Coordinates	°′″N°′″N
Name	Quincy Jones
Background	non_performing_personnel
Birth name	Quincy Delight Jones, Jr.
Alias	Leigh Warren
Born	March 14, 1933Chicago, Illinois, U.S.
Origin	Seattle, Washington, U.S.
Instrument	Trumpet, drums, vocals, piano, big band synthesizer
Genre	R&B;, funk, soul, big band, swing, jazz, bossa nova, hip-hop
Instruments	trumpet, drums, vocals, synthesizer
Occupation	Musician, conductor, producer, arranger, composer, film composer
Instruments	trumpet, drums, vocals, synthesizer
Years active	1951 – present
Label	Columbia, Mercury, Qwest
Associated acts	Lionel Hampton, Dizzy Gillespie, Aaliyah, Michael Jackson, Frank Sinatra, Dinah Washington, Dean Martin, Patti Austin, Tevin Campbell, Marvin Gaye, Stevie Wonder, Will Smith, Tupac Shakur
Url

Quincy Delight Jones, Jr. (born March 14, 1933) is an American musician. As a conductor, record producer, musical arranger, film composer, television producer, and trumpeter his career spans five decades in the entertainment industry and a record 79 Grammy Award nominations, 27 Grammys, and as the producer and conductor of the charity song “We Are the World”.

In 1968, Jones and his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song. That same year, he became the first African American to be nominated twice within the same year when he was nominated for Best Original Score for his work on the music of the 1967 film In Cold Blood. In 1971, Jones would receive the honor of becoming the first African American to be named musical director/conductor of the Academy Awards ceremony. He was the first African American to win the Academy's Jean Hersholt Humanitarian Award, in 1995. He is tied with sound designer Willie D. Burton as the most Oscar-nominated African American, each of them having seven nominations. At the 2008 BET Awards, Quincy Jones was presented with the Humanitarian Award. He was played by Larenz Tate in the 2004 biopic about Ray Charles, Ray.

Early life

Quincy Delight Jones, Jr., known to his friends as "Q", was born on Chicago's South Side. When he was ten he moved, with his father and stepmother, to Bremerton, Washington, a suburb of Seattle. He first fell in love with music when he was in elementary school, and tried nearly all the instruments in his school band before settling on the trumpet. While barely in his teens, Quincy befriended a local singer-pianist only three years his senior. His name was Ray Charles. The two youths formed a combo, eventually landing small club and wedding gigs.

At 18, the young trumpeter won a scholarship to Berklee College of Music in Boston, Massachusetts, but dropped out abruptly when he received an offer to go on the road with bandleader Lionel Hampton. The stint with Hampton led to work as a freelance arranger. Jones settled in New York, where, throughout the 1950s, he wrote charts for Tommy Dorsey, Gene Krupa, Sarah Vaughan, Count Basie, Duke Ellington, Dinah Washington, Cannonball Adderley and his old friend Ray Charles.

Musical career

In 1956, Jones toured again as a trumpeter and musical director of the Dizzy Gillespie Band on a tour of the Middle East and South America sponsored by the United States Information Agency. Upon his return to the United States, Jones got a contract from ABC-Paramount Records and commenced his recording career as the leader of his own band.

In 1957, Quincy settled in Paris where he studied composition and theory with Nadia Boulanger and Olivier Messiaen. He also performed at the Paris Olympia. Jones became music director at Barclay Disques, the French distributor for Mercury Records.

During the 1950s, Jones successfully toured throughout Europe with a number of jazz orchestras. He formed his own band called The Jones Boys, which included jazz greats Eddie Jones and fellow trumpeter Reunald Jones, and organized a tour of North America and Europe. Though the tour was a critical success, poor budget planning made it an economic disaster and the fallout left Jones in a financial crisis. Quoted in Musician magazine, Jones said about his ordeal, "We had the best jazz band in the planet, and yet we were literally starving. That's when I discovered that there was music, and there was the music business. If I were to survive, I would have to learn the difference between the two." Irving Green, head of Mercury Records, got Jones back on his feet with a loan and a new job as the musical director of the company's New York division. In 1964, Jones was promoted to vice-president of the company, thus becoming the first African American to hold such a position.

As musical director of Harold Arlen's jazz musical Free and Easy, Quincy Jones took to the road again. A European tour closed in Paris in February 1960. With musicians from the Arlen show, Jones formed his own big band, with 18 artists—plus their families—in tow. European and American concerts met enthusiastic audiences and sparkling reviews, but concert earnings could not support a band of this size and the band dissolved, leaving its leader deeply in debt.

After a personal loan from Irving Green helped resolve his financial difficulties, Jones went to work in New York as music director for Mercury. In 1964, he was named Mercury's vice-president, the first African American to hold such an executive position in a white-owned record company.

In that same year, Quincy Jones turned his attention to another musical arena that had long been closed to blacks—the world of film scores. At the invitation of director Sidney Lumet, he composed the music for The Pawnbroker. It was the first of his 33 major motion picture scores.

Following the success of The Pawnbroker, Jones left Mercury Records and moved to Los Angeles. After his score for The Slender Thread, starring Sidney Poitier, he was in constant demand as a composer. His film credits in the next five years included Walk, Don't Run, In Cold Blood, In the Heat of the Night, A Dandy in Aspic, Mackenna's Gold, Bob & Carol & Ted & Alice, The Lost Man, Cactus Flower, and The Getaway.

In the 1960s, Jones worked as an arranger for some of the most important artists of the era, including Frank Sinatra, Ella Fitzgerald, Peggy Lee, and Dinah Washington. Jones's solo recordings also garnered acclaim, including Walking in Space, Gula Matari, Smackwater Jack, You've Got It Bad, Girl, Body Heat, Mellow Madness, and I Heard That!!.

He is well known for his 1962 song "Soul Bossa Nova", which originated on the Big Band Bossa Nova album. "Soul Bossa Nova" was a theme for the 1998 World Cup, the Canadian game show Definition, the Woody Allen film Take the Money and Run and the Mike Myers movie , and was sampled by Canadian hip hop group Dream Warriors for their song, "My Definition of a Boombastic Jazz Style".

Jones's 1981 album The Dude yielded multiple hit singles, including "Ai No Corrida" (a remake of a song by Chaz Jankel), "Just Once" and "One Hundred Ways", the latter two featuring James Ingram on lead vocals and marking Ingram's first hits.

In 1985, Jones scored the Steven Spielberg film adaptation of The Color Purple. He and Jerry Goldsmith (from ) are the only composers besides John Williams to have scored a Spielberg theatrical film. After the 1985 American Music Awards ceremony, Jones used his influence to draw most of the major American recording artists of the day into a studio to lay down the track "We Are the World" to raise money for the victims of Ethiopia's famine. When people marveled at his ability to make the collaboration work, Jones explained that he'd taped a simple sign on the entrance: "Check Your Ego At The Door".

Starting in the late 1970s, Jones tried to convince Miles Davis to re-perform the music he had played on several classic albums that had been arranged by Gil Evans in the 1960s. Davis had always refused, citing a desire not to revisit the past. In 1991, Davis, then suffering from pneumonia, relented and agreed to perform the music at a concert at the Montreux Jazz Festival. The resulting album from the recording, Miles & Quincy Live at Montreux, was Davis' last released album (he died several months afterward) and is considered an artistic triumph.

In 1993, Jones collaborated with David Salzman to produce the concert extravaganza An American Reunion, a celebration of Bill Clinton's inauguration as president of the United States. In 1994, Salzman and Jones formed the company Quincy Jones/David Salzman Entertainment (QDE) with Time/Warner Inc. QDE is a diverse company which produces media technology, motion pictures, television programs (In the House, The Fresh Prince of Bel-Air, and MADtv), and magazines (Vibe and Spin).

In 2001, he published his autobiography, Q: The Autobiography of Quincy Jones. On July 31, 2007, Jones partnered with Wizzard Media to launch the Quincy Jones Video Podcast. In each episode, Jones shares his knowledge and experience in the music industry. The first episode features Jones in the studio, producing "I Knew I Loved you" for Celine Dion, which is featured on the Ennio Morricone tribute album, We All Love Ennio Morricone. Jones is also noted for helping produce Anita Hall's CD, Send Love, which was released in 2009.

Work with Michael Jackson

While working on the film The Wiz, Michael Jackson asked Jones to recommend some producers for Jackson's upcoming solo record. Jones offered some names, but eventually asked Jackson if he would like for him to produce the record. Jackson replied that he would, and the result, Off The Wall, has sold approximately 20 million copies and made Jones the most powerful record producer in the industry. Jones's and Jackson's next collaboration Thriller has sold a reputed 110 million copies and has become the highest-selling album of all time. Jones also worked on Michael Jackson's album Bad, which has sold 32 million copies. After the Bad album, Jones recommended Jackson to New Jack Swing inventors Teddy Riley and Babyface so Jackson could "update" his sound.

In a 2002 interview, when Jackson was asked if he would ever work with Jones again he replied, "The door is always open". However, in 2007, when NME.COM asked Jones a similar question, he said "Man please, I've got enough to do. We already did that. I have talked to him about working with him again but I've got too much to do. I've got 900 projects, I'm 74 years old. Give me a break."

Following Jackson's death on June 25, 2009, Jones said:

}}

Work with Frank Sinatra

Jones first worked with Frank Sinatra when he was invited by Princess Grace to arrange a benefit concert at the Monaco Sporting Club in 1958. Six years later, Sinatra hired him to arrange and conduct Sinatra's second album with Count Basie, It Might as Well Be Swing (1964). Jones conducted and arranged 1966's live album with the Basie Band, Sinatra at the Sands. Jones was also the arranger/conductor when Sinatra, Sammy Davis, Jr., Dean Martin, and Johnny Carson performed with the Basie orchestra in St. Louis, Missouri, in a benefit for Dismas House in June 1965. The fund-raiser was broadcast to a number of other theaters around the country and eventually released on DVD. Later that year, Jones was also the arranger/conductor when Sinatra and Basie appeared on The Hollywood Palace TV show on October 16, 1965. Nineteen years later, Sinatra and Jones teamed up for 1984's L.A. Is My Lady, after a joint Sinatra-Lena Horne project was abandoned.

Media appearances

Jones had a brief appearance in the 1990 video for The Time song "Jerk Out". Jones was a guest star on an episode of The Boondocks in which he and the main character, Huey Freeman, co-produced a Christmas play for Huey's elementary school. He appeared with Ray Charles in the music video of their song 'One Mint Julep' and also with Ray Charles and Chaka Khan in the music video of their song "I'll Be Good to You".

Quincy Jones hosted an episode of the long-running NBC sketch comedy show Saturday Night Live on February 10, 1990 (during SNL's 15th season [the 1989–1990 season]). The episode was notable for having 10 musical guests (the most any SNL episode has ever had in its 30-plus years on the air): Tevin Campbell, Andrae Crouch, Sandra Crouch, rappers Kool Moe Dee and Big Daddy Kane, Melle Mel, Quincy D III, Siedah Garrett, Al Jarreau, and Take 6, and for a performance of Dizzy Gillespie's "Manteca" by The SNL Band (conducted by Quincy Jones himself). and the Chronicle of Higher Education.

On December 12, 2009, Jones performed at a private reception for USAA employees at the Alamo Dome, in San Antonio, TX.

Awards and recognition

Discography

Personal life

Jones has never learned to drive, citing an accident in which he was a passenger (at age 14) as the reason. Jones has been married three times and has seven children:

to Jeri Caldwell from 1957 to 1966; they had one daughter, Jolie Jones Levine.

to Ulla Andersson from 1967 to 1974; they had two children, Martina Jones and son Quincy Jones III;

to actress Peggy Lipton from 1974 to 1990; they had two daughters, actresses Kidada Jones and Rashida Jones.

Jones also had a brief affair with Carol Reynolds and had a daughter, Rachel Jones.

Jones dated and lived with actress Nastassja Kinski from 1991 until 1995. In February 1993, their daughter Kenya Julia Miambi Sarah Jones was born.

For the 2006 PBS television program African American Lives, Jones had his DNA tested; the results found that on his paternal line (Y DNA) he was of European ancestry and on his maternal side (mt DNA) he was of West African/Central African ancestry of Tikar descent.

Social activism

Jones's social activism began in the 1960s with his support of Dr. Martin Luther King Jr. Jones is one of the founders of the Institute for Black American Music (IBAM), whose events aim to raise enough funds for the creation of a national library of African American art and music. Jones is also one of the founders of the Black Arts Festival in his hometown of Chicago. For many years, he has worked closely with Bono of U2 on a number of philanthropic endeavors. He is the founder of the Quincy Jones Listen Up Foundation, a nonprofit that connects youths with technology, education, culture and music. One of the organization's programs is an intercultural exchange between underprivileged youths from Los Angeles and South Africa.

In 2004, Jones helped launch the We Are the Future (WAF) project, which gives children in poor and conflict-ridden areas a chance to live their childhoods and develop a sense of hope. The program is the result of a strategic partnership between the Glocal Forum, the Quincy Jones Listen Up Foundation and Hani Masri, with the support of the World Bank, UN agencies and major companies. The project was launched with a concert in Rome, Italy, in front of an audience of half a million people.

Jones supports a number of other charities including the NAACP, GLAAD, Peace Games, AmfAR and The Maybach Foundation. Jones serves on the Advisory Board of HealthCorps. On July 26, 2007, he announced his endorsement of Hillary Clinton for president. But with the election of Barack Obama, Quincy Jones said that his next conversation "with President Obama [will be] to beg for a secretary of arts," prompting the circulation of a petition on the Internet asking Obama to create such a Cabinet-level position in his administration.

In 2001, he became an honorary member of the Board of Directors of The Jazz Foundation of America. Jones worked with The Jazz Foundation of America to save the homes and the lives of America's elderly jazz and blues musicians including those who survived Hurricane Katrina.

Brazilian culture

Jones is a great admirer of Brazilian culture and a film on Brazil's Carnival is among his recent plans: "one of the most spectacular spiritual events on the planet"; Simone, whom he cites as "one of the world´s greatest singers", Ivan Lins, Milton Nascimento and Gilson Peranzzetta, "one of the five biggest arrangement producers of the world" stand as close friends and partners in his recent works.

See also

List of number-one dance hits (United States)

List of artists who reached number one on the US Dance chart

References

External links

Official Quincy Jones Website

Archive of American Television interview

Mix Interview: Quincy Jones

American Masters - Quincy Jones: The Story of an American Musician

Association for Computing Machinery Video Interview with Quincy Jones

Quincy Jones speech on the importance of Cultural Diplomacy throughout the world, Beijing, China, May 26, 2006

Quincy Jones's oral history video excerpts at The National Visionary Leadership Project

Video clip of Quincy Jones's speech on education at the American Film Institute for the 2006 ACM Computers in Entertainment Scholarship Awards (November 4, 2006)

Category:1933 births Category:Academy Honorary Award recipients Category:African American musicians Category:American composers Category:American dance musicians Category:American film score composers Category:American jazz trumpeters Category:American music arrangers Category:American people of Welsh descent Category:American record producers Category:American television producers Category:Bebop trumpeters Category:Bell Records artists Category:Berklee College of Music alumni Category:Cameroonian people Category:Commandeurs of the Légion d'honneur Category:Crossover jazz trumpeters Category:Grammy Award winners Category:Harvard University people Category:Ivor Novello Award winners Category:Jazz composers Category:Jazz-pop trumpeters Category:Kennedy Center honorees Category:Living people Category:Musicians from Chicago, Illinois Category:Musicians from Washington (U.S. state) Category:Qwest Records artists Category:Songwriters from Illinois Category:Swing trumpeters Category:National Humanities Medal recipients

Coordinates	°′″N°′″N
Name	Patti Austin
Background	solo_singer
Born	August 10, 1950
Origin	Harlem, New York
Genre	R&B;, Pop, Jazz
Occupation	Singer, Songwriter
Years active	1953-Present
Label	RCA (1953) CTI (1976–1980)Qwest (1981–1989)GRP (1990–1995)Concord Vista (1997–1998)Intersound / Compendia (1998–1999)Warner Bros. (2000–2001)Playboy Jazz / Concord (2002)Rendezvous (2007-2009)Shanachie (2010-present)
Url	Patti Austin Official Website

Patti Austin (born August 10, 1950) is an American Grammy-winning R&B; and jazz music singer.

Life and career

Austin was born in Harlem, New York. She made her debut at the Apollo Theater at age four and had a contract with RCA Records when she was only five. Quincy Jones and Dinah Washington have proclaimed themselves as her godparents.

By the late 1960s Austin was a prolific session musician and commercial jingle singer. During the 1980s, signed to Jones's Qwest Records, she began her most prolific hitmaking period. She charted twenty R&B; songs between 1969 and 1991 and had success on the Hot Dance Music/Club Play chart, where she hit number one in 1981 with "Do You Love Me?" / "The Genie".

The album containing that hit, Every Home Should Have One, also produced her biggest mainstream hit. "Baby, Come To Me", a duet with James Ingram, initially peaked at number 73 on the Hot 100 in early 1982. After being featured as the love theme in a prominent storyline on the soap opera General Hospital, the song re-entered the pop chart in October and went to number one in February 1983. The single was certified Gold by the RIAA. She would later team up again with Ingram for "How Do You Keep The Music Playing".

That year, Austin's single "It's Gonna Be Special" was featured on the soundtrack for the Olivia Newton-John/John Travolta film Two of a Kind. Though the film was not the major success envisioned for the re-teaming of the Grease stars, the soundtrack went Platinum and Austin's single, produced by Quincy Jones, became one of her highest-profile hits. "It's Gonna Be Special" peaked at #5 on the Dance charts, #15 on the R&B; charts, and charted on the Hot 100 in 1984. The song also appeared on her self-titled album of that year, and its follow-up, "Rhythm of the Streets", remixed by John "Jellybean" Benitez, narrowly missed Billboard's Dance Top Ten, though it peaked higher on Hi-NRG charts. The two songs were featured on a double-A-side 12" single. For "Rhythm of the Streets" Austin shot her first music video.

Austin released her third album in three years entitled Gettin' Away With Murder. In addition to the title track, she had two more hit singles, "Honey For The Bees" (#24 R&B; and #6 Dance) and "The Heat of Heat". Produced by Jimmy Jam & Terry Lewis, noted for their later work with Janet Jackson, the latter track returned Austin to the top 15 of the R&B; charts for what would be the last time to date. It would also be her last Hot 100 charting to date, although she would score a top-5 dance hit with the single Reach that appeared originally on her 1994 CD That Secret Place.

She next appeared with Jeff Bridges and Joan Allen in Francis Ford Coppola's critically acclaimed period piece (1988). That year, Austin released The Real Me, a collection of standards which garnered her the first of several Top 10 showings on the Jazz Albums chart.

She sang the duet "It's the Falling in Love" with Michael Jackson on his album Off The Wall. Other duet partners include George Benson ("Moody's Mood for Love" and "Keep Your Dreams Alive"), and Luther Vandross ("I'm Gonna Miss You In The Morning"). In 1985 she sang lead vocals on a collaboration with her producer, Narada Michael Walden, and the single, "Gimme, Gimme, Gimme", went top 40 on the R&B; charts.

In 1991, she recorded the duet "You Who Brought Me Love" with music legend Johnny Mathis, which was received with critical acclaim. That same year she was invited to be a guest on a Johnny Mathis television special that was broadcast across North America.

Austin led a new group of Raelettes for the 2006 album Ray Charles + Count Basie Orchestra = Genius². That group also featured veteran session singer Valerie Pinkston and members of the group Perry.

During a 2007 interview promoting her latest recording, Austin reflected how as a teenager she reluctantly attended one of Judy Garland's last concerts and the experience helped focus her career, stating "She (Judy Garland) ripped my heart out. I wanted to interpret a lyric like that, to present who I was at the moment through the lyric."

In 2007 Patti Austin participated in the Avo Session Basel with a program dedicated to Ella Fitzgerald.

In 2008, fifty-three years after getting her first record contract, Patti Austin was awarded her first Grammy, winning Best Jazz Vocal Album for Avant Gershwin at the 50th annual Grammy Awards. The award came for her ninth nomination in that category.

She reported to Jim Newsom of Portfolio Weekly in 2006 “I just lost 140 pounds. “I had gastric bypass surgery a year and a half ago, and my life was saved by it. “I went to a doctor for a complete physical because I had a torn meniscus in my knee. He said, ‘You’ve got to lose this weight —- you’ve got type II diabetes, you have asthma and you’re menopausal. You’ve got to get rid of this weight and you’ve got to get rid of it fast. This is the best way for you to do it.’”

Austin is one of over 70 artists singing on "", a charity single in aid of the 2010 Haiti earthquake.

Discography

Studio Albums

Live Albums

Compilations

Singles

{|class="wikitable" !!align="center" rowspan="2" | Year !!align="center" rowspan="2" | Single !!align="center" colspan="4" | Peak positions !!align="center" rowspan="2" | Album |- !width="45"|US R&B; !width="45"|US Hot 100 !width="45"|US A.C !width="45"|US Dance |- |align="center" rowspan="1"|1969 |align="left"|"The Family Tree" |align="center"|45 |align="center"|- |align="center"|- |align="center"|- | - |- |align="center" rowspan="1"|1977 |align="left"|"Say You Love Me" |align="center"|63 |align="center"|- |align="center"|- |align="center"|- | End of a Rainbow |- |align="center" rowspan="1"|1978 |align="left"|"Love, I Never Had It So Good" |align="center"|60 |align="center"|- |align="center"|- |align="center"|- | Sounds...And Stuff Like That! |- |align="center" rowspan="1"|1978 |align="left"|"We're in Love" |align="center"|90 |align="center"|- |align="center"|- |align="center"|- | Havana Candy |- |align="center" rowspan="1"|1980 |align="left"|"Body Language" |align="center"|45 |align="center"|- |align="center"|- |align="center"|- | Body Language |- |align="center" rowspan="1"|1980 |align="left"|"Do You Love Me?" / "The Genie" |align="center"|24 |align="center"|- |align="center"|- |align="center"|1 | Every Home Should Have One |- |align="center" rowspan="1"|1982 |align="left"|"Razzamatazz" |align="center"|17 |align="center"|- |align="center"|- |align="center"|- | QUINCY JONES: "The Dude" |- |align="center" rowspan="1"| |align="left"|"Betcha Wouldn't Hurt Me" |align="center"| |align="center"|- |align="center"|- |align="center"|- | QUINCY JONES: "The Dude" |- |align="center" rowspan="1"|1982 |align="left"|"Every Home Should Have One" |align="center"|55 |align="center"|62 |align="center"|24 |align="center"|- | Every Home Should Have One |- |align="center" rowspan="1"|1982 |align="left"|"Baby, Come to Me" (w/ James Ingram) |align="center"|9 |align="center"|1 |align="center"|1 |align="center"|- | Every Home Should Have One |- |align="center" rowspan="1"|1983 |align="left"|"How Do You Keep the Music Playing" (w/ James Ingram) |align="center"|6 |align="center"|45 |align="center"|5 |align="center"|- | Duets |- |align="center" rowspan="1"|1983 |align="left"|"In My Life" |align="center"|92 |align="center"|- |align="center"|- |align="center"|- | In My Life |- |align="center" rowspan="1"|1984 |align="left"|"It's Gonna Be Special" |align="center"|15 |align="center"|82 |align="center"|- |align="center"|5 | Patti AustinTwo of a Kind original soundtrack |- |align="center" rowspan="1"|1984 |align="left"|"Rhythm of the Street" |align="center"|- |align="center"|- |align="center"|- |align="center"|11 | Patti Austin |- |align="center" rowspan="1"|1984 |align="left"|"Shoot the Moon" |align="center"|49 |align="center"|- |align="center"|- |align="center"|16 | Patti Austin |- |align="center" rowspan="1"|1985 |align="left"|"Honey for the Bees" |align="center"|24 |align="center"|- |align="center"|- |align="center"|6 | Gettin' Away With Murder |- |align="center" rowspan="1"|1985 |align="left"|"Gettin' Away With Murder" |align="center"|72 |align="center"|- |align="center"|- |align="center"|- | Gettin' Away With Murder |- |align="center" rowspan="1"|1986 |align="left"|"The Heat of Heat" |align="center"|13 |align="center"|55 |align="center"|- |align="center"|14 | Gettin' Away With Murder |- |align="center" rowspan="1"|1990 |align="left"|"Through the Test of Time" |align="center"|60 |align="center"|- |align="center"|9 |align="center"|- | Love Is Gonna Get Cha |- |align="center" rowspan="1"|1991 |align="left"|"Givin' Into Love" |align="center"|55 |align="center"|- |align="center"|- |align="center"|- | Carry On |- |align="center" rowspan="1"|1994 |align="left"|"Reach" |align="center"|- |align="center"|- |align="center"|- |align="center"|4 | That Secret Place |- | align="center" colspan="8"| "—" denotes the single failed to chart and/or was not released in/to that format |- |}

Notes

External links

Patti Austin Official Website

Patti Austin Interview Jazz Monthly

Patti Austin AllAboutJazz.com Interview

Patti Austin Power To End Stroke Campaign Interview

See also

List of number-one hits (United States)

List of artists who reached number one on the Hot 100 (U.S.)

List of Number 1 Dance Hits (United States)

List of artists who reached number one on the U.S. Dance chart

Category:Articles with inconsistent citation formats Category:African American singers Category:American rhythm and blues singers Category:RCA Victor artists Category:American dance musicians Category:1950 births Category:People from New York City Category:Living people Category:GRP Records artists Category:Qwest Records artists

Coordinates	°′″N°′″N
Img alt	A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare.
Landscape	no
Background	solo_singer
Birth name	Michael Joe Jackson
Alias	Michael Joseph Jackson, Michael Jackson, King of Pop
Born	August 29, 1958Gary, Indiana, U.S.
Died	June 25, 2009Los Angeles, California, U.S.
Instrument	Vocals, Piano, Drums, Beatbox, Guitar, Bass Guitar
Genre	R&B;, pop rock, electronic
Occupation	Singer-songwriter, record producer, composer, musician, dancer, choreographer, actor, author, businessman, philanthropist
Years active	1964–2009
Label	Motown, Epic, Legacy
Associated acts	The Jackson 5
Url

Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, dancer, singer-songwriter, and philanthropist. Referred to as the King of Pop, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The eighth child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5 in the mid-1960s, and began his solo career in 1971.

In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs including "Beat It", "Billie Jean" and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of dance techniques, such as the robot and the moonwalk. His distinctive musical sound and vocal style have influenced numerous hip hop, pop, contemporary R&B; and rock artists.

Jackson's 1982 album Thriller is the best-selling album of all time. His other records, including Off the Wall (1979), Bad (1987), Dangerous (1991) and (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him one of the most-awarded recording artist in the history of music. He was also a notable humanitarian and philanthropist, donating and raising hundreds of millions of dollars for beneficial causes and supporting more than 39 charities.

Aspects of Jackson's personal life, including his changing appearance, personal relationships and behavior, have generated controversy. In 1993, he was accused of child sexual abuse, but the case was settled out of court and no formal charges were brought. In 2005, he was tried and acquitted of further sexual abuse allegations and several other charges after the jury ruled him not guilty on all counts. While preparing for his concert series This Is It, Jackson died on June 25, 2009, after suffering from cardiac arrest. Before his death, Jackson had reportedly been administered drugs such as propofol and lorazepam. The Los Angeles County Coroner declared his death a homicide, and his personal physician pleaded not guilty to charges of involuntary manslaughter. Jackson's death triggered a global outpouring of grief, and as many as one billion people around the world reportedly watched his public memorial service on live television. In March 2010, Sony Music Entertainment signed a US$250 million deal with Jackson's estate to retain distribution rights to his recordings until 2017, and to release seven posthumous albums over the decade following his death. His first posthumous album of new material, simply titled Michael, was released on December 14, 2010.

Life and career

Early life and The Jackson 5 (1958–1975)

, showing floral tributes after his death.]] Michael Jackson was born on August 29, 1958, the eighth of ten children in an African American working-class family, in Gary, Indiana, an industrial suburb of Chicago. His mother, Katherine Esther Scruse, was a devout Jehovah's Witness, and his father, Joseph Walter "Joe" Jackson, was a steel mill worker who performed with an R&B; band called The Falcons. Jackson had three sisters: Rebbie, La Toya, and Janet, and five brothers: Jackie, Tito, Jermaine, Marlon, and Randy. A sixth brother, Brandon, died shortly after birth.

Jackson had a troubled relationship with his father, Joe. Jackson stated that he was physically and emotionally abused during incessant rehearsals, though he also credited his father's strict discipline with playing a large role in his success. Jackson first spoke openly about his childhood abuse in an interview with Oprah Winfrey, broadcast in February 1993. He admitted that he had often cried from loneliness and he would vomit on the sight of his father. Jackson's father was also said to have verbally abused Jackson, saying that he had a fat nose on numerous occasions. In fact, Michael Jackson's deep dissatisfaction with his appearance, his nightmares and chronic sleep problems, his tendency to remain hyper-compliant especially with his father, and to remain child-like throughout his adult life are in many ways consistent with the effects of this chronic maltreatment he endured as a young child. Childhood abuse is also known to impair neurobiological development (i.e. impairing the brain circuitry involved in addiction, motivation and incentive) causing increased susceptibility to drug addiction, which he struggled with; in addition to increased susceptibility by the psychological factor of emotional pain relief.

In an interview with Martin Bashir, later included in the 2003 broadcast of Living with Michael Jackson, Jackson acknowledged that his father hurt him when he was a child, but was nonetheless a "genius", as he admitted his father's strict discipline played a huge role in his success. When Bashir dismissed the positive remark and continued asking about beatings, Jackson put his hand over his face and objected to the questions. He recalled that Joseph sat in a chair with a belt in his hand as he and his siblings rehearsed, and that "if you didn't do it the right way, he would tear you up, really get you".

In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by brothers Jackie, Tito, and Jermaine—as backup musicians playing congas and tambourine. Jackson later began performing backup vocals and dancing. When he was eight, Jackson began sharing the lead vocals with his older brother Jermaine, and the group's name was changed to The Jackson 5.

The Jackson 5 recorded several songs, including "Big Boy", for the local record label Steeltown in 1967, before signing with Motown Records in 1968. The group set a chart record when its first four singles ("I Want You Back", "ABC", "The Love You Save", and "I'll Be There") peaked at number one on the Billboard Hot 100.

Move to Epic and Off the Wall (1975–1981)

In June 1975, the Jackson 5 signed with Epic Records, a subsidiary of CBS Records They continued to tour internationally, releasing six more albums between 1976 and 1984, during which Jackson was the lead songwriter, writing hits such as "Shake Your Body (Down to the Ground)", "This Place Hotel," and "Can You Feel It". In 1979, Jackson broke his nose during a complex dance routine. His subsequent rhinoplasty was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoefflin, who performed Jackson's second rhinoplasty and subsequent operations.

Jones and Jackson produced the Off the Wall album together. Songwriters for the album included Jackson, Rod Temperton, Stevie Wonder, and Paul McCartney. Released in 1979, it was the first solo album to generate four U.S. top 10 hits, including the chart-topping singles "Don't Stop 'til You Get Enough" and "Rock with You". It reached number three on the Billboard 200 and eventually sold over copies worldwide. In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B; Album, Favorite Soul/R&B; Male Artist, and Favorite Soul/R&B; Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Year-End for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B; Vocal Performance, also for "Don't Stop 'Til You Get Enough". Jackson again won at the American Music Awards in 1981 for Favorite Soul/R&B; Album and Favorite Soul/R&B; Male Artist. Despite its commercial success, Jackson felt Off the Wall should have made a much bigger impact, and was determined to exceed expectations with his next release. In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.

Thriller and Motown 25 (1982–83)

In 1982, Jackson contributed the song "Someone In the Dark" to the storybook for the film E.T. the Extra-Terrestrial; the record won a Grammy for Best Recording for Children in 1984. In the same year he won another seven Grammys and eight American Music Awards (including the Award of Merit, the youngest artist to win it), making him the most awarded in one night for both award shows. These awards were thanks to the Thriller album, released in late 1982, which was the 1983's best-selling album worldwide and became the best-selling album of all time in the United States, as well as the best-selling album of all time worldwide, selling an estimated copies so far. The album topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It," and "Wanna Be Startin' Somethin'." Thriller was certified for 29 million shipments by the RIAA, giving it Double Diamond status in the United States. The album won also another Grammy for Best Engineered Recording – Non Classical in 1984, awarding Bruce Swedien for his work. Jackson's attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of his recordings. The videocassette of the documentary The Making of Michael Jackson's Thriller sold over 350,000 copies in a few months. The era saw the arrival of novelties like dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12. Biographer J. Randy Taraborrelli writes that, "Thriller stopped selling like a leisure item—like a magazine, a toy, tickets to a hit movie—and started selling like a household staple." In 1985, The Making of Michael Jackson's Thriller won a Grammy for Best Music Video, Longform.

Time described Jackson's influence at that point as "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".

In March 1983, Jackson reunited with his brothers for a legendary live performance which was taped for a television special. The show aired on May 16, 1983, to an audience of viewers, and featured the Jacksons and a number of other Motown stars. It is best remembered for Jackson's solo performance of "Billie Jean". Wearing a distinctive black sequin jacket and golf glove decorated with rhinestones, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member, Jeffrey Daniel had taught him three years before. The Jacksons' performance drew comparisons to Elvis Presley's and The Beatles' appearances on The Ed Sullivan Show. Anna Kisselgoff of The New York Times later wrote, "The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing."

Pepsi, "We Are the World" and business career (1984–85)

and first lady Nancy Reagan, 1984]]

On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi Cola commercial, overseen by executive Phil Dusenberry, from ad agency BBDO and Pepsi's Worldwide Creative Director, Alan Pottasch at the Shrine Auditorium in Los Angeles. In front of a full house of fans during a simulated concert, pyrotechnics accidentally set Jackson's hair on fire. He suffered second-degree burns to his scalp. Jackson underwent treatment to hide the scars on his scalp, and he also had his third rhinoplasty shortly thereafter. Dusenberry later recounted the episode in his memoir, Then We Set His Hair on Fire: Insights and Accidents from a Hall of Fame Career in Advertising.

On May 14, 1984, Jackson was invited to the White House to receive an award from President Ronald Reagan for his support of charities that helped people overcome alcohol and drug abuse. Jackson won eight awards during the Grammys that year. Unlike later albums, Thriller did not have an official tour to promote it, but the 1984 Victory Tour, headlined by The Jacksons, showcased much of Jackson's new solo material to more than two million Americans. He donated all the funds (around ) raised from the Victory Tour to charity. He also co-wrote the charity single "We Are the World" in 1985 with Lionel Richie, which was released worldwide to aid the poor in the U.S. and Africa. It became one of the best-selling singles of all time, with nearly 30 million copies sold and millions of dollars donated to famine relief. In 1986, "We Are the World" won four Grammys (one for Jackson for Song of the Year). American Music Award directors removed the charity song from the competition because they felt it would be inappropriate, but recognised it with two special honors (one for the creation of the song and one for the USA for Africa idea). They are the only AMAs that Jackson won as non-solo artist.

In 1984, ATV Music Publishing, which had the copyrights to nearly 4000 songs, including the Northern Songs catalog that contained the majority of the Lennon/McCartney compositions recorded by The Beatles, was put up for sale by Robert Holmes à Court. Jackson had become interested in owning music catalogs after working with Paul McCartney in the early 1980s: Jackson had learned McCartney made approximately $40 million a year from other people's songs. In 1981, McCartney was offered the ATV music catalog for £20 million ($40 million USD). According to McCartney, he contacted Yoko Ono about making a joint purchase by splitting the cost equally at £10 million each, but Ono thought they could buy it for £5 million each. Also, an attorney for McCartney assured Jackson's attorney, John Branca, that McCartney was not interested in bidding: McCartney reportedly said "It's too pricey" According to J. Randy Taraborrelli's biography, in 1986, Jackson was diagnosed with vitiligo and lupus; the vitiligo partially lightened his skin, and the lupus was in remission; both illnesses made him sensitive to sunlight. The treatments he used for his condition further lightened his skin tone, and, with the application of pancake makeup to even out blotches, he could appear very pale. Jackson was also diagnosed with vitiligo in his autopsy. Several surgeons speculated that he had undergone various nasal surgeries, a forehead lift, thinned lips, and cheekbone surgery—although Jackson denied this and insisted that he only had surgery on his nose. Jackson claimed that he had only two rhinoplasties and no other surgery on his face, although at one point he mentioned having a dimple created in his chin. Jackson lost weight in the early 1980s because of a change in diet and a desire for "a dancer's body". Witnesses reported that he was often dizzy and speculated that he was suffering from anorexia nervosa; periods of weight loss would become a recurring problem later in life.

During the course of his treatment, Jackson made two close friends: his dermatologist, Dr. Arnold Klein, and Klein's nurse Debbie Rowe. Rowe eventually became Jackson's second wife and the mother of his two eldest children. Long before becoming romantically involved with her, Jackson relied heavily on Rowe for emotional support. He also relied heavily on Klein, for medical and business advice.

, here in the early stages of the disease]] Jackson became the subject of increasingly sensational reports. In 1986, the tabloids ran a story claiming that Jackson slept in a hyperbaric oxygen chamber to slow the aging process; he was pictured lying down in a glass box. Although the claim was untrue, according to tabloid reports that are widely cited, Jackson had disseminated the fabricated story himself. When Jackson bought a chimpanzee called Bubbles from a laboratory, he was reported to be increasingly detached from reality. It was reported that Jackson had offered to buy the bones of Joseph Merrick (the "elephant man") and although untrue, Jackson did not deny the story. These reports became embedded in the public consciousness, inspiring the nickname "Wacko Jacko," which Jackson came to despise. Responding to the gossip, Jackson remarked to Taraborrelli:

Jackson collaborated with Francis Ford Coppola on the 17-minute 3-D film Captain EO, which debuted in September 1986 at both the original Disneyland and at EPCOT in Florida, and in March 1987 at Tokyo Disneyland. The $30 million movie was a popular attraction at all three parks. A Captain EO attraction was later featured at Euro Disneyland after that park opened in 1992. All four parks' Captain EO installations stayed open well into the 1990s: Paris' installation was the last one to close, in 1998. The attraction would later return to Disneyland after Jackson's death in 2010.

In 1987, Jackson disassociated himself from the Jehovah's Witnesses, in response to their disapproval of the Thriller video. With the industry expecting another major hit, Jackson's first album in five years, Bad (1987), was highly anticipated. It did not top Thriller as a commercial or artistic triumph, but Bad was still a substantial success in its own right.

The Bad album spawned seven hit singles in the U.S., five of which ("I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror" and "Dirty Diana") reached number one on the Billboard Hot 100 charts. This was a record for most number one Hot 100 singles from any one album, including Thriller. Although the title track's video was arguably derivative of the video for the earlier single "Beat It", the "Bad" video still proved to be one of Jackson's iconic moments. It was a gritty but colorful epic set against the backdrop of the New York City Subway system, with costuming and choreography inspired by West Side Story. As of 2008, the album had sold 30 million copies worldwide. Thanks to the Bad album, Bruce Swedien and Humberto Gatica won one Grammy in 1988 for Best Engineered Recording – Non Classical and Michael Jackson won one Grammy for Best Music Video, Short Form for "Leave Me Alone" in 1989. In 1988, "Bad" won an American Music Award for Favorite Soul/R&B; Single.

The Bad World Tour began on September 12 that year, finishing on January 14, 1989. Jackson broke a Guinness World Record when 504,000 people attended seven sold-out shows at Wembley Stadium. He performed a total of 123 concerts to an audience of 4.4 million people. The Bad Tour turned out to be the last of Jackson's concert tours to include shows in the continental United States, although later tours did make it to Hawaii.

Autobiography, changing appearance and Neverland (1988–1990)

"]] In 1988, Jackson released his first and only autobiography, Moonwalk, which took four years to complete and sold 200,000 copies. Jackson wrote about his childhood, The Jackson 5, and the abuse he had suffered. He also wrote about his facial appearance, saying he had had two rhinoplastic surgeries and a dimple created in his chin. The musician then released a film called Moonwalker, which featured live footage and short films that starred Jackson and Joe Pesci. The film was originally intended to be released to theaters but due to financial issues, the film was released direct to video. It debuted atop the Billboard Top Music Video Cassette chart, staying there for 22 weeks. It was eventually knocked off the top spot by Michael Jackson: The Legend Continues. In 1989, his annual earnings from album sales, endorsements, and concerts was estimated at $125 million for that year alone. The nickname was popularized by Elizabeth Taylor when she presented him with the Soul Train Heritage Award in 1989, proclaiming him "the true king of pop, rock and soul." President George H. W. Bush designated him the White House's "Artist of the Decade". From 1985 to 1990, he donated $500,000 to the United Negro College Fund, and all of the profits from his single "Man in the Mirror" went to charity. Jackson's live rendition of "You Were There" at Sammy Davis Jr.'s 60th birthday celebration received an Emmy nomination. displacing Neil Diamond's renewal contract with Columbia Records. He released his eighth album Dangerous in 1991. As of 2008, Dangerous had shipped seven million copies in the U.S. and had sold 32 million copies worldwide. The Dangerous album was co-produced by Teddy Riley, one of the pioneers of "new jack swing" which convinced Michael to feature a rapper on his album for the first time, the act worked and it turned out to be the best-selling album associated with that movement. In the United States, the album's first single "Black or White" was its biggest hit, reaching number one on the Billboard Hot 100 and remaining there for seven weeks, with similar chart performances worldwide. In 1993, Jackson performed the song at the Soul Train Awards in a chair, saying he had suffered an injury in rehearsals. In the UK and other parts of Europe, "Heal the World" was the biggest hit from the album; it sold 450,000 copies in the UK and spent five weeks at number two in 1992. He sold the broadcast rights to his Dangerous world tour to HBO for $20 million, a record-breaking deal that still stands.

Following the illness and death of Ryan White, Jackson helped draw public attention to HIV/AIDS, something that was still controversial at the time. He publicly pleaded with the Clinton Administration at Bill Clinton's Inaugural Gala to give more money to HIV/AIDS charities and research. In a high-profile visit to Africa, Jackson visited several countries, among them Gabon and Egypt. His first stop to Gabon was greeted with a sizable and enthusiastic reception of more than 100,000 people, some of them carrying signs that read, "Welcome Home Michael."

First child sexual abuse allegations and first marriage (1993–94)

Jackson gave a 90-minute interview to Oprah Winfrey in February 1993, his second television interview since 1979. He grimaced when speaking of his childhood abuse at the hands of his father; he believed he had missed out on much of his childhood years, admitting that he often cried from loneliness. He denied tabloid rumors that he had bought the bones of the Elephant Man, slept in a hyperbaric oxygen chamber, or bleached his skin, stating for the first time that he had vitiligo. The interview was watched by an American audience of 90 million. Dangerous re-entered the album chart in the top 10, more than a year after its original release. The Chandler family demanded payment from Jackson, and the singer initially refused. Jordan Chandler eventually told the police that Jackson had sexually abused him. Dr. Chandler was tape-recorded discussing his intention to pursue charges, saying, "If I go through with this, I win big-time. There's no way I lose. I will get everything I want and they will be destroyed forever ... Michael's career will be over". Jordan's mother was, however, adamant that there had been no wrongdoing on Jackson's part. a fact confirmed in his autopsy. His friends said he never recovered from the humiliation of the strip search. The investigation was inconclusive and no charges were ever filed. Jackson described the search in an emotional public statement, and proclaimed his innocence. On January 1, 1994, Jackson's insurance carrier settled with the Chandlers out of court for $22 million. A Santa Barbara County grand jury and a Los Angeles County grand jury disbanded on May 2, 1994 without indicting Jackson. After which time the Chandlers stopped co-operating with the criminal investigation around July 6, 1994. The out-of-court settlement's documentation specifically stated Jackson admitted no wrongdoing and no liability; the Chandlers and their family lawyer Larry Feldman signed it without contest. The Chandlers' lawyer Mr. Feldman also explicitly stated "nobody bought anybody's silence". A decade after the fact, during the second round of child abuse allegations, Jackson's lawyers would file a memo stating that the 1994 settlement was done without his consent. According to a friend of Presley's, "their adult friendship began in November 1992 in L.A." They stayed in contact every day over the telephone. As the child molestation accusations became public, Jackson became dependent on Presley for emotional support; she was concerned about his faltering health and addiction to drugs. Presley explained, "I believed he didn't do anything wrong and that he was wrongly accused and yes I started falling for him. I wanted to save him. I felt that I could do it." She eventually persuaded him to settle the allegations out of court and go into rehabilitation to recover. At the time, the tabloid media speculated that the wedding was a ploy to prop up Jackson's public image. The marriage lasted less than two years and ended with an amicable divorce settlement. In a 2010 interview with Oprah, Presley admitted that they spent four more years after the divorce "getting back together and breaking up", until she decided to stop.

HIStory, second marriage and fatherhood (1995–99)

In 1995, Jackson merged his ATV Music catalog with Sony's music publishing division creating Sony/ATV Music Publishing. Jackson retained half-ownership of the company, earned $95 million upfront as well as the rights to even more songs. He then released the double album . The first disc, HIStory Begins, was a 15-track greatest hits album, and was later reissued as in 2001, while the second disc, HIStory Continues, contained 15 new songs. The album debuted at number one on the charts and has been certified for seven million shipments in the US. It is the best-selling multiple-disc album of all-time, with 20 million copies (40 million units) sold worldwide. HIStory received a Grammy nomination for Album of the Year. "You Are Not Alone" was the second single released from HIStory; it holds the Guinness World Record for the first song ever to debut at number one on the Billboard Hot 100 chart. "Earth Song" was the third single released from HIStory, and topped the UK singles chart for six weeks over Christmas 1995; it sold a million copies, making it Jackson's most successful single in the UK. In 1996, Jackson won a Grammy for Best Music Video, Short Form for "Scream" and an American Music Award for Favorite Pop/Rock Male Artist.

The album was promoted with the successful HIStory World Tour. The tour began on September 7, 1996, and finished on October 15, 1997. Jackson performed 82 concerts in 58 cities to over 4.5 million fans, and grossed up a total of . The show, which visited five continents and 35 countries, became Jackson's most successful in terms of audience figures. During the tour, Jackson married his longtime friend Deborah Jeanne Rowe, a dermatology nurse, in an impromptu ceremony in Sydney, Australia. Rowe was approximately six months pregnant with the couple's first child at the time. Originally, Rowe and Jackson had no plans to marry, but Jackson's mother Katherine persuaded them to do so. Michael Joseph Jackson Jr (commonly known as Prince) was born on February 13, 1997; his sister Paris-Michael Katherine Jackson was born a year later on April 3, 1998. The couple divorced in 1999, and Jackson got full custody of the children. The divorce was relatively amicable, but a subsequent custody suit was not settled until 2006. It reached number one in the UK, as did the title track. In the US, the album was certified platinum, but only reached number 24. Later that month, Jackson organized a set of "Michael Jackson & Friends" benefit concerts in Germany and Korea. Other artists involved included Slash, The Scorpions, Boyz II Men, Luther Vandross, Mariah Carey, A. R. Rahman, Prabhu Deva Sundaram, Shobana, Andrea Bocelli and Luciano Pavarotti. The proceeds went to the "Nelson Mandela Children's Fund", the Red Cross and UNESCO.

Label dispute, Invincible and third child (2000–03)

At the turn of the century, the American Music Awards honored Jackson as Artist of the '80s. Throughout 2000 and 2001, Jackson worked in the studio with Teddy Riley and Rodney Jerkins, as well as other collaborators. These sessions would result in the album Invincible, released in October 2001. Invincible was Jackson's first full-length album in six years, and it would be the last album of new material he released while still alive. The release of the album was preceded by a dispute between Jackson and his record label, Sony Music Entertainment. Jackson had expected the licenses to the masters of his albums to revert to him sometime in the early 2000s. Once he had the licenses, he would be able to promote the material however he pleased and he would also be able to keep all the profits. However, due to various clauses in the contract, the revert date turned out to be many years away. Jackson discovered that the attorney who represented him in the deal was also representing Sony. After 9/11, Jackson helped organize the benefit concert at RFK Stadium in Washington, D.C. The concert took place on October 21, 2001, and included performances from dozens of major artists, including Jackson, who performed his song "What More Can I Give" as the finale. However, the sales for Invincible were lower than those of his previous releases, due in part to a lack of promotion, no supporting world tour and the label dispute. The album also came out at a bad time for the music industry in general. He charged that Mottola had called his colleague Irv Gotti a "fat nigger". Sony refused to renew Jackson's contract, and claimed that a promotional campaign had failed because Jackson refused to tour in the United States.

In 2002, Michael Jackson won his 22nd American Music Award for Artist of the Century. In the same year, Jackson's third child, Prince Michael Jackson II (nicknamed "Blanket") was born. The mother's identity is unknown, but Jackson has said the child was the result of artificial insemination from a surrogate mother and his own sperm. On November 20 of that year, Jackson brought his newborn son onto the balcony of his room at the Hotel Adlon in Berlin, as fans stood below, holding him in his right arm, with a cloth loosely draped over the baby's face. The baby was briefly extended over a railing, four stories above ground level, causing widespread criticism in the media. Jackson later apologized for the incident, calling it "a terrible mistake". Sony released Number Ones, a compilation of Jackson's hits on CD and DVD. In the US, the album was certified triple platinum by the RIAA; in the UK it was certified six times platinum for shipments of at least units.

Second child sexual abuse allegations and acquittal (2003–05)

Beginning in May 2002, Jackson allowed a documentary film crew, led by British TV personality Martin Bashir, to follow him around just about everywhere he went. Bashir's film crew was with Jackson during the "baby-dangling incident" in Berlin. The program was broadcast in March 2003 as Living with Michael Jackson, and painted an extraordinarily unflattering portrait of the singer.

In a particularly controversial scene, Jackson was seen holding hands and discussing sleeping arrangements with a young boy. As soon as the documentary aired, the Santa Barbara county attorney's office began a criminal investigation. Jackson was arrested in November 2003, and was charged with seven counts of child molestation and two counts of administering an intoxicating agent in relation to the 13 year old boy shown in the film. After the trial, in a highly publicized relocation he moved to the Persian Gulf island of Bahrain, as a guest of Sheikh Abdullah.

Final years (2006–09)

, 2006]] In March 2006, the main house at the Neverland Ranch was closed as a cost-cutting measure. There were numerous reports around that time that Jackson was having financial problems. Jackson had been deliquent on his repayments of a $270 million loan secured against his music publishing holdings, even though those holdings were reportedly making him as much as a year. Bank of America sold the debt to Fortress Investments. Sony reportedly proposed a restructuring deal which would give them a future option to buy half of Jackson's stake in their jointly owned publishing company (leaving Jackson with a 25% stake). Jackson did not have a recording contract in place with Sony or any other major record label at the time.

In the spring of 2006, there was an announcement that Jackson had signed a contract with a Bahrain-based startup called Two Seas Records. However, nothing ever came of that deal, and the CEO of Two Seas, Guy Holmes, later stated that the deal had never been finalized. Throughout 2006, Sony repackaged 20 singles from the 1980s and 1990s as the series, which subsequently became a boxed set. Most of those singles returned to the charts as a result. In September 2006, Jackson and his ex-wife Debbie Rowe confirmed reports that they had settled their long-running child custody suit. The terms were never made public. Jackson continued to be the custodial parent of the couple's two children. In October 2006, Fox News entertainment reporter Roger Friedman said that Jackson had been recording at a studio in rural Westmeath, Ireland. It was not known at the time what Jackson might be working on, or who might be paying for the sessions, since his publicist had recently issued a statement claiming that he had left Two Seas.

In November 2006, Jackson invited an Access Hollywood camera crew into the studio in Westmeath, and MSNBC broke the story that he was working on a new album, produced by will.i.am of The Black Eyed Peas. Jackson returned to the United States after Christmas 2006 to attend James Brown's funeral in Augusta, Georgia. He gave one of the eulogies, saying that "James Brown is my greatest inspiration." In the spring of 2007, Jackson and Sony teamed up to buy yet another music publishing company: Famous Music LLC, formerly owned by Viacom. This deal gave him the rights to songs by Eminem, Shakira and Beck, among others. Jackson recorded extensively during this period in New York with songwriter and producer will.i.am and also in Las Vegas with producers Akon and RedOne. In March 2007, Jackson gave a brief interview to the Associated Press in Tokyo, where he said, "I've been in the entertainment industry since I was 6 years old, and as Charles Dickens would say, 'It's been the best of times, the worst of times.' But I would not change my career ... While some have made deliberate attempts to hurt me, I take it in stride because I have a loving family, a strong faith and wonderful friends and fans who have, and continue, to support me."

In September 2007 Jackson was reportedly still working with will.i.am, but the album was apparently never completed. However, in 2008, Jackson and Sony released Thriller 25 to mark the 25th anniversary of the original Thriller. This album featured the previously unreleased song "For All Time" (an outtake from the original sessions) as well as remixes, where Jackson collaborated with younger artists who had been inspired by his work. Two of the remixes were released as singles with only modest success: "The Girl Is Mine 2008" (with will.i.am) and "Wanna Be Startin' Somethin' 2008" (with Akon). The first single was based on an early demo version, without Paul McCartney. The album itself was a hit, however. In anticipation of Jackson's 50th birthday, Sony BMG released a series of greatest-hits albums called King of Pop. Slightly different versions were released in various countries, based on polls of local fans. King of Pop reached the top 10 in most countries where it was issued, and also sold well as an import in other countries (such as the United States.)

In the fall of 2008, Fortress Investments threatened to foreclose on Neverland Ranch, which Jackson used as collateral for loans running into many tens of millions of dollars. However, Fortress opted to sell Jackson's debts to Colony Capital LLC. In November, Jackson transferred Neverland Ranch's title to Sycamore Valley Ranch Company LLC, which was a joint venture between Jackson and Colony Capital LLC. This deal cleared Jackson's debt, and he reportedly even gained an extra from the venture. At the time of his death, Jackson still owned a stake in Neverland/Sycamore Valley, but it is unknown how large that stake was. In September 2008, Jackson entered negotiations with Julien's Auction House to display and auction a large collection of memorabilia amounting to approximately 1,390 lots. The auction was scheduled to take place between April 22 and April 25. An exhibition of the lots opened as scheduled on April 14, but the actual auction was eventually cancelled at Jackson's request.

In March 2009, Jackson held a press conference at London's O₂ Arena and announced a series of comeback concerts titled This Is It. The shows would be Jackson's first major series of concerts since the HIStory World Tour finished in 1997. Jackson suggested possible retirement after the shows; he said it would be his "final curtain call". The initial plan was for 10 concerts in London, followed by shows in Paris, New York City and Mumbai. Randy Phillips, president and chief executive of AEG Live, stated that the first 10 dates alone would earn the singer approximately . The London residency was increased to 50 dates after record breaking ticket sales: over one million were sold in less than two hours. Jackson rehearsed in Los Angeles in the weeks leading up to the tour under the direction of choreographer Kenny Ortega. Most of these rehearsals took place at the Staples Center, which was owned by AEG. The concerts would have commenced on July 13, 2009, and finished on March 6, 2010. Less than three weeks before the first show was due to begin in London and with all concerts being sold out, Jackson died after suffering cardiac arrest. Sometime before his death, it was widely stated that he was starting a clothing line with Christian Audigier. However, due to Jackson's untimely death, the current status of the label remains unknown.

Jackson's first posthumous single was a song entitled "This Is It" which Jackson cowrote in the 1980s with Paul Anka. It was not on the set lists for the concerts, and the recording was based on an old demo tape. The surviving brothers reunited in the studio for the first time since 1989 to record backing vocals. On October 28, 2009, a documentary film about the rehearsals entitled Michael Jackson's This Is It was released. Even though it ran for a limited two-week engagement, it became the highest grossing documentary or concert movie of all time, with earnings of more than worldwide. Jackson's estate received 90% of the profits. The film was accompanied by a compilation album of the same name. Two versions of the new song appear on the album, which also featured original masters of Jackson's hits in the order in which they appear in the movie, along with a bonus disc with previously unreleased versions of more Jackson hits as well as a spoken word poem entitled "Planet Earth". At the 2009 American Music Awards Jackson won four posthumous awards, two for him and two for his album Number Ones, bringing his total American Music Awards total to 26. Los Angeles Fire Department paramedics received a 911 call at 12:22 (PDT, 19:22 UTC), arriving three minutes later at Jackson's location. He was reportedly not breathing and CPR was performed. Resuscitation efforts continued en route to the Ronald Reagan UCLA Medical Center, and for an hour after arriving there at 1:13 (20:13 UTC). He was pronounced dead at 2:26 local time (21:26 UTC). Jackson's death triggered a global outpouring of grief. Google initially believed that the input from millions of people searching for "Michael Jackson" meant that the search engine was under attack. Twitter reported a crash, as did Wikipedia at PDT ( EDT). The Wikimedia Foundation reported nearly a million visitors to Jackson's biography within one hour, probably the most visitors in a one-hour period to any article in Wikipedia's history. AOL Instant Messenger collapsed for 40 minutes. AOL called it a "seminal moment in Internet history", adding, "We've never seen anything like it in terms of scope or depth."

Around 15% of Twitter posts—or 5,000 per minute—reportedly mentioned Jackson after the news broke, compared to the 5% recalled as having mentioned the Iranian elections or the flu pandemic that had made headlines earlier in the year. MTV and Black Entertainment Television (BET) aired marathons of Jackson's music videos. Jackson specials aired on multiple television stations around the world. The British soap opera EastEnders added a last-minute scene, in which one character tells another about the news, to the June 26 episode. Jackson was the topic of every front-page headline in the daily British tabloid The Sun for about two weeks following his death. During the same period, the three major U.S. networks' evening newscasts—ABC World News, CBS Evening News, and NBC Nightly News—devoted 34% of their broadcast time to him. Magazines including Time published commemorative editions. A scene that had featured Jackson's sister La Toya was cut from the film Brüno out of respect toward Jackson's family.

Jackson's memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Jackson's casket was present during the memorial but no information was released about the final disposition of the body. While some unofficial reports claimed a worldwide audience as high as one billion people, the U.S. audience was estimated by Nielsen to be 31.1 million, an amount comparable to the estimated that watched the 2004 burial of former president Ronald Reagan, and the estimated Americans who watched the 1997 funeral for Princess Diana.

Mariah Carey, Stevie Wonder, Lionel Richie, John Mayer, Jennifer Hudson, Usher, Jermaine Jackson, and Shaheen Jafargholi performed at the event. Berry Gordy and Smokey Robinson gave eulogies, while Queen Latifah read, "We had him," a poem written for the occasion by Maya Angelou. The Reverend Al Sharpton received a standing ovation with cheers when he told Jackson's children, "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway." Jackson's 11-year-old daughter, Paris Katherine, cried as she told the crowd, "Ever since I was born, Daddy has been the best father you could ever imagine ... I just wanted to say I love him ... so much." Reverend Lucious Smith provided a closing prayer. On August 24, several news outlets quoted anonymous sources as stating that the Los Angeles coroner had decided to treat Jackson's death as a homicide; this was later confirmed by the coroner on August 28. At the time of death, Jackson had been administered propofol, lorazepam and midazolam. Law enforcement officials conducted a manslaughter investigation of his personal physician, Conrad Murray. On February 8, 2010, Murray was charged with involuntary manslaughter by prosecutors in Los Angeles. Jackson was entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California.

On June 25, 2010, the first anniversary of Jackson's death, fans came to Los Angeles to pay their tribute to him. They visited Jackson’s star on the Hollywood Walk of Fame and his family’s home, as well as Forest Lawn Memorial Park. Many of the fans were carrying sunflowers and other tribute items to drop off at the sites. Members of the Jackson family and close friends arrived to pay their respects. Katherine returned to Gary, Indiana to unveil a granite monument constructed in the front yard of the family home. The memorial continued with a candlelight vigil and a special performance of "We Are the World." On June 26, there was a protest march in front of the Los Angeles Police Department's Robbery-Homicide Division at the old Parker Center building and a petition with thousands of signatures demanding justice was delivered. The Jackson Family Foundation in conjunction with Voiceplate presented "Forever Michael", an event bringing together Jackson family members, celebrities, fans, supporters and the community to celebrate and honor his legacy. A portion of the proceeds ere presented to some of Jackson's favorite charities. Katherine also introduced her new book "Never Can Say Goodbye."

Death aftermath

After his death, Jackson became the best-selling artist of 2009 in the United States selling over 8.2 million albums and had sold albums worldwide in the 12 months that followed his death. Following this surge in sales, Sony announced that they had extended their relationship with his material. The distribution rights held by Sony Music were due to expire in 2015. On March 16, 2010, Sony Music Entertainment, in a move spearheaded by its Columbia/Epic Label Group division, signed a new deal with the Jackson estate to extend their distribution rights to his back catalogue until at least 2017, as well as to obtain permission to release ten new albums with previously unreleased material and new collections of released work. On November 4, 2010 Sony announced the release of Michael, the first posthumous album set to be released on December 14, with the promotional single released to the radios on November 8, entitled "Breaking News". The deal was unprecedented in the music industry as it is the most expensive music contract pertaining to a single artist in history; it reportedly involved Sony Music paying for the deal, with the Jackson estate getting the full sum as well as its share of royalties for all works released. Video game developer Ubisoft announced it would release a new dancing-and-singing game featuring Michael Jackson for the 2010 holiday season. The game entitled will be among the first to use Kinect and PlayStation Move, the respective motion-detecting camera systems for Microsoft's Xbox 360 and Sony's PlayStation 3 due out later that year. Cirque du Soleil announced on 3 November 2010 that it would launch "Michael Jackson: The Immortal World Tour" in October 2011 in Montreal. The 90-minute US$57M production will combine Jackson's iconic musical oeuvre and choreography with the Cirque's signature artistry, dance and aerial displays involving 65 artists. The tour was written and directed by Jamie King and centers on Jackson's "inspirational Giving Tree - the wellspring of creativity where his love of music and dance, fairy tale and magic, and the fragile beauty of nature are unlocked."

Artistry

Influences

Jackson's music took root in R&B;, pop and soul. He had been influenced by the work of contemporary musicians such as Little Richard, James Brown, Jackie Wilson, Diana Ross, David Ruffin, Gene Kelly, Fred Astaire, Sammy Davis, Jr., The Isley Brothers, and the Bee Gees. While Little Richard had a substantial influence on Jackson, James Brown was Jackson's greatest inspiration. In reference to Brown, Jackson declared: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."

The young Michael Jackson owed his vocal technique in large part to Diana Ross. In October 1969, it was decided that Jackson would live with Ross. Not only a mother figure to him, she was often observed in rehearsal as an accomplished performer. He later expressed: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang – just the way she was." He told her: "I want to be just like you, Diana." She said: "You just be yourself." But Jackson owed part of his enduring style—especially his use of the oooh interjection—to Ross. From a young age, Jackson often punctuated his verses with a sudden exclamation of oooh. Diana Ross had used this effect on many of the songs recorded with The Supremes.

Musical themes and genres

Unlike many artists, Jackson did not write his songs on paper. Instead he would dictate into a sound recorder, and when recording he would sing the lyrics from memory. In most of his songs, such as "Billie Jean", "Who Is It", and "Tabloid Junkie", he would beatbox and imitate the instruments using his voice instead of playing the actual instruments, along with other sounds. Jackson noted that it is easier to sing a drum line, or sing a bass, instead of playing a drum line or a bass with an instrument. Several critics have said that Jackson's distinct voice is able to replace any instrument convincingly. Steve Huey of Allmusic said that, throughout his solo career, Jackson's versatility allowed him to experiment with various themes and genres. In "Billie Jean", Jackson sings about an obsessive fan who alleges he has fathered a child of hers. "Beat It" decried gang violence in an homage to West Side Story, and was Jackson's first successful rock cross-over piece, according to Huey. The lead single "I Just Can't Stop Loving You" is a traditional love ballad, while "Man in the Mirror" is an anthemic ballad of confession and resolution. He comments the album is more diverse than his previous Bad, as it appeals to an urban audience while also attracting the middle class with anthems like "Heal the World". Dangerous contains sexually charged efforts such as the multifaceted love song, "In the Closet".

HIStory creates an atmosphere of paranoia. Its content focuses on the hardships and public struggles Jackson went through just prior to its production. In the new jack swing-funk-rock efforts "Scream" and "Tabloid Junkie", along with the R&B; ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs much of his anger at the media. In the introspective ballad "Stranger in Moscow", Jackson laments over his "fall from grace", while songs like "Earth Song", "Childhood", "Little Susie" and "Smile" are all operatic pop pieces. Invincible found Jackson working heavily with producer Rodney Jerkins. It is a record made up of urban soul like "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn" and "Butterflies" and mixes Hip-Hop, Pop and R&B; in "2000 Watts", "Heartbreaker" and "Invincible".

Vocal style

Jackson sang from childhood, and over time his voice and vocal style changed noticeably. Between 1971 and 1975, Jackson's voice descended from boy soprano to high tenor. Jackson first used a technique called the "vocal hiccup" in 1973, starting with the song "It's Too Late to Change the Time" from The Jackson 5's album. Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of Off the Wall: it can be seen in full force in the "Shake Your Body (Down to the Ground)" promotional video. 1982 saw the release of Thriller, and Rolling Stone was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness". It contains many features of Jackson's vocal style, including the vocal hiccup he is known for.}}

A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelt "cha'mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album Dangerous. The New York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".

Music videos and choreography

Referred to as the King of Music Videos, Steve Huey of Allmusic observed how Jackson transformed the music video into an art form and a promotional tool through complex story lines, dance routines, special effects and famous cameo appearances; simultaneously breaking down racial barriers. Before Thriller, Jackson struggled to receive coverage on MTV, allegedly because he was African American. Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", leading to a lengthy partnership with Jackson, also helping other black music artists gain recognition. MTV employees deny any racism in their coverage, or pressure to change their stance. MTV maintains that they played rock music, regardless of race. The popularity of his videos on MTV helped to put the relatively young channel "on the map"; MTV's focus shifted in favor of pop and R&B.; His performance on Motown 25: Yesterday, Today, Forever changed the scope of live stage show; "That Jackson lip-synced 'Billie Jean' is, in itself, not extraordinary, but the fact that it did not change the impact of the performance is extraordinary; whether the performance was live or lip-synced made no difference to the audience" thus creating an era in which artists re-create the spectacle of music video imagery on stage. Short films like Thriller largely remained unique to Jackson, while the group dance sequence in "Beat It" has frequently been imitated. The choreography in Thriller has become a part of global pop culture, replicated everywhere from Indian films to prisons in the Philippines. The Thriller short film marked an increase in scale for music videos, and has been named the most successful music video ever by the Guinness World Records. For "Smooth Criminal", Jackson experimented with an innovative "anti-gravity lean" in his performances. The maneuver required special shoes for which he was granted U.S. Patent No. 5,255,452. Although the music video for "Leave Me Alone" was not officially released in the US, in 1989, it was nominated for four Billboard Music Video Awards, winning three; the same year it won a Golden Lion Award for the quality of the special effects used in its production. In 1990, "Leave Me Alone" won a Grammy for Best Music Video, Short Form.

The MTV Video Vanguard Artist of the Decade Award was given to Jackson to celebrate his accomplishments in the art form in the 1980s; the following year the award was renamed in his honor. "Black or White" was accompanied by a controversial music video, which, on November 14, 1991, simultaneously premiered in 27 countries with an estimated audience of 500 million people, the largest viewing ever for a music video. Along with Jackson, it featured Macaulay Culkin, Peggy Lipton and George Wendt. It helped usher in morphing as an important technology in music videos.

"Remember the Time" was an elaborate production, and became one of his longest videos at over nine minutes. Set in ancient Egypt, it featured groundbreaking visual effects and appearances by Eddie Murphy, Iman and Magic Johnson, along with a distinct complex dance routine. The video for "In the Closet" was Jackson's most sexually provocative piece. It featured supermodel Naomi Campbell in a courtship dance with Jackson. The video was banned in South Africa because of its imagery. The song and its accompanying video are a response to the backlash Jackson received from the media after being accused of child molestation in 1993. A year later, it won a Grammy for Best Music Video, Short Form; shortly afterwards Guinness World Records listed it as the most expensive music video ever made at a cost of $7 million.

"Earth Song" was accompanied by an expensive and well-received music video that gained a Grammy nomination for Best Music Video, Short Form in 1997. The video had an environmental theme, showing images of animal cruelty, deforestation, pollution and war. Using special effects, time is reversed so that life returns, wars end, and the forests re-grow. Released in 1997 and premiering at the 1996 Cannes Film Festival, Michael Jackson's Ghosts was a short film written by Jackson and Stephen King and directed by Stan Winston. The video for Ghosts is over 38 minutes long and holds the Guinness World Record as the world's longest music video.

Legacy and influence

, set in 1984]] Jackson throughout his career transformed the art of the music video and paved the way for modern pop music. Daily Telegraph writer Tom Utley described Jackson in 2003 as "extremely important" and a "genius." For much of his career, he had an "unparalleled" level of worldwide influence over the younger generation through his musical and humanitarian contributions. Mariah Carey, Usher, Green Day, Britney Spears, Justin Timberlake,

Allmusic's Steve Huey describes Jackson as "an unstoppable juggernaut, possessed of all the skills to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility and loads of sheer star power".

Shortly after Jackson's death, on June 25, 2009, MTV briefly returned to its original music video format to celebrate and pay tribute to his work. The channel aired many hours of Jackson's music videos, accompanied by live news specials featuring reactions from MTV personalities and other celebrities. The temporary shift in MTV's programming culminated the following week in the channel's live coverage of Jackson's memorial service. At the memorial service on July 7, 2009, founder of Motown Records Berry Gordy proclaimed Jackson as "the greatest entertainer that ever lived."

In 2010, two university librarians found that Jackson's influence extended into academia, and was detectable in scholarly literature pertaining to a range of subject matter. The two researchers combed through various scholars' writings, and compiled an annotated bibliography of those writings that appeared to meet at least one of several criteria. Among these criteria were appearance in a peer-reviewed journal, and the provision of insight into the nature of "popular icons including Jackson". The bibliography located references to Jackson in research reports concerning music, popular culture, and an array of other topics. The bibliographers identified as their most peculiar finding an argument that certain aspects of chemistry can be effectively taught by altering and imitating elements of Jackson's singing. One of the research librarians later reflected that "the fact that someone would take a Michael Jackson song and co-opt it as a means to convey chemistry concepts just shows the pervasiveness of Jackson's influence".

Honors and awards

, Hollywood in Universal City, California.]]

Michael Jackson was inducted onto the Hollywood Walk of Fame in 1980 as member of the The Jacksons and in 1984 as solo artist. Throughout his career he received numerous honors and awards, including the World Music Awards' Best-Selling Pop Male Artist of the Millennium, the American Music Award's Artist of the Century Award and the Bambi Pop Artist of the Millennium Award. He was a double-inductee of the Rock and Roll Hall of Fame, once as a member of The Jackson 5 in 1997 and later as a solo artist in 2001. Jackson was also inducted in several other hall of fames, including Vocal Group Hall of Fame (as The Jackson 5 member) in 1999, Songwriters Hall of Fame in 2002 and Hit Parade Hall of Fame (with his brothers) in 2009. In 2010, Jackson was inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. His awards include many Guinness World Records (eight in 2006 alone), 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award), 26 American Music Awards (24 only as a solo artist, including the "Artist of the Century", but not the poll of "Artist of the '80s")—more than any artist—, 13 number one singles in the US in his solo career—more than any other male artist in the Hot 100 era—and estimated sales of up to 750 million records worldwide, making him the world's best selling male solo pop artist. On December 29, 2009, the American Film Institute recognized Jackson's passing as a "moment of significance" saying, "Michael Jackson's sudden death in June at age 50 was notable for the worldwide outpouring of grief and the unprecedented global eulogy of his posthumous concert rehearsal movie This Is It." Michael Jackson also received a Doctor of Humane Letters Degree from the United Negro College Fund and also an Honorary Doctorate of Humane Letters from Fisk University.

Lifetime earnings

His total lifetime earnings from royalties on his solo recordings and music videos, revenue from concerts and endorsements have been estimated at $500 million; some analysts have speculated that his music catalog holdings could be worth billions of dollars. This speculation however is contradicted by financial documents obtained by the Associated Press, which showed that as of March 31, 2007, Jackson's 50 percent stake in the Sony/ATV Music Publishing catalog (his most prized asset) was worth $390.6 million and Michael Jackson's net worth was . Billboard has estimated that Jackson has generated at least in revenue in the year following his death.

Discography

Got to Be There (1972)

Ben (1972)

Music & Me (1973)

Forever, Michael (1975)

Off the Wall (1979)

Thriller (1982)

Bad (1987)

Dangerous (1991)

(1995)

Invincible (2001)

Filmography

{| class="wikitable sortable" |- !Year!!Film!!Role!!Director |- style="text-align:center;" ||1978||The Wiz||Scarecrow|| |- style="text-align:center;" ||1986||Captain EO||Captain EO|| |- style="text-align:center;" ||1988||Moonwalker||Himself|| |- style="text-align:center;" ||1997||Michael Jackson's Ghosts||Maestro/Mayor/Ghoul/Skeleton|| |- style="text-align:center;" ||2002||Men in Black II||Agent M (cameo)|| |- style="text-align:center;" ||2004||Miss Cast Away and the Island Girls||Agent MJ (cameo)|| |- style="text-align:center;" ||2009||Michael Jackson's This Is It||Himself|| |}

Tours

Bad World Tour (1987–89)

Dangerous World Tour (1992–93)

HIStory World Tour (1996–97)

This Is It (2009–10) (cancelled)

See also

Honorific nicknames in popular music

List of best-selling music artists

List of best-selling music artists in the United States

List of unreleased Michael Jackson material

Notes

Bibliography

Further reading

External links

Michael Jackson Hip Hop influence & samples

Michael Jackson Live: Best Pics - slideshow by Life magazine

Michael Jackson sample map, depicting the influence Jackson's work has had on other users.

Category:1958 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2009 deaths Category:African American dancers Category:African American music Category:African American non-fiction writers Category:African American poets Category:African American record producers Category:African American rock singers Category:African American singer-songwriters Category:American businesspeople Category:American child singers Category:American choreographers Category:American dance musicians Category:American disco musicians Category:American expatriates in Ireland Category:American humanitarians Category:American male singers Category:American philanthropists Category:American pop singers Category:American rhythm and blues singers Category:American soul singers Category:American vegetarians Category:Beatboxers Category:Boy sopranos Category:BRIT Award winners Category:Burials at Forest Lawn Memorial Park (Glendale) Category:Drug-related deaths in California Category:English-language singers Category:Epic Records artists Category:Former Jehovah's Witnesses Category:Grammy Award winners Michael Jackson Category:Motown artists Category:Musicians from Indiana Category:People from Gary, Indiana Category:People from Santa Barbara County, California Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Indiana Category:Songwriters Hall of Fame inductees Michael Jackson Category:World Music Awards winners Category:World record holders

Coordinates	°′″N°′″N
Name	Ray Charles Robinson
Background	solo_singer
Birth name	Ray Charles Robinson
Origin	Greenville, Florida, United States
Born	September 23, 1930Albany, Georgia, United States
Died	June 10, 2004Beverly Hills, California, United States
Instrument	Vocals, piano, keyboards, alto saxophone, trombone
Genre	R&B;, soul, rock and roll, blues, jazz, country, pop, gospel
Occupation	Singer-songwriter, musician, arranger, bandleader
Years active	1947–2004
Label	Atlantic, ABC, Warner Bros., Swingtime, Concord, Columbia Records
Associated acts	The Raelettes, Quincy Jones, Betty Carter, Marvin Gaye, James Brown, Little Richard
Url	Official website

Ray Charles Robinson (September 23, 1930June 10, 2004), better known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm & blues, gospel, and blues styles into his early recordings with Atlantic Records. He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company. Frank Sinatra called Charles “the only true genius in show business.”

Rolling Stone ranked Charles number 10 on their list of "100 Greatest Artists of All Time" in 2004, and number two on their November 2008 list of "100 Greatest Singers of All Time". In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"

Biography

Early life: 1930–1945

Ray Charles Robinson was the son of Aretha Williams, a sharecropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. Aretha Williams was a devout Christian and the family attended the New Shiloh Baptist Church. When Ray was an infant, his family moved from Albany, Georgia, where he was born, to the poor black community on the western side of Greenville, Florida. In his early years, Charles showed a curiosity for mechanical things and he often watched the neighborhood men working on their cars and farm machinery. His musical curiosity was sparked at Mr. Wiley Pit's Red Wing Cafe when Pit played boogie woogie on an old upright piano. Pit would care for George, Ray's brother, so as to take the burden off Williams. However, George drowned in the Williams' wash tub when he was four years old.

Charles started to lose his sight at the age of five. He went completely blind by the age of seven, apparently due to glaucoma. He attended school at the Florida School for the Deaf and the Blind in St. Augustine from 1937 to 1945, While at school, he became the school's premier musician. On Fridays, the South Campus Literary Society held assemblies where Charles would play piano and sing popular songs. On Halloween and Washington's birthday, the Colored Department of the school had socials where Charles would play. It was here he established "RC Robinson and the Shop Boys" and sang his own arrangement of "Jingle Bell Boogie." He spent his first Christmas at the school, but later the staff pitched in so that Charles could return to Greenville, as he did each summer.

Henry and Alice Johnson, who owned a store not unlike Mr. Pit's store in Greenville, moved to the Frenchtown section of Tallahassee, just west of Greenville; and they, as well as Freddy and Margaret Bryant, took Charles in. He worked the register in the Bryants' store under the direction of Lucille Bryant, their daughter. It's said he loved Tallahassee and often used the drug store delivery boy's motorbike to run up and down hills using the exhaust sound of a friend's bike to guide him. Charles found Tallahassee musically exciting too and sat in with the Florida A&M; University student band. He played with the Adderley brothers, Nat and Cannonball, and began playing gigs with Lawyer Smith and his Band in 1943 at the Red Bird Club and DeLuxe Clubs in Frenchtown and roadhouses around Tallahassee, as well as the Governor's Ball.

Early career: 1945–1952

After his mother died in 1945, Charles was 15 years old and didn't return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Then he moved to Orlando, and later Tampa, where he played with a southern band called The Florida Playboys. This is where he began his habit of always wearing sunglasses, made by designer Billy Stickles.

Charles had always played for other people, but he wanted his own band. He decided to leave Florida for a large city, but Chicago and New York City were too big. After asking a friend to look in a map and note the city in the United States that was farthest from Florida, he moved to Seattle in 1947 (where he first met and befriended a 14 year old Quincy Jones) and soon started recording, first for the Down Beat label as the Maxin Trio with guitarist G.D. McKee and bassist Milton Garrett, achieving his first hit with "Confession Blues" in 1949. The song soared to #2 on the R&B; charts. He joined Swing Time Records and under his own name ("Ray Charles" to avoid being confused with boxer Sugar Ray Robinson)

Breakthrough period with Atlantic Records: 1953–1959

Almost immediately after signing with Atlantic, Charles scored his first hit singles. "Mess Around" was an R&B; hit in 1953. "It Should Have Been Me" and "Don't You Know" both made the charts in 1954, but "I Got a Woman" (composed with band mate Renald Richard) brought him to national prominence.

The song reached the top of Billboard's R&B; singles chart in 1955 and from there until 1959 he would have a series of R&B; successes including "A Fool For You" (#1), This Little Girl of Mine", "Lonely Avenue", "Mary Ann", "Drown in My Own Tears" (#1) and the #5 hit "The Night Time (Is the Right Time)", which were compiled on his Atlantic releases Hallelujah, I Love Her So, Yes Indeed!, and The Genius Sings the Blues.

During this time of transition, he recruited a young girl group from Philadelphia, The Cookies, as his background singing group, recording with them in New York and changing their name to the Raelettes in the process.

Crossover success: 1959–1967

In 1959, Charles crossed over to Top 40 radio with the release of his impromptu blues number, "What'd I Say", initially conceived while Charles was in concert. The song reached number one on the R&B; list and would become Charles's first top-ten single on the pop charts, peaking at number 6. Charles would also record The Genius of Ray Charles, before leaving Atlantic for a more lucrative deal with ABC-Paramount Records (later renamed ABC Records) in 1960. The deal gave Charles a higher royalty rate, complete artistic control and eventual ownership of the master tapes.

Hit songs such as "Georgia On My Mind" (US #1 Pop, #3 R&B;), "Hit the Road Jack" (US #1 Pop and R&B;), "One Mint Julep" (#8 Pop, #1 R&B;) and "Unchain My Heart" (#9 Pop, #1 R&B;) helped his transition to pop success, and his landmark 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. His version of the Don Gibson song, I Can't Stop Loving You topped the Pop chart for five weeks and stayed at #1 R&B; for ten weeks in 1962. It also gave him his only number one record in the UK. In 1963, he founded his own record label, Tangerine Records which ABC-Paramount distributed. He also had major pop hits in 1963 with "Busted" (US #4) and Take These Chains From My Heart (US #8), and a Top 20 hit four years later, in 1967, with "Here We Go Again" (US #15) (which would be a duet with Norah Jones in 2004).

Later years

In 1965, Ray Charles was arrested for possession of heroin, a drug to which he had been addicted for nearly 20 years. In the 1980s a number of other events increased Charles's recognition among young audiences. He made a cameo appearance in the popular 1980 film The Blues Brothers. In 1985, "The Right Time" was featured in the episode "Happy Anniversary" of The Cosby Show on NBC. The next year, he sang America The Beautiful at Wrestlemania 2. In a Pepsi Cola commercial of the early 1990s – composed by Kenny Ascher, Joseph C. Caro, and Helary Jay Lipsitz – Charles popularized the catchphrase "You Got the Right One, Baby!" and he was featured in the recording of "We Are the World" for USA for Africa.

After having supported Martin Luther King, Jr. and for the American Civil Rights Movement in the 1960s, Charles courted controversy when he toured South Africa in 1981, Eventually, it sold more than 400,000 copies, and became that year's best-selling single performed by a Western artist for the Japanese music market.

Charles also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 for Bill Clinton's first.

In the late 1980s/early 1990s, Charles made appearances on The Super Dave Osbourne Show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. At the height of his newfound fame in the early nineties, Charles did guest vocals for several projects. He also appeared (with Chaka Khan) on long time friend Quincy Jones' hit "I'll Be Good to You" in 1990, from Jones's album Back on the Block. Following Jim Henson's death in 1990, Ray Charles appeared in the one-hour CBS tribute, The Muppets Celebrate Jim Henson. He gave a short speech about Henson, stating that he "took a simple song and a piece of felt and turned it into a moment of great power". Charles was referring to the song "It's Not Easy Being Green", which he later performed with the rest of the Muppet cast in a tribute to Henson's legacy.

During the sixth season of Designing Women, Charles sang "Georgia on My Mind", instead of the song being rendered instrumentally by other musicians as in the previous five seasons. He also appeared in 4 episodes of the popular TV comedy The Nanny in Seasons 4 & 5 (1997 & 1998) as 'Sammy', in one episode singing "My Yiddish Mamma" to December romance and later fiancee of character Gramma Yetta, played by veteran actress Ann Guilbert.

Final appearances

In 2000, Charles made a special guest appearance on Blue's Clues Big Musical Movie as a fictional character named G-Clef. The Persuasions also made a guest appearance as his companions. Charles recorded "There It Is" during and after filming with Steve Burns and Traci Paige Johnson. After recording, Charles commented "This has been the most fun I have had since I met President Reagan in '84."

In 2001 Charles played a memorable show in a sold out Teatro Teresa Carreño in Caracas, Venezuela. In 2002 Charles headlined during the Blues Passions Cognac festival in southern France. Charles, along with the Utah Symphony at Abravanel Hall, paid a visit to Salt Lake City Tuesday night on October 15, 2002 and played a benefit concert for the Regence Blue Cross and Blue Shield Association's 10th Annual Caring Foundation for Children Gala.

In 2002, he took part with other musicians in a peace concert in Rome, the first event to take place inside the city's ancient Colosseum since A.D. 404. It was organized in partnership with the Global Forum and the Quincy Jones Listen Up Foundation. Charles appeared with Travis Tritt on CMT Crossroads in December of that year. He was invited to Star Academy (France) season 2 the 30th November for sing "Hit the Road Jack" with Emma Daumas.

In 2003, Ray Charles headlined the White House Correspondents Dinner in Washington, D.C. where the President, First Lady, Colin Powell and Condoleezza Rice attended. He also presented one of his greatest admirers, Van Morrison, with his award upon being inducted in the Songwriters Hall of Fame and the two sang Morrison's song "Crazy Love". This performance appears on Morrison's 2007 album, The Best of Van Morrison Volume 3.

On Friday, April 11, 2003, Ray Charles sang 'America The Beautiful' at Fenway Park in Boston, Friday, prior to the rained out Red Sox home opener against the Baltimore Orioles.

In 2003 Charles performed "Georgia On My Mind" and "America the Beautiful" at a televised annual electronic media journalist banquet held in Washington, D.C., at what may have been his final performance in public. His final public appearance came on April 30, 2004, at the dedication of his music studio as a historic landmark in the city of Los Angeles.

Two more posthumous albums, Genius & Friends (2005) and Ray Sings, Basie Swings (2006), were released. Genius & Friends consisted of duets recorded from 1997 to 2005 with his choice of artists. Ray Sings, Basie Swings consists of archived vocals of Ray Charles from live mid-1970s performances added to new instrumental tracks specially recorded by the contemporary Count Basie Orchestra and other musicians. Charles's vocals recorded from the concert mixing board were added to new accompaniments to create a "fantasy concert" recording. Gregg Field, who had performed as a drummer with both Charles and Basie, produced the album.

Personal life

Charles was married twice and fathered 12 children with nine different women. His first marriage to Eileen Williams was brief: July 31, 1951 to 1952. He had three children from his second marriage, to Della Beatrice Howard Robinson from April 5, 1955 to 1977. His long term girlfriend and partner at the time of his death was Norma Pinella.

His children:

Born ~ 1950: Evelyn Robinson (to Louise Mitchell)

Born ~ 1955: Ray Charles Robinson, Jr. (to Della Robinson)

Born ~ 1958: David Robinson (to Della Robinson)

Born ~ 1959: Charles Wayne Hendricks (to Margie Hendricks)

Born ~ 1960: Reverend Robert Robinson (to Della Robinson)

Born ~ 1961: Raenee Robinson (to Mae Mosely Lyles)

Born ~ 1963: Sheila Raye Charles Robinson (to Sandra Jean Betts)

Born ~ 1966: Reatha Butler (unknown)

Born ~ 1968: Alexandra Bertrand (to Chantal Bertrand)

Born ~ 1977: Vincent Kotchounian (to Arlette Kotchounian)

Born ~ 1978: Robyn Moffett (to Gloria Moffett)

Born ~ 1987: Ryan Corey Robinson den Bok (to Mary Anne den Bok)

Charles gave each of his children $1 million (tax-free) in December 2002 at a family lunch. Ten of his 12 children were given a check for $1,000,000 at the luncheon, while two couldn't make it.

Chess

Chess was a hobby of his, using a special board with holes for the pieces and raised squares. In 2002, he played American Grandmaster and former U. S. Champion Larry Evans. Evans won but some analysts believe Ray Charles resigned prematurely.

Drugs

On November 14, 1961, Charles was arrested on a narcotics charge in an Indiana hotel room, where he waited to perform. The detectives seized heroin, marijuana, and other items. Charles, then 31, stated that he had been a drug addict since the age of 16. While the case was dismissed because of the manner in which the evidence was obtained, Charles's situation did not improve until a few years later. Individuals such as Quincy Jones and Reverend Henry Griffin, felt that those around Charles were responsible for his drug use. By 1964 Charles's drug addiction caught up with him and he was arrested for possession of marijuana and heroin. Following a self-imposed stay

Discography

Filmography

Swingin' Along (1961)

Ballad in Blue (1964)

The Big T.N.T. Show (1966) (documentary)

The Blues Brothers (1980)

Who's The Boss (himself) 1987

Limit Up (1989)

Listen Up: The Lives of Quincy Jones (1990) (documentary)

Love Affair (1994)

Spy Hard (1996)

The Nanny (1999) as Sammy

Adv. Super Dave (2000)

Blue's Big Musical Movie (2000)

Soul Deep

Biographical film

Charles was significantly involved in the biopic Ray, an October 2004 film which portrays his life and career between 1930 and 1966 and stars Jamie Foxx as Charles. Foxx won the 2005 Academy Award for Best Actor for the role.

Before shooting could begin, director Taylor Hackford brought Foxx to meet Charles, who insisted that they sit down at two pianos and play together. After two hours, he stood up, hugged Foxx, and gave his blessing, proclaiming, "He's the one... he can do it." Charles was expected to attend a showing of the completed film, but died before it opened. The movie is the all-time number one biopic per screen average, opening on 2006 screens and making 20 million dollars.

As noted in the film's final credits, Ray is based on true events, but includes some characters, names, locations, events which have been changed and others which have been "fictionalized for dramatization purposes". Dramatic license accounts for scenes that refer to Charles as temporarily banned from performing in Georgia.

The credits note that he is survived by 12 children, 21 grandchildren, and 5 great grandchildren as of the movie release in October 2004.

Hall of Fame and other honors

In 1979, Charles was one of the first of the Georgia State Music Hall of Fame to be recognized as a musician born in the state. Ray's version of "Georgia On My Mind" was made the official state song for Georgia. In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986. He received the Kennedy Center Honors in 1986.

In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1993, he was awarded the National Medal of Arts. In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame. The Grammy Awards of 2005 were dedicated to Charles.

On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano. Later that month, on December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame. He was also presented with the George and Ira Gershwin Award for Lifetime Musical Achievement, during the 1991 UCLA Spring Sing.

In 2003, Charles was awarded an honorary degree by Dillard University. Upon his death, he endowed a professorship of African-American culinary history at the school, which is the first such chair in the nation. A $20 million performing arts center at Morehouse College was named after Charles and was dedicated in September 2010.

Ray Charles Post Office Building

On Tuesday, July 12, 2005, President George Bush signed into law a bill (PL 109–25), sponsored by Congresswoman Diane E. Watson (CA-33rd), designating the U.S. postal facility at 4960 W. Washington Blvd. in Los Angeles, California, the Ray Charles Post Office Building. On August 24, 2005, the United States Congress honored Charles by dedicating and renaming the former West Adams Station post office, on the site of the former legendary jazz and supper club The Parisian Room, the "Ray Charles Station".

References

Further reading

Article from the St. Augustine Record noting Charles' being on WFOY.

External links

Ray Charles website

Ray Charles - Daily Telegraph obituary

Ray Charles at RollingStone.com

Ray Charles at Songwriters Hall of Fame

Ray Charles at Rock and Roll Hall of Fame

Ray Charles autobiography: The Early Years 1930–1960

I Can't Stop Loving You: Ray Charles and Country Music - Past Exhibit at the Country Music Hall of Fame and Museum

Yes Indeed! The Photographs of Joe Adams

Watch

Ray Charles's oral history video excerpts at the National Visionary Leadership Project

Listen

Category:1930 births Category:1940s singers Category:1950s singers Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2004 deaths Category:ABC Records artists Category:African American musicians Category:African American singers Category:American blues pianists Category:American blues singers Category:American composers Category:American country singers Category:American gospel singers Category:American keyboardists Category:American male singers Category:American pop pianists Category:American rhythm and blues singers Category:American soul singers Category:American singer-songwriters Category:American soul musicians Category:Atlantic Records artists Category:Blind musicians Category:Blind bluesmen Category:Blues Hall of Fame inductees Category:Blind musicians Category:Burials at Inglewood Park Cemetery Category:Cancer deaths in California Category:Deaths from liver cancer Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Musicians from Georgia (U.S. state) Category:Musicians from Florida Category:Kennedy Center honorees Category:People from Albany, Georgia Category:People from Madison County, Florida Category:People from the Greater Los Angeles Area Category:Rock and Roll Hall of Fame inductees‎ Category:Rhythm and blues pianists Category:Songwriters from Florida Category:Songwriters from Georgia (U.S. state) Category:Urban blues musicians

Coordinates	°′″N°′″N
Name	James Ingram
Landscape	yes
Background	solo_singer
Born	February 16, 1952
Origin	Akron, Ohio, USA
Instrument	Vocals, Piano, Keyboards, Guitar, Bass Guitar, drums
Genre	Soul, Adult Contemporary, Quiet Storm
Occupation	Singer-songwriter, Record producer
Years active	1975–present
Label	Intering Records
Url	James Ingram's Official Website

James Ingram (born February 16, 1952, Akron, Ohio) is an American soul musician. He is best-known as a vocalist. He is also a self-taught musician who plays piano, guitar, bass, drums and keyboards. Additionally, he is a producer and songwriter.

Biography

Early life

He began his career in the 1970s as part of the band Revelation Funk with Bernard Lawson, Sr., also from Akron. During this time, Ingram developed a reputation in the Los Angeles area as a session vocalist, and came to the attention of ex-Motown songwriter and producer Lamont Dozier. Dozier invited Ingram to contribute vocals to some material; one such song, "Love's Calling," garnered some airplay. The remainder of the material surfaced in 1980 on the album Zingara.

Career

In 1981, Ingram provided the vocals to "Just Once" and "One Hundred Ways" on Quincy Jones's album The Dude. He won a Grammy award for best R&B; vocal performance for his work on this album. Ingram's debut album, It's Your Night, appeared in 1983, including the ballad "There's No Easy Way." He also worked with other notable R&B; artists such as Ray Charles, Anita Baker, Viktor Lazlo, Nancy Wilson, Natalie Cole, and Kenny Rogers. In 1990, he scored a No. 1 hit on the pop charts with the love ballad "I Don't Have the Heart" from his It's Real album.

But Ingram was best known throughout the decade for his hit collaborations. He went to No. 1 on the pop charts with Patti Austin on "Baby, Come to Me", a song made popular on TV's General Hospital. A second Austin–Ingram duet, "How Do You Keep the Music Playing?", was featured in the movie Best Friends and earned an Oscar nomination. A few years later, he won a 1985 Grammy Award for "Yah Mo B There", a duet with Michael McDonald. And he teamed up with Kenny Rogers and Kim Carnes for the Top 40 ballad "What About Me?" in 1984. In 1985, he participated in the charity single "We Are the World".

In 1987, he teamed with American vocalist Linda Ronstadt, and had a US Pop No. 2 Hit with "Somewhere Out There", the theme from the animated feature film An American Tail. The song garnered Grammy and Academy Award nominations and was certified gold (over 500,000 U.S. copies sold) by the RIAA.

Ingram performed two solos on the 1985 recording and video of "We Are the World". He also co-wrote "P.Y.T. (Pretty Young Thing)" which was recorded by Michael Jackson on his blockbuster Thriller.

In the 1990s, his highest-profile team-up came again with Quincy Jones, on the song "The Secret Garden". This song also featured vocals by Barry White, El Debarge and Al B. Sure!

Soundtrack songs were popular for Ingram in the 1990s. From the movie Sarafina! came "One More Time", and from City Slickers came "Where Did My Heart Go?" His 1994 composition "The Day I Fall in Love", which he dueted with Dolly Parton, was the theme song for the movie Beethoven's 2nd and was nominated for an Academy Award for Best Original Song.

During the summer of 2004, Ingram participated in the U.S. television reality show Celebrity Duets as a duet partner. The show combined professional vocalists, of different musical genre, with entertainers of different backgrounds in a weekly elimination competition. In 2006, he and neo-soul singer Angie Stone teamed up on "My People".

Discography

Studio albums

Compilation albums

Singles

References

External links

James Ingram – official website.

James Ingram page on Facebook.

James Ingram page on MySpace.

James Ingram's blog on WordPress.

James Ingram on Twitter.

Category:1952 births Category:Living people Category:Grammy Award winners Category:African American singers Category:African American singer-songwriters Category:American male singers Category:Nuwaubianism Category:Qwest Records artists Category:People from Akron, Ohio

Coordinates	°′″N°′″N
Name	Herbie Hancock
Landscape	no
Background	non_vocal_instrumentalist
Birth name	Herbert Jeffrey Hancock
Born	April 12, 1940Chicago, IllinoisUnited States
Spouse	Gigi Hancock
Instrument	piano, synthesizer, organ, clavinet, keytar, vocoder
Genre	jazz, bebop, post bop, jazz fusion, hard bop, jazz-funk, funk, R&B;, electro funk, classical
Occupation	musician, composer, bandleader
Years active	1961–present
Label	Columbia, Blue Note, Verve/Polygram, Warner Bros. Records, Sony BMG Music Entertainment
Associated acts	Miles Davis Quintet, Jaco Pastorius, Stevie Wonder

Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist, bandleader and composer. As part of Miles Davis's "second great quintet", Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the "post-bop" sound. He was one of the first jazz musicians to embrace synthesizers and funk. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.

Hancock's best-known solo works include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album "" won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award after Getz/Gilberto in 1965.

As a member of Soka Gakkai, Hancock is an adherent of the Nichiren school of Mahayana Buddhism.

Early life and career

Hancock was born in Chicago, Illinois. Like many jazz pianists, Hancock started with a classical music education; Hancock studied from age seven. His talent was recognized early. Considered a child prodigy, he played the first movement of Mozart's Piano Concerto No. 5 at a young people's concert with the Chicago Symphony at age eleven.

Through his teens, Hancock never had a jazz teacher. Instead, around high school age, Hancock grew to like jazz after hearing some Oscar Peterson and George Shearing recordings, which he transcribed in his own time, and which developed his ear and sense of harmony. He was also influenced by records of the vocal group the Hi-Lo's:

..by the time I actually heard the Hi-Lo's, I started picking that stuff out; my ear was happening. I could hear stuff and that's when I really learned some much farther-out voicings -like the harmonies I used on 'Speak Like a Child' -just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it music after two years.

In 1960, he heard Chris Anderson play just once, and begged him to accept him as a student. Hancock often mentions Anderson as his harmonic guru. Hancock left Grinnell, moved to Chicago and began working with Donald Byrd and Coleman Hawkins, during which period he also took courses at Roosevelt University. (He later graduated from Grinnell, who also awarded him an honorary Doctor of Fine Arts degree in 1972). Donald Byrd was attending the Manhattan School of Music in New York at the time and suggested that Hancock study composition with Vittorio Giannini, which he did for a short time in 1960. The pianist quickly earned a reputation, and played subsequent sessions with Oliver Nelson and Phil Woods. He recorded his first solo album Takin' Off for Blue Note Records in 1962. "Watermelon Man" (from Takin' Off) was to provide Mongo Santamaría with a hit single, but more importantly for Hancock, Takin' Off caught the attention of Miles Davis, who was at that time assembling a new band. Hancock was introduced to Davis by the young drummer Tony Williams, a member of the new band.

Miles Davis quintet and Blue Note

Hancock received considerable attention when, in May 1963,

Mason was replaced by Mike Clark, and the band released a second album, Thrust, the following year. (A live album from a Japan performance, consisting of compositions from those first two Head Hunters releases was released in 1975 as Flood. The record has since been released on CD in Japan.) This was almost as well-received as its predecessor, if not attaining the same level of commercial success. The Headhunters made another successful album (called Survival of the Fittest) without Hancock, while Hancock himself started to make even more commercial albums, often featuring members of the band, but no longer billed as The Headhunters. The Headhunters reunited with Hancock in 1998 for Return of the Headhunters, and a version of the band (featuring Jackson and Clark) continues to play live and record.

In 1973, Hancock composed his second masterful soundtrack to the controversial film The Spook Who Sat By The Door. Then in 1974, Hancock also composed the soundtrack to the first Death Wish film. One of his memorable songs, "Joanna's Theme", would later be re-recorded in 1997 on his duet album with Wayne Shorter 1 + 1.

Hancock's next jazz-funk albums of the 1970s were Man-Child (1975), and Secrets (1976), which point toward the more commercial direction Hancock would take over the next decade. These albums feature the members of the 'Headhunters' band, but also a variety of other musicians in important roles.

Back to the Basics: VSOP and the Future Shock

During late 1970s and early 1980s, Hancock toured with his "V.S.O.P." quintet, which featured all the members of the 1960s Miles Davis quintet except Davis, who was replaced by trumpet giant Freddie Hubbard. There was constant speculation that one day Davis would reunite with his classic band, but he never did so. VSOP recorded several live albums in the late 1970s, including VSOP (1976), and (1977).

In 1978, Hancock recorded a duet with Chick Corea, who had replaced him in the Miles Davis band a decade earlier. He also released a solo acoustic piano album titled The Piano (1978), which, like so many Hancock albums at the time, was initially released only in Japan. (It was finally released in the US in 2004.) Several other Japan-only releases have yet to surface in the US, such as Dedication (1974), (1977), and Direct Step (1978). was a VSOP album remastered for the US in 2004, and included an entire second concert from the July 1979 tour.

From 1978-1982, Hancock recorded many albums consisting of jazz-inflected disco and pop music, beginning with Sunlight (featuring guest musicians like Tony Williams and Jaco Pastorius on the last track) (1978). Singing through a vocoder, he earned a British hit, "I Thought It Was You", although critics were unimpressed. This led to more vocoder on the 1979 follow-up, Feets, Don't Fail Me Now, which gave him another UK hit in "You Bet Your Love". Albums such as Monster (1980), Magic Windows (1981), and Lite Me Up (1982) were some of Hancock's most criticized and unwelcomed albums, the market at the time being somewhat saturated with similar pop-jazz hybrids from the likes of former bandmate Freddie Hubbard. Hancock himself had quite a limited role in some of those albums, leaving singing, composing and even producing to others. Mr. Hands (1980) is perhaps the one album during this period that was critically acclaimed. To the delight of many fans, there were no vocals on the album, and one track featured Jaco Pastorius on bass. The album contains a wide variety of different styles, including a disco instrumental song, a Latin-jazz number and an electronic piece in which Hancock plays alone with the help of computers.

Hancock also found time to record more traditional jazz whilst creating more commercially oriented music. He toured with Tony Williams and Ron Carter in 1981, recording Herbie Hancock Trio, a five-track live album released only in Japan. A month later, he recorded Quartet with Wynton Marsalis, released in the US the following year. Hancock, Williams and Carter toured internationally with Wynton and his brother Branford Marsalis in what was affectinately known as "VSOP II". This quintet can be heard on Marsalis' debut album on Columbia (1981). In 1982 he contributed to the Simple Minds album New Gold Dream (81,82,83,84), playing a synthesizer solo on the track 'Hunter and The Hunted'.

In 1983, Hancock had a mainstream hit with the Grammy-award winning instrumental single "Rockit" from the album Future Shock. It was perhaps the first mainstream single to feature scratching, and also featured an innovative animated music video which was directed by Godley and Creme and showed several robot-like artworks by Jim Whiting. The video was a hit on MTV. The video won 5 different categories at the inaugural MTV Video Music Awards. This single ushered in a collaboration with noted bassist and producer Bill Laswell. Hancock experimented with electronic music on a string of three LPs produced by Laswell: Future Shock (1983), Sound-System (1984) and Perfect Machine (1988). Despite the success of "Rockit", Hancock's trio of Laswell-produced albums (particularly the latter two) are among the most critically derided of his entire career, perhaps even more so than his erstwhile pop-jazz experiments. Hancock's level of actual contribution to these albums was also questioned, with some critics contending that the Laswell albums should have been labelled "Bill Laswell featuring Herbie Hancock".

During this period, he appeared onstage at the Grammy awards with Stevie Wonder, Howard Jones, and Thomas Dolby, in a famous synthesizer jam (The video on Youtube can be found here.). Lesser known works from the 80s are the live album Jazz Africa and the studio album Village Life (1984) which were recorded with Gambian kora player Foday Musa Suso. Also, in 1985 he performed as a guest on the album So Red The Rose by the Duran Duran shoot off group Arcadia. He also provided introductory and closing comments for the PBS rebroadcast in the United States of the BBC educational series from the mid-1980s, Rock School (not to be confused with the most recent Gene Simmons' Rock School series).

In 1986, Hancock performed and acted in the film 'Round Midnight. He also wrote the score/soundtrack, for which he won an Academy Award for Original Music Score. Often he would write music for TV commercials. "Maiden Voyage", in fact, started out as a cologne advertisement. At the end of the Perfect Machine tour, Hancock decided to leave Columbia Records after a 15-plus-year relationship.

As of June 2005, almost half of his Columbia recordings have been remastered. The first three US releases, Sextant, Head Hunters and Thrust as well as the last four releases Future Shock, Sound-System, the soundtrack to Round Midnight and Perfect Machine. Everything released in America from Man-Child to Quartet has yet to be remastered. Some albums, made and initially released in the US, were remastered between 1999 and 2001 in other countries such as Magic Windows and Monster. Hancock also re-released some of his Japan-only releases in the West, such as The Piano.

1990s and later

After leaving Columbia, Hancock took a break. Then, with friends Ron Carter, Tony Williams, Wayne Shorter, and Davis admirer Wallace Roney, they recorded A Tribute to Miles which was released in 1994. The album contained two live recordings and studio recording classics with Roney playing Davis's part as trumpet player. The album won a Grammy for best group album. He also toured with Jack DeJohnette, Dave Holland and Pat Metheny in 1990 on their Parallel Realities tour, which included a memorable performance at the Montreux Jazz Festival in July 1990.

Hancock's next album, Dis Is Da Drum released in 1994 saw him return to Acid Jazz. Also in 1994, Hancock appeared on the Red Hot Organization's compilation album, . The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as "Album of the Year" by Time Magazine.

1995's The New Standard found him and an all-star band including John Scofield, Jack DeJohnette and Michael Brecker interpreting pop songs by Nirvana, Stevie Wonder, The Beatles, Prince, Peter Gabriel and others. A 1997 duet album with Wayne Shorter titled 1 + 1 was successful, the song "Aung San Suu Kyi" winning the Grammy Award for Best Instrumental Composition, and Hancock also achieved great success in 1998 with his album Gershwin's World which featured inventive readings of George & Ira Gershwin standards by Hancock and a plethora of guest stars including Stevie Wonder, Joni Mitchell and Shorter. Hancock toured the world in the support of Gershwin's World with a sextet that featured Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson.

In 2001, Hancock recorded Future2Future, which reunited Hancock with Bill Laswell and featured doses of electronica as well as turntablist Rob Swift of The X-Ecutioners. Hancock later toured with the band, and released a live concert DVD with a different lineup which also included the "Rockit" music video. Also in 2001, Hancock partnered with Michael Brecker and Roy Hargrove to record a live concert album saluting Davis and John Coltrane called recorded live in Toronto. The threesome toured t support the album, and have toured on and off through 2005.

2005 saw the release of a duet album called Possibilities. It features duets with Carlos Santana, Paul Simon, Annie Lennox, John Mayer, Christina Aguilera, Sting and others. In 2006, Possibilities was nominated for Grammy awards in two categories: "A Song For You", featuring Christina Aguilera was nominated for a Grammy Award for Best Pop Instrumental Performance, and "Gelo No Montanha", featuring Trey Anastasio on guitar was nominated for a Grammy Award for Best Instrumental Performance. Neither nomination resulted in an award.

Also in 2005, Hancock toured Europe with a new quartet that included Beninese guitarist Lionel Loueke, and explored textures ranging from ambient to straight jazz to African music. Plus, during the Summer of 2005, Hancock re-staffed the famous Head Hunters and went on tour with them, including a performance at The Bonnaroo Music & Arts Festival.

However, this lineup did not consist of any of the original Headhunters musicians. The group included Marcus Miller, Terri Lyne Carrington, Lionel Loueke and John Mayer. Hancock also served as the first artist in residence for Bonnaroo that summer.

Also in 2006, Sony BMG Music Entertainment (which bought out Hancock's old label, Columbia Records) released the two-disc retrospective The Essential Herbie Hancock. This two-disc set is the first compilation of Herbie's work at Warner Bros. Records, Blue Note Records, Columbia and at Verve/Polygram. This became Hancock's second major compilation of work since the 2002 Columbia-only "The Herbie Hancock Box" which was released at first in a plastic 4x4 cube then re-released in 2004 in a long box set. Hancock also in 2006, recorded a new song with Josh Groban and Eric Mouquet (co-founder of Deep Forest) titled "Machine". It is featured on Josh Groban's CD "Awake". Hancock also recorded and improvised with guitarist Lionel Loueke on Loueke's debut album Virgin Forest on the ObliqSound label in 2006, resulting in two improvisational tracks "Le Réveil des Agneaux (The Awakening of the Lambs)" and "La Poursuite du lion (The Lion's Pursuit)".

Hancock, a longtime associate and friend of Joni Mitchell released a 2007 album, , that paid tribute to her work. Norah Jones and Tina Turner recorded vocals, as did Corinne Bailey Rae, and Leonard Cohen contributed a spoken piece set to Hancock's piano. Mitchell herself also made an appearance. The album was released on September 25, simultaneously with the release of Mitchell's album Shine. "River" was nominated for and won the 2008 Album of the Year Grammy Award, only the second jazz album ever to receive either honor. The album also won a Grammy for Best Contemporary Jazz Album, and the song "Both Sides Now" was nominated for Best Instrumental Jazz Solo.

Recently Hancock performed at the Shriner's Children's Hospital Charity Fundraiser with Sheila E, Jim Brickman, Kirk Whalum and Wendy Alane Wright.

His latest work includes assisting the production of the Kanye West track "RoboCop", found on 808s & Heartbreak.

On June 14, 2008, Hancock performed at Rhythm on the Vine at the South Coast Winery in Temecula, California for Shriners Hospital for Children. Other performers at the event, that raised $515,000 for Shriners Hospital, were contemporary music artist Jim Brickman, and Sheila E. & the E. Family Band.

On January 18, 2009, Hancock performed at the , marking the start of inaugural celebrations for American President Barack Obama. Hancock also performed the Rhapsody in Blue at the 2009 Classical BRIT Awards with classical pianist Lang Lang. Hancock was named as the Los Angeles Philharmonic's creative chair for jazz for 2010-12. In June 2010, Hancock released his newest album, The Imagine Project.

On June 5, 2010, Hancock received an Alumni Award from his alma mater, Grinnell College.

Discography

{| cellspacing="0" cellpadding="2" border="0" |- style="background:#ffdead;" ! align="left" style="border-bottom:1px solid grey; border-top:1px solid grey;" | Title ! width="10" style="border-bottom:1px solid grey; border-top:1px solid grey;" | ! align="left" style="border-bottom:1px solid grey; border-top:1px solid grey;" | Year ! width="10" style="border-bottom:1px solid grey; border-top:1px solid grey;" | ! align="left" style="border-bottom:1px solid grey; border-top:1px solid grey;" | Label |- | style="border-bottom:1px solid grey;" | Takin' Off | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1962 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | My Point of View | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1963 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Inventions and Dimensions | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1963 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Empyrean Isles | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1964 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Maiden Voyage | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1965 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Blow-Up (Soundtrack) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1966 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | MGM |- | style="border-bottom:1px solid grey;" | Speak Like a Child | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1968 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | The Prisoner | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1969 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Fat Albert Rotunda | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1969 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Warner Bros. |- | style="border-bottom:1px solid grey;" | Mwandishi | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1970 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Warner Bros. |- | style="border-bottom:1px solid grey;" | He Who Lives In Many Places (with bassist Terry Plumeri) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1971 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Airborne. |- | style="border-bottom:1px solid grey;" | Crossings | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1972 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Warner Bros. |- | style="border-bottom:1px solid grey;" | Sextant | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1973 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Head Hunters | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1973 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Thrust | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1974 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Death Wish (Soundtrack) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1974 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Dedication | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1974 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Man-Child | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1975 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Flood (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1975 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Secrets | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1976 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | VSOP (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1976 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Herbie Hancock Trio | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Sunlight | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Directstep | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1978 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album with Chick Corea) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1978 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | The Piano | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Feets, Don't Fail Me Now | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | CoreaHancock (Live album with Chick Corea) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Polydor |- | style="border-bottom:1px solid grey;" | Monster | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1980 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Mr. Hands | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1980 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Herbie Hancock Trio | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1981 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Magic Windows | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1981 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Lite Me Up | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1982 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Quartet (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1982 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Future Shock | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1983 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Sound-System | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1984 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Village Life (with Foday Musa Suso) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1985 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Round Midnight (Soundtrack) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1986 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Jazz Africa (Live album with Foday Musa Suso) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1987 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Polygram |- | style="border-bottom:1px solid grey;" | Perfect Machine | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1988 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | A Tribute to Miles | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1994 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Qwest/Warner Bros. |- | style="border-bottom:1px solid grey;" | Dis Is Da Drum | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1994 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve/Mercury |- | style="border-bottom:1px solid grey;" | The New Standard | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1995 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | 1 + 1 (with Wayne Shorter) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1997 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | Gershwin's World | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1998 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | Future2Future | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2001 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Transparent |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2002 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | Possibilities | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2005 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Concord/Hear Music |- | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2007 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2008 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | The Imagine Project | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2010 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Hancock |}

Filmography

As a Leader

2000: Dejohnette, Hancock, Holland and Metheny - Live in Concert

2002: Herbie Hancock Trio: Hurricane! with Ron Carter and Billy Cobham

2002: The Jazz Channel Presents Herbie Hancock (BET on Jazz) with Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson

2004: Herbie Hancock - Future2Future Live

2006: Herbie Hancock - Possibilities with John Mayer, Christina Aguilera, Joss Stone, and more

Awards

Academy Awards

1986, Original Soundtrack, for Round Midnight

Grammy Awards

# 1984, Best R&B; Instrumental Performance, for Rockit # 1985, Best R&B; Instrumental Performance, for Sound-System # 1988, Best Instrumental Composition, for Call Sheet Blues # 1995, Best Jazz Instrumental Performance, Individual Or Group, for A Tribute to Miles # 1997, Best Instrumental Composition, for Manhattan (Island Of Lights And Love) # 1999, Best Instrumental Arrangement Accompanying Vocal(s), for St. Louis Blues # 1999, Best Jazz Instrumental Performance, Individual Or Group, for Gershwin's World # 2003, Best Jazz Instrumental Album, Individual or Group, for # 2003, Best Jazz Instrumental Solo, for My Ship # 2005, Best Jazz Instrumental Solo, for Speak Like a Child # 2008, Album of the Year, for # 2008, Best Contemporary Jazz Album, for

Playboy Music Poll

Best Jazz Group, 1985

Best Jazz Keyboards, 1985

Best Jazz Album - Rockit, 1985

Best Jazz Keyboards, 1986

Best R&B; Instrumentalist, 1987

Best Jazz Instrumentalist, 1988

Keyboard Magazine's Readers Poll

Best Jazz & Pop Keyboardist, 1983

Best Jazz Pianist, 1987

Best Jazz Keyboardist, 1987

Best Jazz Pianist, 1988

Other notable awards

MTV Awards (5 awards in total) - Best Concept Video - Rockit, 1983–84

Gold Note Jazz Awards - NY Chapter of the National Black MBA Association, 1985

French Award Officer of the Order of Arts & Letters-Paris, 1985

BMI Film Music Award "Round Midnight", 1986

U.S. Radio Award "Best Original Music Scoring - Thom McAnn Shoes", 1986

Los Angeles Film Critics Association "Best Score - Round Midnight", 1986

BMI Film Music Award "Colors", 1989

Soul Train Music Award "Best Jazz Album - The New Standard", 1997

Festival International Jazz de Montreal Prix Miles Davis, 1997

VH1's 100 Greatest Videos "Rockit" is "10th Greatest Video", 2001

NEA Jazz Masters Award, 2004

Downbeat Magazine Readers Poll Hall of Fame, 2005

Album of the Year, 2007

Harvard Foundation Artist of the Year, 2008

References

External links

Official website of Herbie Hancock

Official Herbie Hancock MySpace page

Herbie Hancock at Verve Records

River:The Joni Letters at Verve Records

Possibilities Herbie Hancock

Discography Herbie Hancock Discography

Interview with Herbie Hancock on music and technology from AppleMatters

Interview with Herbie Hancock on the "Possibilities" album release from LiveDaily

Herbie Hancock: Outside The Comfort Zone Herbie Hancock interview from JamBase

"Herbie Hancock: Essential Recordings" by Ted Gioia (www.jazz.com)

Herbie Hancock's Grinnell College Alumni Award citation from Grinnell College Alumni Assembly on June 5, 2010.

Category:1940 births Category:20th-century classical composers Category:African American songwriters Category:American Buddhists Category:American funk keyboardists Category:American jazz bandleaders Category:American jazz composers Category:American jazz pianists Category:Musicians from Chicago, Illinois Category:Grammy Award winners Category:Grinnell College alumni Category:Hard bop pianists Category:Jazz fusion pianists Category:Jazz-funk pianists Category:Living people Category:Miles Davis Category:Blue Note Records artists Category:Modal jazz pianists Category:Post-bop pianists Category:Converts to Buddhism Category:Members of Soka Gakkai Category:Keytarists

Coordinates	°′″N°′″N
Name	Clark Terry
Background	non_vocal_instrumentalist
Born	December 14, 1920St. Louis, Missouri, U.S.
Died
Instrument	Trumpet, fluegelhorn
Genre	Swing, bop, jazz
Occupation	Musician
Years active	1947–present

Clark Terry (born December 14, 1920) is an American swing and bop trumpeter, a pioneer of the fluegelhorn in jazz, educator, and NEA Jazz Masters inductee.

He has played with Charlie Barnet (1947), Count Basie (1948 to 1951), and led a group with Bob Brookmeyer that achieved some popularity in the early 1960s. In the 1970s, Terry began to concentrate increasingly on the flugelhorn, from which he obtains a full, ringing tone. In addition to his studio work and teaching at jazz workshops, Terry toured regularly in the 1980s with small groups (including Peterson's) and performed as the leader of his Big B-A-D Band (formed c. 1970). After financial difficulties forced him to break up BBB, he performed with big bands like the Unifour Jazz Ensemble and others. His humor and command of jazz trumpet styles are apparent in his "dialogues" with himself, either on different instruments or on the same instrument, muted and unmuted; he has also been known to perform solos on a trumpet or flugelhorn mouthpiece.

From the 1970s through the 1990s, Clark performed at Carnegie Hall, Town Hall, and Lincoln Center, toured with the Newport Jazz All Stars and Jazz at the Philharmonic, and he was featured with Skitch Henderson's New York Pops Orchestra. In 1998, Terry recorded George Gershwin's "Let's Call the Whole Thing Off" for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease. In 2001, he again recorded for the Red Hot Organization with artist Amel Larrieux for the compilation album Red Hot + Indigo, a tribute to Duke Ellington

Prompted early in his career by Dr. Billy Taylor, Clark and Milt Hinton bought instruments for and gave instruction to young hopefuls which planted the seed that became Jazz Mobile in Harlem. This venture tugged at Clark's greatest love - involving youth in the perpetuation of Jazz. Between global performances, Clark continues to share wholeheartedly his jazz expertise and encourage students. Since 2000, he has hosted Clark Terry Jazz Festivals on land and sea, held his own jazz camps, and appeared in more than fifty jazz festivals on six continents.

His career as both leader and sideman with more than three hundred recordings demonstrates that he is one of the most prolific luminaries in jazz. Clark composed more than two hundred jazz songs and performed for seven U.S. Presidents.

He also has several recordings with major groups including The London Symphony Orchestra, The Dutch Metropole Orchestra, The Duke Ellington Orchestra and The Chicago Jazz Orchestra, Hundreds of high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands; Clark Terry's Big Bad Band and Clark Terry's Young Titans of Jazz with the likes of brandford Marsalis, Conrad Herwig and Tony Lujan. The Clark Terry Archive at William Paterson University in Wayne, New Jersey, contains instruments, tour posters, awards, original copies of over 70 big band arrangements, recordings and other memorabilia.

Terry was a long-time resident of Bayside, Queens and Corona, Queens, New York. He and his wife later moved to Haworth, New Jersey. They currently reside in Pine Bluff, AR.

Awards and honors

in 2006]]

Over 250 awards, medals and honors, including:

The National Endowment for the Arts Jazz Master Award in 1991

A Grammy Award, two Grammy certificates, three Grammy nominations

Sixteen honorary doctorates

Keys to several cities

Jazz Ambassador for U.S. State Department tours in the Middle East and Africa

A knighthood in Germany

Charles E. Lutton Man of Music Award, presented by Phi Mu Alpha Sinfonia Fraternity in 1985. Terry was awareded honorary membership in the Fraternity by the Beta Zeta Chapter at the College of Emporia in 1968.

The French Order of Arts and Letters, 2000

A life-sized wax figure for the Black World History Museum in St. Louis

Inducted into the St. Louis Walk of Fame (1996)

NARAS Present's Merit Award (2005)

Trumpeter of the Year by the Jazz Journalists Association (2005)

Bibliography

Let's Talk Trumpet: From Legit to Jazz

Interpretation of the Jazz Language

Clark Terry's System of Circular Breathing for Woodwind and Brass Instruments

TerryTunes, anthology of 60 original compositions (1st ed., 1972; 2nd ed. w/doodle-tonguing chapter, 2009)

Ellington, Duke. “Clark Terry,” chapter in Music is My Mistress (Garden City, NY: Doubleday, 1973): 229-230.

“Clark Terry – Jazz Ambassador: C.T.’s Diary” [cover portrait] Jazz Journal International 31 (May 6, 1978): 7-8.

Beach, Doug. “Clark Terry and the St. Louis Trumpet Sound,” Instrumentalist 45 (April 1991): 8-12.

Bernotas, Bob. “Clark Terry,” Jazz Player 1 (October-November 1994): 12-19.

LaBarbera, John. “Clark Terry: More Than ‘Mumbles’,” ITG Journal [International Trumpet Guild] 19, No. 2 (1994): 36-41.

Blumenthal, Bob. “Reflections on a Brilliant Career” [reprint of Jazz Times 25, No. 8], Jazz Educators Journal 29, No. 4 (1997): 30-33, 36-37.

Morgenstern, Dan. “Clark Terry” in Living With Jazz: A Reader (New York: Pantheon, 2004): 196-201. [Reprint of Down Beat 34 (June 1, 1967): 16-18.

Owens, Thomas. “Trumpeters: Clark Terry” in Bebop: The Music and the Players (New York: Oxford, 1995): 111-113.

“Jazz for the Record”[Clark Terry Archive at William Paterson University], New York Times (December 11, 2004).

Discography

As leader

Clark Terry with Quentin Jackson/Martial Solal/Kenny Clarke (Disques Swing, 1955)

Introducing Clark Terry (EmArcy, 1955)

Serenade to a Bus Seat (Riverside/OJC, 1957)

Duke with a Difference (Riverside/OJC, 1957)

In Orbit (with Thelonious Monk, Riverside/OJC, 1958)

Out on a Limb with Clark Terry (Argo, 1958)

Top and Bottom Brass feat. Don Butterfield (Riverside/OJC, 1959)

Paris (Swing, 1960)

Color Changes (Candid, 1960)

Everything's Mellow (Prestige, 1961)

Mellow Moods (Prestige, 1961)

All American (Prestige, 1962)

Plays the Jazz Version of "All American" (Moodsville, 1962)

The Night Life (Mood, 1962)

Clark Terry & Bob Brookmeyer (Verve, 1962)

More (Cameo, 1963)

Tread Ye Lightly (Cameo, 1963)

What Makes Sammy Swing (20th Century, 1963)

The Happy Horns of Clark Terry (Impulse!, 1964)

The Power of Positive Swinging (Mainstream, 1964)

Live 1964 (Emerald, 1964)

Quintet (Mainstream, 1964)

Tonight (Mainstream, 1964)

Clark Terry Tonight (Mainstream, 1964)

Oscar Peterson Trio Plus One Clark Terry (Mercury, 1964)

Spanish Rice (Impulse!, 1966)

Gingerbread Men (Mainstream, 1966)

Mumbles (Mainstream, 1966)

Angyumaluma Bongliddleany Nannyany Awhan Yi! (Mainstream, 1966)

It's What's Happenin' (Impulse!, 1967)

Music in the Garden (Jazz Heritage, 1968)

At the Montreux Jazz Festival (Polydor, 1969)

Live on 57th Street (Big Bear, 1969)

Big B-A-D Band In Concert, Live 1970... (EToile, 1970)

Live at the Wichita Jazz Festival (Vanguard, 1974)

Clark Terry and His Jolly Giants (Vanguard, 1975)

Live at the Wichita Jazz Festival (Vanguard, 1975)

Oscar Peterson and Clark Terry (Pablo, 1975)

Clark Terry's Big B-A-D Band Live at Buddy's... (Vanguard, 1976)

Live at the Jazz House (Pausa, 1976)

Wham (BASF, 1976)

Squeeze Me (Chiaroscuro, 1976)

The Globetrotter (Vanguard, 1977)

Out of Nowhere (Bingow, 1978)

Brahms Lullabye (Amplitude, 1978)

Funk Dumplin's (Matrix, 1978)

Clark After Dark (MPS, 1978)

Mother______! Mother______! (Pablo, 1979)

Ain't Misbehavin' (Pablo, 1979)

Live in Chicago, Vol. 1 (Monad, 1979)

Live in Chicago, Vol. 2 (Monad, 1979)

The Trumpet Summit Meets the Oscar Peterson Big 4 (1980)

Memories of Duke (Pablo/OJC, 1980)

Yes, the Blues (Pablo/OJC, 1981)

(1983)

To Duke and Basie (Rhino, 1986)

Jive at Five (Enja, 1986)

Metropole Orchestra (Mons, 1988)

Portraits (Chesky, 1988) - with Don Friedman (p), Victor Gaskin (b) Lewis Nash (d)

The Clark Terry Spacemen (Chiaroscuro, 1989)

Locksmith Blues (Concord Jazz, 1989)

Having Fun (Delos, 1990)

Live at the Village Gate (Chesky, 1990)

Live at the Village Gate: Second Set (Chesky, 1990)

What a Wonderful World: For Lou (Red Baron, 1993)

Shades of Blues (Challenge, 1994)

Remember the Time (Mons, 1994)

With Pee Wee Claybrook & Swing Fever (D' Note, 1995)

''Top and Bottom Brass'[' (Chiaroscuro, 1995)

Reunion (D'Note, 1995)

Express (Reference, 1995)

Good Things in Life (Mons, 1996)

Ow (E.J.s) 1996)

The Alternate Blues (Analogue, 1996)

Ritter der Ronneburg, 1998 (Mons, 1998)

Living Worship Let's Worship (Newport, 1999)

One on One (Chesky, 2000)

A Jazz Symphony (Centaur, 2000)

Herr Ober: Live at Birdland Neuburg (Nagel-Heyer, 2001)

Live on QE2 (Chiaroscuro, 2001)

Jazz Matinee (Hanssler, 2001)

The Hymn (Candid, 2001)

Clark Terry and His Orchestra Featuring Paul Gonsalves [1959] (Storyville, 2002)

Live in Concert (Image, 2002)

Flutin' and Fluglin (Past Perfect, 2002)

Friendship (Columbia, 2002)

Live! At Buddy's Place (Universe, 2003)

Live at Montmarte June 1975 (Storyville, 2003)

George Gershwin's Porgy & Bess (A440 Music Group, 2004)

Live at Marian's with the Terry's Young Titan's of Jazz (Chiaroscuro, 2005)

As sideman

With Tadd Dameron

The Magic Touch (1962)

With Duke Ellington

Ellington at Newport (1958)

With Dave Grusin

Homage To Duke (1993)

With Blue Mitchell

Smooth as the Wind (1961)

A Sure Thing (1962)

With Sonny Rollins

Brass & Trio (1958)

With Cecil Taylor

New York City R&B; (1961)

References

External links

Performance images - live at Jazz Alley, Seattle

Verve Records

[ Allmusic]

"Profile: Clark Terry" by Arnold Jay Smith (www.jazz.com)

Clark Terry's oral history video excerpts at The National Visionary Leadership Project

Category:American jazz trumpeters Category:American jazz flugelhornists Category:Bebop trumpeters Category:Swing trumpeters Category:African American musicians Category:Hard bop trumpeters Category:Post-bop trumpeters Category:Mainstream jazz trumpeters Category:Music of St. Louis, Missouri Category:people from St. Louis, Missouri Category:People from Corona, Queens Category:Grammy Award winners Category:American jazz songwriters Category:Songwriters from Missouri Category:Duke Ellington Orchestra members Category:Count Basie Orchestra members Category:Red Baron Records artists Category:Candid Records artists Category:1920 births Category:Living people

Coordinates	°′″N°′″N
Name	Chaka Khan
Background	solo_singer
Birth name	Yvette Marie Stevens
Alias	Chaka Adunne Aduffe Hodarhi Karifi Khan
Born	March 23, 1953
Origin	North Chicago, Illinois, United States
Genre	R&B;, jazz, funk, soul, disco, adult contemporary
Voice type	Contralto
Occupation	Singer, songwriter
Years active	1964–present
Label	ABC (1972–1978) Warner Bros. (1978–1998)MCA (1979-1982)NPG Records (1998-2001) Burgundy (2005-present)
Associated acts	Rufus, Prince
Url	ChakaKhan.com

Chaka Khan (born Yvette Marie Stevens; March 23, 1953) is an American singer-songwriter who gained fame in the seventies as the front woman and focal point of the funk band Rufus. While still a member of the group in 1978, Khan embarked on a successful solo career. Her signature hits, both with Rufus and solo, include "Tell Me Something Good", "Sweet Thing", "Ain't Nobody", "I'm Every Woman", "I Feel for You" and "Through the Fire".

Biography

Early life: 1953-1972

Khan was born Yvette Marie Stevens in 1953 in North Chicago, Illinois. Raised in Chicago's rough Southside projects, Khan, who is of African American ancestry, was the eldest of five children to Charles Stevens and Sandra Coleman. Her sister Yvonne Stevens later became a successful musician in her own right under the name Taka Boom. Her only brother Mark Stevens, who formed the funk group Aurra, also became a successful musician. She has two other sisters, Kathleen Burrell and Tammy McCrary, who is her current manager. Unlike her musical contemporaries, Khan was raised as Roman Catholic. Khan attributed her love of music to her grandmother, who introduced her to jazz music as a child. Khan became a fan of R&B; music as a preteen and at eleven formed her first all-female singing group the Crystalettes, which also included her sister Taka. In the late 1960s, Khan and her sister formed the vocal group Shades of Black and joined the Black Panther Party after befriending fellow member, activist and Chicago native Fred Hampton in 1967. Khan often was seen around a handgun while a member of the Panthers. While a member, she was given a name change to Chaka Adunne Aduffe Hodarhi Karifi by an African shaman. In 1969, she left the Panthers, dropped out of high school, having attended Calumet High School, and married Indian bassist Hassan Khan in 1970; Khan later said she married Hassan to sign a recording contract. After this marriage ended, Khan kept her ex-husband's surname as a stage name. Khan briefly sung lead for her ex's band Lyfe, before she replaced the late Baby Huey as a member of the rock-soul group, the Babysitters, before the group disbanded in 1971. Khan then was contacted by friend Paulette McWilliams to replace her in the rock/soul ensemble Ask Rufus, a group formed by The American Breed members Kevin Murphy and Al Ciner. Alongside Andre Fischer, whom she met while performing in Chicago, and Ron Stockert, they would join the group in 1972 and the band shortened its name to simply Rufus. The band relocated to Los Angeles and soon got a deal with ABC. Khan was nineteen at the time of the band's signing to the label.

Early career and success: 1973-1978

In 1973, Rufus released their self-titled debut album. Despite their fiery rendition of Stevie Wonder's "Maybe Your Baby" from Wonder's acclaimed Talking Book and the modest success of the Khan-led ballad "Whoever's Thrilling You (Is Killing Me)", the album failed to garner attention. That changed when Wonder himself collaborated with the group on a song he had written for Khan. That song, "Tell Me Something Good", became the group's breakthrough hit, reaching number-three on the Billboard Hot 100 in 1974 later winning the group their first Grammy Award. The single's success and the subsequent follow-up, "You Got the Love", which peaked at number-eleven on the Billboard Hot 100 helped their second parent album, Rags to Rufus, go platinum selling over a million copies. Between 1974 and 1979, Rufus would release six platinum-selling albums including Rufusized, Rufus Featuring Chaka Khan, Ask Rufus, Street Player and Masterjam. Hits the group would score during this time included "Once You Get Started", "Sweet Thing", "Hollywood", "At Midnight (My Love Will Lift You Up)" and "Do You Love What You Feel".

The band gained a reputation as a live performing act with Khan becoming the star attraction, thanks to her powerful vocals and stage attire, which sometimes included Native American garb and showing her midriff. Most of the band's material was written and produced by the band itself with few exceptions. Khan has also been noted for being an instrumentalist playing drums and bass, she also provided percussion during her tenure with Rufus. Most of Khan's compositions were often collaborations with guitarist Tony Maiden. Relations between Khan and the group, particularly between Khan and group member Andre Fischer, became stormy. Several group members left with nearly every release. While Khan remained a member of the group, she signed a solo contract with Warner Bros in 1978. While Khan was busy at work on solo material, Rufus released three albums without Khan's participation including 1979's Numbers, 1980's Party 'Til You're Broke and 1983's Seal in Red.

Early solo career and final years with Rufus: 1978-1983

In 1978, Warner Bros. Records released Khan's solo debut album, which featured the crossover disco hit, "I'm Every Woman", written for her by songwriters Ashford & Simpson. The success of the single helped the album go platinum, selling over a million copies. Khan also was a featured performer on Quincy Jones' hit, "Stuff Like That", also released in 1978.

In 1979, Khan reunited with Rufus to collaborate on the Jones-produced Masterjam, which featured their hit, "Do You Love What You Feel", which Khan sung with Tony Maiden. Despite her sometimes-acrimonious relationship with some of the group's band mates, Khan and Maiden have maintained a friendship over the years. In 1980, while Rufus released their second non-Khan release, Party 'Til You're Broke, Khan released her second solo album, Naughty, which featured Khan on the cover with her six-year-old daughter Milini. The album yielded the minor disco hit "Clouds" and went gold. Khan released two albums in 1981, the Rufus release, Camouflage and the solo album, What Cha' Gonna Do for Me. In 1982, Khan issued two more solo albums, the jazz-oriented Echoes of an Era and a more funk/pop-oriented self-titled album. The latter album's track, the jazz-inflected "Bebop Medley", won Khan a Grammy and earned praise from Betty Carter who loved Khan's vocal scatting in the song.

In 1983, following the release of Rufus' final studio album, Seal in Red, which did not feature Khan, the singer returned with Rufus on a live album, Stompin' at the Savoy - Live, which featured the studio single, "Ain't Nobody", which became the group's final charting success reaching number twenty-two on the Billboard Hot 100 and number-one on the Hot R&B; chart, while also reaching the top ten in the United Kingdom. Following this release, Rufus separated for good.

Solo success: 1984-1996

In 1984, Khan released her sixth studio album, I Feel for You, which featured the title track. The title track, originally written and recorded by Prince for his eponymous follow-up to his debut album in 1979, had been previously recorded by The Pointer Sisters and Mary Wells. Khan's version, which featured Stevie Wonder and rapper Melle Mel, reached number-two on the Billboard Hot 100 and number-one in the United Kingdom. Other singles from the album included "This is my Night" and "Through the Fire" and all three singles helped the album to go platinum. Khan followed that success with albums such as 1986's Destiny and 1988's CK. Khan was the featured performer on Steve Winwood's number-one hit, "Higher Love", in 1986. Khan found more success in the UK in the late 1980s as a remix album, Life is a Dance - The Remix Project, reached the top ten on the UK albums chart. Khan reacted to the success by performing in the United Kingdom, where she maintained a strong fan base.

In 1990, she was a featured performer on another major hit when she collaborated with Ray Charles and Quincy Jones on a new jack swing cover of The Brothers Johnson's "I'll Be Good to You", which was featured on Jones' Back on the Block. The song reached number-eighteen on the Billboard Hot 100 and number-one on the Hot R&B; chart, later winning Charles and Khan a Grammy for Best R&B; Vocal Performance By a Duo or Group. Khan returned with her first studio album in four years in 1992 with the release of The Woman I Am, which went gold thanks to the R&B; success of the songs "Love You All My Lifetime" and "You Can Make the Story Right". Khan also contributed to soundtracks and worked on a follow-up to The Woman I Am which she titled Dare You to Love Me, which was eventually shelved. In 1995, she and rapper Guru had a hit with the duet "Watch What You Say", in the UK. That same year, she provided a contemporary R&B; cover of the classic standard, "My Funny Valentine", for the Waiting to Exhale soundtrack. In 1996, following the release of her greatest-hits album, , Khan abruptly left Warner Bros. after stating the label had neglected her and failed to release Dare You to Love Me.

Later career and current work: 1998-present

In 1998, Khan signed a contract with Prince's NPG Records label and issued Come 2 My House, followed by the single "Don't Talk 2 Strangers", a cover of a 1996 Prince song. Khan later went on a tour with Prince as a co-headlining act. In 2000, Khan departed from NPG and in 2004 released her first jazz covers album in twenty-two years with 2004's ClassiKhan. Three years later, after signing with Burgundy Records, Khan released what many critics called a "comeback album" with Funk This, produced by Jimmy Jam and Terry Lewis.

The album featured the hit, "Angel", and the Mary J. Blige duet, "Disrespectful". The latter track went to number one on the U.S. dance singles chart, winning the singers a Grammy Award, while Funk This also won a Grammy for Best R&B; Album. The album was notable for Khan's covers of Dee Dee Warwick's "Foolish Fool" and Prince's "Sign O' the Times". In 2008, Khan participated in the Broadway adaptation of The Color Purple playing Ms. Sofia to Fantasia Barrino's Celie.

In 2009, Khan hit the road with singers Anastacia and Lulu for Here Come the Girls. In 2010, Khan contributed to vocals for Beverley Knight's "Soul Survivor", collaborated with Clay Aiken on a song for the kids show Phineas and Ferb, and performed two songs with Japanese singer Ai on Ai's latest album "The Last Ai". Khan continues to perform to packed audiences both in her native United States and overseas.

Personal life

Khan has been married three times and has two children. Khan married her first husband, Hassan Khan, in 1970. They divorced in 1971. The birth of Khan's daughter Milini was the result of a relationship between Khan and a man named Rahsaan Morris. In 1976, Khan married Richard Holland. Their marriage produced a son, Damien, who was born three years later. In 1980, the couple divorced. In 2001, Khan married a third time to Doug Rasheed, which ended in divorce three years later. Khan is also the grandmother of two. In 2006 Khan's son Damien Holland was accused of murder after 17-year-old Christopher Bailey was shot to death. Khan testified on her son's behalf defending her son's innocence. Holland was found not guilty and confirmed Holland's defense that the shooting was an accident.

Khan has struggled with drug abuse, alcoholism and weight over the years. She had addictions to heroin and cocaine, which she kicked in the early nineties. After an on-again and off-again bouts with alcoholism, in 2005, Khan declared herself sober. Though she sang at both the 2000 Democratic and Republican conventions, Khan says that she is more of a "Democratic-minded person". In 1990, Khan immigrated to the United Kingdom where she had a steady relationship. She splits her time between Los Angeles, Germany and London but has been living mainly in London since 2006.

In a 2008 interview Khan said that she, unlike other artists, feels very optimistic about the current changes in the recording industry, including music downloading. "I'm glad things are shifting and artists – not labels – are having more control over their art. My previous big record company (Warner Music) has vaults of my recordings that haven't seen the light of day that people need to hear. This includes Robert Palmer's original recording of "Addicted to Love" – which they took my vocals off of! We are working on getting it (and other tracks) all back now."

Discography

References

External links

Chaka Khan official website

Chaka Khan Foundation

Chaka Khan at Wenig-Lamonica Associates

Category:1953 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Living people Category:African American female singers Category:African American female singer-songwriters Category:African American singers Category:American contraltos Category:American dance musicians Category:American immigrants to the United Kingdom Category:American expatriates in the United Kingdom Category:American expatriates in Germany Category:British people of Native American descent Category:English people of African-American descent Category:American female singers Category:American rhythm and blues singers Category:American rhythm and blues singer-songwriters Category:American soul singers Category:American people of Native American descent Category:American funk singers Category:American jazz singers Category:Black Panther Party members Category:Women in jazz Category:Berklee College of Music alumni Category:Native American musicians Category:Native American singers Category:Grammy Award winners Category:People from Lake County, Illinois Category:Musicians from Chicago, Illinois Category:Illinois Democrats

Coordinates	°′″N°′″N
Name	Akon
Background	solo_singer
Birth name	Aliaune Damala Bouga Time Puru Nacka Badara Akon Thiam
Born	April 16, 1973St. Louis, Missouri, U.S.
Origin	Dakar, Senegal
Genre	R&B;, hip hop, pop
Occupation	Singer-songwriter, record producer
Years active	1996–present
Label	Universal, SRC, Konvict, UpFront, Kon Live
Associated acts	T-Pain, Kardinal Offishall, Colby O'Donis, Lil Wayne, Snoop Dogg, Michael Jackson, Lady Gaga, Sway DaSafo, Whitney Houston, Lionel Richie
Url

Akon (born Aliaune Damala Bouga Time Puru Nacka Badara Akon Thiam), (), (born April 16, 1973) is a Senegalese-American R&B; singer-songwriter, rapper, record producer, and businessman.

He grosses over 30 million dollars a year according to Forbes. He rose to prominence in 2004 following the release of "Locked Up", the first single from his debut album Trouble. His second album, Konvicted, earned him a Grammy Award nomination of the single "Smack That". He has since founded two record labels, Konvict Muzik and Kon Live Distribution.

Akon often sings hooks for other artists and is currently credited with over 300 guest appearances and 45 Billboard Hot 100 songs. He has worked with numerous performers such as Michael Jackson, R. Kelly, Quincy Jones, Eminem and Whitney Houston. He is the first solo artist to hold both the number one and two spots simultaneously on the Billboard Hot 100 charts twice. He has had 6 Grammy Awards nominations and has produced many hits for artists such as Lady Gaga, Colby O'Donis and Leona Lewis. Lady Gaga and T-Pain are two artists who were given their chance at fame by Akon. He has also released a song called "Beautiful" featuring Colby O'Donis and Kardinal Offishall which is in his hit album named Freedom which he released in 2008 and also "Right Now (Na Na Na)" in the same album.

Early life

As the son of Senegalese percussionist Mor Thiam, Akon was raised in a musical setting and taught to play several instruments including the djembe. He was born in St. Louis, Missouri, U.S., so that he would not have to go through the immigration process. However, Akon lived in Dakar, Senegal, splitting time between America and Senegal until he was in high school, when he settled permanently in Newark, NJ.

Akon has claimed in interviews that his full name is Aliaune Damala Akon Thiam and he is Muslim, he has never drunk alcohol or smoked due to his faith, although there is some ambiguity and debate about Akon's legal name and birth date. Akon is usually credited as Aliaune Thiam. In addition to the longer form, Akon's full name has been reported both as Aliaune Badara Thiam and Alioune Badara Thiam and About.com claims that this middle name has never been independently verified.

In regards to his birth date, Akon is very protective of it, which is the reason many media outlets have reported incorrect dates. However, legal documents released by The Smoking Gun list Akon's name as Aliaune Damala Thiam and his date of birth as April 16, 1973.

Music career

2003–05: Discovery and Trouble

Akon's alleged three years in jail saw him begin to recognize his music abilities and develop an appreciation for his musical background. Music mogul Devyne Stephens, president of Upfront Megatainment first heard about Akon when the rapper Lil' Zane brought him along to Stephens' rehearsal hall, a place that at the time saw talents such as Usher and TLC being developed. The relationship between Stephens and Akon began as a friendship and mentorship, with the young artist regularly stopping by to ask for advice, but when Akon lost his deal with Elektra Stephens signed him to his production company and began grooming him professionally. The songs Akon recorded with Stephens were brought to the attention of Universal's imprint SRC Records.

In 2005, he released the single "Lonely" (which samples Bobby Vinton's "Mr. Lonely"). The song reached the top five on the Billboard Hot 100, and topped the charts in Australia, the UK and Germany. His album also climbed to number one in the UK in April, 2005. When music channel The Box had a top ten weekly chart, which was calculated by the amount of video requests, Akon's "Lonely" became the longest running single on the top of the chart, spanning over fifteen weeks. Akon then released another single featuring with a New Zealand rapper, Savage with the single Moonshine, which had become a success in both New Zealand and Australia, becoming number one in the New Zealand charts. In 2005, He made his first critically acclaimed guest appearance on Young Jeezy's debut album, , with the song "Soul Survivor." In December the same year his manager, Robert Montanez was killed in a shooting after a dispute in New Jersey.

2006–07: Konvicted

Akon's second album, Konvicted was released on November 14, 2006. It included collaborations with Eminem, Snoop Dogg and Styles P. The first single "Smack That" featuring Eminem was released in August 2006 and peaked at number two on the Billboard Hot 100 for five consecutive weeks. "I Wanna Love You," (featuring Snoop Dogg) was the second single released in September, it would go on to earn Akon his first number-one single on the Billboard Hot 100, and Snoop's second. "I Wanna Love You" topped the U.S. charts for two consecutive weeks. In January 2007, a third single "Don't Matter" which earned him his first solo number one and second consecutive Hot 100 chart topper was released. "Mama Africa" was released as a European single in July 2007, making it the fourth overall single from the album reaching just 47 in the UK. To coincide with the release of the Platinum (deluxe) edition of the album "Sorry, Blame It on Me" was the album's fifth single, debuted in August 2007 on the Hot 100 at number seven. The deluxe version was fully released on August 28, 2007. The final single was confirmed by Akon to be "Never Took the Time." Konvicted debuted at number two on the Billboard 200, selling 286,000 copies in its first week. After only six weeks, Konvicted sold more than one million records in the U.S. and more than 1.3 million worldwide. The album was certified platinum after seven weeks, and after sixteen weeks it was certified double platinum. It stayed in the top twenty of the Billboard 200 for 28 consecutive weeks and peaked at number two on four different occasions. On November 20, 2007, the RIAA certified the album ‘triple platinum’ with 3 million units sold in the US. It has sold more than 4 million copies worldwide.

On October 5, 2006, Akon broke a record on the Hot 100, as he achieved the largest climb in the chart's 48-year-history with "Smack That" jumping from number 95 to 7. The leap was fueled by its number six debut on Hot Digital Songs with 67,000 downloads. The record has since been broken several times. In December 2006, Akon's "Smack That" was nominated for Best Rap/Sung Collaboration at the 49th Annual Grammy Awards, but lost to Justin Timberlake and T.I.'s "My Love".

2008–09: Freedom

Akon released his new album Freedom on December 2, which spawned four singles: "Right Now (Na Na Na)", "I'm So Paid" (featuring Lil Wayne and Young Jeezy), "Beautiful" (featuring Kardinal Offishall and Colby O'Donis) and "We Don't Care". "We Don't Care" has failed to chart significantly in many countries, only reaching 61 in the UK and 91 in Australia. After the unexpected death of The King Of Pop Michael Jackson, who Akon was working with in Jackson's last years, Akon released a tribute song called "Cry Out Of Joy". Akon & Michael Jackson were close friends near the end of Jackson's life.

Speaking of his relationship with Michael Jackson to noted UK R&B; writer Pete Lewis of the award-winning 'Blues & Soul' in October 2008, Akon stated: "Mike is the King Of Pop, and I think that it's a dream come true for ANY major artist/songwriter/producer to be able to work with the best in the business! You know, to work with someone like Mike – who's created opportunities, opened doors for so many people, and achieved so much in the music world, period – is just an experience which would be enough to take home for ANYONE! I mean, when I first flew up to Vegas and met him it was almost like we'd known each other for YEARS! LITERALLY! 'Cause musically we were on the same exact page! The chemistry was just INCREDIBLE! And, as a person, he was the most cool, humble dude I've ever met! I mean, we even actually got to go to the movies together – in broad daylight! Which was an experience in itself!"

David Guetta collaborated with Akon in Sexy Bitch, a first house track by Akon, and has been a "summer anthem" across the globe. Reaching #1 in more than 6 countries, and charting at 5 on the Billboard Hot 100 , it is featured on Guetta's One Love album. Which has made it his 19th Top 20 hit worldwide.

2010–present: Akonic

It was announced in late 2009 that Akon's fourth studio album, Akonic, was set for release in the first quarter of 2010. However, following managerial commitments to other artists, work on the album has not been completed. It was suggested that this would push the album's release back to 2011. However, this was proven false as the album will actually be released on November 29, 2010. Akon had also stated that the title of the album may change between now and that time, since originally it was titled "Stadium Music" or "Stadium". Two tracks from the album have been leaked onto the web - "Nosy Neighbour", which was suggested for the lead single, and "Party Animal", both of which have been produced by David Guetta. The album's lead single, "Angel", was released to US radio stations on September 14, 2010. and was released as a single on September 27, 2010.

Featured projects

In 2006, Akon started his new record label Kon Live Distribution under Interscope Records. His first signed artist was Ray Lavender.

He was featured on Gwen Stefani's latest album, The Sweet Escape. He made an appearance on the title track and second single, "The Sweet Escape." Akon produced the song. On December 10, 2006, Akon and Stefani appeared as musical guests on Saturday Night Live, however they did not perform the song as Stefani had not yet learned the lyrics. He performed the song live, however, on American Idol on March 28, 2007 due to Gwen Stefani's appearance as a coach the night before. "The Sweet Escape" has reached #2 on the Billboard Hot 100.

Akon collaborated with Chamillionaire on his mixtape, Mixtape Messiah 2, featuring on the track “Ridin' Overseas” which he also produced. The mixtape was available for download on Chamillionaire's website from December 24, 2006.

In 2006, after their 2005 Akon-produced single, "Soul Survivor," the duo of Akon and Young Jeezy said that there is a lot more to expect from them in the future. The pair announced there are currently plans for a collaborative album. Akon also appeared on Bone Thugs-n-Harmony's album Strength and Loyalty and Three 6 Mafia's eighth studio album, Last 2 Walk, We The Best by DJ Khaled, Fabolous's album, From Nothin' to Somethin', with 50 Cent on some tracks for Curtis, T.I.'s 5th album, T.I. vs. T.I.P., Mario's third solo album Go!, and produced with Daddy Yankee" in the song called "Bring It On" on the album called which was released on June 5, 2007.

On July 7, 2007 Akon performed at the American leg of Live Earth.

In November 2007, Akon recorded a remix of "Wanna Be Startin' Somethin'" with Michael Jackson. In February 2008, the remix was released on the 25th anniversary rerelease of Michael Jackson's Thriller. Akon produced the track entitled "Echo" on Latin Boy band Menudo's latest album, released in the spring of 2008.

‘Konvict Music’ would be responsible for the re-release of Kat Deluna’s debut album 9 Lives (album) which would feature Akon on the single "Am I Dreaming."

In July 2008 a song called "Hold My Hand" circulated the internet. The song is an R&B; duet/collaboration between Michael Jackson and Akon, composed by Claude Kelly. There also exists another version featuring only Akon. It was not included in the track list for Freedom as Akon previously stated. During an interview with Tavis Smiley, Akon said that Jackson had planned on a high-profile release including a music video until the track had leaked. This is Jackson's last known song before he died on June 25, 2009. Recently, Akon has finished work on the song and it will included on the upcoming posthumous album, Michael. The song itself was released as a single on November 15, 2010.

Akon was also the executive producer of Kardinal Offishall's fourth solo album Not 4 Sale, released September 9, 2008. The promo single "Graveyard Shift" features Akon as does the first single "Dangerous", which peaked at #5 on the Billboard Hot 100, and won the award for Single of the Year at the 2009 Juno Awards.

Akon co-wrote and recorded "Put It on My Tab" with New Kids on the Block for their 2008 reunion album The Block.

Akon co-wrote and produced Leona Lewis' hit record Forgive Me, off her debut album Spirit.

He is currently working with X Factor 2008 winner Alexandra Burke on her upcoming debut album.

Akon co-wrote Kon Live artist Lady Gaga's worldwide hit "Just Dance", which also featured Colby O'Donis, and which earned a Grammy nomination for Best Dance Recording at the 51st Grammy Awards.

Flo Rida’s new album R.O.O.T.S. features Akon on the track “Available”.

Akon has recorded a song with E-40 titled "Wake It Up" for E-40's album, The Ball Street Journal. Akon experiments with the auto-tune effect in the song.

Rap singer Nelly confirmed that Akon, Pharrell, and T-Pain have talked about forming a rap supergroup in 2009. Akon and Konvict Muzik are also producing hip hop/rock group Flipsyde's 2009 release, State of Survival, which will be released via Kon Live Distribution and Cherrytree Records. Akon worked with Whitney Houston for her 2009 comeback album I Look to You. He appears on the track "Like I Never Left".

In May 2009, Akon collaborated with Taiwanese artist 潘瑋柏 (Wilber Pan) and released another version of the song, Be With You.

Akon worked with bachata group Aventura and Reggaeton duo Wisin y Yandel on All Up 2 You the second single from Aventura's album The Last that dropped in June. The song received two nominations at the Premios Lo Nuestro 2010 for "Urban Song of the Year" and "Video Collaboration of the Year".

Akon recently signed Jayko, a Hispanic R&B; and Reggaeton artist, to his label and is working with him on his debut album titled "Marcando Territorio"

Sexy Bitch was released in July 2009, a collaboration with French DJ David Guetta.

In August 2009, Akon released another version of Beautiful featuring BoA, a popular and legendary Korean singer. However, this version was for the Japanese market.

Akon also sang in a song with Colby O'Donis called "What You Got".

In 2009 Akon collaborated with Pitbull on the single "Shut It Down" from the album "Rebelution".

Akon worked to help Matisyahu remix his single "One Day" on his album Light.

In 2010 Akon collaborated with up and coming pop singer JRandall on a song entitled ''oo la la" which premiered on JustJared.com on October 6.

In 2010 he is one of over 70 artists singing on "", a charity single in aid of the 2010 Haiti earthquake. He also entered into the Indian market, working with composers Vishal Dadlani and Shekhar Ravjiani on the soundtrack to the Bollywood action film Ra.One.

Akon co-produced Natalia Kills' first single, Mirrors, from her forthcoming debut album, Perfectionist.

Other ventures

Television and film

Akon has confirmed that a reality television show is in the works. It will be called "My Brother's Keeper" and the point is that Akon's two nearly identical brothers will go around in Atlanta posing as him fooling people into thinking that it is in fact Akon. They will try to get VIP treatment, girls and free things. Akon has claimed that people have mistaken his brothers for him many times in Atlanta which is what the show is based on.

Akon is planning to work on a full-length movie titled Illegal Alien. The film is based on some of the events of his life and actor Mekhi Phifer is set to play him. Besides Akon confirmed in August 2007, in the interview with Polish website INTERIA.PL, that he works on a movie "Cocaine Cowboys," which tells the story of Jon Roberts, the main pilot of Medellin Cartel (Colombian drug traffickers). He was also featured on a Verizon Wireless commercial and singing Snitch along with Obie Trice on a episode named "Poppin' Tags."

On November 30, 2007, Akon entered the Big Brother house in Pinoy Big Brother Celebrity Edition 2 as a guest so the housemates can meet him for only 100 seconds. He also appeared on November 17, 2008 edition of WWE Raw, with Santino Marella citing him in his speech. Because of Santino's Italian Stereotyping, he mispronounced Akon's name to "Akorn".

On April 27, 2008, Akon appeared with Colby O'Donis in Dance on Sunset. On January 27, 2010, Akon performed on the Brazilian reality show Big Brother Brasil.

Fashion

In February 2007, Akon launched his clothing line, Konvict Clothing. It features urban streetwear including denim jeans, hoodies, t-shirts and hats. Aliaune is the upscale version, or high-end line, for males and females, which includes blazers, denim jeans and other items. Timothy Hodge appeared on MTV's Direct Effect alongside Akon while promotioning the Konvict clothing line.

Personal life

He has also been rumored to have three wives, however he has since revealed that he only has one, named Tomeka. Akon claims he has six children with three different women in an interview with Blender. Akon claims to have great relationships with all his children, and that he wishes to keep his family protected from the public eye. He also states that his religion made him a better person, and provides guidance to how he acts among others in life.

He also has his own charity for underprivileged children in Africa called Konfidence Foundation. Akon owns a diamond mine in South Africa and denies the existence of blood diamonds (also known as "conflict diamonds") saying, "I don't believe in conflict diamonds. That's just a movie. Think about it. Nobody thought or cared about conflict diamonds until 'Blood Diamond' was released." However, he has since stated that he does accept that blood diamonds exist, and that he is partial-owner of an African mine that is dedicated to avoiding use of blood diamonds while also donating profits to local communities.

"The Smoking Gun" reported in April 2008 that much of Akon's purported criminal and incarceration history has been dramatically embellished. In particular, Akon's claims to be part of an auto-theft ring and his claim to have spent three years in prison were challenged with court records and interviews with detectives involved in Akon's case. According to "The Smoking Gun's" article, Akon was not convicted of any crime and did not serve any time in prison from 1999 to 2002 as previously claimed. He stated that "The Smoking Gun's" attempt to “discredit” him “makes no sense as it is something he is trying to forget.” Akon retorted that he never spent 3 years in prison consecutively, but many shorter sentences that add up to three years, and cites that as the mis-understanding by The Smoking Gun's article.

Legal difficulties

In April 2007, Akon drew criticism for an onstage act which included simulated sex with Danah (Deena) Alleyne, a preacher's daughter aged 15 at the time, at a club in Trinidad and Tobago, as part of a fake contest, despite the club's claim to have a 21 years and over age limit. The incident was filmed by Akon's crew and later uploaded to the Internet. On April 20, 2007 local media, channel TV6, aired the video clip publicly. Amid criticism on the radio, television, and from the blogosphere, Verizon Wireless removed ringtones featuring Akon's songs. Verizon also decided not to sponsor The Sweet Escape Tour where Akon was to be the opening act for Gwen Stefani. However, Universal Music Group did not take action against Akon, but rather simply ordered the video clip be removed from video-sharing site YouTube due to copyright infringement. Conservative commentator and Parents Television Council founder Brent Bozell called this "corporate irresponsibility."

Political commentators Michelle Malkin, Laura Ingraham, and Bill O'Reilly criticized Akon for "degrading women." Malkin uploaded commentary about Akon to YouTube, using footage from music videos and the Trinidad concert, and Universal Music Group then forced its removal by issuing a DMCA takedown notice. The Electronic Frontier Foundation joined Malkin in contesting the removal as a misuse of copyright law, citing fair use. In May 2007, UMG rescinded its claim to the video, and the video returned to YouTube.

On June 3, 2007, at WSPK's KFEST concert at the Dutchess Stadium in Fishkill, New York, a concert attendee threw an object towards Akon on stage. Akon asked the crowd to identify who threw the object and that he be brought on stage. Security staff grabbed the young man and took him up to the stage. Akon then pulled him up from the crowd and hoisted him across his shoulders. The singer then tossed the attendee back into the crowd from his shoulders. Video of the incident was reviewed by Fishkill police. Akon has claimed that the incident was staged and that he in fact used the act to set up for the next record.

Visa Issue

March 23, 2010 – Considering the allegations against the singer Akon, the Sri Lankan Government has decided not to issue him a visa to enter into Sri Lanka, the Government Information Department said a short while ago. The Jathika Bhikku Sansadaya (National Monks' Association) earlier today said that they vehemently protested the planned concert of Akon claiming that his music video insulted Buddhism.

Discography

Trouble (2004)

Konvicted (2006)

Freedom (2008)

Akonic (2011)

Awards and nominations

Name	Akon
Awards	1
Nominations	12
Americanw	1
Americann	3
Grammyn	5
Mtvvideon	4

Akon received four Grammy Award nominations in 2008, including Best Pop Collaboration with Vocals for "The Sweet Escape" with Gwen Stefani, Best R&B; Vocal Performance by a Duo or Group for "Bartender" with T-Pain, Best Contemporary R&B; Album for Konvicted, and Best Rap/Sung Collaboration with "I Wanna Love You" with Snoop Dogg. The only award that Akon has received is Favorite Soul/R&B; Male Artist from the American Music Awards in 2007. Overall, Akon has received one award from twelve nominations.

American Music Awards

The American Music Awards is an annual awards ceremony created by Dick Clark in 1973. Akon has received one award from three nominations.

|- |rowspan="3"| ||rowspan="3"| Akon || Favorite Soul/R&B; Male Artist || |- | Artist of the Year || |- | Favorite Pop/Rock Male Artist ||

Grammy Awards

The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences of the United States. Akon has received five nominations.

|- | || "Smack That" (with Eminem) || Best Rap/Sung Collaboration || |- |rowspan="4"| || "The Sweet Escape" (with Gwen Stefani) || Best Pop Collaboration with Vocals || |- | "Bartender" (with T-Pain) || Best R&B; Vocal Performance by a Duo or Group || |- | Konvicted || Best Contemporary R&B; Album || |- | "I Wanna Love You" (with Snoop Dogg) || Best Rap/Sung Collaboration ||

MTV Video Music Awards

The MTV Video Music Awards is an annual awards ceremony established in 1984 by MTV. Akon has received four nominations. Akon has the record for most nominations in the Most Earthshattering Collaboration category.

|- | || "Locked Up" || MTV2 Award || |- |rowspan="3"| || Akon || Male Artist of the Year || |- | "Smack That" (with Eminem) || Most Earthshattering Collaboration || |- | "The Sweet Escape" (with Gwen Stefani) || Most Earthshattering Collaboration ||

World Music Awards

In 2007 Akon won three World Music Awards:

(1) Best Selling R&B; Male Artist

(2) Best Selling African Artist

(3) Best Selling Internet Artist.

In 2008 Akon won:

(1) Best Selling African Artist

Note: Akon also won Artist Of The Year in 2007 by the Billboard Music Awards

Billboard Legacy

Made the Top Artists of the Year Chart in: 2009

Made the Billboard 200 Albums of the Year Chart in: 2009, 2007, 2005, 2004

Made the Billboard Hot 100 Songs of the Year Chart in: 2005, 2004

Premios Lo Nuestro

|- |rowspan="2"| 2010 || "All Up 2 You" (with Aventura and Wisin & Yandel) || Urban Song of the Year || |- | "All Up 2 You" (with Aventura and Wisin & Yandel) || Video Collaboration of the Year || |-

Tours

Dar Es Salaam, Tanzania One-off Concert (2006).

Konvicted Tour (July to September 2007, then additional dates in 2008)

The Sweet Escape Tour with Gwen Stefani (April to July 2007)

The Good Girl Gone Bad Tour with Rihanna (Canadian-leg only, September – December 2008).

Konvict Muzik Tour with T-Pain, Australia only, October 26–27, 2009.

Brazilian Mini-Tour, (Brazil, January 2010)

References

External links

Official website

Category:1990s singers Category:2000s singers Category:2010s singers Category:African American singers Category:African American rappers Category:African American Muslims Category:American Muslims Category:American male singers Category:Dance musicians Category:Hip hop record producers Category:Hip hop singers Category:Musicians from New Jersey Category:Musicians from Missouri Category:Rappers from St. Louis, Missouri Category:People from Dakar Category:People from Newark, New Jersey Category:People from St. Louis, Missouri Category:American people of Senegalese descent Category:American hip hop record producers Category:Sony/ATV Music Publishing artists Category:World Music Awards winners Category:Living people Category:Senegalese expatriates in the United States Category:1973 births

Coordinates	°′″N°′″N
Name	Tupac Amaru Shakur
Background	solo_singer
Birth name	Lesane Parish Crooks
Alias	2Pac, Pac, Makaveli
Origin	Marin City, California, U.S.
Born	June 16, 1971East Harlem, New York City, New York, U.S.
Died	September 13, 1996Las Vegas, Nevada, U.S.
Genre	Hip hop
Occupation	Rapper, actor, record producer, poet, screenwriter, activist
Years active	1988–1996 (rapping)
Label	Interscope, Death Row, Amaru
Associated acts	Outlawz, Snoop Doggy Dogg, Digital Underground, Biggie, Richie Rich, K-Ci & JoJo, Dave Hollister, Johnny "J", Dr. Dre, Tha Dogg Pound, Boot Camp Clik, Nate Dogg
Url	www.tasf.org

Tupac Amaru Shakur (June 16, 1971 – September 13, 1996), known by his stage names 2Pac (or simply Pac) and Makaveli, was an American rapper. Shakur has sold over 75 million albums worldwide, making him one of the best-selling music artists in the world. In the United States alone he has sold 37.5 million records. Rolling Stone Magazine named him the 86th Greatest Artist of All Time.

In addition to his career as a top-selling rap artist, he was a promising actor, and a social activist. Most of Shakur's songs are about growing up amid violence and hardship in ghettos, racism, other social problems, and conflicts with other rappers during the East Coast-West Coast hip hop rivalry. Shakur began his career as a roadie and backup dancer for the alternative hip hop group Digital Underground.

In September 1996, Shakur was shot four times in the Las Vegas metropolitan area of Nevada. He was taken to the University Medical Center, where he died of respiratory failure and cardiac arrest.

Early life

Tupac Amaru Shakur was born on the East Harlem section of Manhattan in New York City. He was named after Túpac Amaru II, a Peruvian revolutionary who led an indigenous uprising against Spain and was subsequently executed.

His mother, Afeni Shakur, and his father, Billy Garland, were active members of the Black Panther Party in New York in the late 1960s and early 1970s; he was born just one month after his mother's acquittal on more than 150 charges of "Conspiracy against the United States government and New York landmarks" in the New York Panther 21 court case.

Although unconfirmed by the Shakur family, several sources (including the official coroner's report) list his birth name as "Lesane Parish Crooks". This name was supposedly entered on the birth certificate because Afeni feared her enemies would attack her son, and disguised his true identity using a different last name. She changed it later, following her separation from Garland and marriage to Mutulu Shakur.

Struggle and incarceration surrounded Shakur from an early age. His godfather, Elmer "Geronimo" Pratt, a high ranking Black Panther, was convicted of murdering a school teacher during a 1968 robbery, although his sentence was later overturned. His stepfather, Mutulu, spent four years at large on the FBI's Ten Most Wanted Fugitives list beginning in 1982, when Shakur was a pre-teen. Mutulu was wanted in part for having helped his sister Assata Shakur (also known as Joanne Chesimard) to escape from a penitentiary in New Jersey, where she had been incarcerated for allegedly shooting a state trooper to death in 1973. Mutulu was caught in 1986 and imprisoned for the robbery of a Brinks armored truck in which two police officers and a guard were killed. Shakur had a half-sister, Sekyiwa, two years his junior, and an older stepbrother, Mopreme "Komani" Shakur, who appeared on many of his recordings.

At the age of twelve, Shakur enrolled in Harlem's 127th Street Repertory Ensemble and was cast as the Travis Younger character in the play A Raisin in the Sun, which was performed at the famous Apollo Theater. In 1986, the family relocated to Baltimore, Maryland. After completing his second year at Paul Laurence Dunbar High School he transferred to the Baltimore School for the Arts, where he studied acting, poetry, jazz, and ballet. He performed in Shakespeare plays, and in the role of the Mouse King in The Nutcracker. Although he lacked trendy clothing, he was one of the most popular kids in his school because of his sense of humor, superior rapping skills, and ability to mix in with all crowds. He developed a close friendship with a young Jada Pinkett (later Jada Pinkett Smith) that lasted until his death. In the documentary , Shakur says, "Jada is my heart. She will be my friend for my whole life," and Pinkett Smith calls him "one of my best friends. He was like a brother. It was beyond friendship for us. The type of relationship we had, you only get that once in a lifetime." A poem written by Shakur titled "Jada" appears in his book, The Rose That Grew From Concrete, which also includes a poem dedicated to Pinkett Smith called "The Tears in Cupid's Eyes". During his time in art school, Shakur began dating the daughter of the director of the Baltimore Communist Party USA.

In June 1988, Shakur and his family moved once again, this time to Marin City, California, He began attending the poetry classes of Leila Steinberg in 1989. That same year, Steinberg organized a concert with a former group of Shakur's, Strictly Dope; the concert led to him being signed with Atron Gregory who set him up with the up-and-coming rap group Digital Underground. In 1990, he was hired as the band's backup dancer and roadie.

Legal issues

Even as he garnered attention as a rapper and actor, Shakur gained notoriety for his conflicts with the law. In October 1991, he attempted to file a $10 million civil suit against the law enforcement of the Oakland Police Department, alleging they brutally beat him for jaywalking.

In 1992, a Texas state trooper was killed by a teenager who was listening to 2Pacalypse Now which included songs about killing police. This caused a swirl of media controversy. Dan Quayle, the Vice President of the United States at the time, demanded that the album be withdrawn from music stores and media across the country; Interscope refused.

On August 22, 1992, in Marin City, California, Shakur rapped at an outdoor festival, and stayed for an hour signing autographs and pictures. Some earlier negative remarks made by Shakur about Marin City had caught up and when arguments started, voices got loud; he pulled a Colt Mustang, cocked it, fumbled and it fell. Someone picked up the gun and a bullet discharged. Though nobody in the crowd was shot, about 100 yards away, 6-year old Qa'id Walker-Teal rode a bicycle at a schoolyard and was hit in the forehead, the bullet killing him. Shakur and Mopreme left in their car and were stopped by an angry mob, by chance, in front of a sheriff's substation. The police "rescued" and took the two into custody, who were released without charge. In 1995, a civil case was brought up by Qa'id's mother. Shakur's lawyer said that the festival was a "nasty situation," and Shakur was saddened by the death of the boy. Shakur's record company settled the lawsuit for a figure reported between $300,000 and $500,000.

In October 1993, in Atlanta, two brothers and off-duty police officers, Mark and Scott Whitwell, were with their wives celebrating Mrs. Whitwell's recent passing of the state bar examination. As they crossed the street, a car with Shakur inside passed by them or "almost struck them," after which the Whitwells began an altercation with the driver, Shakur and the other passengers, which was then joined by a second passing car. Shakur shot one officer in the buttocks, and the other in the leg, back, or abdomen, according to varying news reports. There were no other injuries, but Mark Whitwell was charged with firing at Shakur's car and later lying to the police during the investigation, and Shakur with the shooting, until prosecutors decided to drop all charges against all parties.

In November 1993, Shakur and others were charged with sexually assaulting a woman in a hotel room. According to the complaint, Shakur sodomized the woman and then encouraged his friends to sexually abuse her. Shakur denied the charges. According to Shakur, he had prior relations days earlier with the woman; she performed oral sex on him on a club dance floor and the two later had consensual sex in his hotel room. The complainant claimed sexual assault after her second visit to Shakur's hotel room; she alleged that Shakur and his entourage gang banged her, and she said to Shakur when she left, "Why you let them do this to me?" Shakur said that he fell asleep shortly after the woman arrived and later awoke to her accusations and legal threats. In the ensuing trial, Shakur was convicted of sexual abuse. In sentencing Shakur to 1½–4½ years in prison, the judge described the crime as "an act of brutal violence against a helpless woman." After serving part of his sentence, Shakur was released on bail pending appeal. On April 5, 1996, a judge sentenced him to serve 120 days in jail for violating terms of his release on bail.

In 1995, a wrongful death suit was brought against Shakur for a 1992 shooting that killed Qa'id Walker-Teal, a six-year old of Marin City. The child was the victim of a stray bullet in a shootout between Shakur's entourage and a rival group. Ballistics tests proved the bullet that killed the boy was not from Shakur's or any members of his entourage's guns. No criminal charges were brought. Shakur settled with the family for an undisclosed amount, estimated at $300,000–$500,000.

November 1994 shooting

On the night of November 30, 1994, the day before the verdict in his sexual abuse trial was to be announced, Shakur was shot five times and robbed after entering the lobby of Quad Recording Studios in Manhattan by two armed men in army fatigues. He would later accuse Sean Combs, Andre Harrell, and Biggie Smalls—whom he saw after the shooting—of setting him up. Shakur also suspected his close friend and associate, Randy "Stretch" Walker, of being involved in the attempt. According to the doctors at Bellevue Hospital, where he was admitted immediately following the incident, Shakur had received five bullet wounds; twice in the head, twice in the groin and once through the arm and thigh. He checked out of the hospital, against doctor's orders, three hours after surgery. In the day that followed, Shakur entered the courthouse in a wheelchair and was found guilty of three counts of molestation, but innocent of six others, including sodomy. On February 6, 1995, he was sentenced to one-and-a-half to four-and-a-half years in prison on a sexual assault charge.

A year later on November 30, 1995, Stretch was killed after being shot twice in the back by three men who pulled up alongside his green minivan at 112th Ave. and 209th St. in Queens Village, while he was driving. His minivan smashed into a tree and hit a parked car before flipping over.

On March 27, 2008, the LA Times issued an apology to Combs for blaming him for having a role in the November 1994 shooting. The article stated that Shakur was led to the studio by Biggie's associates to gun him down to make favor with Biggie. The newspaper relied on forged documents that The Smoking Gun proved to be faked. Combs stated that he is disgusted with the LA Times for printing the story.

Prison sentence

Shakur began serving his prison sentence at Clinton Correctional Facility on February 14, 1995. Shortly afterwards, he released his multi-platinum album Me Against the World. Shakur is the only artist ever to have an album at number one on the Billboard 200 while serving a prison sentence. The album made its debut on the Billboard 200 and stayed at the top of the charts for five weeks. The record album sold 240,000 copies in its first week, setting a record for highest first week sales for a solo male rap artist at the time. While serving his sentence, he married his long-time girlfriend, Keisha Morris, on April 4, 1995; the couple later divorced in 1996. While imprisoned, Shakur read many books by Niccolò Machiavelli, Sun Tzu's The Art of War and other works of political philosophy and strategy. He also wrote a screenplay titled Live 2 Tell while incarcerated, a story about an adolescent who becomes a drug baron.

In October 1995, Shakur's case was on appeal but due to all of his legal fees he could not raise the $1.4 million bail. After serving eleven months of his one-and-a-half year to four-and-a-half year sentence, Shakur was released from the penitentiary due in large part to the help and influence of Suge Knight, the CEO of Death Row Records, who posted a $1.4 million bail pending appeal of the conviction in exchange for Shakur to release three albums under the Death Row label.

Death Row Records

Upon his release from Clinton Correctional Facility, Shakur immediately went back to song recording. He began a new group called Outlaw Immortalz. Shakur began recording his first album with Death Row and released the single "California Love" soon after. On February 13, 1996, Shakur released his fourth solo album, All Eyez on Me. This double album was the first and second of his three-album commitment to Death Row Records. It sold over nine million copies. The record was a general departure from the introspective subject matter of Me Against the World, being more oriented toward a thug and gangsta mentality. Shakur continued his recordings despite increasing problems at the Death Row label. Dr. Dre left his post as house producer to form his own label, Aftermath. Shakur continued to produce hundreds of tracks during his time at Death Row, most of which would be released on his posthumous albums R U Still Down? (Remember Me), Still I Rise, Until the End of Time, Better Dayz, Loyal to the Game and Pac's Life. He also began the process of recording an album with the Boot Camp Clik and their label Duck Down Records, both New York–based, entitled One Nation.

On June 4, 1996, he and Outlawz released the "Hit 'Em Up", a scathing lyrical assault on Biggie and others associated with him. In the track, Shakur claimed to have had intercourse with Faith Evans, Biggie's wife at the time, and attacks Bad Boy's street credibility. Though no hard evidence suggests so, Shakur was convinced that some members associated with Bad Boy had known about the '94 attack on him beforehand due to their behavior that night and what his sources told him. Shakur aligned himself with Suge, Death Row's CEO, who was already bitter toward Combs over a 1995 incident at the Platinum Club in Atlanta, Georgia, which culminated in the death of Suge's friend and bodyguard, Jake Robles; Suge was adamant in voicing his suspicions of Combs' involvement. Shakur's signing with Suge and Death Row added fuel to building an East Coast-West Coast conflict. Both sides remained bitter enemies until Shakur's death. On July 4, 1996, he performed live at the House of Blues with Outlawz, Tha Dogg Pound, and Snoop Doggy Dogg also headlining. This was Shakur's very last live performance.

While incarcerated in Clinton Correctional Facility, Shakur read and studied Niccolò Machiavelli and other published works, which inspired his pseudonym "Makaveli" under which he released the record album . The album presents a stark contrast to previous works. Throughout the album, Shakur continues to focus on the themes of pain and aggression, making this album one of the emotionally darker works of his career. Shakur wrote and recorded all the lyrics in only three days and the production took another four days, combining for a total of seven days to complete the album (hence the name).

Makaveli Records

He mentioned Makaveli Records a few times before his death. This was supposed to be a music label for up and coming artists that Shakur had an interest in developing or potentially signing, and his own future projects would have also been published through it as well.

September 1996 shooting and death

, from the cover of the book The Killing of Tupac Shakur by Cathy Scott]] On the night of September 7, 1996, Shakur attended the Mike Tyson–Bruce Seldon boxing match at the MGM Grand in Las Vegas. After leaving the match, one of Suge's associates spotted 21-year-old Orlando "Baby Lane" Anderson, a member of the Southside Crips, in the MGM Grand lobby and informed Shakur, who then attacked Anderson. Shakur's entourage, as well as Suge and his followers, assisted in assaulting Anderson. The fight was captured on the hotel's video surveillance. Earlier that year, Anderson and a group of Crips had robbed a member of Death Row's entourage in a Foot Locker store, precipitating Shakur's attack. After the brawl, Shakur went to rendezvous with Suge to go to Death Row-owned Club 662 (now known as restaurant/club Seven). He rode in Suge's 1996 black BMW 750iL sedan as part of a larger convoy including many in Shakur's entourage.

At 10:55 p.m., while paused at a red light, Shakur rolled down his window and a photographer took his photograph. At around 11:00–11:05 p.m., they were halted on Las Vegas Blvd. by Metro bicycle police for playing the car stereo too loud and not having license plates. The plates were then found in the trunk of Suge's car; they were released without being fined a few minutes later. At about 11:10 p.m., while stopped at a red light at Flamingo Road near the intersection of Koval Lane in front of the Maxim Hotel, a vehicle occupied by two women pulled up on their right side. Shakur, who was standing up through the sunroof, exchanged words with the two women, and invited them to go to Club 662. Suge was hit in the head by fragmentation, though it is thought that a bullet grazed him. According to Suge, a bullet from the gunfire had been lodged in his skull, but medical reports later contradicted this statement.

At the time of the drive-by Shakur's bodyguard was following behind in a vehicle belonging to Kidada Jones, Shakur's then-fiancée. The bodyguard, Frank Alexander, stated that when he was about to ride along with the rapper in Suge's car, Shakur asked him to drive Kidada Jones' car instead just in case they were too drunk and needed additional vehicles from Club 662 back to the hotel. Shortly after the assault, the bodyguard reported in his documentary, Before I Wake, that one of the convoy's cars drove off after the assailant but he never heard back from the occupants.

After arriving on the scene, police and paramedics took Suge and a mortally wounded Shakur to the University Medical Center. According to an interview with one of Shakur's closest friends the music video director Gobi, while at the hospital, he received news from a Death Row marketing employee that the shooters had called the record label and were sending death threats aimed at Shakur, claiming that they were going there to "finish him off". Upon hearing this, Gobi immediately alerted the Las Vegas police, but the police claimed they were understaffed and no one could be sent.

Despite having been resuscitated in a trauma center and surviving a multitude of surgeries (as well as the removal of a failed right lung), Shakur had gotten through the critical phase of the medical therapy and was given a 50% chance of pulling through.

Murder case

Due largely to a perceived lack of progress by law enforcement in the investigation of Shakur's murder, many independent investigations and theories emerged. Because of the acrimony between Shakur and Biggie (who was murdered in March 1997), there was speculation from the outset about the possibility of Biggie's involvement. Biggie, as well as his family, relatives, and associates, vehemently denied all such accusations. In 2002, the LA Times published a story by Pulitzer Prize-winning investigative reporter Chuck Philips, who claimed to have uncovered evidence implicating Biggie, in addition to Anderson and the Southside Crips, in the attack. Philips quoted unnamed gang-member sources who claimed Biggie had ties to the Crips, often hiring them for security during West Coast appearances, and that Biggie colluded with the Crips to murder Shakur. In 2008, after The Smoking Gun reported that the documents relied upon by Philips for his story were fraudulent, the LA Times printed an official front-page retraction of Philips' story. Less than five months later, Philips accepted a buyout and left the LA Times.

In support of their claims, Biggie's family submitted documentation to MTV suggesting that he was working in a New York recording studio the night of the drive-by shooting. His manager Wayne Barrow and fellow rapper James "Lil' Cease" Lloyd made public announcements denying Biggie's partaking in the crime and claimed further that they were both with him in the recording studio during the night of the event.

The high profile nature of the killing and ensuing gang violence caught the attention of English filmmaker Nick Broomfield, who made the documentary film Biggie & Tupac which examines the lack of progress in the case by speaking to those close to the two slain rappers and the investigation. Shakur's close childhood friend and member of Outlawz, Yafeu "Yaki Kadafi" Fula, was in the convoy when the drive-by occurred and indicated to police that he might be able to identify the assailants, however, he was shot and killed shortly thereafter in a housing project in Irvington.

A DVD titled was released on October 23, 2007, more than eleven years after Shakur's murder. It explores aspects surrounding the event and provides fresh insights into the cold case with new details about the environment.

Influences

Shakur's music and philosophy is rooted in many American, African-American, and World entities, including the Black Panther Party, Black nationalism, egalitarianism, and liberty. His debut album, 2Pacalypse Now, revealed the socially conscious side of Shakur. On this album, Shakur attacked social injustice, poverty and police brutality on songs "Brenda's Got a Baby", "Trapped" and "Part Time Mutha". His style on this album was highly influenced by the social consciousness and Afrocentrism pervading hip hop in the late 1980s and early 1990s. On this initial release, Shakur helped extend the success of such rap groups as Boogie Down Productions, Public Enemy, X-Clan, and Grandmaster Flash, as he became one of the first major socially conscious rappers from the West Coast.

On his second record, Shakur continued to rap about the social ills facing African-Americans, with songs like "The Streetz R Deathrow" and "Last Wordz". He also showed his compassionate side with the anthem "Keep Ya Head Up", while simultaneously putting his legendary aggressiveness on display with the title track from the album Strictly 4 My N.I.G.G.A.Z. he added a salute to his former group Digital Underground by including them on the playful track "I Get Around". Throughout his career, an increasingly aggressive attitude can be seen pervading Shakur's subsequent albums.

The contradictory themes of social inequality and injustice, unbridled aggression, compassion, playfulness, and hope all continued to shape Shakur's work, as witnessed with the release of his incendiary 1995 album Me Against the World. In 1996, Shakur released All Eyez on Me. Many of these tracks are considered by many critics to be classics, including "Ambitionz Az a Ridah", "I Ain't Mad at Cha", "California Love", "Life Goes On" and "Picture Me Rollin'".; All Eyez on Me was a change of style from his earlier works. While still containing socially conscious songs and themes, Shakur's album was heavily influenced by party tracks and tended to have a more "feel good" vibe than his first albums. Shakur described it as a celebration of life, and the record was critically and commercially successful.

Personal life

Shakur was a voracious reader. He was inspired by a wide variety of writers, including William Shakespeare, Niccolò Machiavelli, Donald Goines, Sun Tzu, Kurt Vonnegut, Mikhail Bakunin, Maya Angelou, Alice Walker, and Khalil Gibran. In his book, Dyson describes the experience of visiting the home of Shakur's friend and promoter Leila Steinberg to find "the sea of books" once owned by Shakur.

Legacy

, Germany]] At a Mobb Deep concert following the death of the famed icon and release of , Cormega recalled in an interview that the fans were all shouting "Makaveli," and emphasized the influence of The Don Killuminati: The 7 Day Theory and of Shakur himself even in New York at the height of the media-dubbed 'intercoastal rivalry'.

Shakur is held in high esteem by other MCs – in the book How to Rap, Bishop Lamont notes that Shakur “mastered every element, every aspect” of rapping and Fredro Starr of Onyx says Shakur, "was a master of the flow." "Every rapper who grew up in the Nineties owes something to Tupac," wrote 50 Cent. "He didn't sound like anyone who came before him."

To preserve Shakur's legacy, his mother founded the Shakur Family Foundation (later re-named the Tupac Amaru Shakur Foundation or TASF) in 1997. The TASF's stated mission is to "provide training and support for students who aspire to enhance their creative talents." The TASF sponsors essay contests, charity events, a performing arts day camp for teenagers and undergraduate scholarships. The Foundation officially opened the Tupac Amaru Shakur Center for the Arts (TASCA) in Stone Mountain, Georgia, on June 11, 2005. On November 14, 2003, a documentary about Shakur entitled was released under the supervision of his mother and narrated entirely in his voice. It was nominated for Best Documentary in the 2005 Academy Awards. Proceeds will go to a charity set up by Shakur's mother Afeni. On April 17, 2003, Harvard University co-sponsored an academic symposium entitled "All Eyez on Me: Tupac Shakur and the Search for the Modern Folk Hero." The speakers discussed a wide range of topics dealing with Shakur's impact on everything from entertainment to sociology.

Many of the speakers discussed Shakur's status and public persona, including State University of New York at Buffalo English professor Mark Anthony Neal who gave the talk "Thug Nigga Intellectual: Tupac as Celebrity Gramscian" in which he argued that Shakur was an example of the "organic intellectual" expressing the concerns of a larger group. Professor Neal has also indicated in his writings that the death of Shakur has left a "leadership void amongst hip-hop artists." Neal further describes him as a "walking contradiction", a status that allowed him to "make being an intellectual accessible to ordinary people."

Professor of Communications Murray Forman, of Northeastern University, spoke of the mythical status about Shakur's life and death. He addressed the symbolism and mythology surrounding Shakur's death in his talk entitled "Tupac Shakur: O.G. (Ostensibly Gone)". Among his findings were that Shakur's fans have "succeeded in resurrecting Tupac as an ethereal life force." In "From Thug Life to Legend: Realization of a Black Folk Hero", Professor of Music at Northeastern University, Emmett Price, compared Shakur's public image to that of the trickster-figures of African-American folklore which gave rise to the urban "bad-man" persona of the post-slavery period. He ultimately described Shakur as a "prolific artist" who was "driven by a terrible sense of urgency" in a quest to "unify mind, body, and spirit".

Michael Eric Dyson, University of Pennsylvania Avalon Professor of Humanities and African American Studies and author of the book Holler If You Hear Me: Searching for Tupac Shakur indicated that Shakur "spoke with brilliance and insight as someone who bears witness to the pain of those who would never have his platform. He told the truth, even as he struggled with the fragments of his identity." At one Harvard Conference the theme was Shakur's impact on entertainment, race relations, politics and the "hero/martyr". In late 1997, the University of California, Berkeley offered a student-led course entitled "History 98: Poetry and History of Tupac Shakur."

In late 2003, the Makaveli Branded Clothing line was launched by Afeni. In 2005, Death Row released . The DVD was the final recorded performance of Shakur's career, which took place on July 4, 1996, and features a plethora of Death Row artists. In August 2006, Tupac Shakur Legacy was released. The interactive biography was written by Jamal Joseph. It features unseen family photographs, intimate stories, and over 20 removable reproductions of his handwritten song lyrics, contracts, scripts, poetry, and other personal papers. Shakur's sixth posthumous studio album, Pac's Life, was released on November 21, 2006. It commemorates the 10th anniversary of Shakur's death. He is still considered one of the most popular artists in the music industry .

According to Forbes, in 2008 Shakur's estate made $15 million. In 2002, they recognize him as a Top Earning Dead celebrity coming in on number ten on their list.

Library of Congress

Shakur's hit song "Dear Mama" is one of 25 songs that was added to the National Recording Registry in 2010. The Library of Congress has called "Dear Mama" "a moving and eloquent homage to both the murdered rapper's own mother and all mothers struggling to maintain a family in the face of addiction, poverty and societal indifference." This honor comes seven days after his birthday, where the rapper would have been 39. Shakur is the third rapper to enter the library, behind Grandmaster Flash and Public Enemy.

Honors

MTV ranked him at #2 on their list of The Greatest MCs of All Time. Shakur was inducted into the Hip-Hop Hall of Fame in 2002. In 2003, MTV's "22 Greatest MCs" countdown listed Shakur as the "number 1 MC", as voted by the viewers. In 2004, at the VH1 Hip Hop Honors Shakur was honored along with DJ Hollywood, Kool DJ Herc, KRS-One, Public Enemy, Run-D.M.C., Rock Steady Crew, and Sugarhill Gang. A Vibe magazine poll in 2004 rated Shakur "the greatest rapper of all time" as voted by fans. At the First Annual Turks & Caicos International Film Festival held on Tuesday, October 17, 2006, Shakur was honored for his undeniable voice and talent and as a performer who crossed racial, ethnic, cultural and medium lines; his mother accepted the award on his behalf. In 2008, The National Association Of Recording Merchandisers in conjunction with the Rock and Roll Hall of Fame recognized him as a very influential artist and has added him in their Definitive 200 list. On Wednesday, June 23, 2010, Shakur was inducted to the Library of Congress’s National Recording Registry. The seat of the Catholic Church released a list of 12 songs onto the social networking Web site's streaming music service. Among the artists included are Mozart, Muse and Dame Shirley Bassey; the list also includes Shakur's song "Changes", which was released two years after his shooting death on a greatest hits album in 1998. His double album, All Eyez on Me, is one of the highest-selling rap albums of all time, with over 5 million copies of the album sold in the United States alone by April 1996; it was eventually certified 9x platinum in June 1998 by the RIAA.

Discography

Studio albums

Posthumous albums

Documentaries

Shakur's life has been recognized in big and small documentaries each trying capture the many different events during his short lifetime, most notably the Academy Award–nominated , released in 2003.

1997: ''Tupac Shakur: Thug Immortal

1997: ''Tupac Shakur: Words Never Die (TV)

2001: ''Tupac Shakur: Before I Wake...

2001: ''Welcome to Deathrow

2002: ''

2002: ''Biggie & Tupac

2002: ''Tha Westside

2003: ''2Pac 4 Ever

2003: ''

2004: ''Tupac vs.

2004: ''Tupac: The Hip Hop Genius (TV)

2006: ''So Many Years, So Many Tears

2007: ''

2009: ''Tupac: Assassination II: Reckoning

See also

List of best-selling music artists

List of number-one albums (United States)

List of number-one hits (United States)

References

Sources

. .

External links

2Pac Legacy (Official website)

Tupac Amaru Shakur Foundation for the Arts

Tupac Legacy Tour

Yaki Kadafi Official Website

Online catalog of Shakur's personal library from his apartment at the time of his death, online at LibraryThing

Category:1971 births Category:1996 deaths Category:1990s rappers Category:African American film actors Category:African American poets Category:African American rappers Category:African American record producers Category:American hip hop record producers Category:American people convicted of assault Category:American screenwriters Category:American sex offenders Category:American shooting survivors Category:Atlantic Records artists Category:Deaths by firearm in Nevada Category:Death Row Records artists Category:Deaths from respiratory failure Category:English-language poets Category:Interscope Records artists Category:Murdered African-American people Category:Murdered entertainers Category:Murdered rappers Category:People from Baltimore, Maryland Category:People from Harlem Category:People from Marin County, California Category:People murdered in Nevada Category:Rappers from the San Francisco Bay Area Category:Road crew Category:Shakur family Category:Unsolved murders in the United States Category:West Coast hip hop musicians