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Name | The Last Poets |
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Background | group_or_band |
Origin | Harlem, New York, United States |
Genre | Spoken Word, Poetry |
Years active | 1968–present |
Label | Mouth Almighty/Mercury/PolyGram RecordsCelluloid Records |
Url | thelastpoets.net |
Current members | Jalal Mansur Nuriddin (Alafia Pudim)Abiodun OyewoleUmar Bin Hassan |
Past members | Suliaman El Hadi (deceased)Nilaja (deceased) |
The Last Poets is a group of poets and musicians who arose from the late 1960s African American civil rights movement's black nationalist thread. Their name is taken from a poem by the South African revolutionary poet Keorapetse Kgositsile, who believed he was in the last era of poetry before guns would take over.
The Last Poets have been cited as one of the earliest influences on what would become hip-hop music; critic Jason Ankeny wrote, "With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop." The British music magazine NME stated, "Serious spokesmen like Gil Scott-Heron, Gary Byrd, and the Last Poets paved the way for the many socially committed Black [emcees] a decade later."
The group continued to evolve via a 1969 Harlem writers' workshop known as East Wind. Jalal Mansur Nuriddin, Umar Bin Hassan, and Abiodun Oyewole, along with percussionist Nilaja Obabi, are generally considered the primary and core members of the group, as it appeared on the group's 1970 self-titled debut and, in various combinations, on subsequent releases. Luciano, Kain, and Nelson recorded separately as The Original Last Poets, gaining some renown as the soundtrack artists of the 1971 film "Right On!" See also Performance (1970 film) soundtrack song "Wake Up, Niggers."
Having reached US Top 10 chart success with its debut album, the Last Poets went on to release the follow-up, This Is Madness, without then-incarcerated Abiodun Oyewole, an album that featured more politically charged poetry and that resulted in the group being listed under the counter-intelligence program COINTELPRO during the Richard Nixon administration. Hassan left the group following This Is Madness to be replaced by Suliaman El-Hadi (now deceased) in time for Chastisment (1972). The album introduced a sound the group called jazzoetry, leaving behind the spare percussion of the previous albums in favor of a blending of jazz and funk instrumentation with poetry. The music further developed into free-jazz–poetry with Hassan's brief return on 1974's At Last, as yet the only Last Poets release still unavailable on CD.
The remainder of the 1970s saw a decline in the group's popularity. In the 1980s and beyond, however, the group gained renewed renown with the rise of hip hop music, often being name-checked as grandfathers and founders of the new music movement, and themselves collaborating with Bristol-based British post-punk band the Pop Group, among others. Nuriddin and El-Hadi worked on several projects under the Last Poets name, working with bassist and producer Bill Laswell, including 1984's Oh My People and 1988's Freedom Express, and recording the final El Hadi-Nuriddin collaboration Scatterrap/Home in 1994.
Suliaman El-Hadi died in October 1995. Oyewole and Hassan began recording separately under the same name, releasing Holy Terror in 1995 (re-released on Innerhythmic in 2004) and Time Has Come in 1997.
Their lyrics often dealt with social issues facing African American people. In the song "Rain of Terror," the group criticized the American government and voiced support for the Black Panthers.
More recently, the Last Poets found fame again refreshed through a collaboration where the trio (Umar Bin Hassan) was featured with hip hop artist Common on the Kanye West-produced song "The Corner," as well as (Abiodun Oyewole) with the Wu-Tang Clan-affiliated political hip hop group Black Market Militia on the song "The Final Call," stretching overseas to the UK on songs "Organic Liquorice (Natural Woman)" "Voodoocore" and "A Name" with Shaka Amazulu the 7th. The group is also featured on the Nas album Untitled, on the songs "You Can't Stop Us Now" and "Project Roach."
Jalal Mansur Nuriddin, aka Lightning Rod (The Hustlers Convention 1973), recently collaborated with the UK-based poet Mark T. Watson (aka Malik Al Nasir) writing the foreword to Watson's debut poetry collection, Ordinary Guy, published in December 2004 by the Liverpool based publisher Fore-Word Press Ltd.
In 2010, Abiodun Oyowele was among the artists featured on the Welfare Poets' produced Cruel And Unusual Punishment, a CD compilation that was made in protest of the death penalty, which also featured some several current positive hip hop artists.
Category:Spoken word poets Category:African American poets Category:African American performance poets Category:American poets Category:Spoken word soul Category:Musical groups established in 1968 Category:1970s music groups Category:1980s music groups Category:1990s music groups Category:2000s music groups Category:Mercury Records artists Category:Writers from New York Category:American spoken word artists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Pharoah Sanders |
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Background | non_vocal_instrumentalist |
Birth name | Farrell Sanders |
Born | October 13, 1940 |
Origin | Little Rock, Arkansas, U.S. |
Instrument | Tenor saxophone, flute, piccolo, tambourine |
Genre | Free jazzAvant-garde jazzWorld fusionPost-bopHard bop |
Occupation | Saxophonist, band leader |
He moved to New York City in 1961 after playing with rhythm and blues bands. He received his nickname "Pharoah" from Sun Ra, with whom he was performing. He came to prominence playing with John Coltrane's band, starting in 1965, as Coltrane began adopting the avant-garde jazz of Albert Ayler, Ra and Cecil Taylor. Sanders first performed on Coltrane's Ascension (recorded in June 1965), then on their dual-tenor recording Meditations (recorded in November 1965). After this Sanders joined Coltrane's final quintet, usually performing very lengthy, dissonant solos. Coltrane's later style was strongly influenced by Sanders. Amiri Baraka lays claim naming him Pharoah in an early sixties Downbeat review upon hearing him introduce himself as Farrell Sanders and thinking he said "Pharaoh Sanders."
In the 1970s, Sanders pursued his own recordings and continued to work with the likes of Alice Coltrane on her Journey In Satchidananda album. Most of Sanders' best-selling work was made in the late 60's and early 70s for Impulse Records, including the 30-minute wave-on-wave of free jazz "The Creator has a Master Plan" from the album Karma. This composition featured vocalist Leon Thomas' unique, "umbo weti" yodeling, and Sanders' key musical partner, pianist Lonnie Liston Smith, who worked with Sanders from 1969-1971. Other members of his groups in this period include bassist Cecil McBee, on albums such as Jewels of Thought, Izipho Zam, Deaf Dumb Blind and Thembi.
In 1994 he traveled to Morocco to record the Bill Laswell-produced album The Trance Of Seven Colors with Gnawa musician Mahmoud Guinia. Sanders worked with Laswell, Jah Wobble, and others on the albums Message From Home (1996) and Save Our Children (1998). In 1999, he complained in an interview that despite his pedigree, he had trouble finding work. The same year, Sanders appeared on the Red Hot Organization's album, , on the track "This is Madness" with Umar bin Hassan and Abiodun Oyewole and the bonus track, "The Creator Has A Master Plan (Trip hop Remix)." The album was named "Album of the Year" by Time.
In the 2000s, a resurgence of interest in jazz has kept Sanders playing festivals including the 2007 Melbourne Jazz Festival and the 2008 Big Chill Festival, concerts, and releasing albums. He has a strong following in Japan, and in 2003 recorded with the band Sleep Walker.
With others
Category:1940 births Category:Living people Category:African American musicians Category:American jazz saxophonists Category:Hard bop saxophonists Category:Post-bop saxophonists Category:Grammy Award winners Category:John Coltrane Category:Musicians from Arkansas Category:People from Oakland, California Category:Timeless Records artists Category:Strata-East Records artists Category:Capitol Records artists Category:India Navigation artists Category:Arista Records artists Category:Impulse! Records artists Category:Verve Records artists Category:Avant-garde jazz saxophonists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.