chief executive by Lennon, Harrison and Starr, but McCartney never signed the management contract.
At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film. Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond the Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: (known more for its cover than for its music), and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced. Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969), "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin) and "Instant Karma!".
Lennon left the Beatles in September 1969. He agreed not to inform the media while the band renegotiated their recording contract, and was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!" He later wrote, "I started the band. I disbanded it. It's as simple as that." In later interviews with Rolling Stone, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record." He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"
With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant". The album's title track would become an anthem for anti-war movements, while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed, were directed at him and Ono. However, Lennon softened his stance in the mid-70s and said he had written "How Do You Sleep?" about himself. He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and the Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".
Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)". To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT". The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.
Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card, the album was poorly received—unlistenable, according to one critic. "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger". Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility. Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.
In 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson soon made the headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation ‘towel’ on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon decided to produce Nilsson's album Pussy Cats and Pang rented an L.A. beach house for all the musicians but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than thirty years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).
Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano. A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano. On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There".
Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording. He and Ono were reunited shortly afterwards. The same month, Elton John topped the charts with his own cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. Soon afterwards, "Stand By Me", taken from the album and a US and UK hit, became his last single for five years. He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June. Playing acoustic guitar, and backed by his eight-piece band BOMF (introduced as "Etcetera"), Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine". The band wore masks on the backs of their heads, making them appear two-faced, a dig at Grade, with whom Lennon and McCartney had been in conflict because of his control of the Beatles' publishing company. (Dick James had sold his majority share to Grade in 1969.) During "Imagine", Lennon interjected the line "and no immigration too", a reference to his battle to remain in the United States.
He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June, that reflected Lennon's fulfillment in his new-found stable family life. Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984). Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".
Ono issued a statement the next day, saying "There is no funeral for John," ending it with the words, "John loved and prayed for the human race. Please pray the same for him." His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. Chapman pleaded guilty to second degree murder and was sentenced to 20 years to life; as of 2010, he remains in prison, having been repeatedly denied parole.
Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married." The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.
Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her. When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Mahesh Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolize the ending of their marriage. After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.
Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish. When Epstein invited suggestions for the title of his autobiography, Lennon offered Queer Jew; on learning of the eventual title, A Cellarful of Noise, he parodied, "More like A Cellarful of Boys". He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't." During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".
Lennon's first son, Julian, was born as his commitments with the Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with the Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten the Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'" Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song." McCartney corroborated Lennon's explanation that Julian innocently came up with the name. Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into the Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."
Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973. With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland. Julian started to see his father regularly, and Lennon gave him a drumming part on a Walls and Bridges track. He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques. Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."
In a Playboy interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future." After his death it was revealed that he had left Julian very little in his will.
Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar. Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of the Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in." The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, Notations, but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".
Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit". In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the Two Virgins album, after which, he said, they "made love at dawn." When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi." Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968, a few weeks after Lennon's divorce from Cynthia was granted.
During Lennon's last two years in the Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry, so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in the Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by the Beatles' Let It Be rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on the Beatles' last album, Abbey Road. To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971. They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.
According to author Albert Goldman, Ono was regarded by Lennon as an "almost magical being" who could solve all his problems for him, but this was a "grand illusion", and she openly cheated on him with gigolos. Eventually, writes Goldman, "both he and Yoko were burnt out from years of hard drugs, overwork, emotional breakdowns, quack cures, and bizarre diets, to say nothing of the effects of living constantly in the glare of the mass media." After their separation, "no longer collaborating as a team, they remained in constant communication. ... No longer able to live together, they found that they couldn’t live apart either."
On moving to New York, they "prepared a spare room" in their newly rented apartment for Julian to visit. Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking—but after the meeting failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.
Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of Saturday Night Live in which Lorne Michaels made a $3,000 cash offer to get the Beatles to reunite on the show. The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired. Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."
Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product". When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he couldn't get the tune out of his head. Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."
Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence. Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene." In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty", and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.
Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000. On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman. Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug. In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others. Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming Some Time in New York City album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair’s crimes and three days after the rally, he was released on bail. The performance was recorded and two of the tracks later appeared on John Lennon Anthology (1998).
Following the Bloody Sunday massacre in 1972, in which 27 civil rights protesters were shot by the British Army during a Northern Ireland Civil Rights Association march, Lennon said that given the choice between the army and the IRA he would side with the latter. Lennon and Ono wrote two songs protesting England's actions in the Northern Irish political situation on their Some Time in New York City album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA. Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film The Irish Tapes, a political documentary with a pro-IRA slant.
According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968. However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".
John and Yoko add a great voice and drive to the country’s so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country’s got plenty of room and space. Let John and Yoko stay!
On 23 March 1973, Lennon was ordered to leave the US within 60 days. Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York chapter of the American Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people". Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary The U.S. vs. John Lennon. Lennon's Mind Games (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence. Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.
Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that In His Own Write (1964) was published after "Some journalist who was hanging around the Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the Daily Howl it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". The Times Literary Supplement considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". Book Week reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".
In combination with A Spaniard in the Works (1965), In His Own Write formed the basis of the stage play The John Lennon Play: In His Own Write, co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date. After Lennon's death, further works were published, including Skywriting by Word of Mouth (1986); Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook (1992), with Lennon's illustrations of the definitions of Japanese words; and Real Love: The Drawings for Sean (1999). The Beatles Anthology (2000) also presented examples of his writings and drawings.
As his Beatles era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic John Lennon/Plastic Ono Band." David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style. Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair" Music historian Ben Urish recalls hearing the Beatles' Ed Sullivan Show performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."
In a 2006 Guardian article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today." Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."
Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon’s 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon. The sculpture entitled ‘Peace & Harmony’ exhibits peace symbols and carries the inscription “Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980”.
The Lennon/McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 27 number one singles on the US Hot 100 chart. His album sales in the US stand at 14 million units. Double Fantasy, released shortly before his death, and his best-selling, post-Beatles studio album at three million shipments in the US, won the 1981 Grammy Award for Album of the Year. The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon. Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons". Between 2003 and 2008, Rolling Stone recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time" and 38th of "The Immortals: The Fifty Greatest Artists of All Time", and his albums John Lennon/Plastic Ono Band and Imagine, 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time". He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
, Liverpool]]
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| Name | Charlie Rose |
|---|---|
| Caption | Charlie Rose, May 2010 |
| Birthname | Charles Peete Rose, Jr. |
| Birth date | January 05, 1942 |
| Birth place | Henderson, North Carolina, U.S. |
| Education | Duke University B.A. (1964) Duke School of Law J.D. (1968) |
| Occupation | Talk show hostJournalist |
| Years active | 1972–present |
| Credits | Charlie Rose, 60 Minutes II, 60 Minutes, CBS News Nightwatch |
| Url | http://www.charlierose.com/ |
Charles Peete "Charlie" Rose, Jr. (born January 5, 1942) is an American television talk show host and journalist. Since 1991, he has hosted Charlie Rose, an interview show distributed nationally by PBS since 1993. He was concurrently a correspondent for 60 Minutes II from its inception in January 1999 until its cancellation in September 2005, and was later named a correspondent on 60 Minutes.
On March 29, 2006, after experiencing shortness of breath in Syria, Rose was flown to Paris and underwent surgery for mitral valve repair in the Georges-Pompidou European Hospital. His surgery was performed under the supervision of Alain F. Carpentier, a pioneer of the procedure. Rose returned to the air on June 12, 2006, with Bill Moyers and Yvette Vega (the show's executive producer), to discuss his surgery and recuperation.
Rose owns a farm in Oxford, North Carolina, an apartment overlooking Central Park in New York City, and a beach house in Bellport, New York.
Category:60 Minutes correspondents Category:American journalists Category:American television talk show hosts Category:Duke University alumni Category:New York television reporters Category:New York University alumni Category:People from Henderson, North Carolina Category:1942 births Category:Living people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Name | Pete Townshend |
|---|---|
| Alias | Bijou Drains |
| Birth name | Peter Dennis Blandford Townshend |
| Born | May 19, 1945London, England |
| Instrument | Guitar, Vocals, Bass, Harmonica, Drums, Keyboards, Banjo, Tin Whistle, Mandolin, Ukulele, Violin, Viola, Cello, Accordion |
| Background | solo_singer |
| Genre | Rock, hard rock, power pop, art rock |
| Occupation | Musician, composer, musical arranger, author, philanthropist |
| Years active | 1962–present |
| Label | Track, Polydor, Atlantic, Atco, Decca, Rykodisc |
| Associated acts | The Who, Deep End, Ronnie Lane, Thunderclap Newman |
| Url | The Who's official webpage |
| Notable instruments | Rickenbacker 330Fender StratocasterGibson SG SpecialGibson Les PaulGretsch 6120Gibson J-200}} |
Peter Dennis Blandford "Pete" Townshend (; born 19 May 1945) is an English rock guitarist, vocalist, songwriter and author, known principally as the guitarist and songwriter for the rock group The Who, as well as for his own solo career. His career with The Who spans more than forty years, during which time the band grew to be considered one of the most influential bands of the 60s and 70s, and, according to Eddie Vedder, "possibly the greatest live band ever."
Townshend is the primary songwriter for The Who, having written well over one hundred songs for the band's eleven studio albums, including concept albums and the rock operas Tommy and Quadrophenia, plus popular rock and roll radio staples like Who's Next, and dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilations like Odds & Sods. He has also written over one hundred songs that have appeared on his solo albums, as well as radio jingles and television theme songs. Although known primarily as a guitarist, he is also an accomplished singer, keyboardist, and also plays other instruments, such as banjo, accordion, synthesiser, piano, bass guitar and drums, on his own solo albums, several Who albums, and as a guest contributor to a wide array of other artist's recordings. Peter Townshend has never had formal lessons in any of the instruments he plays.
Townshend has also been a contributor and author of newspaper and magazine articles, book reviews, essays, books, and scripts, as well as collaborating as a lyricist (and composer) for many other musical acts. Townshend was ranked #3 in Dave Marsh's list of Best Guitarists in The New Book of Rock Lists, #10 in Gibson.com's list of the top fifty guitarists, and #50 in Rolling Stone magazine's 2003 list: 100 Greatest Guitarists of All Time. Townshend was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990.
Townshend's brother Simon (who also became a musician) was born in 1960. In 1961, Townshend enrolled at Ealing Art College, with the intention to become a graphic artist and a year later, he and his school friend from Acton County Grammar School John Entwistle founded their first band, The Confederates, a Dixieland duet featuring Townshend on banjo and Entwistle on horns. From this beginning they moved on to The Detours, a skiffle/rock and roll band fronted by Roger Daltrey, another former schoolmate. With the encouragement and assistance of his old classmate Entwistle, Daltrey invited Townshend to join as well. In early 1964, because another band had the same name, The Detours renamed themselves The Who. Drummer Doug Sandom was replaced by Keith Moon not long afterwards. The band (now comprising Daltrey on lead vocals and harmonica, Townshend on guitar, Entwistle on bass guitar and french horn, and Moon on drums) were soon taken on by a mod publicist named Peter Meaden who convinced them to change their name to The High Numbers to give the band more of a mod feel. After bringing out one failed single ("I'm the Face/Zoot Suit"), they dropped Meaden and were signed on by two new managers, Chris Stamp and Kit Lambert, who had paired up with the intention of finding new talent and creating a documentary about them. The band anguished over a name that all felt represented the band best, and dropped The High Numbers name, reverting to The Who.
The Who thrived, and continue to thrive, despite the deaths of two of the original members. They are regarded by many rock critics as one of the best live bands from a period of time that stretched from the mid-1960s to the 2000s, the result of a unique combination of high volume, showmanship, a wide variety of rock beats, and a high-energy sound that alternated between tight and free-form. The Who continue to perform critically acclaimed sets in the 21st century, including highly regarded performances at The Concert For New York City in 2001, the 2004 Isle of Wight Festival, Live 8 in 2005 and the 2007 Glastonbury Festival.
Townshend remained the primary songwriter and leader of the group, writing over one hundred songs which appeared on the band's eleven studio albums. Among his most well-known accomplishments are the creation of Tommy, for which the term "rock opera" was coined, and a second pioneering rock opera, Quadrophenia; his dramatic stage persona; his use of guitar feedback as sonic technique; and the introduction of the synthesiser as a rock instrument. Townshend revisited album-length storytelling throughout his career and remains the musician most associated with the rock opera form. Many studio recordings also feature Townshend on piano or keyboards, though keyboard-heavy tracks increasingly featured guest artists in the studio, such as Nicky Hopkins, John Bundrick or Chris Stainton.
Townshend is one of the key figures in the development of feedback in rock guitar. When asked who first used feedback, Deep Purple guitarist Ritchie Blackmore said, "Pete Townshend was definitely the first. But not being that good a guitarist, he used to just sort of crash chords and let the guitar feedback. He didn't get into twiddling with the dials on the amplifier until much later. He's overrated in England, but at the same time you find a lot of people like Jeff Beck and Hendrix getting credit for things he started. Townshend was the first to break his guitar, and he was the first to do a lot of things. He's very good at his chord scene, too." Similarly, when Jimmy Page was asked about the development of guitar feedback, he said, "I don't know who really did feedback first; it just sort of happened. I don't think anybody consciously nicked it from anybody else. It was just going on. But Pete Townshend obviously was the one, through the music of his group, who made the use of feedback more his style, and so it's related to him. Whereas the other players like Jeff Beck and myself were playing more single note things than chords."
Many rock guitarists have cited Townshend as an influence, among them Slash, Alex Lifeson and Steve Jones.
Townshend has also recorded several concert albums, including one featuring a supergroup he assembled called Deep End, who performed just two concerts and a television show session for The Tube, to raise money for a charity supporting drug addicts. In 1984 Townshend published a collection of short stories entitled Horse's Neck. He has also reported that he is writing an autobiography. In 1993 he and Des McAnuff wrote and directed the Broadway adaptation of the Who album Tommy, as well as a less successful stage musical based on his solo album The Iron Man, based upon the book by Ted Hughes. McAnuff and Townshend later co-produced the animated film The Iron Giant, also based on the Hughes story.
A production described as a Townshend rock-opera and titled The Boy Who Heard Music debuted as part of Vassar College's Powerhouse Summer Theater program in July 2007.
In February 2006, a major world tour by The Who was announced to promote their first new album since 1982. Townshend published a semi-autobiographical story The Boy Who Heard Music as a serial on a blog beginning in September 2005. The blog closed in October 2006, as noted on Townshend's website. It is now owned by a different user and does not relate to Townshend's work in any way. On 25 February 2006, he announced the issue of a mini-opera inspired by the novella for June 2006. In October 2006 The Who released their first album in 26 years, Endless Wire.
The Who performed at the Super Bowl XLIV half-time show on 7 February 2010, playing a medley of songs that included "Pinball Wizard", "Who Are You", "Baba O'Riley", "See Me Feel Me" and "Won't Get Fooled Again".
In 1989, Townshend gave the initial funding to allow the formation of the non-profit hearing advocacy group H.E.A.R. (Hearing Education and Awareness for Rockers). After the Who performed at half-time at the Super Bowl XLIV, Townshend stated that he is concerned that his tinnitus has grown to such a point that he might be forced to discontinue performing with the band altogether. He told Rolling Stone, "If my hearing is going to be a problem, we’re not delaying shows. We're finished. I can’t really see any way around the issue." Neil Young introduced him to an audiologist who gave him the possible option of a hearing device to use, and although The Who have cancelled their spring touring schedule, Townshend planned a test run with the aid at their one remaining London concert on 30 March 2010, to ascertain the feasibility of continuing to perform with The Who.
From The Who's emergence on the British musical landscape, Pete Townshend could always be counted upon for a good interview. By early 1966 he had become the band's spokesman, interviewed separately from the band for the BBC television series A Whole Scene Going admitting that the band used drugs and that he considered The Beatles' backing tracks "flippin' lousy". In a 1967 interview, however, Townshend complimented one of The Beatles' songs: "I think "Eleanor Rigby" was a very important musical move forward. It certainly inspired me to write and listen to things in that vein." Throughout the 1960s Townshend made regular appearances in the pages of British music magazines, but it was a very long interview he gave to Rolling Stone in 1968 that sealed his reputation as one of rock's leading intellectuals and theorists.
Townshend gave interview after interview to the newly risen underground press, not only providing them with a star for their covers, but firmly establishing his reputation as a commentator on the rock 'n' roll scene. In addition, he wrote his own articles, starting a regular monthly column in Melody Maker, and contributing to Rolling Stone with an article on his guru Meher Baba and a review of The Who's album Meaty Beaty Big and Bouncy.
Townshend has withdrawn from the press on occasion. On his 30th birthday, Townshend discussed his feelings that The Who were failing to journalist Roy Carr, making unflattering comments on fellow Who member Roger Daltrey and other leading members of the British rock community. Carr printed his remarks in the NME causing strong friction within The Who and embarrassing Townshend. Feeling betrayed, he stopped interviews with the press for over two years.
Nevertheless, Townshend has maintained close relationships with journalists, and sought them out in 1982 to describe his two-year battle with cocaine and heroin. Some of those press members turned on him in the 1980s as the punk rock revolution led to widespread dismissal of the old guard of rock, Townshend attacked two of them, Julie Burchill and Tony Parsons, in the song "Jools And Jim" on his album Empty Glass after they made some derogatory remarks about Who drummer Keith Moon. Meanwhile several journalists denounced Townshend for what they saw as a betrayal of the idealism about rock music he had espoused in his earlier interviews when The Who participated in a tour sponsored by Schlitz in 1982 and by Miller Brewing in 1989. Townshend's 1993 concept album Psychoderelict offers a scathing commentary on journalists in the character of Ruth Streeting, who attempts to scandalise the main character, Ray High.
On 25 October 2006, Townshend declined at the last minute to do a scheduled interview with Sirius Satellite Radio star Howard Stern after Stern's co-host Robin Quivers and sidekick Artie Lange made joking references to his 2003 arrest. Stern conducted an interview instead with Roger Daltrey and repeatedly expressed regret about the utterances of his on-air colleagues, stating that they did not reflect his own feelings of respect for Townshend.
Later in 2006, Townshend appeared on the Living Legends radio show in an exclusive interview with Opal Bonfante. The interview, broadcasted worldwide on Radio London, was his first live interview in 15 years. Townshend spoke about his forthcoming UK tour, his online novella and his memories of the old pirate radio stations.
Also in late 2006, Townshend granted an interview with author Mark Wilkerson, which led to Wilkerson's 2008 biography Who Are You: The Life of Pete Townshend.
In a BBC Radio 4 interview, first broadcast on 27 October 2009, Townshend informed the audience that from the time he was involved in writing the music for the Who's first album, he has been influenced by the works of the English Baroque composer Henry Purcell.
Throughout his solo career and his career with The Who, Townshend has played (and destroyed) a large variety of guitars - including various Gretsch, Gibson, and Fender models. He has also used Guild, Takamine and Gibson J-200 acoustic models.
In the early days with The Who, Townshend played an Emile Grimshaw SS De Luxe and 6-string and 12-string Rickenbacker semi-hollow electric guitars primarily (particularly the Rose-Morris UK-imported models with special f-holes). However, as instrument-smashing became increasingly integrated into The Who's concert sets, he switched to more durable and resilient (and sometimes cheaper) guitars for smashing, such as the Fender Stratocaster, Fender Telecaster and various Danelectro models. On The Who's famous The Smothers Brothers Comedy Hour appearance in 1967, Townshend used a Vox Cheetah guitar, which he only used for that performance; and the guitar was smashed to smithereens by Townshend and Moon's drum explosion. In the late 1960s, Townshend began playing Gibson SG models almost exclusively, specifically the Special models. He used this guitar at the Woodstock and Isle of Wight shows in 1969 and 1970, as well as the Live at Leeds performance in 1970.
By 1970, Gibson changed the design of the SG Special which Townshend had been using previously, and thus he began using other guitars. For much of the 1970s, he used a Gibson Les Paul DeLuxe, some with only two mini-humbucker pick-ups and others modified with a third pick-up in the "middle position" (a DiMarzio Superdistortion / Dual Sound). He can be seen using several of these guitars in the documentary The Kids Are Alright, although in the studio he often played a '59 Gretsch 6120 guitar (given to him by Joe Walsh of The Eagles), most notably on the albums Who's Next and Quadrophenia.
During the 1980s, Townshend mainly used Fenders, Rickenbackers and Telecaster-style models built for him by Schecter and various other luthiers. Since the late-1980s, Townshend has used the Fender Eric Clapton Signature Stratocaster, with Lace Sensor pick-ups, both in the studio and on tour. Some of his Stratocaster guitars feature a Fishman PowerBridge piezo pick-up system to simulate acoustic guitar tones. This piezo system is controlled by an extra volume control behind the guitar's bridge.
During The Who's 1989 Tour Townshend played a Rickenbacker guitar that was ironically smashed accidentally when he tripped over it. Instead of throwing the smashed parts away, Townshend reassembled the pieces as a sculpture. The sculpture was featured at the Rock Stars, Cars And Guitars 2 exhibit during the summer of 2009 at The Henry Ford museum.
There are several Gibson Pete Townshend signature guitars, such as the Pete Townshend SG, the Pete Townshend J-200, and three different Pete Townshend Les Paul Deluxes. The SG was clearly marked as a Pete Townshend limited edition model and came with a special case and certificate of authenticity, signed by Townshend himself. There has also been a Pete Townshend signature Rickenbacker limited edition guitar of the model 1997, which was his main 6-string guitar in the Who's early days.
He also used the Gibson ES-335, one of which he donated to the Hard Rock Cafe. Townshend also used a Gibson EDS-1275 double neck very briefly circa late 1967, and both a Harmony Sovereign H1270 and a Fender Electric XII for the studio sessions for Tommy for the 12-string guitar parts.
Most recently in 2006, Townshend had a pedal board designed by long-time gear guru Pete Cornish. The board apparently is composed with a compressor, an old Boss OD-1 overdrive pedal, as well as a T-Rex Replica delay pedal.
Over the years, Pete Townshend has used many types of amplifiers, including Vox, Fender, Marshall, Hiwatt etc., sticking to using Hiwatt amps for most of four decades. Around the time of Who's Next, he used a tweed Fender Bassman amp, which he also used for Quadrophenia and The Who by Numbers. Since 1989, his rig consisted of four Fender Vibro-King stacks and a Hiwatt head driving two custom made 2x12" Hiwatt/Mesa Boogie speaker cabinets. However, since 2006, he has only three Vibro-King stacks, one of which is a backup.
Townshend figured prominently in the development of what is widely known in rock circles as the "Marshall Stack". It has been recounted by others during the start of popularity of Jim Marshall's guitar amplifiers, that Townshend became a user of these amps.
He also ordered several speaker cabinets that contained eight speakers in a housing standing nearly six feet in height with the top half of the cabinet slanted slightly upward. These became hard to move and were incredibly heavy.
Jim Marshall then cut the massive speaker cabinet into two separate speaker cabinets, at the suggestion of Townshend, with each cabinet containing four 12-inch speakers. One of the cabinets had half of the speaker baffle slanted upwards and Marshall made these two cabinets stackable. The Marshall stack was born, and Townshend used these as well as Hiwatt stacks.
His amplifier rig currently usually consists of four Fender Vibro King amps with extension cabinets.
He has always regarded his instruments as being merely tools of the trade and has, in latter years, determinedly kept his most prized instruments well away from the concert stage. These instruments include a few vintage and reissue Rickenbackers, the Gretsch 6120, an original 1952 Fender Telecaster, Gibson Custom Shop's artist limited edition reissues of Townshend's Les Paul DeLuxe models 1, 3 and 9 as well his signature SG Special reissue.
Townshend also worked with synthesizers that made their debut on Who's Next that included the EMS VCS3, the ARP Instruments, Inc.ARP 2600, some of which modified a Lowrey TBO Berkshire organ. Current photos of his home studio also show an ARP 2500. Townshend was featured in ARP promotional materials in the early 1970's.
An early example of Townshend’s writing came in August 1970 with the first of nine instalments of "The Pete Townshend Page", a monthly column written by Townshend for the British music paper Melody Maker. The column provided Townshend’s perspective on an array of subjects, such as the media and the state of U.S. concert halls and public address systems, as well as providing valuable insight into Townshend’s mindset during the evolution of his Lifehouse project.
Townshend also wrote three sizeable essays for Rolling Stone magazine, the first of which appeared in November 1970. "In Love With Meher Baba" described Townshend’s spiritual leanings. "Meaty, Beaty, Big and Bouncy", a blow-by-blow account of The Who compilation album of the same name, followed in December, 1971. The third article, "The Punk Meets the Godmother", appeared in November 1977.
Also in 1977, Townshend founded Eel Pie Publishing, which specialised in children's titles, music books, and several Meher Baba-related publications. A bookstore named Magic Bus (after the popular Who song) was opened in London. The Story of Tommy, a book written by Townshend and his art school friend Richard Barnes (now the Who's official biographer) about the writing of Townshend’s 1969 rock opera and the making of the 1975 Ken Russell-directed film, was published by Eel Pie the same year.
In July 1983, Townshend took a position as an acquisitions editor for London publisher Faber and Faber. Notable projects included editing Animals frontman Eric Burdon’s autobiography, Charles Shaar Murray’s award-winning Crosstown Traffic: Jimi Hendrix and Post-War Pop, Brian Eno and Russell Mills's More Dark Than Shark, and working with Prince Charles on a volume of his collected speeches. Townshend commissioned Dave Rimmer’s Like Punk Never Happened, and was commissioning editor for radical playwright Steven Berkoff.
Two years after joining Faber and Faber, Townshend decided to publish a book of his own. Horse's Neck, published in May 1985, was a collection of short stories he’d written between 1979 and 1984, tackling subjects such as childhood, stardom and spirituality. As a result of his position with Faber and Faber, Townshend developed a friendship with the Nobel prize-winning author of Lord of the Flies, Sir William Golding, and became friends with British Poet Laureate Ted Hughes. His friendship with Hughes led to Townshend’s musical interpretation of Hughes's children's story, The Iron Man, six years later, as '', released in 1989.
Townshend has written several scripts spanning the breadth of his career, including numerous drafts of his elusive Lifehouse project, the last of which, co-written with radio playwright Jeff Young, was published in 1999. In 1978, Townshend wrote a script for Fish Shop, a play commissioned but not completed by London Weekend Television, and in mid-1984 he wrote a script for which led to a short film.
In 1989, Townshend began work on a novel entitled Ray High & The Glass Household, a draft of which was later submitted to his editor. While the original novel remains unpublished, elements from this story were used in Townshend’s 1993 solo album Psychoderelict.
In 1993, Townshend authored another book, The Who's Tommy, a chronicle of the development of the award-winning Broadway version of his rock opera.
The opening of his personal website and his commerce site Eelpie.com, both in 2000, gave Townshend another outlet for literary work. Several of Townshend’s essays have been posted online, including "Meher Baba—The Silent Master: My Own Silence" in 2001, and "A Different Bomb", an indictment of the child pornography industry, the following year.
Townshend’s most recent literary contribution is The Boy Who Heard Music, a novella which began a chapter-a-week online posting in September 2005. It is now available to read at his website. Like Psychoderelict this is yet another extrapolation of Lifehouse and Ray High & The Glass Household.
Townshend signed a deal with Little, Brown and Company publishing in 1997 to write his autobiography. Reportedly half-complete and titled Pete Townshend: Who He? this is a work in progress. Townshend's creative vagaries and conceptual machinations have been chronicled by Larry David Smith in his book The Minstrel's Dilemma (Praeger 1999).
Townshend swiftly absorbed all of Baba's writings that he could find; by April 1968, he announced himself Baba's disciple. At about this time, Townshend, who had been searching the past two years for a basis for a rock opera, created a story inspired by the teachings of Baba and other Indian spiritualists that would ultimately become Tommy.
Tommy did more than revitalise The Who's career (which was moderately successful at this point but had reached a plateau); it also marked a renewal of Townshend's songwriting and his spiritual studies infused most of his work from Tommy forward, including the unfinished Who project Lifehouse. The Who song "Baba O'Riley", written for Lifehouse and eventually appearing on the album Who's Next, was named for Meher Baba and minimalist composer Terry Riley. His newfound passion was not shared by his bandmates, whose attitude was tolerant, but who were unwilling to become the spokesmen for a particular religion. Few of the thousands of fans who packed stadiums across Europe and the U.S. to see The Who noticed the religious message in the songs: that "Bargain" and the middle section of "Behind Blue Eyes" from Who's Next and "Listening To You" from Tommy were all originally written as prayers, that "Drowned" from Quadrophenia and "Don't Let Go The Coat" from Face Dances were based on Baba's sayings, that the "who are you, who, who, who, who" chorus from the song "Who Are You" was based on Sufi chants, or that "Let My Love Open The Door" was not a message from a lover but from God.
In interviews Townshend was more open about his beliefs, penning an article on Baba for Rolling Stone in 1970 and stating that following Baba's teachings, he was opposed to the use of all psychedelic drugs, making him one of the first rock stars with counterculture credibility to turn against their use.
His stardom quickly made him the world's most notable follower of Meher Baba. Having missed out on meeting his guru with Baba's death 31 January 1969 (work on Tommy kept him from making the pilgrimage), Townshend made several trips to visit Baba's tomb in India as well as becoming a frequent visitor to the Meher Baba Spiritual Center in Myrtle Beach, South Carolina. At home he recorded and released his most overtly spiritual songs on records assembled, pressed and sold by Baba organisations. When these records became widely bootlegged, Townshend put together a selection of the tracks for release as the solo album Who Came First. One of the songs from that album, "Parvardigar", a Baba prayer set to music by Townshend, would gradually be accepted as a hymn by the Baba movement. In 1976 he opened the Oceanic Centre in London, using it as a haven for English Baba followers and Americans making a pilgrimage to Baba's tomb as well as a place for small concerts (one such in 1979 was released on CD in 2001 as Pete Townshend & Raphael Rudd—The Oceanic Concerts) and a repository for films made of Baba.
Townshend became a lower-profile member after 1982, having felt that his former addictions to cocaine and heroin made him a poor candidate for spokesman. Nevertheless, his discipleship continues to the current day.
Townshend has two younger brothers by nearly a generation, Paul Townshend (b. 1958) and Simon Townshend, (b. 10 October 1960). Simon is a guitarist, songwriter, and vocalist. Simon initially has had a career as a solo artist, and has performed with other bands, but began to record with The Who in the studio as early as their work on the film version of Tommy, and began to play with Roger Daltrey and John Entwistle on their solo efforts. By 1996, Simon joined The Who on their Quadrophenia support tour for two years as a backup guitarist and singer. He also returned again after the death of Entwistle as a part of their touring band. Paul played the voice of his brother, Pete, in The Simpsons episode, "A Tale of Two Springfields" as Pete was unavailable.
The earliest public example of Townshend’s involvement with charitable causes was in 1968, when Townshend donated the use of his former Wardour Street apartment to the Meher Baba Association. The following year, the association was moved to another Townshend-owned apartment, the Eccleston Square former residence of wife Karen. Townshend sat on a committee which oversaw the operation and finances of the centre. "The committee sees to it that it is open a couple of days a week, and keeps the bills paid and the library full," he wrote in a 1970 Rolling Stone article.
In 1969 and 1972 Townshend produced two limited-release albums, Happy Birthday and I Am, for the London-based Baba association. This led to 1972’s Who Came First, a more widespread release, 15 percent of the revenue of which went to the Baba association. A further limited release, With Love, was released in 1976. A limited-edition boxed set of all three limited releases on CD, Avatar, was released in 2000, with all profits going to the Avatar Meher Baba Trust in India, which provided funds to a dispensary, school, hospital and pilgrimage centre.
In July 1976, Townshend opened Meher Baba Oceanic, a London activity centre for Baba followers which featured film dubbing and editing facilities, a cinema and a recording studio. In addition, the centre served as a regular meeting place for Baba followers. Townshend offered very economical (reportedly £1 per night) lodging for American followers who needed an overnight stay on their pilgrimages to India. "For a few years, I had toyed with the idea of opening a London house dedicated to Meher Baba," he wrote in a 1977 Rolling Stone article. "In the eight years I had followed him, I had donated only coppers to foundations set up around the world to carry out the Master’s wishes and decided it was about time I put myself on the line. The Who had set up a strong charitable trust of its own which appeased, to an extent, the feeling I had that Meher Baba would rather have seen me give to the poor than to the establishment of yet another so-called 'spiritual center'." Townshend also embarked on a project dedicated to the collection, restoration and maintenance of Meher Baba-related films. The project was known as MEFA, or Meher Baba European Film Archive.
Townshend performed at a 1995 benefit organised by Paul Simon at Madison Square Garden's Paramount Theatre, for The Children’s Health Fund. The following year, Townshend performed at a benefit for the annual Bridge School Benefit, a California facility for children with severe speech and physical impairments with concerts organised by Neil and Pegi Young. In 1997, Townshend established a relationship with Maryville Academy, a Chicago area children’s charity. Between 1997 and 2002, Townshend played five benefit shows for Maryville Academy, raising at least $1,600,000. His 1998 album A Benefit for Maryville Academy was made to support their activities and proceeds from the sales of his release were donated to them.
As a member of The Who, Pete Townshend has also performed a series of concerts, beginning in 2000, benefitting the Teenage Cancer Trust in the UK, raising several million pounds. In 2005, Townshend performed at New York’s Gotham Hall for Samsung’s Four Seasons of Hope, an annual children's charity fundraiser, and donated a smashed guitar to the Pediatric Epilepsy Project.
The "large clinic" Townshend was referring to was a plan he and drug rehabilitation experimenter Meg Patterson had devised to open a drug treatment facility in London; however, the plan failed to come to fruition. Two early 1979 concerts by The Who raised £20,000 for Patterson’s Pharmakon Clinic in Sussex.
Further examples of Townshend’s drug rehabilitation activism took place in the form of a 1984 benefit concert, an article he wrote a few days later for Britain’s Mail On Sunday urging better care for the nation’s growing number of drug addicts, and the formation of a charitable organisation, Double-O Charities, to raise funds for the causes he’d recently championed. Townshend also personally sold fund-raising anti-heroin T-shirts at a series of UK Bruce Springsteen concerts, and reportedly financed a trip for former Clash drummer Topper Headon to undergo drug rehabilitation treatment. Townshend's 1985–86 band, Deep End, played two benefits at Brixton Academy in 1985 for Double-O Charities.
In 1968 Townshend helped assemble a band called Thunderclap Newman consisting of three musicians he knew. Pianist Andy Newman (an old art school friend), drummer John "Speedy" Keen (who had written "Armenia City in the Sky" for The Who to record for their 1967 album The Who Sell Out) and teenage guitarist Jimmy McCulloch (later to join Wings). Townshend produced the band and played bass on their recordings under the tongue-in-cheek pseudonym "Bijou Drains". Their first recording was the single "Something in the Air", which became a number one hit in the UK and a substantial hit elsewhere in the world. Following this success, Townshend produced their sole album, Hollywood Dream.
In 1971, Townshend, along with Keith Moon and Ronnie Lane, backed Mike Heron (of the Incredible String Band) on one song "Warm Heart Pastry" from Heron's first solo LP, Smiling Men with Bad Reputations. On the album notes, they're listed as "Tommy and the Bijoux". Also present on the track was John Cale on viola.
In 1984, Townshend contributed lyrics to two songs ("Love on The Air" and "All Lovers are Deranged") on David Gilmour's solo album About Face.
For albums Townshend composed as a member of The Who, see their entry. Not included are albums by other artists on which Townshend played as a session musician. Through much of 2005, Pete Townshend recorded and performed alongside his partner Rachel Fuller, a classically trained pianist and singer-songwriter.
In 2006, Townshend opened a website for implementation of The Lifehouse Method based on his 1971 Lifehouse concept. This website was in collaboration with composer Lawrence Ball and software developer David Snowden. Applicants at the website could input data to compose a musical "portrait" which the musical team could then develop into larger compositions for a planned concert or series of concerts.
Category:1945 births Category:Living people Category:Pete Townshend Category:English rock musicians Category:English male singers Category:English tenors Category:English guitarists Category:Lead guitarists Category:English rock guitarists Category:English composers Category:Deaf musicians Category:Followers of Meher Baba Category:The Who members Category:Townshend family
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| Name | Mick Jagger |
|---|---|
| Background | solo_singer |
| Birth name | Michael Philip Jagger |
| Born | July 26, 1943Dartford, Kent, England |
| Genre | Rock and roll, blues, blues-rock, psychedelic rock |
| Instrument | Vocals, harmonica, percussion, guitar, bass, keyboards |
| Occupation | Singer-songwriter, musician, record and film producer, actor |
| Years active | 1961–present |
| Label | Virgin, Rolling Stones, ABKCO, Universal |
| Associated acts | The Rolling Stones |
| Url | MickJagger.com |
The Rolling Stones started in the early 1960s as a rhythm and blues cover band with Jagger as frontman. Beginning in 1964, Jagger and guitarist Keith Richards developed a songwriting partnership, and by the mid-1960s the group had evolved into a major rock band. Frequent conflict with the authorities (including alleged drug use and his romantic involvements) ensured that during this time Jagger was never far from the headlines, and he was often portrayed as a counterculture figure. In the late 1960s Jagger began acting in films (starting with Performance and Ned Kelly), to mixed reception. In the 1970s, Jagger, with the rest of the Stones, became tax exiles, consolidated their global position and gained more control over their business affairs with the formation of the Rolling Stones Records label. During this time, Jagger was also known for his high-profile marriages to Bianca Jagger and later to Jerry Hall. In the 1980s Jagger released his first solo album, She's the Boss. He was knighted in 2003.
Jagger's career has spanned over 50 years. His performance style has been credited that "opened up definitions of gendered masculinity and so laid the foundations for self-invention and sexual plasticity which are now an integral part of contemporary youth culture". In 2006, he was ranked by Hit Parader as the fifteenth greatest heavy metal singer of all time, despite not being associated with the genre. Allmusic has described Jagger as "one of the most popular and influential frontmen in the history of rock & roll".
In the book According to the Rolling Stones, Jagger states "I was always a singer. I always sang as a child. I was one of those kids who just liked to sing. Some kids sing in choirs; others like to show off in front of the mirror. I was in the church choir and I also loved listening to singers on the radio - the BBC or Radio Luxembourg - or watching them on TV and in the movies."
From September 1950, Keith Richards and Jagger (known as "Mike" to his friends) were classmates at Wentworth Primary School in Dartford, Kent. In 1954, Jagger passed the eleven-plus, and went to Dartford Grammar School, where there is now The Mick Jagger Centre, as part of the school. Having lost contact with each other when they went to different schools, Richards and Jagger resumed their friendship in July 1960 after a chance encounter and discovered that they had both developed a love for rhythm and blues music, which began for Jagger with Little Richard.Jagger left school in 1961. He obtained seven O-levels and three A-levels. Jagger and Richards moved into a flat in Edith Grove in Chelsea with a guitarist they had encountered named Brian Jones. While Richards and Jones were making plans to start their own rhythm and blues group, Jagger continued his business courses at the London School of Economics, and had seriously considered becoming either a journalist or a politician. Jagger had compared the latter to a pop star.
In their earliest days, the members played for no money in the interval of Alexis Korner's gigs at a basement club opposite Ealing Broadway tube station (subsequently called "Ferry's" club). At the time, the group had very little equipment and needed to borrow Alexis' gear to play. This was before Andrew Loog Oldham became their manager.
The group’s first appearance under the name The Rollin' Stones (after one of their favourite Muddy Waters tunes) was at the Marquee Club, a jazz club, on 12 July 1962. They would later change their name to “The Rolling Stones” as it seemed more formal. Victor Bockris states that the band members included Mick Jagger, Keith Richards, Brian Jones, Ian Stewart on piano, Dick Taylor on bass and Tony Chapman on drums. However, Richards states in Life, "The drummer that night was Mick Avory--not Tony Chapman, as history has mysteriously handed it down..." Some time later, the band went on their first tour in the United Kingdom; this was known as the “training ground” tour because it was a new experience for all of them. The lineup did not at that time include drummer Charlie Watts and bassist Bill Wyman. By 1963, they were finding their stride as well as popularity. By 1964, two unscientific opinion polls rated them as England's most popular group, outranking even the Beatles. For the Rolling Stones, the duo would write "The Last Time", the group's third number-one single in the UK (their first two UK number-one hits had been cover versions). Another of the fruits of this collaboration was their first international hit, "(I Can't Get No) Satisfaction". It also established The Rolling Stones’ image as defiant troublemakers in contrast to The Beatles' "lovable moptop" image.
The group released several successful albums including December's Children (And Everybody's), Aftermath, and Between the Buttons, but their reputations were catching up to them. In 1967, Jagger and Richards were arrested on drug charges and were given unusually harsh sentences: Jagger was sentenced to three months' imprisonment for possession of four over-the-counter pep pills he had purchased in Italy. On appeal, Richards' sentence was overturned and Jagger's was amended to a conditional discharge (he ended up spending one night inside Brixton Prison) after an article appeared in The Times, written by its traditionally conservative editor William (now Lord) Rees-Mogg, but the Rolling Stones continued to face legal battles for the next decade. Around the same time, internal struggles about the direction of the group had begun to surface.
After the band's acrimonious split with their second manager, Allen Klein, in 1971, Jagger took control of their business affairs and has managed them ever since in collaboration with his friend and colleague, Rupert Löwenstein. Mick Taylor, Brian Jones's replacement, left the band in December 1974 and was replaced by Faces guitarist Ronnie Wood in 1975, who also operated as a mediator within the group, and between Jagger and Richards in particular.
In 1987, he released his second solo album, Primitive Cool. While it failed to match the commercial success of his debut, it was critically well received.
In 1988, he produced the songs "Glamour Boys" and "Which Way to America" on Living Colour's album Vivid.
Following the successful comeback of the Rolling Stones' Steel Wheels (1989), which saw the end of Jagger and Richards' well-publicised feud, Jagger began routining new material for what would become Wandering Spirit. In January 1992, after acquiring Rick Rubin as co-producer, Jagger recorded the album in Los Angeles over seven months until September 1992, recording simultaneously as Richards was making Main Offender.
Jagger would keep the celebrity guests to a minimum on Wandering Spirit, only having Lenny Kravitz as a vocalist on his cover of Bill Withers' "Use Me" and bassist Flea from Red Hot Chili Peppers on three tracks.
Following the end of the Rolling Stones' Sony Music contract and their signing to Virgin Records, Jagger elected to sign with Atlantic Records (which had signed the Stones in the 1970s) to distribute what would be his only album with the label.
Released in February 1993, Wandering Spirit was commercially successful, reaching #12 in the UK and #11 in the US, going gold there. The track "Sweet Thing" was the lead single, although it was the third single, "Don't Tear Me Up", which found moderate success, topping Billboard's Album Rock Tracks chart for one week. Critical reaction was very strong, noting Jagger's abandonment of slick synthesisers in favour of an incisive and lean guitar sound.
Contemporary reviewers tend to consider Wandering Spirit a high point of Jagger's latter-day career achievements.
He celebrated The Rolling Stones' 40th anniversary by touring with them on the year-long Licks tour in support of their career retrospective Forty Licks double album.
On 26 September 2007, Jagger and The Rolling Stones made $437 million on their A Bigger Bang Tour, which got them into the current edition of Guinness World Records for the most lucrative music tour. Jagger has refused to say when the band will finally retire, stating in 2007: "I'm sure the Rolling Stones will do more things and more records and more tours. We've got no plans to stop any of that really." , 2009]]
Richards himself said in a 1998 interview: "I think of our differences as a family squabble. If I shout and scream at him, it's because no one else has the guts to do it or else they're paid not to do it. At the same time I'd hope Mick realises that I'm a friend who is just trying to bring him into line and do what needs to be done." Richards, along with Johnny Depp, is currently trying to persuade Jagger to appear in , alongside Depp and Richards.
In 1995, Mick Jagger founded Jagged Films with Victoria Pearman "[to] start my own projects instead of just going in other people's and being involved peripherally or doing music." Its first release was the World War II drama Enigma in 2001. That same year, it produced a documentary on Jagger entitled Being Mick. The program, which first aired on television 22 November, coincided with the release of his fourth solo album, Goddess in the Doorway.
In 2008, the company began work on The Women, an adaptation of the George Cukor film of the same name. It was directed by Diane English. Reviving the 1939 film met with countless delays, but Jagger's company was credited with obtaining $24 million of much-needed financing to finally begin casting. English told Entertainment Weekly: "This was much easier in 1939, when all the ladies were under contract, and they had to take the roles they were told to."
The Rolling Stones have been the subjects of numerous documentaries, including Gimme Shelter, which was made as the band was gaining fame in the United States. Martin Scorsese worked with Jagger on Shine a Light, a documentary film featuring the Rolling Stones with footage from the A Bigger Bang Tour during two nights of performances at New York's Beacon Theatre. It screened in Berlin in February 2008. Variety's Todd McCarthy said the film "takes full advantage of heavy camera coverage and top-notch sound to create an invigorating musical trip down memory lane, as well as to provoke gentle musings on the wages of aging and the passage of time." He predicted the film would fare better once released to video than in its limited theatrical runs.
Jagger was a producer of, and guest-starred in the premier episode of the short-lived comedy The Knights of Prosperity, which aired in 2007 on ABC.''
In 1970, he began a relationship with Nicaraguan-born Bianca De Macias, whom he married on 12 May 1971, in a Catholic ceremony in Saint-Tropez, France. The couple separated in 1977 and in May 1978, she filed for divorce on the grounds of his adultery. Bianca later said "My marriage ended on my wedding day." In late 1977, he began seeing model Jerry Hall, while still married to Bianca. After a lengthy cohabitation and several children together, the couple married on 21 November 1990, in a Hindu beach ceremony in Indonesia and moved together to Downe House in Richmond, Surrey. Jagger later contested the validity of the ceremony, and the marriage was annulled in August 1999. Jagger has also been romantically linked to other women: Chrissie Shrimpton, Marianne Faithfull, Anita Pallenberg, Marsha Hunt, Pamela Des Barres, Uschi Obermaier, Bebe Buell, Carly Simon, Margaret Trudeau, Mackenzie Phillips, Janice Dickinson, Carla Bruni, Sophie Dahl and Angelina Jolie, among others.
Jagger has seven children by four women: :*By Marsha Hunt, he has daughter Karis Hunt Jagger (born 4 November 1970). :*By Bianca Jagger, he has daughter Jade Sheena Jezebel Jagger (born 21 October 1971). :*By Jerry Hall he has daughter Elizabeth Scarlett Jagger (born 2 March 1984), son James Leroy Augustin Jagger (born 28 August 1985), daughter Georgia May Ayeesha Jagger (born 12 January 1992) and son Gabriel Luke Beauregard Jagger (born 9 December 1997)
His father, Joe, died on 11 November 2006, at the age of 93.
In 2008, it was revealed that members of the Hells Angels had plotted to murder Jagger in 1975. They were angered by Jagger's public blaming of the Hells Angels, who had been hired to provide "security" at the Altamont Free Concert in December 1969, for much of the crowd violence at the event. The conspirators reportedly used a boat to approach a residence where Jagger was staying on Long Island, New York; the plot failed when the boat was nearly sunk by a storm.
Jagger is an avid cricket fan. He founded Jagged Internetworks so he could get coverage of English Cricket.
He said in September, 2010 that he has a daily meditation and Buddhist practice.
As United Press International noted, the honour is odd, for unlike other knighted rock musicians, he has no "known record of charitable work or public services." Jagger was absent from the Queen's Golden Jubilee pop concert at Buckingham Palace that marked her 50 years on the throne.
Charlie Watts was quoted in the book According to the Rolling Stones as saying, "Anybody else would be lynched: 18 wives and 20 children and he's knighted, fantastic!" The ceremony took place in December 2003. Jagger’s father and daughters Karis and Elizabeth were in attendance. Richards said that he did not want to take the stage with someone wearing a "coronet and sporting the old ermine. It's not what the Stones is about, is it?"
Jagger, who at the time described himself as an anarchist and espoused the leftist slogans of the era, took part in a demonstration against the Vietnam War outside the US Embassy in London in 1968. This event inspired him to write "Street Fighting Man" that same year and served to reinforce his rebellious, anti-authority stance in the eyes of his fans.
A variety of celebrities attended a lavish party at New York's St. Regis Hotel to celebrate Jagger's 29th birthday and the end of the band's 1972 American tour. The party made the front pages of the leading New York newspapers.
Pop artist Andy Warhol painted a series of silkscreen portraits of Jagger in 1975, one of which was owned by Farah Diba, wife of the Shah of Iran. It hung on a wall inside the royal palace in Teheran. In 1967, Cecil Beaton photographed Jagger's naked buttocks, a photo that sold at Sotheby's auction house in 1986 for $4,000.
He is directly referred to in pop singer Kesha's 2009 debut single Tik Tok. Jagger was allegedly a contender for the anonymous subject of Carly Simon's 1973 hit song You're So Vain, in which he sings backing vocals. Although Don McLean does not use Jagger's name in his famous song "American Pie", he alludes to Jagger onstage at Altamont, calling him Satan. (Jagger had assumed the guise of Satan in "Sympathy For The Devil", a track from the album Beggar's Banquet.)
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Category:1943 births Category:Living people Category:2012 Summer Olympics cultural ambassadors Category:Alumni of the London School of Economics Category:English blues singers Category:English expatriates in the United States Category:English film actors Category:English-language singers Category:English male singers Category:English rock musicians Category:English rock singers Category:English songwriters Category:Ivor Novello Award winners Category:Knights Bachelor Category:People from Dartford Category:Songwriters Hall of Fame inductees Category:The Rolling Stones members Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
| Caption | Michael Douglas, June 2004 |
|---|---|
| Birth name | Michael Kirk Douglas |
| Birth date | September 25, 1944 |
| Birth place | New Brunswick, New Jersey, U.S. |
| Spouse | Diandra Luker (1977–2000)Catherine Zeta-Jones (2000–) |
| Occupation | Actor, producer |
| Years active | 1966– |
| Parents | Kirk DouglasDiana Dill |
| Relatives | Joel (brother)Peter (half-brother)Eric (half-brother, deceased) |
| Children | 3 (including Cameron) |
| Nationality | American |
Douglas has a younger brother, Joel Douglas (born 1947), and two paternal half-brothers, Peter Douglas (born 1955) and Eric Douglas (1958–2004).
Douglas attended the Allen-Stevenson School, the International School of Geneva, and graduated from Eaglebrook School in Deerfield, Massachusetts in 1960 and The Choate School (now Choate Rosemary Hall) in Wallingford, Connecticut in 1963. He received his B.A. from the University of California, Santa Barbara in 1966, where he is also the Honorary President of the UCSB Alumni Association.
In 1975, Douglas received from his father, Kirk Douglas, the rights to the novel One Flew Over the Cuckoo's Nest. Michael went on to produce the film of the same name with Saul Zaentz. Douglas considered playing the starring role, but decided against it after considering himself too old. The lead role went to a young Jack Nicholson, who ended up winning the Academy Award for Best Actor. Still, Douglas won the Award for Best Picture for producing it.
After leaving Streets of San Francisco in 1976, Douglas appeared in the medical thriller Coma in 1978 and Running in 1979. In 1979, he both produced and starred in The China Syndrome, a dramatic film co-starring Jane Fonda and Jack Lemmon about a nuclear power plant accident (the Three Mile Island accident took place 12 days after the film's release).
The year 1987 saw Douglas star in the thriller Fatal Attraction with Glenn Close. That same year he played tycoon Gordon Gekko in Oliver Stone's Wall Street for which he received an Academy Award as Best Actor. He reprised his role as Gekko in the sequel in 2010, also directed by Stone.
Douglas again paired with Kathleen Turner for the 1989 film The War of the Roses, which also starred Danny DeVito. In 1989, he starred in Ridley Scott's international police crime drama Black Rain opposite Andy García and Kate Capshaw. The film was shot in Osaka, Japan.
In 1992, Douglas had another successful starring role when he appeared alongside Sharon Stone in the film Basic Instinct. The movie was a box office hit, and sparked controversy over its depictions of bisexuality and lesbianism. In 1994, Douglas and Demi Moore starred in the hit movie Disclosure focusing on the topic of sexual harassment with Douglas playing a man harassed by his new female boss. Other popular films he starred during these decade were Falling Down, The American President, The Ghost and the Darkness, The Game (directed by David Fincher), and a remake of Alfred Hitchcock's classic - Dial M for Murder - titled A Perfect Murder. In 1998, Douglas received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival.
in Fatal Attraction (1987)]] In 2000, Douglas starred in Steven Soderbergh's critically acclaimed film Traffic, opposite Benicio del Toro and future wife Catherine Zeta-Jones. That same year, he also received critical acclaim for his role in Wonder Boys as a professor and novelist suffering from writer's block. He was nominated for a Golden Globe Award for Best Actor in a Drama as well as several other awards from critics.
He has also offered reasons why he has become successful in both acting and producing:
"I think I'm a chameleon. I think it's something that I possibly inherited early on as a child going back and forth between two families. I know that whether it's right or wrong, I have an ability to sort of fit into a lot of different situations and make people feel relatively comfortable in a wide range without giving up all my moral values. I think that same chameleonlike quality can transfer into films. I think if you can remember the reason you got involved with it in the first place and try to keep that impulsive, instinctive feeling even when you're being beaten down or exhausted or waylaid, you'll be successful."
On December 17, 2007 it was announced that Douglas was to be the new voice at the beginning of NBC Nightly News, some two years after Howard Reig, the previous announcer, retired.
Douglas married Diandra Luker, 14 years his junior, on March 20, 1977, after 6 weeks of dating. They had one son, Cameron (born December 13, 1978). In 1980, Douglas was involved in a serious skiing accident which sidelined his acting career for three years. In September 1992, the same year Basic Instinct came out, he underwent treatment for alcoholism and drug addiction at Sierra Tucson Center. In 2000, after 23 years of marriage, Diandra divorced Douglas.
Douglas married Welsh actress Catherine Zeta-Jones on November 18, 2000; they were both born on September 25, though 25 years apart. Zeta-Jones says that when they met in Deauville, France, Douglas used the line "I want to father your children." They have two children, Dylan Michael (born August 8, 2000) and Carys Zeta (born April 20, 2003). They are planning to renew their wedding vows as part of their 10th wedding anniversary. The idea was hers, and came after Douglas was found to have advanced stages of cancer. One report notes that "Michael was in tears when she suggested it to him," and he sees it as a “wonderful expression of love.”
Douglas and Zeta-Jones hosted the annual Nobel Peace Prize concert in Oslo, Norway, on December 11, 2003. They acted as co-masters of ceremony in the concert celebrating the award given to Iranian human rights activist Shirin Ebadi. In 2006, he was awarded an honorary Doctor of Letters (D.Litt.) from the University of St. Andrews in Scotland. Douglas and his family divide their time among their homes in Pacific Palisades, California; New York City; Aspen, Colorado; Bermuda; Majorca, Spain; Swansea, Wales, Ridgewood, New Jersey, and La Conception, Quebec.
Douglas, the son of a Jewish father and an Anglican mother, has no formal religion. He is an advocate of nuclear disarmament, a supporter of the Nuclear Age Peace Foundation, and sits on the Board of Directors of the anti-war grantmaking foundation Ploughshares Fund. In 1998, he was appointed UN Messenger of Peace by Secretary-General Kofi Annan. He is a notable Democrat and has donated money to Barack Obama, Christopher Dodd, and Al Franken. He has been a major supporter of gun control since John Lennon was murdered in 1980.
In 1997, New York caddy James Parker sued Douglas for $25 million. Parker accused Douglas of hitting him in the groin with an errant golf ball, causing Parker to lose a testicle and his job. The case was later settled out of court.
It was announced on August 16, 2010, that Douglas was suffering from throat cancer and will undergo chemotherapy and radiation treatment. On August 31, 2010 Douglas appeared on Late Show with David Letterman and confirmed that the cancer was at an advanced stage IV. In November 2010, Douglas was put on a special weight gain diet by his doctors due to the excessive weight loss leaving him weak. On January 11, 2011, he said in an interview that his cancer has gone.
Douglas lent his support for the campaign to release Sakineh Mohammadi Ashtiani, the Iranian woman, who after having been convicted of committing adultery, was given a sentence of death by stoning.
Category:1944 births Category:20th-century actors Category:21st-century actors Category:Actors from New Jersey Category:American actors of Russian descent Category:American anti-nuclear weapons activists Category:American film actors Category:American people of Belarusian-Jewish descent Category:American people of Bermudian descent Category:American people of British descent Category:American people of Russian descent Category:American people of Russian-Jewish descent Category:American television actors Category:Best Actor Academy Award winners Category:Best Drama Actor Golden Globe (film) winners Category:California Democrats Category:Cancer patients Category:Cecil B. DeMille Award Golden Globe winners Category:Choate Rosemary Hall alumni Category:Living people Category:Outstanding Performance by a Cast in a Motion Picture Screen Actors Guild Award winners Category:People from New Brunswick, New Jersey Category:People self-identifying as alcoholics Category:Producers who won the Best Picture Academy Award Category:United Nations Messengers of Peace Category:University of California, Santa Barbara alumni Category:Cancer survivors
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| Bgcolour | orange |
|---|---|
| Name | Annie Leibovitz |
| Birthname | Anna-Lou Leibovitz |
| Birthdate | October 02, 1949 |
| Birthplace | Waterbury, Connecticut, U.S. |
| Nationality | American |
| Field | Photography |
| Training | San Francisco Art Institute |
| Signature | Leibovitzbook1.jpg |
Anna-Lou "Annie" Leibovitz (; born October 2, 1949) is an American portrait photographer.
In high school, she became interested in various artistic endeavours, and began to write and play music. She attended the San Francisco Art Institute, where she studied painting. For several years, she continued to develop her photography skills while working various jobs, including a stint on a kibbutz in Amir, Israel, for several months in 1969. Throughout her life on the Kibbutz, she learned to take Jewish concepts and apply them to her photographs.
Photographers such as Robert Frank and Henri Cartier-Bresson influenced her during her time at the San Francisco Art Institute. "Their style of personal reportage - taken in a graphic way - was what we were taught to emulate."
On December 8, 1980, Leibovitz had a photo shoot with John Lennon for Rolling Stone, promising him he would make the cover. After she had initially tried to get a picture with just Lennon alone, which is what Rolling Stone wanted, Lennon insisted that both he and Yoko Ono be on the cover. Leibovitz then tried to re-create something like the kissing scene from the Double Fantasy album cover, a picture that she loved. She had John remove his clothes and curl up next to Yoko. Leibovitz recalls, "What is interesting is she said she'd take her top off and I said, 'Leave everything on' — not really preconceiving the picture at all. Then he curled up next to her and it was very, very strong. You couldn't help but feel that she was cold and he looked like he was clinging on to her. I think it was amazing to look at the first Polaroid and they were both very excited. John said, 'You've captured our relationship exactly. Promise me it'll be on the cover.' I looked him in the eye and we shook on it." Leibovitz was the last person to professionally photograph Lennon—he was shot and killed five hours later.
The photograph was subsequently re-created in 2009 by John and Yoko's son Sean Lennon, posing with his girlfriend Kemp Muhl, with male/female roles reversed (Sean clothed, Kemp naked), and by Henry Bond and Sam Taylor-Wood in their YBA pastiche October 26, 1993.
Leibovitz claims she never liked the word "celebrity". "I've always been more interested in what they do than who they are, I hope that my photographs reflect that." She tries to receive a little piece of each subjects personality in the photos. The photograph, and subsequently released behind-the-scenes photographs, show Cyrus without a top, her bare back exposed but her front covered with a bedsheet. The photo shoot was taken by photographer Annie Leibovitz. The full photograph was published with an accompanying story on The New York Times' website on April 27, 2008. On April 29, 2008, The New York Times clarified that though the pictures left an impression that she was bare-breasted, Cyrus was wrapped in a bedsheet and was actually not topless. Some parents expressed outrage at the nature of the photograph, which a Disney spokesperson described as "a situation [that] was created to deliberately manipulate a 15-year-old in order to sell magazines."
After Sontag's death in 2004, Newsweek published an article about Leibovitz that made reference to her decade-plus relationship with Sontag, stating that "The two first met in the late '80s, when Leibovitz photographed her for a book jacket. They never lived together, though they each had an apartment within view of the other's."
Neither Leibovitz nor Sontag had ever previously publicly disclosed whether the relationship was familial, a friendship, or sexual in nature. However, when Leibovitz was interviewed for her 2006 book A Photographer's Life: 1990-2005, she said the book told a number of stories, and that "with Susan, it was a love story."
In the preface to the book, she speaks in greater detail about her romantic/intellectual relationship with Sontag, briefly discussing a book they were working on together and describes how assembling A Photographer's Life: 1990-2005 was part of the grieving process after Sontag's death. The book and accompanying show include many photographs of Sontag throughout their life together, including several on her deathbed.
Leibovitz acknowledged that she and Sontag were romantically involved. When asked why she used terms like "companion" to describe Sontag, instead of more specific ones like "partner" or "lover," Leibovitz finally said that "lover" was fine with her. She later repeated the assertion in stating to the San Francisco Chronicle: "Call us 'lovers'. I like 'lovers.' You know, 'lovers' sounds romantic. I mean, I want to be perfectly clear. I love Susan."
Leibovitz is Jewish and nonobservant. Asked if being Jewish is important to her, Leibovitz replied, "I'm not a practicing Jew, but I feel very Jewish."
In March, 2010, Colony Capital concluded a new financing and marketing agreement with Leibovitz, paying off Art Capital and removing or reducing the risks of Leibovitz losing her artistic and real estate assets.
In April 2010 Brunswick Capital Partners filed suit against Leibovitz, claiming that they are owed several hundred thousand dollars for helping her restructure her debt.
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| Name | Ahmet Ertegün |
|---|---|
| Background | non_performing_personnel |
| Alias | Nugetre |
| Born | July 31, 1923Istanbul, Turkey |
| Died | December 14, 2006New York City, New YorkUnited States |
| Genre | Blues |
| Occupation | Record producerRecord label executiveComposer |
| Label | Atlantic |
| Associated acts | Frank Zappa |
Ahmet's older brother Nesuhi introduced him to jazz music, taking him to see the Duke Ellington and Cab Calloway orchestras in London at the age of nine. At the age of fourteen his mother bought him a record-cutting machine which he used to compose and add lyrics to instrumental records. The brothers also frequented Milt Gabler’s Commodore Record Store, assembled a large collection of over 15,000 jazz and blues 78s, and became acquainted with musicians such as Ellington, Lena Horne and Jelly Roll Morton. Ahmet and Nesuhi staged concerts by Lester Young, Sidney Bechet and other jazz giants, often at the Jewish Community Center, which was the only place that would allow a mixed audience and mixed band. They also traveled to New Orleans and to Harlem to listen to music and develop a keen awareness of developing musical tastes.
In 1944 Munir Ertegün died, and in 1946 President Truman ordered the battleship USS Missouri to return the deceased to Turkey as a demonstration of friendship between US and Turkey. This act also served as a show of support to counter the Soviet Union's potential political demands on Turkey.
Ahmet graduated from St. John's College in Annapolis in 1944. At the time of his father’s death he was taking graduate courses in Medieval philosophy at Georgetown University. Soon after the family returned to Turkey, Ahmet and Nesuhi stayed in the United States. While Nesuhi moved to Los Angeles, Ahmet stayed in Washington and decided to get into the record business as a temporary measure to help him through college.
In 1949, after 22 unsuccessful record releases including the first recordings by Professor Longhair, Atlantic had its first major hit with Stick McGhee's "Drinkin' Wine Spo-Dee-O-Dee". The company expanded through the 1950s, with Jerry Wexler and, later, Nesuhi Ertegün on board as partners, and with hit artists including Ruth Brown, Joe Turner, The Clovers, The Drifters, The Coasters, and Ray Charles.
Many independent record executives, like the Erteguns, were from immigrant backgrounds, including the Bihari brothers and the Chess brothers. The Ertegun brothers brought a jazz sensibility (and many jazz artists) into R&B;, successfully combining blues and jazz styles from around the country. Atlantic helped challenge the primacy of the major labels of the time by discovering, developing and nurturing new talent. It became the premier rhythm and blues label in a few short years, and set new standards in producing high quality recordings. In 1957, Atlantic was among the first labels to record in stereo.
Ahmet himself wrote a number of classic blues songs, including "Chains of Love" and "Sweet Sixteen", under the pseudonym A. Nugetre (Ertegün backwards). The songs were given expression first by Big Joe Turner and continued in B.B. King's repertoire. He also wrote the Ray Charles hit "Mess Around", with lyrics that drew heavily on Pinetop Smith. Ahmet was part of the shouting choral group on Turner's "Shake, Rattle and Roll", along with Wexler and songwriter Jesse Stone.
The Ertegün brothers and Wexler sold the Atlantic label to Warner Bros.-Seven Arts in 1967 for $17 million in stock. Four years later, the brothers took some of the money and co-founded the New York Cosmos soccer team of the North American Soccer League. They were instrumental in bringing in soccer legends like Pelé, Carlos Alberto and Franz Beckenbauer to the club. They transformed the Cosmos into a "dream team". Their love for soccer was the reason that the Cosmos were born.
When Atlantic became part of the Kinney conglomerate in 1969, and later part of Time Warner, Atlantic Records continued with Ahmet Ertegun at the helm, though less directly involved as a producer. He continued to produce some rock acts, such as Dr. John and The Honeydrippers. He also used his considerable personal skills in negotiations with major stars, such as when The Rolling Stones were shopping for a record company to distribute their independent Rolling Stones Records label. Ahmet personally conducted the negotiations with Mick Jagger, successfully completing the deal between The Stones and Atlantic, when other labels had actually offered the band more money.
In 1987, Ahmet was inducted into the Rock & Roll Hall of Fame, of which he himself was a founder. In the late 1980s with the support of Bonnie Raitt and others, he provided $1.5 million to help establish The Rhythm and Blues Foundation to award money to underpaid blues artists. The Foundation's establishment arose from a lengthy battle by Ruth Brown and other Atlantic artists to obtain unpaid past royalties from the company; other record companies later also contributed. Among early recipients of payments were John Lee Hooker, Bo Diddley, Johnny "Guitar" Watson, Ruth Brown and the Staple Singers.
Ahmet Ertegun received an honorary doctorate in music from the Berklee College of Music in Boston in 1991, and was awarded the Grammy Trustees Award for his lifetime achievements in 1993. At the tenth annual Rock and Roll Hall of Fame Induction Dinner in 1995, it was announced that the museum's main exhibition hall would be named after Ertegün.
The United States Library of Congress honored Ahmet as a Living Legend in 2000. With brother Nesuhi, he was inducted into the National Soccer Hall of Fame in 2003. In 2005, the National Academy of Recording Arts and Sciences presented Ahmet with the first "President's Merit Award Salute To Industry Icons". He was also a recipient of The International Center in New York's Award of Excellence.
Ahmet approved the recording and release of "Music of the Whirling Dervishes" featuring ayin singer Kâni Karaca and ney player Akagündüz Kutbay on his Atlantic label.
Ahmet Ertegun was buried December 18 in the Garden of Sufi Tekke, Özbekler Tekkesi in Sultantepe, Üsküdar, İstanbul, next to his brother, his father, and his Sheikh great-grandfather Şeyh İbrahim Edhem Efendi, who was once the head of the tekke in his native Turkey. At the garden were hundreds of mourners, including his wife Mica, members of the Ertegün family, Turkish dignitaries and entertainers including Atlantic artist Kid Rock.
Another informal salute to him took place in Los Angeles on July 31, 2007, the anniversary of his birth. The tribute took place at Grauman's Egyptian Theatre in Hollywood. Several of his friends shared anecdotes about their experiences with Ahmet and the assembled gathering then saw a special screening of the American Masters documentary Atlantic Records: The House That Ahmet Built. Among those who paid tribute to Ertegün in person were: Solomon Burke, Jerry Leiber & Mike Stoller, Keith Emerson, Peter Asher, Spencer Davis, the film's producer (and longtime friend) Phil Carson, Taylor Hackford and event producer Martin Lewis. Yusuf Islam, formerly known as Cat Stevens, came to America after a 20 year hiatus to attend the ceremonies.
The Martin Scorsese film "Shine a Light" about The Rolling Stones concert held at the Beacon Theatre in New York contains a dedication to Ahmet Ertegun and Andrea Corr's solo album Ten Feet High is dedicated "To the memory of Ahmet Ertegun".
The album "Rock n Roll Jesus" by Kid Rock is dedicated "In loving memory of my dear friend Ahmet M. Ertegun", along with a photograph of the two together.
The band headlined a bill that also included Paolo Nutini, Mick Jones of Foreigner, and , and Bill Wyman's Rhythm Kings who supported their acts, and additionally shared the stage with them. The show was held to raise money for the Ahmet Ertegün Education Fund, which pays for university scholarships in the UK, US and Turkey. The show had been scheduled to take place in November but had been postponed by two weeks because of Jimmy Page fracturing a finger.
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