The Sun is the star at the center of the Solar System. It has a diameter of about 1,392,000 km, about 109 times that of Earth, and its mass (about 2 kilograms, 330,000 times that of Earth) accounts for about 99.86% of the total mass of the Solar System. About three quarters of the Sun's mass consists of hydrogen, while the rest is mostly helium. Less than 2% consists of heavier elements, including oxygen, carbon, neon, iron, and others.

The Sun's stellar classification, based on spectral class, is G2V, and is informally designated as a yellow dwarf, because its visible radiation is most intense in the yellow-green portion of the spectrum and although its color is white, from the surface of the Earth it may appear yellow because of atmospheric scattering of blue light. In the spectral class label, G2 indicates its surface temperature of approximately 5778 K (5505 °C), and V indicates that the Sun, like most stars, is a main sequence star, and thus generates its energy by nuclear fusion of hydrogen nuclei into helium. In its core, the Sun fuses 620 million metric tons of hydrogen each second. Once regarded by astronomers as a small and relatively insignificant star, the Sun is now thought to be brighter than about 85% of the stars in the Milky Way galaxy, most of which are red dwarfs. The absolute magnitude of the Sun is +4.83; however, as the star closest to Earth, the Sun is the brightest object in the sky with an apparent magnitude of −26.74. The Sun's hot corona continuously expands in space creating the solar wind, a stream of charged particles that extends to the heliopause at roughly 100 astronomical units. The bubble in the interstellar medium formed by the solar wind, the heliosphere, is the largest continuous structure in the Solar System.

The Sun is currently traveling through the Local Interstellar Cloud in the Local Bubble zone, within the inner rim of the Orion Arm of the Milky Way galaxy. Of the 50 nearest stellar systems within 17 light-years from Earth (the closest being a red dwarf named Proxima Centauri at approximately 4.2 light years away), the Sun ranks 4th in mass. The Sun orbits the center of the Milky Way at a distance of approximately – light years from the galactic center, completing one clockwise orbit, as viewed from the galactic north pole, in about 225–250 million years. Since our galaxy is moving with respect to the cosmic microwave background radiation (CMB) in the direction of constellation Hydra with a speed of 550 km/s, the sun's resultant velocity with respect to the CMB is about 370 km/s in the direction of Crater or Leo.

The mean distance of the Sun from the Earth is approximately 149.6 million kilometers (1 AU), though the distance varies as the Earth moves from perihelion in January to aphelion in July. At this average distance, light travels from the Sun to Earth in about 8 minutes and 19 seconds. The energy of this sunlight supports almost all life on Earth by photosynthesis, and drives Earth's climate and weather. The enormous effect of the Sun on the Earth has been recognized since prehistoric times, and the Sun has been regarded by some cultures as a deity. An accurate scientific understanding of the Sun developed slowly, and as recently as the 19th century prominent scientists had little knowledge of the Sun's physical composition and source of energy. This understanding is still developing; there are a number of present-day anomalies in the Sun's behavior that remain unexplained.

Characteristics

2. Radiative zone 3. Convective zone 4. Photosphere 5. Chromosphere 6. Corona 7. Sunspot 8. Granules 9. Prominence ]] The Sun is a G-type main sequence star comprising about 99.8632% of the total mass of the Solar System. It is a near-perfect sphere, with an oblateness estimated at about 9 millionths, which means that its polar diameter differs from its equatorial diameter by only 10 km. As the Sun consists of a plasma and is not solid, it rotates faster at its equator than at its poles. This behavior is known as differential rotation, and is caused by convection in the Sun and the movement of mass, due to steep temperature gradients from the core outwards. This mass carries a portion of the Sun’s counter-clockwise angular momentum, as viewed from the ecliptic north pole, thus redistributing the angular velocity. The period of this actual rotation is approximately 25.6 days at the equator and 33.5 days at the poles. However, due to our constantly changing vantage point from the Earth as it orbits the Sun, the apparent rotation of the star at its equator is about 28 days. The centrifugal effect of this slow rotation is 18 million times weaker than the surface gravity at the Sun's equator. The tidal effect of the planets is even weaker, and does not significantly affect the shape of the Sun.

The Sun is a Population I, or heavy element-rich, star. This is suggested by a high abundance of heavy elements in the Solar System, such as gold and uranium, relative to the abundances of these elements in so-called Population II (heavy element-poor) stars. These elements could most plausibly have been produced by endergonic nuclear reactions during a supernova, or by transmutation through neutron absorption inside a massive second-generation star. Nevertheless, it has a well-defined interior structure, described below. The Sun's radius is measured from its center to the edge of the photosphere. This is simply the layer above which the gases are too cool or too thin to radiate a significant amount of light, and is therefore the surface most readily visible to the naked eye.

The solar interior is not directly observable, and the Sun itself is opaque to electromagnetic radiation. However, just as seismology uses waves generated by earthquakes to reveal the interior structure of the Earth, the discipline of helioseismology makes use of pressure waves (infrasound) traversing the Sun's interior to measure and visualize the star's inner structure. Computer modeling of the Sun is also used as a theoretical tool to investigate its deeper layers.

Core

)]] The core of the Sun is considered to extend from the center to about 20–25% of the solar radius. It has a density of up to (about 150 times the density of water) and a temperature of close to 13.6 million kelvin (K). By contrast, the Sun's surface temperature is approximately 5,800 K. Recent analysis of SOHO mission data favors a faster rotation rate in the core than in the rest of the radiative zone. Less than 2% of the helium generated in the Sun comes from the CNO cycle.

The core is the only region in the Sun that produces an appreciable amount of thermal energy through fusion; inside 24% of the Sun's radius, 99% of the power has been generated, and by 30% of the radius, fusion has stopped nearly entirely. The rest of the star is heated by energy that is transferred outward from the core and the layers just outside. The energy produced by fusion in the core must then travel through many successive layers to the solar photosphere before it escapes into space as sunlight or kinetic energy of particles.

The proton–proton chain occurs around times each second in the core of the Sun. Since this reaction uses four free protons (hydrogen nuclei), it converts about 3.7 protons to alpha particles (helium nuclei) every second (out of a total of ~8.9 free protons in the Sun), or about 6.2 kg per second. the Sun releases energy at the mass-energy conversion rate of 4.26 million metric tons per second, 384.6 yottawatts (), a power production density that more nearly approximates reptile metabolism than a thermonuclear bomb. Peak power production in the Sun has been compared to the volumetric heats generated in an active compost heap. The tremendous power output of the Sun is not due to its high power per volume, but instead due to its large size.

The fusion rate in the core is in a self-correcting equilibrium: a slightly higher rate of fusion would cause the core to heat up more and expand slightly against the weight of the outer layers, reducing the fusion rate and correcting the perturbation; and a slightly lower rate would cause the core to cool and shrink slightly, increasing the fusion rate and again reverting it to its present level.

The gamma rays (high-energy photons) released in fusion reactions are absorbed in only a few millimeters of solar plasma and then re-emitted again in random direction and at slightly lower energy. Therefore it takes a long time for radiation to reach the Sun's surface. Estimates of the photon travel time range between 10,000 and 170,000 years.

After a final trip through the convective outer layer to the transparent surface of the photosphere, the photons escape as visible light. Each gamma ray in the Sun's core is converted into several million photons of visible light before escaping into space. Neutrinos are also released by the fusion reactions in the core, but unlike photons they rarely interact with matter, so almost all are able to escape the Sun immediately. For many years measurements of the number of neutrinos produced in the Sun were lower than theories predicted by a factor of 3. This discrepancy was resolved in 2001 through the discovery of the effects of neutrino oscillation: the Sun emits the number of neutrinos predicted by the theory, but neutrino detectors were missing of them because the neutrinos had changed flavor by the time they were detected.

Radiative zone

From about 0.25 to about 0.7 solar radii, solar material is hot and dense enough that thermal radiation is sufficient to transfer the intense heat of the core outward. The fluid motions found in the convection zone above, slowly disappear from the top of this layer to its bottom, matching the calm characteristics of the radiative zone on the bottom. Presently, it is hypothesized (see Solar dynamo), that a magnetic dynamo within this layer generates the Sun's magnetic field.

Photosphere

, or black body temperature, of the Sun (5777 K) is the temperature a black body of the same size must have to yield the same total emissive power.]] The visible surface of the Sun, the photosphere, is the layer below which the Sun becomes opaque to visible light. The photosphere is tens to hundreds of kilometers thick, being slightly less opaque than air on Earth. Because the upper part of the photosphere is cooler than the lower part, an image of the Sun appears brighter in the center than on the edge or limb of the solar disk, in a phenomenon known as limb darkening.

During early studies of the optical spectrum of the photosphere, some absorption lines were found that did not correspond to any chemical elements then known on Earth. In 1868, Norman Lockyer hypothesized that these absorption lines were because of a new element which he dubbed helium, after the Greek Sun god Helios. It was not until 25 years later that helium was isolated on Earth.

Atmosphere

, the solar corona can be seen with the naked eye, during the brief period of totality.]] The parts of the Sun above the photosphere are referred to collectively as the solar atmosphere.

The coolest layer of the Sun is a temperature minimum region about above the photosphere, with a temperature of about . This part of the Sun is cool enough to support simple molecules such as carbon monoxide and water, which can be detected by their absorption spectra.

Above the temperature minimum layer is a layer about thick, dominated by a spectrum of emission and absorption lines.

's Solar Optical Telescope on January 12, 2007, this image of the Sun reveals the filamentary nature of the plasma connecting regions of different magnetic polarity.]]

Above the chromosphere, in a thin (about 200 km) transition region, the temperature rises rapidly from around 20,000 K in the upper chromosphere to coronal temperatures closer to 1,000,000 K.

The corona is the extended outer atmosphere of the Sun, which is much larger in volume than the Sun itself. The corona continuously expands into space forming the solar wind, which fills all the Solar System.

The heliosphere, which is the cavity around the Sun filled with the solar wind plasma, extends from approximately 20 solar radii (0.1 AU) to the outer fringes of the Solar System. Its inner boundary is defined as the layer in which the flow of the solar wind becomes superalfvénic—that is, where the flow becomes faster than the speed of Alfvén waves. Turbulence and dynamic forces outside this boundary cannot affect the shape of the solar corona within, because the information can only travel at the speed of Alfvén waves. The solar wind travels outward continuously through the heliosphere, forming the solar magnetic field into a spiral shape,

Magnetic field

extends to the outer reaches of the Solar System, and results from the influence of the Sun's rotating magnetic field on the plasma in the interplanetary medium.]]

The Sun is a magnetically active star. It supports a strong, changing magnetic field that varies year-to-year and reverses direction about every eleven years around solar maximum. The Sun's magnetic field leads to many effects that are collectively called solar activity, including sunspots on the surface of the Sun, solar flares, and variations in solar wind that carry material through the Solar System. Effects of solar activity on Earth include auroras at moderate to high latitudes, and the disruption of radio communications and electric power. Solar activity is thought to have played a large role in the formation and evolution of the Solar System. Solar activity changes the structure of Earth's outer atmosphere.

All matter in the Sun is in the form of gas and plasma because of its high temperatures. This makes it possible for the Sun to rotate faster at its equator (about 25 days) than it does at higher latitudes (about 35 days near its poles). The differential rotation of the Sun's latitudes causes its magnetic field lines to become twisted together over time, causing magnetic field loops to erupt from the Sun's surface and trigger the formation of the Sun's dramatic sunspots and solar prominences (see magnetic reconnection). This twisting action creates the solar dynamo and an 11-year solar cycle of magnetic activity as the Sun's magnetic field reverses itself about every 11 years.

The solar magnetic field extends well beyond the Sun itself. The magnetized solar wind plasma carries Sun's magnetic field into the space forming what is called the interplanetary magnetic field.

Chemical composition

The Sun is composed primarily of the chemical elements hydrogen and helium; they account for 74.9% and 23.8% of the mass of the Sun in the photosphere, respectively. All heavier elements, called metals in astronomy, account for less than 2 percent of the mass. The most abundant metals are oxygen (roughly 1% of the Sun's mass), carbon (0.3%), neon (0.2%), and iron (0.2%).

The Sun inherited its chemical composition from the interstellar medium out of which it formed: the hydrogen and helium in the Sun were produced by Big Bang nucleosynthesis. The metals were produced by stellar nucleosynthesis in generations of stars which completed their stellar evolution and returned their material to the interstellar medium before the formation of the Sun. The chemical composition of the photosphere is normally considered representative of the composition of the primordial Solar System. However, since the Sun formed, the helium and heavy elements have settled out of the photosphere. Therefore, the photosphere now contains slightly less helium and only 84% of the heavy elements than the protostellar Sun did; the protostellar Sun was 71.1% hydrogen, 27.4% helium, and 1.5% metals.

The solar heavy-element abundances described above are typically measured both using spectroscopy of the Sun's photosphere and by measuring abundances in meteorites that have never been heated to melting temperatures. These meteorites are thought to retain the composition of the protostellar Sun and thus not affected by settling of heavy elements. The two methods generally agree well. Although significant research was done, the abundance determination of some iron group elements (e.g., cobalt and manganese) was still difficult at least as far as 1978 because of their hyperfine structures. and improved oscillator strengths were computed in 1976. In 1978 the abundances of singly ionized elements of the iron group were derived. for example correlations between isotopic compositions of planetary and solar neon and xenon. Nevertheless, the belief that the whole Sun has the same composition as the solar atmosphere was still widespread, at least until 1983.

In 1983, it was claimed that it was the fractionation in the Sun itself that caused the fractionation relationship between the isotopic compositions of planetary and solar wind implanted noble gases.

The number of sunspots visible on the Sun is not constant, but varies over an 11-year cycle known as the solar cycle. At a typical solar minimum, few sunspots are visible, and occasionally none at all can be seen. Those that do appear are at high solar latitudes. As the sunspot cycle progresses, the number of sunspots increases and they move closer to the equator of the Sun, a phenomenon described by Spörer's law. Sunspots usually exist as pairs with opposite magnetic polarity. The magnetic polarity of the leading sunspot alternates every solar cycle, so that it will be a north magnetic pole in one solar cycle and a south magnetic pole in the next.

The solar cycle has a great influence on space weather, and is a significant influence on the Earth's climate since luminosity has a direct relationship with magnetic activity. Solar activity minima tend to be correlated with colder temperatures, and longer than average solar cycles tend to be correlated with hotter temperatures. In the 17th century, the solar cycle appears to have stopped entirely for several decades; very few sunspots were observed during this period. During this era, which is known as the Maunder minimum or Little Ice Age, Europe experienced very cold temperatures. Earlier extended minima have been discovered through analysis of tree rings and appear to have coincided with lower-than-average global temperatures.

Possible long-term cycle

A recent theory claims that there are magnetic instabilities in the core of the Sun that cause fluctuations with periods of either 41,000 or 100,000 years. These could provide a better explanation of the ice ages than the Milankovitch cycles.

Life cycle

The Sun was formed about 4.57 billion years ago when a hydrogen molecular cloud collapsed. Solar formation is dated in two ways: the Sun's current main sequence age, determined using computer models of stellar evolution and nucleocosmochronology, is thought to be about 4.57 billion years. This is in close accord with the radiometric date of the oldest Solar System material, at 4.567 billion years ago.

The Sun is about halfway through its main-sequence evolution, during which nuclear fusion reactions in its core fuse hydrogen into helium. Each second, more than four million metric tons of matter are converted into energy within the Sun's core, producing neutrinos and solar radiation. At this rate, the Sun has so far converted around 100 Earth-masses of matter into energy. The Sun will spend a total of approximately 10 billion years as a main sequence star.

The Sun does not have enough mass to explode as a supernova. Instead, in about 5 billion years, it will enter a red giant phase, its outer layers expanding as the hydrogen fuel in the core is consumed and the core contracts and heats up. Helium fusion will begin when the core temperature reaches around 100 million K and will produce carbon, entering the asymptotic giant branch phase.

Earth's fate is precarious. As a red giant, the Sun will have a maximum radius beyond the Earth's current orbit, , 250 times the present radius of the Sun. Even if Earth would escape incineration in the Sun, still all its water will be boiled away and most of its atmosphere would escape into space. Even during its current life in the main sequence, the Sun is gradually becoming more luminous (about 10% every 1 billion years), and its surface temperature is slowly rising. The Sun used to be fainter in the past, which is possibly the reason life on Earth has only existed for about 1 billion years on land. The increase in solar temperatures is such that in about another billion years the surface of the Earth will likely become too hot for liquid water to exist, ending all terrestrial life.

Following the red giant phase, intense thermal pulsations will cause the Sun to throw off its outer layers, forming a planetary nebula. The only object that will remain after the outer layers are ejected is the extremely hot stellar core, which will slowly cool and fade as a white dwarf over many billions of years. This stellar evolution scenario is typical of low- to medium-mass stars.

Sunlight

Sunlight is Earth's primary source of energy. The solar constant is the amount of power that the Sun deposits per unit area that is directly exposed to sunlight. The solar constant is equal to approximately (watts per square meter) at a distance of one astronomical unit (AU) from the Sun (that is, on or near Earth). Sunlight on the surface of Earth is attenuated by the Earth's atmosphere so that less power arrives at the surface—closer to in clear conditions when the Sun is near the zenith.

Solar energy can be harnessed by a variety of natural and synthetic processes—photosynthesis by plants captures the energy of sunlight and converts it to chemical form (oxygen and reduced carbon compounds), while direct heating or electrical conversion by solar cells are used by solar power equipment to generate electricity or to do other useful work, sometimes employing concentrating solar power (that it is measured in suns). The energy stored in petroleum and other fossil fuels was originally converted from sunlight by photosynthesis in the distant past.

Motion and location within the galaxy

of Solar System relative to the Sun.]] The Sun's motion about the centre of mass of the Solar System is complicated by perturbations from the planets. Every few hundred years this motion switches between prograde and retrograde. The Sun lies close to the inner rim of the Milky Way Galaxy's Orion Arm, in the Local Fluff or the Gould Belt, at a hypothesized distance of 7.5–8.5 kpc (25,000–28,000 lightyears) from the Galactic Center, contained within the Local Bubble, a space of rarefied hot gas, possibly produced by the supernova remnant, Geminga. The distance between the local arm and the next arm out, the Perseus Arm, is about 6,500 light-years. The Sun, and thus the Solar System, is found in what scientists call the galactic habitable zone.

The Apex of the Sun's Way, or the solar apex, is the direction that the Sun travels through space in the Milky Way, relative to other nearby stars. The general direction of the Sun's galactic motion is towards the star Vega in the constellation of Lyra at an angle of roughly 60 sky degrees to the direction of the Galactic Center.

The Sun's orbit around the Galaxy is expected to be roughly elliptical with the addition of perturbations due to the galactic spiral arms and non-uniform mass distributions. In addition the Sun oscillates up and down relative to the galactic plane approximately 2.7 times per orbit. This is very similar to how a simple harmonic oscillator works with no drag force (damping) term. It has been argued that the Sun's passage through the higher density spiral arms often coincides with mass extinctions on Earth, perhaps due to increased impact events. It takes the Solar System about 225–250 million years to complete one orbit of the galaxy (a galactic year), so it is thought to have completed 20–25 orbits during the lifetime of the Sun. The orbital speed of the Solar System about the center of the Galaxy is approximately 251 km/s. At this speed, it takes around 1,190 years for the Solar System to travel a distance of 1 light-year, or 7 days to travel 1 AU.

Theoretical problems

Solar neutrino problem

For many years the number of solar electron neutrinos detected on Earth was to of the number predicted by the standard solar model. This anomalous result was termed the solar neutrino problem. Theories proposed to resolve the problem either tried to reduce the temperature of the Sun's interior to explain the lower neutrino flux, or posited that electron neutrinos could oscillate—that is, change into undetectable tau and muon neutrinos as they traveled between the Sun and the Earth. Several neutrino observatories were built in the 1980s to measure the solar neutrino flux as accurately as possible, including the Sudbury Neutrino Observatory and Kamiokande. This proportion agrees with that predicted by the Mikheyev-Smirnov-Wolfenstein effect (also known as the matter effect), which describes neutrino oscillation in matter, and it is now considered a solved problem.

Coronal heating problem

The optical surface of the Sun (the photosphere) is known to have a temperature of approximately 6,000 K. Above it lies the solar corona, rising to a temperature of 1,000,000–2,000,000 K. The other is magnetic heating, in which magnetic energy is continuously built up by photospheric motion and released through magnetic reconnection in the form of large solar flares and myriad similar but smaller events—nanoflares.

Currently, it is unclear whether waves are an efficient heating mechanism. All waves except Alfvén waves have been found to dissipate or refract before reaching the corona. In addition, Alfvén waves do not easily dissipate in the corona. Current research focus has therefore shifted towards flare heating mechanisms.

Faint young Sun problem

Theoretical models of the Sun's development suggest that 3.8 to 2.5 billion years ago, during the Archean period, the Sun was only about 75% as bright as it is today. Such a weak star would not have been able to sustain liquid water on the Earth's surface, and thus life should not have been able to develop. However, the geological record demonstrates that the Earth has remained at a fairly constant temperature throughout its history, and that the young Earth was somewhat warmer than it is today. The consensus among scientists is that the young Earth's atmosphere contained much larger quantities of greenhouse gases (such as carbon dioxide, methane and/or ammonia) than are present today, which trapped enough heat to compensate for the smaller amount of solar energy reaching the planet.

Present anomalies

The Sun is currently behaving unexpectedly in a number of ways.

It is in the midst of an unusual sunspot minimum, lasting far longer and with a higher percentage of spotless days than normal; since May 2008.

It is measurably dimming; its output has dropped 0.02% at visible wavelengths and 6% at EUV wavelengths in comparison with the levels at the last solar minimum. Over the last two decades, the solar wind's speed has dropped by 3%, its temperature by 13%, and its density by 20%.

Its magnetic field is at less than half strength compared to the minimum of 22 years ago. The entire heliosphere, which fills the Solar System, has shrunk as a result, resulting in an increase in the level of cosmic radiation striking the Earth and its atmosphere.

History of observation

Early understanding and etymology

pulled by a horse is a sculpture believed to be illustrating an important part of Nordic Bronze Age mythology. The sculpture is probably from around 1350 BC. It is displayed at the National Museum of Denmark.]]

The English proper noun sun developed from Old English sunne (around 725, attested in Beowulf), and may be related to south. Cognates to English sun appear in other Germanic languages, including Old Frisian sunne, sonne ("sun"), Old Saxon sunna, Middle Dutch sonne, modern Dutch zon, Old High German sunna, modern German Sonne, Old Norse sunna, and Gothic sunnō. All Germanic terms for the Sun stem from Proto-Germanic *sunnōn. In Germanic paganism, the Sun is personified as a goddess; Sól/Sunna.

Theories have been proposed that Sun, as Germanic goddess, may represent an extension of an earlier Proto-Indo-European deity due to Indo-European linguistic connections between Old Norse Sól, Sanskrit Surya, Gaulish Sulis, Lithuanian Saulė, and Slavic Solnitse.

Development of scientific understanding

In the early first millennium B.C.E., Babylonian astronomers observed that the Sun's motion along the ecliptic was not uniform, though they were unaware of why this was; it is today known that this is due to the Earth moving in an elliptic orbit around the Sun, with the Earth moving faster when it is nearer to the Sun at perihelion and moving slower when it is farther away at aphelion.

One of the first people to offer a scientific or philosophical explanation for the Sun was the Greek philosopher Anaxagoras, who reasoned that it was a giant flaming ball of metal even larger than the Peloponnesus rather than the chariot of Helios, and that the Moon reflected the light of the Sun. For teaching this heresy, he was imprisoned by the authorities and sentenced to death, though he was later released through the intervention of Pericles. Eratosthenes estimated the distance between the Earth and the Sun in the 3rd century BCE as "of stadia myriads 400 and 80000", the translation of which is ambiguous, implying either 4,080,000 stadia (755,000 km) or 804,000,000 stadia (148 to 153 million kilometers); the latter value is correct to within a few percent. In the 1st century CE, Ptolemy estimated the distance as 1,210 times the Earth radius.

The theory that the Sun is the center around which the planets move was first proposed by the ancient Greek Aristarchus of Samos in the 3rd century BCE, and later adopted by Seleucus of Seleucia (see Heliocentrism). This largely philosophical view was developed into fully predictive mathematical model of a heliocentric system in the 16th century by Nicolaus Copernicus. In the early 17th century, the invention of the telescope permitted detailed observations of sunspots by Thomas Harriot, Galileo Galilei and other astronomers. Galileo made some of the first known telescopic observations of sunspots and posited that they were on the surface of the Sun rather than small objects passing between the Earth and the Sun. Sunspots were also observed since the Han Dynasty (206 BCE – 220 CE) by Chinese astronomers who maintained records of these observations for centuries. Averroes also provided a description of sunspots in the 12th century.

Arabic astronomical contributions include Albatenius discovering that the direction of the Sun's eccentric is changing, and Ibn Yunus observing more than 10,000 entries for the Sun's position for many years using a large astrolabe. The transit of Venus was first observed in 1032 by Avicenna, who concluded that Venus is closer to the Earth than the Sun, while one of the first observations of the transit of Mercury was conducted by Ibn Bajjah in the 12th century.

In 1672 Giovanni Cassini and Jean Richer determined the distance to Mars and were thereby able to calculate the distance to the Sun. Isaac Newton observed the Sun's light using a prism, and showed that it was made up of light of many colors, while in 1800 William Herschel discovered infrared radiation beyond the red part of the solar spectrum. The 1800s saw spectroscopic studies of the Sun advance, and Joseph von Fraunhofer made the first observations of absorption lines in the spectrum, the strongest of which are still often referred to as Fraunhofer lines. When expanding the spectrum of light from the Sun, a large number of missing colors can be found.

In the early years of the modern scientific era, the source of the Sun's energy was a significant puzzle. Lord Kelvin suggested that the Sun was a gradually cooling liquid body that was radiating an internal store of heat. Kelvin and Hermann von Helmholtz then proposed a gravitational contraction mechanism to explain the energy output. Unfortunately the resulting age estimate was only 20 million years, well short of the time span of at least 300 million years suggested by some geological discoveries of that time.

Not until 1904 was a documented solution offered. Ernest Rutherford suggested that the Sun's output could be maintained by an internal source of heat, and suggested radioactive decay as the source. However, it would be Albert Einstein who would provide the essential clue to the source of the Sun's energy output with his mass-energy equivalence relation .

In 1920, Sir Arthur Eddington proposed that the pressures and temperatures at the core of the Sun could produce a nuclear fusion reaction that merged hydrogen (protons) into helium nuclei, resulting in a production of energy from the net change in mass. The preponderance of hydrogen in the Sun was confirmed in 1925 by Cecilia Payne. The theoretical concept of fusion was developed in the 1930s by the astrophysicists Subrahmanyan Chandrasekhar and Hans Bethe. Hans Bethe calculated the details of the two main energy-producing nuclear reactions that power the Sun.

Finally, a seminal paper was published in 1957 by Margaret Burbidge, entitled "Synthesis of the Elements in Stars". The paper demonstrated convincingly that most of the elements in the universe had been synthesized by nuclear reactions inside stars, some like our Sun.

Solar space missions

B's ultraviolet imaging cameras ]] The first satellites designed to observe the Sun were NASA's Pioneers 5, 6, 7, 8 and 9, which were launched between 1959 and 1968. These probes orbited the Sun at a distance similar to that of the Earth, and made the first detailed measurements of the solar wind and the solar magnetic field. Pioneer 9 operated for a particularly long time, transmitting data until May 1983.

In the 1970s, two Helios spacecraft and the Skylab Apollo Telescope Mount provided scientists with significant new data on solar wind and the solar corona. The Helios 1 and 2 probes were U.S.–German collaborations that studied the solar wind from an orbit carrying the spacecraft inside Mercury's orbit at perihelion.

In 1980, the Solar Maximum Mission was launched by NASA. This spacecraft was designed to observe gamma rays, X-rays and UV radiation from solar flares during a time of high solar activity and solar luminosity. Just a few months after launch, however, an electronics failure caused the probe to go into standby mode, and it spent the next three years in this inactive state. In 1984 Space Shuttle Challenger mission STS-41C retrieved the satellite and repaired its electronics before re-releasing it into orbit. The Solar Maximum Mission subsequently acquired thousands of images of the solar corona before re-entering the Earth's atmosphere in June 1989.

Launched in 1991, Japan's Yohkoh (Sunbeam) satellite observed solar flares at X-ray wavelengths. Mission data allowed scientists to identify several different types of flares, and demonstrated that the corona away from regions of peak activity was much more dynamic and active than had previously been supposed. Yohkoh observed an entire solar cycle but went into standby mode when an annular eclipse in 2001 caused it to lose its lock on the Sun. It was destroyed by atmospheric re-entry in 2005.

One of the most important solar missions to date has been the Solar and Heliospheric Observatory, jointly built by the European Space Agency and NASA and launched on 2 December 1995. It has proven so useful that a follow-on mission, the Solar Dynamics Observatory, was launched in February 2010. Situated at the Lagrangian point between the Earth and the Sun (at which the gravitational pull from both is equal), SOHO has provided a constant view of the Sun at many wavelengths since its launch.

All these satellites have observed the Sun from the plane of the ecliptic, and so have only observed its equatorial regions in detail. The Ulysses probe was launched in 1990 to study the Sun's polar regions. It first travelled to Jupiter, to "slingshot" past the planet into an orbit which would take it far above the plane of the ecliptic. Serendipitously, it was well-placed to observe the collision of Comet Shoemaker-Levy 9 with Jupiter in 1994. Once Ulysses was in its scheduled orbit, it began observing the solar wind and magnetic field strength at high solar latitudes, finding that the solar wind from high latitudes was moving at about 750 km/s which was slower than expected, and that there were large magnetic waves emerging from high latitudes which scattered galactic cosmic rays.

Elemental abundances in the photosphere are well known from spectroscopic studies, but the composition of the interior of the Sun is more poorly understood. A solar wind sample return mission, Genesis, was designed to allow astronomers to directly measure the composition of solar material. Genesis returned to Earth in 2004 but was damaged by a crash landing after its parachute failed to deploy on re-entry into Earth's atmosphere. Despite severe damage, some usable samples have been recovered from the spacecraft's sample return module and are undergoing analysis.

The Solar Terrestrial Relations Observatory (STEREO) mission was launched in October 2006. Two identical spacecraft were launched into orbits that cause them to (respectively) pull further ahead of and fall gradually behind the Earth. This enables stereoscopic imaging of the Sun and solar phenomena, such as coronal mass ejections.

Observation and effects

Sunlight is very bright, and looking directly at the Sun with the naked eye for brief periods can be painful, but is not particularly hazardous for normal, non-dilated eyes. Looking directly at the Sun causes phosphene visual artifacts and temporary partial blindness. It also delivers about 4 milliwatts of sunlight to the retina, slightly heating it and potentially causing damage in eyes that cannot respond properly to the brightness. UV exposure gradually yellows the lens of the eye over a period of years and is thought to contribute to the formation of cataracts, but this depends on general exposure to solar UV, not on whether one looks directly at the Sun. Long-duration viewing of the direct Sun with the naked eye can begin to cause UV-induced, sunburn-like lesions on the retina after about 100 seconds, particularly under conditions where the UV light from the Sun is intense and well focused; conditions are worsened by young eyes or new lens implants (which admit more UV than aging natural eyes), Sun angles near the zenith, and observing locations at high altitude.

Viewing the Sun through light-concentrating optics such as binoculars is very hazardous without an appropriate filter that blocks UV and substantially dims the sunlight. An attenuating (ND) filter might not filter UV and so is still dangerous. Attenuating filters to view the Sun should be specifically designed for that use: some improvised filters pass UV or IR rays that can harm the eye at high brightness levels. Unfiltered binoculars can deliver over 500 times as much energy to the retina as using the naked eye, killing retinal cells almost instantly (even though the power per unit area of image on the retina is the same, the heat cannot dissipate fast enough because the image is larger). Even brief glances at the midday Sun through unfiltered binoculars can cause permanent blindness.

Partial solar eclipses are hazardous to view because the eye's pupil is not adapted to the unusually high visual contrast: the pupil dilates according to the total amount of light in the field of view, not by the brightest object in the field. During partial eclipses most sunlight is blocked by the Moon passing in front of the Sun, but the uncovered parts of the photosphere have the same surface brightness as during a normal day. In the overall gloom, the pupil expands from ~2 mm to ~6 mm, and each retinal cell exposed to the solar image receives about ten times more light than it would looking at the non-eclipsed Sun. This can damage or kill those cells, resulting in small permanent blind spots for the viewer. The hazard is insidious for inexperienced observers and for children, because there is no perception of pain: it is not immediately obvious that one's vision is being destroyed.

During sunrise and sunset sunlight is attenuated due to Rayleigh scattering and Mie scattering from a particularly long passage through Earth's atmosphere, and the Sun is sometimes faint enough to be viewed comfortably with the naked eye or safely with optics (provided there is no risk of bright sunlight suddenly appearing through a break between clouds). Hazy conditions, atmospheric dust, and high humidity contribute to this atmospheric attenuation.

A rare optical phenomenon may occur shortly after sunset or before sunrise, known as a green flash. The flash is caused by light from the Sun just below the horizon being bent (usually through a temperature inversion) towards the observer. Light of shorter wavelengths (violet, blue, green) is bent more than that of longer wavelengths (yellow, orange, red) but the violet and blue light is scattered more, leaving light that is perceived as green.

Ultraviolet light from the Sun has antiseptic properties and can be used to sanitize tools and water. It also causes sunburn, and has other medical effects such as the production of vitamin D. Ultraviolet light is strongly attenuated by Earth's ozone layer, so that the amount of UV varies greatly with latitude and has been partially responsible for many biological adaptations, including variations in human skin color in different regions of the globe.

Terminology

Like other natural phenomena, the Sun has been an object of veneration in many cultures throughout human history, and was the source of the word Sunday. Its formal name in the English language is, per the International Astronomical Union, the Sun (capitalized as a proper noun). The Latin name Sol, for the Sun god of the same name, (rhyming with doll) in English, is widely known but not common in general English language use; the adjectival form is the related word solar. "Sol" is, however, the modern word for "Sun" in many European languages.

The term sol is also used by planetary astronomers to refer to the duration of a solar day on another planet, such as Mars. A mean Earth solar day is approximately 24 hours, while a mean Martian 'sol' is 24 hours, 39 minutes, and 35.244 seconds. See also Timekeeping on Mars.

See also

Notes

References

Further reading

External links

Nasa SOHO (Solar & Heliospheric Observatory) satellite

National Solar Observatory

Astronomy Cast: The Sun

Looking Into the Sun – slideshow by Life magazine

A collection of spectacular images of the sun from various institutions (The Boston Globe)

Satellite observations of solar luminosity

Sun|Trek, an educational website about the Sun

The Swedish 1-meter Solar Telescope, SST

An animated explanation of the structure of the Sun (University of Glamorgan)

The Future of our sun

Solar Conveyor Belt Speeds Up – NASA – images, link to report on Science

Category:G-type main sequence stars Category:Plasma physics Category:Space plasmas Category:Stars with proper names Category:Light sources

Name	Joseph Arthur
Background	solo_singer
Born	September 28, 1971
Origin	Akron, Ohio, United States
Instrument	Vocals, guitar, harmonica, bass
Genre	Alternative rock, folk rock
Years active	1996–present
Label	Lonely Astronaut Records
Associated acts	The Lonely Astronauts, Fistful of Mercy
Url	www.josepharthur.comwww.lonelyastronautrecords.com

Joseph Arthur (born September 28, 1971) is a contemporary singer-songwriter and artist from Akron, Ohio. He combines poetic lyrics with a layered sonic palette, and has built his reputation over the years through critically acclaimed releases and constant touring; his unique solo live performances incorporate the use of a number of distortion and loop pedals, and his shows are recorded live at the soundboard and made available to concertgoers immediately following the show on recordable media. He was discovered by Peter Gabriel in the mid-'90s, and signed to Gabriel's Real World label as the first North American artist on the label's roster. Arthur released his debut album Big City Secrets (1997) and follow-up Come to Where I'm From (2000) on Real World before signing with various independent labels between 2002 and 2006. He established his own record label, Lonely Astronaut Records, in 2006.

Arthur is also an acclaimed painter and designer. His artwork has graced the sleeves of his entire discography; the sleeve design for his 1999 extended play Vacancy was nominated for a Grammy Award for Best Recording Package.

Musical history

Early life and Big City Secrets

Joseph began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early '90s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.

In 1996, Peter Gabriel's A&R; associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded a mini-album called Vacancy, which earned him a Grammy nomination in 2000 for best recording package.

2000–2003: Come to Where I'm From and Redemption's Son

In April 2000, Arthur released his sophomore studio album Come to Where I'm From, which was co-produced with T-Bone Burnett and Tchad Blake. The album exhibited a more polished and accessible sound, and received positive accolades from Pitchfork Media and Entertainment Weekly. Arthur began playing for larger audiences, opening for Ben Harper and Gomez. During that same period, he released a promotional live album recorded at the Gypsy Tea Room bar in Dallas, Texas.

After releasing a series of four EPs called Junkyard Hearts, which were only available to purchase at his live shows, his third album, Redemption's Son, came out in May 2002 in the UK. The American release was delayed until November 2002 since Arthur had been dropped by EMI in North America, having been picked up by Universal Music Group imprint Enjoy Records. The double album furthered the themes of emotional and spiritual dislocation found on Come to Where I'm From, and was described by Allmusic reviewer Thom Jurek as a "sleeper hit."

While on tour, Arthur regularly released recordings of his performances soon after each show. He also recorded an album with alternative rock side project Holding the Void, featuring himself on vocals and guitar, Pat Sansone on vocals and bass, and Rene Lopez on vocals and drums. In Summer 2003, he toured with Tracy Chapman in the US.

2004–2006: Our Shadows Will Remain

Arthur signed a new recording contract with Vector Recordings and began recording his fourth studio album, Our Shadows Will Remain across New Orleans, New York City, London, and Prague. The album was released in September 2004, and was Arthur's first album to feature string arrangements, provided by the City of Prague Philharmonic. The album was released to widespread critical acclaim; Allmusic's Thom Jurek awarded the album 4.5 out of 5 stars, praising that, "Arthur is in a class of his own and Our Shadows Will Remain is a monstrous, memorable outing, his finest moment in a career that is thus far full of them." The Guardian hailed that Joseph "might just be a genuine mad genius"; Stylus Magazine gave the album an A– rating; and Chris Rubin of Rolling Stone named Our Shadows Will Remain as the number 1 album of the year 2004 in the year-end critics' pick list.

Arthur toured the US alone and with Joan Wasser to promote the album, and a new EP called And the Thieves Are Gone, which collected unreleased tracks from the Shadows recording sessions, came out in December. Shortly afterward, Arthur went on a brief tour of Europe with R.E.M.. Our Shadows Will Remain was picked up by 14th Floor Records for distribution in the United Kingdom in 2005, which yielded the release of four singles: "Can't Exist" in July, "Even Tho" in September, "Devil's Broom" in February 2006 to coincide with his first headlining appearance at London's Shepherds Bush Empire, and a reissue of "Can't Exist" in May 2006, although none of the singles charted on the UK Singles Chart.

In August 2006, Joseph was invited to help launch the project A River Blue, where a group of young people in northern Uganda were brought together to participate in a music, drama, and art festival. Joseph also recorded the song "A River Blue" for the foundation.

2006–2007: Lonely Astronaut Records, Nuclear Daydream, and Let's Just Be

, in February 2006.]]

Also in 2006, Arthur started the record label Lonely Astronaut Records with longtime professional partner Lauren Pattenaude. He released a book entitled We Almost Made It, a visual collection of his artworks, along with an accompanying instrumental CD titled The Invisible Parade in May 2006. In September 2006, Arthur released his fifth studio album, Nuclear Daydream, which was recorded in Berlin and Los Angeles. The album would be the first release on his new label. Joseph then embarked on a worldwide tour with his new backing band, The Lonely Astronauts.

His song "In the Sun" was covered by Michael Stipe of R.E.M. and Chris Martin of Coldplay in 2006 for a Hurricane Katrina relief EP. The EP includes six versions of the song, one featuring Arthur himself singing with Stipe and another remixed by Justin Timberlake, and is available only on iTunes. On March 26, 2007, Joseph's then-UK label 14th Floor Records released a re-recorded version of his 2002 song "Honey and the Moon" as a special single in the UK only. In April, he released his sixth studio album, Let's Just Be, and embarked on an extensive US tour. This was Joseph's first album with The Lonely Astronauts; the band recorded as many as 80 songs in late 2006, with only sixteen appearing on the album. The album was released to lukewarm critical reception, with Pitchfork Media calling the album "unfocused" and "sloppy," summarizing that the album "sounds like it came together on the fly, in jam sessions that didn't stem from any kind of solid idea."

2008–present

In 2008, Arthur released four EPs in a four-month span: Could We Survive on March 18, Crazy Rain on April 15, Vagabond Skies on June 10, and Foreign Girls on July 8. He played seven solo shows during the SXSW 2008 Festival, six in Austin and one in Dallas. Live dates in Europe and an extensive US solo tour coincided with the new releases. Temporary People, his seventh full-length studio album and second with The Lonely Astronauts, was released on September 30, 2008. The album was received warmly by critics, with The Times Online stating that it "evokes the loose, rocking swagger and country melancholy of early-1970s Stones", and Crawdaddy! noting that Arthur "treats his audience to a brawny and brooding rock album, notching his most fully realized LP to date in the process." The album came out in Europe in late October, and afterward Arthur embarked on a solo tour and opened for Tracy Chapman on her six-week "Our Bright Future" European tour, followed by tour dates in Canada.

Arthur recorded a cover of The Afghan Whigs's "Step Into the Light" from their 1996 album Black Love for the tribute album, Summer's Kiss: A Tribute to The Afghan Whigs. Following UK tour dates with The Lonely Astronauts in July, Arthur embarked on a solo tour of France in October 2009. A reissue of his 2006 album Nuclear Daydream with six previously unreleased bonus tracks was released during this tour.

Arthur, Ben Harper, and Dhani Harrison formed the supergroup trio Fistful of Mercy in 2010, and their debut album As I Call You Down was released on October 5, 2010. Arthur's first solo studio album since Nuclear Daydream is expected to be released in 2011.

Visual art

Arthur has also received acclaim as a painter and designer. His artwork has graced the sleeves of his entire discography, notably the album covers for Come to Where I'm From and Our Shadows Will Remain, which included a 36-page booklet featuring prints of his original artwork, and was released with a die-cut outer slipcase sleeve. Arthur and frequent graphic design collaborator Zachary Larner's sleeve design for the 1999 extended play Vacancy was nominated for a Grammy Award for Best Recording Package. He staged his first art exhibition in 2006 at the Vertigo Gallery in London from February 10 to February 12, and released a 110-page book entitled We Almost Made It, a visual collection of his artworks, along with an accompanying instrumental CD titled The Invisible Parade in May 2006.

He set up his personal art gallery The Museum of Modern Arthur in June 2007 as a brick and mortar location in Brooklyn's DUMBO District. According to an article on Stereogum.com, Joseph and the MOMAR were evicted from the building. Joseph held a record release party for Temporary People before the closing of the gallery in September 2008. The MOMAR gallery soon morphed into an online gallery.

Live performances

Arthur's one man band live performances incorporate looping techniques and several distortion techniques. His live performances are recorded through to the last note and then burnt to CD-R. They are sold immediately to fans after the concert. Beginning with his fall 2006 tour, Arthur incorporated a full band, The Lonely Astronauts.

The Lonely Astronauts are:

Joseph Arthur – vocals, guitar

Kraig Jarret Johnson – guitar, keyboards, vocals

Jennifer "Jen" Turner – guitar, vocals

Sibyl Buck – bass, vocals

Greg "G. Wiz" Wieczorek – drums, vocals

Instruments and loops

Of the guitars that Joseph utilizes, his primary acoustic guitar is an Irish Lowden 012C. Some of Joseph's other guitars include a Garrison G-50-CE, a Gibson ES-335, and a '70s Fender Strat.

To incorporate his looping techniques, Arthur uses a myriad of rackmounted units of the Lexicon JamMan. He plays his guitars through an impressive floor of effects pedals. When performing solo live, he often records a sample of guitar, percussion, or vocals which he can then loop periodically throughout a song, allowing him to perform verses with the added effect of harmonizing with himself.

Personal life

Throughout his life, Arthur has battled alcoholism and substance abuse. In a 2008 interview with NPR, he noted, "I think once you're an addict, you're always an addict. I think I drank my first beer when I was in sixth grade, and I just remember knowing I was an alcoholic then. It's definitely something I've been dealing with for quite a long time, and it's something that I feel I'm on the good end of right now." Arthur cites being prolific as a factor in his sobriety.

Discography

Studio albums

Big City Secrets (March 11, 1997)

Come to Where I'm From (April 11, 2000)

Redemption's Son (May 20, 2002)

Our Shadows Will Remain (September 28, 2004)

Nuclear Daydream (September 19, 2006)

Let's Just Be (with The Lonely Astronauts) (April 17, 2007)

Temporary People (with The Lonely Astronauts) (September 30, 2008)

EPs

Cut and Blind (August 1996)

Vacancy (May 11, 1999)

Junkyard Hearts I (February 15, 2002)

Junkyard Hearts II (February 28, 2002)

Junkyard Hearts III (March 15, 2002)

Junkyard Hearts IV (March 28, 2002)

And the Thieves Are Gone (December 7, 2004)

Could We Survive (March 18, 2008)

Crazy Rain (April 15, 2008)

Vagabond Skies (June 10, 2008)

Foreign Girls (July 8, 2008)

References

External links

Joseph Arthur's official website

Joseph Arthur's Tumblr blog

Lonely Astronauts – fan website

Lonely Astronaut Records website

Category:Living people Category:American male singers Category:American rock singers Category:American singer-songwriters Category:Songwriters from Ohio Category:1971 births Category:People from Akron, Ohio Authur, Joseph Category:People self-identifying as alcoholics

Name	Spike Jonze
Caption	Jonze holding a producer credit for The 1 Second Film in October 2004
Birth name	Adam Spiegel
Birth date	October 22, 1969
Birth place	Rockville, Maryland, U.S.
Spouse	Sofia Coppola (1999-2003) (divorced)
Partner	Michelle Williams (2008-2009)

Spike Jonze (born October 22, 1969) is an American director, producer and actor, whose work includes music videos, commercials, film and television. He is best known for his collaborations with writer Charlie Kaufman, which include the 1999 film Being John Malkovich and the 2002 film Adaptation., and for his work as director of the 2009 film Where the Wild Things Are. He was also a co-creator and executive producer of MTV's Jackass. He is currently the creative director of VBS.tv. He is also part owner of skateboard company Girl Skateboards with riders Rick Howard and Mike Carroll.

He also co-founded Directors Label with Chris Cunningham and Michel Gondry.

Early life

Jonze was born in Rockville, Maryland, and raised in Bethesda, Maryland and in Gulph Mills, Pennsylvania. His father, Arthur Spiegel III, was a distant relation of the Spiegel catalog family and founded APM Management Consultants. His mother, Sandy Granzow, is a writer, communications consultant in developing countries, and artist. His brother Sam (aka Squeak E. Clean) is a producer and DJ. Jonze attended The Field School in Washington, D.C., and Walt Whitman High School.

When he was in junior high and high school, Jonze worked at Browns convenient store, where his friend Mike Henderson gave him his nickname "Spike Jonze". The three also created the youth culture magazines Homeboy and Dirt (the latter of which was described as "Sassy Magazine for boys," being published by the same company and distributed in cellophane bags with the landmark magazine for young women).

Career

In 2006, he was nominated by the Directors Guild of America for "Outstanding Achievement in Commercials in 2005." He was nominated for a body of work that included Hello Tomorrow for Adidas, Lamp for IKEA, and Pardon Our Dust for The Gap. He was a producer and co-creator of MTV television series Jackass and , also directing some of the segments.

Jonze has many alter egos, including Richard Koufey (alternately spelled Coufey or Couffe), the leader of the Torrance Community Dance Group, an urban troupe that performs in public spaces. The Koufey persona appeared when Jonze, in character, filmed himself dancing to Fatboy Slim's "Rockafeller Skank" as it played on a boom box in a public area. Spike showed the video to Slim, who loved it. Jonze then assembled a group of dancers to perform to Slim's "Praise You" outside a Westwood, California movie theater and taped the performance. The resulting clip was a huge success, and "Koufey" and his troupe were invited to New York City to perform the song for the 1999 MTV Video Music Awards. The video received awards for Best Direction, Breakthrough, and Best Choreography, which Jonze accepted, still in character. Jonze made a mockumentary about the experience called Torrance Rises.

Since 2007, he has been the creative director at VBS.tv, an online television network supplied by Vice and funded by MTV. which opened in the United States on October 16, 2009. It was arguably his most anticipated film to date, the product of an almost decade long collaboration with author Maurice Sendak. The film received generally favorable reviews, and appeared on many critics' end-of-the-year top ten lists.

In July 2009, Jonze acquired the rights to make a film adaptation of the Shane Jones novel, Light Boxes. However, Jonze, in an interview with Times Online, said that Ray was no longer a director for that project. In an interview with Interview Magazine in June 2010, Jones said the film option had been dropped.

In 2010, Jonze directed the video for Arcade Fire's 'The Suburbs'.

Spike is good friends with Björk and frequently works with her. He directed three videos for her and she contributed with the theme song for Spike's Being John Malkovich film.

Personal life

On June 26, 1999, Jonze married director Sofia Coppola, whom he had known for nearly ten years. On December 5, 2003, the couple filed for divorce, citing "irreconcilable differences." The character of John, a career-driven photographer (Giovanni Ribisi) in Coppola's Lost In Translation (2003), was rumored to be based on Jonze, though Coppola has vehemently denied this.

He was known to be dating the Yeah Yeah Yeahs' lead singer, Karen O.

He dated Michelle Williams from July 2008 to September 2009. In 2010, it is reported that he is dating Japanese actress Rinko Kikuchi.

Recurring collaborators

Spike Jonze has worked with certain actors and key crew members in more than one of his films.

Filmography

Director

Feature films

{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Budget ! style="background:#B0C4DE;" | US Gross ! style="background:#B0C4DE;" | Awards |- | rowspan="1" | 1999 | Being John Malkovich | $13 million | $22,863,596 | 3 Oscar nominations; 4 GG nominations |- | rowspan="1" | 2002 | Adaptation. | $19 million | $22,498,520 | 1 Oscar win, 3 nominations; 2 GG wins |- | rowspan="1" | 2009 | Where the Wild Things Are | $100 million | $100,086,793 | 1 GG nomination |}

Short films

{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Role |- | 1997 | How They Get There | Writer, Director |- | rowspan="1" | 1998 | Amarillo by Morning | Director |- | 1999 | Torrance Rises | Director, Choreographer, Actor |- | 2009 | We Were Once a Fairytale | Director |- | 2010 | I'm Here | Writer, Director |- | 2010 | Scenes from the Suburbs | Director |}

Music videos

{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Song ! style="background:#B0C4DE;" | Artist ! style="background:#B0C4DE;" | Notes |- |rowspan="2"|1992 | "High in High School" | Chainsaw Kittens | |- | "100%" | Sonic Youth | |- |rowspan="5"|1993 | "Cannonball" | The Breeders | Co-directed by Kim Gordon Produced by Steve Reiss |- | "Country at War" | X | |- | "Daughters of the Kaos" | Luscious Jackson |- | "Hang On" | Teenage Fanclub | |- | "Time for Livin'" | Beastie Boys | |- |rowspan="12"|1994 | "All About Eve" | Marxman | |- | "Buddy Holly" | Weezer | |- | "Ditch Digger" | Rocket from the Crypt | |- | "Divine Hammer" | The Breeders | |- | "Feel the Pain" | Dinosaur Jr. | |- | "I Can't Stop Smiling" | Velocity Girl | |- | "If I Only Had a Brain" | MC 900 Ft. Jesus | |- | "Old Timer" | that dog. | |- | "Ricky's Theme" | rowspan="3"|Beastie Boys | |- | "Sabotage" | Also writer |- | "Sure Shot" | |- | "Undone - The Sweater Song" | Weezer | |- |rowspan="7"|1995 | "California" | Wax | |- | "Car Song" | Elastica | |- | "Crush with Eyeliner" | R.E.M. | |- | "Freedom of '76" | Ween | |- | "It's Oh So Quiet" | Björk | |- | "The Diamond Sea" | Sonic Youth | |- | "Who Is Next?" | Wax | |- | 1996 | "Drop" | The Pharcyde | |- | rowspan="7"|1997 | "Da Funk" | Daft Punk | |- | "Electrolite" | R.E.M. | |- | "Elektrobank" | The Chemical Brothers | |- | "It's All About the Benjamins" (Rock Remix) | Puff Daddy | |- | "Liberty Calls" | Mike Watt | |- | "Shady Lane" | Pavement | |- | "Sky's the Limit" | The Notorious B.I.G. | |- | rowspan="3"|1998 | "Home" | Sean Lennon | |- | "Praise You" | Fatboy Slim | A Torrance Public Film Production |- | "Root Down" version 2 | Beastie Boys | |- | rowspan="3"|2000 | "Weapon of Choice" | Fatboy Slim |- | "What's Up, Fatlip?" | Fatlip | |- | "Wonderboy" | Tenacious D | As Marcus Von Bueler |- | rowspan="3"|2002 | "Island in the Sun" (version 2) | Weezer | |- | "Guess I'm Doing Fine" | Beck | |- | "It's in Our Hands" | Björk | |- | 2003 | "Big Brat" | Phantom Planet | |- |rowspan="2"|2004 | "Get Back" | Ludacris | |- | "Y Control" | Yeah Yeah Yeahs | |- | rowspan="1"|2005 | "Triumph of a Heart" | Björk | |- | rowspan="1"|2008 | "Flashing Lights" | Kanye West | Co-directed with West |- | rowspan="2"|2009 | "Heaven" | UNKLE | Co-directed with Ty Evans |- | "25" | AsDSSka | Co-directed with Crysal Moselle |- |rowspan="2"|2010 | "Drunk Girls" | LCD Soundsystem | Co-directed with James Murphy |- | "The Suburbs" | Arcade Fire |- |}

Video

Ciao L.A. (director) (1994)

An Intimate Look Inside the Acting Process with Ice Cube (director) (1999)

What's Up, Fatlip? (director) (2003)

(director) (2003)

The Mystery of Dalarö (director) (2004)

Corporate Ghost (actor, director) (2004)

Tell Me What Rockers to Swallow (cinematographer) (2004)

Skateboard videos

"Rubbish Heap" for SMA World Industries (1989)

"Two World Industries Men" for SMA World Industries (1989)

"Video Days" for Blind (1991)

Goldfish (1993)

Mouse (1996)

The Chocolate Tour (1999)

Yeah Right! (2003)

Hot Chocolate! (2004)

The Krooked Chronicles (2006)

"Fully Flared" for Lakai (2007)

Other filmography

{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Role |- | 1993 | Mi Vida Loca | rowspan="3"|Actor |- | 1996 | Pig! |- | rowspan="3" | 1997 | The Game |- | Free Tibet | Cinematographer |- | Three Kings | Actor |- | rowspan="2" | 2001 | Human Nature | Producer |- | Keep Your Eyes Open | Actor |- |''2002 | | Producer, Featured |- | 2006 | | Producer, Featured |- | rowspan="2"|2008 | Synecdoche, New York | rowspan="2" | Producer |- | Heavy Metal in Baghdad |- | rowspan="1" | 2009 | The 1 Second Film | Producer, Appearing |- | 2010 |Jackass 3D | Producer, Appearing |- | 2010 |Higglety Pigglety Pop! or There Must Be More to Life | Producer, Appearing |}

Television

{| border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 90%;" |- bgcolor="#B0C4DE" align="center" ! Year ! Title ! Position |- | 2000 | Jackass | Creator, Executive Producer |- | 2004 | Sonic Youth Video Dose | Actor |- | 2010 | The Increasingly Poor Decisions of Todd Margaret | Actor - Doug Whitney |- |}

References

External links

Spike Jonze Producer Profile on The 1 Second Film website

Allmovie entry for Spike Jonze

Commercials at MJZ

Spike Jonze unmasked

DirectorsLabel.com, co-founded with Chris Cunningham and Michel Gondry

KCRW's The Treatment: Spike Jonze

"Spike Jonze Unmasked" article from New York Magazine

Henry Keazor, Thorsten Wübbena: Video Thrills The Radio Star. Musikvideos: Geschichte, Themen, Analysen. Bielefeld 2007, p. 175ff., p. 182ff., p. 232ff., p. 277ff.

The New York Times Magazine profile

Category:1969 births Category:Living people Category:Advertising directors Category:American film directors Category:American film producers Category:American music video directors Category:American television directors Category:American television producers Category:Grammy Award winners

Category:People from Rockville, Maryland

Name	Sheryl Crow
Background	solo_singer
Birth name	Sheryl Suzanne Crow
Parents	Bernice and Wendell Crow
Born	February 11, 1962 Kennett, Missouri, United States
Children	Wyatt (adopted)
Voice type	Mezzo-soprano
Instrument	Vocals, guitar, bass guitar, piano, keyboards, organ, accordion, harmonica, autoharp, hammond b3, wurlitzer, Moog bass, mandolin, mandola
Genre	Pop rock, alternative rock, roots rock, folk rock, country rock|
Occupation	Musician, singer-songwriter, activist
Years active	1986–present
Label	A&M; Records
Education	University of Missouri
Associated acts	Stevie Nicks, Michael Jackson, Eric Clapton, Dixie Chicks, Kevin Gilbert, Bill Bottrell, Kid Rock, Sting, Miley Cyrus
Url	Official Website

Sheryl Suzanne Crow (born February 11, 1962) is an American singer-songwriter, guitarist, bassist, musician, and actress. Her music incorporates elements of rock, folk, hip hop, country and pop. She has won nine Grammy Awards from the National Academy of Recording Arts and Sciences.

She has performed with The Rolling Stones and has sung duets with Mick Jagger, Michael Jackson, Eric Clapton, Luciano Pavarotti, John Mellencamp, Kid Rock, Michelle Branch, and Sting among others. She has performed backing vocals for Tina Turner and Don Henley. Crow has released seven studio albums, two compilations, and a live album, and has contributed to film soundtracks. She has sold 16 million albums in the United States and 35 million albums worldwide and her newest album, 100 Miles from Memphis, was released on July 20, 2010. Recently she appeared on NBC's 30 Rock, ABC's Cougar Town, Disney Channel's Hannah Montana Forever and Rally to Restore Sanity and/or Fear.

Early life

Sheryl Suzanne Crow was born in Kennett, Missouri on February 11, 1962. Her father Wendell Crow is a lawyer and trumpet player, and her mother Bernice, a piano teacher. She has older sisters Kathy and Karen, and a younger brother Steven.

While studying at Kennett High School, Crow was a majorette and an All-State track athlete, winning medals in the 75-meter low hurdles. She also joined the Pep Club, the National Honor Society, National FFA Organization, Freshman Maid, Senior Maid, and Paperdoll Queen. She then enrolled at the University of Missouri, in Columbia, and received a Bachelor of Arts degree in Music Composition, Performance, and Education. While in college, Crow sang in a local band, Cashmere. She was a member of the Kappa Alpha Theta social sorority, Sigma Alpha Iota International Music Fraternity for Women, and the Omicron Delta Kappa Society. Later, Crow was awarded an honorary doctorate from the Southeast Missouri State University, in Cape Girardeau, Missouri.

Crow has stated that her musical inspirations are not restricted to one genre, as she likes absolutely anything with a drum beat. In 2008, she told Ellen DeGeneres that "If it didn't have a drum beat, you can just forget about it!"

Early career

After graduating from college, Crow worked as a music teacher at the Kellison elementary school, in Fenton, Missouri. Teaching during the day allowed her the opportunity to sing in bands on weekends. Later, she was introduced to local musician and producer Jay Oliver. He had a thriving studio in the basement of his parents' home, in St. Louis, and helped her by using her in advertising jingles. Her first jingle was a back-to-school spot for the St. Louis department store Famous-Barr. McDonald's and Toyota commercial jingles soon followed. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's commercial alone.

Crow toured with Michael Jackson as a backup vocalist during his Bad World Tour from 1987–1989, and often performed with Jackson on "I Just Can't Stop Loving You." She also recorded background vocals for performances from various established artists including Stevie Wonder, Belinda Carlisle and Don Henley.

Crow also sang in the short-lived Steven Bochco drama, Cop Rock, in 1990. The following year, she performed "Hundreds of Tears," which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith.

1990s

Scrapped debut album (1992)

In 1992, Crow recorded her first attempt at her debut album with Phil Collins' producer Hugh Padgham. The self-titled debut album was due to be released on September 22, 1992, but was ultimately rejected by her label. However, a handful of cassette copies of the album were leaked along with press folders to be used for album publicity. This album has been widely dispersed via file sharing networks and fan trading. In the meantime, Crow's songs were recorded by major artists such as Celine Dion and Wynonna Judd.

International success (1993-1997)

She then began dating Kevin Gilbert and joined him in an ad hoc group of musicians known to everyone in the group as the "Tuesday Music Club." Group members, Gilbert, David Baerwald and David Ricketts (both formerly of David & David), Bill Bottrell, Brian MacLeod, and Dan Schwartz share songwriting credits with Crow on her debut album, Tuesday Night Music Club. The singles "Strong Enough" and "Can't Cry Anymore" were also released, with the first song ("Strong Enough") charting at #5 on Billboard and "Can't Cry Anymore" hitting the Top 40. Tuesday Night Music Club went on to sell more than 7 million copies in the US and UK during the 1990s. The album also won Crow three Grammy Awards, in 1995: Record of the Year, Best New Artist and Best Female Vocal Performance.

Crow supplied background vocals to the song "The Garden of Allah" from Don Henley's 1995 album .

In 1996, Crow released her self titled second album. The album had songs about abortion, homelessness and nuclear war. The debut single, "If It Makes You Happy," became a radio success and netted her two Grammy awards for Best Female Rock Vocal Performance and Best Rock Album. Other singles included "A Change Would Do You Good," "Home" and "Everyday Is A Winding Road." Crow produced the album herself. The album was banned from sale at Wal-Mart, as in the "Love Is A Good Thing" lyric Wal-Mart is implicated (by name) of supplying guns to which children later gain access. In 1997, Crow contributed the theme song to the James Bond film Tomorrow Never Dies. Her song "Tomorrow Never Dies" was nominated for a Grammy Award and Best Original Song Golden Globe. Crow collaborated on Scott Weiland's 1998 album, 12 Bar Blues.

The Globe Sessions and Live (1998-1999)

In 1998 Crow released The Globe Sessions. During this period, she discussed in interviews having gone through a deep depression, and there was speculation about a brief affair with Eric Clapton. The debut single from this album, "My Favorite Mistake," was rumored to be about him, although Crow claims otherwise about a philandering ex-boyfriend. Crow has refused to say who the song was about telling Billboard Magazine on the release of her album. "Oh, there will be just so much speculation, and because of that there's great safety and protection in the fact that people will be guessing so many different people and I'm the only person who will ever really know. I'm really private about who I've had relationships with, and I don't talk about them in the press. I don't even really talk about them with the people around me." Despite the difficulties in recording the album, Crow told the BBC in 2005 that: "My favorite single is 'My Favorite Mistake,' it was a lot of fun to record and it's still a lot of fun to play." The album won Best Rock Album at the 1998 Grammy Awards. It was re-released in 1999, with a bonus track, Crow's cover of the Guns N' Roses song "Sweet Child o' Mine," which was included on the soundtrack of the film Big Daddy. The song won the 1999 Grammy for Best Female Rock Vocal Performance. Other singles included "There Goes the Neighborhood," "Anything But Down," and "The Difficult Kind." Crow won Grammy best female rock vocal performance for "There Goes the Neighborhood" in 2001. The Globe Sessions peaked at #5 on the Billboard 200 chart, achieving US sales of 2 million as of January 2008.

Later in 1998, Crow took part in a live concert in tribute to Burt Bacharach, in which she contributed vocals on One Less Bell to Answer.

In 1999, Crow also made her acting debut as an ill-fated drifter in the suspense/drama The Minus Man, which starred her then-boyfriend Owen Wilson as a serial killer.

She also released a live album called . The record featured Crow singing many of her hit singles with new musical spins and guest appearances by many other musicians including Sarah McLachlan, Stevie Nicks, the Dixie Chicks, Keith Richards, and Eric Clapton. "There Goes the Neighborhood" was included in the album, eventually winning the Grammy for Best Female Rock Vocal Performance.

2000s

C'mon, C'mon and The Very Best of (2002-2004)

.]] Crow had been involved with the Scleroderma Research Foundation (SRF) since the late 1990s, performing at fund-raisers and befriending Sharon Monsky. In 2002, as a result of her friend Kent Sexton dying from scleroderma, she interrupted work on her new album C'mon C'mon to record the traditional hymn "Be Still, My Soul," to be played at his funeral. In November of that year it was released as a single, with the proceeds going to SRF.

Crow's fourth studio album, C'mon, C'mon was released in 2002, spawning the hit single "Soak Up the Sun." Second single "Steve McQueen" won the Female Rock Vocal Performance Grammy.

Crow opposed the 2003 invasion of Iraq, wearing a shirt that read "I don't believe in your war, Mr. Bush!" during a performance on Good Morning America and posting an open letter explaining her opposition on her website. Crow, performing with Kid Rock at the 45th annual Grammy Awards, wore a large peace sign and a guitar strap with the words "No War."

Crow recorded the song "Kiss That Girl" for the film Bridget Jones's Diary. She also recorded a cover version of the Beatles' song "Mother Nature's Son" for the film I Am Sam. Crow duetted with rapper Kid Rock on the crossover hit single "Picture." She also assisted Rock on the track "Run Off to L.A."

Crow collaborated with Michelle Branch on the song "Love Me Like That" for Branch's second album, Hotel Paper, released in 2003. Crow was featured on the Johnny Cash album in the song "Field of Diamonds" as a background vocalist, and also played the accordion for the songs "Wayfaring Stranger" and "Mary of the Wild Moor."

In 2003, Crow released a greatest hits compilation called The Very Best of Sheryl Crow. It featured many of her hit singles, as well as some new tracks. Among them was the ballad "The First Cut is the Deepest" (originally a Cat Stevens song), which became her biggest radio hit since "All I Wanna Do." She also released the single "Light In Your Eyes," which received limited airplay. "The First Cut is the Deepest" earned her two American Music Awards for Best Pop/Rock Artist and Adult Contemporary Artist of the Year, respectively.

In 2004, Crow appeared as a musical theater performer in the Cole Porter biopic De-Lovely.

.]]

Wildflower (2005-2007)

Her fifth studio album Wildflower was released in September 2005. Although the album debuted at #2 on the Billboard charts, it received mixed reviews and was not as commercially successful as her previous albums. In December 2005, the album was nominated for a Best Pop Vocal Album Grammy, while Crow was nominated for a Best Female Pop Vocal Performance Grammy for the first single "Good Is Good." However, she ultimately lost in both categories to Kelly Clarkson. The album got a new boost in 2006 when the second single was announced as "Always on Your Side," re-recorded with British musician Sting and sent off to radio, where it was quickly embraced at Adult Top 40. The collaboration with Sting resulted in a Grammy-nomination for Best Pop Collaboration With Vocals. As of January 2008, Wildflower has sold 949,000 units in the U.S. She also voices Elvis in the film. Crow was diagnosed with early-stage breast cancer in mid-February 2006, her doctors stating that "prognosis for a full recovery is excellent."

Crow's first concert after her cancer diagnosis was on May 18 in Orlando, Florida where she played to over 10,000 information technology professionals at the SAP Sapphire Convention. Her first public appearance was on June 12, when she performed at the Murat Theater in Indianapolis, Indiana.

The singer also appeared on Larry King Live on CNN on August 23, 2006. In this show she talked about her comeback, her breakup with Lance Armstrong, her past job as Michael Jackson's backup singer, and her experience as a breast cancer survivor.

In late 2006, Crow was nominated for a Golden Globe Award for the song "Try Not To Remember" (Best Original Song category) from the film Home of the Brave.

Crow wrote a foreword for the book Crazy Sexy Cancer Tips, author Kris Carr's book that was based on her 2007 documentary film Crazy Sexy Cancer. Crow contributed her cover of the Beatles's "Here Comes the Sun" on the Bee Movie soundtrack in November 2007. She contributed background vocals to the Ryan Adams song "Two" from the album Easy Tiger.

Detours 2008-2009

Crow returned with her sixth studio album Detours, which was released on February 5, 2008. Detours debuted at number two on the U.S. Billboard 200 chart, selling about 92,000 copies in its first week and an additional 52,000 copies in its second week.

Detours was recorded at Crow's Nashville farm. Her son, Wyatt, makes an appearance on the song "Lullaby for Wyatt," which is featured in the movie Grace Is Gone. "The songs are very inspired by the last three years of events in my life," Crow said of a time that found her battling breast cancer and splitting with partner Lance Armstrong.

"Shine Over Babylon" was the first promotional single from the album (download only). The first 'official' single to be released from the album was "Love Is Free," followed by "Out of Our Heads."

A liberal political activist, she endorsed Barack Obama for the United States Presidential Election and later performed on the 4th and last day of the 2008 Democratic National Convention.

Crow has also recorded a studio version of "So Glad We Made It" for the "Team USA Olympic Soundtrack" in conjunction with the 2008 U.S. Olympic team sponsors AT&T.; Crow also stated that $1 of each ticket purchased for her 2008 tour would be donated to the United Nations World Food Programme.

A&M; Records re-released Sheryl's debut album, "Tuesday Night Music Club" as a deluxe version 2CD/DVD set on November 17, 2009. The bonus CD contains unreleased songs and B-sides, and a new mix of "I Shall Believe." The DVD features music videos for each of the album's singles.

2010s

Raise Hope for Congo Compilation

In 2010, Crow contributed the original spoken-word track "My Name is Mwamaroyi" to the Enough Project and Downtown Records' Raise Hope for Congo compilation. Proceeds from the compilation fund efforts to make the protection and empowerment of Congo’s women a priority, as well as inspire individuals around the world to raise their voice for peace in Congo.

100 Miles from Memphis (2010 - )

A&M; Records released Crow's seventh studio album, 100 Miles from Memphis, on July 20, 2010. The album has a classic soul vibe and features lead single "Summer Day." 100 Miles from Memphis (released July 20 on A&M; Records), the distance from her hometown to the music mecca, is an ode to her formative memories of music - and one that the label hopes can inspire young music fans to investigate the landscape beyond processed pop and Auto-Tune.

(2010)

Sheryl Crow performed with Loretta Lynn and Miranda Lambert on the song "Coal Miner's Daughter" from (2010).

44th Annual Country Music Awards

On November 10, 2010, Sheryl Crow performed a tribute to Loretta Lynn with Miranda Lambert on the 44th Annual Country Music Awards.

Personal life

Crow began dating cyclist Lance Armstrong in 2003. The couple announced their engagement in September 2005 and their split in February 2006. Immediately following her split from Lance Armstrong, Crow was treated for breast cancer at a Los Angeles-based facility by breast cancer surgeon Dr. Kristi Funk. Crow had "minimally invasive" surgery in late February 2006, followed by radiation therapy.

On May 11, 2007, Crow announced on her official website that she had adopted a two-week-old boy named Wyatt Steven Crow. The child was born on April 29, 2007. She and Wyatt live on a farm outside Nashville, Tennessee.

On June 4, 2010, Crow announced that she adopted another boy named Levi James Crow, born on April 30, 2010.

She is the great-granddaughter of former congressman Charles A. Crow (1873-1938).

Discography

1993: Tuesday Night Music Club

1996: Sheryl Crow

1998: The Globe Sessions

2002: C'mon C'mon

2005: Wildflower

2008: Detours

2010: 100 Miles from Memphis

See also

List of artists who reached number one on the U.S. Dance chart

References

External links

Official Website

Sheryl Crow's interview on National Public Radio's Fresh Air

Sheryl Crow interview on Bmore Tunes

Sheryl Crow Interview – Billboard En Español

Sheryl Crow Launches Her Own Denim Brand

Category:1962 births Category:Living people Category:People from Kennett, Missouri Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:American anti-Iraq War activists Category:American bass guitarists Category:American female guitarists Category:American female singers Category:American mezzo-sopranos Category:American pop pianists Category:American pop singers Category:American rock guitarists Category:American rock singers Category:American schoolteachers Category:American singer-songwriters Category:Breast cancer survivors Category:BRIT Award winners Category:American people of English descent Category:Female rock singers Category:Grammy Award winners Category:Musicians from Missouri Category:University of Missouri alumni

Name	Michael Stipe
Background	solo_singer
Birth name	John Michael Stipe
Born	January 04, 1960Decatur, Georgia, United States
Genre	Alternative rock
Occupation	Singer-songwriter, producer, film producer, television producer
Years active	1980–present
Instrument	Vocals, harmonica, guitar
Associated acts	R.E.M.Automatic BabyPlaceboKristin HershNatalie MerchantThe Golden Palominos

John Michael Stipe (born January 4, 1960) is an American singer who is the lead vocalist for the alternative rock band R.E.M. Stipe has become well-known (and occasionally parodied) for the "mumbling" style of his early career and for his complex, surreal lyrics, as well as his social and political activism. Stipe is in charge of the band's visual image, often selecting album artwork and directing many of the band's music videos. Stipe's work extends outside of the music industry, and he runs his own film production companies, C-00 and Single Cell Pictures.

Life and career

Early life

Stipe was born in Decatur, Georgia on January 4, 1960. Stipe was a military brat; his father was a serviceman in the United States Army whose career resulted in frequent relocations for his family. Stipe and his family moved to various locales during his childhood, including Germany, Texas, Illinois, Alabama and Georgia. Stipe graduated from high school in Collinsville, Illinois in 1978. His senior photo is pictured in the album art work of Eponymous. Stipe also worked at the local Waffle House. Stipe later enrolled at the University of Georgia in Athens, Georgia, as an art major, studying photography and painting.

Formation of R.E.M.

While attending college in Athens, Stipe frequented the Wuxtry record shop where he met store clerk Peter Buck in 1980. "He was a striking-looking guy and he also bought weird records, which not everyone in the store did", Buck recalled. The two became friends and eventually decided to form a band. Buck and Stipe started writing music together; at the time Stipe also spent time in a local group named Gangster. The pair were soon joined by Bill Berry and Mike Mills and named themselves R.E.M., a name Stipe selected at random from a dictionary.

All four members of R.E.M. dropped out of school in 1980 to focus on the band. Stipe was the last to drop out. The band issued its debut single, "Radio Free Europe", on Hib-Tone. The song was a college radio success and the band signed to I.R.S. Records for the release of the Chronic Town EP one year later. R.E.M. released its debut album Murmur in 1983, which was widely acclaimed by critics. Stipe's vocals and lyrics received particular attention from listeners. Murmur went on to win the Rolling Stone Critics Poll Album of the Year over Michael Jackson's Thriller. The band's second album, Reckoning, followed in 1984.

R.E.M. traveled to England to record its third album Fables of the Reconstruction (1985). The situation was difficult and brought the band to the verge of break-up. Even after the album was released, relationships were tense within the band. Stipe said of the period, "I was well on my way to losing my mind". Stipe gained weight and his behavior became more eccentric; he shaved his hair into a monk's tonsure.

Personal life

With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. According to Stipe, he did not start the rumor and he does not know who did.

In 1994, with questions still swirling about his sexuality, Stipe described himself as "an equal opportunity lech," and said he did not define himself as gay, straight, or bisexual, but that he was attracted to and had relationships with both men and women. In 1995 he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don’t. I think there’s a line drawn between gay and queer, and for me, queer describes something that’s more inclusive of the grey areas."

In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia-based rock band; the book was widely speculated, and later confirmed by its author, to have been a roman à clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haikus) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph).

Stipe was a vegetarian from 1980 to 2000.

with his "Goblin" make up]]

Projects

Stipe had planned a collaboration with Nirvana's Kurt Cobain in 1994, partly in an attempt to lure Cobain away from his home and his drug addiction, but did not manage to compose or record anything before Cobain's death. Stipe was chosen as the godfather of Kurt Cobain and Courtney Love's daughter, Frances Bean Cobain.

Stipe was once very close to fellow singer Natalie Merchant and has recorded a few songs with her, including one titled "Photograph" which appeared on a pro-choice benefit album titled Born to Choose and they have appeared live with Peter Gabriel singing Gabriel's single "Red Rain".

Stipe and Tori Amos became friends in the mid 1990s and recorded a duet in 1994 called "It Might Hurt a Bit" for the Don Juan DeMarco motion picture soundtrack. Both Stipe and Amos decided to keep it in the vaults, though it was later slated to appear on the Empire Records motion picture soundtrack in 1995. The song remains unreleased and unheard.

In 1998, Stipe published a collection called Two Times Intro: On the Road with Patti Smith.

In 2006, Stipe released an EP that comprised six different cover versions of Joseph Arthur's "In The Sun" for the Hurricane Katrina disaster relief fund. One version, recorded in a collaboration with Coldplay's Chris Martin, reached number one on the Canadian Singles Chart. Also in 2006, Stipe appeared on the song "Broken Promise" on the Placebo release Meds. Continuing his non-R.E.M. work in 2006, Stipe sang the song "L'Hôtel" on the tribute album to Serge Gainsbourg titled Monsieur Gainsbourg Revisited and appeared on the song "Dancing on the Lip of a Volcano" on the New York Dolls album One Day It Will Please Us to Remember Even This.

In 2008, Stipe collaborated with Lacoste to release his own "holiday collector edition" brand of polo shirt. The design depicts the view of a concert audience from the view of the performer on stage.

Musical style

Stipe's role in the songwriting process for R.E.M. is to write lyrics and devise melodies. While each member is given an equal vote in the songwriting process, Peter Buck has conceded that Stipe, as the band's lyricist, can rarely be persuaded to follow an idea he does not favor. Stipe sings in "wailing, keening, arching vocal figures" that R.E.M. biographer David Buckley compared to Celtic folk artists and Muslim muezzin. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false."

"That voice. It's an extraordinary voice," said U2's Bono in 2003. "I often tell him I think he's a crooner, and he doesn't like that very much. But it is sort of one part some sort of Bing Crosby '50s laid-back crooner, and one part Dolly Parton," he added, laughing.

Stipe insisted that many of his early lyrics were "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, many early R.E.M. songs had definite lyrics that Stipe wrote with care. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." After what Stipe has referred to as "The Dark Ages of American Politics [The Reagan/Bush Years]", R.E.M. incorporated more politically-oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." While Stipe continued to write songs with political subject matter like "Ignoreland" and "Final Straw", later albums have focused on other topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe, Stipe and his producing partner, Sandy Stern, have served as executive producers on films including Being John Malkovich, Velvet Goldmine, and Man on the Moon. He was also credited as a producer of the 2004 film Saved!.

In 1998 he worked on Single Cell Pictures, a film production company which released several arthouse / indie movies.

Stipe has made a number of acting appearances on film and on television. Stipe appeared in an episode of The Adventures of Pete & Pete as an ice cream man named Captain Scrummy. Stipe has appeared as himself with R.E.M. on Sesame Street playing a reworked version of "Shiny Happy People" called "Furry Happy Monsters", and appeared in an episode of The Simpsons titled "Homer the Moe", where R.E.M. was tricked into playing a show in Homer Simpson's garage. He also appeared as a guest on the Cartoon Network talk show spoof Space Ghost Coast to Coast in the episode 'Hungry'

Stipe also was the voice of Schnitzel the Reindeer in the 1999 movie "Olive, the Other Reindeer".

Discography

;Albums

With The Golden Palominos: "Boy (Go)", "Omaha", and "Clustering Train" on Visions of Excess (1985); "Alive and Living Now" on Drunk With Passion (1991)

With 10,000 Maniacs: "A Campfire Song" on In My Tribe (1987)

With the Indigo Girls : "Kid Fears" on Indigo Girls (1988); "I'll Give You My Skin" on Rarities (2005)

With Syd Straw: "Future 40's" on Surprise (1989)

With The Blue Aeroplanes: "What It Is" on Swagger (1990)

With Billy Bragg: "You Woke Up My Neighbourhood" on Don't Try This at Home (1991)

With Neneh Cherry: "Trout" on Homebrew (1992)

With Kristin Hersh: "Your Ghost" on Hips and Makers (1994)

"My Gang" on Kerouac: Kicks Joy Darkness (1997)

With Vic Chesnutt: "Injured Bird" on The End of Violence (1997)

With Patti Smith: "Last Call" on Peace & Noise (1997); "Glitter in Their Eyes" on Gung-Ho (2000)

With Rain Phoenix: "Happiness" on the soundtrack for the film Happiness (1998)

With Grant Lee Buffalo: "Everybody Needs a Little Sanctuary" on Jubilee (1998)

With Spacehog: "Almond Kisses" on The Chinese Album (1999)

With Utah Saints: "Sun", "Rhinoceros" and "Wiggedy Wack" on Two (2000)

With Community Trolls: "Tainted Obligation" (1983) on (2002)

With Faultline: "Greenfields" on Your Love Means Everything (2002)

With 1 Giant Leap: The Way You Dream on "1 Giant Leap (album)" (2002); "I Have Seen Trouble" on What About Me? (2009)

With Stéphane Pompougnac: "Clumsy" on Living on the Edge (2003)

"L'Hôtel" (Serge Gainsbourg cover) on Monsieur Gainsbourg Revisited (2006)

With Placebo: "Broken Promise" on Meds (2006)

With Miguel Bosé: Lo Que Hay Es Lo Que Ves on "Papito" (2007)

;Singles

"In the Sun" (with Chris Martin) (2006)

;Compilation albums

Stay Awake: Various Interpretations of Music from Vintage Disney Films - "Opening Melody — Little April Shower" (with Natalie Merchant and Mark Bingham and The Roches)

;Production

With Vic Chesnutt: "Little (album)" (1990), "West of Rome" (1992)

With Magnapop: Magnapop (1992)

References

Buckley, David. R.E.M.: Fiction: An Alternative Biography. Virgin, 2002. ISBN 1-85227-927-3

Platt, John (editor). The R.E.M. Companion: Two Decades of Commentary. Schirmer, 1998. ISBN 0-02-864935-4

Notes

External links

Category:1960 births Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:American activists Category:American baritones Category:American male singers Category:American rock singers Category:Bisexual musicians Category:English-language singers Category:LGBT musicians from the United States Category:Living people Category:Military brats Category:People from Athens, Georgia Category:People from DeKalb County, Georgia Category:R.E.M. members Category:The Golden Palominos members Category:University of Georgia people Category:American record producers Category:Songwriters from Georgia (U.S. state) Category:American vegetarians Category:People from Decatur, Georgia