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Name | Dick Cavett |
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Caption | Cavett attends the Amfar Gala at Cipriani 42nd Street in New York City, January 31, 2008 |
Birth name | Richard Alva Cavett |
Birth date | November 19, 1936 |
Birth place | Gibbon, Nebraska, U.S. |
Spouse | Carrie Nye (1964-2006; her death) |
Active | 1959–present |
Richard Alva "Dick" Cavett (born November 19, 1936) is a former American television talk show host known for his conversational style and in-depth discussion of issues. Cavett appeared regularly on nationally broadcast television in the United States in five consecutive decades, the 1960s through the 2000s.
In recent years, Cavett has written a blog for the New York Times, promoted DVDs of his former shows, and hosted replays of his classic TV interviews with Groucho Marx, Katharine Hepburn, and others on Turner Classic Movies channel.
Cavett's parents taught in Comstock, Gibbon, and Grand Island, where Cavett started kindergarten at Wasmer Elementary School. Three years later, both of his parents landed teaching positions in Lincoln, Nebraska, where Cavett completed his education at Capitol, Prescott, and Irving schools and Lincoln High School. When Cavett was ten, his mother, then thirty-six, died of cancer. His father subsequently married Dorcas Deland, also an educator, originally from Alliance, Nebraska. On September 24, 1995 Lincoln Public Schools dedicated the new Dorcas C. and Alva B. Cavett Elementary School in their honor.
In eighth grade, Cavett directed a live Saturday-morning radio show sponsored by the Junior League and played the title role in The Winslow Boy. One of his high-school classmates was actress Sandy Dennis. Cavett was elected state president of the student council in high school, and was a gold-medalist at the state gymnastics championship.
Before leaving for college, he worked as a caddy at the Lincoln Country Club. He also began doing magic shows for $35 a night under the tutelage of Gene Gloye. In 1952 Cavett attended the convention of the International Brotherhood of Magicians in St. Louis and won the Best New Performer trophy.
While attending Yale University, Cavett played in and directed dramas on the campus radio station, WYBC, and appeared in Yale Drama productions. In his senior year, he changed his major from English to Drama. He also took advantage of any opportunity to meet stars, routinely going to shows in New York to hang around stage doors or venture backstage. He would go so far as to carry a copy of Variety or an appropriate piece of company stationery in order to look inconspicuous while sneaking backstage or into a TV studio. Cavett took many odd jobs ranging from store detective to label-typist for a Wall Street firm, and as a copy boy at Time Magazine.
He was cast in a film by the Signal Corps, but further jobs were not forthcoming. He was an extra on The Phil Silvers Show, a TV remake of Body and Soul, and Playhouse 90 ("The Hiding Place"). He briefly revived his magic act while working as a typist and as a mystery shopper in department stores. Meanwhile, Nye landed several Broadway roles.
Cavett was a copyboy (gofer) at Time when he read a newspaper item about Jack Paar, then host of The Tonight Show. The article described Paar's concerns about his opening monologue and constant search for material. Cavett wrote some jokes, put them into a Time envelope, and went to the RCA Building. He ran into Paar in a hallway and handed him the envelope. Cavett appeared on the show in 1961, interpreting Miss Universe of 1961, Marlene Schmidt of Germany.
While at Time, Cavett had written a letter to Stan Laurel. The two later met at Laurel's apartment in Hollywood. Later the same day, Cavett wrote a tribute that Paar read on the show, which Laurel saw and appreciated. Cavett visited Laurel a few more times, up to three weeks before Laurel's death.
In his capacity as talent coordinator for The Tonight Show, Cavett was sent to the Blue Angel nightclub to see Woody Allen's act, and immediately afterward struck up a friendship. The very next day, the funeral of playwright George S. Kaufman was held at the Frank E. Campbell funeral home. Allen could not attend, but Cavett did, where he met Groucho Marx in an anteroom. From the funeral, Cavett followed Marx (who later told Cavett that Kaufman was "his personal god") three blocks up Fifth Avenue to the Plaza Hotel, where Marx invited him to lunch.
Cavett continued with The Tonight Show as a writer after Johnny Carson took over. For Carson he wrote the line, "Having your taste criticized by Dorothy Kilgallen is like having your clothes criticized by Emmett Kelly." He even appeared to do a gymnastics routine on the pommel horse on the show. After quitting The Tonight Show, Cavett wrote for Jerry Lewis's ill-fated talk show, for three times the money. He returned to The Tonight Show, however, when Marx was interim host for Carson in July 1964.
Years later, when he was a guest on The Tonight Show, Carson told Cavett that his favorite joke Cavett wrote for him was the humorous caption to a newspaper photo of Aristotle Onassis looking at the home of Buster Keaton, which he was considering purchasing: "Aristotle Contemplating the Home of Buster."
In 1965, Cavett did some commercial voiceovers, including a series of mock interviews with Mel Brooks for Ballantine beer. In the next couple of years he appeared on game shows, including What's My Line. He wrote for Merv Griffin and appeared on Griffin's talk show several times, and then on The Ed Sullivan Show.
In 1968, after the premiere of the international film Candy, Cavett went to a party at the Americana Hotel, where those who had just seen the film were being interviewed for TV. The exchange was cut from the broadcast.
After doing The Star and the Story, a rejected television pilot with Van Johnson, Cavett hosted a special, Where It's At, for Bud Yorkin and Norman Lear.
In 1968 Cavett was hired by ABC to host This Morning.
Cavett has been nominated for at least ten Emmy Awards In 1970, he co-hosted the Emmy Awards Show (from Carnegie Hall in New York) with Bill Cosby (from Century Plaza in Los Angeles). His most popular talk show was his ABC program, which ran from 1969 to 1974. From 1962 to 1992, The Tonight Show with Johnny Carson was arguably the most popular of late night variety and talk shows. Unlike many contemporary shows, Cavett managed to remain on the air for five years. Although his shows did not attract a wide audience, remaining in third place in the ratings behind Carson and Merv Griffin, he earned a reputation as "the thinking man's talk show host" and received favorable reviews from critics. As a talk show host, Cavett has been noted for his ability to listen to his guests and engage them in intellectual conversation. He is also known for his ability to remain calm and mediate between contentious guests,
His show often focussed on controversial people or subjects, often pairing guests with opposing views on social or political issues, such as George Brown and Lester Maddox.
One particularly controversial show from June 1971 featured a debate between future senator and presidential candidate John Kerry and fellow veteran John O'Neill over the Vietnam War. O'Neill had been approached by the Nixon administration to work through the Vietnam Veterans for a Just Peace to counter Kerry's influence on the public. The episode so angered President Nixon that he is heard discussing the incident on the Watergate tapes, saying, "Well, is there any way we can screw him [Cavett]? That's what I mean. There must be ways." To which H.R. Haldeman, White House Chief of Staff, answered, "We've been trying to."
Cavett himself, asked during a Question and Answer segment with his audience in the late '60s why he wore long sideburns, replied, "It's a form of mild protest. Sort of like boiling my draft card."
Cavett also hosted many popular musicians, both in interview and performance, such as Sly Stone, Jimi Hendrix and Janis Joplin. Several of his Emmy Award nominations and one Emmy Award were for Outstanding Musical or Variety Series,
Clips from his TV shows have been used in movies, for example Annie Hall (1977), Forrest Gump (1994), Apollo 13 (1995), and Frequency (2000). He also holds the distinction of being the only famous person to actually interact with the title character of Forrest Gump without the aid of archive footage or computer trickery. Makeup was applied to Cavett to make him appear as his 1971 self, and he was filmed with Tom Hanks on a recreated set (though archive footage of John Lennon from Cavett's show was digitally added).
Cavett was surprised at footage from his TV show appearing in Apollo 13. He said at the time of the film's release, "I'm happily enjoying a movie, and suddenly I'm in it."
He was also the subject of a 1993 video produced by the Depression and Related Affective Disorders Association called A Patient's Perspective.
In 1997 Cavett was sued by producer James Moskovitz for breach of contract after failing to show up for a nationally syndicated radio program (also called The Dick Cavett Show). Cavett's lawyer, Melvyn Leventhal, asserted at the time that Cavett left due to a manic-depressive episode. The case was later dropped.
Cavett also hosted a documentary series for HBO in the early 80's entitled Remember When that examined changes in American culture over time.
From November 15, 2000, to January 6, 2002, he played the narrator in a Broadway revival of The Rocky Horror Show.
Dick Cavett is featured in the 2003 documentary about the fire that destroyed his Montauk home and his effort to rebuild it.
Cavett's signature tune has long been a trumpet version of the vocalise "Glitter and Be Gay" from Leonard Bernstein's Candide. The tune was first played at the midpoint of his ABC late-night show, and later became the theme of his PBS show. The tune is also played as he walks on stage during guest appearances on other talk shows.
In 2008 Cavett entered the Iraq war dispute with a New York Times blog entry criticizing General David Petraeus, stating "I can’t look at Petraeus — his uniform ornamented like a Christmas tree with honors, medals and ribbons — without thinking of the great Mort Sahl at the peak of his brilliance." Cavett went on to recall Sahl's expressed contempt of General Westmoreland's display of medals, and criticized Petraeus for not speaking in plain language.
On February 27, 1981, Rick Moranis did a split-screen parody of Cavett interviewing himself on SCTV, in which he recreated and gently poked fun at Cavett's wit, quirks, and mild egotism.
On October 18, 1996, he was mentioned as the "smartest human on Earth" on the cartoon Pinky & the Brain.
In The Charles Bukowski Tapes, Bukowski claims that Cavett's is the only talk show he would ever go on. The rest of them would be "like eating your own vomit."
Category:1936 births Category:American male artistic gymnasts Category:American comedians Category:American game show hosts Category:American stand-up comedians Category:American television talk show hosts Category:American people of English descent Category:American comedians of Irish descent Category:American people of Irish descent Category:American people of German descent Category:American people of Scottish descent Category:Emmy Award winners Category:Living people Category:Entertainers from Nebraska Category:People from Buffalo County, Nebraska Category:People with bipolar disorder Category:Yale School of Drama alumni
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Richard Burton |
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Caption | Burton in the 1963 film Cleopatra |
Birth name | Richard Walter Jenkins |
Birth date | November 10, 1925 |
Birth place | Pontrhydyfen, Wales |
Death date | August 05, 1984 |
Death place | Céligny, Switzerland |
Occupation | Actor |
Nationality | Welsh |
Years active | 1944–1984 |
Spouse | Sybil Williams (1949–1963)Elizabeth Taylor (1964–1974, 1975–1976)Suzy Hunt (1976–1982)Sally Hay (1983–1984) |
Children | Kate Burton, born on September 10, 1957Jessica Burton (b.1961)Maria Burton (Mike Todd's daughter,adopted by Burton), born on August 01, 1961 |
Website | http://www.richardburton.com |
Richard Burton, CBE (10 November 1925 – 5 August 1984) was a Welsh actor. He was nominated seven times for an Academy Award, six of which were for Best Actor in a Leading Role (without ever winning), and was a recipient of BAFTA, Golden Globe and Tony Awards for Best Actor. Burton was at one time the highest-paid actor in Hollywood. He remains closely associated in the public consciousness with his second wife, actress Elizabeth Taylor; the couple's turbulent relationship was rarely out of the news.
Burton was less than two years old in 1927 when his mother, Edith Maude (née Thomas), died at the age of 43 after giving birth to her 13th child. His sister Cecilia and her husband Elfed took him into their Presbyterian mining family in nearby Port Talbot (an English-speaking steel town). Burton said later that his sister became "more mother to me than any mother could have ever been... I was immensely proud of her... she felt all tragedies except her own". Burton's father would make occasional appearances at the homes of his grown daughters but was otherwise absent. Also important in young Richard's life was Ifor (Ivor), the brother 19 years his senior. A miner and rugby player, Ifor "ruled the household with the proverbial firm hand".), cricket, and table tennis He later said, "I would rather have played for Wales at Cardiff Arms Park than Hamlet at the Old Vic." Burton early on displayed an excellent speaking and singing voice and won an Eisteddfod prize as a boy soprano. He was replaced by his friend Richard Harris. The final stage performance in which he starred was a critically reviled production of Noël Coward's Private Lives, opposite his ex-wife Elizabeth Taylor, in 1983. Most reviewers dismissed the production as a transparent attempt to capitalize on the couple's celebrity, although they grudgingly praised Burton as having the closest connection to Coward's play of anyone in the cast.
Although sometimes overlooked, it should be noted that Burton won in 1976 the 18th Grammy Awards in the category of Best Recording for Children for his narration of The Little Prince by Antoine de Saint-Exupéry.
He found success in 1978, when he narrated Jeff Wayne's Musical Version of The War of the Worlds. His distinctive performance became a necessary part of the concept album – so much so that a hologram of Burton is used to narrate the live stage show (touring in 2006, 2007 and 2009) of the musical.
Burton had an international box office hit with The Wild Geese (1978), an adventure tale about mercenaries in Africa. The film was a success in the UK and Europe but had only limited distribution in the U.S. owing to the collapse of the studio that funded it and the lack of an American star in the movie.
He went back to appearing in critically reviled films like The Medusa Touch (1978), Circle of Two (1980), and Wagner (1983), a role he said he was born to play, after his success in Equus. His last film performance, as O'Brien in Nineteen Eighty-Four, was critically acclaimed.
At the time of his death, Burton was preparing to film Wild Geese II, the sequel to The Wild Geese, which was eventually released in 1985. Burton was to reprise the role of Colonel Faulkner, while his friend Sir Laurence Olivier was cast as Rudolf Hess. After his death, Burton was replaced by Edward Fox, and the character changed to Faulkner's younger brother.
Television played an important part in the fate of his Broadway appearance in Camelot. When the show's run was threatened by disappointing reviews, Burton and co-star Julie Andrews appeared on The Ed Sullivan Show to perform the number What Do The Simple Folk Do?. The television appearance renewed public interest in the production and extended its Broadway run.
Late in his career, he played himself in an episode of the Television Show The Fall Guy, repeating a stunt he made in 1970 when he and then-wife Elizabeth Taylor appeared as themselves on an episode of Here's Lucy as part of his unsuccessful campaign to win the Oscar for his nominated performance in Anne of the Thousand Days.
In 1997, archive footage of Burton was used in the first episode of the television series Conan.
In 1968 Burton's elder brother, Ifor, slipped and fell, breaking his neck, after a lengthy drinking session with Burton at the actor's second home in Céligny, Switzerland. The injury left him paralyzed from the neck down. His younger brother Graham Jenkins opined it may have been guilt over this that caused Burton to start drinking very heavily, particularly after Ifor died in 1973.
In a February 1975 interview with his friend David Lewin he admitted having "tried" homosexuality. He also suggested that perhaps all actors were latent homosexuals, and "we cover it up with drink". In 2000, Ellis Amburn's biography of Elizabeth Taylor suggested that Burton had an affair with Laurence Olivier and tried to seduce Eddie Fisher, although this was strongly denied by Burton's younger brother Graham Jenkins.
. He is buried a few paces away from Alistair MacLean's grave.]]
Burton was notorious for his unrestrained pursuit of women while filming. Joan Collins wrote that when she rejected his on-set advances, he embarked on a series of liaisons with other women including an elderly black maid who, according to Collins, was "almost toothless". Collins playfully told Burton that she believed he would sleep with a snake if he had the chance, to which Burton is alleged to have replied "only if it was wearing a skirt, darling".
He was an insomniac and a notoriously heavy drinker. However, on-going back pain (apparently caused by his excessive alcohol intake crystallizing on his spine) and a dependence upon pain medications have been suggested as the true cause of his misery. He was also a heavy smoker from the time he was just eight years old; and by his own admission in a 1977 interview, Burton was smoking 3–5 packs per day.
His father, also a heavy drinker, refused to acknowledge his son's talents, achievements and acclaim. Burton courted further controversy in 1976 when he wrote a controversial article about his late friend and fellow Welsh thespian Sir Stanley Baker, who had recently died from pneumonia at the age of 48. Burton's fourth marriage was to Suzy Hunt, former wife of Formula 1 Champion James Hunt (maiden name Suzy Millar, whose father was a judge in Kenya), and his fifth was to Sally Hay, a make-up artist who later became a successful novelist.
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Category:1925 births Category:1984 deaths Category:Adoptees adopted by relations Category:Alcohol-related deaths in Switzerland Category:Alumni of Exeter College, Oxford Category:American Theatre Hall of Fame inductees Category:BAFTA winners (people) Category:Best British Actor BAFTA Award winners Category:Best Drama Actor Golden Globe (film) winners Category:British expatriates in Switzerland Category:Commanders of the Order of the British Empire Category:Deaths from cerebral hemorrhage
Category:Grammy Award winners Category:People from Neath Port Talbot Category:People self-identifying as alcoholics Category:Royal Air Force personnel of World War II Category:Shakespearean actors Category:Tony Award winners Category:United Nations High Commissioner for Refugees Goodwill Ambassadors Category:Welsh actors Category:Welsh film actors Category:Welsh-speaking people Category:Welsh stage actors
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Name | John Lennon |
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Img alt | A bearded, bespectacled man in his late twenties, with long black hair and wearing a loose-fitting pajama shirt, sings and plays an acoustic guitar. White flowers are visible behind and to the right of him. |
Background | solo_singer |
Birth name | John Winston Lennon |
Born | October 09, 1940Liverpool, England, UK |
Died | December 08, 1980New York, New York, US |
Instrument | Vocals, guitar, piano, banjo, harmonica, Mellotron, six-string bass, percussion |
Genre | Rock, pop |
Occupation | Musician, singer-songwriter, record producer, artist, writer |
Years active | 1957–1975, 1980 |
Label | Parlophone, Capitol, Apple, EMI, Geffen, Polydor |
Associated acts | The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, John & Yoko/Plastic Ono Band |
Notable instruments | Rickenbacker 325Epiphone CasinoGibson J-160EGibson Les Paul Junior |
Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". Lennon disengaged himself from the music business in 1975 to devote time to his family, but re-emerged in 1980 with a new album, Double Fantasy. He was murdered three weeks after its release.
Lennon revealed a rebellious nature and acerbic wit in his music, his writing, his drawings, on film, and in interviews, and he became controversial through his political activism. He moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while his songs were adopted as anthems by the anti-war movement.
As of 2010, Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 27 number-one singles on the US Hot 100 chart. In 2002, a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital, to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth. He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill. His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother, but the cheques stopped when he went absent without leave in February 1944. When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea. After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946, Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him. Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her. It would be 20 years before he had contact with his father again.
Throughout the rest of his childhood and adolescence, he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton. His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, playing "Ain't That a Shame" by Fats Domino.
In September 1980 he talked about his family and his rebellious nature: }}
He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas. During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby. After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16." He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).
Lennon was raised as an Anglican and attended Dovedale Primary School. From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad." He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl, but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."
His mother bought him his first guitar in 1957, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations. As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it". On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.
Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class. He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."
McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon. According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble"; although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road. During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.
George Harrison joined the band as lead guitarist, even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played Raunchy for Lennon. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them. Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.
Brian Epstein, the Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage. Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me". McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963, a day when Lennon was suffering the effects of a cold, which is evident in the vocal on the last song to be recorded that day, Twist and Shout. The Lennon/McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant". In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".
The Beatles achieved mainstream success in the UK around the start of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery." After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.
" with The Beatles in 1967 to 400 million viewers of "Our World".]] Deprived of the routine of live performances after their final commercial concert in 1966, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year." According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity". 1967 saw the release of "Strawberry Fields Forever", hailed by Time magazine for its "astonishing inventiveness", and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon/McCartney's early years.
In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared". They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.
The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles full-length film, was shown in cinemas in October 1967. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Carroll-inspired "I am the Walrus", was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure", but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple’s chief executive by Lennon, Harrison and Starr, but McCartney never signed the management contract.
At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film. Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond the Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: (known more for its cover than for its music), and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced. Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969), "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin) and "Instant Karma!".
Lennon left the Beatles in September 1969. He agreed not to inform the media while the band renegotiated their recording contract, and was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!" He later wrote, "I started the band. I disbanded it. It's as simple as that." In later interviews with Rolling Stone, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record." He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"
With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant". The album's title track would become an anthem for anti-war movements, while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed, were directed at him and Ono. However, Lennon softened his stance in the mid-70s and said he had written "How Do You Sleep?" about himself. He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and the Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".
Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)". To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT". The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.
Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card, the album was poorly received—unlistenable, according to one critic. "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger". Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility. Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.
In 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson soon made the headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation ‘towel’ on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon decided to produce Nilsson's album Pussy Cats and Pang rented an L.A. beach house for all the musicians but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than thirty years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).
Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano. A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano. On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There".
Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording. He and Ono were reunited shortly afterwards. The same month, Elton John topped the charts with his own cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. Soon afterwards, "Stand By Me", taken from the album and a US and UK hit, became his last single for five years. He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June. Playing acoustic guitar, and backed by his eight-piece band BOMF (introduced as "Etcetera"), Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine". The band wore masks on the backs of their heads, making them appear two-faced, a dig at Grade, with whom Lennon and McCartney had been in conflict because of his control of the Beatles' publishing company. (Dick James had sold his majority share to Grade in 1969.) During "Imagine", Lennon interjected the line "and no immigration too", a reference to his battle to remain in the United States.
He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June, that reflected Lennon's fulfillment in his new-found stable family life. Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984). Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".
Ono issued a statement the next day, saying "There is no funeral for John," ending it with the words, "John loved and prayed for the human race. Please pray the same for him." His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. Chapman pleaded guilty to second degree murder and was sentenced to 20 years to life; as of 2010, he remains in prison, having been repeatedly denied parole.
Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married." The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.
Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her. When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Mahesh Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolize the ending of their marriage. After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.
Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish. When Epstein invited suggestions for the title of his autobiography, Lennon offered Queer Jew; on learning of the eventual title, A Cellarful of Noise, he parodied, "More like A Cellarful of Boys". He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't." During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".
Lennon's first son, Julian, was born as his commitments with the Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with the Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten the Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'" Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song." McCartney corroborated Lennon's explanation that Julian innocently came up with the name. Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into the Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."
Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973. With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland. Julian started to see his father regularly, and Lennon gave him a drumming part on a Walls and Bridges track. He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques. Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."
In a Playboy interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future." After his death it was revealed that he had left Julian very little in his will.
Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar. Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of the Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in." The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, Notations, but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".
Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit". In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the Two Virgins album, after which, he said, they "made love at dawn." When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi." Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968, a few weeks after Lennon's divorce from Cynthia was granted.
During Lennon's last two years in the Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry, so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in the Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by the Beatles' Let It Be rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on the Beatles' last album, Abbey Road. To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971. They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.
According to author Albert Goldman, Ono was regarded by Lennon as an "almost magical being" who could solve all his problems for him, but this was a "grand illusion", and she openly cheated on him with gigolos. Eventually, writes Goldman, "both he and Yoko were burnt out from years of hard drugs, overwork, emotional breakdowns, quack cures, and bizarre diets, to say nothing of the effects of living constantly in the glare of the mass media." After their separation, "no longer collaborating as a team, they remained in constant communication. ... No longer able to live together, they found that they couldn’t live apart either."
On moving to New York, they "prepared a spare room" in their newly rented apartment for Julian to visit. Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking—but after the meeting failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.
Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of Saturday Night Live in which Lorne Michaels made a $3,000 cash offer to get the Beatles to reunite on the show. The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired. Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."
Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product". When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he couldn't get the tune out of his head. Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."
Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence. Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene." In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty", and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.
Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000. On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman. Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug. In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others. Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming Some Time in New York City album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair’s crimes and three days after the rally, he was released on bail. The performance was recorded and two of the tracks later appeared on John Lennon Anthology (1998).
Following the Bloody Sunday massacre in 1972, in which 27 civil rights protesters were shot by the British Army during a Northern Ireland Civil Rights Association march, Lennon said that given the choice between the army and the IRA he would side with the latter. Lennon and Ono wrote two songs protesting England's actions in the Northern Irish political situation on their Some Time in New York City album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA. Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film The Irish Tapes, a political documentary with a pro-IRA slant.
According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968. However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".
John and Yoko add a great voice and drive to the country’s so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country’s got plenty of room and space. Let John and Yoko stay!
On 23 March 1973, Lennon was ordered to leave the US within 60 days. Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York chapter of the American Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people". Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary The U.S. vs. John Lennon. Lennon's Mind Games (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence. Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.
Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that In His Own Write (1964) was published after "Some journalist who was hanging around the Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the Daily Howl it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". The Times Literary Supplement considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". Book Week reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".
In combination with A Spaniard in the Works (1965), In His Own Write formed the basis of the stage play The John Lennon Play: In His Own Write, co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date. After Lennon's death, further works were published, including Skywriting by Word of Mouth (1986); Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook (1992), with Lennon's illustrations of the definitions of Japanese words; and Real Love: The Drawings for Sean (1999). The Beatles Anthology (2000) also presented examples of his writings and drawings.
As his Beatles era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic John Lennon/Plastic Ono Band." David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style. Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair" Music historian Ben Urish recalls hearing the Beatles' Ed Sullivan Show performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."
In a 2006 Guardian article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today." Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."
Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon’s 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon. The sculpture entitled ‘Peace & Harmony’ exhibits peace symbols and carries the inscription “Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980”.
The Lennon/McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 27 number one singles on the US Hot 100 chart. His album sales in the US stand at 14 million units. Double Fantasy, released shortly before his death, and his best-selling, post-Beatles studio album at three million shipments in the US, won the 1981 Grammy Award for Album of the Year. The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon. Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons". Between 2003 and 2008, Rolling Stone recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time" and 38th of "The Immortals: The Fifty Greatest Artists of All Time", and his albums John Lennon/Plastic Ono Band and Imagine, 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time". He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
, Liverpool]]
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Name | Janis Joplin |
---|---|
Background | solo_singer |
Birth name | Janis Lyn Joplin |
Born | January 19, 1943 Port Arthur, Texas, U.S. |
Died | October 04, 1970 Los Angeles, California, U.S. |
Instrument | Vocals, guitar |
Genre | Blues-rock, hard rock, psychedelic rock, blues |
Voice type | Mezzo-soprano |
Occupation | Singer, songwriter, arranger |
Years active | 1962–1970 |
Label | Columbia |
Associated acts | Big Brother & the Holding CompanyKozmic Blues BandFull Tilt Boogie Band |
Url | http://www.officialjanis.com/ |
Janis Lyn Joplin (January 19, 1943 – October 4, 1970) was an American singer, songwriter and music arranger. She rose to prominence in the late 1960s as the lead singer of Big Brother and the Holding Company and later as a solo artist. Rolling Stone magazine ranked Joplin number 46 on its list of the 100 Greatest Artists of All Time in 2004, and number 28 on its 2008 list of 100 Greatest Singers of All Time.
As a teenager, she befriended a group of outcasts, one of whom had albums by African-American blues artists Bessie Smith and Leadbelly, whom Joplin later credited with influencing her decision to become a singer. She began singing in the local choir and expanded her listening to blues singers such as Odetta and Big Mama Thornton.
Primarily a painter while still in school, she first began singing blues and folk music with friends. While at Thomas Jefferson High School, she stated that she was mostly shunned. The campus newspaper ran a profile of her in 1962 headlined "She Dares To Be Different." She left Texas for San Francisco in January 1963, living in North Beach and later Haight-Ashbury. In 1964, Joplin and future Jefferson Airplane guitarist Jorma Kaukonen recorded a number of blues standards, further accompanied by Margareta Kaukonen on typewriter (as percussion instrument). This session included seven tracks: "Typewriter Talk," "Trouble In Mind," "Kansas City Blues," "Hesitation Blues", "Nobody Knows You When You're Down and Out", "Daddy, Daddy, Daddy" and "Long Black Train Blues," and was later released as the bootleg album The Typewriter Tape.
Around this time her drug use increased, and she acquired a reputation as a "speed freak" and occasional heroin user. She also used other psychoactive drugs and was a heavy drinker throughout her career; her favorite beverage was Southern Comfort.
In the spring of 1965, Joplin's friends, noticing the physical effects of her amphetamine habit (she was described as "skeletal" Her first public performance with them was at the Avalon Ballroom in San Francisco. Due to persistent persuading by keyboardist and close friend Stephen Ryder, Joplin avoided drug use for several weeks, enjoining bandmate Dave Getz to promise that using needles would not be allowed in their rehearsal space or in the communal apartment where they lived. during a four week engagement in Chicago, the group signed a deal with independent label Mainstream Records.
In early 1967, Joplin met Country Joe McDonald of the group Country Joe and the Fish. The pair lived together as a couple for a few months. the group began its first East Coast tour in Philadelphia, and the following day gave their first performance in New York City at the Anderson Theater.
Cheap Thrills, which gave the band a breakthrough hit single, "Piece of My Heart", reached the number one spot on the Billboard charts eight weeks after its release, remaining for eight (nonconsecutive) weeks.
Joplin attended the reunion on August 14, accompanied by fellow musician and friend Bob Neuwirth, road manager John Cooke, and her sister Laura, but it reportedly proved to be an unhappy experience for her. Joplin held a press conference in Port Arthur during her reunion visit. Interviewed by Rolling Stone journalist Chet Flippo, she was reported to wear enough jewelry for a "Babylonian whore." Also included was the social commentary of the a cappella "Mercedes Benz", written by Joplin, close friend and song writer Bob Neuwirth and beat poet Michael McClure. In 2003, Pearl was ranked #122 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time.
During the recording sessions for Pearl, Joplin began seeing Seth Morgan, a 21 year-old Berkeley student, cocaine dealer and future novelist; He saw Joplin's psychedelically painted Porsche still in the parking lot. Upon entering her room, he found her dead on the floor. The official cause of death was an overdose of heroin, possibly combined with the effects of alcohol. Cooke believes that Joplin had accidentally been given heroin which was much more potent than normal, as several of her dealer's other customers also overdosed that week.
Joplin was cremated in the Pierce Brothers Westwood Village Mortuary in Los Angeles; her ashes were scattered from a plane into the Pacific Ocean and along Stinson Beach. The only funeral service was a private affair held at Pierce Brothers and attended by Joplin's parents and maternal aunt.
Joplin's will funded $2,500 to throw a wake party in the event of her demise. The party, which took place October 26, 1970, at the Lion's Share, located in San Anselmo California, was attended by her sister Laura and Joplin's close friends, that included tattoo artist Lyle Tuttle; Joplin's fiancé Seth Morgan; Bob Gordon; and her road manager, John Cooke. Brownies laced with hashish were unknowingly passed around. Her death at age 27 has caused her to be included in a phenomenon rock historians call the 27 Club.
Joplin's death in October, 1970 at the age of 27 stunned her fans and shocked the music world. Her death was coupled with the fact that another rock icon Jimi Hendrix had died earlier in September. Music historian Tom Moon wrote that Joplin had "a devastatingly original voice." Music columnist Jon Pareles of the New York Times wrote Joplin as an artist was "overpowering and deeply vulnerable." Author Megan Terry claimed the Joplin was the female version of Elvis Presley in the ability to captivate an audience.
Joplin's extraordinary success as a pioneer in a male-dominated rock industry of the late 1960s was unprecedented. Joplin, along with Grace Slick of the Jefferson Airplane, opened opportunities into the rock music business for future female singers. Stevie Nicks commented that after seeing Joplin perform, "I knew that a little bit of my destiny had changed. I would search to find that connection that I had seen between Janis and her audience. In a blink of an eye she changed my life."
Joplin's body decoration, with a wristlet and a small heart on her left breast, by the San Francisco tattoo artist Lyle Tuttle, is taken as a seminal moment in the tattoo revolution and was an early moment in the popular culture's acceptance of tattoos as art. Another trademark was her flamboyant hair styles, often including colored streaks and accessories such as scarves, beads and feathers.
Leonard Cohen's 1974 song "Chelsea Hotel #2" is about Joplin. Likewise, lyricist Robert Hunter has commented that Jerry Garcia's "Birdsong" from his first solo album, Garcia, is about Joplin and the end of her suffering through death. Mimi Fariña's song "In the Quiet Morning" is about Joplin's death.
The 1979 film The Rose was loosely based on Joplin's life. Originally titled Pearl, after Joplin's nickname, and the title of her last album, it was fictionalized after her family declined to allow the producers the rights to her story. Bette Midler earned a nomination for the Academy Award for Best Actress for her performance.
In 1988, the Janis Joplin Memorial, with an original bronze, multi-image sculpture of Joplin by Douglas Clark, was dedicated in Port Arthur, Texas.
Joplin was inducted into the Rock and Roll Hall of Fame in 1995, and was given a Grammy Lifetime Achievement Award in 2005. In November 2009, the Hall of Fame and museum honored her as part of its annual American Music Masters Series. Among the artifacts at the Rock and Roll Hall of Fame Museum Exhibition are Joplin's scarf and necklaces, her 1965 Porsche 356 Cabriolet with psychedelically designed painting, and a sheet of LSD blotting paper designed by Robert Crumb, designer of the Cheap Thrills cover. She was the honoree at the Rock Hall's American Music Master concert and lecture series for 2009.
In the late 1990s, the musical play Love, Janis was created with input from Janis's younger sister Laura plus Big Brother guitarist Sam Andrew, with an aim to take it to Off Broadway. Opening in the summer of 2001 and scheduled for only a few weeks of performances, the show won acclaim and packed houses and was held over several times, the demanding role of the singing Janis attracting rock vocalists from relative unknowns to pop stars Laura Branigan and Beth Hart. A national tour followed.
At the 2009 Edinburgh Festival Fringe, Janis, a one-woman show by Nicola Haydn, which imagined the last hour of Joplin's life, gained its first substantial run. It was nominated for 'Best Solo Performance' in The Stage Awards for Acting Excellence. The production tour bus also used a recreation of Joplin's Porsche by Brighton graffiti artist Req — on a VW Polo for budgetary reasons.
There have been many attempts at making a film about Joplin. On June 13, 2010, producer Wyck Godfrey said Amy Adams starred in director Fernando Meirelles' biographical drama, titled Janis Joplin: Get It While You Can.
; Kozmic Blues Band
; Full Tilt Boogie
; Big Brother & the Holding Company / Full Tilt Boogie
; Later collections
Category:1943 births Category:1970 deaths Category:American blues singers Category:American child singers Category:American female singers Category:American rhythm and blues singers Category:American rock singers Category:American soul musicians Category:Big Brother and the Holding Company members Category:1960s singers Category:1970s singers Category:Burials at Westwood Village Memorial Park Cemetery Category:Deaths by heroin overdose in California Category:Female rock singers Category:Grammy Lifetime Achievement Award winners Category:Musicians from Texas Category:People from Austin, Texas Category:People from Beaumont, Texas Category:People from Port Arthur, Texas Category:Rock and Roll Hall of Fame inductees Category:University of Texas at Austin alumni
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Yoko Ono小野 洋子 |
---|---|
Background | solo_singer |
Born | February 18, 1933 Tokyo, Japan |
Genre | Avant-garde, rock, pop, electronica, Shibuya kei, Fluxus |
Occupation | Artist, musician, film director, peace activist |
Years active | 1961–present |
Instrument | Vocals, piano |
Label | Apple, Geffen, Polydor, Rykodisc, Astralwerks, Chimera Music |
Associated acts | John LennonThe Plastic Ono BandThe Ghost of a Saber Tooth Tiger |
In 1956, she married composer Toshi Ichiyanagi. They divorced in 1962 after living apart for several years. On November 28 that same year, Ono married an American named Anthony Cox. Cox was a jazz musician, film producer and art promoter. He had heard of Ono in New York and tracked her down to a mental institution in Japan, where her family had placed her following a suicide attempt. Ono had neglected to finalize her divorce from Ichiyanagi, so their marriage was annulled on March 1, 1963 and Cox and Ono married on June 6. Their daughter, Kyoko Chan Cox, was born two months later on August 3, 1963.
The marriage quickly fell apart but the Coxes stayed together for the sake of their joint career. They performed at Tokyo's Sogetsu Hall with Ono lying atop a piano played by John Cage. Soon the Coxes returned to New York with Kyoko. In the early years of this marriage, Ono left most of Kyoko's parenting to Cox while she pursued her art full-time and Tony managed publicity. After she divorced Cox on February 2, 1969, Ono and Cox engaged in a bitter legal battle for custody of Kyoko, which resulted in Ono being awarded full custody. However, in 1971, Cox disappeared with eight-year-old Kyoko, in violation of the custody order. Cox subsequently became a Christian and raised Kyoko in a Christian group known as the Church of the Living Word (or "the Walk"). Cox left the group with Kyoko in 1977. Living an underground existence, Cox changed the girl's name to Rosemary. Cox and Kyoko sent Ono a sympathy message after Lennon's 1980 murder. Afterwards, the bitterness between the parents lessened slightly and Ono publicly announced in People Magazine that she would no longer seek out the now-adult Kyoko, but still wished to make contact with her. In 1994, Kyoko made contact with Ono and established a relationship.
Almost immediately after John Cage finished teaching at the New School for Social Research in the Summer of 1960, Ono was determined to rent a place to present her works along with works of other New York avant-garde artists. She eventually found a cheap loft in downtown Manhattan at 112 Chambers Street that she used as a studio and living space. Composer La Monte Young urged Ono to let him organize concerts in the loft, and Ono acquiesced. but Ono claims to have been eventually pushed into a subsidiary role by Young. The Chambers Street series hosted some of Ono's earliest conceptual artwork including Painting to Be Stepped On, which was a scrap of canvas on the floor that became a completed artwork upon the accrual of footprints. Participants faced a moral dilemma presented by Ono that a work of art no longer needed to be mounted on a wall, inaccessible, but an irregular piece of canvas as low and dirty as to have to be completed by being stepped on.
Ono was an explorer of conceptual art and performance art. An example of her performance art is "Cut Piece" (this instance of performance art is also known as a "happening"), first performed in 1964 at the Sogetsu Art Center in Tokyo. Cut Piece had one destructive verb as its instruction: "Cut." Ono executed the performance in Tokyo by walking on stage and casually kneeling on the floor in a draped garment. Audience members were requested to come on stage and begin cutting until she was naked. Cut Piece was one of Ono’s many opportunities to outwardly communicate her internal suffering through her art. Ono had originally been exposed to Jean-Paul Sartre's theories of existentialism in college, and in order to appease her own human suffering, Ono enlisted her viewers to complete her works of art in order to complete her identity as well. Besides a commentary on identity, Cut Piece was a commentary on the need for social unity and love. It was also a piece that touched on issues of gender and sexism as well as the greater, universal affliction of human suffering and loneliness. Ono performed this piece again in London and other venues, garnering drastically different attention depending on the audience. In Japan, the audience was shy and cautious. In London, the audience participators became zealous to get a piece of her clothing and became violent to the point where she had to be protected by security. An example of her conceptual art includes her book of instructions called Grapefruit. This book, first produced in 1964, includes surreal, Zen-like instructions that are to be completed in the mind of the reader, for example: "Hide and seek Piece: Hide until everybody goes home. Hide until everybody forgets about you. Hide until everybody dies." The book, an example of Heuristic art, was published several times, most widely distributed by Simon and Schuster in 1971, and reprinted by them again in 2000. Many of the scenarios in the book would be enacted as performance pieces throughout Ono's career and have formed the basis for her art exhibitions, including one highly publicized show at the Everson Museum in Syracuse, New York that was nearly closed by a fan riot.
In addition to conceptual art, Ono has also created participatory art, including her 1996 project entitled "Wish Tree" in Japan.
:"Wish Piece by Yoko Ono (1996)
:Make a wish :Write it down on a piece of paper :Fold it and tie it around a branch of a Wish Tree :Ask your friends to do the same :Keep wishing :Until the branches are covered with wishes".
Ono was also an experimental filmmaker who made sixteen films between 1964 and 1972, and gained particular renown for a 1966 Fluxus film called simply No. 4, but often referred to as "Bottoms". The film consists of a series of close-ups of human buttocks as the subject walks on a treadmill. The screen is divided into four almost equal sections by the elements of the gluteal cleft and the horizontal gluteal crease. The soundtrack consists of interviews with those who are being filmed as well as those considering joining the project. In 1996, the watch manufacturing company Swatch produced a limited edition watch that commemorates this film. (Ono also acted in an obscure exploitation film in 1965, Satan's Bed.)
John Lennon once described her as "the world's most famous unknown artist: everybody knows her name, but nobody knows what she does." Her circle of friends in the New York art world has included Kate Millett, Nam June Paik, Dan Richter, Jonas Mekas, Merce Cunningham, Judith Malina, Erica Abeel, Fred DeAsis, Peggy Guggenheim, Betty Rollin, Shusaku Arakawa, Adrian Morris, Stefan Wolpe, Keith Haring, and Andy Warhol, as well as Maciunas and Young.
In 2001, YES YOKO ONO, a forty-year retrospective of Ono's work, received the prestigious International Association of Art Critics USA Award for Best Museum Show Originating in New York City, considered one of the highest accolades in the museum profession. In 2002 Ono was awarded the Skowhegan Medal for work in assorted media. In 2005 she received a lifetime achievement award from the Japan Society of New York.
Ono received an honorary Doctorate of Laws from Liverpool University in 2001. In 2002, she was presented with the honorary degree of Doctor of Fine Arts from Bard College.
In 2008, she showed a large retrospective exhibition, Between The Sky And My Head, at the Kunsthalle Bielefeld, Bielefeld, Germany, and the Baltic Centre for Contemporary Art in Gateshead, UK.
In 2009, she showed a selection of new and old work as part of her show "Anton's Memory" in Venice, Italy. She also received a Golden Lion Award for lifetime achievement from the Venice Biennale in 2009. to Yoko Ono's Wish Tree]] Wish Tree, her installation in the Sculpture Garden - Museum of Modern Art, New York (since July 2010), has become very popular with contributions from all over the world.
Another work displayed a real apple with a card reading "APPLE." When John was told that the price of the apple was £200 (approximately £2300 or $4600 in 2007 money), he later reported that he thought "This is a joke, this is pretty funny". Another display was a white board with nails in it with a sign inviting visitors to hammer a nail into its surface. Since the show was not beginning until the following day, Ono refused to allow Lennon to hammer in a nail. The gallery owner whisked her away, saying, "Don't you know who that is? He's a millionaire!" Upon returning to John, she said he could hammer in a nail for five shillings. Lennon replied, "I'll give you an imaginary five shillings if you let me hammer in an imaginary nail".
Lennon referred to Ono in many of his songs. While still a Beatle he wrote "The Ballad of John and Yoko", and he alluded to her indirectly in "Julia", a song dedicated to his mother, with the lyrics: "Ocean child calls me, so I sing a song of love" (The kanji 洋子 ("Yoko") means "ocean child").
Ono and Lennon collaborated on many albums, beginning in 1968 when Lennon was still a Beatle, with , an album of experimental and difficult electronic music. That same year, the couple contributed an experimental piece to The White Album called "Revolution 9". Ono also contributed backing vocals (on "Birthday"), and one line of lead vocals (on "The Continuing Story of Bungalow Bill") to The White Album. Many of the couple's later albums were released under the name the Plastic Ono Band. The couple also appeared together at concerts. When Lennon was invited to play with Frank Zappa at the Fillmore on June 5, 1971, Ono joined in as well.
In 1969, the Plastic Ono Band's first album, Live Peace in Toronto 1969, was recorded during the Toronto Rock and Roll Revival Festival. In addition to Lennon and Ono, this first incarnation of the group consisted of guitarist Eric Clapton, bass player Klaus Voormann, and drummer Alan White. The first half of their performance consisted of rock standards, and during the second half, Ono took the microphone and along with the band performed an avant garde set, ending with music that consisted mainly of feedback, while Ono screamed and sang.
In November 1968, Yoko miscarried a male child which they named John Ono Lennon II. Ono and Lennon married on March 20, 1969 in Gibraltar. ".]] Ono released her first solo album, Yoko Ono/Plastic Ono Band in 1970, as a companion piece to Lennon's better-known John Lennon/Plastic Ono Band. The two albums have almost identical covers: Ono's featured a photo of her leaning on Lennon, and Lennon's had a photo of him leaning on Ono. Her album included raw and quite harsh vocals that were possibly influenced by Japanese opera, but bear much in common with sounds in nature (especially those made by animals) and free jazz techniques used by wind and brass players. The performers included Ornette Coleman and other renowned free jazz performers. The personnel was supplemented by John Lennon, Ringo Starr and minor performers. Some songs consisted of wordless vocalizations, in a style that would influence Meredith Monk, and other musical artists who have used screams and vocal noise in lieu of words. The album peaked at #183 on the US charts.
In 1971, Ono released Fly – a double album. On this release Ono explored slightly more conventional psychedelic rock with tracks like "Midsummer New York" and "Mind Train", in addition to a number of Fluxus experiments. She also received minor airplay with the ballad "Mrs. Lennon". Perhaps the most famous track from the album is "Don't Worry, Kyoko (Mummy's Only Looking For Her Hand In The Snow)", an ode to Ono's kidnapped daughter.
In 1971, while studying with Maharishi Mahesh Yogi in Majorca, Ono's second husband, Anthony Cox, accused Ono of abducting their daughter, Kyoko from his hotel. A large number of accusations were then made by both parents toward each other and the matter of custody. Cox eventually moved to Houston, Texas and converted to Evangelical Christianity with his new wife, who was originally from Houston. At the end of 1971, a custody hearing in Houston went against Cox. In violation of the order, he took Kyoko and disappeared. Ono then launched a search for her daughter with the aid of the police and private investigators. Ono wrote a song about her daughter, "Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow)", which appears on Lennon and Ono's album Live Peace In Toronto 1969 and her album Fly. Both versions feature Eric Clapton on guitar. Kyoko is also referenced on the first line of "Happy Christmas (War Is Over)" when Yoko whispers "Happy Christmas Kyoko" followed by Lennon whispering "Happy Christmas Julian".
Both the press and the public were critical of her. She was blamed for the breakup of The Beatles and repeatedly criticized for her influence over Lennon and his music. Her experimental art was not popularly understood. Following the murder, she went into complete seclusion for an extended period.
Following Lennon's murder, Cox and Kyoko sent a message of sympathy to Ono but did not reveal their location. Ono later printed an open letter to Kyoko saying how she missed her but that she would cease her attempts to find her. Kyoko would later appear on the 1987 title track of American English by the British pop band Wax.
In early 1980, Lennon heard Lene Lovich and The B-52's' "Rock Lobster" in a nightclub, and it reminded him of Ono's musical sound. He took this as an indication that her sound had reached the mainstream. Indeed, many musicians, particularly those of the new wave movement, have paid tribute to Ono (both as an artist in her own right, and as a muse and iconic figure). For example, Elvis Costello recorded a version of Ono's song "Walking on Thin Ice", the B-52's who drew from her early recordings
Four months after her husband's murder, Ono began a relationship with antiques dealer and interior designer Sam Havadtoy, which lasted until 2001. She had also been linked to art dealer and Greta Garbo confidante Sam Green, who is mentioned in Lennon's will. In 1982, she released It's Alright (I See Rainbows). The cover featured Ono in her famous wrap-around sunglasses, looking towards the sun, while on the back the ghost of Lennon looks over her and their son. The album scored minor chart success and airplay with the singles "My Man" and "Never Say Goodbye".
In 1984, a tribute album titled Every Man Has a Woman was released, featuring a selection of Ono songs performed by artists such as Elvis Costello, Roberta Flack, Eddie Money, Rosanne Cash and Harry Nilsson. It was one of Lennon's projects that he never got to finish. Later that year, Ono and Lennon's final album, Milk and Honey, was released as an unfinished demo.
Ono's final album of the 1980s was Starpeace, a concept album that she intended as an antidote to Ronald Reagan's "Star Wars" missile defense system. On the cover, a warm, smiling Ono holds the Earth in the palm of her hand. Starpeace became Ono's most successful non-Lennon effort: the single "Hell in Paradise" was a hit, reaching No. 16 on the US dance charts and #26 on the Billboard Hot 100 as well as major airplay on MTV.
In 1986, Ono set out on a goodwill world tour for Starpeace, mostly visiting Eastern European countries.
Ono went on hiatus until signing with Rykodisc in 1992 to release the comprehensive six-disc box set Onobox. It included remastered highlights from all of Ono's solo albums, as well as unreleased material from the 1974 "lost weekend" sessions. There was also a one-disc "greatest hits" release of highlights from Onobox, simply titled Walking on Thin Ice. That year, she agreed to sit down for an extensive interview with music journalist Mark Kemp for a cover story in the alternative music magazine Option. The story took a revisionist look at Ono's music for a new generation of fans more accepting of her role as a pioneer in the merger of pop and the avant-garde.
In 1994, Ono produced her own musical entitled New York Rock, featuring Broadway renditions of her songs. In 1995, she released Rising, a collaboration with her son Sean and his band, Ima. Rising spawned a world tour that traveled through Europe, Japan and the United States. The following year, she collaborated with various alternative rock musicians for an EP entitled Rising Mixes. Guest remixers of Rising material included Cibo Matto, Ween, Tricky, and Thurston Moore.
In 1997, Rykodisc reissued all her solo albums on CD, from Yoko Ono/Plastic Ono Band through Starpeace. Ono and her engineer Rob Stevens personally remastered the audio, and various bonus tracks were added including outtakes, demos and live cuts.
2001 saw the release of Ono's feminist concept album Blueprint for a Sunrise. In 2002, Yoko joined The B-52's in New York for their 25th anniversary concerts. She came out for the encore and performed Rock Lobster with the band. Starting in 2002, some DJs remixed other Ono songs for dance clubs. For the remix project, she dropped her first name and became known as simply "ONO", as a response to the "Oh, no!" jokes that dogged her throughout her career. Ono had great success with new versions of "Walking on Thin Ice", remixed by top DJs and dance artists including Pet Shop Boys, Orange Factory, Peter Rauhofer, and Danny Tenaglia. In April 2003, Ono's Walking on Thin Ice (Remixes) was rated No. 1 on Billboard Magazine's "Dance/Club Play Chart", gaining Ono her first number one hit. On the 12" mix of the original 1981 version of "Walking on Thin Ice", Lennon can be heard remarking "I think we've just got your first No.1, Yoko." She returned to No. 1 on the same charts in November 2004 with "Everyman...Everywoman...", a reworking of her song "Every Man Has a Woman Who Loves Him", in January 2008, with "No No No", and in August 2008, with "Give Peace a Chance." In June 2009, at the age of 76, Ono scored her fifth No. 1 hit on the "Dance/Club Play Chart" with "I'm Not Getting Enough."
Ono released the album Yes, I'm a Witch in 2007, a collection of remixes and covers from her back catalog by various artists including The Flaming Lips, Cat Power, Antony, DJ Spooky, Porcupine Tree and Peaches, released in February 2007, along with a special edition of Yoko Ono/Plastic Ono Band. Yes I'm a Witch has been critically well-received. A similar compilation of Ono dance remixes entitled Open Your Box was also released in April of that year.
In 2009, Ono recorded Between My Head and the Sky, her first album to be released as "Yoko Ono/Plastic Ono Band" since 1973's Feeling the Space. The all-new Plastic Ono Band lineup includes Sean Lennon, Cornelius and Yuka Honda amongst others. On February 16, 2010, Sean organized a concert in Brooklyn, New York called "We Are Plastic Ono Band," at which Yoko performed her music with Sean, Clapton, Klaus Voorman and Jim Keltner, for the first time since the 1970s. Guests including Bette Midler, Paul Simon and his son Harper, and principal members of Sonic Youth interpreted her songs in their own styles.
During her career, Ono has collaborated with a diverse group of artists and musicians including John Lennon, Eric Clapton, Klaus Voormann, Cornelius (Keigo Oyamada, Naoki Shimizu and Yoko Araki), Frank Zappa, Sean Lennon, Yuka Honda, Jim Keltner, Earl Slick, Peaches, John Cage, David Tudor, George Maciunas, Ornette Coleman, Charlotte Moorman, George Brecht, Jackson Mac Low, Jonas Mekas, Fred DeAsis, Yvonne Rainer, La Monte Young, Richard Maxfield, Zbigniew Rybczyński, Yo La Tengo, and Andy Warhol (in 1987 Ono was one of the speakers at Warhol's funeral). As a dance music artist, Ono has worked with re-mixers/producers such as Basement Jaxx, Pet Shop Boys, Cat Power, Bill Kates, Tricky, Thurston Moore, Keiji Haino, Nick Vernier Band, Cibo Matto, Billy Martin, DJ Spooky, Apples In Stereo, Damien Price, The Flaming Lips, DJ Chernobyl, Bimbo Jones, DJ Dan, Craig Armstrong, Jorge Artajo, Shuji Nabara, and Konrad Behr, among others.
, Ono's residence since 1973]]
Ono performed at the opening ceremony for the 2006 Winter Olympic Games in Turin, Italy, wearing white, like many of the others who performed during the ceremony, to symbolize the snow that makes the Winter Olympics possible. She read a free verse poem calling for peace in the world. The poem was an intro to a performance of the song "Imagine", Lennon's anthem to world peace.
On December 13, 2006, Ono's bodyguard was arrested after he was taped trying to extort Ono for two million dollars, threatening to release private conversations and photographs.
On June 26, 2007, Ono appeared on Larry King Live along with Paul McCartney, Ringo Starr, and Olivia Harrison. Ono headlined the Pitchfork Music Festival in Chicago on July 14, 2007, performing a full set that mixed music and performance art. She sang "Mulberry", a song about her time in the countryside after the Japanese collapse in World War II for only the third time in her life, with Thurston Moore. Ono had previously performed the song once with John Lennon and once with Sean Lennon and told the audience of thousands that she will never perform it again.
On October 9, 2007 Ono officially lit the Imagine Peace Tower on Viðey Island in Iceland, dedicated to peace and to Lennon.
Ono returned to Liverpool for the 2008 Liverpool Biennial, where she unveiled "Sky Ladders" in the ruins of Church of St Luke, Liverpool (which was largely destroyed during World War II and now stands roofless as a memorial to those killed in the Liverpool Blitz).
In May 2009, Yoko designed a T-shirt for the second 'Fashion against AIDS' campaign/collection of HIV/AIDS awareness NGO Designers against AIDS and H&M;, with the statement 'Imagine Peace' depicted in 21 different languages.
On March 31, 2009, Yoko Ono went to the inauguration of the exhibition: "Imagine: The Peace Ballad of John & Yoko" to mark the 40th anniversary of Lennon-Ono bed-in at the Queen Elizabeth Hotel in Montreal, Canada from May 26 to June 2, 1969.
Ono appeared on-stage at Microsoft's June 1, 2009 E3 press conference with Olivia Harrison, Paul McCartney and Ringo Starr to promote video game.
Ono appears on the new Basement Jaxx album Scars, featuring on the single "Day of the Sunflowers (We March On)".
On April 1, 2010, Ono was named the first "Global Autism Ambassador" by the Autism Speaks organization. In 2009, she created a piece of artwork called Promise to mark the annual World Autism Awareness Day, which is on April 2.
On July 7, 2010, Ono appeared with Ringo Starr at New York's Radio City Music Hall in celebration of Starr's 70th birthday, performing "With a Little Help from My Friends" and "Give Peace a Chance".
In recent years an image of Ono as a strong, uncompromising survivor has emerged.
On Valentine’s Day, February 14, 2003, on the eve of the Iraqi invasion by the Americans and the British, Ono heard about a romantic couple holding a love-in protest in their tiny bedroom in Addingham, West Yorkshire. She sent the couple, Andrew and Christine Gale, some flowers and wished them the best.
In 2004, Ono remade her song "Everyman... Everywoman..." to support same-sex marriage, releasing remixes that included "Every Man Has a Man Who Loves Him" and "Every Woman Has a Woman Who Loves Her."
In 1995, after the Beatles released Lennon's "Free as a Bird" and "Real Love" with demos provided by Ono, McCartney and his family collaborated with her and Sean Lennon to create the song "Hiroshima Sky is Always Blue", which commemorates the 50th anniversary of the atomic bombing of that Japanese city. Of Ono, McCartney stated: "I thought she was a cold woman. I think that's wrong ... she's just the opposite ... I think she's just more determined than most people to be herself."
In 1997, Ono compared Lennon to Mozart while McCartney, she said, more closely resembled his less-talented rival Salieri. This remark infuriated Linda McCartney, who was battling breast cancer at the time. When she died less than a year later, McCartney pointedly did not invite Ono to a New York memorial service for her.
Accepting an award at the 2005 Q Awards, Ono mentioned that Lennon had once felt insecure about his songwriting, and asked her why other musicians "always cover Paul's songs, and never mine". Ono had responded, "You're a good songwriter; it's not June with spoon that you write. You're a good singer, and most musicians are probably a little bit nervous about covering your songs". McCartney responded by saying, "I don’t take any notice of her. She’s John’s wife so I have to respect her for that, but I don’t think she’s the brightest of buttons. She’s said some particularly daft things in her time. Her life is dedicated to putting me down but I attempt very strongly not to put her down." Ono later issued a statement claiming she did not mean any offense, as her comment was an attempt to console her husband, not attack McCartney; she went on to insist that she respected McCartney and that it was the press who had taken her comments out of context. "
Category:1933 births Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:American anti-war activists Category:American dance musicians Category:American experimental musicians Category:American feminists Category:American film directors of Japanese descent Category:American musicians of Japanese descent Category:American pacifists Category:American performance artists Category:American rock singers Category:American women artists Category:Apple Records artists Category:Artists from New York Category:Astralwerks artists Category:COINTELPRO targets Category:Conceptual artists Category:Contemporary artists Category:Female film directors Category:Female rock singers Category:Feminist artists Category:Fluxus Category:Gakushuin University alumni Category:Geffen Records artists Category:Grammy Award winners Category:Japanese feminists Category:Japanese film directors Category:Japanese immigrants to the United States Category:Japanese musicians Category:Japanese pacifists Category:Japanese performance artists Category:Japanese women artists Category:John Lennon Category:LGBT rights activists from the United States Category:Living people Category:Multimedia artists Category:Musicians from New York Category:Musicians from Tokyo Category:Naturalized citizens of the United States Category:People associated with The Beatles Category:People from Scarsdale, New York Category:Plastic Ono Band members Category:Polydor Records artists Category:Postmodern artists Category:Rykodisc artists Category:Sarah Lawrence College alumni Category:Singers from New York Category:Sound artists Category:The Dirty Mac
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Name | Sly Stone |
---|---|
Background | solo_singer |
Birth name | Sylvester Stewart |
Born | March 15, 1943 Denton, Texas, United States |
Instrument | Vocals, organ, guitar, bass guitar, piano, keyboards, harmonica |
Genre | Funk, rock, soul, R&B; |
Occupation | Singer, songwriter, musician, producer |
Years active | 1952–present |
Label | Epic Records, Warner Bros., Cleopatra |
Associated acts | Sly & the Family Stone |
Url | www.slystonebook.com |
Sylvester was identified as a musical prodigy from a young age. By the time he was seven Sylvester had already become proficient on the keyboards. By the age of eleven Sylvester had mastered the guitar, bass, and drums as well.
The name Sly was a common nickname for Sylvester throughout his years in grade school. A classmate misspelled his name Slyvester and ever since the nickname followed him. Epic requested more marketable output. The Black Panther Party demanded that Stone make his music more militant and more reflective of the black power movement,
After moving to the Los Angeles area in fall 1969, Stone and his bandmates became heavy users of illegal drugs, primarily cocaine and PCP. As the members became increasingly focused on drug use and partying (Stone carried a violin case filled with illegal drugs wherever he went), recording slowed significantly. Between summer 1969 and fall 1971, the band released only one single, "Thank You (Falettinme Be Mice Elf Agin)" / "Everybody Is a Star", released in December 1969. The former song was one of the first recordings to employ the heavy, funky beats that would be featured in the funk music of the following decade. It showcased bass player Larry Graham's innovative percussive playing technique of bass "slapping". Graham later said that he developed this technique in an earlier band in order to compensate for that band's lack of a drummer.
"Thank You" reached the top of the Billboard Hot 100 in February 1970. The single also peaked at #5 on the R&B; chart and remained there for five weeks, while also remaining at #1 on the Pop chart for two weeks in the spring of 1970, before selling over a million copies.
In the fall of 1969, Stone moved from San Francisco to Los Angeles with his then girlfriend Deborah King, later Deborah Santana (wife of Carlos Santana from 1973 until filing for divorce in 2007). The band's fifth album, There's a Riot Goin' On (1971), reflected the turmoil. Most of Riot was recorded with overdubbing as opposed to The Family Stone all playing at the same time; Stone played most of the parts himself and performed more of the lead vocals than usual.
The band's cohesion slowly began to erode, and its sales and popularity began to decline as well. Errico withdrew from the group in 1971 and was eventually replaced with Andy Newmark. Larry Graham and Stone were no longer on friendly terms, and Graham was fired in early 1972 and replaced with Rustee Allen. The band's later releases, Fresh (1973) and Small Talk (1974), featured even less of the band and more of Stone.
Live bookings for Sly & the Family Stone had steadily dropped since 1970, because promoters were afraid that Stone or one of the band members might miss the gig, refuse to play, or pass out from drug use. These issues were regular occurrences for the band during the 1970s, and had an adverse effect on their ability to demand money for live bookings. In January 1975, the band booked itself at Radio City Music Hall. The famed music hall was only one-eighth occupied, and Stone and company had to scrape together money to return home. Following the Radio City engagement, the band was dissolved. Andy Newmark became a successful session drummer, playing with Roxy Music, B. B. King, Steve Winwood and others.
Stone did do a short tour with Bobby Womack in the summer of 1984, and he continued to make sporadic appearances on compilations and other artists' records. In 1986, Stone was featured on a track from The Time member Jesse Johnson's solo album Shockadelica called "Crazay". The music video featured Stone on keyboards and vocals, and received some airplay on the BET music network.
In 1987, Stone released a single, "Eek-a-Boo Static Automatic", from the Soul Man soundtrack. He also co-wrote and co-produced "Just Like A Teeter-Totter," which appeared on a Bar-Kays album from 1989.
In 1990, he gave an energetic vocal performance on the Earth, Wind and Fire song, "Good Time." In 1991, he appeared on a cover of "Thank You (Falettinme Be Mice Elf Agin)" performed by the Japanese band 13CATS. And he shared lead vocals with Bobby Womack on "When the Weekend Comes" from Womack's 1993 album I Still Love You. His last major public appearance until 2006 was during the 1993 Rock and Roll Hall of Fame induction ceremony where Stone showed up onstage to be entered into the Hall of Fame along with the Family Stone. In 2003, the other six members of the original Family Stone entered the studio to record a new album. Stone was invited to participate, but declined.
Stone reportedly lives near Beverly Hills or Napa Valley with two female assistants, where he records at a home studio and rides his motorcycle. A few home-studio recordings (most likely from the late 1980s) with Stone's voice and keyboards over a drum machine have made their way onto a bootleg. One Stone-penned demo called "Coming Back for More" appears to be autobiographical and includes the verse: "Been so high, I touched the sky and the sky says 'Sly, why you tryin' to get by?' Comin' back for more." His son, Sylvester Jr., told People Magazine in 1997 that his father had composed an album's worth of material, including a tribute to Miles Davis called "Miles and Miles."
On August 15, 2005, Stone drove his younger sister Vet Stone on his motorcycle to Los Angeles' Knitting Factory, where Vet was performing with her Sly & the Family Stone tribute band, the Phunk Phamily Affair. Stone kept his helmet on during the entire performance, and was described by one concertgoer as looking a little like Bootsy Collins. A film crew doing a documentary on Sly & the Family Stone was at the show and apparently captured this rare sighting on film. Stone, according to his web site, is producing and writing material for the group's new album. In addition, Stone renamed the group "Family Stone."
Friends and family say Stone continues to write songs and record in his home studio. Family Stone drummer Greg Errico told Rolling Stone in the March 2006 issue, "Sly's been calling two or three times a day lately, singing over the phone."
A new Stone instrumental can be heard at the artist's Web site. Stone's sister, Vet, said in a recent radio interview that the song will be recorded with vocals.
Ehrlich said Stone refused to leave his hotel room until he was given a police escort to the show and then waited in his car until the performance began.
A Sly & The Family Stone tribute album, Different Strokes By Different Folks, was released on July 12, 2005 by Starbucks' Hear Music label, and on February 7, 2006 by Epic Records. The project features both cover versions of the band's songs and songs which sample the original recordings. Among the artists for the set are The Roots ("Star", which samples "Everybody is a Star"), Maroon 5 and Ciara ("Everyday People"), John Legend, Joss Stone & Van Hunt ("Family Affair"), The Black Eyed Peas' will.i.am ("Dance to the Music"), and Steven Tyler, Joe Perry and Robert Randolph ("I Want to Take You Higher"). Epic Records' version of the tribute album, which included two additional covers ("Don't Call Me Nigger, Whitey" and "Thank You (Falletinme Be Mice Elf Agin)") was released in January 2006.
On April 1, 2007, Stone appeared with the Family Stone at the Flamingo Las Vegas Showroom, after George Wallace's standup act.
On July 7, 2007 Stone made a short appearance with the Family Stone at the San Jose, CA Summerfest. He sang "Sing a Simple Song" and "If You Want Me to Stay," and walked off stage before the end of "Higher." He wore a baseball cap, dark glasses, a white hooded sweatshirt, baggy pants and gold chains. Stone, who took the stage at about 8:45 p.m., cut the set short, in part, because the promoter was told that the show had to end by 9:00. The band began their set over 90 minutes late reportedly because the stage management was poor and the promoter's band played for 30 minutes longer than scheduled. Stone's 15-minute set came only after his sister, Vet, and the rest of the band performed for 35 minutes. As he exited the stage he told the audience near the front of the stage that he would return. He did return, but only to tell the crowd that the police were shutting down the show. While many blamed Stone for this incident, others believed that the promoter was at fault.
The same scenes were repeated at the Montreux Jazz Festival on July 13, 2007 with over half the sold-out venue walking out in disgust even earlier than his stage exit. The same happened again one day later at the Blue Note Records Festival in Ghent, Belgium. Here he left the stage after saying to the audience that "when waking up this morning he realized he was old, and so he needed to take a break now". He did the same again one day later, performing at the North Sea Jazz Festival.
As the tour progressed, however, Stone seemed to be more confident and animated, often dancing and engaging the audience. He performed "Stand", "I Want To Take You Higher", "Sing A Simple Song", "If You Want Me To Stay", and "Thank You (Falettinme Be Mice Elf Agin)", (which at one point morphed into "Thank you For Talkin' To Me Africa", a track rarely performed in public). But the show was marred by sound problems and the vocals were barely audible through much of the show. On October 17, 2008, Sly played with the Family Stone at the Wells Fargo Center for the Arts in Santa Rosa, CA. He played a 22 minute set and ventured offstage, telling the crowd "I gotta go take a piss. I'll be right back." He never returned. On Memorial Day, May 25, 2009, Stone re-emerged once again, granting an hour-long interview with KCRW-FM, a Los Angeles NPR affiliate, to discuss his life and career.
On August 18, 2009, The Guardian reported that a forthcoming documentary, Coming Back for More by Dutch director Willem Alkema, claims Stone was living on welfare and staying in cheap hotels and campervans. The film alleges that Stone's former manager, Jerry Goldstein, cut off his access to royalty payments following a dispute over a 'debt agreement', forcing Stone to depend on welfare payments.
On Labor Day, September 7, 2009, Stone emerged at the 20th annual African Festival of the Arts in Chicago, Ill. He performed a 15 minute set during George Clinton's Performance. He performed his popular hits along with George Clinton's band. He left immediately after his short performance.
On December 6, 2009, Sly signed a new recording contract with the LA based Cleopatra Records. A new album is expected sometime in 2010.
Category:African American musicians Category:African American singers Category:American soul musicians Category:American funk musicians Category:American funk singers Category:American male singers Category:African American rock musicians Category:American rock singers Category:American record producers Category:American singers Category:Songwriters from Texas Category:P-Funk members Category:People from the Dallas – Fort Worth Metroplex Category:Sly & the Family Stone members Category:Musicians from Texas Category:1943 births Category:Living people Category:Members of the Church of God in Christ
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Name | Norman Mailer |
---|---|
Caption | Norman Mailer photographed by Carl Van Vechten in 1948 |
Pseudonym | Andreas Wilson |
Birthname | Norman Kingsley Mailer |
Birthdate | January 31, 1923 |
Birthplace | Long Branch, New Jersey, U.S. |
Deathdate | November 10, 2007 |
Deathplace | New York City, New York, U.S. |
Occupation | Novelist, essayist, journalist, columnist, poet, playwright |
Nationality | American |
Genre | Fiction, non-fiction |
Influences | John Dos Passos, George Eliot, Leo Tolstoy, Ernest Hemingway, Thomas Mann, William Faulkner, Fyodor Dostoevsky, Henry James, Marcel Proust, Henry Miller |
Influenced | Don DeLillo, Martin Amis, Truman Capote, Tom Wolfe, Lester Bangs, Jim Morrison |
Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, poet, playwright, screenwriter and film director.
Along with Truman Capote, Joan Didion, Hunter S. Thompson, John McPhee, and Tom Wolfe, Mailer is considered an innovator of narrative nonfiction, a genre sometimes called New Journalism, which superimposes the essay onto the nonfiction novel. He was awarded the Pulitzer Prize twice and the National Book Award once. In 1955, Mailer, together with Ed Fancher and Dan Wolf, first published The Village Voice, which began as an arts and politics oriented weekly newspaper distributed in Greenwich Village. In 2005, he won the Medal for Distinguished Contribution to American Letters from the National Book Foundation.
Mailer wrote over 40 books. He published 11 novels over a 59-year span.
In 1960, Mailer wrote "Superman Comes to the Supermarket" for Esquire magazine, an account of the emergence of John F. Kennedy during the Democratic party convention. The essay was an important breakthrough for the New Journalism of the nineteen sixties. Mailer's contributions to the New Journalism include major books such as The Armies of the Night (1968—awarded a Pulitzer Prize and National Book Award); Miami and the Siege of Chicago (1968); Of a Fire on the Moon (1971); and The Prisoner of Sex (1971). Hallmarks of these works are a highly subjectivized style and a greater application of techniques from fiction-writing than common in journalism.
At the December 15, 1971, taping of The Dick Cavett Show, with Janet Flanner and Gore Vidal, Mailer, annoyed with a less-than-stellar review by Vidal of Prisoner of Sex, apparently headbutted Vidal and traded insults with him backstage. As the show began taping, a visibly belligerent Mailer, who admitted he had been drinking, Mailer replied "I'll take the two chairs if you'll all accept finger-bowls." Mailer later said to Cavett "Why don't you look at your question sheet and ask your question?", to which Cavett replied "Why don't you fold it five ways and put it where the moon don't shine?"
A long laugh ensued, after which Mailer asked Cavett if he had come up with that line and Cavett replied "I have to tell you a quote from Tolstoy?".
In 1969, at the suggestion of Gloria Steinem, his friend the political essayist Noel Parmentel and others, he ran unsuccessfully in the Democratic Party primary for Mayor of New York City, allied with columnist Jimmy Breslin (who ran for City Council President), proposing New York City secession and creating a 51st state. Their slogan was "throw the rascals in". He came in fourth in a field of five. From 1980 until his death in 2007, he contributed to Democratic Party candidacies for political office.
In 1980, Mailer spearheaded convicted killer Jack Abbott's successful bid for parole. In 1977, Abbott had read about Mailer's work on The Executioner's Song and wrote to Mailer, offering to enlighten the author about Abbott's time behind bars and the conditions he was experiencing. Mailer, impressed, helped to publish In the Belly of the Beast, a book on life in the prison system consisting of Abbott's letters to Mailer. Once paroled, Abbott committed a murder in New York City six weeks after his release, stabbing to death 22-year-old Richard Adan. Consequently, Mailer was subject to criticism for his role. In a 1992 interview with the Buffalo News, he conceded that his involvement was "another episode in my life in which I can find nothing to cheer about or nothing to take pride in."
In 1989, Mailer joined with a number of other prominent authors in publicly expressing support for colleague Salman Rushdie in the wake of the fatwa calling for Rushdie's assassination issued by Iran's Islamic government for his having authored The Satanic Verses.
In 2003, in a speech to the Commonwealth Club in San Francisco, just before the invasion of Iraq, Mailer said: "Fascism is more of a natural state than democracy. To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad. Democracy is a state of grace that is attained only by those countries who have a host of individuals not only ready to enjoy freedom but to undergo the heavy labor of maintaining it."
His 1973 Marilyn was particularly controversial.
In its final chapter he stated that Monroe was murdered by agents of the FBI and CIA who resented her supposed affair with Robert F. Kennedy. Despite its problems, the biography was enormously successful, selling more copies than any of his works except The Naked and the Dead. It stayed in print for decades, but was out of print in the United States.
(Two works he co-wrote presented imagined words and thoughts in Monroe's voice; these were the 1980 book Of Women and Their Elegance and the 1986 play Strawhead, which was produced off Broadway with his daughter, Kate Mailer, starring.)
Norman's first marriage was in 1944, to Beatrice Silverman, whom he divorced in 1952. They had one child, Susan.
Mailer married his second wife, Adele Morales, in 1954. They had two daughters, Danielle and Elizabeth. In 1960, Mailer stabbed Adele with a penknife after a party, nearly killing her. He was involuntarily committed to Bellevue Hospital for 17 days; his wife would not press charges, and he later pleaded guilty to a reduced charge of assault, and was given a suspended sentence. While in the short term, Morales made a physical recovery, in 1997 she published a memoir of their marriage entitled The Last Party, which outlined her perception of the incident and its aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.
His third wife, whom he married in 1962, and divorced in 1963, was the British heiress and journalist Lady Jeanne Campbell (1929–2007), the only daughter of Ian Campbell, 11th Duke of Argyll and a granddaughter of the press baron Lord Beaverbrook. The couple had a daughter, Kate Mailer, who is an actress.
His fourth marriage, in 1963, was to Beverly Bentley, a former model turned actress. She was the mother of his producer son Michael Mailer and his actor son Stephen Mailer. They divorced in 1980.
His fifth wife was Carol Stevens, a jazz singer whom he married on November 7, 1980, and divorced in Haiti on November 8, 1980, thereby legitimating their daughter Maggie, born in 1971.
His sixth and last wife, married in 1980, was Norris Church Mailer (née Barbara Davis), an art teacher. They had one son together, John Buffalo Mailer, a writer and actor, and Mailer informally adopted Matthew Norris, her son by her first husband, Larry Norris. Once living in New York with Mailer, Church worked as a model and during their years together, wrote and painted.
Mailer appeared in an episode of Gilmore Girls entitled "Norman Mailer, I'm Pregnant!" with his son Stephen Mailer.
The papers of the two time Pulitzer Prize author may be found at the Harry Ransom Humanities Research Center at the University of Texas, Austin.
In 2008, Carole Mallory sold seven boxes of documents and photographs to Harvard University, Norman Mailer's Alma Mater. They contain extracts of her letters, books and journals.
Mailer was well known for his famous quotes, e.g. "Culture is worth a little risk" (see link below to "Wikiquotes": Mailer quotes).
Mailer is mentioned in the GWAR song Vlad The Impaler on the album Scumdogs of the Universe, as well as in the 10cc song Somewhere In Hollywood on the album Sheet Music; also the Red Hot Chilli Peppers "Animal Bar" and the Talib Kweli song "Get By." He is also mentioned in the song Faster by the Manic Street Preachers., in the song "Power" featuring Jay-Z by Kanye West.
In the Lloyd Cole and the Commotions song "Are You Ready to be Heartbroken?" the lead singer sings 'if you want to get straight / read Norman Mailer / or get a new tailor".
In the Warren Zevon song "the French Inhaler", the lyrics state: "the french inhaler, he stamped and mailed her, so long Norman", a reference to Norman Mailer.
Mailer is featured in the upcoming documentary .
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Name | Muhammad Ali |
---|---|
Nationality | American |
Nickname | The GreatestThe ChampThe Louisville Lip |
Height | |
Reach | |
Weight | Heavyweight |
Birth date | January 17, 1942 |
Birth place | Louisville, Kentucky, United States |
Style | Orthodox |
Total | 61 |
Wins | 56 |
Ko | 37 |
Losses | 5 |
Draws | 0 |
No contests | 0 |
Originally known as Cassius Clay, Ali changed his name after joining the Nation of Islam in 1964, subsequently converting to Sunni Islam in 1975 and more recently to Sufism. In 1967, Ali refused to be conscripted into the U.S. military, based on his religious beliefs and opposition to the Vietnam War. He was arrested and found guilty on draft evasion charges, stripped of his boxing title, and his boxing license was suspended. He was not imprisoned, but did not fight again for nearly four years while his appeal worked its way up to the U.S. Supreme Court, where it was successful.
Nicknamed "The Greatest", Ali was involved in several historic boxing matches. Notable among these are three with rival Joe Frazier and one with George Foreman, whom he beat by knockout to win the world heavyweight title for the second time. He suffered only five losses (four decisions and one TKO by retirement from the bout) with no draws in his career, while amassing 56 wins (37 knockouts and 19 decisions). Ali was well known for his unorthodox fighting style, which he described as "float like a butterfly, sting like a bee", and employing techniques such as the rope-a-dope. He was also known for his pre-match hype, where he would "trash talk" opponents on television and in person some time before the match, often with rhymes. These personality quips and idioms, along with an unorthodox fighting technique, made him a cultural icon. In later life, Ali developed Parkinson's disease. In 1999, Ali was crowned "Sportsman of the Century" by Sports Illustrated and "Sports Personality of the Century" by the BBC.
Clay was first directed toward boxing by the white Louisville police officer and boxing coach Joe E. Martin, who encountered the 12-year-old fuming over the theft of his bicycle. However, without Martin's knowledge, Clay also began training with Fred Stoner, an African-American trainer working at the local community center. In this way, Clay could make $4 a week on Tomorrow's Champions, a local, weekly TV show that Martin hosted, while benefiting from the coaching of the more experienced Stoner, who continued working with Clay throughout his amateur career.
Under Stoner's guidance, Cassius Clay won six Kentucky Golden Gloves titles, two national Golden Gloves titles, an Amateur Athletic Union National Title, and the Light Heavyweight gold medal in the 1960 Summer Olympics in Rome. Clay's amateur record was 100 wins with five losses.
Ali states (in his 1975 autobiography) that he threw his Olympic gold medal into the Ohio River after being refused service at a 'whites-only' restaurant, and fighting with a white gang. Whether this is true is still debated, although he was given a replacement medal at a basketball intermission during the 1996 Olympics in Atlanta, where he lit the torch to start the games.
Standing tall, at 6-ft, 3-in (1.91 m), Clay had a highly unorthodox style for a heavyweight boxer. Rather than the normal style of carrying the hands high to defend the face, he instead relied on foot speed and quickness to avoid punches, and carried his hands low.
From 1960 to 1963, the young fighter amassed a record of 19–0, with 15 knockouts. He defeated boxers such as Tony Esperti, Jim Robinson, Donnie Fleeman, Alonzo Johnson, George Logan, Willi Besmanoff, Lamar Clark (who had won his previous 40 bouts by knockout), Doug Jones and Henry Cooper.
Clay built a reputation by correctly predicting the round in which he would "finish" several opponents, and by boasting before his triumphs. had Clay's colorful persona and nonstop braggadocio as its sole appeal.
Faversham confronted Clay about his association with Malcolm X (who, at the time, was actually under suspension by the Nation as a result of controversial comments made in the wake of President Kennedy's assassination). While stopping short of admitting he was a member of the Nation, Clay protested the suggested cancellation of the fight. As a compromise, Faversham asked the fighter to delay his announcement about his conversion to Islam until after the fight. The incident is described in the 1975 book The Greatest: My Own Story by Ali (with Richard Durham).
During the weigh-in on the day before the bout, the ever-boastful Clay, who frequently taunted Liston during the buildup by dubbing him "the big ugly bear" (among other things), declared that he would "float like a butterfly and sting like a bee," and, summarizing his strategy for avoiding Liston's assaults, said, "Your hands can't hit what your eyes can't see."
At the pre-fight weigh-in, Clay's pulse rate was around 120, more than double his norm of 54. Liston, among others, misread this as nervousness. In the opening rounds, Clay's speed kept him away from Liston's powerful head and body shots, as he used his height advantage to beat Liston to the punch with his own lightning-quick jab. And in relation to inter-racial marriage: "No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters."
Appearing shortly thereafter for his scheduled induction into the U.S. Armed Forces on April 28, 1967 in Houston, he refused three times to step forward at the call of his name. An officer warned him he was committing a felony punishable by five years in prison and a fine of $10,000. Once more, Ali refused to budge when his name was called. As a result, he was arrested and on the same day the New York State Athletic Commission suspended his boxing license and stripped him of his title. Other boxing commissions followed suit.
At the trial on June 20, 1967, after only 21 minutes of deliberation, the jury found Ali guilty.
Ali and Frazier met in the ring on March 8, 1971, at Madison Square Garden. The fight, known as '"The Fight of the Century," was one of the most eagerly anticipated bouts of all time and remains one of the most famous. It featured two skilled, undefeated fighters, both of whom had legitimate claims to the heavyweight crown. Frank Sinatra—unable to acquire a ringside seat—took photos of the match for Life magazine. Legendary boxing announcer Don Dunphy and actor and boxing aficionado Burt Lancaster called the action for the broadcast, which reached millions of people. The fight lived up to the hype, and Frazier punctuated his victory by flooring Ali with a hard, leaping left hook in the 15th and final round. Frazier retained the title on a unanimous decision, dealing Ali his first professional loss.
In 1973, Ali fought Ken Norton, who broke Ali's jaw and won by split decision in 12 rounds. Ali won the rematch, also by split decision, on September 10, 1973, which set up Ali-Frazier II, a nontitle rematch with Joe Frazier, who had already lost his title to George Foreman. The bout was held on January 28, 1974, with Ali winning a unanimous 12-round decision.
Almost no one, not even Ali's long-time supporter Howard Cosell, gave the former champion a chance of winning. Analysts pointed out that Joe Frazier and Ken Norton had given Ali four tough battles in the ring and won two of them, while Foreman had knocked out both of them in the second round. As a matter of fact, so total was the domination that, in their bout, Foreman had knocked down Frazier an incredible six times in only four minutes and 25 seconds.
During the bout, Ali employed an unexpected strategy. Leading up to the fight, he had declared he was going to "dance" and use his speed to keep away from Foreman and outbox him. However, in the first round, Ali headed straight for the champion and began scoring with a right hand lead, clearly surprising Foreman. Ali caught Foreman nine times in the first round with this technique but failed to knock him out. He then decided to take advantage of the young champion's weakness: staying power. Foreman had won 37 of his 40 bouts by knockout, mostly within three rounds. Eight of his previous bouts didn't go past the second round. Ali saw an opportunity to outlast Foreman, and capitalized on it.
In the second round, the challenger retreated to the ropes—inviting Foreman to hit him, while counterpunching and verbally taunting the younger man. Ali's plan was to enrage Foreman and absorb his best blows to exhaust him mentally and physically. While Foreman threw wide shots to Ali's body, Ali countered with stinging straight punches to Foreman's head. Foreman threw hundreds of punches in seven rounds, but with decreasing technique and potency. Ali's tactic of leaning on the ropes, covering up, and absorbing ineffective body shots was later termed "The Rope-A-Dope".
By the end of the seventh round, Foreman was exhausted. In the eighth round, Ali dropped Foreman with a combination at center ring and Foreman failed to make the count. Against the odds, Ali had regained the title.
The "Rumble in the Jungle" was the subject of a 1996 Academy Award winning documentary film, When We Were Kings. The fight and the events leading up to it are extensively depicted in both John Herzfeld's 1997 docudrama and Michael Mann's 2001 docudrama, Ali.
On October 1, 1975, Ali fought Joe Frazier for the third time. Although widely perceived as a publicity stunt, the match against Inoki would have a long-term detrimental affect on Ali's mobility. Inoki spent much of the fight on the ground trying to damage Ali’s legs, while Ali spent most of the fight dodging the kicks or staying on the ropes. At the end of 15 rounds, the bout was called a draw. Ali's legs, however, were bleeding, leading to an infection. He suffered two blood clots in his legs as well.
In 1993, the Associated Press reported that Ali was tied with Babe Ruth as the most recognized athlete, out of over 800 dead or alive athletes, in America. The study, conducted by Nye Lavalle's Sports Marketing Group, found that over 97% of Americans, over 12-years of age, identified both Ali and Ruth.
He was the recipient of the 1997 Arthur Ashe Courage Award.
, alongside Interstate 64 on Louisville's riverfront]]
He appeared at the 1998 AFL (Australian Football League) Grand Final, where Anthony Pratt invited him to watch the game. He also greets runners at the start line of the Los Angeles Marathon every year.
In 1999, the BBC produced a special version of its annual BBC Sports Personality of the Year Award ceremony, and Ali was voted their Sports Personality of the Century, receiving more votes than the other four contenders combined. His daughter Laila Ali also became a boxer in 1999, despite her father's earlier comments against female boxing in 1978: "Women are not made to be hit in the breast, and face like that... the body's not made to be punched right here [patting his chest]. Get hit in the breast... hard... and all that."
On September 13, 1999, Ali was named "Kentucky Athlete of the Century" by the Kentucky Athletic Hall of Fame in ceremonies at the Galt House East.
on display at the Ali Center]]
In 2001, a biographical film, entitled Ali, was made, directed by Michael Mann, with Will Smith starring as Ali. The film received mixed reviews, with the positives generally attributed to the acting, as Smith and supporting actor Jon Voight earned Academy Award nominations. Prior to making the Ali movie, Will Smith had continually rejected the role of Ali until Muhammad Ali personally requested that he accept the role. According to Smith, the first thing Ali said about the subject to him was: "Man, you're almost pretty enough to play me."
On November 17, 2002, Muhammad Ali went to Afghanistan as "U.N. Messenger of Peace". He was in Kabul for a three-day goodwill mission as a special guest of the United Nations.
On January 8, 2005, Muhammad Ali was presented with the Presidential Citizens Medal by President George W. Bush.
He received the Presidential Medal of Freedom at a White House ceremony on November 9, 2005, and the "Otto Hahn Peace Medal in Gold" of the United Nations Association of Germany (DGVN) in Berlin for his work with the US civil rights movement and the United Nations (December 17, 2005).
embraces Muhammad Ali after presenting him with the Presidential Medal of Freedom on November 9, 2005, during ceremonies at the White House.]]
On November 19, 2005 (Ali's 19th wedding anniversary), the $60 million non-profit Muhammad Ali Center opened in downtown Louisville. In addition to displaying his boxing memorabilia, the center focuses on core themes of peace, social responsibility, respect, and personal growth.
According to the Ali Center website, "Since he retired from boxing, Ali has devoted himself to humanitarian endeavors around the globe. He is a devout Muslim, and travels the world over, lending his name and presence to hunger and poverty relief, supporting education efforts of all kinds, promoting adoption and encouraging people to respect and better understand one another. It is estimated that he has helped to provide more than 22 million meals to feed the hungry. Ali travels, on average, more than 200 days per year."
At the FedEx Orange Bowl on January 2, 2007, Ali was an honorary captain for the Louisville Cardinals wearing their white jersey, number 19. Ali was accompanied by golf legend Arnold Palmer, who was the honorary captain for the Wake Forest Demon Deacons, and Miami Heat star Dwyane Wade.
A youth club in Ali's hometown and a species of rose (Rosa ali) have also been named after him. On June 5, 2007, he received an honorary doctorate of humanities at Princeton University's 260th graduation ceremony.
Ali lives in Scottsdale, Arizona with his fourth wife, Yolanda "Lonnie" Ali. They own a house in Berrien Springs, Michigan, which is for sale. On January 9, 2007, they purchased a house in eastern Jefferson County, Kentucky for $1,875,000. Lonnie converted to Islam from Catholicism in her late 20s.
On the 17th of August 2009, it was voted unanimously by the town council of Ennis, Co Clare, Ireland to make Ali the first Freeman of Ennis. Ennis was the birthplace of Ali's great grandfather before he emigrated to the U.S. in the 1860s, before eventually settling in Kentucky. On September 1, 2009, Ali visited the town of Ennis and at a civic reception he received the honour of the freedom of the town.
Ali is generally considered to be one of the greatest heavyweights of all time by boxing commentators and historians. Ring Magazine, a prominent boxing magazine, named him number 1 in a 1998 ranking of greatest heavyweights from all eras.
Ali was named the second greatest fighter in boxing history by ESPN.com behind only welterweight and middleweight great Sugar Ray Robinson. In December 2007, ESPN listed Ali second in its choice of the greatest heavyweights of all time, behind Joe Louis.
On August 17, 1967, Ali (aged 25) married 17-year old Belinda Boyd. After the wedding, she converted to Islam and changed her name to Khalilah Ali, though she was still called Belinda by old friends and family. They had four children: Maryum (b. 1968), Jamillah and Liban (b. 1970), and Muhammad Ali Jr. (b. 1972).
In 1975, Ali began an affair with Veronica Porsche, an actress and model. By the summer of 1977, Ali's second marriage was over and he had married Veronica. At the time of their marriage, they had a baby girl, Hana, and Veronica was pregnant with their second child. Their second daughter, Laila, was born in December 1977. By 1986, Ali and Veronica were divorced.
On November 19, 1986, Ali married Yolanda Ali. They had been friends since 1964 in Louisville. They have one adopted son, Asaad Amin, who they adopted when Amin was five.
Ali has two other daughters, Miya and Khaliah, from extramarital relationships.
As a world champion boxer and social activist, Ali has been the subject of numerous books, films and other creative works. In 1963, he released an album of spoken word on Columbia Records titled I am the Greatest! He has appeared on the cover of Sports Illustrated on 37 different occasions, second only to Michael Jordan. He appeared in the documentary film Black Rodeo (1972) riding both a horse and a bull. His autobiography The Greatest: My Own Story, written with Richard Durham, was published in 1975. In 1977 the book was adapted into a film called The Greatest, in which Ali played himself and Ernest Borgnine played Angelo Dundee. When We Were Kings, a 1996 documentary about the Rumble in the Jungle, won an Academy Award, and the 2001 biopic Ali garnered an Oscar nomination for Will Smith's portrayal of the lead role.
For contributions to the entertainment industry, Muhammed Ali was honored with a star on the Hollywood Walk of Fame at 6801 Hollywood Boulevard.
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Category:1942 births Category:Living people Category:African American boxers Category:American boxers of Irish descent Category:American boxers of English descent Category:American anti-Vietnam War activists Category:Boxers from Kentucky Category:World Heavyweight Champions Category:Heavyweights Category:WBA Champions Category:WBC Champions Category:African American Muslims Category:American conscientious objectors Category:American Sufis Category:Boxers at the 1960 Summer Olympics Category:COINTELPRO targets Category:Converts to Islam from Christianity Category:International Boxing Hall of Fame inductees Category:Kentucky colonels Category:Olympic boxers of the United States Category:Olympic gold medalists for the United States Category:People with Parkinson's disease Category:Presidential Medal of Freedom recipients Category:Presidential Citizens Medal recipients Category:Professional wrestling referees Category:People from Louisville, Kentucky Category:People from Paradise Valley, Arizona Category:Winners of the United States Championship for amateur boxers Category:African American converts to Islam Category:Former Nation of Islam members
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Name | Michael Palin |
---|---|
Caption | Palin in Trento, Italy in 2005 |
Birth name | Michael Edward Palin |
Birth date | May 05, 1943 |
Birth place | Broomhill, Sheffield, England, United Kingdom |
Spouse | Helen Gibbins(married 1966 – present) |
Known for | Monty Python and Travel documentaries |
Occupation | Actor, writer, television presenter, comedian |
Years active | 1965–present |
Website | Palin's Travels |
Children | 3 |
Michael Edward Palin, CBE FRGS (born 5 May 1943) is an English comedian, actor, writer and television presenter best known for being one of the members of the comedy group Monty Python and for his travel documentaries. Palin wrote most of his comedic material with Terry Jones. Before Monty Python, they had worked on other shows such as The Ken Dodd Show, The Frost Report and Do Not Adjust Your Set. Palin appeared in some of the most famous Python sketches, including "Argument Clinic", "Dead Parrot", "The Lumberjack Song", "The Spanish Inquisition" and "Spam".
Palin continued to work with Jones after Python, co-writing Ripping Yarns. He has also appeared in several films directed by fellow Python Terry Gilliam and made notable appearances in other films such as A Fish Called Wanda, for which he won the BAFTA Award for Best Actor in a Supporting Role. In a 2005 poll to find The Comedian's Comedian, he was voted the 30th favourite by fellow comedians and comedy insiders.
After Python, he began a new career as a travel writer and travel documentarian. His journeys have taken him across the world, including the North and South Poles, the Sahara desert, the Himalayas and, most recently, Eastern Europe. In 2000 Palin was honoured as a Commander of the Order of the British Empire (CBE) for his services to television.
When he was five years old, Palin had his first acting experience at Birkdale playing Martha Cratchit in a school performance of A Christmas Carol. At the age of 10, Palin, still interested in acting, made a comedy monologue and read a Shakespeare play to his mother while playing all the parts. After his school days in 1962 he went on to read modern history at Brasenose College, Oxford. With fellow student Robert Hewison he performed and wrote, for the first time, comedy material at a university Christmas party. Terry Jones, also a student in Oxford, saw that performance and began writing together with Hewison and Palin. He also performed in the Oxford Revue with Jones.
In 1966 he married Helen Gibbins, whom he first met in 1959 on holiday in Southwold in Suffolk, where he has returned in recent years to live. This meeting was later fictionalised in Palin's play East of Ipswich. The couple have three children and a grandchild. His youngest child, Rachel (b.1975) is a BBC TV director, whose work includes Masterchef: The Professionals, shown on BBC2 throughout October and November 2010. While still a baby, his son William briefly appeared in Monty Python and the Holy Grail as "Sir Not-appearing-in-this-film".
After finishing university in 1965 Palin became a presenter on a comedy pop show called Now! for the television contractor Television Wales and the West. At the same time Palin was contacted by Jones, who had left university a year earlier, for assistance in writing a theatrical documentary about sex through the ages. Although this project was eventually abandoned, it brought Palin and Jones together as a writing duo and led them to write comedy for various BBC programmes, such as The Ken Dodd Show, The Billy Cotton Bandshow, and The Illustrated Weekly Hudd. They collaborated in writing lyrics for an album by Barry Booth called Diversions. They were also in the team of writers working for The Frost Report, whose other members included Frank Muir, Barry Cryer, Marty Feldman, Ronnie Barker, Ronnie Corbett, Dick Vosburgh, and future Monty Python members Graham Chapman, John Cleese and Eric Idle. Although the members of Monty Python had already encountered each other over the years, The Frost Report was the first time all the British members of Monty Python (its sixth member, Terry Gilliam, was at that time an American citizen) worked together. During the run of The Frost Report the Palin/Jones team contributed material to two shows starring John Bird: The Late Show and A series of Bird's. For A series of Bird's the Palin/Jones team had their first experience of writing narrative instead of the short sketches they were accustomed to conceiving.
Following The Frost Report the Palin/Jones team worked both as actors and writers on the show Twice a Fortnight with Graeme Garden, Bill Oddie and Jonathan Lynn, and the successful children's comedy show Do Not Adjust Your Set with Idle and David Jason. The show also featured musical numbers by the Bonzo Dog Doo-Dah Band, including future Monty Python musical collaborator Neil Innes. The animations for Do Not Adjust Your Set were made by Terry Gilliam, who joined the cast on Cleese's recommendation and began working with the Palin/Jones team for the first time. Eager to work with Palin sans Jones, Cleese later asked him to perform in How to Irritate People together with Chapman and Tim Brooke-Taylor. The Palin/Jones team were reunited for The Complete and Utter History of Britain.
During this period Cleese contacted Palin about doing the show that would ultimately become Monty Python's Flying Circus. On the strength of their work on The Frost Report and other programmes, Cleese and Chapman had been offered a show by the BBC, but Cleese was reluctant to do a two-man show for various reasons, among them Chapman's reputedly difficult personality. At the same time the success of Do Not Adjust Your Set had led Palin, Jones, Idle, and Gilliam to be offered their own series and, while it was still in production, Palin agreed to Cleese's proposal and brought along Idle, Jones, and Gilliam. Thus the formation of the Monty Python troupe has been referred to as a result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.
In Monty Python, Palin played various roles, which ranged from manic enthusiasm (such as the lumberjack of the Lumberjack Song, or host of the game show "Blackmail") to unflappable calmness (such as the Dead Parrot vendor, Cheese Shop proprietor, or Postal Clerk). As a straight man he was often a foil to the rising ire of characters portrayed by John Cleese. He also played timid, socially inept characters such as Arthur Putey, the man who sits idly by as a marriage counsellor (Eric Idle) makes love to his wife (Carol Cleveland), and a chartered accountant who wants to become a lion tamer. He also appeared as the "It's" man at the beginning of most episodes.
Palin frequently co-wrote sketches with Terry Jones, including "The Lumberjack Song" and "Spam". Palin also initiated the "Spanish Inquisition sketch", which included the catchphrase "''Nobody expects the Spanish Inquisition!"
In 1980, Palin co-wrote Time Bandits with Terry Gilliam. He also acted in the film.
In 1982, Palin wrote and starred in The Missionary, co-starring Maggie Smith. In it, he plays the Reverend Charles Fortescue, who is recalled from Africa to aid prostitutes.
In 1984, he reunited with Terry Gilliam to appear in Brazil. He appeared in the comedy film A Fish Called Wanda, for which he won the BAFTA Award for Best Actor in a Supporting Role.
He also assisted Campaign for Better Transport and others with campaigns on sustainable transport, particularly those relating to urban areas, and has been president of the campaign since 1986.
Palin has also appeared in serious drama. In 1991 Palin worked as producer and actor in the film American Friends based upon a real event in the life of his great grandfather, a fellow at St John's College, Oxford. In that same year he also played the part of a headmaster in Alan Bleasdale's Channel 4 drama series G.B.H..
Palin also had a small cameo role in Australian soap opera Home and Away. He played an English surfer with a fear of sharks, who interrupts a conversation between two main characters to ask whether there were any sharks in the sea. This was filmed while he was in Australia for the Full Circle series, with a segment about the filming of the role featuring in the series.
In 1994, Palin travelled through Ireland for the same series, entitled "Derry to Kerry". In a quest for family roots, he attempted to trace his great grandmother — Brita Gallagher — who set sail from Ireland 150 years ago during the Great Famine (1845-1849), bound for a new life in Burlington, New Jersey. The series is a trip along the Palin family line.
Starting in 1989, Palin appeared as presenter in a series of travel programmes made for the BBC. It was after the veteran TV globetrotter Alan Whicker and journalist Miles Kington turned down presenting the first of these, Around the World in 80 Days, that gave Palin the opportunity to present his first and subsequent travel shows. These programmes have been broadcast around the world in syndication, and were also sold on VHS tape and later on DVD:
Following each trip, Palin wrote a book about his travels, providing information and insights not included in the TV programme. Each book is illustrated with photographs by Basil Pao, the stills photographer who was on the team. (Exception: the first book, Around the World in 80 Days, contains some pictures by Pao but most are by other photographers.)
All seven of these books were also made available as audio books, and all of them are read by Palin himself. Around the World in 80 Days and Hemingway Adventure are unabridged, while the other four books were made in both abridged and unabridged versions, although the unabridged versions can be very difficult to find.
For four of the trips a photography book was made by Pao, each with an introduction written by Palin. These are large coffee-table style books with pictures printed on glossy paper. The majority of the pictures are of various people encountered on the trip, as informal portraits or showing them engaged in some interesting activity. Some of the landscape photos are displayed as two-page spreads.
Palin's travel programmes are responsible for a phenomenon termed the "Palin effect": areas of the world that he has visited suddenly become popular tourist attractions — for example, the significant increase in the number of tourists interested in Peru after Palin visited Machu Picchu. In a 2006 survey of "15 of the world's top travel writers" by The Observer, Palin named Peru's Pongo de Mainique (canyon below the Machu Picchu) his "favourite place in the world".
In November 2008, Palin presented a First World War documentary about Armistice Day, 11 November 1918, when thousands of soldiers lost their lives in battle after the war had officially ended. Palin filmed on the battlefields of northern France and Belgium for the programme, called The Last Day of World War One, produced for the BBC's Timewatch series.
On 2nd January 2011, Palin became the first person to sign the UK-based Campaign for Better Transport's Fair Fares Now campaign.
In honour of his achievements as a traveller, especially rail travel, Palin has two British trains named after him. In 2002, Virgin Trains' new £5m high speed Super Voyager train number 221130 was named "Michael Palin" - it carries his name externally and a plaque is located adjacent to the onboard shop with information on Palin and his many journeys. Also, National Express East Anglia have named a British Rail Class 153 (unit number 153335) after him. In 2008, he received the James Joyce Award of the Literary and Historical Society in Dublin.
Palin was instrumental in setting up the Michael Palin Centre for Stammering Children in 1993.
In recognition of his services to the promotion of geography, Palin was awarded the Livingstone Medal of the Royal Scottish Geographical Society in March 2009, along with a Fellowship to the Society.
In June 2009 Palin was elected for a three-year term as President of the Royal Geographical Society.
All his travel books can be read at no charge, complete and unabridged, on his website.
2009 Won - BAFTA Special Award as part of the Monty Python team for outstanding contribution to film and television
Category:1943 births Category:Living people Category:BAFTA Award for Best Supporting Actor Category:Alumni of Brasenose College, Oxford Category:Commanders of the Order of the British Empire Category:English comedians Category:English comedy writers Category:English diarists Category:English film actors Category:English screenwriters Category:English television actors Category:English television presenters Category:English television writers Category:English travel writers Category:Honorary Fellows of Brasenose College, Oxford Category:Monty Python members Category:Old Salopians Category:Old Birkdalians Category:People from Sheffield Category:People from Suffolk Category:Sheffield Legends
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Name | Lucille Ball |
---|---|
Caption | Pin-up photo from Yank, the Army Weekly |
Birthname | Lucille Désirée Ball |
Birth date | August 06, 1911 |
Birth place | Jamestown, New York, U.S. |
Death date | April 26, 1989 |
Death place | Los Angeles, California, U.S. |
Occupation | Actress, comedienne, model, film executive |
Yearsactive | 1932–1989 |
Spouse | (divorced) 2 children (her death)}} |
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American comedienne, film, television, stage and radio actress, model, film and television executive, and star of the sitcoms I Love Lucy, The Lucy-Desi Comedy Hour, The Lucy Show, Here's Lucy and Life With Lucy. One of the most popular and influential stars in America during her lifetime, with one of Hollywood's longest careers, especially on television, Ball began acting in the 1930s, becoming both a radio actress and B-movie star in the 1940s, and then a television star during the 1950s. She was still making films in the 1960s and 1970s.
Ball received thirteen Emmy Award nominations and four wins. She was the recipient of the Golden Globe Cecil B. DeMille Award in 1979, the Lifetime Achievement Award from the Kennedy Center Honors in 1986 and the Governors Award from the Academy of Television Arts & Sciences in 1989.
In 1929, Ball landed work as a model and later began her performing career on Broadway using the stage name Dianne Belmont. She appeared in many small movie roles in the 1930s as a contract player for RKO Radio Pictures. Ball was labeled as the "Queen of the Bs" (referring to her many roles in B-films). In 1951, Ball was pivotal in the creation of the television series I Love Lucy. The show co-starred her then husband, Desi Arnaz as Ricky Ricardo and Vivian Vance and William Frawley as Ethel and Fred Mertz, the Ricardos' landlords and friends. The show ended in 1957 after 180 Episodes. They then changed the format a little - lengthening the time of the show from 30 minutes to 60 minutes (the first one went 75 mins), adding some characters, altering the storyline somewhat, and renaming the show from "I Love Lucy", to "The Lucy-Desi Comedy Hour" which ran for three season 1957-1960 and 13 episodes. Ball went on to star in two more successful television series: The Lucy Show, which ran on CBS from 1962 to 1968 (156 Episodes), and Here's Lucy from 1968 to 1974 (144 episodes). Her last attempt at a television series was a 1986 show called Life with Lucy - which failed miserably after 8 episodes aired although 13 were produced.
Ball met and eloped with Cuban bandleader Desi Arnaz in 1940. On July 17, 1951, almost 40 years old, Ball gave birth to their first child, Lucie Désirée Arnaz.
Her father, a telephone lineman for Anaconda Copper, was frequently transferred because of his occupation, and within three years of her birth, Lucille had moved many times, from Jamestown to Anaconda, and then to Trenton. While DeeDee Ball was pregnant with her second child, Frederick, Henry Ball contracted typhoid fever and died in February 1915. Ball recalls little from the day her father died, only fleeting memories. A picture fell, and a bird got trapped in the house. Ever since that day she had an intense bird phobia.
After her father died, Ball and her brother Fred Henry Ball (July 17, 1951 - February 5, 2007) were raised by her mother and grandparents in Celoron, New York a village just west of Jamestown. Her grandfather, Fred Hunt, was an eccentric who also enjoyed the theater. He frequently took the family to vaudeville shows and encouraged young Lucy to take part in both her own and school plays.
In 1927, Ball dated a gangster's son by the name of Johnny DeVita. DeDe was unhappy with the relationship, but did nothing about it. She expected the romance to burn out in a few weeks. When that didn't happen DeDe took advantage of Lucille's desire to be in show business and "allowed" her to go to the John Murray Anderson School for the Dramatic Arts in New York City. There, Ball attended with fellow actress Bette Davis. Ball went home a few weeks later when drama coaches told her that she "had no future at all as a performer".
Ball was determined to prove her teachers wrong, and returned to New York City in 1929. She landed work as a fashion model. Her career was thriving when she became ill with rheumatoid arthritis and was unable to work for two years. She moved to New York City once again in 1932 to resume her pursuit of a career as an actress, and had some success as a fashion model for designer Hattie Carnegie and as the Chesterfield cigarette girl. She began on Broadway as Dianne Belmont. She was hired—but then quickly fired—by theatre impresario Earl Carroll from his Vanities, and by Florenz Ziegfeld from a touring company of Rio Rita.
She was let go from the Shubert brothers production of Stepping Stones. another Astaire-Rogers film. Ginger Rogers was a distant cousin of Ball's on her mother's side of the family. She and Rogers played aspiring actresses in the hit film Stage Door (1937) co-starring Katharine Hepburn. In 1936 she also landed the role she hoped would lead her to Broadway, in the Bartlett Cormack play Hey Diddle Diddle, a comedy set in a duplex apartment in Hollywood. The play premiered in Princeton, New Jersey on January 21, 1937 with Ball playing the part of Julie Tucker, "one of three roommates coping with neurotic directors, confused executives, and grasping stars who interfere with the girls' ability to get ahead." The play received good reviews, but there were problems, chiefly with its star, Conway Tearle, who was in poor health. Cormack wanted to replace him, but the producer, Anne Nichols, said the fault lay with the character and insisted that the part needed to be reshaped and rewritten. The two were unable to agree on a solution. The play was scheduled to open on Broadway at the Vanderbilt Theatre, but closed after one week in Washington, D.C. when Tearle suddenly became gravely ill. Ball was signed to Metro-Goldwyn-Mayer in the 1940s, but she never achieved major stardom from her appearance in those films.
(1937)]]
She was known in many Hollywood circles as "Queen of the B's"—a title previously held by Fay Wray—starring in a number of B-movies, such as 1939's Five Came Back. Like many budding starlets Ball picked up radio work to earn side income as well as gain exposure. In 1937 she appeared as a regular on The Phil Baker Show. When that completed its run in 1938, Ball joined the cast of The Wonder Show, starring future Wizard of Oz tin man Jack Haley. It was here that she began her fifty year professional relationship with Gale Gordon, who served as the show's announcer. The Wonder Show only lasted one season, with the final episode airing on April 7, 1939.
In 1940, Ball met Cuban-born bandleader Desi Arnaz while filming the film version of the Rodgers and Hart stage hit Too Many Girls. At first, Arnaz was not fond of Lucy. When they met again later that day, the two connected immediately and eloped the same year. Arnaz was drafted to the United States Army in 1942. He ended up being classified for limited service due to a knee injury. As a result, Arnaz stayed in Los Angeles, organizing and performing USO shows for wounded GIs being brought back from the Pacific. That same year, Ball appeared opposite Henry Fonda in The Big Street, in which she plays a paralyzed nightclub singer and Fonda portrays a busboy who idolizes her.
Ball filed for a divorce in 1944. Shortly after Ball obtained an interlocutory decree of divorce, however, she reconciled with Arnaz. Ball and Arnaz were only six years apart in age but apparently believed that it was less socially acceptable for an older woman to marry a younger man, and hence split the difference in their ages, both claiming a 1914 birth date until this was disproved.
In 1948, Ball was cast as Liz Cugat (later "Cooper"), a wacky wife, in My Favorite Husband, a radio program for CBS Radio. The program was successful, and CBS asked her to develop it for television. She agreed, but insisted on working with Arnaz. CBS executives were reluctant, thinking the public would not accept an All-American redhead and a Cuban as a couple. CBS was initially not impressed with the pilot episode produced by the couple's Desilu Productions company, so the couple toured the road in a vaudeville act with Lucy as the zany housewife wanting to get in Arnaz's show. The tour was a smash, and CBS put I Love Lucy on their lineup. The I Love Lucy show was not only a star vehicle for Lucille Ball, but a way for her to try to salvage her marriage to Desi Arnaz, which had become badly strained, in part by the fact that each had a hectic performing schedule which often kept them apart.
Along the way, she created a television dynasty and reached several "firsts". Ball was the first woman in television to be head of a production company: Desilu, the company that she and Arnaz formed. After their divorce, Ball bought out Arnaz's share of the studio, and she proceeded to function as a very active studio head. Desilu and I Love Lucy pioneered a number of methods still in use in television production today such as filming before a live studio audience with a number of cameras, and distinct sets adjacent to each other.
When the show premiered, most shows were aired live from New York City studios to Eastern and Central Time Zone audiences, and captured by kinescope for broadcast later to the West Coast. The kinescope picture was inferior to film, and as a result the West Coast broadcasts were inferior to those seen elsewhere in the country. Ball and Arnaz wanted to remain in their Los Angeles home, but the time zone logistics made that broadcast norm impossible. Prime time in L.A. was too late at night on the East Coast to air a major network series, meaning the majority of the TV audience would be seeing not only the inferior picture of kinescopes but seeing them at least a day later.
Sponsor Philip Morris did not want to show day-old kinescopes to the major markets on the East Coast, yet neither did they want to pay for the extra cost filming, processing and editing would require, pressuring Ball and Arnaz to relocate to New York City. Ball and Arnaz offered to take a pay cut to finance filming, on the condition that their company, Desilu, would retain the rights to that film once it was aired. CBS relinquished the show rights back to Desilu after initial broadcast, not realizing they were giving away a valuable and durable asset. Desilu made many millions of dollars on I Love Lucy rebroadcasts through syndication and became a textbook example of how a show can be profitable in second-run syndication. In television's infancy, the concept of the rerun hadn't yet formed, and many in the industry wondered who would want to see a program a second time. In fact, while other celebrated shows of the period exist only in incomplete sets of kinescopes mostly too degraded to show to subsequent generations of television viewers, I Love Lucy has virtually never gone out of syndication since it began, seen by hundreds of millions of people around the world over the past half century. The success of Ball and Arnaz's gamble was instrumental in drawing television production from New York to Hollywood for the next several decades.
Desilu hired legendary German cameraman Karl Freund as their director of photography. Freund had worked for F.W. Murnau and Fritz Lang, shot part of Metropolis (1927) and had directed a number of Hollywood films himself. Freund used a three-camera setup, which became the standard way of filming situation comedies. Shooting long shots, medium shots, and close-ups on a comedy in front of a live audience demanded discipline, technique, and close choreography. Among other non-standard techniques used in filming the show, cans of paint (in shades ranging from white to medium gray) were kept on set to "paint out" inappropriate shadows and disguise lighting flaws.
I Love Lucy dominated the weekly TV ratings in the United States for most of its run. (There was an attempt to adapt the show for radio; the cast and writers adapted the memorable "Breaking the Lease" episode—in which the Ricardos and Mertzes fall out over an argument, the Ricardos threaten to move, but they're stuck in a firm lease—for a radio audition disc that never aired but has survived.) In the scene where Lucy and Ricky are practicing the tango in the episode "Lucy Does The Tango", the longest recorded studio audience laugh in the history of the show was produced. It was so long, in fact, that the sound editor had to cut that particular part of the soundtrack in half. The strenuous rehearsals and demands of Desilu studio kept the Arnazes too busy to comprehend the show's success. During the show's production breaks they starred together in feature films: Vincente Minnelli's The Long, Long Trailer (1954) and Alexander Hall's Forever, Darling (1956).
Desilu produced several other popular shows, most notably Our Miss Brooks (starring Ball's 1937 Stage Door co-star Eve Arden), The Untouchables, , and . Many other shows, particularly My Three Sons in it's first seven of twelve seasons, Sheldon Leonard-produced series like Make Room for Daddy, The Dick Van Dyke Show, The Andy Griffith Show, and I Spy, were filmed at Desilu Studios and bear its logo.
On July 17, 1951, one month before her fortieth birthday and after several miscarriages, Ball gave birth to her first child, Lucie Désirée Arnaz. A year and a half later, Ball gave birth to her second child, Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr. There were several challenges from CBS, insisting that a pregnant woman could not be shown on television, nor could the word "pregnant" be spoken on-air. After approval from several religious figures the network allowed the pregnancy storyline, but insisted that the word "expecting" be used instead of "pregnant". (Arnaz garnered laughs when he deliberately mispronounced it as "'spectin'"). The episode's official title was "Lucy Is Enceinte", borrowing the French word for pregnant; however, episode titles never appeared on the show. The birth made the first cover of TV Guide in January 1953.
Ball's business instincts were often astonishingly sharp, and her love for Arnaz was passionate, but her relationships with her children were sometimes strained. Lucie Arnaz, her daughter, spoke of her mother's "controlling" nature. Ball was outspoken against the relationship that Desi Jr. had with Liza Minnelli. She was quoted as saying, "I miss Liza, but you cannot domesticate Liza." Her close friends in the business included Ginger Rogers, Vivian Vance, Mary Wickes and Carole Cook.
In October 1956, Ball, Vivian Vance, Desi Arnaz, and William Frawley all appeared on a Bob Hope special on NBC, including a spoof of I Love of Lucy, the only time all four stars were together on a color telecast.
By the end of the 1950s, Desilu had become a large company, causing a good deal of stress for both Ball and Arnaz; his increased drinking further compounded matters. On May 4, 1960, just two months after filming the final episode of The Lucy-Desi Comedy Hour, the couple divorced. Until his death in 1986, however, Arnaz and Ball remained friends and often spoke very fondly of each other. Her real-life divorce indirectly found its way into her later television series, as she was always cast as a single woman.
The following year, Ball did a musical on Broadway, Wildcat, co-starring Paula Stewart. It was Stewart who introduced her to second husband Gary Morton, a Borscht Belt stand-up comic who was thirteen years her junior. That marked the beginning of a thirty-year friendship between Lucy and Paula Stewart. Ball immediately installed Morton in her production company, teaching him the television business and eventually promoting him to producer. Morton also played occasional bit parts on Ball's various series.
Ball was originally considered by Frank Sinatra for the role of Mrs. Iselin in The Manchurian Candidate. Director/producer John Frankenheimer, however, had worked with Angela Lansbury in a mother role in another film and insisted on having her for the part.
in 1989 just four weeks before her death]]
During the mid-1980s, she attempted to resurrect her television career. In 1982, Ball hosted a two-part Three's Company retrospective, showing clips from the show's first five seasons, summarizing memorable plotlines, and commenting on her love of the show. A 1985 dramatic made-for-TV film about an elderly homeless woman, Stone Pillow, received mixed reviews. Her 1986 sitcom comeback Life With Lucy, costarring her longtime foil Gale Gordon and co-produced by Ball, Gary Morton, and prolific producer/former actor Aaron Spelling was canceled less than two months into its run by ABC. The failure of this series was said to have sent Ball into a serious depression, and other than a few miscellaneous awards show appearances, she was absent from the public eye for the last several years of her life. Her last public appearance, just one month before her death, was at the 1989 Academy Awards telecast in which she and fellow presenter, Bob Hope, were given a standing ovation.
Ball received many prestigious awards throughout her career including some received posthumously such as the Presidential Medal of Freedom by President George H. W. Bush on July 6, 1989, and The Women's International Center's Living Legacy Award.
There is a Lucille Ball-Desi Arnaz Center museum in Lucy's hometown of Jamestown, New York. The Little Theatre was renamed the Lucille Ball Little Theatre in her honor. Ball was among Time magazine's 100 Most Important People of the Century.
On August 6, 2001, on what would have been her ninetieth birthday, the United States Postal Service honored her with a commemorative postage stamp as part of its Legends of Hollywood series. Ball appeared on the cover of TV Guide more than any other person; she appeared on thirty-nine covers, including the very first cover in 1953, with her baby son Desi Arnaz, Jr. TV Guide voted Lucille Ball as the Greatest TV Star of All Time and later it commemorated the fiftieth anniversary of I Love Lucy with eight collector covers celebrating memorable scenes from the show and in another instance they named I Love Lucy the second best television program in American history, after Seinfeld. Because of her liberated mindset and approval of the women's movement, Ball was inducted into the National Women's Hall of Fame.
Finally, she was awarded the Legacy of Laughter award at the fifth Annual TV Land Awards in 2007. and I Love Lucy was named the Greatest TV Series by Hall of Fame Magazine.
Category:1911 births Category:1989 deaths Category:Baptists from the United States Category:20th-century actors Category:American comedians Category:American female models Category:American female singers Category:American film actors Category:American radio actors Category:American television actors Category:American television producers Category:Burials at Forest Lawn Memorial Park (Hollywood Hills) Category:Cardiovascular disease deaths in California Category:Deaths from aortic aneurysm Category:Emmy Award winners Category:American people of English descent Category:American people of Irish descent Category:American people of Scottish descent Category:Kennedy Center honorees Category:People from Chautauqua County, New York Category:People from Jamestown, New York Category:Presidential Medal of Freedom recipients Category:Women comedians
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | John Cleese |
---|---|
Caption | Cleese in 2008 |
Birth name | John Marwood Cleese |
Birth date | October 27, 1939 |
Birth place | Weston-super-Mare, Somerset, England |
Medium | Film, television, radio,stand-up comedy |
Genre | Surreal comedy,dark comedy,physical comedy |
Active | 1961–present |
Influences | Stephen Leacock, Spike Milligan, The Goons, William Shakespeare |
Spouse | (divorced) (divorced) (divorced) |
Domesticpartner | Barbie Orr (2008–2009)Jennifer Wade (2010–present) |
Website | TheJohnCleese.com |
John Marwood Cleese (born 27 October 1939) is an English actor, comedian, writer and film producer. He achieved success at the Edinburgh Festival Fringe, and as a scriptwriter on The Frost Report. In the late 1960s he became a member of Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus and the four Monty Python films: And Now for Something Completely Different, Holy Grail, Life of Brian and The Meaning of Life.
In the mid 1970s, Cleese and his first wife Connie Booth, co-wrote and starred in the British sitcom Fawlty Towers. Later, he co-starred with Kevin Kline, Jamie Lee Curtis and former Python colleague Michael Palin in A Fish Called Wanda and Fierce Creatures. He also starred in Clockwise, and has appeared in many other films, including two James Bond films, two Harry Potter films, and three Shrek films.
With Yes Minister writer Antony Jay he co-founded the production company Video Arts, responsible for making entertaining training films.
Cleese was educated at St Peter's Preparatory School where he was a star pupil, receiving a prize for English studies and doing well at sport including cricket and boxing. At 13 he received an exhibition to Clifton College, an English public school in Bristol. He was tall as a child and was well over 6 ft when he arrived there. While at the school he is said to have defaced the school grounds for a prank by painting footprints to suggest that the school's statue of Field Marshal Earl Haig had got down from his plinth and gone to the toilet. Cleese played cricket for the first team, and after initial indifference he did well academically, passing 8 O levels and 3 A-Levels in mathematics, physics and chemistry.
After leaving school, he went back to his prep school to teach science before taking up a place he had won at Downing College, Cambridge, where he studied Law and joined the Cambridge Footlights Revue. There he met his future writing partner Graham Chapman. Cleese wrote extra material for the 1961 Footlights Revue I Thought I Saw It Move, and was Registrar for the Footlights Club during 1962, as well as being one of the cast members for the 1962 Footlights Revue Double Take!
Along with Gilliam's animations, Cleese's work with Chapman provided Python with its darkest and angriest moments, and many of his characters display the seething suppressed rage that later characterised his portrayal of Basil Fawlty.
Unlike Palin and Jones, Cleese and Chapman actually wrote together—in the same room; Cleese claims that their writing partnership involved him sitting with pen and paper, doing most of the work, while Chapman sat back, not speaking for long periods, then suddenly coming out with an idea that often elevated the sketch to a different level. A classic example of this is the "Dead Parrot" sketch, envisaged by Cleese as a satire on poor customer service, which was originally to have involved a broken toaster, and later a broken car (this version was actually performed and broadcast, on the pre-Python special How To Irritate People). It was Chapman's suggestion to change the faulty item into a dead parrot, and he also suggested that the parrot be specifically a Norwegian Blue, giving the sketch a surreal air which made it far more memorable.
Their humour often involved ordinary people in ordinary situations behaving absurdly for no obvious reason. Like Chapman, Cleese's poker face, clipped middle-class accent and imposing height allowed him to appear convincing as a variety of authority figures, such as policemen, detectives, Nazi officers, or government officials—which he would then proceed to undermine. Most famously, in the "Ministry of Silly Walks" sketch (actually written by Palin and Jones), Cleese exploits his stature as the crane-legged civil servant performing a grotesquely elaborate walk to his office.
Chapman and Cleese also specialised in sketches where two characters would conduct highly articulate arguments over completely arbitrary subjects, such as in the "cheese shop", the "dead parrot" sketch and "The Argument Sketch", where Cleese plays a stone-faced bureaucrat employed to sit behind a desk and engage people in pointless, trivial bickering. All of these roles were opposite Palin (who Cleese often claims is his favourite Python to work with)—the comic contrast between the towering Cleese's crazed aggression and the shorter Palin's shuffling inoffensiveness is a common feature in the series. Occasionally, the typical Cleese-Palin dynamic is reversed, as in "Fish Licence", wherein Palin plays the bureaucrat with whom Cleese is trying to work.
Though the programme lasted four series, by the start of series 3, Cleese was growing tired of dealing with Chapman's alcoholism. According to Gilliam, Cleese was the "most Cambridge" of the Cambridge-educated members of the group (Cleese, Chapman and Idle), by which Gilliam meant that Cleese was the tallest (6' 5") and most aggressive of the whole group. He felt, too, that the show's scripts had declined in quality. For these reasons, he became restless and decided to move on. Though he stayed for the third series, he officially left the group before the fourth season. Despite this, he remained friendly with the group, and all six began writing Monty Python and the Holy Grail; Cleese received a credit on episodes of the fourth series which used material from these sessions, and even makes a brief appearance in one episode as the voice of a cartoon in the "Hamlet" episode, though he was officially unconnected with the fourth series. Cleese returned to the troupe to co-write and co-star in the Monty Python films Monty Python and the Holy Grail, Monty Python's Life of Brian and Monty Python's The Meaning of Life, and participated in various live performances over the years.
Cleese achieved greater prominence in the United Kingdom as the neurotic hotel manager Basil Fawlty in Fawlty Towers, which he co-wrote with his wife Connie Booth. The series won three BAFTA awards when produced and in 2000, it topped the British Film Institute's list of the 100 Greatest British Television Programmes. The series also featured Prunella Scales as Basil's acerbic wife Sybil, Andrew Sachs as the much abused Spanish waiter Manuel ("...he's from Barcelona"), and Booth as waitress Polly, the series' voice of sanity. Cleese based Basil Fawlty on a real person, Donald Sinclair, whom he had encountered in 1970 while the Monty Python team were staying at the Gleneagles Hotel in Torquay while filming inserts for their television series. Reportedly, Cleese was inspired by Sinclair's mantra "I could run this hotel just fine, if it weren't for the guests." He later described Sinclair as "the most wonderfully rude man I have ever met," although Sinclair's widow has said her husband was totally misrepresented in the series. During the Pythons' stay, Sinclair allegedly threw Idle's briefcase out of the hotel "in case it contained a bomb," complained about Gilliam's "American" table manners, and threw a bus timetable at another guest after they dared to ask the time of the next bus to town.
The first series was screened from 19 September 1975 on BBC 2, initially to poor reviews, but gained momentum when repeated on BBC 1 the following year. Despite this, a second series did not air until 1979, by which time Cleese's marriage to Booth had ended, but they revived their collaboration for the second series. Fawlty Towers consisted of only twelve episodes; Cleese and Booth both maintain that this was to avoid compromising the quality of the series.
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In December 1977, Cleese appeared as a guest star on The Muppet Show. Cleese was a fan of the show, and co-wrote much of the episode. He appears in a "Pigs in Space" segment as a pirate trying to hijack the spaceship Swinetrek, and also helps Gonzo restore his arms to "normal" size after Gonzo's cannonball catching act goes wrong. During the show's closing number, Cleese refuses to sing the famous show tune from Man of La Mancha, "The Impossible Dream". Kermit The Frog apologises and the curtain re-opens with Cleese now costumed as a Viking trying some Wagnerian opera as part of a duet with Sweetums. Once again, Cleese protests to Kermit, and gives the frog one more chance. This time, as pictured opposite this text, he is costumed as a Mexican maraca soloist. He has finally had enough and protests that he is leaving the show, saying "You were supposed to be my host. How can you do this to me? Kermit – I am your guest!". The cast joins in with their parody of "The Impossible Dream", singing "This is your guest, to follow that star...". During the crowd's applause that follows the song, he pretends to strangle Kermit until he realises the crowd loves him and accepts the accolades. During the show's finale, as Kermit thanks him, he shows up with a fictional album, his own new vocal record John Cleese: A Man & His Music, and encourages everyone to buy a copy.
This would not be Cleese's final appearance with The Muppets. In their 1981 movie The Great Muppet Caper, Cleese does a cameo appearance as Neville, a local homeowner. As part of the appearance, Miss Piggy borrows his house as a way to impress Kermit The Frog.
Cleese won the TV Times award for Funniest Man On TV – 1978 / 1979.
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Timed with the 1987 UK elections, he appeared in a video promoting proportional representation.
In 1988, he wrote and starred in A Fish Called Wanda, as the lead, Archie Leach, along with Jamie Lee Curtis, Kevin Kline and Michael Palin. Wanda was a commercial and critical success, and Cleese was nominated for an Academy Award for his script. Cynthia Cleese starred as Leach's daughter.
Chapman was diagnosed with throat cancer in 1989; Cleese, Michael Palin, Peter Cook and Chapman's partner David Sherlock, witnessed Chapman's passing. Chapman's death occurred one day before the 20th anniversary of the first broadcast of Flying Circus, with Jones commenting, "the worst case of party-pooping in all history." Cleese's eulogy at Chapman's memorial service—in which he "became the first person ever at a British memorial service to say 'fuck'"—has since become legendary.
Cleese would later play a supporting role in Kenneth Branagh's adaptation of Mary Shelley's Frankenstein alongside Branagh himself and Robert De Niro. He also produced and acted in a number of successful business training films, including Meetings, Bloody Meetings and More Bloody Meetings. These were produced by his company Video Arts.
With Robin Skynner, the group analyst and family therapist, Cleese wrote two books on relationships: Families and How to Survive Them, and Life and How to Survive It. The books are presented as a dialogue between Skynner and Cleese.
In 1996, Cleese declined the British honour of Commander of the Order of the British Empire (CBE). The follow-up to A Fish Called Wanda, Fierce Creatures—which again starred Cleese alongside Kevin Kline, Jamie Lee Curtis and Michael Palin—was also released that year, but was greeted with mixed reception by critics and audiences. Cleese has since often stated that making the second movie had been a mistake. When asked by his friend, director and restaurant critic Michael Winner, what he would do differently if he could live his life again, Cleese responded, "I wouldn’t have married Alyce Faye Eichelberger and I wouldn’t have made Fierce Creatures."
In 1999, Cleese appeared in the James Bond movie, The World Is Not Enough as Q's assistant, referred to by Bond as "R". In 2002, when Cleese reprised his role in Die Another Day, the character was promoted, making Cleese the new quartermaster (Q) of MI6. In 2004, Cleese was featured as Q in the video game , featuring his likeness and voice. Cleese did not appear in the subsequent Bond films, Casino Royale and Quantum of Solace.
In 2001, Cleese was cast in the comedy Rat Race as the eccentric hotel owner Donald P. Sinclair.
In a 2005 poll of comedians and comedy insiders The Comedian's Comedian, Cleese was voted second only to Peter Cook. Also in 2005, a long-standing piece of Internet humour, "The Revocation of Independence of the United States", was wrongly attributed to Cleese.
In 2006, Cleese hosted a television special of football’s greatest kicks, goals, saves, bloopers, plays and penalties, as well as football’s influence on culture (including the famous Monty Python sketch, “Philosophy Football”), featuring interviews with pop culture icons Dave Stewart, Dennis Hopper and Henry Kissinger, as well as football greats including Pelé, Mia Hamm and Thierry Henry. The Art of Soccer with John Cleese was released in North America on DVD in January 2009 by BFS Entertainment & Multimedia.
Cleese recently lent his voice to the BioWare video game Jade Empire. His role was that of an "outlander" named Sir Roderick Ponce von Fontlebottom the Magnificent Bastard, stranded in the Imperial City of the Jade Empire. His character is essentially a British colonialist stereotype who refers to the people of the Jade Empire as savages in need of enlightenment. His armour has the design of a fork stuck in a piece of cheese.
He also had a cameo appearance in the computer game Starship Titanic as "The Bomb" (credited as "Kim Bread"), designed by Douglas Adams. When the bomb is activated it tells the player that "The ship is now armed and preparing to explode. This will be a fairly large explosion, so you'd best keep back about ". When the player tries to disarm the bomb, it says "Well, you can try that, but it won't work because nobody likes a smart-arse!"
In 2002, Cleese made a cameo appearance in the movie The Adventures of Pluto Nash, where he played "James", a computerised chauffeur of a hover car stolen by the title character (played by Eddie Murphy). The vehicle is subsequently destroyed in a chase, leaving the chauffeur stranded in a remote place on the moon.
In 2003, Cleese also appeared as Lyle Finster on the US sitcom Will & Grace. His character's daughter, Lorraine, was played by Minnie Driver. In the series, Lyle Finster briefly marries Karen Walker (Megan Mullally).
In 2004, Cleese was credited as co-writer of a DC Comics graphic novel entitled . Part of DC's "Elseworlds" line of imaginary stories, True Brit, mostly written by Kim Howard Johnson, suggests what might have happened had Superman's rocket ship landed in Britain, not America.
From 10 November to 9 December 2005, Cleese toured New Zealand with his stage show, John Cleese—His Life, Times and Current Medical Problems. Cleese described it as "a one-man show with several people in it, which pushes the envelope of acceptable behaviour in new and disgusting ways." The show was developed in New York with William Goldman and includes Cleese's daughter Camilla as a writer and actor (the shows were directed by Australian Bille Brown). His assistant of many years, Garry Scott-Irvine, also appeared, and was listed as a co-producer. It then played in universities in California and Arizona from 10 January to 25 March 2006 under the title "Seven Ways to Skin an Ocelot". His voice can be downloaded for directional guidance purposes as a downloadable option on some personal GPS-navigation device models by company TomTom.
In June 2006, while promoting a football (soccer) song in which he was featured, entitled Don't Mention the World Cup, Cleese appears to have claimed that he decided to retire from performing in sitcoms, instead opting to writing a book on the history of comedy and to tutor young comedians. This was an erroneous story, the result of an interview with The Times of London (the piece was not fact checked before printing).
In 2007, Cleese appeared in ads for Titleist as a golf course designer named "Ian MacCallister", who represents "Golf Designers Against Distance".
In 2007, he started filming the sequel to The Pink Panther, titled The Pink Panther 2 with Steve Martin and Aishwarya Rai.
On 27 September 2007, The Podcast Network announced it had signed a deal with Cleese to produce a series of video podcasts called HEADCAST to be published on TPN's website. Cleese released the first episode of this series in April 2008 on his own website, headcast.co.uk
In 2008, Cleese collaborated with Los Angeles Guitar Quartet member William Kanengiser on the text to the performance piece "The Ingenious Gentleman of La Mancha". Cleese, as narrator, and the LAGQ premiered the work in Santa Barbara.
According to recent reports, Cleese is currently working on a musical version of A Fish Called Wanda with his daughter Camilla. He also said that he is working on a new film screenplay for the first time since 1996's Fierce Creatures. Cleese collaborates on it with writer Lisa Hogan, under the current working title "A Taxing Time". According to him, it is "about the lengths to which people will go to avoid tax. [...] It's based on what happened to me when I cashed in my UK pension and moved to Santa Barbara."
At the end of March 2009, Cleese published his first article as 'Contributing Editor' to The Spectator: "The real reason I had to join The Spectator".
On 6 May 2009, he appeared on The Paul O'Grady Show. Cleese has also hosted comedy galas at the Montreal Just for Laughs comedy festival in 2006, and again in 2009. He had to cancel the 2009 appearance due to prostatitis, but hosted it a few days later.
Towards the end of 2009 and into 2010, Cleese appeared in a series of television adverts for the Norwegian electric goods shop chain, Elkjøp.
In March 2010 it was announced that John Cleese would be playing Jasper in the video game "Fable III".
In 2009 and 2010, Cleese toured Scandinavia and the US with his Alimony Tour Year One and Year Two. In May 2010, it was announced that this tour would extend to the UK (his first tour in UK), set for May 2011 – The show is dubbed the 'Alimony Tour' in reference to the financial implications of Cleese's recent divorce. The UK tour starts in Cambridge on 3 May visiting Birmingham, Salford, Liverpool, Oxford, Leeds, Edinburgh and finishing in Bristol.
Cleese remarried in 1981, to American actress Barbara Trentham. Their daughter Camilla, Cleese's second child, was born in 1984. He and Trentham divorced in 1990. It was also during this time that Cleese moved from the United Kingdom to California.
He had begun to date American comedienne Barbie Orr in November 2008 but they split up in January 2009.
In April 2010, Cleese revealed on The Graham Norton Show on BBC One that he had started a new relationship with a woman 31 years his junior, Jennifer Wade.
He is a vegetarian.
During the disruption caused by the Eyjafjallajökull eruption in 2010 Cleese became stranded in Oslo and decided to take a taxi to Brussels. The 1500 km journey cost £3,300 and was completed with the help of three drivers who took shifts in driving Cleese to his destination where he planned to take a Eurostar passenger train to the UK.
Cleese expressed support for Barack Obama's presidential candidacy, donating US$2,300 to his campaign and offering his services as a speech writer. He also criticised Republican Vice-Presidential candidate Sarah Palin—saying that "Michael Palin is no longer the funniest Palin"— and wrote a satirical poem about Fox News commentator Sean Hannity for Countdown with Keith Olbermann.
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Joe Frazier |
---|---|
Realname | Joseph William Frazier |
Nationality | American |
Nickname | "Smokin' Joe" |
Height | |
Reach | |
Weight | Heavyweight |
Birth date | January 12, 1944 |
Birth place | Beaufort, South Carolina, United States |
Home | Philadelphia, Pennsylvania |
Style | Orthodox |
Total | 37 |
Wins | 32 |
Ko | 27 |
Losses | 4 |
Draws | 1 |
No contests | 0 |
Joseph William "Joe" Frazier, known as Smokin' Joe (; born January 12, 1944), is a former Olympic and World Heavyweight boxing champion, whose professional career lasted from 1965 to 1976, with a brief comeback in 1981.
Frazier emerged as a contender in the mid-1960s, defeating Jerry Quarry, Oscar Bonavena, Buster Mathis, Eddie Machen, Doug Jones and Jimmy Ellis en route to becoming undisputed heavyweight champion in 1970, and followed up by defeating Muhammad Ali in the highly-anticipated "Fight of the Century" in 1971. Two years later Frazier lost his title when he was knocked out by George Foreman. He launched a comeback, beating Joe Bugner, losing a rematch to Ali, and beating Quarry and Ellis again.
Frazier's last world title challenge came in 1975, but he was beaten by Ali in their brutal rubbermatch. He retired in 1976 following a second loss to Foreman. He made a comeback in 1981, fighting just once, before retiring for good. The International Boxing Research Organization (IBRO) rates Frazier among the ten greatest heavyweights of all time. He is an inductee of both the International Boxing Hall of Fame and the World Boxing Hall of Fame.
Frazier's style was often compared to that of Henry Armstrong, dependent on bobbing, weaving and wearing down his opponents with relentless pressure. His best known punch was a powerful left hook, which accounted for most of his knockouts. Compared to Ali's style, he was close enough to the ideal bruiser that some in the press and media characterized the bouts as the answer to the classic question: "What happens when a boxer meets with a brawler?"
Since retiring Frazier has made cameo appearances in several Hollywood movies, and two episodes of The Simpsons. His son Marvis also became a boxer - trained by Frazier himself - although was unable to emulate his father's success. Frazier continues to train fighters in his gym in Philadelphia. His later years have also seen the continuation of his bitter rivalry with Ali, in which the two periodically exchange insults, interspersed with brief reconciliations.
Frazier is a Christian.
In 1966, as Frazier's career was taking off, Durham contacted Los Angeles trainer Eddie Futch. The two men had never met, but Durham had heard of Futch through the latter's reputation as one of the most respected trainers in boxing. Frazier was sent to Los Angeles to train, before Futch agreed to join Durham as an assistant trainer. With Futch's assistance, Durham arranged three fights in Los Angeles against Al Jones, veteran contender Eddie Machen, and George "Scrapiron" Johnson. Frazier knocked out Jones and Machen, but went 10 rounds with Johnson to win a unanimous decision.
After the Johnson match, Futch became a full-fledged member of the Frazier camp as an assistant trainer and strategist, who also advised Durham on matchmaking. It was Futch who suggested that Frazier boycott the 1967 WBA heavyweight elimination tournament to find a successor to Muhammad Ali, after the heavyweight champion was stripped of his title for refusing to be inducted into the military, although Frazier was the top-ranked contender at the time.
Futch proved invaluable to Frazier as an assistant trainer, helping modify his style. Under his tutelage, Frazier adopted the bob-and-weave defensive style, making him more difficult for taller opponents to punch, while also giving Frazier more power with his own punches. While Futch remained based in Los Angeles, where he worked as a supervisor with the U.S. Postal Service, he was flown to Philadelphia to work with Frazier during the final preparations for all of his fights.
When Durham died in 1973, Futch was asked to succeed him as Frazier's head trainer and manager. In fact, Futch was also training heavyweight contender Ken Norton at the time. He was in Norton's corner in March 1973, when Norton broke Ali's jaw and won a split decision. After Norton lost the rematch to Ali in September 1973, Norton's managers, Robert Biron and Aaron Rivkind, demanded that Futch choose between training Frazier and Norton. Futch chose Frazier, but not without regret at being forced to make the choice.
In 1966, Frazier won all four of his fights, including a sixth-round knockout of Doug Jones and a fourth-round technical knockout (TKO) of George Chuvalo.
By February 1967 Joe had raked up 14 wins, all by KO. His name was starting to appear a lot more often in boxing, with Frazier appearing on the cover of Ring Magazine highlighting this. In this month he met Ali, who hadn't yet been stripped of his title. Ali said Joe would never stand a chance of whopping him, not even in his wildest dreams. Later that year, Muhammad Ali was stripped of his world heavyweight title due to his refusal to be inducted into the military during the Vietnam War. To fill the vacancy, the New York State Athletic Commission held a bout between Frazier and Buster Mathis, with the winner to be recognized as "World Champion" by the state of New York. Although the fight was not recognized as a World Championship bout by some, Frazier won by a knockout in the 11th round and staked a claim to the heavyweight championship. He then defended his title by beating Manuel Ramos of Mexico in two rounds, and closed 1968 by beating Bonavena via a 15-round decision in a hard-fought rematch.
1969 saw Frazier defend his New York title in Texas, beating Dave Zyglewicz by a first-round knockout, and beating Jerry Quarry by TKO in the seventh round. The competitive, exciting match with Quarry was named 1969 Ring Magazine fight of the year.
In his first title defense, Frazier travelled to Detroit to fight world light-heavyweight champion Bob Foster, who had set a record for the number of defenses in the light-heavyweight division. Frazier (26-0) retained his title by knock-out in two rounds. Then came what was quickly dubbed the "Fight Of The Century", his first fight with Ali. This would be the first meeting of two undefeated heavyweight champions, since Ali (31-0) had not lost his title in the ring, but rather been stripped because of his refusal to be inducted in the Armed Forces.
On March 8, 1971, at Madison Square Garden, Frazier and Ali met in the first of their three bouts which was widely called the "Fight of the Century" in pre-bout publicity and the press feeding frenzy. With a worldwide television audience, and an in-house audience that included luminaries such as Frank Sinatra (as a photographer for Life magazine to get a ringside seat), comedian Woody Allen, singer Diana Ross, and actors Dustin Hoffman and Burt Lancaster (who served as "color commentator" with fight announcer Don Dunphy), the two undefeated heavyweights met in the kind of media-frenzied atmosphere not seen since Joe Louis' youth.
Many factors came together for Frazier in this fight. He was 27 years old and at his lifetime peak both physically and mentally, while Ali, 29, was coming back from a three-year absence, taking on Frazier soon after a bruising battle with Oscar Bonavena, whom Ali had defeated by a TKO in 15. Frazier had exhaustively trained specifically for Ali under the tutelage of famed coach Eddie Futch, who had developed a strategy based on Ali's tendency to throw the right-hand uppercut from a straight standing position after dropping the hand in preparation to throw it with force. Futch instructed Frazier to watch Ali's right hand and, at the moment Ali dropped it, to throw a left hook at the spot where they knew Ali's face would be a second later. Frazier's staggering of Ali in the 11th round and his knock-down of Ali in the 15th round were both executed precisely in this way.
Frazier lost a number of early rounds but took Ali's combinations without backing down. As Ali started to slow in the middle rounds, Frazier came on strong, landing hard shots to the body as well as the powerful left hooks to the head by virtue of Futch's instructions.
Consequently, Frazier won a clear, 15-round, unanimous decision. Ali was taken to the hospital immediately after the fight to have his badly swollen jaw x-rayed, and Frazier spent time in the hospital during the ensuing month, the exertions of the fight having been exacerbated by his existing health problems, such as hypertension and a kidney infection.
In 1972, Frazier successfully defended the title twice, beating Terry Daniels and Ron Stander, both by knockout, in the fourth and fifth rounds respectively.
It was Frazier's turn to lose his undefeated record of 29-0 and position as undisputed world champion at the hands of powerful puncher George Foreman on January 22, 1973, in Kingston, Jamaica. Foreman towered over the shorter, more compact champ, and soon dominated the brief bout despite Frazier being the favorite. Two minutes into the first round, Frazier was knocked down. This led to Howard Cosell's famous call for HBO, "Down goes Frazier! Down goes Frazier! Down goes Frazier!" Foreman continued to tee off on Frazier, who was knocked down again with just under thirty seconds in the round. After he got up again Foreman went back on the attack, and before the first round was over the champion was on his back for a third time. However, since the three-knockdown rule was not in place for this fight and Frazier kept getting up, the fight was allowed to continue. Foreman continued to press Frazier in the second round, and dropped the champion three more times. After being knocked down a sixth time, referee Arthur Mercante would not allow Frazier to continue and awarded the victory to Foreman by technical knockout.
After his loss to Foreman, now 29-1, Frazier won his next fight, a 12-round decision over Joe Bugner in London to begin his quest to regain the title.
1975 was, once again, a year of rematches for Frazier, but this time they involved more overseas travel. He met Jimmy Ellis, the man from whom he had originally taken the WBA title, in Melbourne, Australia, knocking him out in nine rounds. That win made him once again the number-one challenger for the world crown, now held by Ali after an eighth-round knockout of George Foreman in the famous "Rumble in the Jungle".
Ali and Frazier met for the third and final time in Quezon City (a district within the metropolitan area of Manila), the Philippines, on October 1, 1975: the "Thrilla in Manila". Ali took every opportunity to mock Frazier, again calling him The Gorilla, and generally trying to irritate him.
The fight for Ali's title, which was attended by Philippine President Ferdinand Marcos, caused another media frenzy and was seen live around the world. It was far more action-filled than the previous encounter (there was no belt at stake in the second fight), and was a punishing display that ended when Eddie Futch stopped the fight before the 15th and final round with Frazier sitting on his stool.
In 1976, Frazier (32-3) fought and again lost to George Foreman, this time by fifth-round knockout, and retired.
Frazier made a cameo appearance in the movie Rocky later in 1976 and dedicated himself to training local boxers in Philadelphia, where he grew up, including some of his own children.
Since then, Frazier has involved himself in various endeavors. Among his sons who turned to boxing as a career, he helped train Marvis Frazier, a challenger for Larry Holmes's world heavyweight title, and trains his daughter, Jackie Frazier-Lyde, whose most notable fight to date was against Laila Ali, the daughter of his rival.
Frazier's overall record is 32 wins, 4 losses and 1 draw, with 27 wins by knockout. He won 73 percent of his fights by knockout, compared to 60 percent for Ali and 84 percent for Foreman. He is a member of the International Boxing Hall Of Fame.
In 1986, Frazier appeared as the "corner man" for Mr. T against Roddy Piper at WrestleMania 2 at Madison Square Garden. In 1989, Frazier joined Ali, Foreman, Norton and Holmes for the tribute special Champions Forever.
Frazier appeared as himself in an episode of The Simpsons ("Brother, Can You Spare Two Dimes?") in 1992, in which he would be beaten up by Barney Gumble. Frazier's son objected and was instead shown beating up Gumble and putting him in a trash can. He appeared in another episode of The Simpsons ("Homer's Paternity Coot") in 2006. Since the debut of the Fight Night series of games, Frazier appeared in Fight Night 2004, Fight Night Round 2, Fight Night Round 3 and Fight Night Round 4, games made by EA Sports.
Frazier's autobiography is titled Smokin' Joe and he was widely criticized by Ali fans for relating many of Ali's actions that he considered offensive. Some feel that Frazier has hurt himself with his unrelenting bitterness toward Ali. In 1996, when Ali lit the Olympic flame in Atlanta, Frazier told a reporter that he would like to throw Ali into the fire. Frazier made millions of dollars in the 70's, but the article cited mismanagement of real-estate holdings as a partial explanation for his economic woes.
Frazier is still training young fighters, although he needed multiple operations for back injuries sustained in a car accident. It has been reported that he and Ali recently attempted a reconciliation, but as of October 2006 Frazier still claimed to have won all three bouts between the two. He declared to a Times reporter, when questioned about his bitterness toward Ali, "I am what I am."
Joe Frazier petitioned President Nixon to have Ali's right to box reinstated setting up the whole series of matches. Frazier boycotted the 1967 WBA heavyweight elimination tournament to find a successor to Muhammad Ali, when the champion was stripped of the title.
After years of remaining bitter, Frazier told Sports Illustrated in May 2009 that he no longer held hard feelings for Ali.
"But he never paid me for none of my past. I only got paid for a walk-on part. Rocky is a sad story for me."Joe had his Olympic gold medal cut up into eleven separate pieces to divide it between his eleven children. In March, 2007, a Joe Frazier action figure was released as part of a range of toys based on the Rocky film franchise, developed by the American toy manufacturer, Jakks Pacific.
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Category:1944 births Category:Living people Category:Heavyweights Category:African American boxers Category:Boxers at the 1964 Summer Olympics Category:Boxers from Pennsylvania Category:International Boxing Hall of Fame inductees Category:Olympic boxers of the United States Category:Olympic gold medalists for the United States Category:Sportspeople from Philadelphia, Pennsylvania Category:People from Beaufort, South Carolina Category:WBA Champions Category:WBC Champions Category:World Heavyweight Champions
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Name | Jimi Hendrix |
---|---|
Background | solo_singer |
Birth name | Johnny Allen Hendrix, renamed James Marshall Hendrix |
Born | November 27, 1942Seattle, Washington, U.S. |
Died | September 18, 1970Kensington, Greater London, England |
Instrument | guitar, vocals, bass, drums, keyboard, percussion |
Genre | Hard rock, blues-rock, acid rock, funk-rock, psychedelic rock |
Occupation | Musician, songwriter, record producer |
Years active | 1963–1970 |
Label | RSVP, Track, Barclay, Polydor, Reprise, Capitol, MCA |
Associated acts | Little Richard, The Isley Brothers, The Blue Flames, The Jimi Hendrix Experience, Gypsy Sun and Rainbows, Band of Gypsys |
Url | www.jimihendrix.com |
Notable instruments | Fender Stratocaster, Gibson Flying V |
After initial success in Europe, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback. Hendrix, as well as his friend Eric Clapton, popularized use of the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated pitch in his solos, particularly with high bends and use of legato. He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield, Steve Cropper, as well as by funk and some modern jazz. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording.
Hendrix won many of the most prestigious rock music awards in his lifetime, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage blue plaque was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut US album, Are You Experienced, was inducted into the United States National Recording Registry, and Rolling Stone named Hendrix the top guitarist on its list of the 100 greatest guitarists of all-time in 2003. He was the first person inducted into the Native American Music Hall of Fame.
Hendrix had two brothers, Leon and Joseph, and two sisters, Kathy and Pamela. Joseph was born with physical difficulties and was placed in foster care at age three. His two sisters were also both placed in foster care at a young age. Kathy was born blind and Pamela suffered lesser physical difficulties.
On December 17, 1951, when Hendrix was nine years old, his parents divorced. The divorce was caused by Lucille's alcoholism; she developed cirrhosis of the liver and died on February 2, 1958 when the state of her liver caused her spleen to rupture. On occasion, he was placed in the care of his paternal grandmother in Vancouver, British Columbia because of the unstable household, and his brother Leon was placed in foster care temporarily. Hendrix was a shy and sensitive boy, deeply affected by the poverty and family disruption he experienced at a young age. Unusual for his era, Hendrix's high school had a relatively equitable ethnic mix of African Americans, European Americans, and Asian Americans. At age 15, around the time his mother died, he acquired his first acoustic guitar for $5 from an acquaintance of his father. This guitar replaced both the broomstick he had been strumming in imitation, and a ukulele which his father had found while cleaning a garage. Hendrix learned to play by practicing for several hours a day, watching others play, getting tips from more experienced players, and listening to records. In mid-1959, his father bought Hendrix a white Supro Ozark, his first electric guitar, but there was no available amplifier. According to fellow Seattle bandmates, he learned most of his acrobatic stage moves, a major part of the blues/R&B; tradition, including playing with his teeth and behind his back, from a fellow young musician, Raleigh "Butch" Snipes, guitarist with local band The Sharps. Hendrix himself performed Chuck Berry's trademark "duck walk" on occasion. Hendrix played in a couple of local bands, occasionally playing outlying gigs in Washington State and at least once over the border in Vancouver, British Columbia.
Hendrix was particularly fond of Elvis Presley, whom he saw perform in Seattle, in 1957. Leon Hendrix claimed in an early interview that Little Richard appeared in his Central District neighborhood and shook hands with his brother, Jimi. This is unattested elsewhere and vehemently denied by his father. Hendrix's early exposure to blues music came from listening to records by Muddy Waters and B.B. King which his father owned. Another early impression came from the 1954 western Johnny Guitar, in which the hero carries no gun but instead wears a guitar slung behind his back.
Hendrix's first gig was with an unnamed band in the basement of a synagogue, Seattle's Temple De Hirsch. After too much wild playing and showing off, he was fired between sets. The first formal band he played in was The Velvetones, who performed regularly at the Yesler Terrace Neighborhood House without pay. He later joined the Rocking Kings, who played professionally at such venues as the Birdland. When his guitar was stolen (after he left it backstage overnight), Al bought him a white Silvertone Danelectro. He painted it red and had "Betty Jean" emblazoned on it — the name of his high school girlfriend.
Hendrix completed junior high at Washington Junior High School with little trouble but did not graduate from Garfield High School. Later he was awarded an honorary diploma, and in the 1990s a bust of him was placed in the school library. After he became famous in the late 1960s, Hendrix told reporters that he had been expelled from Garfield by racist faculty for holding hands with a white girlfriend in study hall. Principal Frank Hanawalt says that it was simply due to poor grades and attendance problems.
At the base recreation center, Hendrix met fellow soldier and bass player Billy Cox, and the two forged a loyal friendship that Hendrix would call upon from April 1969 until Billy's breakdown shortly before Hendrix's death. The two would often perform with other musicians at venues both on and off the base as a loosely organized band there named the Casuals. As a celebrity in the UK, Hendrix mentioned his military service in three published interviews; one in 1967 for the film See My Music Talking (much later released under the title Experience), which was intended for TV to promote his recently released LP, in which he spoke very briefly of his first parachuting experience: "...once you get out there everything is so quiet, all you hear is the breezes-s-s-s..." This comment has later been used to claim that he was saying that this was one of the sources of his "spacy" guitar sound. The second and third mentions of his military experience were in interviews for Melody Maker in 1967 and 1969, where he spoke of his dislike of the army. In interviews in the US, Hendrix almost never mentioned it, and when Dick Cavett brought it up in his TV interview, Hendrix's only response was to verify that he had been based at Fort Campbell.
Feeling he had artistically outgrown the circuit and frustrated at following the rules of bandleaders, Hendrix decided to try his luck in New York City and in January 1964 moved into the Hotel Theresa in Harlem, where he soon befriended Lithofayne Pridgeon (known as "Faye", who became his girlfriend) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins became friends and kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the song "Freedom". Pridgeon, a Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. Hoping to land a gig, Hendrix made the club circuit and sat in with various bands. Eventually, Hendrix was offered the guitarist position with The Isley Brothers' back-up band and he readily accepted. Hendrix' first studio recording occurred in March 1964, when the Isley Brothers, with Hendrix as a member of the band, recorded the two-part single "Testify". Hendrix then went on tour with the Isley Brothers. "Testify" was released in June 1964, but did not make an impact on the charts. After touring as a member of the Isley Brothers until mid-late 1964, Hendrix grew dissatisfied and left the band in Nashville. There, he found work with the tour's MC "Gorgeous" George Odell. On March 1, 1964, Hendrix (then calling himself Maurice James) began recording and performing with Little Richard. Hendrix would later (1966) say, "I want to do with my guitar what Little Richard does with his voice." During a stop in Los Angeles while touring with Little Richard in 1965, Hendrix played a session for Rosa Lee Brooks on her single "My Diary". This was his first recorded involvement with Arthur Lee of the band "Love". While in L.A., he also played on the session for Little Richard's final single for Vee-Jay, "I Don't Know What You've Got, But It's Got Me". He later made his first recorded TV appearance on Nashville's Channel 5 "Night Train" with "The Royal Company" backing up "Buddy and Stacy" on "Shotgun". Hendrix clashed with Richard, over tardiness, wardrobe, and, above all, Hendrix's stage antics. He then rejoined the Isley Brothers in the summer of 1965 and recorded a second single with them, "Move Over and Let Me Dance" backed with "Have You Ever Been Disappointed" (1965 Atlantic 45-2303).
Later in 1965, Hendrix joined a New York–based R&B; band, Curtis Knight and the Squires, after meeting Knight in the lobby of the Hotel America, off Times Square, where both men were living at the time. He performed on and off with them for eight months. In October 1965, Hendrix recorded a single with Curtis Knight, "How Would You Feel" backed with "Welcome Home" (1966 RSVP 1120) and on October 15 he signed a three-year recording contract with entrepreneur Ed Chalpin, receiving 1% royalty. While the relationship with Chalpin was short-lived, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The legal dispute has continued to the present day. (Several songs (and demos) from the 1965–1966 Curtis Knight recording sessions, deemed not worth releasing at the time, were marketed as "Jimi Hendrix" recordings after he became famous.) Aside from Curtis Knight and the Squires, Hendrix then toured for two months with Joey Dee and the Starliters.
In between performing with Curtis Knight in 1966, Hendrix toured and recorded with King Curtis. Hendrix recorded the two-part single "Help Me (Get the Feeling)" with Ray Sharpe and the King Curtis Orchestra (1966 Atco 45-6402) (the backing track was subsequently overdubbed by other vocalists with different lyrics and released as new songs). Later in 1966, Hendrix also recorded with Lonnie Youngblood, a saxophone player who occasionally performed with Curtis Knight. The sessions produced two singles for Youngblood: "Go Go Shoes"/"Go Go Place" (Fairmount F-1002) and "Soul Food (That's What I Like)"/"Goodbye Bessie Mae" (Fairmount F-1022). Additionally, singles for other artists came out of the sessions: The Icemen's "(My Girl) She's a Fox"/ "(I Wonder) What It Takes" (1966 SAMAR S-111) and Jimmy Norman's "You're Only Hurting Yourself"/"That Little Old Groove Maker" (1966 SAMAR S-112). As with the King Curtis recordings, backing tracks and alternate takes for the Youngblood sessions would be overdubbed and otherwise manipulated to create many "new" tracks. (Many Youngblood tracks without any Hendrix involvement would later be marketed as "Jimi Hendrix" recordings). Also around this time in 1966, Hendrix got his first composer credits for two instrumentals "Hornets Nest" and "Knock Yourself Out", released as a Curtis Knight and the Squires single (1966 RSVP 1124).
Hendrix, now going by the name Jimmy James, formed his own band, The Blue Flame, composed of Randy Palmer (bass), Danny Casey (drums), a 15-year-old guitarist who played slide and rhythm named Randy Wolfe, and the occasional stand in June 1966.
Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" (as he had recently moved from there to New York City) and Palmer (a Tejano) "Randy Texas". Randy California would later co-found the band Spirit with his stepfather, drummer Ed Cassidy. It was around this time that Hendrix's only daughter Tamika was conceived with Diana Carpenter (also known as Regina Jackson), a teenage runaway and prostitute that he briefly stayed with. Her claim has not been recognized by the US courts where, after death, she may not have a claim on his estate even if she could legally prove he was her father, unless recognized previously as such by him or the courts.
Hendrix and his new band played at several places in New York, but their primary venue was a residency at the Cafe Wha? on MacDougal Street in Greenwich Village. The street runs along "Washington (Square) Park" which appeared in at least two of Hendrix's songs. Their last concerts were at the Cafe au Go Go, as John Hammond Jr.'s backing group, billed as "The Blue Flame". Singer-guitarist Ellen McIlwaine and guitarist Jeff "Skunk" Baxter also claim to have briefly worked with Hendrix in this period.
In 1966, Hendrix, who played and recorded with Little Richard's band from 1964 to 1965, said, "I want to do with my guitar what Little Richard does with his voice."
performing on Dutch television in 1967]] Impressed with Hendrix's version, Chandler brought him to London and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffery. It was Chandler who came up with the spelling change of "Jimmy" to "Jimi". Chandler then helped Hendrix form a new band, The Jimi Hendrix Experience, with guitarist-turned-bassist Noel Redding and drummer Mitch Mitchell, both English musicians. Shortly before the Experience was formed, Chandler introduced Hendrix to Pete Townshend and to Eric Clapton, who had only recently helped put together Cream. At Chandler's request, Cream let Hendrix join them on stage for a jam on the song "Killing Floor". Hendrix and Clapton remained friends up until Hendrix's death. The first night he arrived in London, he began a relationship with Kathy Etchingham that lasted until February 1969. She later wrote a well received autobiographical book about their relationship and the sixties London scene in general.
Hendrix sometimes had a camp sense of humor, specifically with the song "Purple Haze". A mondegreen had appeared, in which the line "'Scuse me while I kiss the sky" was misheard as "'Scuse me while I kiss this guy." In a few performances, Hendrix humorously used this, deliberately singing "kiss this guy" while pointing to Mitch or Noel, as he did at Monterey. In the Woodstock DVD he deliberately points to the sky at this point, to make it clear. A volume of misheard lyrics has been published, using this mondegreen itself as the title, with Hendrix on the cover.
Hendrix's first single was a cover of "Hey Joe", using Tim Rose's slower arrangement of the song including his addition of a female backing chorus. Backing this first 1966 "Experience" single was Hendrix's first songwriting effort, "Stone Free". Further success came in early 1967 with "Purple Haze" which featured the "Hendrix chord" and "The Wind Cries Mary". The three singles were all UK Top 10 hits and were also popular internationally including Europe, Australia, New Zealand and Japan (though failed to sell when released later in the US). Onstage, Hendrix was also making an impression with sped up renderings of the B.B. King hit "Rock Me Baby" and Howlin' Wolf's hit "Killing Floor".
At this time, the Experience extensively toured the United Kingdom and parts of Europe. This allowed Hendrix to develop his stage presence, which reached a high point on March 31, 1967, when, booked to appear as one of the opening acts on the Walker Brothers farewell tour, he set his guitar on fire at the end of his first performance, as a publicity stunt. This guitar has now been identified as the "Zappa guitar" (previously thought to have been from Miami), which has been partly refurbished. Later, as part of this press promotion campaign, there were articles about Rank Theatre management warning him to "tone down" his "suggestive" stage act, with Chandler stating that the group would not compromise regardless. On June 4, 1967, the Experience played their last show in England, at London's Saville Theatre, before heading off to America. The Beatles' Sgt. Pepper album had just been released on June 1 and two Beatles (Paul McCartney and George Harrison) were in attendance, along with a roll call of other UK rock stardom, including: Brian Epstein, Eric Clapton, Spencer Davis, Jack Bruce, and pop singer Lulu. Hendrix opened the show with his own rendering of "Sgt. Pepper's Lonely Hearts Club Band", rehearsed only minutes before taking the stage, much to McCartney's astonishment and delight.
, Sweden, in 1967.]] While on tour in Sweden in 1967, Hendrix jammed with the duo Hansson & Karlsson, and later opened several concerts with their song "Tax Free", also recording a cover of it during the Electric Ladyland sessions. He played there frequently throughout his career, and his only son James Daniel Sundquist was born there in 1969 to a Swede, Eva Sundquist, recognized as such by the Swedish courts and paid a settlement by Experience Hendrix LLC. He wrote a poem to a woman there (probably Sundquist). Sundquist had sent Hendrix roses on each of his opening nights in Stockholm, and began – according to the Swedish courts – a sexual relationship from then until conceiving Daniel with him, after his third visit in January 1969. Hendrix also dedicated songs to the Swedish-based Vietnam deserters organization in 1969.
Months later, Reprise Records released the US and Canadian version of Are You Experienced with a new cover by Karl Ferris, removing "Red House", "Remember" and "Can You See Me" to make room for the first three single A-sides. Where the (Rest of the World) album kicked off with "Foxy Lady", the US and Canadian one started with "Purple Haze". Both versions offered a startling introduction to the Jimi Hendrix Experience, and the album was a blueprint for what had become possible on an electric guitar, basically recorded on four tracks, mixed into mono and only modified at this point by a "fuzz" pedal, reverb and a small bit of the experimental "Octavia" pedal on "Purple Haze", produced by Roger Mayer in consultation with Hendrix. A remix using the mostly mono backing tracks with the guitar and vocal overdubs separated and occasionally panned to create a stereo mix was also released, only in the US and Canada.
The opening song was Hendrix's very fast arrangement of Howlin' Wolf's 1965 R&B; hit "Killing Floor". He played this frequently from late 1965 through 1968, usually as the opener to his shows. The Monterey performance included an equally lively rendering of B.B. King's 1964 R&B; hit "Rock Me Baby", Tim Rose's arrangement of "Hey Joe" and Bob Dylan's 1965 Pop hit "Like a Rolling Stone". The set ended with The Troggs "Wild Thing" and Hendrix repeating the act that had boosted his profile in the UK (and internationally) with him burning his guitar on stage, then smashing it to bits and tossing pieces out to the audience. This show finally brought Hendrix to the notice of the US public. A large chunk of this guitar was on display at the Experience Music Project in Seattle, along with the other psychedelically painted Stratocaster that Hendrix smashed (but did not burn) at his farewell concert in England before he left for the US and Monterey.
At the time Hendrix was playing sets in the Scene club in NYC in July 1967, he met Frank Zappa, whose Mothers of Invention were playing the adjacent Garrick Theater, and he was reportedly fascinated by Zappa's recently purchased wah-wah pedal. Hendrix immediately bought one from Manny's and starting using it right away on the sessions for both sides of his new single, and slightly later, on several jams recorded at Ed Chalpin's studio.
Following the festival, the Experience played a series of concerts at Bill Graham's Fillmore replacing the original headliners Jefferson Airplane at the top of the bill. It was at this time that Hendrix became acquainted with future musical collaborator Stephen Stills, and reacquainted himself with Buddy Miles who introduced Hendrix to his future partner, Devon Wilson. She had a turbulent on/off relationship with him, right up to the night of his death, and was the only one of his partners to record with him. She died only six months after Hendrix under mysterious circumstances, apparently falling from an upper window in the Chelsea Hotel.
Following this very successful West Coast introduction, which also included two open air concerts (one of them a free concert in the "panhandle" of Golden Gate Park) and a concert at the Whisky a Go Go, they were booked as one of the opening acts for pop group The Monkees on their first American tour. The Monkees asked for Hendrix because they were fans, but their (mostly early teens) audience sometimes did not warm to their act, and he quit the tour after a few dates. Chas Chandler later admitted that being thrown off the Monkees tour was engineered to gain maximum media impact and publicity for Hendrix, similar to that gained from the manufactured Rank Theatre's indecency dispute on the earlier UK Walker Brothers tour. At the time, a story circulated claiming that Hendrix was removed from the tour because of complaints made by the Daughters of the American Revolution that his stage conduct was "lewd and indecent". This report was concocted by a journalist accompanying the tour, the Australian Lillian Roxon.
Meanwhile in Western Europe, where Hendrix was appreciated for his authentic blues as well as his hit singles and recognized for his avant-garde musical ideas, his wild-man image and musical gimmickry (such as playing the guitar with his teeth and behind his back) had faded; but they later plagued him in the US following Monterey. He became frustrated by the US media and audience when they concentrated on his stage tricks and best known songs.
The album was released in the UK near the end of their first headlining tour there, after which the pace slowed briefly during the Christmas holidays. In January 1968 the group went to Sweden for a short tour, and after the first show Hendrix, reportedly after drinking and according to Hendrix his drink being spiked, went berserk and smashed up his hotel room in a rage, injuring his hand and culminating in his arrest. Then on the 6th in Denmark his famous hat was stolen. The rest of the tour was uneventful, though Hendrix had to spend some time in Sweden waiting for his trial and eventual large fine.
As the album's recording progressed, Chas Chandler became so frustrated with Hendrix's perfectionism and with various friends and guests milling about the studio that he decided to sever his professional relationship with Hendrix. Chandler's departure had a clear impact on the artistic direction that the recording took.
Hendrix began experimenting with different combinations of musicians and instruments, and modern electronic effects. For example, Dave Mason, Chris Wood, and Steve Winwood from the band Traffic, drummer Buddy Miles and former Bob Dylan organist Al Kooper, among others, were involved in the recording sessions. He described how Hendrix went from a disciplined recording regimen to an erratic schedule, which often saw him beginning recording sessions in the middle of the night and with any number of guests.
Chandler also expressed exasperation at the number of times Hendrix would insist on rerecording particular tracks; the song "Gypsy Eyes" was reportedly recorded 43 times. This was also frustrating for bassist Noel Redding, who would often leave the studio to calm himself, only to return and find that Hendrix had recorded the bass parts himself during Redding's absence.
Electric Ladyland includes "Voodoo Chile (Slight Return)" as well as Hendrix's rendering of Bob Dylan's "All Along the Watchtower".
Throughout the four years of his fame, Hendrix often appeared at impromptu jams with various musicians, such as B.B. King. In March 1968, Jim Morrison of The Doors joined Hendrix onstage at New York's Scene Club. Albums of this Electric Ladyland-era bootleg recording were released under various titles, some falsely claiming the presence of Johnny Winter, who has denied, several times, being a participant at that jam session, and to ever having met Morrison.
Noel Redding felt increasingly frustrated by the fact that he was not playing his original and favored instrument, the guitar. In 1968, he decided to form his own band, Fat Mattress, which would sometimes open for the Experience (Hendrix would jokingly refer to them as "Thin Pillow"). Redding and Hendrix would begin seeing less and less of each other, which also had an effect in the studio, with Hendrix playing many of the bass parts on Electric Ladyland.
Fruitless recording sessions at Olympic in London; Olmstead and the Record Plant in New York that ended on April 9, which only produced a remake of Stone Free for a possible single release, were the last to feature Redding. Hendrix then flew Billy Cox to New York and started recording and rehearsing with him on April 21 as a replacement for Noel.
In a recorded interview by Nancy Carter on June 15 at his hotel in Los Angeles, Hendrix announced that he had been recording with Cox and that he would be replacing Noel as bass player in "The Jimi Hendrix Experience".
The last Experience concert took place on June 29, 1969 at Barry Fey's Denver Pop Festival, a three-day event held at Denver's Mile High Stadium that was marked by police firing tear gas into the audience as they played "Voodoo Chile (Slight Return)". The band escaped from the venue in the back of a rental truck which was partly crushed by fans trying to escape the tear gas. The next day, Noel Redding announced that he had quit the Experience.
They recorded some jam-based material such as "Jam Back at the House", "Shokan Sunrise" (posthumous title for untitled jam), "Villanova Junction", and early renderings of the funk-driven centerpieces of Hendrix's post-Experience sound: "Machine Gun", "Message to Love" and "Izabella".
Bad weather and logistical problems caused long delays, so that Hendrix did not appear on stage until Monday morning. By this time, the audience (which had peaked at over 500,000 people) had been reduced to, at most, 180,000, many of whom merely waited to catch a glimpse of Hendrix before leaving. Festival MC Chip Monck introduced the band as "The Jimi Hendrix Experience", but Hendrix quickly corrected this to "Gypsy Sun and Rainbows, for short it's nothin’ but ‘A Band Of’ Gypsies" and launched into a two hour set, the longest of his career. As well as the two percussionists, the performance notably featured Larry Lee performing two songs and Lee sometimes soloing while Hendrix played rhythm in places. Most of this has been edited out of the officially released recordings, including Lee's two songs, reducing the sound to basically a three piece. The concert was relatively free of the technical difficulties that frequently plagued Hendrix's performances, although one of his guitar strings snapped while performing "Red House", which he played through. The band, unused to playing large audiences and exhausted after being up all night, could not always keep up with Hendrix's pace, but in spite of this the guitarist managed to deliver a memorable performance, climaxing with his rendering of "The Star-Spangled Banner", an improvisation since regarded as a defining moment of the 1960s.
This expanded band did not last long. After the Woodstock festival they appeared on only two more occasions. The first was a street benefit in Harlem where, in a scenario similar to the festival, most of the audience had left and only a fraction remained by the time Hendrix took the stage. Within seconds of Hendrix arriving at the site two youths had stolen his guitar from the back seat of his car, although it was later recovered. The band's only other appearance was at the Salvation club in Greenwich Village, New York. After some studio recordings, Hendrix disbanded the group. Some of this band's recordings can be heard on the MCA Records box set The Jimi Hendrix Experience and on South Saturn Delta. Their final work together was a session on September 6. Hendrix's September 9 appearance on TV's The Dick Cavett Show, backed by Cox, Mitchell and Juma Sultan, was credited as the "Jimi Hendrix Experience".
Along with Billy Cox and drummer Buddy Miles (formerly with Wilson Pickett and The Electric Flag) with whom he had been jamming together since September, Hendrix wrote and rehearsed material which they then performed at a series of four concerts over two nights, New Year's Eve and New Year's Day at Fillmore East. The second night produced the material for the Band Of Gypsys LP, which was produced by Hendrix (under the name "Heaven Research").
The Band of Gypsys LP was the only official completely live LP released in Hendrix's lifetime. The band also released a single "Stepping Stone" which failed to sell, and recorded several studio songs slated for Hendrix's future LP. In 1999, the tapes from the four Fillmore concerts were remastered and additional tracks and edits were released as Live at the Fillmore East. Litigation with Chalpin ended in 2007 after the "singularly uncredible witness" was fined nearly $900,000 for failure to abide by contractual limitations and failure to pay Experience Hendrix L.L.C. its court ordered royalties.
On January 26 and 27, 1970, Mitch Mitchell and Noel Redding flew into New York and signed contracts with Jeffery for the upcoming Jimi Hendrix Experience tour. The next day, a second and final Band of Gypsys appearance occurred at a twelve-act show in Madison Square Garden which was a benefit for the massively popular anti-Vietnam War Moratorium Committee, titled the "Winter Festival for Peace". Similar to Woodstock, set delays forced Hendrix to take the stage at an inopportune 3 a.m., only this time he was obviously in no shape to play. He played "Who Knows" before snapping a vulgar response at a woman who shouted a request for "Foxy Lady". He played a second song, "Earth Blues", he then told the audience: "That's what happens when earth fucks with space—never forget that". He then sat down on the drum riser for a minute and then walked off stage. Various unverifiable assertions have been proffered to explain this bizarre scene. Buddy Miles claimed that manager Michael Jeffery dosed Hendrix with LSD in an effort to sabotage the current band and bring about the return of the Experience lineup. But none of Hendrix's other close associates verifies his statement.
Two of Hendrix's later recordings were the lead guitar parts on "Old Times Good Times" from Stephen Stills hit eponymous album (1970), and on "The Everlasting First" from Arthur Lee's new incarnation of Love's, not so successful and aptly named LP False Start both tracks were recorded with these old friends on a fleeting and unexplained visit to London in March 1970, following Kathy Etchingham's marriage.
He spent the next four months of 1970 working on his next LP tentatively titled First Rays of the New Rising Sun, recording during the week and playing live on the weekends. The "Cry of Love" tour, launched that April at the L.A. Forum, was partly undertaken to earn money to repay the Warner Bros loan for completing his Electric Lady Studios. Performances on this tour featured Hendrix, Cox, and Mitchell playing new material alongside older audience favourites. The USA leg of the tour included 30 performances and ended at Honolulu, Hawaii on August 1, 1970. A number of these shows were recorded and produced some of Hendrix's most memorable live performances.
Designed by architect and acoustician John Storyk, the studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in a myriad of colors. It was designed to have a relaxing feel to encourage Hendrix's creativity, but at the same time provide a professional recording atmosphere. Engineer Eddie Kramer upheld this by refusing to allow any drug use during session work.
Hendrix spent only two and a half months recording in Electric Lady, most of which took place while the final phases of construction were still ongoing. Following a recording/dubbing session on August 26, an opening party was held later that day. He then boarded an Air India flight for London with Billy Cox, joining Mitch Mitchell to perform at the Isle of Wight Festival.
Hendrix returned to London, where he reportedly spoke to Chas Chandler, Eric Burdon, and others about leaving his manager, Michael Jeffery. Hendrix's last public performance was an informal jam at Ronnie Scott's Jazz Club in Soho with Burdon and his latest band, War.
Early on September 18, 1970, Jimi Hendrix died in London. He had spent the latter part of the previous evening at a party and was picked up by girlfriend Monika Dannemann and driven to her flat at the Samarkand Hotel, 22 Lansdowne Crescent, Notting Hill. According to the estimated time of death, from autopsy data and statements by friends about the evening of September 17, he died within a few hours after midnight, though no precise estimate was made at the original inquest.
Dannemann claimed in her original testimony that after they returned to her lodgings the evening before, Hendrix, unknown to her, had taken nine of her prescribed Vesperax sleeping pills. The normal medical dose was half a tablet, but Hendrix was unfamiliar with this very strong German brand. According to surgeon John Bannister, the doctor who initially attended to him, Hendrix had asphyxiated in his own vomit, mainly red wine which had filled his airways, as an autopsy later confirmed. For years, Dannemann publicly claimed that she had only discovered that her lover was unconscious and unresponsive sometime after 9 a.m., that Hendrix was alive when placed in the back of the ambulance after half past eleven, and that she rode with him on the way to the hospital; the latter two are denied by the ambulance crew. However, Dannemann's comments about that morning were often contradictory, varying from interview to interview. Police and ambulance statements reveal that there was no one but Hendrix in the flat when they arrived at 11:27 a.m., and not only was he dead when they arrived on the scene, but was fully clothed and had been dead for some time.
Later, Dannemen claimed that former road managers Gerry Stickels and Eric Barrett had been present before the ambulance was called and had removed some of Hendrix's possessions, including some of his most recent messages. Lyrics written by Hendrix, which were found in the apartment, led Eric Burdon to make a premature announcement on the BBC-TV program 24 Hours that he believed Hendrix had committed suicide. Burdon often claimed he had been telephoned by Dannemann after she discovered that Jimi failed to wake up.
Following a libel case brought in 1996 by Hendrix's long-term English girlfriend Kathy Etchingham, Monika Dannemann committed suicide.
It was claimed that Mike Jeffery was not "in London," he was in Spain when Jimi died in London on September 18, 1970.
"There was a freak storm across Mallorca and all the phone lines were down. Somebody told Mike that Jimi had been trying to phone him. The first call that got through was to say Jimi was dead. Mike was terribly upset at the thought of Jimi not being able to get through to him." - Trixie Sullivan, secretary/assistant for Mike Jeffery
Many photographs of Hendrix show him wearing various scarves, rings, medallions, and brooches, and in the early days occasionally badges (pins or buttons) that professed his support for the hippie movement or his fascination with Bob Dylan. He initially wore a dark suit and plain silk shirts that progressively became "louder" and more psychedelically patterned. He later favored a bright blue velvet suit, then a bright red one, antique military dress jackets, a very broadly striped suit, psychedelically patterned silk jackets, various exotic waistcoats and brightly colored flared trousers. At Monterey, he wore a hand-painted silk jacket by Chris Jagger (Mick Jagger's brother) and a bright pink feather boa. In late 1967 he started to wear a wide-brimmed Western style hat (brand name "The Westerner"). It was adorned with a narrow purple band and various brooches, as shown in the original Jimi Plays Monterey film. This hat was stolen in 1968, and replaced later with another, crowned variously with a longer purple scarf, a star-like brooch in front and a set of silver bangles, sometimes with an angled feather, though he went hatless for protracted periods after this.
From late 1968 he began tying scarves to one leg and one arm, and in mid-1969 he gave up the hat for bandanas. He started wearing increasingly fantastic custom-made stage costume with long trailing sleeves, culminating in his African-styled "Fire Angel" outfit that he wore throughout most of his final "Cry Of Love" tour, until it began to come apart during the Isle of Wight concert. He appeared in this outfit only once more (in just the jacket) at the disastrous concert in Aarhus, Denmark. His only non-work-related vacation was a two-week trip to Morocco in July 1969 with friends Colette Mimram, Stella Benabou (the then-wife of producer Alan Douglas), and Deering Howe. Upon his return Hendrix decorated his Greenwich Village apartment with Moroccan objets d'art and fabrics. Mimram and Benabou created some of Hendrix's most memorable later attire, the shortened blue kimono-style jacket that he wore in three TV appearances and the white fringed jacket, ornamented with blue glass beads, he wore at the Woodstock Festival.
On May 3, 1969, while checking through Canadian customs at Toronto Pearson International Airport, Hendrix was arrested when small amounts of heroin and hashish were found in his luggage. After being released on a $10,000 cash bail the same day, only four hours before his show was to begin, (and being required to appear in court at a later date), the Experience were able to play their concert at Maple Leaf Gardens.
In his trial defense, Hendrix claimed that the drugs were slipped into his bag by a fan without his knowledge. He was acquitted.
Once he became a star, he entertained groupies and reportedly had casual sex with hundreds of women.
The memorial is a granite dome supported by three pillars under which Jimi Hendrix and other family members are interred. Hendrix's autograph is inscribed at the base of each pillar, while two stepped entrances and one ramped entrance provide access to the dome's center where the original Stratocaster adorned headstone has been incorporated into a statue pedestal. A granite sundial complete with brass gnomon adjoins the dome, along with over 50 family plots that surround the central structure, half of which are currently adorned with raised granite headstones.
To date, the memorial remains incomplete: brass accents for the dome and a large brass statue of Hendrix were announced as being under construction in Italy, but since 2002, no information as to the status of the project has been revealed to the public. A memorial statue of Jimi playing a Stratocaster stands near the corner of Broadway and Pine Streets in Seattle.
In May 2006, the city of Seattle honored Hendrix with the re-naming of a park near Seattle's Colman School in the Central District.
In 1994, the Hendrix family prevailed in its long standing legal attempt to gain control of Jimi's music, and subsequently licensed the recordings to MCA Records (later Universal Music) through the family-run company Experience Hendrix. In August 2009, Experience Hendrix announced that it had entered a new licensing agreement with Sony Music Entertainment's Legacy Recordings division which would take effect in 2010.
Hendrix's unfinished album was partly released as the 1971 title The Cry of Love. The album was well received and charted in several countries. However, the album's producers, Mitchell and Kramer, would later complain that they were unable to make use of all the tracks they wanted. This was due to some tracks being used for 1971's Rainbow Bridge and 1972's War Heroes for contractual reasons.
Material from The Cry of Love was rereleased in 1997 as First Rays of the New Rising Sun, along with the rest of the tracks that Mitchell and Kramer wanted to include.
Many of Hendrix's personal items, tapes, and many pages of lyrics and poems are now in the hands of private collectors and have attracted considerable sums at the occasional auctions. These materials surfaced after two employees, under the instructions of Mike Jeffery, removed items from Hendrix's Greenwich Village apartment following his death.
In 2010, Legacy Recordings and Experience Hendrix LLC launched the 2010 Jimi Hendrix Catalog Project, starting with the release of Valleys of Neptune in March. Legacy has also released deluxe CD/DVD editions of the Hendrix albums Are You Experienced, Axis: Bold As Love, Electric Ladyland and First Rays of the New Rising Sun, as well as the 1968 compilation album Smash Hits. and Davis would later want guitarists in his bands to emulate Hendrix. Hendrix was ranked number 3 on VH1's 100 Greatest Artists of Hard Rock behind Black Sabbath and Led Zeppelin.
Hendrix's guitar style also had significanct influence upon future ZZ Top guitarist Billy Gibbons and fellow Texas guitar legend Stevie Ray Vaughn.
Hendrix was ranked number 3 on VH1's list of the 100 Greatest Artists of Rock N' Roll, behind the Rolling Stones and the Beatles. He has been voted by Rolling Stone, Guitar World, and a number of other magazines and polls as the best electric guitarist of all time.
Guitar World
In 1992, Hendrix was posthumously awarded the Grammy Lifetime Achievement Award.
Janie and Robert's defense was that the company was not profitable yet, and that their salary and benefits were justified given the work that they put into running the company. Leon charged that Janie bilked Al Hendrix, then old and frail, into signing the revised will, and sought to have the previous will reinstated. The defense argued that Al willingly removed Leon from his will because of Leon's problems with alcohol and gambling. In early 2005, presiding judge Jeffrey Ramsdell handed down a ruling that left the final will intact, but replaced Janie and Robert's role at the financial helm of Experience Hendrix with an independent trustee.
Hendrix bought many Stratocasters and gave some away as gifts. The original sunburst Stratocaster that Hendrix burnt at the Astoria in 1967, and that he kept as a souvenir, was given to Frank Zappa by a Hendrix roadie at the 1968 Miami Pop Festival; Zappa assumed it was the one Hendrix had played there.
Hendrix used right-handed guitars, turned upside down and restrung for left-hand playing. This had an important effect on his guitar sound: because of the slant of the Strat's bridge pickup, his lowest string had a bright sound while his highest string had a mellow sound, the opposite of the Stratocaster's intended design. Heavy use of the tremolo bar necessitated frequent tuning; Hendrix often asked the audience for a "minute to tune up", as heard on many live bootlegs of his performances.
In addition to Stratocasters, Hendrix was also photographed playing Fender Jazzmasters, Duosonics, two different Gibson Flying Vs, a Gibson Les Paul, three Gibson SGs, a Gretsch Corvette he used at the 1967 Curtis Knight sessions and miming with a right strung Fender Jaguar on the "Top Of The Pop's" TV show, as well as several other brands. Hendrix borrowed a Fender Telecaster from Noel Redding to record "Hey Joe" and "Purple Haze", used a white Gibson SG Custom for his performances on the Dick Cavett show in the summer of 1969, and the Isle of Wight film shows him playing his second Gibson Flying V. While Jimi had previously owned a Flying V that he'd painted with a psychedelic design, the Flying V used at the Isle of Wight was a unique custom left-handed guitar with gold plated hardware, a bound fingerboard and "split-diamond" fret markers that were not found on other 60s-era Flying Vs.
On December 4, 2006, one of Hendrix's 1968 Fender Stratocaster guitars with a sunburst design was sold at a Christie's auction for USD$168,000.
While his mainstays were the Arbiter Fuzz Face and a Vox wah-wah pedal, Hendrix experimented with guitar effects as well. He had a fruitful association with engineer Roger Mayer who later went on to make the Axis fuzz unit, the Octavia octave doubler and several other devices based on units Mayer had created or tweaked for Hendrix. The Japanese-made Univibe, designed to simulate the modulation effects of the rotating Leslie speaker, provided a rich phasing sound with a speed control pedal, and is heard on the Band of Gypsys track "Machine Gun," which highlights use of the univibe, octavia and fuzz face pedals.
The Hendrix sound combined high volume and high power, feedback manipulation, and a range of cutting-edge guitar effects. He was also known for his trick playing, which included playing with only his right (fretting) hand and using his teeth or playing behind his back and between his legs. Hendrix had large hands and characteristically used his thumb to fret bass notes, leaving his fingers free to play melodic lines on top. A clear demonstration of this thumb technique can be witnessed in the Woodstock video; during the song Red House there are closeups of Hendrix's fretting hand.
Category:1942 births Category:1970 deaths Category:1960s singers Category:1970s singers Category:African American guitarists Category:African American rock musicians Category:African American rock singers Category:African American singer-songwriters Category:Alcohol-related deaths in England Category:American baritones Category:American expatriates in the United Kingdom Category:American people of Cherokee descent Category:American people of Native American descent Category:Grammy Lifetime Achievement Award winners Category:Lead guitarists Category:Musicians from Washington (U.S. state) Category:Native American musicians Category:Native American singers Category:Native American songwriters Category:People from Seattle, Washington Category:Rock and Roll Hall of Fame inductees Category:The Jimi Hendrix Experience members Category:United States Army soldiers
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Name | Gore Vidal |
---|---|
Caption | Vidal in New York City to discuss his 2009 book, Gore Vidal: Snapshots in History's Glare |
Pseudonym | Edgar BoxCameron KayKatherine Everard |
Birthname | Eugene Luther Gore Vidal |
Birthdate | October 03, 1925 |
Birthplace | West Point, New York, U.S. |
Occupation | Novelist, essayist, journalist, playwright |
Nationality | United States |
Parents | Eugene Luther Vidal |
Genre | Drama, fictional prose, essay, literary criticism |
Movement | Postmodernism |
Ideology | Fascism |
Influences | Petronius, Apuleius, Thomas Mann, Henry James, Mark Twain, Montaigne, Carson McCullers |
Influenced | William Kennedy, Clive James, Christopher Hitchens, Truman Capote, Bill Maher}} |
Eugene Luther Gore Vidal (; born October 3, 1925) is an American author, playwright, essayist, screenwriter, and political activist. Early in his career he wrote The City and the Pillar (1948), which outraged mainstream critics as one of the first major American novels to feature unambiguous homosexuality. He subsequently emerged as one of America's most important literary figures due to the enormous quantity and quality of work produced over the course of his career, including novels, essays, plays, and short stories covering a wide variety of topics and eras. He also ran for political office twice and served as a longtime political critic.
Gore Vidal's mother was an actress and socialite who made her Broadway debut in Sign of the Leopard in 1928. She married Eugene Luther Vidal Sr. in 1922 and divorced him in 1935. She later married twice more; one husband, Hugh D. Auchincloss, was later the stepfather of Jacqueline Kennedy Onassis, and, according to Gore Vidal, she had "a long off-and-on affair" with actor Clark Gable. She was an alternate delegate to the 1940 Democratic National Convention.
Vidal had four half-siblings from his parents' later marriages (the Rev. Vance Vidal, Valerie Vidal Hewitt, Thomas Gore Auchincloss, and Nina Gore Auchincloss Steers Straight) and four stepbrothers from his mother's third marriage to Army Air Forces Major General Robert Olds, who died in 1943, ten months after marrying Vidal's mother. Vidal's nephew Burr Steers is a writer and film director, and nephew Hugh Auchincloss Steers (1963–1995) was a painter whose work is in the Whitney Museum of American Art, the Walker Art Center, and the Denver Art Museum.
Vidal was raised in Washington, D.C., where he attended Sidwell Friends School and then St. Albans School. Since Senator Gore was blind, his grandson read aloud to him and was his guide. The senator's isolationism contributed a major principle of his grandson's political philosophy, which is critical of foreign and domestic policies shaped by American imperialism. In 1943, on graduating from Phillips Exeter Academy, Vidal joined the U.S. Army Reserve serving in the Aleutian Islands during World War II, where he served as master of an Army freight and supply boat.
During the latter part of the twentieth century Vidal divided his time between Italy and California. In 2003, he sold his 5,000-square-foot (460 m²) Italian Villa, La Rondinaia (The Swallow's Nest), and moved to Los Angeles. Austen died in November 2003 and, in February 2005, was buried in a plot for himself and Vidal at Rock Creek Cemetery in Washington, D.C.
After a magazine published rumors about J.T.'s identity, Vidal confirmed they were the initials of his St. Albans-era love, James "Jimmy" Trimble III, killed in the Battle of Iwo Jima on February 29, 1945; Vidal later said that Trimble was the only person he had ever loved. Subsequently he wrote plays, films, and television series. Two plays, The Best Man and Visit to a Small Planet, were both Broadway and film successes. In the early 1950s he also wrote under the pseudonym "Edgar Box", producing three mystery novels featuring public relations man "Peter Cutler Sargeant II".
In 1956, Vidal was hired as a contract screenwriter for Metro Goldwyn Mayer. In 1959, director William Wyler needed script doctors to re-write the Ben-Hur script, originally written by Karl Tunberg. Vidal collaborated with Christopher Fry, reworking the screenplay on condition that MGM release him from the last two years of his contract. Producer Sam Zimbalist's death complicated the screenwriting credit. The Screen Writers Guild resolved the matter by listing Tunberg as sole screenwriter, denying credit to both Vidal and Fry. This decision was based on the WGA screenwriting credit system which favors original authors. Vidal later claimed in the documentary film The Celluloid Closet that in order to explain the animosity between Ben-Hur and Messala, he had inserted a gay subtext suggesting that the two had had a prior relationship, but that actor Charlton Heston was oblivious. Heston denied that Vidal contributed significantly to the script.
In the 1960s, Vidal wrote three novels. The first, Julian (1964) dealt with the apostate Roman emperor, while the second, Washington, D.C. (1967) focused on a political family during the Franklin D. Roosevelt era.
Vidal's third novel in the '60s was the satirical transsexual comedy Myra Breckinridge (1968), a variation on familiar Vidalian themes of sex, gender, and popular culture. In the novel, Vidal showcased his love of the American films of the '30s and '40s, and he resurrected interest in the careers of the forgotten players of the time including, for example, the late Richard Cromwell, who, he wrote, "was so satisfyingly tortured in The Lives of a Bengal Lancer."
After the staging of the plays Weekend (1968) and An Evening With Richard Nixon (1972), and the publication of the novel Two Sisters (1970), subtitled "A Novel in the Form of a Memoir", Vidal focused on essays and two distinct strains in his fiction. The first strain comprises novels dealing with American history, specifically with the nature of national politics. Critic Harold Bloom wrote, "Vidal's imagination of American politics...is so powerful as to compel awe." This series' Narratives of Empire titles include Burr (1973), 1876 (1976), Lincoln (1984), Empire (1987), Hollywood (1990), The Golden Age (2000), and another excursion into the ancient world: Creation (1981, published in expanded form 2002).
The second strain consists of the comedic "satirical inventions": Myron (1974, a sequel to Myra Breckinridge), Kalki (1978), Duluth (1983), (1992), and The Smithsonian Institution (1998).
Vidal occasionally returned to scriptwriting cinema and television, including the television movie Gore Vidal's Billy the Kid with Val Kilmer and the mini-series Lincoln. He also wrote the original draft for the controversial film Caligula, but later had his name removed because director Tinto Brass and actor Malcolm McDowell rewrote the script, changing the tone and themes significantly. The producers later made an attempt to salvage some of Vidal's vision in the film's post-production.
For six decades, Gore Vidal has applied himself to a wide variety of sociopolitical, sexual, historical, and literary themes. In 1987, Vidal wrote the essays titled Armageddon?, exploring the intricacies of power in contemporary America. He pilloried the incumbent president Ronald Reagan as a "triumph of the embalmer's art." In 1993, he won the National Book Award for his collection of essays, United States (1952–1992), the citation noting: "Whatever his subject, he addresses it with an artist's resonant appreciation, a scholar's conscience, and the persuasive powers of a great essayist." A subsequent collection of essays, published in 2000, is The Last Empire. Since then, he has published such self-described "pamphlets" as Perpetual War for Perpetual Peace, Dreaming War: Blood for Oil and the Cheney-Bush Junta, and Imperial America, critiques of American expansionism, the military-industrial complex, the national security state, and the George W. Bush administration. Vidal also wrote an historical essay about the U.S.'s founding fathers, Inventing a Nation. In 1995, he published a memoir Palimpsest, and in 2006 its follow-up volume, Point to Point Navigation. Earlier that year, Vidal also published .
Because of his matter-of-fact treatment of same-sex relations in such books as The City and The Pillar, Vidal is often seen as an early champion of sexual liberation. Sexually Speaking: Collected Sex Writings, a representative sampling of his views, contains literary and cultural essays. Focusing on, in his view, the anti-sexual heritage of Judeo-Christianity, irrational and destructive sex laws, feminism, heterosexism, homophobia, gay liberation and pornography, the essays frequently return to a favorite Vidal motif: the fluidity of sexual identity. Vidal argues that "there are no homosexual people, only homosexual acts." Given the diversity of human desire, Vidal resists any effort to categorize him as exclusively "homosexual"—either as writer or human being.
In 2005, Jay Parini was appointed as Vidal's literary executor.
Vidal was portrayed in Amelia (2009), as a child, by Canadian actor William Cuddy, and in Infamous (2006), the story of Truman Capote, as a young adult, by American actor Michael Panes.
As a political activist, in 1960, Gore Vidal was an unsuccessful Democratic candidate for Congress , losing an election in New York's 29th congressional district, a traditionally Republican district on the Hudson River, encompassing all of Columbia, Dutchess, Greene, Schoharie, and Ulster Counties to J. Ernest Wharton, by a margin of 57% to 43%. Campaigning with a slogan of "You'll get more with Gore", he received the most votes any Democrat in 50 years received in that district. Among his supporters were Eleanor Roosevelt, Paul Newman, and Joanne Woodward; the latter two, longtime friends of Vidal's, campaigned for him and spoke on his behalf.
On the December 15, 1971 taping of The Dick Cavett Show, with Janet Flanner, Norman Mailer allegedly head-butted Vidal during an altercation prior to their appearance on the show.
From 1970 to 1972, Vidal was one of the chairmen of the People's Party.
In 1982 he campaigned against incumbent Governor Jerry Brown for the Democratic primary election to the United States Senate from California and this was documented in the film, directed by Gary Conklin. Vidal lost to Brown in the primary election.Frequently identified with Democratic causes and personalities, Vidal wrote in the 1970s: }} Despite this, Vidal has said "I think of myself as a conservative." Vidal has a protective, almost proprietary attitude toward his native land and its politics: "My family helped start [this country]", he has written, "and we've been in political life... since the 1690s, and I have a very possessive sense about this country." At a 1999 lecture in Dublin, Vidal said:
He has suggested that President Roosevelt deliberately provoked the Japanese to attack the U.S. at Pearl Harbor to facilitate American entry to the war, and believes FDR had advance knowledge of the attack. During an interview in the 2005 documentary Why We Fight, Vidal asserts that during the final months of World War II, the Japanese had tried to surrender to the United States, to no avail. He said, "They were trying to surrender all that summer, but Truman wouldn't listen, because Truman wanted to drop the bombs." When the interviewer asked why, Vidal replied, "To show off. To frighten Stalin. To change the balance of power in the world. To declare war on communism. Perhaps we were starting a pre-emptive world war."
During domestic terrorist Timothy McVeigh's imprisonment, Vidal corresponded with McVeigh and concluded that he bombed the federal building as retribution for the FBI's role in the 1993 Branch Davidian Compound massacre in Waco, Texas.
Vidal was a member of the advisory board of the World Can't Wait organization, a left-wing organization seeking to repudiate the Bush administration's program, and advocating the impeachment of George W. Bush for war crimes.
at the Richard Nixon Presidential Library and Museum, August 26, 2009]]
In 1997, Vidal was one of 34 celebrities to sign an open letter to then-German Chancellor Helmut Kohl, published as a newspaper advertisement in the International Herald Tribune, which protested the treatment of Scientologists in Germany.
Vidal contributed an article to The Nation in which he expressed support for Democratic Presidential candidate Dennis Kucinich, citing him as "the most eloquent of the lot" and that Kucinich "is very much a favorite out there in the amber fields of grain".
In May 2008, Vidal proclaimed to Esquire magazine: "Everything’s wrong on Wikipedia."
In April 2009, Vidal accepted appointment to the position of honorary president of the American Humanist Association, succeeding Kurt Vonnegut.
On September 30, 2009, The Times of London published a lengthy interview with him headlined "We’ll have a dictatorship soon in the US - The grand old man of letters Gore Vidal claims America is ‘rotting away’ — and don’t expect Barack Obama to save it", which brings up-to-date his views on his own life, and a variety of political subjects.
Later, in 1969, the feud was continued as Buckley further attacked Vidal in the lengthy essay, "On Experiencing Gore Vidal", published in the August 1969 issue of Esquire. The essay is collected in The Governor Listeth, an anthology of Buckley's writings of the time. In a key passage attacking Vidal as an apologist for homosexuality, Buckley wrote, "The man who in his essays proclaims the normalcy of his affliction [i.e., homosexuality], and in his art the desirability of it, is not to be confused with the man who bears his sorrow quietly. The addict is to be pitied and even respected, not the pusher."
Vidal responded in the September 1969 issue of Esquire, variously characterizing Buckley as "anti-black", "anti-semitic", and a "warmonger". The presiding judge in Buckley's subsequent libel suit against Vidal initially concluded that "[t]he court must conclude that Vidal's comments in these paragraphs meet the minimal standard of fair comment. The inferences made by Vidal from Buckley's [earlier editorial] statements cannot be said to be completely unreasonable." However, Vidal also strongly implied that, in 1944, Buckley and unnamed siblings had vandalized a Protestant church in their Sharon, Connecticut, hometown after the pastor's wife had sold a house to a Jewish family. Buckley sued Vidal and Esquire for libel. Vidal counter-claimed for libel against Buckley, citing Buckley's characterization of Vidal's novel Myra Breckinridge as pornography.
The court dismissed Vidal's counter-claim; Buckley settled for $115,000 in attorney's fees and an editorial statement from Esquire magazine that they were "utterly convinced" of the untruthfulness of Vidal's assertion. However, in a letter to Newsweek, the Esquire publisher stated that "the settlement of Buckley's suit against us" was not "a 'disavowal' of Vidal's article. On the contrary, it clearly states that we published that article because we believed that Vidal had a right to assert his opinions, even though we did not share them."
As Vidal's biographer, Fred Kaplan, later commented, "The court had 'not' sustained Buckley's case against Esquire... [t]he court had 'not' ruled that Vidal's article was 'defamatory.' It had ruled that the case would have to go to trial in order to determine as a matter of fact whether or not it was defamatory. [italics original.] The cash value of the settlement with Esquire represented 'only' Buckley's legal expenses [not damages based on libel]... " Ultimately, Vidal bore the cost of his own attorney's fees, estimated at $75,000.
In 2003, this affair re-surfaced when Esquire published Esquire's Big Book of Great Writing, an anthology that included Vidal's essay. Buckley again sued for libel, and Esquire again settled for $55,000 in attorney's fees and $10,000 in personal damages to Buckley.
After Buckley's death on February 27, 2008, Vidal summed up his impressions of his rival with the following obituary on March 20, 2008: "RIP WFB—in hell." In a June 15, 2008, interview with the New York Times, Vidal was asked by Deborah Solomon, "How did you feel when you heard that Buckley died this year?" Vidal responded:
He is of the view that for several years the Bush administration and their associates have aimed to control the petroleum of Central Asia (after gaining effective control of the petroleum of the Persian Gulf in 1991). In October 2006, Vidal derided NORAD for what he claims is a conspiracy against the US public having been perpetrated by an alliance of the US Air Force and the government of Canada at the time.
In May 2007, Vidal clarified his views, saying: }}
Category:1925 births Category:Living people Category:People from Orange County, New York Category:American dramatists and playwrights Category:American essayists Category:American expatriates in Italy Category:American historical novelists Category:Atheism activists Category:American atheists Category:American humanists Category:American memoirists Category:American novelists Category:American political writers Category:American screenwriters Category:American tax resisters Category:Edgar Award winners Category:Bisexual actors Category:Bisexual writers Category:Conspiracy theorists Category:History of United States isolationism Category:LGBT screenwriters Category:LGBT writers from the United States Category:Military brats Category:People from Los Angeles, California Category:Phillips Exeter Academy alumni Category:American military personnel of World War II Category:United States Army soldiers Category:National Book Award winners
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Name | Gloria Swanson |
---|---|
Birth name | Gloria Josephine Mae Swenson |
Birth date | March 27, 1899 |
Birth place | Chicago, Illinois, U.S. |
Death date | April 04, 1983 |
Death place | New York City, New York, U.S. |
Years active | 1914–1981 |
Occupation | Actress |
Spouse | Wallace Beery (1916–1919) Herbert K. Somborn (1919–1922) Henri de la Falaise (1925–1931) Michael Farmer (1931–1934) George Davey (1945–1948) William Dufty (1976–1983) |
Gloria Swanson (March 27, 1899 – April 4, 1983) was an American actress. She was most prominent during the silent film era as both an actress and a fashion icon, especially under the direction of Cecil B. DeMille. In 1929, Swanson successfully transitioned to talkies with The Trespasser. However, personal problems and changing tastes saw her popularity wane during the 1930s. Today she is best known for her role as Norma Desmond in the film Sunset Boulevard (1950).
Swanson moved to California in 1916 to appear in Mack Sennett's Keystone comedies opposite Bobby Vernon, and in 1919 she signed with Paramount Pictures and worked often with Cecil B. DeMille, who turned her into a romantic lead in such films as Don't Change Your Husband (1919), Male and Female (1919), with the famous scene in the lion cage, Why Change Your Wife? (1920), Something to Think About (1920) and The Affairs of Anatol (1921).
In the space of two years, Swanson rocketed to stardom and was one of the most sought-after actresses in Hollywood. Swanson later appeared in a series of films directed by Sam Wood. She starred in Beyond the Rocks (1922) with her long-time friend Rudolph Valentino. (This film had been believed lost but was rediscovered in 2004 in a private collection in The Netherlands and is available on DVD.) Swanson continued to make costume drama films for the next few years. So successful were her films for Paramount that the studio was afraid of losing her and gave in to many of her whims and wishes.
During her heyday, audiences went to her films not only for her performances, but also to see her wardrobe. Frequently ornamented with beads, jewels, peacock and ostrich feathers, haute couture of the day or extravagant period pieces, one would hardly suspect that she was barely five feet (1.52 m) tall. Her fashion, hair styles, and jewels were copied around the world. She was the screen's first clothes horse and was becoming one of the most famous and photographed women in the world.
In 1925, she starred in the first French-American co-production, Madame Sans-Gêne, directed by Léonce Perret. Filming was allowed for the first time at many of the historic sites relating to Napoleon. During the production of this film, she met her third husband Henry, Marquis de la Falaise, who was originally hired to be her translator during the film's production. After four years' residence in France, she returned to the United States as European nobility, now known as the Marquise. She got a huge welcome home with parades in both New York and Los Angeles. She appeared in a 1925 short produced by Lee DeForest in his Phonofilm sound-on-film process.
She made a number of films for Paramount, among them The Coast of Folly, Stage Struck and Fine Manners. In 1927, she decided to turn down a million dollar a year contract with Paramount to join the newly-created United Artists, where she was her own boss and could make the films she wanted, with whom she wanted and when.
Her first independent film, The Love of Sunya, in which she costarred with John Boles and Pauline Garon, opened the Roxy Theatre in New York City on March 11, 1927 (Swanson was pictured in the ruins of the Roxy on October 14, 1960, during the demolition of the theater in a famous photo taken by Time-Life photographer Eliot Elisofon). She was nominated for the first-ever Academy Award for Best Actress for her next film performance as the title character in the 1928 film Sadie Thompson, costarring and directed by Raoul Walsh, based on Somerset Maugham's short story "Miss Thompson", later called "Rain" (the story was re-filmed under this title in 1932, starring Joan Crawford and directed by Lewis Milestone). Swanson's unfinished film Queen Kelly (1929) was directed by Erich von Stroheim and produced by Joseph P. Kennedy, Sr., father of the future President John F. Kennedy.
Swanson ultimately made talkies, even singing in The Trespasser (1929) directed by Edmund Goulding, Indiscreet (1931), and Music in the Air (1934). Even though she managed to make the transition into talkies, her career began to decline. In 1938, Swanson relocated to New York City, where she began an inventions and patents company called Multiprizes which occupied her during the years of World War II. She made another film for RKO Radio Pictures in 1941, began appearing in theatre productions, and also had her own television show in 1948.
Never one to dwell on the past, she threw herself into painting and sculpting, writing a syndicated column, touring in summer stock, political activism, radio and television work, clothing and accessories design and marketing, and sporadically making appearances on the big screen. But it was not until 1950 when Sunset Boulevard was released (earning her another Academy award nomination), that she achieved mass recognition again.
This has since been called the greatest film about Hollywood. Many of the lines from the film have entered the language and are often used to describe Swanson herself: "The Greatest Star of them all", "I am big, it's the pictures that got small", "We didn't need dialogue, we had faces" and "All right, Mr. DeMille, I'm ready for my close-up." She received her third Best Actress Oscar nomination, but lost to Judy Holliday for Born Yesterday.
She received several subsequent acting offers but turned most of them down, saying they tended to be pale imitations of Norma Desmond. Her last major Hollywood motion picture role was poorly received Three for Bedroom "C" in 1952. In 1956, Swanson made Nero's Mistress which also starred Vittorio de Sica and Brigitte Bardot. Her final screen appearance was as herself in Airport 1975.
Though Swanson only made three films after Sunset Boulevard, she starred in numerous stage and television productions during her remaining years. She was active in various business ventures, travelled extensively, wrote articles, columns, and an autobiography, painted and sculpted, and became a passionate advocate of various health and nutrition topics. In 1966 The George Eastman House in Rochester, New York, honored Swanson with a career film retrospective titled "A Tribute to Gloria Swanson" that screened some of her films over a few days.
Through the 1970s and early 1980s, Swanson appeared on various talk and variety shows such as The Carol Burnett Show in 1973 and The Tonight Show Starring Johnny Carson to recollect on her films and to lampoon them as well. She was twice the "mystery guest" on What's My Line. Her most famous television appearance is a 1966 episode of The Beverly Hillbillies titled "The Gloria Swanson Story" in which she plays herself. In the episode, the Clampetts mistakenly believe Swanson is destitute and decide to finance a comeback movie for her - in a silent film.
Swanson appeared in many plays through her later career starting in the 1940s. She toured with A Goose for the Gander, Reflected Glory and Let Us be Gay. After her success with Sunset Boulevard she starred on Broadway in a revival of Twentieth Century (1951) with Jose Ferrer and in Nina with David Niven. Her last major stage role was in the 1971 Broadway production of Butterflies Are Free at the Booth Theatre.
In early 1980, Swanson's 520-page autobiography, Swanson on Swanson, was published by Random House and became a national best-seller. It was translated into French, Italian and Swedish editions. That same year, she also designed a stamp cachet for the United Nations Postal Administration and chaired the New York chapter of "Seniors for Reagan-Bush".
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Swanson's first husband was Wallace Beery, whom she married on her 17th birthday. In her autobiography Swanson on Swanson, she wrote that Beery raped her on their wedding night. Beery also impregnated Swanson in 1917. Not wanting her to have the child, he tricked her into drinking a concoction that induced an abortion. They divorced two years later.
She married Herbert K. Somborn (1881–1934), then president of Equity Pictures Corporation and later the owner of the Brown Derby restaurant, in 1919. Their daughter, Gloria Swanson Somborn (October 7, 1920—December 28, 2000), was born in 1920. Their divorce, finalized in January 1925, was sensational. Somborn accused her of adultery with 13 men including Cecil B. DeMille, Rudolph Valentino, and Marshall Neilan. During their divorce in 1923 Swanson adopted a baby boy, Sonny Smith (1922–1975), whom she renamed Joseph Patrick Swanson.
Her third husband was French aristocrat Henry, Marquis de la Falaise whom she married in 1925 after the Somborn divorce was finalized. He became a film executive representing Pathé (USA) in France. She conceived a child with him, but had an abortion which, in her autobiography, she said she regretted. This marriage ended in divorce in 1931.
Swanson had an affair with married tycoon Joseph P. Kennedy for a number of years. He became her business partner and their relationship was an open secret in Hollywood.
In August 1931, she married Michael Farmer (1902–1975). Swanson's divorce from La Falaise had not been finalized at the time, making the actress a bigamist. She was forced to remarry Farmer the following November, by which time she was four months pregnant with Michelle Bridget Farmer, who was born in 1932. Swanson and Farmer divorced in 1934. Their daughter, Michelle, stayed with her mother, was often on the set of Sunset Boulevard, and at age 18 moved to France where she still lives.
In 1945, she married William N. Davey. According to Swanson, after discovering Davey in a drunken stupor, she and daughter Michelle, believing they were being helpful, left a trail of Alcoholics Anonymous literature around their apartment. Davey quickly packed up and left.
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Swanson joined the ranks of celebrities to be stalked. In the early 1950s, she was pursued by a World War II veteran, Samuel Golden, who claimed that the two were destined to be married and would give her 2/3 of his children as well as divulge secrets about the Navy's computer systems if she would run away with him. Recent declassified FBI documents disclose J. Edgar Hoover's obsession with seeing Golden tried for treason, but Golden dropped out of sight, apparently in the Greater Boston area.
Swanson's final marriage was in 1976 and lasted until her death. Her sixth husband and widower, writer William Dufty (1916–2002), was the co-author of Billie Holiday's autobiography Lady Sings the Blues, the author of Sugar Blues, a 1975 best-selling health book still in print, and the author of the English version of Georges Ohsawa's You Are All Sanpaku. He was best-known as a book ghost-writer and as a newspaper man, working for many years at the New York Post, where he was assistant to the editor from 1951-1960. He ghost-wrote Swanson's best-selling 1980 autobiography, Swanson on Swanson for her and with her help. Swanson shared her husband's deep enthusiasm for macrobiotic diets and they traveled widely together to speak about sugar and food. After Swanson's death Dufty returned to his former home in Birmingham, Michigan. Dufty died of cancer in 2002.
After Swanson's death, there were a series of auctions from August to September 1983 at William Doyle Gallery in New York of the star's furniture and decorations, jewelry, fashion collection, career and personal memorabilia.
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Img alt | Black-and-white shot of a mustachioed man in his early thirties with long, dark hair. |
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Background | solo_singer |
Alias | Carl HarrisonL'Angelo MisteriosoHari GeorgesonNelson/Spike WilburyGeorge HarrysongGeorge O'Hara-Smith |
Born | February 25, 1943Liverpool, England, |
Died | November 29, 2001Los Angeles, California, |
Instrument | Guitar, vocals, bass, keyboards, ukulele, mandolin, sitar, tambura, sarod, swarmandal |
Genre | Rock, pop, psychedelic rock, experimental, world |
Occupation | Musician, singer-songwriter, actor, record and film producer |
Years active | 1958–2001 |
Label | Parlophone, Capitol, Swan, Apple, Vee-Jay, EMI, Dark Horse |
Associated acts | The Quarrymen, The Beatles, Traveling Wilburys, Dhani Harrison, Ravi Shankar |
Url | GeorgeHarrison.com |
Notable instruments | Gretsch Country Gentleman"Rocky""Lucy"Rosewood Telecaster |
Although most of The Beatles' songs were written by Lennon and McCartney, Harrison, also a songwriter, generally contributed 1-2 songs per record from With The Beatles onwards. His later compositions with The Beatles include "Here Comes the Sun", "Something" and "While My Guitar Gently Weeps". By the time of the band's break-up, Harrison had accumulated a backlog of material, which he then released as the acclaimed and successful triple album All Things Must Pass in 1970, from which came two singles: a double A-side single, "My Sweet Lord" backed with "Isn't It a Pity", and "What Is Life". In addition to his solo work, Harrison co-wrote two hits for Ringo Starr, another former Beatle, as well as songs for the Traveling Wilburys—the supergroup he formed in 1988 with Bob Dylan, Tom Petty, Jeff Lynne, and Roy Orbison.
Harrison embraced Indian culture and Hinduism in the mid 1960s, and helped expand Western awareness of sitar music and of the Hare Krishna movement. With Ravi Shankar he organised a major charity concert with the 1971 Concert for Bangladesh.
Besides being a musician, he was also a record producer and co-founder of the production company HandMade Films. In his work as a film producer, he collaborated with people as diverse as the members of Monty Python and Madonna. He was married twice, to the model Pattie Boyd in 1966, and to the record company secretary Olivia Trinidad Arias in 1978, with whom he had one son, Dhani Harrison. He was a close friend of Eric Clapton. He is the only Beatle to have published an autobiography, with I Me Mine in 1980. Harrison died of lung cancer in 2001.
Harrison was born in the house where he lived for his first six years: 12 Arnold Grove, Wavertree, Liverpool, which was a small 2 up, 2 down terraced house in a cul-de-sac, with an alley to the rear. The only heating was a single coal fire, and the toilet was outside. In 1950 the family was offered a council house, and moved to 25 Upton Green, Speke.
His first school was Dovedale Primary School, very close to Penny Lane, the same school as John Lennon who was a couple of years ahead of him. He passed his 11-plus examination and achieved a place at the Liverpool Institute for Boys (in the building that now houses the Liverpool Institute for Performing Arts), which he attended from 1954 to 1959. George said that, when he was 12 or 13, he had an "epiphany" of sorts - riding a bike around his neighbourhood, he heard Elvis Presley's "Heartbreak Hotel" playing from a nearby house and was hooked. Even though he had done well enough on his 11-plus examination to get into the city's best high school, from that point on, the former good student lost interest in school. While at the Liverpool Institute, Harrison formed a skiffle group called the Rebels with his brother Peter and a friend, Arthur Kelly. At this school he met Paul McCartney, who was one year older. McCartney later became a member of John Lennon's band called The Quarrymen, which Harrison joined in 1958.
Harrison left school at 16 and worked as an apprentice electrician at local department store Blacklers for a while. When The Beatles were offered work in Hamburg in 1960, the musical apprenticeship that Harrison received playing long hours at the Kaiserkeller with the rest of the group, including guitar lessons from Tony Sheridan, laid the foundations of The Beatles' sound, and of Harrison's quiet, professional role within the group; this role would contribute to his reputation as "the quiet Beatle". The first trip to Hamburg was shortened when Harrison was deported for being underage.
When Brian Epstein became The Beatles' manager in December 1961 after seeing them perform at The Cavern Club in November, he changed their image from that of leather-jacketed rock-and-rollers to a more polished look, and secured them a recording contract with EMI. The first single, "Love Me Do", with Harrison playing a Gibson J-160E, reached number 17 in the UK chart in October 1962, and by the time their debut album, Please Please Me, was released in early 1963, The Beatles had become famous and Beatlemania had arrived. in America in 1964]]
After he revealed in an interview that he liked jelly babies, British fans inundated Harrison and the rest of the band with boxes of the sweets as gifts. A few months later, American audiences showered the band with the much harder jelly beans instead. In a letter to a fan, Harrison mentioned jelly babies, insisting that no one in the band actually liked them and that the press must have made it up.
The popularity of The Beatles led to a successful tour of America, the making of a film, A Hard Day's Night (during which Harrison met his future wife Pattie Boyd), and in the 1965 Queen's Birthday Honours, all four Beatles were appointed Members of the Order of the British Empire (MBE). Harrison, whose role within the group was that of the careful musician who checked that the instruments were tuned, by 1965 and the Rubber Soul album, was developing into a musical director as he led the others into folk-rock, via his interest in The Byrds and Bob Dylan, and into Indian music with his exploration of the sitar. Harrison's musical involvement and cohesion with the group reached its peak on Revolver in 1966 with his contribution of three songs and new musical ideas. By 1967, Harrison's interests appeared to be moving outside the Beatles, and his involvement in Sgt. Pepper's Lonely Hearts Club Band consists mainly of his one song, "Within You Without You", on which no other Beatle plays, and which stands out for its difference from the rest of the album.
During the recording of The Beatles in 1968, tensions were present in the band; these surfaced again during the filming of rehearsal sessions at Twickenham Studios for the album Let It Be in early 1969. Frustrated by ongoing slights, the poor working conditions in the cold and sterile film studio, and Lennon's creative disengagement from the group, Harrison quit the band on 10 January. He returned on 22 January after negotiations with the other Beatles at two business meetings.
Relations among The Beatles were more cordial (though still strained) during recordings for the album Abbey Road. The album included "Here Comes the Sun" and "Something", "Something" was later recorded by Frank Sinatra, who considered it "one of the greatest songs of the last twenty years". Harrison's increasing productivity, coupled with his difficulties in getting The Beatles to record his music, meant that by the end of the group's career he had amassed a considerable stockpile of unreleased material.
Ringo Starr also stated, "We really looked out for each other and we had so many laughs together. In the old days we'd have the biggest hotel suites, the whole floor of the hotel, and the four of us would end up in the bathroom, just to be with each other." and added "There were some really loving, caring moments between four people: a hotel room here and there - a really amazing closeness. Just four guys who loved each other. It was pretty sensational."
John Lennon stated that his relationship with George was "one of young follower and older guy." and admitted that "[George] was like a disciple of mine when we started." The two would often go on holiday together throughout the 60s. Their relationship took a severe turn for the worse after George published his autobiography, I Me Mine. Lennon felt insulted and hurt that George mentioned him only in passing. Lennon claimed he was hurt by the book and also that he did more for George than any of the other Beatles. As a result, George and John were not on good terms during the last years of Lennon's life. After Lennon's murder, George paid tribute to Lennon with his song "All Those Years Ago" which was released in 1981, six months after Lennon's murder.
Paul McCartney has often referred to Harrison as his "baby brother", and he did the honours as best man at George's wedding in 1966. The two were the first of The Beatles to meet, having shared a school bus, and would often learn and rehearse new guitar chords together. McCartney stated that he and George usually shared a bedroom while touring.
Harrison's first electric guitar was a Czech built Futurama/Grazioso, which was a popular guitar among British guitarists in the early 1960s., The guitars Harrison used on early recordings were mainly Gretsch played through a Vox amp. including a Gretsch Duo Jet - his first Gretsch, which he bought in 1961 second hand off a sailor in Liverpool; and his (first out of two) Gretsch Country Gentleman, bought new for £234 in April 1963 at the Sound City store in London, which he used on "She Loves You", and on The Beatles' 1964 appearance on The Ed Sullivan Show. , 1967]] During The Beatles' February 1964 trip to the US, Harrison acquired a Rickenbacker 360/12 guitar. He had tried out the 12-string electric guitar during an interview with a Minneapolis radio station, and was given the guitar either by the Rickenbacker company or the radio station. The 360/12 was an experimental 12-string guitar with the strings reversed so that the lower pitched string was struck first, and with an unusual headstock design that made tuning easier. Harrison used the guitar extensively during the recording of A Hard Day's Night, and the jangly sound became so popular that the Melody Maker termed it "the beat boys' secret weapon". Roger McGuinn liked the effect Harrison achieved so much that it became his signature guitar sound with the Byrds.
He obtained his first Fender Stratocaster in 1965 and used it for the recording of the Rubber Soul album, most notably on the "Nowhere Man" track, where he played in unison with Lennon who also had a Stratocaster. Lennon and Harrison both had Sonic Blue Stratocasters, which were bought second hand by roadie Mal Evans. Harrison painted his Stratocaster in a psychedelic design that included the word "Bebopalula" painted above the pickguard and the guitar's nickname, "Rocky", painted on the headstock. He played this guitar in the Magical Mystery Tour film and throughout his solo career.
After David Crosby of the Byrds introduced him to the work of sitar master Ravi Shankar in 1965, Harrison---whose interest in Indian music was stirred during the filming of Help!, which used Indian music as part of its soundtrack---played a sitar on the Rubber Soul track "Norwegian Wood (This Bird Has Flown)", expanding the already nascent Western interest in Indian music. Harrison listed his early influences as Carl Perkins, Bo Diddley, Chuck Berry and the Everly Brothers.
Harrison's songwriting improved greatly through the years, but his material did not earn respect from his fellow Beatles until near the group's break-up. McCartney told Lennon in 1969: "Until this year, our songs have been better than George's. Now this year his songs are at least as good as ours". Harrison had difficulty getting the band to record his songs. The group's incorporation of Harrison's material reached a peak of three songs on the 1966 Revolver album and four songs on the 1968 double The Beatles''.
Harrison performed the lead vocal on all Beatles songs that he wrote by himself. He also sang lead vocal on other songs, including "Chains" and "Do You Want to Know a Secret" on Please Please Me, "Roll Over Beethoven" and "Devil in Her Heart" on With The Beatles, "I'm Happy Just to Dance with You" on A Hard Day's Night, and "Everybody's Trying to Be My Baby" on Beatles for Sale.
His final studio album for EMI (and Apple Records) was Extra Texture (Read All About It), featuring a diecut cover. The album spawned two singles, "You" which reached the Billboard top 20 and "This Guitar (Can't Keep From Crying)", which became Apple's final original single release in December 1975. Following the former Beatle's departure from Capitol, the record company was in a position to licence releases featuring Beatles and post-Beatles work on the same album, using Harrison for this experiment. The Best of George Harrison (1976) combined his Beatles songs with a selection of his solo Apple work.
Thirty Three & 1/3 his first Dark Horse release, was his most successful late-1970s album, reaching number 11 on the US charts in 1976, and producing the singles "This Song" (a satire of the "My Sweet Lord"-"He's So Fine" court case ruling) and "Crackerbox Palace", both of which reached the top 25 in the US. With an emphasis on melody, musicianship, and subtler subject matter rather than the heavy orchestration and didactic messaging of earlier works, he received his best critical notices since All Things Must Pass. With its surreal humour, "Crackerbox Palace" also reflected Harrison's association with Monty Python's Eric Idle, who directed a comic music video for the song. Harrison played electric, slide and dobro guitars on five songs on John Lennon's 1971 Imagine album ("How Do You Sleep?", "Oh My Love", "I Don't Want to Be a Soldier", "Crippled Inside" and "Gimme Some Truth"), with his stinging slide guitar work on the first of these indicating that he took John's side of the intense Lennon-McCartney feud of the time. Lennon later said of Harrison's work on the album, "That's the best he's ever fucking played in his life!"
During the decade, Harrison also worked with Harry Nilsson ("You're Breakin' My Heart", 1972), as well as Billy Preston ("That's the Way God Planned It", 1969 and "It's My Pleasure", 1975) and Cheech & Chong ("Basketball Jones", 1973). He also appeared with Paul Simon to perform two acoustic songs on Saturday Night Live.
Aside from a song on the Porky's Revenge soundtrack in 1984 (his version of a little-known Bob Dylan song "I Don't Want To Do It"), Harrison released no new records for five years after 1982's Gone Troppo received apparent indifference. In 1985, Harrison made a rare public appearance on the Showtime special Carl Perkins and Friends along with Starr and Clapton among others. He only agreed to appear because he was a close admirer of Perkins.
In 1987, Harrison returned with the critically acclaimed platinum album Cloud Nine, co-produced with Jeff Lynne of Electric Light Orchestra, and enjoyed a hit (number one in the US; number two in the UK) when his rendition of James Ray's early 1960s number "Got My Mind Set on You" was released as a single; another single, "When We Was Fab", a retrospective of The Beatles' days complete with musical flavours for each bandmate, was also a minor hit. MTV regularly played the two videos, and elevated Harrison's public profile with another generation of music listeners. The album reached number eight and number ten on the US and UK charts, respectively. In the US, several tracks also enjoyed high placement on Billboard's Album Rock chart - "Devil's Radio", "This Is Love" and "Cloud 9" in addition to the aforementioned singles.
On 23 November 1971, Harrison appeared on an episode of The Dick Cavett Show in a band called Wonder Wheel performing a song written by Gary Wright called "Two Faced Man". George Harrison played slide guitar in this band as a favour since Wright had played piano on Harrison's album All Things Must Pass. The episode can be viewed on DVD "The Dick Cavett Show: Rock Icons: Disc 3".
Harrison launched a major tour of the United States in 1974. Critical and fan reaction panned the tour for its long mid-concert act of Pandit Ravi Shankar & Friends and for Harrison's hoarse voice. Harrison had hired filmmaker David Acomba to accompany the tour and gather footage for a documentary. Due to Harrison's hoarse voice throughout most of this tour, the film was not released, but in 2007 Acomba placed a newly revised director's cut in the Harrison archive. It was the last time he toured in the United States.
In 1986, Harrison made a surprise performance at the Birmingham Heart Beat Charity Concert 1986 a concert event to raise money for the Birmingham Children's Hospital. Harrison played and sang the finale "Johnny B. Goode" along with Robert Plant, The Moody Blues, and Electric Light Orchestra, among others. The following year, Harrison appeared at The Prince's Trust concert in Wembley Arena, performing "While My Guitar Gently Weeps" and "Here Comes the Sun" with Ringo Starr, Eric Clapton, and others.
In 1991, Harrison staged a tour of Japan along with Eric Clapton. It was his first tour since the 1974 US tour, but no other tours followed. The Live in Japan recording came from these shows.
On 6 April 1992, Harrison held a benefit concert for the Natural Law Party at Royal Albert Hall, his first London performance in 23 years and his last full concert. In October 1992, Harrison performed three songs ("If Not for You", "Absolutely Sweet Marie", and "My Back Pages") at a Bob Dylan tribute concert at Madison Square Garden in New York City. This was released on the album The 30th Anniversary Concert Celebration in August 1993.
In 1996, Harrison recorded, produced and played on "Distance Makes No Difference With Love" with Carl Perkins for his Go-Cat-Go record.
Harrison's final television appearance was not intended as such; in fact, he was not the featured artist, and the appearance had been intended to promote Chants of India, another collaboration with Ravi Shankar released in 1997, at the height of interest in chant music. John Fugelsang, then of VH1, conducted the interview, and at one point an acoustic guitar was produced and handed to Harrison. When an audience member asked to hear "a Beatles song", Harrison pulled a sheepish look and answered, "I don't think I know any!" Harrison then played "All Things Must Pass" and revealed for the first time "Any Road," which subsequently appeared on the 2002 Brainwashed album.
In January 1998, Harrison attended the funeral of his boyhood idol, Carl Perkins, in Jackson, Tennessee. Harrison played an impromptu version of Perkins' song "Your True Love" during the service. That same year he attended the public memorial service for Linda McCartney. Also that same year, he appeared on Ringo Starr's Vertical Man, where he played both electric and slide guitars on two tracks.
In 2001, Harrison performed as a guest musician on the Electric Light Orchestra album Zoom. He played slide guitar on the song "Love Letters" for Bill Wyman's Rhythm Kings, and remastered and restored unreleased tracks from the Traveling Wilburys. He also co-wrote a new song with his son Dhani, "Horse to the Water". The latter song ended up as Harrison's final recording session, on 2 October. It appeared on Jools Holland's album Small World, Big Band.
Harrison's final album, Brainwashed, was completed by Dhani Harrison and Jeff Lynne and released on 18 November 2002. It received generally positive reviews in the United States, and peaked at number 18 on the Billboard charts. A media-only single, "Stuck Inside a Cloud", was heavily played on UK and US radio to promote the album (number 27 on Billboard's Adult Contemporary chart), while the official single "Any Road", released in May 2003, reached number 37 on the British chart. The instrumental track, "Marwa Blues" went on to receive the 2004 Grammy Award for Best Pop Instrumental Performance, while the single "Any Road" was nominated for Best Male Pop Vocal Performance.
After the death of Roy Orbison in late 1988 the group recorded as a four-piece. Though Traveling Wilburys Vol. 3 was their second release, the album was mischievously titled Vol. 3 by Harrison. According to Lynne, "That was George's idea. He said, 'Let's confuse the buggers.'" It was not as well received as the previous album, but did reach number 14 in the UK and number 11 in the US where it went platinum, while the singles "She's My Baby", "Inside Out", and "Wilbury Twist" got decent air play.
The first film started under the company was Time Bandits, equipped with a soundtrack by Harrison, in 1981, a solo project by Python Terry Gilliam for whom HandMade originally also was to finance The Adventures of Baron Munchausen before several funding parties including HandMade dropped out of the project. Harrison produced twenty three films with HandMade, including Mona Lisa, Shanghai Surprise, and Withnail and I. He made several cameo appearances in these movies, including appearing as a nightclub singer in Shanghai Surprise and as Mr Papadopolous in Life of Brian. Handmade Films became a rarity in the British film industry, a production company that was both consistently successful and internationally known.
Harrison was involved in some creative decisions, approving projects such as Withnail and I and visiting sets as executive producer to sort out creative problems. On the whole, though, he preferred to stay out of the way: "[As a musician] I've been the person who's said of the people with the money, 'What do they know?' and now I'm that person. But I know that unless you give an artist as much freedom as possible, there's no point in using that artist." and Harrison sold the company in 1994.
Buying his own first sitar from a London shop called India Craft later that year (as he recalled during interviews for "The Beatles Anthology"), he played one on the Rubber Soul track "Norwegian Wood (This Bird Has Flown)", which was influential in the decision to have Ravi Shankar included on the bill at the Monterey Pop Festival in June 1967.
In the summer of 1969, he produced the single "Hare Krishna Mantra", performed by the devotees of the London Radha Krishna Temple. That same year, he and fellow Beatle John Lennon met A.C. Bhaktivedanta Swami Prabhupada, founder - acharya of the International Society for Krishna Consciousness (ISKCON). Soon after, Harrison embraced the Hare Krishna tradition (particularly japa-yoga chanting with beads), became a lifelong devotee, being associated with it until his death.
Harrison was a vegetarian from 1968 until his death.
While during his lifetime, Harrison bequeathed to ISKCON his Letchmore Heath mansion (renamed Bhaktivedanta Manor) north of London, some sources indicate he left nothing to the organisation, others report he did leave a sum of 20 million pounds.
Harrison married for a second time, to Dark Horse Records secretary Olivia Trinidad Arias on 2 September 1978. They had met at the Dark Horse offices in Los Angeles in 1974. They had one son, Dhani Harrison. After the 1999 stabbing incident in which Olivia subdued Harrison's assailant nearly single-handedly, Harrison received a fax from his close friend Tom Petty that read: "Aren't you glad you married a Mexican girl?" in Surrey, that he shared with Pattie Boyd]]
Harrison formed a close friendship with Clapton in the late 1960s, and they co-wrote the song "Badge", which was released on Cream's Goodbye album in 1969. Harrison also played rhythm guitar on the song. For contractual reasons, Harrison was required to use the pseudonym "L'Angelo Misterioso", meaning "The Mysterious Angel" in Italian. Harrison wrote one of his compositions for The Beatles' Abbey Road album, "Here Comes the Sun", in Clapton's back garden. Clapton also guested on the Harrison-penned Beatles track "While My Guitar Gently Weeps". Through Clapton, Harrison met Delaney Bramlett, who introduced Harrison to slide guitar. They remained close friends after Pattie Boyd split from Harrison and married Clapton, referring to each other as "husbands-in-law".
Through his appreciation of Monty Python, he met Eric Idle. The two became close friends, with Harrison appearing on Idle's Rutland Weekend Television series and in his Beatles spoof, The Rutles' All You Need Is Cash. Idle also performed at the Concert for George, held to commemorate Harrison.
That autobiography, I Me Mine, published in 1980, is the only full autobiography by an ex-Beatle. Former Beatles' publicist Derek Taylor helped with the book, which was initially released in a high-priced limited edition by Genesis Publications.
Harrison had an interest in sports cars and motor racing; he was one of the 100 people who purchased the McLaren F1 road car, and would often attend Formula One races. He had collected photos of racing drivers and their cars since he was young; when he was 12 he attended his first race, the 1955 British Grand Prix at Aintree, in which Stirling Moss won his first Grand Prix. He wrote "Faster" as a tribute to the Formula One racing drivers Jackie Stewart and Ronnie Peterson. Proceeds from its release went to the Gunnar Nilsson cancer charity, set up following the Swedish driver's death from the disease in 1978. Harrison's first "important" car was recently sold at auction in Battersea Park, London. The 1964 Aston Martin DB5 was bought new and delivered to Harrison personally in 1965 at his Kinfauns estate in Esher, Surrey, England.
In 2002, on the first anniversary of Harrison's death, the Concert for George was held at the Royal Albert Hall; it was organised by Eric Clapton and included performances by many of Harrison's musical friends, including Paul McCartney and Ringo Starr. The profits from the concert went to Harrison's charity, the Material World Charitable Foundation.
==Honours== Harrison's first official honour was when The Beatles were appointed Members of the Order of the British Empire (MBE) in 1965, and received their insignia from the Queen at an investiture at Buckingham Palace on 26 October. Another award with The Beatles came in 1970 when they won an Academy Award for the best Original Song Score for Let It Be.
A significant music award as a solo artist was in December 1992, when he became the first recipient of the Billboard Century Award - presented to music artists for significant bodies of work. The minor planet 4149, discovered on 9 March 1984 by B. A. Skiff at the Anderson Mesa Station of the Lowell Observatory, was named after Harrison. Harrison is listed at number 21 in Rolling Stone magazine's list of "100 Greatest Guitarists of All Time".
Harrison featured twice on the cover of Time magazine, initially with The Beatles in 1967, then on his own, shortly after his death in 2001. In June 2007, portraits of Harrison and John Lennon were unveiled at The Mirage Hotel on the Las Vegas Strip, where they will be on permanent display. In September 2007, Variety announced that Martin Scorsese would make a film about Harrison's life.
On 14 April 2009, the Hollywood Chamber of Commerce awarded Harrison a star on the Walk of Fame in front of the Capitol Records Building. (The Beatles also have a group star on the Walk of Fame.) Musicians Paul McCartney, Jeff Lynne and Tom Petty were among those in attendance when the star was unveiled. Harrison's widow Olivia, actor Tom Hanks and comedian Eric Idle made speeches at the ceremony; Harrison's son Dhani uttered the Hare Krishna mantra. After the ceremony, Capitol/EMI Records announced that a new career-spanning CD entitled would be released in mid-June 2009.
American film director Martin Scorsese has announced that he is making a George Harrison documentary titled .
Category:1943 births Category:2001 deaths Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:Apple Records artists Category:Best Original Music Score Academy Award winners Category:Capitol Records artists Category:Cancer deaths in California Category:Deaths from lung cancer Category:English film producers Category:English gardeners Category:English Hindus Category:Converts to Hinduism Category:Krishna Category:English-language singers Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:Attempted assassination survivors Category:English pop singers Category:English record producers Category:English rock guitarists Category:English singer-songwriters Category:English vegetarians Category:Grammy Award winners Category:Lead guitarists Category:Members of the Order of the British Empire Category:Musicians from Liverpool Category:Performers of Hindu music Category:Rock and Roll Hall of Fame inductees Category:Slide guitarists Category:Sitar players Category:Survivors of stabbing Category:The Beatles members Category:The Quarrymen members Category:Delaney & Bonnie & Friends members Category:Traveling Wilburys members Category:Plastic Ono Band members Category:Ukulele players Category:Warner Music Group artists Category:Western mystics
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Name | Frank Zappa |
---|---|
Background | solo_singer |
Birth name | Frank Vincent Zappa |
Born | December 21, 1940Baltimore, Maryland, U.S. |
Died | December 04, 1993Los Angeles, California, U.S. |
Instrument | Guitar, vocals, bass, keyboards, drums, synclavier |
Genre | Rock, jazz, classical, avant-garde |
Occupation | Composer, musician, conductor, producer |
Years active | 1950s–1993 |
Label | Verve, Bizarre/Straight/DiscReet/Barking Pumpkin |
Associated acts | The Mothers of InventionCaptain BeefheartSteve Vai |
Url | Zappa.com |
Notable instruments | Hagström VikingGibson ES-5 SwitchmasterGibson SGGibson Les PaulFender StratocasterSynclavier }} |
Frank Vincent Zappa (; December 21, 1940 – December 4, 1993) was an American composer, singer-songwriter, electric guitarist, record producer, and film director. In a career spanning more than 30 years, Zappa wrote rock, jazz, electronic, orchestral, and musique concrète works. He also directed feature-length films and music videos, and designed album covers. Zappa produced almost all of the more than 60 albums he released with the band Mothers of Invention and as a solo artist.
While in his teens, he acquired a taste for percussion-based avant-garde composers such as Edgard Varèse and 1950s rhythm and blues music. He began writing classical music in high school, while at the same time playing drums in rhythm and blues bands—he later switched to electric guitar. He was a self-taught composer and performer, and his diverse musical influences led him to create music that was often impossible to categorize. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. His later albums shared this eclectic and experimental approach, irrespective of whether the fundamental format was one of rock, jazz or classical. He wrote the lyrics to all his songs, which—often humorously—reflected his iconoclastic view of established social and political processes, structures and movements. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education and the abolition of censorship.
Zappa was a highly productive and prolific artist and gained widespread critical acclaim. Many of his albums are considered essential in rock and jazz history. He is regarded as one of the most original guitarists and composers of his time. He also remains a major influence on musicians and composers. He had some commercial success, particularly in Europe, and for most of his career was able to work as an independent artist. Zappa was posthumously inducted into the Rock and Roll Hall of Fame in 1995 and received the Grammy Lifetime Achievement Award in 1997.
Zappa was married to Kathryn J. "Kay" Sherman from 1960 to 1964. In 1967, he married Adelaide Gail Sloatman, with whom he remained until his death from prostate cancer in 1993. They had four children: Moon Unit, Dweezil, Ahmet Emuukha Rodan and Diva Thin Muffin Pigeen. Gail Zappa manages the businesses of her late husband under the name the Zappa Family Trust.
During his childhood, Zappa was often sick, suffering from asthma, earaches and sinus problems. A doctor treated the latter by inserting a pellet of radium into each of Zappa's nostrils; little was known at the time about the potential dangers of being subjected to even small amounts of therapeutic radiation. Nasal imagery and references appear both in his music and lyrics, as well as in the collage album covers created by his long-time visual collaborator, Cal Schenkel.
Many of Zappa's childhood diseases may have arisen from exposure to mustard gas. Furthermore, his health worsened when he lived in the Baltimore area. They next moved to Monterey, California, where Zappa's father taught metallurgy at the Naval Postgraduate School. Shortly afterward, they moved to Claremont, then to El Cajon before finally moving to San Diego.
Zappa joined his first band, The Ramblers, at Mission Bay High School in San Diego. He was the band's drummer. About the same time his parents bought a phonograph, which allowed him to develop his interest in music, and to begin building his record collection. R&B; singles were early purchases, starting a large collection he kept for the rest of his life. He was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. By age 12, he had obtained a snare drum and began learning the basics of orchestral percussion. The article described Varèse's percussion composition Ionisation, produced by EMS Recordings, as "a weird jumble of drums and other unpleasant sounds". Zappa decided to seek out Varèse's music. After searching for over a year, Zappa found a copy (he noticed the LP because of the "mad scientist" looking photo of Varèse on the cover). Not having enough money with him, he persuaded the salesman to sell him the record at a discount. Television also exerted a strong influence, as demonstrated by quotations from show themes and advertising jingles found in his later works.
At Antelope Valley High School, Zappa met Don Vliet (who later expanded his name to Don Van Vliet and adopted the stage name Captain Beefheart). Zappa and Vliet became close friends, sharing an interest in R&B; records and influencing each other musically throughout their careers. Around the same time, Zappa started playing drums in a local band, The Blackouts. (In the 1970s and '80s, he invited Watson to perform on several albums.) Zappa considered soloing as the equivalent of forming "air sculptures", He graduated from Antelope Valley High School in 1958, and later acknowledged two of his music teachers on the sleeve of the 1966 album Freak Out! Due to his family's frequent moves, Zappa attended at least six different high schools, and as a student he was often bored and given to distracting the rest of the class with juvenile antics. He left community college after one semester, and maintained thereafter a disdain for formal education, taking his children out of school at age 15 and refusing to pay for their college.
Zappa left home in 1959, and moved into a small apartment in Echo Park, Los Angeles. After meeting Kathryn J. "Kay" Sherman during his short stay at Pomona College, they moved in together in Ontario, and were married December 28, 1960. Zappa worked for a short period in advertising. His sojourn in the commercial world was brief, but gave him valuable insights into how it works. Throughout his career, he took a keen interest in the visual presentation of his work, designing some of his album covers and directing his own films and videos.
During the early 1960s, Zappa wrote and produced songs for other local artists, often working with singer-songwriter Ray Collins and producer Paul Buff. Their "Memories of El Monte" was recorded by The Penguins (although only Cleve Duncan of the original group was featured). Buff owned the small Pal Recording Studio in Cucamonga, which included a unique five-track tape recorder he had built. At that time, only a handful of the most sophisticated commercial studios had multi-track facilities; the industry standard for smaller studios was still mono or two-track. Although none of the recordings from the period achieved major commercial success, Zappa earned enough money to allow him to stage a concert of his orchestral music in 1963 and to broadcast and record it. He appeared on Steve Allen's syndicated late night show the same year, in which he played a bicycle as a musical instrument. With Captain Beefheart, Zappa recorded some songs under the name of The Soots. They were rejected by Dot Records for having no "commercial potential"; a quote Zappa later used on the sleeve of Freak Out!
In 1964, after his marriage started to break up, he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. This set a work pattern that endured for most of his life. Aided by his income from film composing, Zappa took over the studio from Paul Buff, who was now working with Art Laboe at Original Sound. It was renamed Studio Z. Studio Z was rarely booked for recordings by other musicians. Instead, friends moved in, notably James "Motorhead" Sherwood. Zappa started performing as guitarist with a power trio, The Muthers, in local bars in order to support himself.
An article in the local press describing Zappa as "the Movie King of Cucamonga" prompted the local police to suspect that he was making pornographic films. In March 1965, Zappa was approached by a vice squad undercover officer, and accepted an offer of $100 to produce a suggestive audio tape for an alleged stag party. Zappa and a female friend recorded a faked erotic episode. When Zappa was about to hand over the tape, he was arrested, and the police stripped the studio of all recorded material. Zappa was charged with "conspiracy to commit pornography". This felony charge was reduced and he was sentenced to six months in jail on a misdemeanor, with all but ten days suspended. His entrapment and brief imprisonment left a permanent mark, and was key in the formation of his anti-authoritarian stance. Zappa lost several recordings made at Studio Z in the process, as the police only returned 30 out of 80 hours of tape seized. Eventually, he could no longer afford to pay the rent on the studio and was evicted. Zappa managed to recover some of his possessions before the studio was torn down in 1966.
Wilson signed The Mothers to the Verve Records division of MGM Records, which had built up a strong reputation in the music industry for its releases of modern jazz recordings in the 1940s and 1950s, but was attempting to diversify into pop and rock audiences. Verve insisted that the band officially re-title themselves "The Mothers of Invention" because "Mother", in slang terminology, was short for "motherfucker"—a term that apart from its profane meanings can denote a skilled musician.
During the recording of Freak Out!, Zappa moved into a house in Laurel Canyon with friend Pamela Zarubica, who appeared on the album. He labeled people on drugs "assholes in action", and he only tried cannabis a few times without any pleasure. He was a regular tobacco smoker for most of his life, and strongly critical of anti-tobacco campaigns. After a short promotional tour following the release of Freak Out!, Zappa met Adelaide Gail Sloatman. He fell in love within "a couple of minutes", and she moved into the house over the summer. Examples are "Plastic People" and "Brown Shoes Don't Make It", which contained lyrics critical of the hypocrisy and conformity of American society, but also of the counterculture of the 1960s. As Zappa put it, "[W]e're satirists, and we are out to satirize everything." At the same time, Zappa had recorded material for a self-produced album based on orchestral works to be released under his own name. Due to contractual problems, the recordings were shelved and only made ready for release late in 1967. Zappa took the opportunity to radically restructure the contents, adding newly recorded, improvised dialogue to finalize what became his first solo album (under the name Francis Vincent Zappa It is an "incredible ambitious musical project", a "monument to John Cage", which intertwines orchestral themes, spoken words and electronic noises through radical audio editing techniques.
Situated in New York, and only interrupted by the band's first European tour, the Mothers of Invention recorded the album widely regarded as the peak of the group's late 1960s work, We're Only in It for the Money (released 1968). It was produced by Zappa, with Wilson credited as executive producer. From then on, Zappa produced all albums released by the Mothers of Invention and as a solo artist. We're Only in It for the Money featured some of the most creative audio editing and production yet heard in pop music, and the songs ruthlessly satirized the hippie and flower power phenomena. The cover photo parodied that of The Beatles' Sgt Pepper's Lonely Hearts Club Band. The cover art was provided by Cal Schenkel whom Zappa met in New York. This initiated a life-long collaboration in which Schenkel designed covers for numerous Zappa and Mothers albums.
Reflecting Zappa's eclectic approach to music, the next album, Cruising with Ruben & the Jets (1968), was very different. It represented a collection of doo-wop songs; listeners and critics were not sure whether the album was a satire or a tribute. Zappa has noted that the album was conceived in the way Stravinsky's compositions were in his neo-classical period: "If he could take the forms and clichés of the classical era and pervert them, why not do the same ... to doo-wop in the fifties?" A theme from Stravinsky's The Rite of Spring is heard during one song.
In New York, Zappa increasingly used tape editing as a compositional tool. A prime example is found on the double album Uncle Meat (1969), where the track "King Kong" is edited from various studio and live performances. Zappa had begun regularly recording concerts, and because of his insistence on precise tuning and timing, he was able to augment his studio productions with excerpts from live shows, and vice versa. Later, he combined recordings of different compositions into new pieces, irrespective of the tempo or meter of the sources. He dubbed this process "xenochrony" (strange synchronizations)—reflecting the Greek "xeno" (alien or strange) and "chrono" (time).
Zappa and the Mothers of Invention returned to Los Angeles in the summer of 1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive in the autumn. This was to be Zappa's home for the rest of his life. Despite being a success with fans in Europe, the Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music". but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's preference for perfection over feelings. Others were irritated by "his autocratic ways", Several members would, however, play for Zappa in years to come. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970).
After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. and had a major influence on the development of the jazz-rock fusion genre.
Later in 1970, Zappa formed a new version of The Mothers (from then on, he mostly dropped the "of Invention"). It included British drummer Aynsley Dunbar, jazz keyboardist George Duke, Ian Underwood, Jeff Simmons (bass, rhythm guitar), and three members of The Turtles: bass player Jim Pons, and singers Mark Volman and Howard Kaylan, who, due to persistent legal and contractual problems, adopted the stage name "The Phlorescent Leech and Eddie", or "Flo & Eddie".
This version of the Mothers debuted on Zappa's next solo album Chunga's Revenge (1970), which was followed by the double-album soundtrack to the movie 200 Motels (1971), featuring The Mothers, The Royal Philharmonic Orchestra, Ringo Starr, Theodore Bikel, and Keith Moon. Co-directed by Zappa and Tony Palmer, it was filmed in a week at Pinewood Studios outside London. co-director Palmer tried afterwards to have his name removed from the film. The film deals loosely with life on the road as a rock musician. It was the first feature film photographed on videotape and transferred to 35 mm film, a process which allowed for novel visual effects. It was released to mixed reviews. The score relied extensively on orchestral music, and Zappa's dissatisfaction with the classical music world intensified when a concert, scheduled at the Royal Albert Hall after filming, was canceled because a representative of the venue found some of the lyrics obscene. In 1975, he lost a lawsuit against the Royal Albert Hall for breach of contract.
After 200 Motels, the band went on tour, which resulted in two live albums, Fillmore East - June 1971 and Just Another Band From L.A.; the latter included the 20-minute track "Billy the Mountain", Zappa's satire on rock opera set in Southern California. This track was representative of the band's theatrical performances in which songs were used to build up sketches based on 200 Motels scenes as well as new situations often portraying the band members' sexual encounters on the road.
, Germany in 1971]] In December 1971, there were two serious setbacks. While performing at Casino de Montreux in Switzerland, the Mothers' equipment was destroyed when a flare set off by an audience member started a fire that burned down the casino. Immortalized in Deep Purple's song "Smoke on the Water", the event and immediate aftermath can be heard on the bootleg album Swiss Cheese/Fire, released legally as part of Zappa's Beat the Boots II compilation. After a week's break, The Mothers played at the Rainbow Theatre, London, with rented gear. During the encore, an audience member pushed Zappa off the stage and into the concrete-floored orchestra pit. The band thought Zappa had been killed—he had suffered serious fractures, head trauma and injuries to his back, leg, and neck, as well as a crushed larynx, which ultimately caused his voice to drop a third after healing. Musically, the albums were close to that of Hot Rats. Zappa began touring again in late 1972.
In the mid-1970s Zappa prepared material for Läther (pronounced "leather"), a four-LP project. Läther encapsulated all the aspects of Zappa's musical styles—rock tunes, orchestral works, complex instrumentals, and Zappa's own trademark distortion-drenched guitar solos. Wary of a quadruple-LP, Warner Bros. Records refused to release it. Zappa managed to get an agreement with Mercury-Phonogram, and test pressings were made targeted at a Halloween 1977 release, but Warner Bros. prevented the release by claiming rights over the material. Zappa responded by appearing on the Pasadena, California radio station KROQ, allowing them to broadcast Läther and encouraging listeners to make their own tape recordings. A lawsuit between Zappa and Warner Bros. followed, during which no Zappa material was released for more than a year. Eventually, Warner Bros. issued major parts of Läther against Zappa's will as four individual albums with limited promotion. Läther was released posthumously in 1996.
Although Zappa eventually gained the rights to all his material created under the MGM and Warner Bros. contracts, the various lawsuits meant that for a period Zappa's only income came from touring, which he therefore did extensively in 1975–1977 with relatively small, mainly rock-oriented, bands. The performances included an impromptu musical collaboration with cast member John Belushi during the instrumental piece "The Purple Lagoon". Belushi appeared as his Samurai Futaba character playing the tenor sax with Zappa conducting. Zappa's song, "I'm the Slime", was performed with a voice-over by SNL booth announcer Don Pardo, who also introduced "Peaches En Regalia" on the same airing.
Zappa's band at the time, with the additions of Ruth Underwood and a horn section (featuring Michael and Randy Brecker), performed during Christmas in New York, recordings of which appear on one of the albums released by Warner Bros., Zappa in New York (1978). It mixes intense instrumentals such as "The Black Page" and humorous songs like "Titties and Beer". The former composition, written originally for drum kit but later developed for larger bands, is notorious for its complexity in rhythmic structure, radical changes of tempo and meter, and short, densely arranged passages.
Zappa in New York featured a song about sex criminal Michael H. Kenyon, "The Illinois Enema Bandit", which featured Don Pardo providing the opening narrative in the song. Like many songs on the album, it contained numerous sexual references, Zappa dismissed the criticism by noting that he was a journalist reporting on life as he saw it. Predating his later fight against censorship, he remarked: "What do you make of a society that is so primitive that it clings to the belief that certain words in its language are so powerful that they could corrupt you the moment you hear them?" The remaining albums released by Warner Bros. Records without Zappa's consent were Studio Tan in 1978 and Sleep Dirt in 1979, which contained complex suites of instrumentally-based tunes recorded between 1973 and 1976, and which was overlooked in the midst of the legal problems. Also released by the label without the artist's consent was Orchestral Favorites in 1979, which featured recordings of a concert with orchestral music from 1975.
On December 21, 1979, Zappa's movie Baby Snakes premiered in New York. The movie's tagline was "A movie about people who do stuff that is not normal". The 2 hour and 40 minutes movie was based on footage from concerts in New York around Halloween 1977, with a band featuring keyboardist Tommy Mars and percussionist Ed Mann (who would both return on later tours) as well as guitarist Adrian Belew. It also contained several extraordinary sequences of clay animation by Bruce Bickford who had earlier provided animation sequences to Zappa for a 1974 TV special (which later become available on the video The Dub Room Special (1982)). The movie did not do well in theatrical distribution, but won the Premier Grand Prix at the First International Music Festival in Paris in 1981. The Zappa Family Trust released it on DVD, and it has been available since 2003. Miami Vice and The Ren and Stimpy Show.
After spending most of 1980 on the road, Zappa released Tinsel Town Rebellion in 1981. It was the first release on his own Barking Pumpkin Records, and it contains songs taken from a 1979 tour, one studio track and material from the 1980 tours. The album is a mixture of complicated instrumentals and Zappa's use of sprechstimme (speaking song or voice)—a compositional technique utilized by such composers as Arnold Schoenberg and Alban Berg—showcasing some of the most accomplished bands Zappa ever had (mostly featuring drummer Vinnie Colaiuta). the political and sociological satire in songs like the title track and "The Blue Light" have been described as a "hilarious critique of the willingness of the American people to believe anything". The album is also notable for the presence of guitar virtuoso Steve Vai, who joined Zappa's touring band in the fall of 1980.
The same year the double album You Are What You Is was released. Most of it was recorded in Zappa's brand new Utility Muffin Research Kitchen (UMRK) studios, which were located at his house, The album included one complex instrumental, "Theme from the 3rd Movement of Sinister Footwear", but focused mainly on rock songs with Zappa's sardonic social commentary—satirical lyrics targeted at teenagers, the media, and religious and political hypocrisy. "Dumb All Over" is a tirade on religion, as is "Heavenly Bank Account", wherein Zappa rails against TV evangelists such as Jerry Falwell and Pat Robertson for their purported influence on the US administration as well as their use of religion as a means of raising money. In 1981, Zappa also released three instrumental albums, Shut Up 'N Play Yer Guitar, Shut Up 'N Play Yer Guitar Some More, and The Return of the Son of Shut Up 'N Play Yer Guitar, which were initially sold via mail order, but later released through the CBS label due to popular demand. The albums focus exclusively on Frank Zappa as a guitar soloist, and the tracks are predominantly live recordings from 1979–1980; they highlight Zappa's improvisational skills with "beautiful performances from the backing group as well". Another guitar-only album, Guitar, was released in 1988, and a third, Trance-Fusion, which Zappa completed shortly before his death, was released in 2006.
For the remainder of his career, much of Zappa's work was influenced by his use of the Synclavier as a compositional and performance tool. Even considering the complexity of the music he wrote, the Synclavier could realize anything he could dream up. The Synclavier could be programmed to play almost anything conceivable, to perfection: "With the Synclavier, any group of imaginary instruments can be invited to play the most difficult passages ... with one-millisecond accuracy—every time". Zappa viewed the Synclavier and real-life musicians as separate. The Synclavier pieces stood in contrast to the orchestral works, as the sounds were electronically generated and not, as became possible shortly thereafter, sampled.
The album Thing-Fish was an ambitious three-record set in the style of a Broadway play dealing with a dystopian "what-if" scenario involving feminism, homosexuality, manufacturing and distribution of the AIDS virus, and a eugenics program conducted by the United States government. New vocals were combined with previously released tracks and new Synclavier music; "the work is an extraordinary example of bricolage". Finally, in 1984, Zappa released Francesco Zappa, a Synclavier rendition of works by 18th century composer Francesco Zappa (no known relation), and Them or Us, a two-record set of heavily edited live and session pieces.
The PMRC proposal is an ill-conceived piece of nonsense which fails to deliver any real benefits to children, infringes the civil liberties of people who are not children, and promises to keep the courts busy for years dealing with the interpretational and enforcemental problems inherent in the proposal's design. It is my understanding that, in law, First Amendment issues are decided with a preference for the least restrictive alternative. In this context, the PMRC's demands are the equivalent of treating dandruff by decapitation ... The establishment of a rating system, voluntary or otherwise, opens the door to an endless parade of moral quality control programs based on things certain Christians do not like. What if the next bunch of Washington wives demands a large yellow "J" on all material written or performed by Jews, in order to save helpless children from exposure to concealed Zionist doctrine?
Zappa set excerpts from the PMRC hearings to Synclavier music in his composition "Porn Wars" on the 1985 album Frank Zappa Meets the Mothers of Prevention. Zappa is heard interacting with Senators Fritz Hollings, Slade Gorton, Al Gore (who claimed, at the hearing, to be a Zappa fan), and in an exchange with Florida Senator Paula Hawkins over what toys Zappa's children played with. Zappa expressed opinions on censorship when he appeared on CNN's Crossfire TV series and debated issues with Washington Times commentator John Lofton in 1986. Zappa's passion for American politics was becoming a bigger part of his life. He had always encouraged his fans to register to vote on album covers, and throughout 1988 he had registration booths at his concerts. He even considered running for President of the United States.
Zappa's last tour in a rock and jazz band format took place in 1988 with a 12-piece group which had a repertoire of over 100 (mostly Zappa) compositions, but which split under acrimonious circumstances before the tour was completed. The tour was documented on the albums Broadway the Hard Way (new material featuring songs with strong political emphasis), The Best Band You Never Heard in Your Life (Zappa "standards" and an eclectic collection of cover tunes, ranging from Maurice Ravel's Boléro to Led Zeppelin's "Stairway to Heaven"), and Make a Jazz Noise Here (mostly instrumental and avant-garde music). Parts are also found on You Can't Do That on Stage Anymore, volumes 4 and 6.
In 1991, Zappa was chosen to be one of four featured composers at the world-acclaimed Frankfurt Festival in 1992 (the others were John Cage, Karlheinz Stockhausen and Alexander Knaifel). Zappa was approached by the German chamber ensemble, Ensemble Modern, which was interested in playing his music for the event. Although ill, Zappa invited them to Los Angeles for rehearsals of new compositions and new arrangements of older material. In addition to being satisfied with the ensemble's performances of his music, Zappa also got along with the musicians, and the concerts in Germany and Austria were set up for the fall. It would become his last professional public appearance, as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found "exhilarating". On Monday, December 6 his family publicly announced that "Composer Frank Zappa left for his final tour just before 6:00 pm on Saturday".
Zappa earned widespread critical acclaim in his lifetime and after his death. The 2004 Rolling Stone Album Guide writes: "Frank Zappa dabbled in virtually all kinds of music—and, whether guised as a satirical rocker, jazz-rock fusionist, guitar virtuoso, electronics wizard, or orchestral innovator, his eccentric genius was undeniable". Even though his work drew inspiration from many different genres, Zappa was seen establishing a coherent and personal expression. In 1971, biographer David Walley noted that "The whole structure of his music is unified, not neatly divided by dates or time sequences and it is all building into a composite". On commenting on Zappa's music, politics and philosophy, Barry Miles noted in 2004 that they cannot be separated: "It was all one; all part of his 'conceptual continuity.
Guitar Player Magazine devoted a special issue to Zappa in 1992, and asked on the cover "Is FZ America's Best Kept Musical Secret?" Editor Don Menn remarked that the issue was about "The most important composer to come out of modern popular music". Among those contributing to the issue was composer and musicologist Nicolas Slonimsky, who conducted premiere performances of works of Ives and Varèse in the 1930s. He became friends with Zappa in the 1980s, and said "I admire everything Frank does, because he practically created the new musical millennium. He does beautiful, beautiful work ... It has been my luck to have lived to see the emergence of this totally new type of music." Conductor Kent Nagano remarked in the same issue that "Frank is a genius. That's a word I don't use often ... In Frank's case it is not too strong ... He is extremely literate musically. I'm not sure if the general public knows that". Pierre Boulez stated in Musician Magazine
In 1994, jazz magazine Down Beat
In 1994, lobbying efforts initiated by psychiatrist John Scialli led the International Astronomical Union's Minor Planet Center to name an asteroid in Zappa's honor: 3834 Zappafrank. The asteroid was discovered in 1980 by Czechoslovakian astronomer Ladislav Brozek, and the citation for its naming says that "Zappa was an eclectic, self-trained artist and composer ... Before 1989 he was regarded as a symbol of democracy and freedom by many people in Czechoslovakia".
In 1995, a bust of Zappa by sculptor Konstantinas Bogdanas was installed in the Lithuanian capital Vilnius. A replica was offered to the city of Baltimore in 2008, and on September 19, 2010—the twenty-fifth anniversary of Zappa's testimony to the US senate—a ceremony dedicating the replica was held. Speakers at the event included Gail Zappa and Baltimore Mayor Stephanie Rawlings-Blake. In 2002, a bronze bust was installed in German city Bad Doberan, since 1990 location of the Zappanale, an annual music festival celebrating Zappa. At the initiative of musicians community ORWOhaus, the city of Berlin named a street in the Marzahn district "Frank-Zappa-Straße" in 2007. The same year, Baltimore's mayor Sheila Dixon proclaimed August 9 as the city's official "Frank Zappa Day" citing Zappa's musical accomplishments as well as his defense of the First Amendment to the United States Constitution.
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Name | David Bowie |
---|---|
Background | solo_singer |
Birth name | David Robert Jones |
Born | January 08, 1947Brixton, London, England |
Years active | 1964–present |
Occupation | Musician, actor, record producer, arranger, singer |
Voice type | Baritone |
Instrument | Vocals, guitar, saxophone, piano, keyboards, synthesizers, Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums, percussion |
Genre | Rock, Pop, glam rock, art rock, blue-eyed soul |
Associated acts | The Riot Squad, Tin Machine |
Label | Deram, RCA, Rykodisc, Virgin, EMI, ISO, Columbia, BMG, Parlophone, Pye, Hanso |
Url | Official Website |
Although he released an album (David Bowie) and several singles earlier, Bowie first caught the eye and ear of the public in July 1969, when the song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture."
The family moved in 1953 to nearby suburb, Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.
Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul—"I used to dream of being their Mick Jagger", Bowie was to recall.
Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years. Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.
Bowie contributed backing vocals to Reed's 1972 solo breakthrough Transformer, co-producing the album with Ronson. His own Aladdin Sane (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. Aladdin Sane spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".
Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both Ziggy Stardust and Aladdin Sane, were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film Ziggy Stardust and the Spiders from Mars.
After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: The Man Who Sold the World had been re-released in 1972 along with Space Oddity. "Life on Mars?", from Hunky Dory, was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. Pin Ups, a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.
The fruit of the Philadelphia recording sessions was Young Americans (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. Young Americans yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Earning the distinction of being one of the first white artists to appear on the US variety show Soul Train, Bowie mimed "Fame", as well as "Golden Years", his October single. Young Americans was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US.
Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of Ziggy Stardust alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door."
at the O'Keefe center, Toronto 1976]] Station to Station (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film The Man Who Fell to Earth the same year. Developing the funk and soul of Young Americans, Station to Station also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in NME. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in The Times, "he was indeed 'deranged'. He had some very bad experiences with hard drugs."
Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Pop, with Bowie as a co-writer and musician, completed his solo album debut, The Idiot, and its follow-up, Lust for Life, touring the UK, Europe, and the US in March and April 1977. Low (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, Low yielded the UK number three single "Sound and Vision", and its own performance surpassed that of Station to Station in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described Low as "a work of genius" in 1992, when he used it as the basis for his Symphony No. 1 "Low"; subsequently, Glass used Bowie's next album as the basis for his 1996 Symphony No. 4 "Heroes". Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".
Echoing Lows minimalist, instrumental approach, the second of the trilogy, "Heroes" (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like Low, "Heroes" evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show Marc, and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.
After completing Low and "Heroes", Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album Stage, released the same year.
The final piece in what Bowie called his "triptych", Lodger (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's Sergeant Pepper [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." Lodger reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.
Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German movie Christiane F., a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as Christiane F. a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play Baal. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as David Bowie in Bertolt Brecht's Baal. In March 1982, the month before Paul Schrader's film Cat People came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.
Bowie reached a new peak of popularity and commercial success in 1983 with Let's Dance. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film From Here to Eternity), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. Let's Dance was followed by the Serious Moonlight world tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The tour lasted six months and was extremely popular.
Tonight (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of The Falcon and the Snowman. Released as a single, the song became a top 40 hit in the UK and US.
Bowie was given a role in the 1986 film Absolute Beginners. The movie was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film Labyrinth, for which he wrote five songs. His final solo album of the decade was 1987's Never Let Me Down, where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting Never Let Me Down, and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.
Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, Tin Machine (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.
In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. Tin Machine IIs arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of the four nude band members in statuesque pose, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.
1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced Black Tie White Noise. Making prominent use of electronic instruments, the album, which reunited Bowie with Let's Dance producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on The Buddha of Suburbia (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in Black Tie White Noise, and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.
Reuniting Bowie with Eno, the quasi-industrial Outside (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.
Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, Earthling (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US Billboard Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for The Rugrats Movie. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.. In 1998, Bowie recorded "A Foggy Day (In London Town)" with Angelo Badalamenti for the Red Hot Organization’s compilation album Red Hot + Rhapsody a tribute to George Gershwin which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.
In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of Heathen, and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual Meltdown festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's Low era. Reality (2003) followed, and then a world tour. Covering Europe, the United States, Canada, New Zealand, Australia and Japan, 'A Reality Tour', with an estimated attendance of 722,000, grossed more than any other tour in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.
at the premiere of Jones' directorial debut Moon]] Recuperating from the heart surgery, Bowie reduced his musical output for the first time in several years, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film Shrek 2. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the movie Stealth. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album Return to Cookie Mountain, made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album No Balance Palace. Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.
Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, Anywhere I Lay My Head. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. A Reality Tour, a double album of live material from the 2003 concert tour, was released in January 2010.
The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production Pierrot in Turquoise (later made into the 1970 TV movie The Looking Glass Murders). In the black and white short film The Image (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel The Virgin Soldiers saw Bowie make a brief appearance as an extra. Bowie starred in The Hunger (1983), a revisionist vampire movie, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, Merry Christmas, Mr. Lawrence, based on Laurens van der Post's novel The Seed and the Sower, Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Another musician, Ryuichi Sakamoto, played the camp commandant who begins to be undermined by Celliers' bizarre behaviour. Bowie had a cameo in Yellowbeard, a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film Into the Night. He declined to play the villain Max Zorin in the James Bond film A View to a Kill (1985).
Absolute Beginners (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy Labyrinth found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film The Last Temptation of Christ. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in The Linguini Incident (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's (1992). He took a small but pivotal role as Andy Warhol in Basquiat, artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's spaghetti western Il Mio West (1998, released as Gunslinger's Revenge in the US in 2005) as the most feared gunfighter in the region. He played the aging gangster Bernie in Andrew Goth's Everybody Loves Sunshine (1999), and appeared in the TV horror serial of The Hunger. In Mr. Rice's Secret (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in Zoolander.
Bowie portrayed Nikola Tesla, the physicist who pioneered AC electricity, co-starring with Christian Bale and Hugh Jackman in The Prestige (2006), Christopher Nolan's film of Christopher Priest's epistolary novel about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated movie Arthur and the Invisibles as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the SpongeBob's Atlantis SquarePantis TV movie. In the 2008 film August, directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for The Man Who Fell to Earth.
Asked in 2002 by Blender whether he still believed his public declaration was the biggest mistake he ever made, he replied:
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Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women." but biographer also reinforces that his public statements on sex had no other purpose but to do marketing and draw attention to his "transgressional" work.
Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."
Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello. , 1974.]]
With these influences Bowie created a new world through his music. "Oh! You Pretty Things" from Hunky Dory (1971) is a fine example of this and has been considered a sci-fi song about 'homo superior' concepts in a "teasing, unquestionably gay tinged manner." The Rise and Fall of Ziggy Stardust and the Spiders from Mars is another example; an album around a fictional sci-fi story created by Bowie himself. Track "Five Years", for example, desperately says that the world will end to five years, and is one of many examples of his artistic endeavors with the collapse of society. Diamond Dogs also presents a vision of a post-apocalyptic world. Later, in Outside, he returned to the idea of a concept album based on stories he wrote and characters he had created. And Heathen reflected his impressions on the Attacks of September 11, 2001, with lyrics focused on humanity degradation. To conclude, Reality reflects on his career and in the title track he sings: "I've been right and I've been wrong"/ "I look for sense but I get next to nothing" / "Hey boy welcome to reality" on a hard song moved with three guitars, syncopated drums and bass such as the rock songs of his past phases.
Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, [...] Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. [...] The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced [...] has created perhaps the biggest cult in popular culture. [...] His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."
Bowie was inducted into the Rock and Roll Hall of Fame in 1996.
David Bowie's influence remains immense, musically and socially. According to many authors, for example, incorporating androgynous characters like Ziggy Stardust and Aladdin Sane in his 1970 glam era that communicate through sexual languages Bowie re-create a independent adolescent class at the time and also helped movements such as the gay liberation. In this era he also helped to create new fashions around the rock and music scenes that still appeals people nowadays.
Musically, his albums were also very influential. The Man Who Sold the World (1970), for example, has been cited as influencing the goth rock, darkwave and science fiction elements of work by artists such as Siouxsie and the Banshees, The Cure, Gary Numan, John Foxx and Nine Inch Nails. In his journal, Kurt Cobain of Nirvana listed this album at number 45 in his top 50 favourite albums. In 1993, the band re-recorded its title-track in their MTV Unplugged in New York. After the glam era Bowie produced works such as Diamond Dogs (1974) which its elements of raw guitar style and visions of urban chaos, scavenging children and nihilistic lovers have been credited with anticipating the punk revolution of bands like The Germs and Sex Pistols, that would take place in the following years. 1976 saw the appraised album Station to Station, that has also been described as "enormously influential on post-punk" and influenced band Magazine. On the following year, "Heroes" (1977) of 'Berlin Trilogy' influenced Double Fantasy (1980) by John Lennon and Yoko Ono.
His work in the 80's, especially "Ashes to Ashes" song and its video showing a creative Bowie's music and image, provided the basis for a new musical movement of the time, called New Romantic, influencing acts such as Blitz Kids, Keanan Duffty, and Steve Strange. In fact, critics have written that this song was considered the anthem for the New Romantic movement musicians. Pixies also began in 1986 with Joey Santiago introducing Black Francis to the Bowie's music and punk rock, then the pair began to jam together.
David Bowie's influence continues nowadays, even among artists and acts of diverse genres and countries. Examples include Marilyn Manson (in fact, Bowie is their biggest influence), Boy George, Groove Armada (especially album Black Light), Spacehog, Neïmo, Arckid, Stacey Q, Buck-Tick, Lady Gaga, All the Pretty Horses (a Minnesota's transgender rock band), and many others. On November 2010, Bono Vox of U2 compared Bowie to Elvis Presley and said he was very influential on Britain and also in his generation and band. As biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."
Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film The Man Who Fell to Earth, he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.
In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."
Throughout his career he has sold an estimated 136 million albums. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, Rolling Stone magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time.
Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.
Category:1947 births Category:Living people Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:British expatriates in Switzerland Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres * Category:Daytime Emmy Award winners Category:Decca Records artists Category:English baritones Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT people from England Category:Musicians from London Category:Parlophone artists Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Rykodisc artists Category:Saturn Award winners Category:Virgin Records artists
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Name | Craig Ferguson |
---|---|
Caption | Performing stand-up in New York City, 2007 |
Birth date | May 17, 1962 |
Birth place | Glasgow, Scotland |
Medium | Stand-up, television |
Nationality | British/American |
Active | 1980–present |
Genre | Observational comedy |
Subject | Everyday life, pop culture, self-deprecation, politics |
Website | The Late Late Show with Craig Ferguson |
Spouse | Megan Wallace-Cunningham (December 21, 2008–present) |
Craig Ferguson (born 17 May 1962) is a Scottish-American television host, stand-up comedian, writer, producer, director, and actor. He is the host of The Late Late Show with Craig Ferguson, an Emmy Award-nominated, Peabody Award-winning late-night talk show that airs on CBS. In addition to hosting that program and performing stand-up comedy, Ferguson has written two books: Between the Bridge and the River, a novel, and American on Purpose, an autobiography.
Before his career as a late-night television host, Ferguson was best known in the United States for his role as the office boss, Nigel Wick, on The Drew Carey Show from 1996 to 2003. After that, he wrote and starred in three films, directing one of them.
After a nerve-wracking, knee-knocking first appearance, he decided to create a character that was a "parody of all the über-patriotic native folk singers who seemed to infect every public performance in Scotland." a Bing Hitler monologue ("A Lecture for Burns Night") appears on the compilation cassette Honey at the Core. Ferguson also toured the UK during the late '80s under his own name as a support act to Harry Enfield.
Ferguson made his television debut in The Craig Ferguson Show, a one-off comedy pilot for Granada Television, which co-starred Paul Whitehouse and Helen Atkinson-Wood. This was broadcast throughout the UK on 4 March 1990, but was not made into a full series.
He has also found success in musical theatre. Beginning in 1991, he appeared on stage as Brad Majors in the London production of The Rocky Horror Show, alongside Anthony Stewart Head, who was playing Dr. Frank-N-Furter at the time. The same year, he appeared again at the Edinburgh Fringe, as Oscar Madison in The Odd Couple, opposite Gerard Kelly as Felix and Kate Anthony as Gwendolin Pidgeon, who is now much better known as Aunty Pam in Coronation Street; The play, which was relocated to 1990s Glasgow, later toured Scotland. In 1994, Ferguson played "Father MacLean" in the highly controversial production of Bad Boy Johnny and the Prophets of Doom at the Union Chapel in London. Because it was performed in a practising church, the production was closed down after just ten performances.
After enjoying success at the Edinburgh Festival, Ferguson made further forays into television with appearances on Red Dwarf, STV's Hogmanay Show, his own show 2000 Not Out, and the 1993 One Foot in the Grave Christmas special One Foot in the Algarve.
In 1993, Ferguson presented his own series on Scottish archaeology for Scottish Television entitled Dirt Detective. He traveled throughout the country examining archaeological history, including Skara Brae and Paisley Abbey.
His breakthrough in the U.S. came when he was cast as the title character's boss, Mr. Wick, on The Drew Carey Show, a role that he played from 1996 to 2003. He played the role with an over-the-top posh English accent "to make up for generations of English actors doing crap Scottish accents." In his comedy special "A Wee Bit O' Revolution", he specifically called out James Doohan's portrayal of Montgomery Scott on Star Trek as the foundation of his 'revenge'. (At the end of one episode, though, Ferguson broke the fourth wall and began talking to the audience at home in his regular Scottish accent.) His character was memorable for his unique methods of laying employees off, almost always 'firing Johnson', the most common last name of the to-be-fired workers. Even after leaving the show in 2003, he remained a recurring character on the series for the last two seasons, and was part of the 2-part series finale in 2004.
During production of The Drew Carey Show, Ferguson devoted his off-time as a cast member to writing, working in his trailer on set in-between shooting his scenes. He wrote and starred in three films: The Big Tease, Saving Grace, and I'll Be There, which he also directed and for which he won the Audience Award for Best Film at the Aspen, Dallas and Valencia film festivals. He was named Best New Director at the Napa Valley Film Festival. These were among other scripts which "in the great tradition of the movie business, about half a dozen that I got paid a fortune for but never got made." His other acting credits in films include Niagara Motel, Lenny the Wonder Dog, Lemony Snicket's A Series of Unfortunate Events, Chain of Fools, Born Romantic, The Ugly Truth, How to Train Your Dragon, Kick-Ass, and Totally Framed.
By the end of 2009, Craig Ferguson topped Jimmy Fallon in the ratings with Ferguson getting a 1.8 rating/6 share and Fallon receiving a 1.6 rating/6 share.
Ferguson's success on the show has led at least one "television insider" to say he is the heir apparent to take over David Letterman's role as host of The Late Show. TV Guide magazine printed a "Cheers" (Cheers and Jeers section) for appearing on his own show that same evening.
From 2007 to 2010, Ferguson hosted the Boston Pops Fireworks Spectacular on July 4, broadcast nationally by CBS. On the April 25, 2010 episode of 'The Late Late Show,' he stated he is to return for 2010, but that he could not 'officially' announce it.
Ferguson was the featured entertainer at the 26 April 2008 White House Correspondents' Association dinner in Washington, DC.
Ferguson co-presented the Emmy Award for Outstanding Lead Actress in a Drama with Brooke Shields in 2008.
He has done voice work in cartoons, including being the voice of Barry's evil alter-ego in the "With Friends Like Steve's" episode of American Dad, in Freakazoid! as Roddy MacStew, Freakazoid's mentor and on Buzz Lightyear of Star Command as the robot vampire NOS-4-A2. Most recently, he was the voice of Susan the boil on Futurama, which was a parody of Scottish singer Susan Boyle.
He makes standup appearances in Las Vegas and New York City. He headlined in the Just for Laughs festival in Montreal and in October 2008 Ferguson taped his stand up show in Boston for a Comedy Central special entitled A Wee Bit o' Revolution, which aired on 22 March 2009.
British television comedy drama Doc Martin was based on a character from Ferguson's film Saving Grace - with Ferguson getting writing credits for 12 episodes.
On 6 November 2009, Ferguson appeared as himself in a SpongeBob SquarePants special titled SpongeBob's Truth or Square.
He hosted Discovery Channel's 23 season of Shark Week in 2010.
He provides the voice of Owl in the 2011 film Winnie the Pooh.
Ferguson signed a deal with HarperCollins to publish his memoirs. The book, entitled American on Purpose: The Improbable Adventures of an Unlikely Patriot, focuses on "how and why [he] became an American" and covers his years as a punk rocker, dancer, bouncer and construction worker as well as the rise of his career in Hollywood as an actor and comic. It went on sale 22 September 2009 in the United States. On December 1. 2010 the Audiobook version of American on Purpose: The Improbable Adventures of an Unlikely Patriot, was nominated for a Spoken Word Grammy.
In July 2009, Jackie Collins was a guest on The Late Late Show to promote her new book Married Lovers. Collins said that a character in her book, Don Verona, was based on Ferguson because she was such a fan of him and his show.
Ferguson has two sisters (one older and one younger) and one older brother. His elder sister's name is Janice and his brother's name is Scott. His younger sister, Lynn Ferguson, is a successful comedian, presenter, and actress, perhaps most widely known as the voice of Mac in the 2000 stop-motion animation film Chicken Run. She is currently a writer on The Late Late Show.
Ferguson once stated he was confused by a request made for him to speak at his old high school, since he dropped out at the age of 15 and never attended college.
His first visit to the United States was as a teenager to visit an uncle who lived on Long Island, near New York City. Later, he lived in New York City, where he worked in construction in Harlem. Ferguson said that he "used to be a bouncer at a cool club in New York called 'Save the Robots'. That was the name of the club. I was the bouncer the first couple of weeks. I got fired. I was power-crazed. I was acting like Gollum from The Lord of the Rings."
Ferguson has married three times and divorced twice as a result of what he describes as "relationship issues." His first marriage was to Anne Hogarth from 1983 to 1986, during which time they lived in New York. From his second marriage (to Sascha Corwin, founder and proprietor of Los Angeles' SpySchool), he has one son, Milo Hamish Ferguson, born in 2001. He and Corwin share custody of Milo, live near each other in Los Angeles, and remain good friends. On 21 December 2008, Ferguson married art dealer Megan Wallace-Cunningham in a private ceremony on her family's farm in Chester, Vermont. Ferguson announced 14 July 2010 on Twitter that they are expecting a child. He wrote: "Holy crackers! Mrs F is pregnant. How did that happen? ...oh yeah I know how. Another Ferguson arrives in 2011. The world trembles."
A recovering alcoholic, Ferguson has been sober since 18 February 1992. He said he had considered committing suicide on Christmas Day 1991, but when offered a drink by a friend, Tommy the Irishman, for celebrating the holiday, he was distracted from jumping off Tower Bridge in London as he had planned.
Ferguson is also a fan of Scottish football team Partick Thistle F.C. a Ferguson family crest with the Latin motto Dulcius ex asperis ("Sweetness out of [or from] difficulty") on his upper right arm in honour of his father; and the Ingram family crest on his upper left arm in honour of his mother.
During 2007, Ferguson, who at the time held only British citizenship, used The Late Late Show as a forum for seeking honorary citizenship from every state in the U.S. He has received honorary citizenship from Nebraska, Arkansas, Virginia, Montana, North Dakota, New Jersey, Tennessee, South Carolina, South Dakota, Nevada, Alaska, Texas, Wyoming, Pennsylvania and Indiana, and was "commissioned" as an admiral in the tongue-in-cheek Nebraska Navy. Governors Jon Corzine (New Jersey), John Hoeven (North Dakota), Mark Sanford (South Carolina), Mike Rounds (South Dakota), Rick Perry (Texas), Sarah Palin (Alaska) and Jim Gibbons (Nevada) sent letters to him that made him an honorary citizen of their respective states. He received as well similar honors from various towns and cities, including Ozark, Arkansas; Hazard, Kentucky; and Greensburg, Pennsylvania.
Ferguson became an American citizen on 1 February 2008. as Owl
Category:1962 births Category:American aviators Category:American comedians Category:American film actors Category:American memoirists Category:American novelists Category:American actors of Scottish descent Category:American screenwriters Category:American television actors Category:American voice actors Category:Living people Category:Naturalized citizens of the United States Category:People from Glasgow Category:People self-identifying as alcoholics Category:Scottish comedians Category:Scottish immigrants to the United States Category:Scottish memoirists Category:Scottish novelists Category:Scottish screenwriters Category:Scottish television actors
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Playername | Bobby Fischer |
---|---|
Caption | |
Birthname | Robert James Fischer |
Country | United StatesIceland |
Birth date | March 09, 1943 |
Birth place | Chicago, Illinois, United States |
Death date | January 17, 2008 |
Death place | Reykjavík, Iceland |
Title | Grandmaster |
Worldchampion | 1972–1975 |
Peakrating | 2785 (July 1972) |
Robert James "Bobby" Fischer (March 9, 1943 – January 17, 2008) was an American chess player and the eleventh World Chess Champion. He is widely considered one of the greatest chess players of all time. Fischer was also a best-selling chess writer. After ending his competitive career, he proposed a new variant of chess, and a modified chess timing system; both of these ideas have received some support in recent years.
Widely considered a "chess legend", at age 13 Fischer won a “brilliancy” that became known as the Game of the Century. Starting at age 14, he played in eight United States Championships, winning each by at least a point. At 15½, he became both the youngest Grandmaster and the youngest Candidate for the World Championship up until that time. He won the 1963–64 US championship 11–0, the only perfect score in the history of the tournament. In the early 1970s he became the most dominant player in modern history - winning the 1970 Interzonal by a record 3½-point margin and winning 20 consecutive games, including two unprecedented 6–0 sweeps in the Candidates Matches. According to research by Jeff Sonas, in 1971 Fischer had separated himself from the rest of the world by a larger margin of playing skill than any player since the 1870s. He became the first official World Chess Federation (Fédération Internationale des Échecs) (FIDE) number one rated chessplayer in July 1971, and his 54 total months at number one is the third longest of all-time.
In 1972, he captured the World Championship from Boris Spassky of the USSR in a match held in Reykjavík, Iceland that was widely publicized as a Cold War battle. The match attracted more worldwide interest than any chess match, before or since. In 1975, Fischer did not defend his title when he could not come to agreement with FIDE over the conditions for the match. He became more reclusive and played no more competitive chess until 1992, when he won an unofficial rematch against Spassky. This competition was held in Yugoslavia, which was then under a United Nations embargo. This led to a conflict with the US government, and Fischer never returned to his native country; he also owed significant income tax to the US Internal Revenue Service on his prize winnings from the match, which he never paid.
In his later years, Fischer lived in Hungary, Germany, the Philippines, and Japan. During this time he made increasingly anti-American and antisemitic statements, despite his Jewish ancestry. After his U.S. passport was revoked over the Yugoslavia sanctions issue, he was detained by Japanese authorities for nine months in 2004 and 2005 under threat of deportation. In February 2005, Iceland granted him right of residence as a "stateless" alien and issued him a passport. When Japan refused to release him to Iceland with that status, Iceland's parliament voted in March 2005 to give him full citizenship. The Japanese authorities then released him to that country, where he lived until his death in 2008.
A 2002 article by Peter Nicholas and Clea Benson of The Philadelphia Inquirer argued that Paul Nemenyi, a Hungarian Jewish physicist, was Fischer's biological father. The article quoted an FBI report which stated that Regina Fischer returned to the United States in 1939, while Hans-Gerhardt Fischer never entered the United States, having been refused admission by US immigration officials because of alleged Communist sympathies. Regina and Nemenyi were reported to have had an affair in 1942, and he made monthly child support payments to her, paying for Fischer's schooling until his own death in 1952. Fischer later told the Hungarian chess player Zita Rajcsanyi that Nemenyi would sometimes show up at the family's Brooklyn apartment and take him on outings. When the family vacationed at Patchogue, Long Island that summer, Bobby found a book of old chess games, and studied it intensely. On November 14, 1950, his mother sent a postcard to the Brooklyn Eagle, seeking to place an ad inquiring whether other children of Bobby's age might be interested in playing him. The paper rejected her ad because no one could figure out how to classify it, but forwarded her inquiry to Hermann Helms, the "Dean of American Chess", who told her that master Max Pavey would be giving a simultaneous exhibition on January 17, 1951. Fischer played in the exhibition, losing in 15 minutes. One of the spectators was Carmine Nigro, president of the Brooklyn Chess Club, who introduced him to the club and began teaching him. Fischer attended the club regularly, intensified his interest, and gained playing strength rapidly. In the summer of 1955, the then 12-year-old Fischer joined the Manhattan Chess Club, the strongest in the country.
during the Eisenhower Administration Future grandmaster Arnold Denker was also a mentor to young Bobby, often taking him to watch the New York Rangers play hockey at Madison Square Garden. Denker wrote that Bobby enjoyed those treats and never forgot them; the two became lifelong friends. Fischer was also involved with the Log Cabin Chess Club of Orange, New Jersey, which in March 1956 took him on a tour to Cuba, where he gave a 12-board simultaneous exhibition at Havana's Capablanca Chess Club, winning 10 and drawing 2.
Fischer attended Erasmus Hall High School at the same time as Barbra Streisand and Neil Diamond. In 1959, its student council awarded him a gold medal for his chess achievements. The same year, Fischer dropped out of high school when he turned age 16, the earliest he could legally do so, later explaining to Ralph Ginzburg, "You don't learn anything in school. It's just a waste of time."
When Fischer was 16, his mother moved out of their apartment to pursue medical training. Her friend Joan Rodker, who had met Regina when the two were "idealistic communists" living in Moscow in the 1930s, believes that Fischer resented his mother for being mostly absent as a mother, a communist activist and an admirer of the Soviet Union, and that this led to his hatred for the Soviet Union. In letters to Rodker, Fischer's mother states her desire to pursue her own "obsession" of training in medicine and writes that her son would have to live in their Brooklyn apartment without her: "It sounds terrible to leave a 16-year-old to his own devices, but he is probably happier that way." The apartment was on the edge of the Bedford-Stuyvesant neighborhood, which had one of the highest homicide and general crime rates in New York City. Despite the alienation from her son, Regina in 1960 staged a five-hour protest in front of the White House (see photo) urging President Dwight Eisenhower to send an American team to that year's chess Olympiad (set for Leipzig, East Germany, behind the Iron Curtain), and to help support the team financially.
Fischer accepted an invitation to play in the Third Lessing J. Rosenwald Trophy Tournament at New York 1956, a premier tournament limited to the 12 players considered the best in the country. Fischer received entry by special consideration, since his rating was certainly not among the top 12 in the country at that stage. In that elite company, the 13-year-old Fischer could only score 4½/11, tying for 8th–9th place. This was his first truly strong round-robin event, and he achieved a creditable result, certainly above what his rating predicted. However, he won the first brilliancy prize for his game against Donald Byrne. This game remains famous world-wide today.
In 1957, Fischer played a two-game match against former World Champion Max Euwe at New York, losing ½–1½. On the United States Chess Federation's eleventh national rating list, published on May 5, 1957, Fischer was rated 2231, a master – over 500 points higher than his rating a year before. This made him at that time the country's youngest master ever. In July, Fischer successfully defended his US Junior title, scoring 8½/9 at San Francisco. In August, he played in the U.S. Open Chess Championship at Cleveland, scoring 10/12 and winning on tie-breaking points over Arthur Bisguier, making Fischer the youngest U.S. Open Champion ever. He next won the New Jersey Open Championship, scoring 6½/7. Fischer then defeated the young Filipino Master Rodolfo Tan Cardoso 6–2 in a match sponsored by Pepsi-Cola, in New York.
His scores were:
Fischer missed the 1961–62 championship (he was preparing for the upcoming Interzonal), and there was no 1964–65 event. His total score was 74/90 (61 wins, 26 draws, 3 losses), with the only losses being to Edmar Mednis, Samuel Reshevsky, and Robert Byrne. For his career, he achieved 82.2 percent in the U.S. Championship.
His 11–0 win in the 1963–64 championship is the only perfect score in the history of the tournament, and one of about ten perfect scores in high-level chess tournaments ever. David Hooper and Kenneth Whyld called it "the most remarkable achievement of this kind." According to some sources, Fischer, then 15, was unable to arrange leave from attending high school in order to play in Munich. However, he represented the United States on top board with great distinction at four Olympiads:
:{| !Olympiad !Individual result !US team result |- |Leipzig 1960 |13/18 (Bronze) |Silver |- |Varna 1962 |11/17 (Eighth) |Fourth |- |Havana 1966 |15/17 (Silver) |Silver |- |Siegen 1970 |10/13 (Silver) |Fourth |}
Fischer's overall total was +40, =18, −7, for 49/65 or 75.4%. In 1966, he narrowly missed the individual gold medal, scoring 88.23% to World Champion Tigran Petrosian's 88.46%. Fischer played four more games than Petrosian, faced stiffer opposition, and would have won the gold if he had accepted Florin Gheorghiu's draw offer in the penultimate round rather than declining it and suffering his only loss.
Fischer had planned to play for the United States at the 1968 Lugano Olympiad, but backed out when he saw the poor playing conditions.
Most observers doubted that a 15-year-old with no international experience could finish among the six qualifiers at the Interzonal, but Fischer told journalist Miro Radoicic, "I can draw with the grandmasters, and there are half-a-dozen patzers in the tournament I reckon to beat." Despite some bumps in the road, and a problematic start, Fischer succeeded in his plan: after a strong finish, he ended up with 12/20 (+6=12–2) to tie for 5th–6th. The Soviet grandmaster Yuri Averbakh observed, "In the struggle at the board this youth, almost still a child, showed himself to be a fully-fledged fighter, demonstrating amazing composure, precise calculation and devilish resourcefulness." Fischer became the youngest person ever to qualify for the Candidates. He also became the youngest Grandmaster in history at 15 years and 6 months. This record stood until 1991 when it was broken by Judit Polgár.
Before the Candidates' tournament, Fischer competed in the 1958–59 US Championship (winning with 8½/11) and then in international tournaments at Mar del Plata, Santiago, and Zürich. He played unevenly in the two South American tournaments. At the strong Mar del Plata event, he finished tied for third with Borislav Ivkov, half a point behind tournament winners Ludek Pachman and Miguel Najdorf; this confirmed his grandmastership. At Santiago, he tied for fourth through sixth places, behind Ivkov, Pachman, and Herman Pilnik. He did better at the very strong Zurich event, finishing a point behind world-champion-to-be Mikhail Tal and half a point behind Svetozar Gligorić.
Although Fischer had ended his formal education at age 16, he subsequently taught himself several foreign languages, to gain access to foreign chess periodicals.
Until late 1959, Fischer "had dressed atrociously for a champion, appearing at the most august and distinguished national and international events in sweaters and corduroys". A director of the Manhattan Chess Club had once banned Fischer for not being "properly accoutered", forcing Denker to intercede to get him reinstated. Likely, lack of money to buy better clothes was at least partially to blame. Now, encouraged by Pal Benko to dress more sharply, Fischer "began buying suits from all over the world, hand-tailored and made to order". He boasted to journalist Ralph Ginzburg in 1961 that he had 17 suits, all hand-tailored, and that his shirts and shoes were also handmade.
At the age of 16, Fischer finished a creditable equal fifth out of eight, the top non-Soviet player, at the Candidates Tournament held in Bled/Zagreb/Belgrade, Yugoslavia in 1959. He scored 12½/28 but was outclassed by tournament winner Tal, who won all four of their individual games.
Fischer published his first book of collected games at age 16, in 1959. Entitled Bobby Fischer's Games of Chess, and published by Simon & Schuster, the book sold well and made him likely the youngest author in the history of chess to that stage.
Fischer struggled in the later Buenos Aires tournament, finishing with 8½/19 (won by Viktor Korchnoi and Samuel Reshevsky on 13/19). This was the only real failure of Fischer's competitive career. According to Larry Evans, Fischer's first sexual experience was with a girl to whom Evans introduced him during the tournament. Pal Benko says that Fischer did horribly in the tournament "because he got caught up in women and sex. ... Afterwards, Fischer said he'd never mix women and chess together, and kept the promise." Fischer concluded 1960 by winning a small tournament in Reykjavik with 4½/5, and defeating Klaus Darga in an exhibition game in West Berlin.
]] In 1961, Fischer started a 16-game match with Reshevsky, split between New York and Los Angeles. Despite Fischer's meteoric rise, the veteran Reshevsky, 32 years Fischer's senior, was considered the favorite, since he had far more match experience and had never lost a set match. After 11 games and a tie score (two wins apiece with seven draws), the match ended prematurely due to a scheduling dispute between Fischer and match organizer and sponsor Jacqueline Piatigorsky. Reshevsky was declared the winner of the match, and received the winner's share.
Fischer was second behind former World Champion Tal at Bled 1961, which had a super-class field. He defeated Tal head-to-head for the first time, scored 3½/4 against the Soviet contingent, and finished as the only unbeaten player, with 13½/19.
Following Fischer's article, FIDE in late 1962 voted a radical reform of the playoff system, replacing the Candidates' tournament with a format of one-on-one knockout matches; this was the format that Fischer would dominate in 1971.
Fischer defeated Bent Larsen in a summer 1962 exhibition game in Copenhagen for Danish TV. He also defeated Bogdan Śliwa in a team match against Poland at Warsaw later that year.
In the 1962–63 U.S. Championship, Fischer had a close call. In the first round he lost to Edmar Mednis, his first loss ever in a U.S. Championship. Bisguier was in excellent form, and Fischer caught up to him only at the end. Tied at 7–3, the two met in the last round for the championship. Bisguier stood well in the middlegame, but blundered, handing Fischer his fifth consecutive U.S. championship.
Fischer's biological parents were likely both Jewish. Fischer renounced his Jewish roots, but joined the Worldwide Church of God in the mid-1960s. This church prescribed Saturday Sabbath, and forbid work (and competitive chess) on Sabbath. Fischer's religious obligations were respected by chess organizers, concerning scheduling of his games. Fischer contributed significant money over several years to the Worldwide Church of God.
The year 1972 was a disastrous one for the Worldwide Church of God, as prophecies by Herbert W. Armstrong were unfulfilled, and the church was rocked by revelations of a series of sex scandals involving Garner Ted Armstrong. Fischer, who felt betrayed and swindled by the Worldwide Church of God, left the church and publicly denounced it.
The 1963–64 U.S. Championship was expected to be exciting, particularly since Fischer had only narrowly won it the previous year. It was, but not as expected. "One by one Fischer mowed down the opposition as he cut an 11–0 swathe through the field, to demonstrate convincingly to the opposition that he was now in a class by himself." Sports Illustrated diagrammed each of the 11 games in its article, "The Amazing Victory Streak of Bobby Fischer". Such extensive chess coverage was groundbreaking for the top American sports magazine.
Fischer, eligible as U.S. champion, decided not to participate in the Amsterdam Interzonal in 1964, thus taking himself out of the 1966 World Championship cycle. He held to this decision even when FIDE changed the format of the eight-player Candidates Tournament from a round-robin to a series of knockout matches, which eliminated the possibility of collusion. His 94% winning percentage over more than 2,000 games is one of the best ever achieved. Fischer also declined an invitation to play for the United States in the 1964 Olympiad in Tel Aviv.
Fischer began 1966 by winning the U.S. Championship for the seventh time despite losing to Robert Byrne and Reshevsky in the eighth and ninth rounds. He also reconciled with Mrs. Piatigorsky, accepting an invitation to the very strong second Piatigorsky Cup tournament in Santa Monica. Fischer began disastrously and after eight rounds was tied for last with 3/8. He then staged "the most sensational comeback in the history of grandmaster chess", scoring 7/8 in the next eight rounds. At the end, World Championship finalist Boris Spassky edged him out by a half point, scoring 11½/18 to Fischer's 11. Now aged 23, Fischer would win every match or tournament he completed for the rest of his life.
In 1967, Fischer won the US Championship for the eighth and final time, ceding only three draws. In March–April and August–September, he won strong tournaments at Monte Carlo (7/9) and Skopje (13½/17). In the Philippines he played a series of nine exhibition games against master opponents, winning eight and drawing one.
In 1969, Fischer published his second games collection, entitled My 60 Memorable Games, which was also published by Simon & Schuster. He was assisted by his friend, GM Larry Evans. The book of deeply annotated games immediately became a best-seller, and has remained continuously popular worldwide to the present day.
The 1969 US Championship was also a zonal qualifier, with the top three finishers advancing to the Interzonal. Fischer, however, had sat out the US Championship because of disagreements about the tournament's format and prize fund. Benko, one of the three qualifiers, agreed to give up his spot in the Interzonal in order to give Fischer another shot at the world championship.
Before the Interzonal, in March and April 1970, the world's best players competed in the USSR vs. Rest of the World match in Belgrade, Yugoslavia, often referred to as "the Match of the Century." Fischer allowed Bent Larsen of Denmark to play first board for the Rest of the World team in light of Larsen's recent outstanding tournament results, even though Fischer had the higher Elo rating. The USSR team eked out a 20½–19½ victory, but on second board Fischer beat Tigran Petrosian, whom Boris Spassky had dethroned as world champion the previous year, 3–1, winning the first two games and drawing the last two.
After the USSR versus the Rest of the World Match, the unofficial World Championship of Lightning Chess (5-minute games) was held at Herceg Novi. Petrosian and Tal were considered the favorites, but Fischer overwhelmed the super-class field with 19/22 (+17=4–1), far ahead of Tal (14½), Korchnoi (14), Petrosian (13½), Bronstein (13), etc. Fischer lost only one game, to Korchnoi, who was also the only player to achieve an even score against him in the double round robin tournament. Fischer "crushed such blitz kings as Tal, Petrosian and Smyslov by a clean score". Tal marveled that, "During the entire tournament he didn't leave a single pawn en prise!", while the other players "blundered knights and bishops galore".
In April–May 1970, Fischer won easily at Rovinj/Zagreb with 13/17 (+10=6–1), finishing two points ahead of a field that included such leading players as Gligorić, Hort, Korchnoi, Smyslov, and Petrosian. In July–August, he crushed the mostly grandmaster field at Buenos Aires, scoring 15/17 (+13=4) and winning by 3½ points. In Siegen right after the Olympiad, he defeated Ulf Andersson in an exhibition game for the Swedish newspaper Expressen. Fischer had taken his game to a new level.
The Interzonal was held in Palma de Mallorca in November and December 1970. Fischer won it with a remarkable 18½–4½ score (+15=7–1), far ahead of Larsen, Efim Geller, and Robert Hübner, who tied for second at 15–8. Fischer's 3½-point margin set a new record for an Interzonal, beating Alexander Kotov's 3-point margin at Saltsjöbaden 1952. Fischer finished the tournament with seven consecutive wins (including a final-round walkover against Oscar Panno). Setting aside the Sousse Interzonal (which Fischer withdrew from while leading), Fischer's victory gave him a string of eight consecutive first prizes in tournaments. "The record books showed that the only comparable achievement to the 6–0 score against Taimanov was Wilhelm Steinitz's 7–0 win against Joseph Henry Blackburne in 1876 in an era of more primitive defensive technique."
Less than two months later, he astounded the chess world by beating Larsen in their Denver match by the same score. Just a year before, Larsen had played first board for the Rest of the World team ahead of Fischer, and had handed Fischer his only loss at the Interzonal. Garry Kasparov later wrote that no world champion had ever shown a superiority over his rivals comparable to Fischer's "incredible" 12–0 score in the two matches. Chess statistician Sonas concludes that this victory gave Fischer the "highest single-match performance rating ever".
In August 1971, Fischer won a strong lightning event at the Manhattan Chess Club with a "preposterous" score of 21½/22. This gave Fischer an extraordinary run of 20 consecutive wins against the world's top players (in the Interzonal and Candidates matches), a winning streak topped only by Steinitz's 25 straight wins in 1873–82. Petrosian won decisively in the second game, finally snapping Fischer's streak. After three consecutive draws, Fischer swept the next four games to win the match 6½–2½ (+5=3–1). The final match victory allowed Fischer to challenge World Champion Boris Spassky, whom he had never beaten (+0=2–3). Fischer appeared on the cover of Life.
Fischer's amazing results gave him a far higher rating than any player in history up until that time. On the July 1972 FIDE rating list, his Elo rating of 2785 was 125 points ahead of Spassky, the second-highest rated player (2660).
Before and during the match, Fischer paid special attention to his physical training and fitness, which was a relatively novel approach for top chess players at that time. He had developed his tennis skills to a good level, and played frequently during off-days in Reykjavik. He also had arranged for exclusive use of his hotel's swimming pool during specified hours, and swam for extended periods, usually late at night.
The match took place in Reykjavík from July through September 1972. Fischer lost the first two games in strange fashion: the first when he played a risky pawn-grab in a drawn endgame, the second by forfeit when he refused to play the game in a dispute over playing conditions. Fischer would likely have forfeited the entire match, but Spassky, not wanting to win by default, yielded to Fischer's demands to move the next game to a back room, away from the cameras whose presence had upset Fischer. After that game, the match was moved back to the stage and proceeded without further serious incident. Fischer won seven of the next 19 games, losing only one and drawing eleven, to win the match 12½–8½ and become the 11th World Chess Champion. It was called "The Match of the Century", and received front-page media coverage in the United States and around the world. Fischer's win was an American victory in a field that Soviet players had dominated for the past quarter-century — players closely identified with, and subsidized by, the Soviet state. Dutch grandmaster Jan Timman calls Fischer's victory "the story of a lonely hero who overcomes an entire empire".
Fischer became an instant celebrity. Upon his return to New York, a Bobby Fischer Day was held, and he was cheered by thousands of fans, a unique display in American chess. He was offered numerous product endorsement offers worth "at least $5 million" (all of which he declined) and appeared on the cover of Sports Illustrated. With American Olympic swimming champion Mark Spitz, he also appeared on a Bob Hope TV special. Membership in the United States Chess Federation doubled in 1972 and peaked in 1974; in American chess, these years are commonly referred to as the "Fischer Boom." Fischer also won the 'Chess Oscar' award for 1970, 1971, and 1972. This award, started in 1967, is determined through votes from chess media and leading players.
#The match should continue until one player wins 10 games, without counting the draws. #There is no limit to the total number of games played. #In case of a 9–9 score, champion (Fischer) retains his title and the prize fund is split equally.
A FIDE Congress was held in 1974 during the Nice Olympiad. The delegates voted in favor of Fischer's 10-win proposal, but rejected his other two proposals, and limited the number of games in the match to 36. In response to FIDE's ruling, Fischer sent a cable to Euwe on June 27, 1974: :As I made clear in my telegram to the FIDE delegates, the match conditions I proposed were non-negotiable. Mr. Cramer informs me that the rules of the winner being the first player to win ten games, draws not counting, unlimited number of games and if nine wins to nine match is drawn with champion regaining title and prize fund split equally were rejected by the FIDE delegates. By so doing FIDE has decided against my participating in the 1975 world chess championship. I therefore resign my FIDE world chess champion title. Sincerely, Bobby Fischer.
The delegates responded by reaffirming their prior decisions, but did not accept Fischer's resignation and requested that he reconsider. Many observers considered Fischer's requested 9–9 clause unfair because it would require the challenger to win by at least two games (10–8).
In a letter to Larry Evans, published in Chess Life in November 1974, Fischer claimed the usual system (24 games with the first player to get 12½ points winning, or the champion retaining his title in the event of a 12–12 tie) encouraged the player in the lead to draw games, which he regarded as bad for chess. Not counting draws would be "an accurate test of who is the world's best player." Former U.S. Champion Arnold Denker, who was in contact with Fischer during the negotiations with FIDE, claimed that Fischer wanted a long match to be able to play himself into shape after a three-year layoff.
Due to the continued efforts of US Chess Association officials, a special FIDE Congress was held in March 1975 in Oosterbeek, the Netherlands in which it was accepted that the match should be of unlimited duration, but the 9–9 clause was once again rejected, by a narrow margin of 35 votes to 32. FIDE set a deadline of April 1, 1975, for Fischer and Karpov to confirm their participation in the match. No reply was received from Fischer by April 3 and Karpov officially became World Champion by default. In his 1991 autobiography, Karpov expressed profound regret that the match did not take place, and claimed that the lost opportunity to challenge Fischer held back his own chess development. Karpov met with Fischer several times after 1975, in friendly but ultimately unsuccessful attempts to arrange a match.
On May 26, 1981, a police patrolman arrested Fischer while he was walking in Pasadena, saying that he matched the description of a man who had just committed a bank robbery in that area. Fischer stated that he was slightly injured during the arrest. He was then held for two days and — according to Fischer — was subjected to assault and various other types of serious mistreatment during that time. He was then released on $1000 bail. After being released, Fischer published a 14-page pamphlet detailing his alleged experiences and saying that his arrest had been "a frame up and set up."
In the early 1980s, Fischer stayed for extended periods in the San Francisco-area home of a friend, the Canadian Grandmaster Peter Biyiasas. In 1981, the two played 17 five-minute games. Despite his layoff from competitive play, Fischer won all of them, according to Biyiasas, who lamented that he was never even able to reach an endgame. The purse for Fischer's re-match with Spassky was US$5,000,000, with $3.35 million of that to go to the winner.
Fischer won the match, 10 wins to 5 losses, with 15 draws. Kasparov reportedly said, "Bobby is playing OK, nothing more. Maybe his strength is 2600 or 2650. It wouldn't be close between us." Fischer never played any competitive games afterwards.
Fischer and Spassky gave a total of ten press conferences during the match. Yasser Seirawan wrote, "After September 23 [1992], I threw most of what I'd ever read about Bobby out of my head. Sheer garbage. Bobby is the most misunderstood, misquoted celebrity walking the face of the earth." Seirawan wrote that Fischer is not camera shy, "smiles and laughs easily", and "is a wholly enjoyable conversationalist. A fine wit, he is a very funny man".
The U.S. Department of the Treasury had warned Fischer beforehand that his participation was illegal as it violated President George H. W. Bush's Executive Order 12810 that implemented United Nations sanctions against engaging in economic activities in Yugoslavia. In response, Fischer called a conference and, in front of the international press, literally spat on the U.S. order forbidding him to play, announcing "This is my reply". Following the match, the Department obtained an arrest warrant for him. Fischer remained wanted by the United States government for the rest of his life and never returned to the United States.
From 2000 to 2002, Fischer lived in Baguio City in the Philippines. Torre introduced Fischer to a 22-year-old woman named Marilyn Young. On May 21, 2001 Marilyn Young gave birth to a daughter named Jinky Young. Her mother claimed that Jinky was Fischer's daughter, citing as evidence Jinky's birth and baptismal certificates, photographs, a transaction record dated December 4, 2007 of a bank remittance by Fischer to Jinky, and Jinky's DNA through her blood samples. On the other hand, Magnús Skúlason, a friend of Fischer's, said that he was certain that Fischer was not the girl's father.
On August 17, 2010 it was reported that a DNA test revealed that Jinky Young is actually not the daughter of Bobby Fischer.
In 1984, Fischer denied being a Jew in a letter to the Encyclopedia Judaica, insisting that they remove his name and accusing them of "fraudulently misrepresenting me to be a Jew [...] to promote your religion". Although it was reported that Fischer as a teenager acknowledged that his mother was Jewish, Fischer's sudden re-emergence was apparently triggered when some of his belongings, which had been stored in a Pasadena, California storage unit, were sold by the landlord who claimed it was in response to nonpayment of rent. In 2005, some of Fischer's belongings were auctioned on eBay. In 2006, Fischer claimed that his belongings in the storage unit were worth millions.
Fischer's library contained anti-Semitic and white supremacist literature such as Mein Kampf, The Protocols of the Elders of Zion, and The White Man's Bible and Nature's Eternal Religion by Ben Klassen, founder of the Church of the Creator. A notebook written by Fischer is filled with sentiments such as "8/24/99 Death to the Jews. Just kill the Motherfuckers!" and "12/13/99 It's time to start randomly killing Jews."
Fischer drafted a letter to Osama bin Laden, which began:
Dear Mr. Osama bin Laden allow me to introduce myself. I am Bobby Fischer, the World Chess Champion. First of all you should know that I share your hatred of the murderous bandit state of "Israel" and its chief backer the Jew-controlled U.S.A. also know [sic] as the "Jewnited States" or "Israel West." We also have something else in common: We are both fugitives from the U.S. "justice" system.
After Fischer's death, chess columnist Shelby Lyman, who in 1972 had hosted the PBS broadcast of that year's Championship, said that "the anti-American stuff is explained by the fact that ... he spent the rest of his life [after the match in Yugoslavia] fleeing the US, because he was afraid of being extradited". In , authors IM Hans Böhm and Kees Jongkind write that Fischer's radio broadcasts show that he was "out of his mind ... a victim of his own mental illness".
Shortly before his departure to Iceland, on March 23, 2005, Fischer and Bosnitch appeared briefly on the BBC World Service, via a telephone link to the Tokyo airport. Bosnitch stated that Fischer would never play traditional chess again. Fischer denounced President Bush as a criminal and Japan as a puppet of the United States.
Upon his arrival in Reykjavík, Fischer was welcomed by a crowd and gave a news conference. He lived a reclusive life in Iceland, avoiding entrepreneurs and others who approached him with various proposals.
On December 10, 2006, Fischer telephoned an Icelandic television station and pointed out a winning combination, missed by the players and commentators, in a chess game that had been televised live in Iceland.
Fischer moved into an apartment in the same building as his closest friend and spokesman, Garðar Sverrisson, whose wife Kristín Þórarinsdóttir, a nurse, later looked after him as a terminally ill patient. Garðar's two children, especially his son, were very close to Fischer. Fischer also developed a friendship with Magnús Skúlason, a psychiatrist and chess player who later recalled long discussions with Fischer about a wide variety of subjects. Magnús Skúlason reported his last words as "Nothing is as healing as the human touch." On January 21, he was buried in the small Christian cemetery of Laugardælir church, outside the town of Selfoss, 60 km south-east of Reykjavík, after a Catholic funeral presided over by Fr. Jakob Rolland of the diocese of Reykjavik. In accordance with Fischer's wishes, no one else was present except Miyoko Watai, Garðar Sverrisson, and Garðar's family.
Fischer's estate was estimated at 140 million ISK (about GBP 1 million or US$ 2 million) and it quickly became the object of a legal battle involving claims from four parties: Fischer's apparent Japanese wife Miyoko Watai, his alleged Philippine daughter Jinky Young and her mother Marilyn Young, his two American nephews Alexander and Nicholas Targ and their father Russell Targ, and the American government (claiming unpaid taxes).
According to a press release issued by Samuel Estimo, an attorney representing Jinky Young, the Supreme Court of Iceland ruled in December 2009 that Watai's claim of marriage to Fischer was invalidated because of her failure to present the original of their alleged marriage certificate.
On June 16, 2010, Iceland's Supreme Court ruled in favor of a petition on behalf of Jinky Young to have Bobby Fischer's remains exhumed. This was performed on July 5, 2010 in the presence of a doctor, a priest and other officials. A DNA sample was taken and Fischer's body was then reburied. On August 17, 2010, the Court announced that the DNA sample had determined that Fischer was not the father of Jinky Young. He was one of the foremost experts on the Ruy Lopez. A line of the Exchange Variation (1.e4 e5 2.Nf3 Nc6 3.Bb5 a6 4.Bxc6 dxc6 5.0-0) is sometimes called the "Fischer Variation" after he successfully resurrected it at the 1966 Havana Olympiad. Fischer's lifetime score in tournament and match games with 5.0-0 was six wins, three draws, and no losses (83.3%).
He was a recognized expert in the Black side of the Najdorf Sicilian and the King's Indian Defense. He used the Grünfeld Defence and Neo-Grünfeld Defence to win his celebrated games against Donald and Robert Byrne, and played a theoretical novelty in the Grünfeld against reigning World Champion Mikhail Botvinnik, refuting Botvinnik's prior published analysis. In the Nimzo-Indian Defense, the line beginning with 1.d4 Nf6 2.c4 e6 3.Nc3 Bb4 4.e3 b6 5.Ne2 Ba6 was named for him.
Fischer established the viability of the so-called Poisoned Pawn Variation of the Najdorf Sicilian (1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6 6.Bg5 e6 7.f4 Qb6). This bold queen sortie, snatching a pawn at the expense of development, had been considered dubious, but Fischer succeeded in proving its soundness. Out of ten tournament and match games as Black in the Poisoned Pawn, Fischer won five, drew four, and lost only one, the 11th game of his 1972 match against Spassky. Following Fischer's use, the Poisoned Pawn became a respected line played by many of the world's leading players.
On the White side of the Sicilian, Fischer made advances to the theory of the line beginning 1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6 (or e6) 6.Bc4, which has sometimes been named for him. In 1961, prompted by a loss the year before to Spassky, Fischer wrote an article entitled "A Bust to the King's Gambit" for the first issue of the American Chess Quarterly, in which he stated, "In my opinion, the King's Gambit is busted. It loses by force." Fischer recommended 1.e4 e5 2.f4 exf4 3.Nf3 d6, which has since become known as the Fischer Defense to the King's Gambit. Surprisingly, Fischer later played the King's Gambit as White in three tournament games (preferring 3.Bc4 to 3.Nf3), winning them all.
The endgame of a rook, bishop, and pawns against a rook, knight, and pawns has sometimes been called the "Fischer Endgame" because of three instructive wins by Fischer (with the bishop) in 1970 and 1971 over Mark Taimanov. One of the games was in the 1970 Interzonal and the other two were in their 1971 quarter-final candidates match.
On June 19, 1996, in Buenos Aires, Argentina, Fischer announced and advocated a variant of chess called Fischer Random Chess, also known as Chess960, that is intended to allow players to contest games based on their understanding of chess rather than their ability to memorize opening variations.
Fischer Random was designed to remove the importance of opening book memorization. Fischer complained in a 2006 phoned-in call with a television interviewer that because of the progress in memorization of opening books, talented celebrity players from long ago, if brought back from the dead to play today, would no longer be competitive. "Some kid of fourteen today, or even younger, could get an opening advantage against Capablanca", he said, merely because of opening-book memorization, which Fischer disdained. "Now chess is completely dead. It is all just memorization and prearrangement. It's a terrible game now. Very uncreative." Fischer heavily disparaged chess as it was currently being played at the highest levels.
Fischer was a charter inductee into the United States Chess Hall of Fame in Washington, D.C. in 1985. After routing Taimanov, Larsen, and Petrosian in 1971, Fischer achieved a then-record Elo rating of 2785.
Fischer's great rival Mikhail Tal praised him as "the greatest genius to have descended from the chess heavens." American Grandmaster Arthur Bisguier, who won his first tournament game against Fischer, drew his second, and lost the remaining 13, wrote "Robert James Fischer is one of the few people in any sphere of endeavour who has been accorded the accolade of being called a legend in his own time."
Kasparov wrote that Fischer "became the detonator of an avalanche of new chess ideas, a revolutionary whose revolution is still in progress." In January 2009, reigning world champion Viswanathan Anand described him as "the greatest chess player who ever lived. He was a very special person, and I was fortunate to meet him two years ago." Serbian Grandmaster Ljubomir Ljubojević called Fischer, "A man without frontiers. He didn't divide the East and the West, he brought them together in their admiration of him."
German Grandmaster Karsten Müller wrote:
Fischer, who had taken the highest crown almost singlehandedly from the mighty, almost invincible Soviet chess empire, shook the whole world, not only the chess world, to its core. He started a chess boom not only in the United States and in the Western hemisphere, but worldwide. Teaching chess or playing chess as a career had truly become a respectable profession. After Bobby, the game was simply not the same.
St. Louis philanthropist Rex A. Sinquefield offered a $64,000 Fischer Memorial Prize for any player who could win all nine games at the 2009 US Chess Championship. By the fifth day of the championship, all 24 participants became ineligible for the prize, having drawn or lost at least one game.
Category:Articles with inconsistent citation formats Category:1943 births Category:2008 deaths Category:American chess players Category:American chess writers Category:American refugees Category:Antisemitism Category:Chess grandmasters Category:Deaths from renal failure Category:Holocaust deniers Category:American expatriates in Iceland Category:American people of Hungarian descent Category:Icelandic people Category:People from Brooklyn Category:People from Chicago, Illinois Category:American people of Polish descent Category:American people of German descent Category:World chess champions Category:Chess Olympiad competitors Category:Chess theoreticians Category:People of Jewish descent Category:Jewish chess players
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Name | Bob Hope |
---|---|
Caption | Bob Hope in The Ghost Breakers (1940) |
Birth name | Leslie Townes Hope |
Birth date | May 29, 1903 |
Birth place | Eltham, London, England |
Death date | July 27, 2003 |
Death place | Toluca Lake, California, U.S. |
Years active | 1925–2001 |
Occupation | Actor, Comedian, Author |
Spouse | Grace Louise Troxell (m.1933)Dolores Hope (1934–2003) |
Bob Hope, KBE, KCSG, KSS (born Leslie Townes Hope; May 29, 1903 – July 27, 2003) was an American comedian and actor who appeared in vaudeville, on Broadway, and in radio, television and movies. He was also noted for his work with the US Armed Forces and his numerous USO shows entertaining American military personnel. Throughout his career, he was honored for his humanitarian work. In 1996, the U.S. Congress honored Bob Hope by declaring him the "first and only honorary veteran of the U.S. armed forces." Bob Hope appeared in or hosted 199 known USO shows.
From the age of 12, he worked at a variety of odd jobs at a local boardwalk. He would busk, doing dance and comedy patter to make extra money (oftentimes on the trolley to Luna Park). He entered many dancing and amateur talent contests (as Lester Hope),
In 1918 at the age of 15 he was admitted (as Lester Hope) to the Boys Industrial School in Lancaster, Ohio. Formerly known as the Ohio Reform School, this was one of the more innovative, progressive institutions for juvenile offenders. As an adult, Hope donated sizable sums of money to the institution.
Silent film comedian Fatty Arbuckle saw one of his performances with his first partner, Lloyd "Lefty" Durbin, and in 1925 got the pair steady work with Hurley's Jolly Follies. Within a year, Hope had formed an act called the Dancemedians with George Byrne and the Hilton Sisters, conjoined twins who had a tap dancing routine. Hope and his partner George Byrne had an act as a pair of Siamese twins as well, and both danced and sang while wearing blackface, before friends advised Hope that he was funnier as himself. In 1929, he changed his first name to "Bob". In one version of the story, he named himself after racecar driver Bob Burman. In another, he said he chose Bob because he wanted a name with a friendly "Hiya Fellas!" sound to it. After five years on the vaudeville circuit, by his own account, Hope was surprised and humbled when he and his partner (and future wife) Grace Louise Troxell failed a 1930 screen test for Pathé at Culver City, California.
Paramount Pictures signed Hope for the 1938 film The Big Broadcast of 1938. During a duet with Shirley Ross as accompanied by Shep Fields and his orchestra, Hope introduced the song later to become his trademark, "Thanks for the Memory", which became a major hit and was praised by critics. The sentimental, fluid nature of the music allowed Hope's writers (whom he is said to have depended upon heavily throughout his career) to later invent endless variations of the song to fit specific circumstances, such as bidding farewell to troops while on tour.
Hope became one of Paramount's biggest stars, and would remain with the studio through the 1950s. Hope's regular appearances in Hollywood films and radio made him one of the best known entertainers in North America, and at the height of his career he was also making a large income from live concert performances. at Walt Disney World's Disney's Hollywood Studios theme park]] As a movie star, he was best known for My Favorite Brunette and the highly successful "Road" movies in which he starred with Bing Crosby and Dorothy Lamour. Hope had seen Lamour as a nightclub singer in New York, and invited her to work on his USO tours. Lamour is said to have arrived for filming prepared with her lines, only to be baffled by completely re-written scripts from Hope's writers without studio permission. Hope and Lamour were lifelong friends, and she is the actress most associated with his film career. Other female co-stars included Paulette Goddard, Lucille Ball, Jane Russell, and Hedy Lamarr.
Hope was host of the Academy Awards ceremony 18 times between 1939 and 1977. His feigned lust for an Academy Award became part of his act. In one scene from Road to Morocco he erupted in a frenzy, shouting about his imminent death from exposure. Bing Crosby reminds him that rescue is just minutes away, and a disappointed Hope complains that Crosby has spoiled his best scene, and thus his chance for an Academy Award. Also, in The Road to Bali, when Crosby finds Humphrey Bogart's Oscar for The African Queen, Hope grabs it, saying "Give me that. You've got one." Although Hope was never nominated for an Oscar for his performances (Bing Crosby won the Best Actor for Going My Way in 1944), the Academy of Motion Picture Arts and Sciences honored him with four honorary awards, and in 1960, the Jean Hersholt Humanitarian Award. While introducing the 1968 telecast, he quipped, "Welcome to the Academy Awards, or, as it's known at my house, Passover."
Hope first appeared on television in 1932 during a test transmission from an experimental CBS studio in New York. In January 1947, Hope was master of ceremonies for the first telecast by California's first television station, KTLA. His career in broadcasting spanned 64 years and included a long association with NBC. Hope made his network radio debut in 1937 on NBC. His first regular series for NBC Radio was the Woodbury Soap Hour. A year later, The Pepsodent Show Starring Bob Hope began, continuing as The New Swan Show in 1948 (for the same sponsor, Lever Brothers). After 1950, the series was known simply as The Bob Hope Show, with Liggett & Myers (1950–52), General Foods (1953) and American Dairy Association (1953–55) as his sponsors, until it finally went off the air in April 1955. Regulars on his radio series included zany Jerry Colonna and Barbara Jo Allen as spinster Vera Vague. and Bob Hope as caricatured by Sam Berman for NBC's 1947 promotional book.]]
Hope did many specials for the NBC television network in the following decades, beginning in April 1950. These were often sponsored by General Motors (1955–61), Chrysler (1963–73) and Texaco (1975–85), and Hope served as a spokesman for both companies for many years and would sometimes introduce himself as "Bob, from Texaco, Hope." Hope's Christmas specials were popular favorites and often featured a performance of "Silver Bells" (from his 1951 film The Lemon Drop Kid) done as a duet with an often much younger female guest star (such as Olivia Newton-John, Barbara Eden, and Brooke Shields).
In October 1956, Hope appeared on an episode of the most-viewed program in America at the time, I Love Lucy. He said, upon receiving the script: "What? A script? I don't need one of these", and ad-libbed the entire episode. Desi Arnaz said of Hope after his appearance: "Bob is a very nice man, he can crack you up, no matter how much you try for him to not." Lucy and Desi returned the favor by appearing on one of his Chevy Show specials (with Vivian Vance and William Frawley) later that season.
Hope's 1970 and 1971 Christmas specials for NBC—filmed in Vietnam in front of military audiences at the height of the war—are on the list of the Top 30 U.S. Network Primetime Telecasts of All Time. Both were seen by more than 60% of the U.S. households watching television.
In 1992, Bob Hope made a guest appearance as himself on The Simpsons, in the episode "Lisa the Beauty Queen" (season 4, episode 4). The episode attracted 11.1 million viewers when it premiered on October 15. His final television special, Laughing with the Presidents, was broadcast in 1996, with Tony Danza helping Hope present a personal retrospective of presidents of the United States known to the comedian.
Of Hope's USO shows in World War II, writer John Steinbeck, who was then working as a war correspondent, wrote in 1943:
A 1997 act of Congress signed by President Clinton named Hope an "Honorary Veteran." He remarked, "I've been given many awards in my lifetime — but to be numbered among the men and women I admire most — is the greatest honor I have ever received."
Hope appeared in so many theaters of war over the decades that it was often cracked (in Bob Hope style) that "Where there's death, there's Hope".
In 2009, Stephen Colbert carried a golf club on stage each night during his own week-long USO performance and taping of The Colbert Report and explained in his last episode that it was an homage to Hope.
Hope rescued Eltham Little Theatre from closure by providing the funds to buy the property, he continued his interest and support and regularly visited when in London. The Theatre was renamed in his honor in 1982.
The Bob Hope Classic was founded in 1960, and is currently the only FedEx Cup tournament that takes place over five rounds. The tournament made history in 1995, when Hope teed up for the opening round in a foursome that included Presidents Gerald R. Ford, George H.W. Bush and Bill Clinton – the only time ever that three presidents participated in a golf foursome.
Hope would frequently use his television specials to promote the annual College Football All-America Team. The team members would enter the stage one by one and introduce themselves, and Hope would then give a one-liner about the player or his school. Hope would often don a football uniform for these presentations.
Hope crafted his very public persona over the years into a monument personifying American values and good will. His trademark style of humor was benign, never crude, rude, or offensive. This image did not wholly coincide with his private life; his womanizing was common knowledge to Hollywood insiders.
Hope celebrated his 100th birthday on May 29, 2003. He is among a small group of notable centenarians in the field of entertainment. To mark this event, the intersection of Hollywood and Vine in Los Angeles, California was named Bob Hope Square and his centennial was declared Bob Hope Day in 35 states. Hope spent the day privately in his Toluca Lake, Los Angeles home where he had lived since 1937. Even at 100, Hope was said to have maintained his self-deprecating sense of humor, quipping, "I'm so old, they've canceled my blood type." He converted to Roman Catholicism and was a devout Catholic.
Beginning in 2000, Hope's health steadily declined and he was hospitalized several times before his death. In June 2000 he spent nearly a week in a California hospital after being hospitalized for gastrointestinal bleeding. In August 2001, he spent close to two weeks in the hospital recovering from pneumonia.
On July 27, 2003, Bob Hope died at his home in Toluca Lake at 9:28 p.m. According to the Soledad O'Brien interview with Hope's grandson Zach, when asked on his deathbed where he wanted to be buried, Hope told his wife, "Surprise me." He was interred in the Bob Hope Memorial Garden at San Fernando Mission Cemetery in Los Angeles, where his mother is also buried.
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