Name	GNOME
Logo
Screenshot
Caption	A GNOME 2.30.0 desktop
Developer	The GNOME Project
Released	3 March 1999
Frequently updated	yes
Programming language	C (GTK+)
Operating system	Unix-like with X11
Genre	Desktop environment
Status	Active
Language	Multilingual (166 languages)
License	GNU Lesser General Public LicenseGNU General Public License
Website	http://www.gnome.org/
Working state	Current

GNOME () (abbreviation of GNU Network Object Model Environment) is a desktop environment—a graphical user interface that runs on top of a computer operating system—composed entirely of free and open source software. It was created by two Mexican programmers, Miguel de Icaza and Federico Mena. It is an international project that includes creating software development frameworks, selecting application software for the desktop, and working on the programs that manage application launching, file handling, and window and task management.

GNOME is part of the GNU Project and can be used with various Unix-like operating systems, most notably Linux and as part of the Java Desktop System in Solaris.

History

In 1996, the KDE project was started. KDE was free and open source from the start, but members of the GNU project were concerned with KDE's dependence on the (then) non-GPL Qt widget toolkit, owned by Trolltech. In August 1997, two projects were started in response to this issue: the Harmony toolkit (a free replacement for the Qt libraries) and GNOME (a different desktop not using Qt, but built entirely on top of GPL and LGPL licensed software). The initial project leaders for GNOME were Miguel de Icaza and Federico Mena.

In place of the Qt toolkit, GTK+ was chosen as the base of the GNOME desktop. GTK+ uses the GNU Lesser General Public License (LGPL), a free software license that allows GPL-incompatible software (including proprietary software) to link to it. The GNOME desktop itself is licensed under the LGPL for its libraries, and the GPL for applications that are part of the GNOME project. Having the toolkit and libraries under the LGPL allowed applications written for GNOME to use a much wider set of licenses (including proprietary software licenses).

In 2000, Qt was made available under the GNU GPL terms. Trolltech offered dual-licensing under both QPL terms and GNU GPL terms and granted exceptions to other specific licenses like the Apache License. Qt's GNU GPL-derived license, however, continued to restrict linking Qt with arbitrary proprietary software at no charge; GTK+'s LGPL license did not impose this restriction and differentiated it from Qt. At the end of 2000, the Harmony Project ceased, as KDE no longer depended on non-GPL software; the development of GNOME continues (). In March 2009, after Trolltech was bought by Nokia, Qt 4.5 was released and added a LGPL licensing as a third option.

The California startup Eazel developed the Nautilus file manager from 1999 to 2001. de Icaza and Nat Friedman founded Helix Code (later Ximian) in 1999 in Massachusetts. The company developed GNOME's infrastructure and applications, and in 2003 was purchased by Novell.

Name

The name “GNOME” is an acronym of GNU Network Object Model Environment. It refers to GNOME’s original intention of creating a distributed object framework similar to Microsoft’s OLE. This no longer reflects the core vision of the GNOME project, and the full expansion of the name is now considered obsolete. As such, some members of the project advocate dropping the acronym and re-naming "GNOME" to "Gnome".

Project structure

As with most free software projects, the GNOME project is loosely-managed. Discussion chiefly occurs on a number of public mailing lists.

In August 2000, the GNOME Foundation was set up to deal with administrative tasks and press interest, and to act as a contact point for companies interested in developing GNOME software. While not directly involved in technical decisions, the Foundation does coordinate releases and decide which projects will be part of GNOME. Membership is open to anyone who has made a non-trivial contribution to the project. Members of the Foundation elect a board of directors every November, and candidates for the positions must be members themselves.

Developers and users of GNOME gather at an annual meeting known as GUADEC to discuss the current state of the project and its future direction.

GNOME often incorporates standards from freedesktop.org to allow GNOME applications to better interoperate with other desktops, encouraging both cooperation and competition.

Aims

According to the GNOME website:

The GNOME project puts heavy emphasis on simplicity, usability, and making things “just work” (see KISS principle). The other aims of the project are:

Freedom—to create a desktop environment with readily-available source code for re-use under a free software license.

Accessibility—to ensure the desktop can be used by anyone, regardless of technical skill or physical circumstances.

Internationalization and localization—to make the desktop available in many languages. At the moment, GNOME is being translated to 161 languages.

Developer-friendliness—to ensure ease of writing software that integrates smoothly with the desktop, and allow developers a free choice of programming language.

Organization—to adhere to a regular release cycle and maintain a disciplined community structure.

Support—to ensure backing from other institutions beyond the GNOME community.

Look and feel

GNOME is designed around the traditional computing desktop metaphor. Its handling of windows, applications and files is similar to that of contemporary desktop operating systems. In its default configuration, the desktop has a launcher menu for quick access to installed programs and file locations; open windows may be accessed by a taskbar along the bottom of the screen, and the top-right corner features a notification area for programs to display notices while running in the background. However, these features can be moved to almost any position or orientation the user desires, replaced with other functions or removed altogether.

GNOME uses Metacity as its default window manager. Users can change the appearance of their desktop through the use of themes, which are bundles of an icon set, window manager border and GTK+ theme engine and parameters. Popular GTK+ themes include Bluecurve and Clearlooks (the current default theme).

The HIG helps developers to produce applications that look and behave similarly, which provides a cohesive GNOME interface and enables customization using themes.

Usability

Since GNOME v2.0, a key focus of the project has been usability. To this end, the GNOME Human Interface Guidelines (HIG) were created. Following the guide, developers can create high-quality, consistent, and usable GUI programs, as it addresses everything from GUI design to recommended pixel-based layout of widgets.

During the v2.0 rewrite, many settings were deemed to be of little or no value to the majority of users and were removed. For instance, the preferences section of the Panel was reduced from a dialog of six tabs to one with two tabs. Havoc Pennington summarized the usability work in his 2002 essay "Free Software UI", emphasizing the idea that all preferences have a cost, and it is better to "unbreak the software" than to add a UI preference to do that:

Major subprojects

GNOME relies upon a large number of different projects.

Bonobo – a compound document technology (obsolete in current releases).

GConf – for storing application settings (GSettings in GNOME 3).

GVFS – a virtual file system.

GNOME Keyring – for storing encryption keys and security information.

GNOME Translation Project – for translating documentation and applications into different languages.

GTK+ – a widget toolkit used for constructing graphical applications. The use of GTK+ as the base widget toolkit allows GNOME to benefit from certain features such as theming (the ability to change the look of an application) and smooth anti-aliased graphics. Sub-projects of GTK+ provide object-oriented programming support (GObject), extensive support of international character sets and text layout (Pango) and accessibility (ATK). GTK+ reduces the amount of work required to port GNOME applications to other platforms such as Windows and Mac OS X.

Human interface guidelines (HIG) – research and documentation on building easy-to-use GNOME applications.

LibXML – an XML library.

ORBit – a CORBA ORB for software componentry.

A number of language bindings are available, allowing applications to be written in a variety of programming languages, such as C++ (gtkmm), Java (java-gnome), Ruby (ruby-gnome2), C# (Gtk#), Python (PyGTK), Perl (gtk2-perl), Tcl (Gnocl) and many others. The only languages currently used in applications that are part of an official GNOME desktop release are C, C#, Python and Vala.

Release cycle

Each of the component software products in the GNOME project has its own version number and release schedule. However, individual module maintainers coordinate their efforts to create a full GNOME stable release on an approximately six-month schedule.

Some experimental projects are excluded from these releases.

GNOME releases are made to the main FTP server in the form of source code with configure scripts, which are compiled by operating system vendors and integrated with the rest of their systems before distribution. Most vendors use only stable and tested versions of GNOME, and provide it in the form of easily-installed, pre-compiled packages. The source code of every stable and development version of GNOME is stored in the GNOME Git source code repository.

A number of build-scripts (such as Jhbuild or GARNOME) are available to help automate the process of compiling the source code.

Adoption

GNOME is the default desktop environment for several Linux distributions, see Comparison of Linux distributions for details.

Release history

Current release

The current release is version 2.32, which was released in September 2010. It included improvements to the Empathy IM client, Evince, and the Nautilus file manager. It also added Rygel and GNOME Color Manager.

Version 2.32 is the last major release planned before version 3.0.

Though many of the planned changes are incremental, the desktop will receive a major overhaul with the GNOME Shell.

The release date had been set for September 2010, but in July the development team postponed the release to March 2011 and decided to release version 2.32 instead. In September the date was again postponed to April 2011.

Past releases

See also

List of GNOME applications

Comparison of X Window System desktop environments

GNOME Mobile & Embedded Initiative

KDE Plasma Desktop

References

External links

The GNOME website

Official GNOME Live Wiki.

FootNotes – a news site and discussion forum

GNOME Journal – an online magazine devoted to the GNOME Desktop

GNOME.Asia Summit (www.gnome.asia)

The GNOME Development Site - These are the l10n style guides given to translators by Sun when they are translating Sun software. These are actually Sun's Solaris style guides but they should be generic enough to apply to any project (including GNOME).

Category:1999 software Category:GNU Project software Category:X Window System Category:Graphical user interface Category:Software architecture Category:Free software programmed in C

Name	Lauren Graham
Caption	Lauren Graham, 2007
Birthname	Lauren Helen Graham
Birth date	March 16, 1967
Birth place	Honolulu, Hawaii
Occupation	Actress, producer
Yearsactive	1995–present

Lauren Helen Graham (born March 16, 1967) is an American actress, singer, and producer. She is best known for playing Lorelai Gilmore on the WB Network dramedy series Gilmore Girls and Sarah Braverman on Parenthood.

Early life

Graham was born in Honolulu, Hawaii, the daughter of Donna Grant, a fashion buyer, and Lawrence Graham, a candy industry lobbyist who is the current president for National Confectioners Association. She is of Irish descent and was raised Catholic. Graham's parents divorced when she was five, and Graham moved to Washington, D.C., where her father became a congressional staffer. She traveled extensively with her father while growing up. While she was close with her dad, she recalls, “I think he thought I was an oddball, because I was very driven and ambitious.”

At a young age, Graham rode horses competitively, but soon switched to acting. Graham quickly took to acting in community theatre and other small productions. She earned her actor's equity card in 1988 after two years in summer stock at the Barn Theatre in Augusta, Michigan. Graham graduated from Barnard College in 1988 with a Bachelor of Arts degree in English. After moving to Texas in 1992, she earned a Master of Fine Arts in Acting Performance from Southern Methodist University.

Career

After completing her education, Graham moved back to New York City where she became a waitress and aspiring actress, including her first paid work doing publicity appearances wearing the costume of Striker, the dog mascot of the US-based 1994 FIFA World Cup. In 1995, she relocated to Hollywood, California. She appeared in various commercials for products such as Dimetapp and Lean Cuisine and hosted free preview weekends on The Movie Channel.

In addition to her many guest starring and co-starring roles on prime-time television, Graham starred in three failed sitcoms, including Townies (with Molly Ringwald and Jenna Elfman) and the short-lived sitcom Lush Life (with Lori Petty and Karyn Parsons). Between 1996 and 1997 Graham became a regular guest star on several hit NBC shows. She played a graduate student who caught the eye of Dick on 3rd Rock from the Sun, Richard's dim-witted girlfriend on Caroline in the City, and Jerry's speed-dial ranking girlfriend on Seinfeld. She played a Hollywood producer who had a love interest in Rey Curtis in a three-part episode of Law & Order, where she acted opposite Scott Cohen, who would later play one of Graham's love interests, Max Medina, on Gilmore Girls. She also portrayed a villainous efficiency expert on Newsradio.

In 2000, Graham landed her breakthrough role as Lorelai Gilmore on Gilmore Girls. For her work she received a nomination for Best Actress in a Television Series (Drama) at the 2001 Golden Globe Awards. Beginning with Season 7 episode "To Whom It May Concern" and continuing throughout the rest of the season, Graham served as a producer on Gilmore Girls. TV Guide reported that she received the position in an attempt to persuade her to sign for an eighth season.

Graham returned to her guest-starring roots when she portrayed herself in two episodes of NBC's Studio 60 on the Sunset Strip. Graham has also appeared on Bravo's Celebrity Poker Showdown, co-hosted by Dave Foley of Newsradio. After winning her preliminary match, she came in second to another former Newsradio star, Maura Tierney, in the championship game. On June 26, 2002, Graham was the last guest interviewed by Rosie O'Donnell on her daytime talk show.

Graham's film roles encompass several NYU student films and multiple major studio releases, including Sweet November, Bad Santa, The Pacifier, Because I Said So, and Evan Almighty.

Graham has said that she enjoys playing in short films, and acting in the Williamstown Theatre Festival. She has performed in numerous short films, including the 15-minute long Gnome, viewable on YouTube and the iTunes Store. In 2007, Graham signed a seven-figure development deal with NBC in one of the year's richest TV talent pacts.

Graham has also worked as the voiceover announcer in national advertising for Kellogg's various Special K products, and in American Express ads introducing the Plum Card, which is targeted towards small and growing businesses.

Graham made her Broadway debut as Miss Adelaide in the revival of Guys and Dolls, which began preview performances at the Nederlander Theatre on February 5, 2009 and opened on March 1, 2009. Initial reviews for this performance have been mixed, but generally regard her fresh take on the character as a success. The production closed June 14, playing 113 shows and 28 previews.

It was announced in January 2009 that Graham would star in the comedy pilot, The Bridget Show (previously Let It Go) for ABC playing a talk show host and self-help guru who fails to follow her own advice during a breakup. However, the pilot was not given a series order.

On October 9, 2009, it was announced that Graham will replace Maura Tierney in the television series Parenthood as single mother Sarah Braverman. Tierney left the show to seek treatment for cancer. The series debuted on NBC the following year, and was later renewed for a second season.

In June 2010, it was confirmed that Graham would star in the upcoming Scream 4, but she left the project on June 30, 2010.

Personal life

Graham is currently in a relationship with her Parenthood costar, Peter Krause. She and Krause play brother and sister on the show.

Filmography

{| class="wikitable sortable" |- ! Year ! Title ! Role ! class="unsortable" | Notes |- |1995-96 |Caroline in the City |Shelly |5 episodes |- |1996 |3rd Rock from the Sun |Laurie Harris |Episode: "Dick's First Birthday" |- |1996 |Good Company |Liz Gibson |TV series |- |1996 |Townies |Denise Garibaldi Callahan |15 episodes |- |1997 |Nightwatch |Marie | |- |1997 |Law & Order |Lisa Lundquist |3 episodes |- |1997 |Seinfeld |Valerie |Episode: "The Millennium" |- |1997 |NewsRadio |Andrea |4 episodes |- |1998 |Confessions of a Sexist Pig |Tracy | |- |1998 |One True Thing |Jules | |- |1998 |Conrad Bloom |Molly Davenport |7 episodes |- |1999 |Dill Scallion |Kristie Sue | |- |2000 |M.Y.O.B. |Opal Marie Brown |Episode: "Bad Seed"Episode: "Boys in the Band" |- |2000–2007 |Gilmore Girls |Lorelai Gilmore |154 episodes |- |2001 |Sweet November |Angelica | |- |2001 |Chasing Destiny |Jessy James |TV movie |- |2002 |Family Guy |Mother Maggie (voice) |Episode: "Road to Europe" |- |2002 | |Woman at Party (uncredited) | |- |2003 |Bad Santa |Sue | |- |2004 |Seeing Other People |Claire | |- |2005 |Lucky 13 |Abbey | |- |2005 | |Dr. Sue Pegasus | |- |2005 | |Peggy | |- |2005 | |Principal Claire Fletcher | |- |2005 |Gnome |Amanda |Short film |- |2006 |Studio 60 on the Sunset Strip |Studio 60 Host (Self) (uncredited) |Episode: "The Long Lead Story"Episode: "The Wrap Party" |- |2007 |Because I Said So |Maggie | |- |2007 |Evan Almighty |Joan Baxter | |- |2008 |Birds of America |Betty Tanager | |- |2008 |Flash of Genius |Phyllis Kearns | |- |2009 | |Bridget O'Shea |ABC Pilot - not picked up |- |2009 | |Elizabeth | |- |2009 |Cloudy with a Chance of Meatballs |Fran Lockwood (voice) | |- |2010 |It's Kind of a Funny Story |Lynn | |- |2010–present |Parenthood |Sarah Braverman |26+ episodes |- |2012 |Most Wanted |TBA |Pre-production |}

Awards and nominations

{| border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 90%;" |- bgcolor="#B0C4DE" align="center" ! style="background-color: #BCBCBC"|Year ! style="background-color: #BCBCBC"|Award ! style="background-color: #BCBCBC"|Result ! style="background-color: #BCBCBC"|Category ! style="background-color: #BCBCBC"|Series |-style="background-color: #EAEAEA;" |2001 |Family Television Awards |Won |Actress |Gilmore Girls(Tied with Jane Kaczmarek for Malcolm in the Middle) |- |2002 |Golden Globe Award |Nominated |Best Performance by an Actress in a Television Series - Drama |Gilmore Girls |- |2005 |People's Choice Awards |Nominated |Favorite Female Television Star |- |- |2002 |rowspan=5|Satellite Award |Nominated |rowspan=3|Best Performance by an Actress in a Series, Comedy or Musical |Gilmore Girls |- |2003 |Nominated |Gilmore Girls |- |2004 |Nominated |Gilmore Girls |- |rowspan=2|2005 |rowspan=2|Nominated |Best Actress in a Series, Comedy or Musical |rowspan=2|Gilmore Girls |- |Outstanding Actress in a Series, Comedy or Musical |- |2001 |rowspan=2|Screen Actors Guild Awards |Nominated |Outstanding Performance by a Female Actor in a Drama Series |Gilmore Girls |- |2002 |Nominated |Outstanding Performance by a Female Actor in a Drama Series |Gilmore Girls |-style="background-color: #EAEAEA;" |2005 |rowspan=3|Teen Choice Award |Won |Choice TV Parental Units |Gilmore Girls |-style="background-color: #EAEAEA;" |2006 |Won |Choice TV Parental Units |Gilmore Girls |- |2010 |Nominated |Choice TV Parental Units |Parenthood |- |2002 |rowspan=2|Television Critics Association Award |Nominated |Individual Achievement in Drama |Gilmore Girls |- |2006 |Nominated |Outstanding Individual Achievement in Comedy |Gilmore Girls |}

References

External links

Lauren Graham cast bio on The CW Official Site

Lauren Graham returns to primetime

Category:1967 births Category:Actors from Hawaii Category:American film actors Category:American film producers Category:American people of Irish descent Category:American Roman Catholics Category:American television actors Category:American television producers Category:Barnard College alumni Category:Living people Category:People from Fairfax County, Virginia Category:People from Honolulu, Hawaii Category:Southern Methodist University alumni

Name	David Bowie
Background	solo_singer
Birth name	David Robert Jones
Born	January 08, 1947Brixton, London, England
Years active	1964–present
Occupation	Musician, actor, record producer, arranger, singer
Voice type	Baritone
Instrument	Vocals, guitar, saxophone, piano, keyboards, synthesizers, Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums, percussion
Genre	Rock, Pop, glam rock, art rock, blue-eyed soul
Associated acts	The Riot Squad, Tin Machine
Label	Deram, RCA, Rykodisc, Virgin, EMI, ISO, Columbia, BMG, Parlophone, Pye, Hanso
Url	Official Website

David Bowie ( ; born David Robert Jones, 8 January 1947) is an English rock musician and singer who has also worked as an actor, record producer and arranger. A major figure for five decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Although he released an album (David Bowie) and several singles earlier, Bowie first caught the eye and ear of the public in July 1969, when the song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture."

The family moved in 1953 to nearby suburb, Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–1968: The Kon-rads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Kon-rads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Kon-rads and formed another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul—"I used to dream of being their Mick Jagger", Bowie was to recall.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years. Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–1973: Psychedelic folk to glam rock

Space Oddity to Hunky Dory

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, Love You till Tuesday, was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, Space Oddity, followed in November; originally issued in the UK as David Bowie, it caused some confusion with its predecessor of the same name, and the early US release was instead titled Man of Words/Man of Music. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release. presents David Bowie. Cleveland Press magazine in November 3, 1972. WMMS played a key role in breaking several major acts at the time. It helped break many new rock artists nationally, most notably Bowie, who along with the Spiders from Mars, kicked off his American tour in Cleveland, based on the market's huge sales figures for the Bowie album, primarily due to WMMS airplay.|left]] Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries. During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word zoe, life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

Ziggy Stardust

Tour]] With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), combining the hard rock elements of The Man Who Sold the World with the lighter experimental rock and pop of Hunky Dory, was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July Top of the Pops performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old Hunky Dory. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Reed's 1972 solo breakthrough Transformer, co-producing the album with Ronson. His own Aladdin Sane (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. Aladdin Sane spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both Ziggy Stardust and Aladdin Sane, were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film Ziggy Stardust and the Spiders from Mars.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: The Man Who Sold the World had been re-released in 1972 along with Space Oddity. "Life on Mars?", from Hunky Dory, was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. Pin Ups, a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. Diamond Dogs (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's 1984 to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, Cracked Actor, featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, David Live, ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". David Live nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was Young Americans (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. Young Americans yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Earning the distinction of being one of the first white artists to appear on the US variety show Soul Train, Bowie mimed "Fame", as well as "Golden Years", his October single. Young Americans was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US.

Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of Ziggy Stardust alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door."

at the O'Keefe center, Toronto 1976]] Station to Station (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film The Man Who Fell to Earth the same year. Developing the funk and soul of Young Americans, Station to Station also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in NME. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in The Times, "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–1979: The Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Pop, with Bowie as a co-writer and musician, completed his solo album debut, The Idiot, and its follow-up, Lust for Life, touring the UK, Europe, and the US in March and April 1977. Low (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, Low yielded the UK number three single "Sound and Vision", and its own performance surpassed that of Station to Station in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described Low as "a work of genius" in 1992, when he used it as the basis for his Symphony No. 1 "Low"; subsequently, Glass used Bowie's next album as the basis for his 1996 Symphony No. 4 "Heroes". Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing Lows minimalist, instrumental approach, the second of the trilogy, "Heroes" (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like Low, "Heroes" evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show Marc, and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing Low and "Heroes", Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album Stage, released the same year.

The final piece in what Bowie called his "triptych", Lodger (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's Sergeant Pepper [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." Lodger reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–1989: From superstar to megastar

Scary Monsters (and Super Creeps) (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While Scary Monsters utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in The Elephant Man.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German movie Christiane F., a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as Christiane F. a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play Baal. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as David Bowie in Bertolt Brecht's Baal. In March 1982, the month before Paul Schrader's film Cat People came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with Let's Dance. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film From Here to Eternity), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. Let's Dance was followed by the Serious Moonlight world tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The tour lasted six months and was extremely popular.

Tonight (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of The Falcon and the Snowman. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film Absolute Beginners. The movie was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film Labyrinth, for which he wrote five songs. His final solo album of the decade was 1987's Never Let Me Down, where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting Never Let Me Down, and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–1991: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album Lust For Life.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, Tin Machine (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. Tin Machine IIs arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of the four nude band members in statuesque pose, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–1999: Electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced Black Tie White Noise. Making prominent use of electronic instruments, the album, which reunited Bowie with Let's Dance producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on The Buddha of Suburbia (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in Black Tie White Noise, and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial Outside (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, Earthling (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US Billboard Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for The Rugrats Movie. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.. In 1998, Bowie recorded "A Foggy Day (In London Town)" with Angelo Badalamenti for the Red Hot Organization’s compilation album Red Hot + Rhapsody a tribute to George Gershwin which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.

1999–present: Neoclassicist Bowie

during the Heathen Tour in 2002.]] Bowie created the soundtrack for , a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album 'Hours...' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album Toy, intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions would be the 2002 album Heathen. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of Heathen, and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual Meltdown festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's Low era. Reality (2003) followed, and then a world tour. Covering Europe, the United States, Canada, New Zealand, Australia and Japan, 'A Reality Tour', with an estimated attendance of 722,000, grossed more than any other tour in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

at the premiere of Jones' directorial debut Moon]] Recuperating from the heart surgery, Bowie reduced his musical output for the first time in several years, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film Shrek 2. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the movie Stealth. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album Return to Cookie Mountain, made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album No Balance Palace. Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, Anywhere I Lay My Head. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. A Reality Tour, a double album of live material from the 2003 concert tour, was released in January 2010.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production Pierrot in Turquoise (later made into the 1970 TV movie The Looking Glass Murders). In the black and white short film The Image (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel The Virgin Soldiers saw Bowie make a brief appearance as an extra. Bowie starred in The Hunger (1983), a revisionist vampire movie, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, Merry Christmas, Mr. Lawrence, based on Laurens van der Post's novel The Seed and the Sower, Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Another musician, Ryuichi Sakamoto, played the camp commandant who begins to be undermined by Celliers' bizarre behaviour. Bowie had a cameo in Yellowbeard, a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film Into the Night. He declined to play the villain Max Zorin in the James Bond film A View to a Kill (1985).

Absolute Beginners (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy Labyrinth found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film The Last Temptation of Christ. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in The Linguini Incident (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's (1992). He took a small but pivotal role as Andy Warhol in Basquiat, artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's spaghetti western Il Mio West (1998, released as Gunslinger's Revenge in the US in 2005) as the most feared gunfighter in the region. He played the aging gangster Bernie in Andrew Goth's Everybody Loves Sunshine (1999), and appeared in the TV horror serial of The Hunger. In Mr. Rice's Secret (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in Zoolander.

Bowie portrayed Nikola Tesla, the physicist who pioneered AC electricity, co-starring with Christian Bale and Hugh Jackman in The Prestige (2006), Christopher Nolan's film of Christopher Priest's epistolary novel about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated movie Arthur and the Invisibles as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the SpongeBob's Atlantis SquarePantis TV movie. In the 2008 film August, directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for The Man Who Fell to Earth.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Melody Maker in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust. In a 1983 interview with Rolling Stone, Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by Blender whether he still believed his public declaration was the biggest mistake he ever made, he replied:

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Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women." but biographer also reinforces that his public statements on sex had no other purpose but to do marketing and draw attention to his "transgressional" work.

Musicianship

Voice and instruments

A man of many voices, Bowie, from the time of his earliest recordings in the 1960s, has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, David Bowie (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop. Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello. , 1974.]]

Compositions

Bowie's compositions are suffused with philosophical and literary lyrics. Songs like "The Width of a Circle", "Quicksand" and "The Superman" receive influences of Buddhism, occultism, mysticism and especially the concept of Übermensch by Friedrich Nietzsche. The first of the three alluded to a sexual encounter with God or Devil in Hell, or other supernatural being, according to different interpretations. Indeed, his early compositions were influenced by poetry and writings of Aleister Crowley, William Hughes Mearns and H. P. Lovecraft, and "The Jean Genie" is a reference to Jean Genet.

With these influences Bowie created a new world through his music. "Oh! You Pretty Things" from Hunky Dory (1971) is a fine example of this and has been considered a sci-fi song about 'homo superior' concepts in a "teasing, unquestionably gay tinged manner." The Rise and Fall of Ziggy Stardust and the Spiders from Mars is another example; an album around a fictional sci-fi story created by Bowie himself. Track "Five Years", for example, desperately says that the world will end to five years, and is one of many examples of his artistic endeavors with the collapse of society. Diamond Dogs also presents a vision of a post-apocalyptic world. Later, in Outside, he returned to the idea of a concept album based on stories he wrote and characters he had created. And Heathen reflected his impressions on the Attacks of September 11, 2001, with lyrics focused on humanity degradation. To conclude, Reality reflects on his career and in the title track he sings: "I've been right and I've been wrong"/ "I look for sense but I get next to nothing" / "Hey boy welcome to reality" on a hard song moved with three guitars, syncopated drums and bass such as the rock songs of his past phases.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historiographer Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, [...] Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. [...] The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced [...] has created perhaps the biggest cult in popular culture. [...] His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996.

David Bowie's influence remains immense, musically and socially. According to many authors, for example, incorporating androgynous characters like Ziggy Stardust and Aladdin Sane in his 1970 glam era that communicate through sexual languages Bowie re-create a independent adolescent class at the time and also helped movements such as the gay liberation. In this era he also helped to create new fashions around the rock and music scenes that still appeals people nowadays.

Musically, his albums were also very influential. The Man Who Sold the World (1970), for example, has been cited as influencing the goth rock, darkwave and science fiction elements of work by artists such as Siouxsie and the Banshees, The Cure, Gary Numan, John Foxx and Nine Inch Nails. In his journal, Kurt Cobain of Nirvana listed this album at number 45 in his top 50 favourite albums. In 1993, the band re-recorded its title-track in their MTV Unplugged in New York. After the glam era Bowie produced works such as Diamond Dogs (1974) which its elements of raw guitar style and visions of urban chaos, scavenging children and nihilistic lovers have been credited with anticipating the punk revolution of bands like The Germs and Sex Pistols, that would take place in the following years. 1976 saw the appraised album Station to Station, that has also been described as "enormously influential on post-punk" and influenced band Magazine. On the following year, "Heroes" (1977) of 'Berlin Trilogy' influenced Double Fantasy (1980) by John Lennon and Yoko Ono.

His work in the 80's, especially "Ashes to Ashes" song and its video showing a creative Bowie's music and image, provided the basis for a new musical movement of the time, called New Romantic, influencing acts such as Blitz Kids, Keanan Duffty, and Steve Strange. In fact, critics have written that this song was considered the anthem for the New Romantic movement musicians. Pixies also began in 1986 with Joey Santiago introducing Black Francis to the Bowie's music and punk rock, then the pair began to jam together.

David Bowie's influence continues nowadays, even among artists and acts of diverse genres and countries. Examples include Marilyn Manson (in fact, Bowie is their biggest influence), Boy George, Groove Armada (especially album Black Light), Spacehog, Neïmo, Arckid, Stacey Q, Buck-Tick, Lady Gaga, All the Pretty Horses (a Minnesota's transgender rock band), and many others. On November 2010, Bono Vox of U2 compared Bowie to Elvis Presley and said he was very influential on Britain and also in his generation and band. As biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film The Man Who Fell to Earth, he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, Rolling Stone magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

David Bowie (1967)

Space Oddity (1969)

The Man Who Sold the World (1970)

Hunky Dory (1971)

The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

Aladdin Sane (1973)

Pin Ups (1973)

Diamond Dogs (1974)

Young Americans (1975)

Station to Station (1976)

Low (1977)

"Heroes" (1977)

Lodger (1979)

Scary Monsters (and Super Creeps) (1980)

Let's Dance (1983)

Tonight (1984)

Never Let Me Down (1987)

Black Tie White Noise (1993)

The Buddha of Suburbia (1993)

Outside (1995)

Earthling (1997)

'Hours...' (1999)

Heathen (2002)

Reality (2003)

See also

100 Greatest Britons

Best selling music artists

David Bowie filmography

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Low Symphony and Heroes Symphony

Notes

References

Further reading

Seabrook, Thomas Jerome, Bowie in Berlin: A New Career in a New Town, Jawbone Press, 2008.

Spitz, Marc, Bowie: A Biography, Crown Publishers, 2009.

Tremlett, George, David Bowie: Living on the Brink, Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", The Aesthetics of Self-Invention: Oscar Wilde to David Bowie, University of Minnesota Press, 2004.

Welch, Chris, David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song, Da Capo Press, 1999.

Wilcken, Hugo, 33⅓: David Bowie's Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Charlie Rose interview (1998)

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