![[HD] Thom Yorke - Videotape (From The Basement)](http://web.archive.org./web/20110505235245im_/http://i.ytimg.com/vi/G_-Spe_Oz3c/0.jpg "[HD] Thom Yorke - Videotape (From The Basement)")
![[HD] Radiohead - Videotape (Live @ Saitama Super Arena - Oct 5, 08 - Tokyo, Japan)](http://web.archive.org./web/20110505235245im_/http://i.ytimg.com/vi/Yo7hE3BR_vU/0.jpg "[HD] Radiohead - Videotape (Live @ Saitama Super Arena - Oct 5, 08 - Tokyo, Japan)")
RCA demonstrated the magnetic tape recording of both black-and-white and color programs at its Princeton laboratories on December 1, 1953. The high-speed longitudinal tape system, called Simplex, in development since 1951, could record and play back only a few minutes of a program. The color system used half-inch (1.3 cm) tape to record five tracks — one each for red, blue, green, synchronization, and audio. The black-and-white system used quarter-inch (0.6 cm) tape with two tracks, one for picture and one for sound. Both systems ran at 360 inches (9.1 m) per second. RCA-owned NBC first used it on The Jonathan Winters Show on October 23, 1956, when a pre-recorded song sequence by Dorothy Collins in color was included in the otherwise live program. The BBC experimented from 1952 to 1958 with a high-speed linear videotape system called VERA, but this was ultimately unfeasible. It used half-inch (1.27 cm) tape traveling at 200 inches (5.08 m) per second.
The first practical professional videotape machines capable of replacing kinescopes were the Quadruplex machines introduced by Ampex on April 14, 1956 at the National Association of Broadcasters convention in Chicago. Quad employed a transverse (scanning the tape across its width) four-head system on a two-inch (5.08 cm) tape, and linear heads for the sound track. CBS first used the Ampex VRX-1000 On January 22, 1957, the NBC game show Truth or Consequences, produced in Hollywood, became the first program to be broadcast in all time zones from a prerecorded videotape. Ampex introduced a color videotape recorder in 1958 in a cross-licensing agreement with RCA, whose engineers had developed it from an Ampex black-and-white recorder. NBC's 1958 special, An Evening With Fred Astaire, is the oldest surviving network color videotape.
Although Quad became the industry standard for over 20 years, it had drawbacks such as an inability to freeze pictures, and no picture search; also, in early machines, a tape could reliably be played back using only the same set of hand-made tape heads, which wore out very quickly. Later machines had longer life and used delay lines to compensate for the differences in the four heads. Despite these problems, Quad could produce excellent images. Subsequent videotape systems have used helical scan, where the video heads record diagonal tracks (of complete fields) on to the tape.
Very few early videotapes still exist. While much less expensive and more convenient than kinescope, the high cost of 3M Scotch 179 and other early videotapes ($300 per one-hour reel) meant that most broadcasters erased and reused them, and (in the United States) regarded videotape as simply a better and more cost-effective means of time-delaying broadcasts than kinescopes. It was the four time zones of the continental United States which had made the system very desirable in the first place.
In Europe a similar tape format was developed, called Type B. Type B machines (also known as BCN) used the same 1" tape as Type C but they lacked C's shuttle and slow-motion options. The picture quality was slightly better, though. Type B was the broadcast norm in continental Europe for most of the 1980s.
December 7, 1963 - Instant Replay is used for the first time during the live transmission of the Army Navy Game by its inventor, director, Tony Verna.
The next step was the digital revolution. Among the first digital video formats Sony's D-1, which featured uncompressed digital component recording. Because D-1 was extremely expensive, the composite D-2 and D-3 (by Sony and Panasonic, respectively) were introduced soon after. Ampex introduced the first compressed component recording with its DCT series in 1992. Panasonic trumped D-1 with its D-5 format, which was uncompressed as well, but much more affordable.
The DV standard, which debuted in 1996, has become widely used both in its native form and in more robust forms such as Sony's DVCAM and Panasonic's DVCPRO as an acquisition and editing format. However, due to concerns by the entertainment industry about the format's lack of copy protection, only the smaller MiniDV cassettes used with camcorders became commonplace, with the full-sized DV cassettes restricted entirely to professional applications.
For camcorders, Sony adapted the Betacam system with its Digital Betacam format, later following it up with the cheaper Betacam SX and MPEG IMX formats, and the semiprofessional DV-based DVCAM system. Panasonic used its DV variant DVCPRO for all professional cameras, with the higher-end format DVCPRO50 being a direct descendant. JVC developed the competing D9/Digital-S format, which compresses video data in a way similar to DVCPRO but uses a cassette similar to S-VHS media.
The first consumer videocassette recorders were launched in 1971 (based around U-matic technology). Philips entered the domestic market the following year with the N1500. Sony's Betamax (1975) and JVC's VHS (1976) created a mass-market for VCRs and the two competing systems battled the "videotape format war", which VHS ultimately won. At first VCRs were very expensive, but by the late 1980s the price had come down enough to make them affordable to a mainstream audience. Videocassettes finally made it possible for consumers to buy or rent a complete film and watch it at home whenever they wished, rather than simply catching it at a movie theatre or having to wait until it was telecast. It also made it possible for a VCR owner to record films and other television programs "off the air". This caused an enormous change in viewing practices, as one no longer had to wait for a repeat of a program that had been missed. The shift to home viewing also changed the movie industry's revenue streams, because home renting created an additional "window" in which a film could make money. In some cases, films that did only modestly in their theater releases went on to have strong performance in the rental market (e.g., cult films).
VHS has become the leading consumer VCR format after the "war", though its follow-ups S-VHS, W-VHS and D-VHS never caught up in popularity. In the late 1990s in the prerecorded video market, VHS began to be displaced by DVD. The DVD format had several advantages over VHS tape. A DVD disk is much better able to take repeated viewings than VHS tape, which can crack or break, which makes DVDs a better format from a rental store's perspective. As well, whereas a VHS tape can be erased if it is exposed to a magnetic field (such as by being left near a speaker), DVDs are not affected by magnetic fields. Even though DVDs do not have the problems of tapes, such as breakage of the tape or the cassette mechanism, DVDs can still be damaged by scratches. Another factor for movie rental stores is that DVDs are smaller and take less space to store. DVDs offer a number of advantages for the viewer: DVDs can support both standard 4x3 and widescreen 16x9 screen aspect ratios and DVDs can provide twice the video resolution than VHS. As well, a viewer who wants to skip ahead to the end of a movie can do so much quicker with a DVD than with a VHS tape (that has to be rewound). DVDs can have interactive menus, multiple language tracks, audio commentaries, Closed Captioning and subtitling (with the option of turning the subtitles on or off, or selecting subtitles in several languages). Moreover, a DVD can be played on a computer.
Due to these advantages, by the mid-2000s, DVDs were the dominant form of prerecorded video movies in both the rental film and new movie markets. In the late 1990s and early 2000s, though, consumers continued to use VCRs to record over-the-air TV shows, because consumers could not make home recordings onto DVD disks. This last barrier to DVD domination was broken in the late 2000s, with the advent of inexpensive DVD recorders and digital video recorders (DVR). DVR devices, which record shows onto a hard disk, can be purchased from electronics stores or rented from cable or satellite TV providers. Despite the mainstream dominance of DVD, VHS continues to have a role. The conversion to DVD has led to the marketplace being flooded with used VHS films, which are available at pawnshops and second-hand stores, typically for a cheaper price than the equivalent film on a used DVD. As well, due to the large number of VHS players in schools and libraries, VHS tapes are still produced for the educational market.
The first consumer digital video recording format, introduced in 1995, used a smaller Digital Video Cassette (DVC). The format was later renamed MiniDV to reflect the DV encoding scheme, but the tapes still carry "DVC" mark. Some later formats like DVC Pro from Panasonic reflect the original name. The DVC/MiniDV format provided near-broadcast quality video and sophisticated nonlinear editing capability on consumer equipment. In 1999 Sony backported the DV recording scheme to 8-mm systems, creating Digital8. By using the same cassettes as Hi8, many Digital8 camcorders were able to play analog Video8/Hi8 recordings, preserving compatibility with already recorded analog tapes. As of 2008, Digital8 camcorders have been removed from the equipment offered by Sony.
Sony introduced another camcorder cassette format called MicroMV, but consumer interest was low due to the proprietary nature of the format and limited support for anything but low-end Windows video editors, and Sony shipped the last MicroMV unit in 2005. In the late 2000s, MiniDV and its high-definition cousin, HDV, are the two most popular consumer tape-based formats. The formats use different encoding methods, but the same cassette type. Since 2001, when MicroMV was presented, no new tape form factors have been introduced.
Category:Video storage Category:American inventions Category:1950 introductions
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| Name | Thom Yorke |
|---|---|
| Background | solo_singer |
| Birth name | Thomas Edward Yorke |
| Alias | Tchock, Tchocky, Dr. Tchock |
| Born | October 07, 1968Wellingborough, Northamptonshire, England |
| Alma mater | University of Exeter |
| Instrument | VocalsGuitarPianoKeyboardsPercussionBass guitarProgrammingDrums |
| Genre | Alternative rockElectronica |
| Occupation | Musician |
| Years active | 1985–present |
| Label | XL |
| Associated acts | Radiohead, Atoms for Peace, Unkle, Björk |
Thomas Edward "Thom" Yorke (born 7 October 1968) is an English musician who is the lead vocalist and principal songwriter of the alternative rock band Radiohead. He mainly plays guitar and piano, but he has also played drums and bass guitar (notably during the Kid A and Amnesiac sessions). In July 2006, he released his debut solo album, The Eraser.
Yorke has been cited among the most influential figures in the music industry: in 2002, Q Magazine named Yorke the most powerful British musician and in 2005, Radiohead were ranked #73 in Rolling Stones "100 Greatest Artists of All Time" list. Yorke has also been cited among the greatest singers in the history of popular music: in 2005, a poll organised by Blender and MTV2 saw Yorke voted the 18th greatest singer of all time, and in 2008, he was ranked 66th in Rolling Stone's "100 Greatest Singers of all Time." Allmusic wrote: "Few rock singers of the '90s were as original and instantly unforgettable as Thom Yorke."
Yorke's family moved frequently; Yorke would move from school to school, where classmates teased him because of his eye problems. The family finally settled in Oxfordshire in 1978. He attended the all boys public school Abingdon where he met future band members Ed O'Brien, Phil Selway, Colin Greenwood and Colin's younger brother, Jonny. Yorke and his friends formed a band named On A Friday, as Friday was the only day on which the members were allowed to rehearse.
After leaving school, Yorke postponed going to university for a year. During that time he worked in a few jobs and was involved in a car accident that made him wary of any kind of mechanised transport. Yorke left Oxford to study at the University of Exeter in late 1988, which as a result put On a Friday on hiatus aside from holiday break rehearsals. While at Exeter, Yorke worked as a DJ at Guild nights in the Lemon Grove and played briefly with the band Headless Chickens. Yorke also met Rachel Owen, whom he began dating.
Radiohead first gained notice with the worldwide hit single "Creep", which later appeared on the band's 1993 debut album Pablo Honey. Yorke admitted later that the success had fed his ego; he tried to project himself as a rock star, which included bleaching his hair and wearing extensions. He said, "When I got back to Oxford I was unbearable . . . [A]s soon as you get any success you disappear up your own arse and lost it forever."
By the time of their second album, The Bends (1995), the band, through frequent touring and greater attention to detail in the recording studio, had picked up a large cult fan base and had begun to receive wider critical acclaim. After the album's release, the American group R.E.M. picked Radiohead as its opening act for the European leg of their tour. While on tour Yorke and R.E.M. singer Michael Stipe became close friends; in particular, Stipe gave him advice on how to deal with the demands of being in a rock band. During the production of the band's third album, OK Computer (1997), all five members had differing opinions and equal production roles, with Yorke having "the loudest voice," according to guitarist Ed O'Brien. After the album was finished, Yorke and Jonny Greenwood contributed to the Velvet Goldmine soundtrack along with other musicians under the moniker Venus in Furs. Upon release, OK Computer was heralded as a landmark album by nearly every publication that reviewed it, establishing Radiohead as one of the leading alternative rock acts of the 1990s. But Yorke was ambivalent about this success. Some of these concerns were voiced in the documentary film Meeting People Is Easy, which focused on the period. Yorke has explained in various interviews that he dislikes the "mythology" within the rock genre, and hates the media's obsession with celebrities.
Yorke and the band adopted a more radical approach on 2000's Kid A and 2001's Amnesiac, processing vocals, obscuring lyrics, and departing from rock for a more varied musical landscape including electronic, jazz and avant-garde classical influences. The albums expanded Radiohead's sales while earning acclaim for experimentation, but also divided fans and critics. In 2003, Radiohead released their sixth album, Hail to the Thief, a blend of rock and electronica that Yorke described as a reaction to the events of the early 2000s and newfound fears for his children's future, though he denied a specific political intent. The band has continued to tour, and in 2005 they undertook recording sessions for a seventh album, In Rainbows, released as a DRM-free download in October 2007.
Yorke rarely plays as a solo act, having never embarked on a solo tour. He has sometimes played short acoustic sets of Radiohead songs in the band's webcasts and television appearances, and occasionally on his own at rallies. However, he did play solo sets at the 2002 Bridge School Benefit concerts organised by Neil Young. In 2006, he performed stripped-down versions of several songs from The Eraser ("Analyse," "The Clock, " "Skip Divided" and "Cymbal Rush") on radio and TV programmes, and since then he has played and sung "Cymbal Rush" as an encore at some Radiohead concerts. In July 2009, Yorke played a rare solo performance at the Latitude Festival in England. In February 2010, Yorke played a solo show for the Green Party at the Cambridge Corn Exchange, where he played select Radiohead songs and songs from The Eraser, as well as five entirely new songs: "The Daily Mail", "Lotus Flower", "Give Up The Ghost", "I Froze Up", and "Mouse, Dog, Bird".
On 21 September 2009 Yorke released a new double-A side single, "Feeling Pulled Apart by Horses / The Hollow Earth". It was later announced that he has established an unnamed band with Flea of the Red Hot Chili Peppers, Joey Waronker of R.E.M. and Beck, Mauro Refosco of Forro in the Dark and producer Nigel Godrich. They played two sold out shows at the Orpheum Theatre in Los Angeles on 4 and 5 October 2009. Two days before, Yorke also played a "warm-up" show at the Echoplex in Los Angeles. On 25 February 2010, Yorke officially gave the band the name Atoms for Peace.
In June 2010, Yorke attracted some notoriety when he stated in an interview that "It will be only a matter of time - months rather than years - before the music business establishment completely folds" and that such an event will be of "no great loss to the world." Yorke's quote quickly caused a stir of buzz on the blogosphere, with critics both praising and criticising his frankness.
Yorke also sang covers of the Roxy Music songs "2HB", "Ladytron" and "Bitter-Sweet" for the 1998 film Velvet Goldmine, as part of Venus in Furs. The band existed solely for the film's soundtrack and also consisted of Radiohead's Jonny Greenwood, Suede's Bernard Butler, and Roxy Music's Andy Mackay. Yorke was duplicating Bryan Ferry's original vocals. Two other cover songs were performed by Venus in Furs, with vocals by actor Jonathan Rhys Meyers in the film; Yorke never appeared onscreen.
Examples of Yorke's other collaborations are the 1998 single "Rabbit in Your Headlights", which he sang and co-wrote with DJ Shadow and which closes Psyence Fiction, the debut album by the group UNKLE; "El President," a 1998 duet with Isabel Monteiro of the band Drugstore, which was also released as a single; and vocals on the 2007 track "The White Flash," by the electronic music group Modeselektor, from their album Happy Birthday. Yorke has also collaborated with Stanley Donwood on a picture book entitled Dead Children Playing. Yorke also covered lead vocal duties on "...And the World Laughs with You" from the 2010 Flying Lotus album Cosmogramma.
In 2010, Yorke worked with Bryan Ferry, Mark Ronson, Bob Hoskins, Andy Murray, and David Cameron to release the charity single "2 Minute Silence"—a track composed entirely of silence—to raise money for the families of British troops released on Remembrance Day, 7 November. The song peaked in the UK Singles Chart at number 20.
In 2005, Yorke became a spokesman for Friends of the Earth and their campaign to reduce carbon emissions, The Big Ask.
Yorke often pays tribute to his children while performing live; during songs at the 2006 Bonnaroo Festival, Yorke played with guitar picks imprinted with Agnes' fingerprints.
Yorke, unlike the other members of Radiohead, has never learned how to read music. He said, "If someone lays the notes on a page in front of me, it's meaningless... because to me you can't express the rhythms properly like that. It's a very ineffective way of doing it, so I've never really bothered picking it up." His solo effort The Eraser featured piano, bass and guitar, but was built primarily around electronics.
In interviews Yorke has cited a variety of personal musical heroes and influences, including jazz composer and bassist Charles Mingus, Neil Young, Miracle Legion, singer Scott Walker, electronic acts Aphex Twin and Autechre, and Krautrock band Can. Talking Heads, Queen, Joy Division, Magazine, Elvis Costello, The Smiths and Sonic Youth were early influences on Radiohead and Yorke. In 2004, at the Coachella Valley Music and Arts Festival, Yorke mentioned to the crowd, "When I was in college, the Pixies and R.E.M. changed my life," and he has often mentioned both bands as examples.
Yorke is also notable as a political activist on behalf of other causes, including human rights and anti-war movements such as Jubilee 2000, Amnesty International and CND, and Friends of the Earth's Big Ask campaign. Radiohead played at the Free Tibet concert in both 1998 and 1999, and at an Amnesty International concert in 1998. In 2005, Yorke performed at an all-night vigil for the Trade Justice Movement. In 2006, Jonny Greenwood and Yorke performed a special benefit concert for Friends of the Earth. Yorke made headlines the same year for refusing Prime Minister Tony Blair's request to meet with him to discuss climate change, declaring Blair had "no environmental credentials". Yorke has subsequently been critical of his own energy use. He has said the music industry's use of air transport is dangerous and unsustainable, and that he would consider not touring if new carbon emissions standards do not force the situation to improve. Radiohead commissioned a study by the group Best Foot Forward which the band claims helped them choose venues and transport methods that will greatly reduce the carbon expended on their 2008 tour. The band also made use of a new low-energy LED lighting system and encouraged festivals to offer reusable plastics.
In December 2009, Yorke gained access to the COP 15 climate change talks in Copenhagen, posing as a member of the media.
A number of celebrities have been upset by Yorke's public persona. In 2001, Kelly Jones, the lead singer of the Welsh band Stereophonics, referred to Thom Yorke as a "miserable twat" (a comment he later retracted). In 2002, Jack Black claimed to have approached Yorke to congratulate him on his solo show at the Bridge School benefit concert in San Francisco, only for Yorke to ignore him and walk away. Referring to the incident, Black stated in an interview: "I heard later that he's famously cold, and it wasn't just me that he despises, but the whole world." After completing a trek of Kilimanjaro in 2009, Ronan Keating was asked by an interviewer which celebrity he would most like to throw off a mountain. Keating named Yorke, and referred to him as a "muppet", stating that Yorke was once rude to him, although he did admit to still liking his music. In the same year, Miley Cyrus and Kanye West also complained about Yorke's alleged rudeness. In a response to these complaints, Yorke wrote on Radiohead's Dead Air Space website, "wish us all a safe journey if you still like us and you're not one of those people I have managed to offend by doing nothing."
Category:1968 births Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:English activists Category:English environmentalists Category:Anti-globalization activists Category:English male singers Category:English rock singers Category:English singer-songwriters Category:English tenors Category:English vegans Category:Grammy Award winners Category:Ivor Novello Award winners Category:Living people Category:People from Wellingborough Category:Radiohead members Category:Alumni of the University of Exeter Category:Music from Oxford Category:Old Abingdonians Category:Rhythm guitarists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
