Music borrowed from Telepopmusik "Breathe" CREDITS LIST -47 Ronin -Jack the Giant Killer -The Amazing Spiderman -The Girl with the Dragon Tattoo -New Year's Eve -Transformers: Dark of the Moon -Tron Legacy -Sorcerer’s Apprentice -Due Date -Alice in Wonderland -Nightmare on Elm Street -2012 -Transformers: Revenge of the Fallen -GI Joe: Rise of Cobra -Star Trek -The Curious Case of Benjamin Button -The Mummy: Tomb of the Dragon Emperor -Speed Racer -Golden Compass -Meet Dave -Alien vs Predator: Requiem -The Seeker: Dark is Rising -Live Free or Die Hard -Fantastic Four: Rise of the Silver Surfer -The Invasion -Nancy Drew -Shooter -300 -Little Man -X-Men 3: The Last Stand -Poseidon EXPERIENCE Compositor, Digital Domain; Venice, CA — Sept 2011 - Present -Currently compositing on The Girl with the Dragon Tattoo. Work is confidential for now. Senior Compositor, Method; Santa Monica, CA — July 2011 - Sept 2011 -Developed look on RAM bot and plasma axe on Verizon Droid’s “Arena.” Pulled greenscreens, integrated talent fighting with a plasma axe against a cg robot with sparks, fire, smoke, and glass from impact hits. Composited 26 shots in 5 weeks. -Assisted in look development on establishing master shot for Kia’s “More Soul”. Added falling debris, embers, fire, smoke, lasers, tweaked cg armies, robots and projected matte painting buildings. -Keyed panning shots of crowds and replaced a head for New Year’s Eve Compositor, Digital Domain; Venice, CA — June 2010 - June 2011 -Adjusted various AOVs on robots, tweaked eye treatments on Transformers: Dark of the Moon. Integrated and created shadows and reflections for robots. Integrated smoke plumes, destruction onto buildings, projected various fx elements from internal library of debris, fire, glass, dirt, soot, and smoke onto cards. Prepared and packaged scripts for outsourcing mono shots to conversion vendors as well as fixed disparity, polarization and depth issues on stereo shots internally. -Pulled blue screen keys, adjusted AOVs on CLU, integrated cg head with real collar, tweaked discs, suit glow and lens flare treatments to match surrounding shots on Tron Legacy. Used Ocula and various comp tricks to fix stereo alignment, depth and polarization issues. Senior Compositor, Method; Santa Monica, CA — Feb 2010 - June 2010 -Returned to lead team on integrating expanded fleshy gaping holes on Freddy’s face on Nightmare on Elm Street -Keyed reflections from bluescreens for car comps and integrated smoke on Due Date Senior Compositor, Sony Imageworks; Culver City, CA — Nov 2009 - Jan 2010 -Composited shots for left eye and generated right eye plate for stereo 3D on Alice in Wonderland Keyed hair details on Alice, Mad Hatter, White Queen and Red Queen on various overlapping greenscreen patches, color corrected cg characters and red knights to integrate with scene. Senior Compositor, Method; Santa Monica, CA — Jul 2009 - Nov 2009 -Designed 2D facial rig macro, allowing compositors to animate eyes and morph between mouth expressions on medium and wide shots on Absolut Robots -Integrated cg decayed cheek onto Freddy Kruger for Nightmare on Elm Street -Aided in look development on several sequences Senior Compositor, Sony Imageworks; Culver City, CA — Apr 2009 - Jul 2009 -Selectively isolated and color corrected plate and cg ark and Y-tower passes, pulled and combined multiple Primatte and Keylight keys to extract fine blowing hair and fur detail on uneven, underlit bluescreen on 2012 Digital Artist, Digital Domain; Venice, CA — Aug 2007- Apr 2009 -Painted out original head, warped live action collar for head replacement integration and adjusted cg head passes on old Benjamin in The Curious Case of Benjamin Button -Composited smoke, water splashes and cg nanomites, finalized keys on greenscreen crowds, integrated running crowds with driving cars for GI JOE: Rise of Cobra Flame Artist, Hydraulx; Santa Monica, CA — May 2007 - Aug 2007 -Composited laser beams, enhanced alien blood, reanimated actors’ limbs, removed pre-existing predator from foggy and raining plates on AVP: Requiem Roto/Paint Artist, Hydraulx; Santa Monica, CA — Jan 2006 - May 2007 -Stitched, tracked, warped, and re-grained patches for wire and rig removal -Rotoscoped and keyed plates to generate articulate mattes for flame artists Junior Compositor, Pendulum; San Diego, CA — Jan 2004 - Nov 2005 -Composited live action smoke and fire into environments and tweaked cg passes on E3 Trailer for Call of Duty: Finest Hour -Adjusted cg passes for 266 shots on the pre-rendered game cinematics for LA Rush SKILLS -Fixing disparity, depth and polarization issues on stereo shows -Projecting textures and plates onto cards and geo -Multi-pass compositing -Pulling and combining different selective keys -Warping animated sequences -Color correcting interactive lighting and shadows -Matching composite to surrounding shots in sequences -Resourceful

Music borrowed from Telepopmusik "Breathe" CREDITS LIST -47 Ronin -Jack the Giant Killer -The Amazing Spiderman -The Girl with the Dragon Tattoo -New Year's Eve -Transformers: Dark of the Moon -Tron Legacy -Sorcerer’s Apprentice -Due Date -Alice in Wonderland -Nightmare on Elm Street -2012 -Transformers: Revenge of the Fallen -GI Joe: Rise of Cobra -Star Trek -The Curious Case of Benjamin Button -The Mummy: Tomb of the Dragon Emperor -Speed Racer -Golden Compass -Meet Dave -Alien vs Predator: Requiem -The Seeker: Dark is Rising -Live Free or Die Hard -Fantastic Four: Rise of the Silver Surfer -The Invasion -Nancy Drew -Shooter -300 -Little Man -X-Men 3: The Last Stand -Poseidon EXPERIENCE Compositor, Digital Domain; Venice, CA — Sept 2011 - Present -Currently compositing on The Girl with the Dragon Tattoo. Work is confidential for now. Senior Compositor, Method; Santa Monica, CA — July 2011 - Sept 2011 -Developed look on RAM bot and plasma axe on Verizon Droid’s “Arena.” Pulled greenscreens, integrated talent fighting with a plasma axe against a cg robot with sparks, fire, smoke, and glass from impact hits. Composited 26 shots in 5 weeks. -Assisted in look development on establishing master shot for Kia’s “More Soul”. Added falling debris, embers, fire, smoke, lasers, tweaked cg armies, robots and projected matte painting buildings. -Keyed panning shots of crowds and replaced a head for New Year’s Eve Compositor, Digital Domain; Venice, CA — June 2010 - June 2011 -Adjusted various AOVs on robots, tweaked eye treatments on Transformers: Dark of the Moon. Integrated and created shadows and reflections for robots. Integrated smoke plumes, destruction onto buildings, projected various fx elements from internal library of debris, fire, glass, dirt, soot, and smoke onto cards. Prepared and packaged scripts for outsourcing mono shots to conversion vendors as well as fixed disparity, polarization and depth issues on stereo shots internally. -Pulled blue screen keys, adjusted AOVs on CLU, integrated cg head with real collar, tweaked discs, suit glow and lens flare treatments to match surrounding shots on Tron Legacy. Used Ocula and various comp tricks to fix stereo alignment, depth and polarization issues. Senior Compositor, Method; Santa Monica, CA — Feb 2010 - June 2010 -Returned to lead team on integrating expanded fleshy gaping holes on Freddy’s face on Nightmare on Elm Street -Keyed reflections from bluescreens for car comps and integrated smoke on Due Date Senior Compositor, Sony Imageworks; Culver City, CA — Nov 2009 - Jan 2010 -Composited shots for left eye and generated right eye plate for stereo 3D on Alice in Wonderland Keyed hair details on Alice, Mad Hatter, White Queen and Red Queen on various overlapping greenscreen patches, color corrected cg characters and red knights to integrate with scene. Senior Compositor, Method; Santa Monica, CA — Jul 2009 - Nov 2009 -Designed 2D facial rig macro, allowing compositors to animate eyes and morph between mouth expressions on medium and wide shots on Absolut Robots -Integrated cg decayed cheek onto Freddy Kruger for Nightmare on Elm Street -Aided in look development on several sequences Senior Compositor, Sony Imageworks; Culver City, CA — Apr 2009 - Jul 2009 -Selectively isolated and color corrected plate and cg ark and Y-tower passes, pulled and combined multiple Primatte and Keylight keys to extract fine blowing hair and fur detail on uneven, underlit bluescreen on 2012 Digital Artist, Digital Domain; Venice, CA — Aug 2007- Apr 2009 -Painted out original head, warped live action collar for head replacement integration and adjusted cg head passes on old Benjamin in The Curious Case of Benjamin Button -Composited smoke, water splashes and cg nanomites, finalized keys on greenscreen crowds, integrated running crowds with driving cars for GI JOE: Rise of Cobra Flame Artist, Hydraulx; Santa Monica, CA — May 2007 - Aug 2007 -Composited laser beams, enhanced alien blood, reanimated actors’ limbs, removed pre-existing predator from foggy and raining plates on AVP: Requiem Roto/Paint Artist, Hydraulx; Santa Monica, CA — Jan 2006 - May 2007 -Stitched, tracked, warped, and re-grained patches for wire and rig removal -Rotoscoped and keyed plates to generate articulate mattes for flame artists Junior Compositor, Pendulum; San Diego, CA — Jan 2004 - Nov 2005 -Composited live action smoke and fire into environments and tweaked cg passes on E3 Trailer for Call of Duty: Finest Hour -Adjusted cg passes for 266 shots on the pre-rendered game cinematics for LA Rush SKILLS -Fixing disparity, depth and polarization issues on stereo shows -Projecting textures and plates onto cards and geo -Multi-pass compositing -Pulling and combining different selective keys -Warping animated sequences -Color correcting interactive lighting and shadows -Matching composite to surrounding shots in sequences -Resourceful

Music borrowed from Telepopmusik "Breathe" CREDITS LIST -47 Ronin -Jack the Giant Killer -The Amazing Spiderman -The Girl with the Dragon Tattoo -New Year's Eve -Transformers: Dark of the Moon -Tron Legacy -Sorcerer’s Apprentice -Due Date -Alice in Wonderland -Nightmare on Elm Street -2012 -Transformers: Revenge of the Fallen -GI Joe: Rise of Cobra -Star Trek -The Curious Case of Benjamin Button -The Mummy: Tomb of the Dragon Emperor -Speed Racer -Golden Compass -Meet Dave -Alien vs Predator: Requiem -The Seeker: Dark is Rising -Live Free or Die Hard -Fantastic Four: Rise of the Silver Surfer -The Invasion -Nancy Drew -Shooter -300 -Little Man -X-Men 3: The Last Stand -Poseidon EXPERIENCE Compositor, Digital Domain; Venice, CA — Sept 2011 - Present -Currently compositing on The Girl with the Dragon Tattoo. Work is confidential for now. Senior Compositor, Method; Santa Monica, CA — July 2011 - Sept 2011 -Developed look on RAM bot and plasma axe on Verizon Droid’s “Arena.” Pulled greenscreens, integrated talent fighting with a plasma axe against a cg robot with sparks, fire, smoke, and glass from impact hits. Composited 26 shots in 5 weeks. -Assisted in look development on establishing master shot for Kia’s “More Soul”. Added falling debris, embers, fire, smoke, lasers, tweaked cg armies, robots and projected matte painting buildings. -Keyed panning shots of crowds and replaced a head for New Year’s Eve Compositor, Digital Domain; Venice, CA — June 2010 - June 2011 -Adjusted various AOVs on robots, tweaked eye treatments on Transformers: Dark of the Moon. Integrated and created shadows and reflections for robots. Integrated smoke plumes, destruction onto buildings, projected various fx elements from internal library of debris, fire, glass, dirt, soot, and smoke onto cards. Prepared and packaged scripts for outsourcing mono shots to conversion vendors as well as fixed disparity, polarization and depth issues on stereo shots internally. -Pulled blue screen keys, adjusted AOVs on CLU, integrated cg head with real collar, tweaked discs, suit glow and lens flare treatments to match surrounding shots on Tron Legacy. Used Ocula and various comp tricks to fix stereo alignment, depth and polarization issues. Senior Compositor, Method; Santa Monica, CA — Feb 2010 - June 2010 -Returned to lead team on integrating expanded fleshy gaping holes on Freddy’s face on Nightmare on Elm Street -Keyed reflections from bluescreens for car comps and integrated smoke on Due Date Senior Compositor, Sony Imageworks; Culver City, CA — Nov 2009 - Jan 2010 -Composited shots for left eye and generated right eye plate for stereo 3D on Alice in Wonderland Keyed hair details on Alice, Mad Hatter, White Queen and Red Queen on various overlapping greenscreen patches, color corrected cg characters and red knights to integrate with scene. Senior Compositor, Method; Santa Monica, CA — Jul 2009 - Nov 2009 -Designed 2D facial rig macro, allowing compositors to animate eyes and morph between mouth expressions on medium and wide shots on Absolut Robots -Integrated cg decayed cheek onto Freddy Kruger for Nightmare on Elm Street -Aided in look development on several sequences Senior Compositor, Sony Imageworks; Culver City, CA — Apr 2009 - Jul 2009 -Selectively isolated and color corrected plate and cg ark and Y-tower passes, pulled and combined multiple Primatte and Keylight keys to extract fine blowing hair and fur detail on uneven, underlit bluescreen on 2012 Digital Artist, Digital Domain; Venice, CA — Aug 2007- Apr 2009 -Painted out original head, warped live action collar for head replacement integration and adjusted cg head passes on old Benjamin in The Curious Case of Benjamin Button -Composited smoke, water splashes and cg nanomites, finalized keys on greenscreen crowds, integrated running crowds with driving cars for GI JOE: Rise of Cobra Flame Artist, Hydraulx; Santa Monica, CA — May 2007 - Aug 2007 -Composited laser beams, enhanced alien blood, reanimated actors’ limbs, removed pre-existing predator from foggy and raining plates on AVP: Requiem Roto/Paint Artist, Hydraulx; Santa Monica, CA — Jan 2006 - May 2007 -Stitched, tracked, warped, and re-grained patches for wire and rig removal -Rotoscoped and keyed plates to generate articulate mattes for flame artists Junior Compositor, Pendulum; San Diego, CA — Jan 2004 - Nov 2005 -Composited live action smoke and fire into environments and tweaked cg passes on E3 Trailer for Call of Duty: Finest Hour -Adjusted cg passes for 266 shots on the pre-rendered game cinematics for LA Rush SKILLS -Fixing disparity, depth and polarization issues on stereo shows -Projecting textures and plates onto cards and geo -Multi-pass compositing -Pulling and combining different selective keys -Warping animated sequences -Color correcting interactive lighting and shadows -Matching composite to surrounding shots in sequences -Resourceful