Television (TV) is the most widely used telecommunication medium for transmitting and receiving moving images that are either monochromatic ("black and white") or color, usually accompanied by sound. "Television" may also refer specifically to a television set, television programming or television transmission. The word is derived from mixed Latin and Greek roots, meaning "far sight": Greek tele (λε}}), far, and Latin visio, sight (from video, vis- to see, or to view in the first person).
Commercially available since the late 1920s, the television set has become ubiquitous in homes, businesses and institutions, particularly as a source of entertainment and news. Since the 1970s the availability of video cassettes, laserdiscs, DVDs and now Blu-ray Discs, have resulted in the television set frequently being used for viewing recorded as well as broadcast material. In recent years Internet television has seen the rise of television available via the Internet, e.g. iPlayer and Hulu.
Although other forms such as closed-circuit television (CCTV) are in use, the most common usage of the medium is for broadcast television, which was modeled on the existing radio broadcasting systems developed in the 1920s, and uses high-powered radio-frequency transmitters to broadcast the television signal to individual TV receivers.
Broadcast TV is typically disseminated via radio transmissions on designated channels in the 54–890 MHz frequency band.
WRGB claims to be the world's oldest television station, tracing its roots to an experimental station founded on January 13, 1928, broadcasting from the General Electric factory in Schenectady, NY, under the call letters W2XB. It was popularly known as "WGY Television" after its sister radio station. Later in 1928, General Electric started a second facility, this one in New York City, which had the call letters W2XBS, and which today is known as WNBC. The two stations were experimental in nature and had no regular programming, as receivers were operated by engineers within the company. The image of a Felix the Cat doll, rotating on a turntable, was broadcast for 2 hours every day for several years, as new technology was being tested by the engineers.
The first practical use of television was in Germany. Regular television broadcasts began in Germany in 1929 and in 1936 the Olympic Games in Berlin were broadcast to television stations in Berlin and Leipzig where the public could view the games live.
On 2 November 1936 the BBC began transmitting the world's first regular high definition service.
In 1936, Kálmán Tihanyi described the principle of plasma television, the first flat panel system.
Mexican inventor Guillermo González Camarena also played an important role in early television. His experiments with television (known as telectroescopía at first) began in 1931 and led to a patent for the "trichromatic field sequential system" color television in 1940, as well as the remote control.
Although television was first introduced to the general public at the 1939 World's Fair, the outbreak of World War II prevented it from being manufactured on a large scale until after the end of the war. True regular commercial network television programming did not begin in the U.S. until 1948. During that year, legendary conductor Arturo Toscanini made his first of ten TV appearances conducting the NBC Symphony Orchestra, and Texaco Star Theater, starring comedian Milton Berle, became television's first gigantic hit show.
Geographical usage
[[Image:TV-introduction-world-map.svg|350px|thumb|Television introduction by country
]]
Timeline of the introduction of television in countries
Content
Programming
Getting TV programming shown to the public can happen in many different ways. After production the next step is to market and deliver the product to whatever markets are open to using it. This typically happens on two levels:
#Original Run or First Run: a producer creates a program of one or multiple episodes and shows it on a station or network which has either paid for the production itself or to which a license has been granted by the producers to do the same.
#Broadcast syndication: this is the terminology rather broadly used to describe secondary programming usages (beyond original run). It includes secondary runs in the country of first issue, but also international usage which may not be managed by the originating producer. In many cases other companies, TV stations or individuals are engaged to do the syndication work, in other words to sell the product into the markets they are allowed to sell into by contract from the copyright holders, in most cases the producers.
First run programming is increasing on subscription services outside the U.S., but few domestically produced programs are syndicated on domestic free-to-air (FTA) elsewhere. This practice is increasing however, generally on digital-only FTA channels, or with subscriber-only first-run material appearing on FTA.
Unlike the U.S., repeat FTA screenings of a FTA network program almost only occur on that network. Also, affiliates rarely buy or produce non-network programming that is not centred around local events.
Funding
[[Image:TV users.svg|thumb|400px|right|Television sets per 1000 people of the world
]]
Around the globe, broadcast television is financed by either government, advertising, licensing (a form of tax), subscription or any combination of these. To protect revenues, subscription TV channels are usually encrypted to ensure that only subscription payers receive the decryption codes to see the signal. Unencrypted channels are known as free to air or FTA.
In 2009 the global TV market represented 1,217.2 million TV households with at least one television, and total revenues of 268.9 billion EUR (declining 1.2% compared to 2008). North America had the biggest TV revenue market share with 39%, followed by Europe (31%), Asia-Pacific (21%), Latin America (8%) and Africa and the Middle East (2%).
Globally, the different TV revenue sources divide into 45 to 50% TV advertising revenues, 40 to 45% subscription fees and 10% public funding.
Advertising
Television's broad reach makes it a powerful and attractive medium for
advertisers. Many
television networks and stations sell blocks of broadcast time to advertisers ("sponsors") in order to fund their programming.
Market share
This is a Worldwide TV Shipments by Technology as of Q2 2010.
This is Worldwide Flat Panel TV Brand Rankings by Revenue Share as of Q2 2010.
United States
Since inception in the U.S. in 1940,
TV commercials have become one of the most effective, persuasive, and popular method of selling products of many sorts, especially consumer goods. During the 1940s and into the 1950s, programs were hosted by single advertisers. This, in turn, gave great creative license to the advertisers over the content of the show. Due to the
quiz show scandals in the 1950s, networks shifted to the magazine concept introducing commercial breaks with multiple advertisers. The networks effectively ended advertisers influence over television programming with this introduction.
U.S. advertising rates are determined primarily by Nielsen ratings. The time of the day and popularity of the channel determine how much a television commercial can cost. For example, the highly popular American Idol can cost approximately $750,000 for a thirty second block of commercial time; while the same amount of time for the World Cup and the Super Bowl can cost several million dollars. Conversely, lesser-viewed time slots, such as early mornings and weekday afternoons, are often sold in bulk to producers of infomercials.
In recent years, the paid program or infomercial has become common, usually in lengths of 30 minutes or one hour. Some drug companies and other businesses have even created "news" items for broadcast, known in the industry as video news releases, paying program directors to use them.
Some TV programs also weave advertisements into their shows, a practice begun in film and known as product placement. For example, a character could be drinking a certain kind of soda, going to a particular chain restaurant, or driving a certain make of car. (This is sometimes very subtle, where shows have vehicles provided by manufacturers for low cost, rather than wrangling them.) Sometimes a specific brand or trade mark, or music from a certain artist or group, is used. (This excludes guest appearances by artists, who perform on the show.)
United Kingdom
The TV regulator oversees TV advertising in the United Kingdom. Its restrictions have applied since the early days of commercially funded TV. Despite this, an early TV mogul,
Roy Thomson, likened the broadcasting licence as being a "licence to print money". Restrictions mean that the big three national commercial TV channels:
ITV,
Channel 4, and
Five can show an average of only seven minutes of advertising per hour (eight minutes in the peak period). Other broadcasters must average no more than nine minutes (twelve in the peak). This means that many imported TV shows from the US have unnatural breaks where the UK company has edited out the breaks intended for US advertising. Advertisements must not be inserted in the course of certain specific proscribed types of programs which last less than half an hour in scheduled duration; this list includes any news or current affairs program, documentaries, and programs for children. Nor may advertisements be carried in a program designed and broadcast for reception in schools or in any religious service or other devotional program, or during a formal Royal ceremony or occasion. There also must be clear demarcations in time between the programs and the advertisements.
The BBC, being strictly non-commercial is not allowed to show advertisements on television in the UK, although it has many advertising-funded channels abroad. The majority of its budget comes from TV licencing (see below) and the sale of content to other broadcasters.
Ireland
The
Broadcasting Commission of Ireland (
BCI) () oversees advertising on television and radio within
Ireland on both private and state owned broadcasters. Similar to other European countries, advertising is found on both private and state owned broadcasters. There are some restrictions based on advertising, especially in relation to the advertising of alcohol. Such advertisements are prohibited until after 7pm. Broadcasters in Ireland adhere to broadcasting legislation implemented by the Broadcasting Commission of Ireland and the
European Union. Sponsorship of current affairs programming is prohibited at all times.
As of October 1, 2009 the responsibilities held by the BCI are gradually being transferred to the Broadcasting Authority of Ireland.
Taxation or license
Television services in some countries may be funded by a
television licence or a form of taxation which means advertising plays a lesser role or no role at all. For example, some channels may carry no advertising at all and some very little, including:
Australia (ABC)
Japan (NHK)
Norway (NRK)
Sweden (SVT)
United Kingdom (BBC)
The BBC carries no advertising on its UK channels and is funded by an annual licence paid by all households owning a television. This licence fee is set by government, but the BBC is not answerable to or controlled by government.
The two main BBC TV channels are watched by almost 90 percent of the population each week and overall have 27 per cent share of total viewing. This in spite of the fact that 85% of homes are multichannel, with 42% of these having access to 200 free to air channels via satellite and another 43% having access to 30 or more channels via Freeview. The licence that funds the seven advertising-free BBC TV channels currently costs £139.50 a year (about US$215) irrespective of the number of TV sets owned. When the same sporting event has been presented on both BBC and commercial channels, the BBC always attracts the lion's share of the audience, indicating viewers prefer to watch TV uninterrupted by advertising.
The Australian Broadcasting Corporation (ABC) carries no advertising (except for internal promotional material) as it is banned under the ABC Act 1983. The ABC receives its funding from the Australian Government every three years. In the 2008/09 Federal Budget the ABC received A$1.13 Billion. The funds assist in providing the ABC's Television, Radio, Online and International outputs. The ABC also receives funds from its many ABC Shops across Australia. However funded by the Australian Government the editorial independence of the ABC is ensured through law.
In France and Ireland government-funded channels carry advertisements yet those who own television sets have to pay an annual tax ("la redevance audiovisuelle").
In Japan, NHK is paid for by license fees (known in Japanese as ). The Broadcast Law which governs NHK’s funding stipulates that any television equipped to receive NHK is required to pay. The fee is standardized, with discounts for office workers and students who commute, as well a general discount for residents of Okinawa prefecture.
Subscription
Some TV channels are partly funded from subscriptions therefore the signals are encrypted during broadcast to ensure that only the paying subscribers have access to the decryption codes. Most subscription services are also funded by advertising.
Genres
Television
genres include a broad range of programming types that entertain, inform, and educate viewers. The most expensive entertainment genres to produce are usually drama and dramatic miniseries. However, other genres, such as historical Western genres, may also have high production costs.
Popular entertainment genres include action-oriented shows such as police, crime, detective dramas, horror, or thriller shows. As well, there are also other variants of the drama genre, such as medical dramas and daytime soap operas. Science fiction shows can fall into either the drama or action category, depending on whether they emphasize philosophical questions or high adventure. Comedy is a popular genre which includes situation comedy (sitcom) and animated shows for the adult demographic such as South Park.
The least expensive forms of entertainment programming are game shows, talk shows, variety shows, and reality TV. Game shows show contestants answering questions and solving puzzles to win prizes. Talk shows feature interviews with film, television and music celebrities and public figures. Variety shows feature a range of musical performers and other entertainers such as comedians and magicians introduced by a host or Master of Ceremonies. There is some crossover between some talk shows and variety shows, because leading talk shows often feature performances by bands, singers, comedians, and other performers in between the interview segments.
Reality TV shows "regular" people (i.e., not actors) who are facing unusual challenges or experiences, ranging from arrest by police officers (COPS) to weight loss (The Biggest Loser). A variant version of reality shows depicts celebrities doing mundane activities such as going about their everyday life (The Osbournes, Snoop Dogg's Father Hood) or doing manual labor (Simple Life).
Social aspects and effects on children
Television has played a pivotal role in the socialization of the 20th and 21st centuries. There are many aspects of television that can be addressed, including
media violence research. In 2010 the
iPlayer incorporated a
social media aspect to its
internet television service, including
Facebook and
Twitter.
Environmental aspects
With high
lead content in
CRTs, and the rapid diffusion of new, flat-panel display technologies, some of which (
LCDs) use lamps which contain
mercury, there is growing concern about
electronic waste from discarded televisions. Related
occupational health concerns exist, as well, for disassemblers removing
copper wiring and other materials from CRTs. Further environmental concerns related to television design and use relate to the devices' increasing
electrical energy requirements.
See also
Broadcast-safe
Content Discovery Platform
Handheld television
How television works
Satellite television
Information-action ratio
Internet television
List of countries by number of television broadcast stations
List of television manufacturers
List of years in television
Media psychology
Outdoor television
Computer monitor/VDU units
Sign language on television
Technology of television
References
Further reading
Albert Abramson, The History of Television, 1942 to 2000, Jefferson, NC, and London, McFarland, 2003, ISBN 0786412208.
Pierre Bourdieu, On Television, The New Press, 2001.
Tim Brooks and Earle March, The Complete Guide to Prime Time Network and Cable TV Shows, 8th ed., Ballantine, 2002.
Jacques Derrida and Bernard Stiegler, Echographies of Television, Polity Press, 2002.
David E. Fisher and Marshall J. Fisher, Tube: the Invention of Television, Counterpoint, Washington, DC, 1996, ISBN 1887178171.
Steven Johnson, Everything Bad is Good for You: How Today's Popular Culture Is Actually Making Us Smarter, New York, Riverhead (Penguin), 2005, 2006, ISBN 1594481946.
Jerry Mander, Four Arguments for the Elimination of Television, Perennial, 1978.
Jerry Mander, In the Absence of the Sacred, Sierra Club Books, 1992, ISBN 0871565099.
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business, New York, Penguin US, 1985, ISBN 0670804541.
Evan I. Schwartz, The Last Lone Inventor: A Tale of Genius, Deceit, and the Birth of Television, New York, Harper Paperbacks, 2003, ISBN 0060935596.
Beretta E. Smith-Shomade, Shaded Lives: African-American Women and Television, Rutgers University Press, 2002.
Alan Taylor, We, the Media: Pedagogic Intrusions into US Mainstream Film and Television News Broadcasting Rhetoric, Peter Lang, 2005, ISBN 3631518528.
External links
A History of Television at the Canada Science and Technology Museum
The Encyclopedia of Television at the Museum of Broadcast Communications
The Evolution of TV, A Brief History of TV Technology in Japan NHK
Television's History – The First 75 Years
Worldwide Television Standards
Global TV Market Data
Television in Color, April 1944 one of the earliest magazine articles detailing the new technology of color television
NEC Lab – NEC Lab is a tool to design a test antennas for television broadcasting.
Category:Video hardware
Category:Media formats
Category:Performing arts
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Category:Scottish inventions
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Category:American inventions
Category:1923 introductions