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Reason is particularly associated with human nature, that which is unique and definitive about being human. As a way of coming to conclusions, it is often contrasted not only with the ways in which non-human animals appear to make decisions, but also with decisions based upon authority, intuition, emotion, mysticism, superstition, and faith. Reason is thought by rationalists to be more reliable in discovering what is true or what is best. The precise way in which reason differs from emotion, faith, and tradition is controversial, because all three are considered to be both potentially rational, and potentially in conflict with reason.
The essential difference between reason and other modes of consciousness is in explanation: thinking is more reasoned or rational if it is more consciously thought through in a way which can be expressed in language.
Psychologists and cognitive scientists study how people reason, which cognitive and neural processes are engaged, how cultural factors affect the inferences people draw. The properties of logic which may be used to reason are studied in mathematical logic. The field of automated reasoning studies how reasoning may be modelled computationally.
Reason and logic can however be thought of as distinct, although logic is one important aspect of reason. Reason is a type of thought, and the word "logic" involves the attempt to describe rules by which reasoning operates, so that orderly reasoning can be taught. The oldest surviving writing to explicitly consider the rules by which reason operates are the works of the Greek philosopher Aristotle, especially Prior Analysis and Posterior Analysis. Although the Ancient Greeks had no separate word for logic as distinct from language and reason, Aristotle's newly coined word "syllogism" (syllogismos) identified logic clearly for the first time as a distinct field of study. When Aristotle referred to "the logical" (hē logikē), he was referring more broadly to rational thought.
Author Douglas Hofstadter, in Gödel, Escher, Bach, characterizes the distinction in this way. Logic is done inside a system while reason is done outside the system by such methods as skipping steps, working backward, drawing diagrams, looking at examples, or seeing what happens if you change the rules of the system.
Another way to consider the confusion between logic and reason is that computers and animals sometimes perform actions which are apparently logical: from a complex set of data, conclusions are achieved which are "logical". Being a cause of something which humans find logical does not necessarily mean that computers or animals have reason, or even logic in the strict sense. Some animals are also clearly capable of a type of "associative thinking"—even to the extent of associating causes and effects. A dog once kicked, can learn how to recognize the warning signs and avoid being kicked in the future.
Human reason is more than logic, requiring not just the possibility of associating perceptions of smoke, for example, with memories of fire, but also the ability to create and manipulate a system of symbols, as well as indices and icons, according to Charles Sanders Peirce, the symbols having only a nominal, though habitual, connection to either smoke or fire.
The connection of reason to symbolic thinking has been expressed in different ways by philosophers. Thomas Hobbes described the creation of "Markes, or Notes of remembrance" (Leviathan Ch.4) as "speech" (allowing by his definition that it is not necessarily a means of communication or speech in the normal sense; he was clearly using "speech" as an English version of logos in this description). In the context of a language, these marks or notes are called "Signes" by Hobbes.
The reasoning in this argument is valid, because there is no way in which the premises, 1 and 2, could be true and the conclusion, 3, be false.
Validity is a property of the reasoning in the argument, not a property of the premises in the argument or the argument as a whole. In fact, the truth or falsity of the premises and the conclusion is irrelevant to the validity of the reasoning in the argument. The following argument, with a false premise and a false conclusion, is also valid (it has the form of reasoning known as modus ponens). :Premise 1: If green is a color, then grass poisons cows. :Premise 2: Green is a color. :Conclusion: Grass poisons cows.
Again, if the premises in this argument were true, the reasoning is such that the conclusion would also have to be true.
In a deductive argument with valid reasoning the conclusion contains no more information than is contained in the premises. Therefore, deductive reasoning does not increase one's knowledge base, and so is said to be non-ampliative.
Within the field of formal logic, a variety of different forms of deductive reasoning have been developed. These involve abstract reasoning using symbols, logical operators and a set of rules that specify what processes may be followed to arrive at a conclusion. These forms of reasoning include Aristotelian logic, also known as syllogistic logic, propositional logic, predicate logic, and modal logic.
Inductive reasoning contrasts strongly with deductive reasoning in that, even in the best, or strongest, cases of inductive reasoning, the truth of the premises does not guarantee the truth of the conclusion. Instead, the conclusion of an inductive argument follows with some degree of probability. Relatedly, the conclusion of an inductive argument contains more information than is already contained in the premises. Thus, this method of reasoning is ampliative.
A classic example of inductive reasoning comes from the empiricist David Hume: :Premise: The sun has risen in the east every morning up until now. :Conclusion: The sun will also rise in the east tomorrow.
Analogical reasoning can be viewed as a form of inductive reasoning, since the truth of the premises does not guarantee the truth of the conclusion. However, the traditional view is that inductive reasoning is reasoning from the particular to the general, and thus analogical reasoning is distinct from inductive reasoning. An example of inductive reasoning from the particular to the general follows: :Premise 1: Socrates is human and Socrates died. :Premise 2: Plato is human and Plato died. :Premise 3: Aristotle is human and Aristotle died. :Conclusion: All humans die.
It has been argued that deductive, inductive, and abductive reasoning are all based on a foundation of analogical reasoning.
The reasoning in this argument is bad, because the antecedent (first part) of the conditional (the "if..., then..." statement) can be false without the consequent (second half) of the conditional being true. In this example, the drink could have been made with boiling milk, or heated in the microwave, and so be hot in spite of the truth of statement 2. This particular formal fallacy is known as denying the antecedent.
An argument can be valid, that is, contain no formal reasoning fallacies, and yet still contain an informal fallacy. The clearest examples of this occur when an argument contains circular reasoning, also known as begging the question.
Both Aristotle and Plato, like many philosophers throughout history, wrote about this question, which can be explained as follows.
People use logic, deduction, and induction, to reach conclusions they think are true. Conclusions reached in this way are considered more certain than sense perceptions on their own. On the other hand, if such reasoned conclusions are only built originally upon a foundation of sense perceptions, then, the argument being considered goes, our most logical conclusions can never be said to be certain because they are built upon the very same fallible perceptions they seek to better.
This leads to the question of what types of first principles, or starting points of reasoning, are available for someone seeking to come to true conclusions. Empiricism (sometimes associated with Aristotle but more correctly associated with British philosophers such as John Locke and David Hume, as well as their ancient equivalents such as Democritus) asserts that sensory impressions are the only available starting points for reasoning and attempting to attain truth. This approach always leads to the controversial conclusion that absolute knowledge is not attainable. Idealism, (associated with Plato and his school), claims that there is a "higher" reality, from which certain people can directly arrive at truth without needing to rely only upon the senses, and that this higher reality is therefore the primary source of truth. Whereas secular reason begins with observable reality and applies logic to it to derive conclusions, theological reason begins with a predetermined conclusion or unquestionable sacred text and verifies it by using logic to reinterpret or to reject observable reality.
In Greek, "first principles" are archē, "starting points", and the faculty used to perceive them is sometimes referred to in Aristotle and Plato as nous which was close in meaning to "awareness" or "consciousness".
Philosophers such as Plato, Aristotle, Al-Farabi, Avicenna, Averroes, Maimonides, Aquinas and Hegel are sometimes said to have argued that reason must be fixed and discoverable—perhaps by dialectic, analysis, or study. In the vision of these thinkers, reason is divine or at least has divine attributes. Such an approach allowed religious philosophers such as Thomas Aquinas and Étienne Gilson to try to show that reason and revelation are compatible. According to Hegel, "...the only thought which Philosophy bring with it to the contemplation of History, is the simple conception of reason; that reason is the Sovereign of the World; that the history of the world, therefore, presents us with a rational process."
Since the 17th century rationalists, reason has often been taken to be a subjective faculty, or rather the unaided ability (pure reason) to form concepts. For Descartes, Spinoza and Leibniz, this was associated with mathematics. Kant attempted to show that pure reason could form concepts (time and space) that are the conditions of experience. Kant made his argument in opposition to Hume, who denied that reason had any role to play in experience.
The recent modern writings of Terrence Deacon and Merlin Donald fit into an older tradition which makes reason connected to language, and mimesis, but more specifically the ability to create language as part of an internal modeling of reality specific to humankind. Other results are consciousness, and imagination or fantasy. In more recent times, important areas of research include the relationship between reason and language, especially in discussions of origin of language. Modern proponents of a priori reasoning, at least with regards to language, include Noam Chomsky and Steven Pinker, to whom Donald and Deacon can be usefully contrasted.
If reason is symbolic thinking, and peculiarly human, then this implies that humans have a special ability to maintain a clear consciousness of the distinctness of "icons" or images and the real things they represent. Starting with a modern author, Merlin Donald writes
A dog might perceive the "meaning" of a fight that was realistically play-acted by humans, but it could not reconstruct the message or distinguish the representation from its referent (a real fight). [...] Trained apes are able to make this distinction; young children make this distinction early – hence, their effortless distinction between play-acting an event and the event itself
What Donald refers to here can be compared to Plato's term, eikasia as explained for example in Jacob Klein's commentary on Plato's dialog concerning learning, the Meno, which contains a long digression on this subject. According to this, an important aspect of human thinking in the Ancient Greek philosophical terminology of Plato is eikasia. This is the ability to perceive whether a perception is an image of something else, related somehow but not the same, and which therefore allows us to perceive that a dream or memory or a reflection in a mirror is not reality as such. What Klein refers to as dianoetic eikasia is the eikasia concerned specifically with thinking and mental images, such as those mental symbols, icons, "signes" and marks which are discussed above as definitive of reason. Explaining reason from this direction: human thinking is special in the way that we often understand visible things as if they were themselves images of our intelligible "objects of thought" as "foundations" (hypothēses in Ancient Greek). This thinking (dianoia) is "an activity which consists in making the vast and diffuse jungle of the visible world depend on a plurality of more 'precise' noēta".
In turn, both Merlin Donald and the Socratic authors emphasize the importance of mimesis, often translated as "imitation". Donald writes
Imitation is found especially in monkeys and apes [... but ...] Mimesis is fundamentally different from imitation and mimicry in that it involves the invention of intentional representations. [...] Mimesis is not absolutely tied to external communication.
Mimēsis is a concept, now popular again in academic discussion, which was particularly prevalent in Plato's works, and within Aristotle, it is discussed mainly in the Poetics. In Michael Davis's account of the theory of man in this work.
It is the distinctive feature of human action, that whenever we choose what we do, we imagine an action for ourselves as though we were inspecting it from the outside. Intentions are nothing more than imagined actions, internalizings of the external. All action is therefore imitation of action; it is poetic...
...Thus Davis is here using "poetic" in an unusual sense, questioning the contrast in Aristotle between action (praxis, the praktikē) and making (poēsis, the poētikē)...
...Human [peculiarly human] action is imitation of action because thinking is always rethinking. Aristotle can define human beings as at once rational animals, political animals, and imitative animals because in the end the three are the same.
We can also note that Donald also shares with Plato and Aristotle (especially in On Memory and Recollection), an emphasis upon the peculiarity in humans of voluntary initiation of a search through one's mental world. The ancient Greek anamnēsis, normally translated as "recollection" was opposed to mneme or "memory". Memory, shared with some animals, requires a consciousness not only of what happened in the past, but also that something happened in the past, which is in other words a kind of eikasia "but nothing except man is able to recollect". Recollection is a deliberate effort to search for and recapture something which was once known. Klein writes that, to "become aware of our having forgotten something means to begin recollecting".
Donald calls the same thing "autocueing", which he explains as follows:
Mimetic acts are reproducible on the basis of internal, self-generated cues. This permits voluntary recall of mimetic representations, without the aid of external cues – probably the earliest form of representational "thinking".
In a celebrated paper on this subject of modern times, the fantasy author and philologist J.R.R. Tolkien wrote in his essay "On Fairy Stories" that the terms "fantasy" and "enchantment" are connected to not only "the satisfaction of certain primordial human desires" but also "the origin of language and of the mind".
It has also become common, particularly since the writings of Freud, to describe reason as the servant of the passions—the means of sorting out our desires and then getting what we want, or perhaps even the slave of the passions—allowing us to pretend to reason to the object of our desire. Such feigned reason is called "rationalization".
Philosophers such as Plato, Rousseau, Hume, Kierkegaard, and Nietzsche have combined both views—making rational thinking not only a tool of desires, but also something privileged within the spectrum of desires, being itself desired, and not only because of its usefulness in satisfying other desires.
Modern psychology has much to say on the role of emotions in belief formation. Deeper philosophical questions about the relation between belief and reality are studied in the field of epistemology, which forms part of the philosophical basis of science, a branch of human activity that specifically aims to determine (certain types of) truth by methods that avoid dependence on the emotions of the researchers.
It is clear, then, that a human being is more of a political [politikon = of the polis] animal [zōion] than is any bee or than any of those animals that live in herds. For nature, as we say, makes nothing in vain, and humans are the only animals who possess reasoned speech [logos]. Voice, of course, serves to indicate what is painful and pleasant; that is why it is also found in other animals, because their nature has reached the point where they can perceive what is painful and pleasant and express these to each other. But speech [logos] serves to make plain what is advantageous and harmful and so also what is just and unjust. For it is a peculiarity of humans, in contrast to the other animals, to have perception of good and bad, just and unjust, and the like; and the community in these things makes a household or city [polis]. [...] By nature, then, the drive for such a community exists in everyone, but the first to set one up is responsible for things of very great goodness. For as humans are the best of all animals when perfected, so they are the worst when divorced from law and right. The reason is that injustice is most difficult to deal with when furnished with weapons, and the weapons a human being has are meant by nature to go along with prudence and virtue, but it is only too possible to turn them to contrary uses. Consequently, if a human being lacks virtue, he is the most unholy and savage thing, and when it comes to sex and food, the worst. But justice is something political [to do with the polis], for right is the arrangement of the political community, and right is discrimination of what is just. (Aristotle's Politics 1253a 1.2. Peter Simpson's translation, with Greek terms inserted in square brackets.)
The concept of human nature being fixed in this way, implied, in other words, that we can define what type of community is always best for people. This argument has remained a central argument in all political, ethical and moral thinking since then, and has become especially controversial since firstly Rousseau's Second Discourse, and secondly, the Theory of Evolution. Already in Aristotle there was an awareness that the polis had not always existed and had needed to be invented or developed by humans themselves. The household came first, and the first villages and cities were just extensions of that, with the first cities being run as if they were still families with Kings acting like fathers....
Friendship [philia] seems to prevail [in] man and woman according to nature [kata phusin]; for people are by nature [tēi phusei] pairing [sunduastikon] more than political [politikon = of the polis], inasmuch as the household [oikos] is prior [proteron = earlier] and more necessary than the polis and making children is more common [koinoteron] with the animals. In the other animals, community [koinōnia] goes no further than this, but people live together [sumoikousin] not only for the sake of making children, but also for the things for life; for from the start the functions [erga] are divided, and are different [for] man and woman. Thus they supply each other, putting their own into the common [eis to koinon]. It is for these [reasons] that both utility [chrēsimon] and pleasure [hēdu] seem to be found in this kind of friendship. (Nicomachean Ethics, VIII.12.1162a. Rough literal translation with Greek terms shown in square brackets.)
Rousseau in his Second Discourse finally took the shocking step of claiming that this traditional account has things in reverse: with reason, language and rationally organized communities all having developed over a long period of time merely as a result of the fact that some habits of cooperation were found to solve certain types of problems, and that once such cooperation became more important, it forced people to develop increasingly complex cooperation—often only in order to defend themselves from each other.
In other words, according to Rousseau, reason, language and rational community did not arise because of any conscious decision or plan by humans or gods, nor because of any pre-existing human nature. As a result, he claimed, living together in rationally organized communities like modern humans is a development which has many negative aspects compared to the original state of man as an ape. If there be anything specifically human in this theory, it is the flexibility and adaptability of humans. This view of the animal origins of distinctive human characteristics later received support from Charles Darwin's Theory of Evolution.
The two competing theories concerning the origins of reason are relevant to political and ethical thought because according to the Aristotelian theory, there is a best way of living together which exists independently of historical circumstances. According to Rousseau, we should even doubt that reason, language and politics are a good thing, as opposed to being simply the best option given the particular course of events which lead to today. Rousseau's theory, that human nature is malleable rather than fixed, is often taken to imply, for example by Karl Marx, a wider range of possible ways of living together than traditionally known.
However, while Rousseau's initial impact encouraged bloody revolutions against traditional politics, including both the French Revolution and the Russian Revolution, his own conclusions about the best forms of community seem to have been remarkably classical, in favor of city-states such as Geneva, and rural living.
There are enormously wide differences between different faiths, or even schools within different faiths, concerning this matter.
Some commentators have claimed that Western civilization can be almost defined by its serious testing of the limits of tension between "unaided" reason and faith in "revealed" truths—figuratively summarized as Athens and Jerusalem, respectively. Leo Strauss spoke of a "Greater West" which included all areas under the influence of the tension between Greek rationalism and Abrahamic revelation, including the Muslim lands. He was particularly influenced by the great Muslim philosopher Al-Farabi. In order to consider to what extent Eastern philosophy might have partaken of these important tensions, it is perhaps best to consider whether dharma or tao may be equivalent to Nature (by which we mean physis in Greek). According to Strauss the beginning of philosophy involved the "discovery or invention of nature" and the "pre-philosophical equivalent of nature" was supplied by "such notions as 'custom' or 'ways which appear to be "really universal" "in all times and places". The philosophical concept of nature or natures as a way of understanding archē (first principles of knowledge) brought about a peculiar tension between reasoning on the one hand, and tradition or faith on the other.
A Hindu approach to faith and reason is summarized by Swami Tripurari:
Faith fully understood amounts to conformity to truth, whereas rational thought is but an imperfect means of apprehending truth. Conforming to truth involves apprehending or understanding it theoretically, but theoretically understanding truth does not necessarily involve conforming to it.
Assessing how well someone engages in reasoning is the project of determining the extent to which the person is rational or acts rationally. It is a key research question in the psychology of reasoning. Rationality is often divided into its respective theoretical and practical counterparts.
Category:Epistemology Category:Belief Category:Thought Category:Concepts in logic
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Coordinates | 38°53′51.61″N77°2′11.58″N |
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Name | Tracy Chapman |
Background | solo_singer |
Born | March 30, 1964 |
Origin | Cleveland, Ohio, U.S. |
Instrument | Vocals, guitar, harp, bouzouki, banjo, clarinet, keyboards, organ, percussion, harmonica |
Genre | Folk, blues-rock, pop, soul |
Occupation | Singer-songwriter, musician |
Voice type | Alto |
Years active | 1988–present |
Label | Elektra Records |
Url | www.tracychapman.com |
Tracy Chapman (born March 30, 1964) is an American singer-songwriter, best known for her singles "Fast Car", "Talkin' 'bout a Revolution", "Baby Can I Hold You", "Give Me One Reason" and "Telling Stories". She is a multi-platinum and four-time Grammy Award-winning artist.
Chapman was raised Baptist and went to an Episcopalian high school. At Tufts she graduated with a B.A. degree in anthropology and African studies.
In the mid-1990s Chapman dated author Alice Walker.
In May 2004, Tufts honored her with an honorary degree of Doctor of Fine Arts, for her strongly committed contributions as a socially conscious and artistically accomplished musician.
Chapman often performs at and attends charity events such as Make Poverty History, amfAR and AIDS/LifeCycle. She currently lives in San Francisco and says she enjoys going to the beach, going to the woods, a really good meal with friends, and fresh organic food.
Her follow-up album Crossroads (1989) was less commercially successful, but still achieved platinum status. By 1992's Matters of the Heart, Chapman was playing to a small and devoted audience. However, her fourth album, 1995's New Beginning proved successful, selling over three million copies in the U.S. The album included the hit single "Give Me One Reason", which won the 1997 Grammy for Best Rock Song and became Chapman's most successful single to date, peaking at Number 3 on the Billboard Hot 100. Her next album was 2000's Telling Stories, which featured more of a rock sound than folk. Its hit single, "Telling Stories", received heavy airplay on European radio stations and on Adult Alternative and Hot AC stations in the United States. She toured Europe and the US in 2003 in support of her sixth album, Let It Rain (2002).
Where You Live, Chapman's seventh studio album, was released in September 2005; a brief supporting tour in major US cities followed in October and continued throughout Europe over the remainder of the year. The "Where You Live" tour was extended into 2006; the 28-date European tour featured summer concerts in Germany, Italy, France, Sweden, Finland, Norway, the UK, Russia and more. On June 5, 2006, she performed at the 5th Gala of Jazz in Lincoln Center, New York, and in a session at the 2007 TED (Technology Entertainment Design) conference in Monterey, California.
Chapman composed original music for the American Conservatory Theater production of Athol Fugard's Blood Knot, an acclaimed play on apartheid in South Africa staged in early 2008.
On November 11, 2008, Atlantic Records released Chapman's eighth studio album, Our Bright Future. Following the album's release, Chapman completed a 26-date solo tour of Europe. She toured Europe and selected North American cities on an encore tour during the summer of 2009. She was backed by Joe Gore on guitars, Patrick Warren on keyboards, and Dawn Richardson on percussion.
Covered songs:
Cover versions:
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 38°53′51.61″N77°2′11.58″N |
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Name | Rachael Yamagata |
Background | solo_singer |
Born | September 23, 1977 Arlington, Virginia |
Instrument | PianoGuitarVocals |
Voice type | Contralto |
Genre | Adult alternativeBlues rock |
Vocal type | Contralto |
Occupation | Singer-songwriter |
Label | RCA Victor (2003-2007); Warner Bros. Records (2008-) |
Associated acts | Bumpus |
Url | rachaelyamagata.com |
Her songs have featured on several TV shows, including The L Word, Charmed, How I Met Your Mother, ER , Nip/Tuck, Men in Trees, Alias, One Tree Hill, Brothers & Sisters, Grey's Anatomy and The O.C., to which she made a guest performance in season 2. Yamagata also contributed a song to Mandy Moore's 2007 album, Wild Hope. She also toured with Moore, opening many of her shows around the country.
On May 22, 2008, a new banner was added to her site indicating the digital release of a new EP, Loose Ends, with three new songs, serving as a preview for the now delayed release of her second full-length album.
In early 2008, her site featured a "teaser video" for the new album. The album was finally released on October 7, 2008. It was originally slated for release in the late-summer of 2007.
On October 9, 2008, a two-song live acoustic video performance premiered on LiveDaily Sessions, featuring the songs "Faster" and "Sunday Afternoon".
On April 2, 2009, she performed her single "Elephants" on One Life to Live in the fictional Capricorn Cafe.
She previewed the song "Jonah" on October 10, 2009 on her official website. Later on in November 2, Yamagata premiered the song "He Loves You Deep Inside". Both songs were recorded for Elephants...Teeth Sinking into Heart but were not included with the original release. "Jonah" was included as a bonus track on the Japanese edition of the album while "He Loves You Deep Inside" was only made available for online stream.
She made an appearance in Jason Mraz's second album, Mr. A–Z, singing a song with him called "Did You Get My Message?". She also sings on "Fireflies" and "The Believer" on Rhett Miller's solo CD The Believer; on Toots & the Maytals True Love; "Barfly" on Ray Lamontagne's Till the Sun Turns Black; and "Let it Ride", "Sweet Illusions", "Cold Roses", and "Friends", on Ryan Adams' Cold Roses. She sings backup on six tracks on the Bright Eyes' album Cassadaga. She co-wrote "Kaleidoscope" with Jill Cunniff, formerly of Luscious Jackson, for Cunniff's solo album City Beach and also plays keyboards and second vocals. Yamagata also performs with an ensemble cast on the 30 Rock episode "Kidney Now!" The soundtrack for the film Dear John features the song "You Take My Troubles Away," Yamagata's duet with Dan Wilson.
Category:1977 births Category:Alumnae of women's universities and colleges Category:American female singers Category:American pop pianists Category:American pop singers Category:American singer-songwriters Category:American people of German descent Category:American musicians of Italian descent Category:American musicians of Japanese descent Category:Living people Category:Northwestern University alumni Category:People from Arlington, Virginia Category:RCA Records artists Category:Musicians from Virginia
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Coordinates | 38°53′51.61″N77°2′11.58″N |
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Name | Nami Tamaki玉置成実 |
Background | solo_singer |
Born | June 01, 1988 |
Origin | Wakayama, Wakayama Prefecture, Japan |
Genre | J-Pop, Dance-pop, Pop rock, Disco |
Years active | 2001—present |
Label | Sony Music Japan2002–2008)Universal Music Japan2009–presentTofu Records |
Url | Official site (Universal-J)Official site (Smile Company) |
She graduated from high school in March 2007; her first Best (Greatest Hits) Album was released on November 29, 2006 to mark the event, and soon began an acting and stage performing career. The first event after her graduation was her first concert tour, Nami Tamaki Best Concert “My Graduation”, on the 11th, 17th, 23rd and 31 March 2007 at various places in Japan.
In 2008, Nami released her 4th Studio Album entitled "Don't Stay". The album contained songs from her singles Brightdown, Cross Season and Winter Ballades as well as some new tracks. The album did not chart or sell as well as her previous albums. Nami held a special live tour "Anniversary Live 5", which took place in Tokyo and Osaka. In the latter part of 2008, she conducted concert tours for her 6th album Don't Stay~GO!!~
Amour Fanclub Manager states:
Debut 5th Year Anniversary was welcomed, Nami moves forward with a jump for her record company transfer to UNIVERSAL-J from Sony Music Records. Currently, we are earnestly working with the new system. Release time is undecided, but until settlement of assurance we will notify you.Please continue to support Nami chan!!
On January 15, 2009, Nami's official website, tamaki-nami.net, announced the release of a new single expected to be due out March 25 called "Give Me Up". This single would be her first under the Universal-J label and her 16th career single. The single would feature a more positive upbeat sound compared to her previous singles.
After the somewhat successful release of Give Me Up in January 2009, Nami continued to release new music with new singles: "Friends!" (Single #17) and "Moshimo Negai ga..." (Single #18). A new single, her 19th career single and her 4th under the UNIVERSAL-J label, "Omoide ni Naru no?" is set to be released February 10, 2010. Universal-J has also given Nami Tamaki a stage name as "nami" as opposed to her full name in kanji. Her first album under Universal-J is to be released on the 24th of February, and will be titled Step.
She also performed the song Fortune as the main theme for the PS2 role-playing game "Radiata Stories", and CASTAWAY as the theme song for a GBA turn-based strategy game, Super Robot Wars J.
Nami's 16th single, Give Me Up was used as the theme song for the anime Yatterman. Another song, "Negai Hoshi", which is included in her 17th single, is the theme song for the new Wii RPG game, "Arc Rise Fantasia", while her 18th single, "Moshimo Negai ga..." is also the theme song for another Wii RPG game, ""; Both games were released by Marvelous Entertainment.
Category:1988 births Category:Japanese female singers Category:Sony Music Japan artists Category:Sony BMG artists Category:People from Wakayama (city) Category:Living people
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Coordinates | 38°53′51.61″N77°2′11.58″N |
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Name | Luther Vandross |
Background | solo_singer |
Birth name | Luther Ronzoni Vandross |
Born | April 20, 1951Manhattan, New York, United States |
Died | July 01, 2005Edison, New Jersey, United States |
Genre | R&B;, soul, soft rock |
Occupation | Singer-songwriter, record producer |
Voice type(s) | Lyric Tenor |
Years active | 1968–2005 |
Label | Cotillion, Epic, Virgin, J, Legacy |
Associated acts | Change, Chic, Richard Marx |
Url |
Luther Vandross (April 20, 1951 – July 1, 2005) was an American R&B; and soul singer-songwriter, and record producer. During his career, Vandross sold over twenty-five million albums and won eight Grammy Awards including Best Male R&B; Vocal Performance four times. He won four Grammy Awards in 2004 including the Grammy Award for Song of the Year for the track "Dance with My Father", co-written with Richard Marx.
Vandross attended Western Michigan University for a year before dropping out to continue pursuing a career in music.
His next hit credit was on an album by Roberta Flack in 1972. He was the founder of the first-ever Patti LaBelle fan club. Luther also sang on Delores Hall's Hall-Mark album from 1973. He sang with her on the song "Who's Gonna Make It Easier for Me", which he wrote. He also contributed another song, "In This Lonely Hour." Having co-written "Fascination" for David Bowie's Young Americans, he went on to tour with him as a back-up vocalist in September 1974. Vandross wrote "Everybody Rejoice" for the 1975 Broadway musical The Wiz and appeared as a choir member in the movie.
Vandross also sang backing vocals for Diana Ross, Roberta Flack, Gary Glitter, Carly Simon, Chaka Khan, Todd Rundgren's Utopia, Donna Summer, Bette Midler, Chic, Barbra Streisand, and David Bowie.
Before his breakthrough, Vandross was part of a singing quintet in the late '70s named Luther, consisting of former Shades of Jade members Anthony Hinton and Diane Sumler, Theresa V. Reed, and Christine Wiltshire, signed to Cotillion Records. Although the singles "It's Good for the Soul", "Funky Music (Is a Part of Me)", and "The Second Time Around" were relatively successful, their two albums, the self-titled Luther (1976) and This Close to You (1977), didn't sell enough to make the charts. Vandross bought back the rights to these albums after Cotillion dropped the group, preventing their later re-release.
Vandross also wrote and sang commercial jingles during the late 1970s and early 1980s, and continued his successful career as a popular session singer during the late 1970s.
Luther also sang lead vocals for a disco band called Greg Diamond's Bionic Boogie on the song titled "Hot Butterfly." Luther also sang with the band Soirée, where he was the lead vocalist on the track "You Are the Sunshine of My Life", and contributed background vocals to the album along with Jocelyn Brown and Sharon Redd, each of whom also saw solo success.He also sung the lead vocals on the group Mascara LP title song " See you in L.A" released in 1979. Luther shines with his impeccable singing supported by his group's co-members David Lalsey and Ula Hedwig.
Vandross released a series of successful albums during the 1980s and continued his session work with guest vocals on groups like Charme in 1982. Although the albums were successful overall, many of his earlier albums made a much bigger impact on the R&B; charts than on the pop charts. During the 1980s, Vandross had two singles that reached #1 on the Billboard R&B; charts: "Stop to Love", in 1986, and a duet with Gregory Hines—"There's Nothing Better Than Love." Vandross was at the helm as producer for Aretha Franklin's Gold-certified, award-winning comeback album Jump to It. He also produced the disappointing follow-up album, 1983's Get It Right. In 1983, the opportunity to work with his main music influence, Dionne Warwick, came about with Vandross producing, writing songs, and singing on How Many Times Can We Say Goodbye, her fourth album for Arista Records. The title track duet reached #27 on the Hot 100 chart (#7 R&B;/#4 Adult Contemporary), while the second single, "Got a Date" was only a moderate hit (#45 R&B;/#15 Club Play).
In 1985, Luther Vandross first spotted the talent of Jimmy Salvemini, 15 at the time, on "Star Search." He thought Salvemini had the perfect voice for some of his songs. He contacted Salvemini, who was managed by his brother Larry. A contract was negotiated with Elektra records for $250,000 and Luther agreed to produce the album. Luther even contacted old friends to appear on the album, Cheryl Lynn, Alfa Anderson (Chic), Phoebe Snow and Irene Cara. After the album was completed, Luther, Jimmy, and Larry decided to celebrate. On January 12, 1986, they were riding in Luther's convertible Mercedes when it crossed the yellow lines of the two lane street and smashed into two vehicles. All three men were rushed to the hospital. Larry Salvemini died during surgery, and Vandross and Jimmy Salvemini survived. At first, the Salvemini family was supportive of Luther. In 1986, Luther faced vehicular manslaughter charges as a result of Larry's death. Vandross pled no contest to reckless driving, and the Salvemini family filed a wrongful death suit. The case was quietly settled out of court for $700,000. The Album called "Roll With It" was released later that year.
The 1989 compilation The Best of Luther Vandross... The Best of Love, included the ballad "Here and Now", his first single to chart in the Billboard pop chart top ten, peaking at number six. He won his first Grammy award for Best Male R&B; Vocal Performance in 1991.
More albums followed in the 1990s, beginning with 1991's Power of Love which spawned two top ten pop hits. He won his second Best Male R&B; Vocal in the Grammy Awards of 1992 with the track "Power of Love/Love Power" winning the Grammy Award for Best R&B; Song in the same year. In 1992, "The Best Things in Life Are Free", a duet with Janet Jackson from the movie Mo' Money became a hit.
In 1993, Vandross had a brief non-speaking role in the Robert Townsend movie The Meteor Man. He played a hit man who plotted to stop Townsend's title character.
Vandross hit the top ten again in 1994 with Mariah Carey, doing a cover version of Lionel Richie and Diana Ross's duet "Endless Love". He also appears on Frank Sinatra's posthumous Duets album. In the Grammy Awards of 1997, he won his third Best Male R&B; Vocal for the track "Your Secret Love". A second greatest hits album, released in 1997, compiled most of his 1990s hits and was his final album released through Epic Records. After releasing I Know on Virgin Records, he signed with J Records. His first album on Clive Davis's new label, entitled Luther Vandross, was released in 2001, and it produced the hits "Take You Out" (#7 R&B;/#26 Pop), and "I'd Rather" (#17 Adult Contemporary/#40 R&B;/#83 Pop) Vandross had at least one Top 10 R&B; hit every year from 1981-1994.
In 1997, Luther Vandross sang the American national anthem during Super Bowl XXXI at the Louisiana Superdome, New Orleans, Louisiana.
In 2002, he gave some of his final concerts during his last tour, The BK Got Soul Tour starring Luther Vandross featuring Angie Stone and Gerald Levert.
In 2003, Vandross released the album Dance With My Father. The title track, which was dedicated to Vandross' memory childhood dances with his father, won Luther and his co-writer, Richard Marx, the 2004 Grammy Award for Song of the Year. The song also won Vandross his fourth and final award in the Best Male R&B; Vocal Performance category. The album was his first to reach number one on the Billboard album chart. The video for the title track features various celebrities alongside their fathers and other family members. The 2nd Single released from that album, "Think About You" was the Number One Urban Adult Contemporary Song of 2004 according to Radio & Records.
"One Shining Moment" Soundtrack to Final Four Men's Basketball finals, on CBS-TV. In 2003, after the televised NCAA Men's Basketball championship, CBS Sports gave "One Shining Moment" a new look. Luther Vandross, who had been to only one basketball game in his life, was the new singer, and the video didn't have any special effects like glowing basketballs and star trails like it did in previous years. This song version is in use today. From Song Facts web site: http://www.songfacts.com/detail.php?id=1318
On April 16, 2003, Vandross suffered a stroke at his home in Manhattan, New York. At the time of his stroke, he had just finished the final vocals for the album Dance With My Father. His collaborator on the album was another pop superstar - Richard Marx - whom Vandross had met in 1989 and been friendly with since then. The two worked together on numerous projects over the years, with Vandross appearing on most of Marx's albums. Upon its release, Dance With My Father became the first and only Luther Vandross record to hit #1. It was also his biggest selling studio album ever, selling nearly 3 million copies in the United States alone. The title track was also a hit, and won the 2004 Grammy Award for Song of the Year.
He appeared briefly on videotape at the 2004 Grammy Awards to accept his Song of the Year Award, where he said, "Whenever I say goodbye it's never for long because I believe in the power of love". Other than an appearance on The Oprah Winfrey Show, he was never seen in public again.
Vandross died on July 1, 2005 at John F. Kennedy Medical Center in Edison, New Jersey at the age of 54. The apparent cause of his death was a heart attack.
His funeral was in New York City on July 8, 2005. After two days of viewing, Vandross was buried at George Washington Memorial Park in Paramus, New Jersey. Much of his estate was left to friends and his godson Mark West.
On October 16, 2007, Epic Records/J Records/Legacy Recordings released a 4 disc box set entitled Love, Luther. It features all of Vandross' hits throughout his 24 year career. A single will be released from the box set entitled, "There's Only You", a version of which had originally appeared on the soundtrack to the 1987 movie Made in Heaven.
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Category:1951 births Category:2005 deaths Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:African American singer-songwriters Category:American crooners Category:American male singers Category:American record producers Category:American rhythm and blues singer-songwriters Category:American soul singers Category:Chic (band) members Category:Disease-related deaths in New Jersey Category:English-language singers Category:Grammy Award winners Category:J Records artists Category:Musicians from New York City Category:People from Manhattan
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Coordinates | 38°53′51.61″N77°2′11.58″N |
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Name | Eric Prydz |
Background | non_vocal_instrumentalist |
Alias | Sheridan, Cirez D, Pryda, Moo, A and P Project, Axer, Hardform, Dukes of Sluca, Groove System |
Born | July 19, 1976 |
Origin | Täby, Stockholm, Sweden |
Residence | London, England, United Kingdom |
Genre | House, Electro, Progressive House, Tech House, Techno |
Occupation | Musician, Producer, Disc Jockey |
Instrument | TurntablesKeyboardGuitar |
Years active | 2001–present |
Label | Pryda, Pryda Friends, Mouseville |
Url |
Eric Sheridan Prydz (born July 19, 1976) is a Swedish DJ and producer based in London, United Kingdom. The pronunciation of his surname is often questioned; it is pronounced "prids", but when under his alias, Pryda, it is pronounced "pride-ah". On October 28, 2009, DJ Magazine announced the results of their annual Top 100 DJ Poll, where Prydz placed at #30.
It was hearing Kraftwerk's "Tour de France" at age 14 that initially sparked Prydz's interest in electronic music. Prydz cites Depeche Mode, Aphex Twin, and Daft Punk as his major musical influences, along with Swedish techno producers like Adam Beyer, Thomas Chrome, and Jesper Dahlbäck. Among DJs, Prydz has repeatedly singled out Sasha and John Digweed as artists he has long respected.
In 2004, Prydz released the single "Call On Me," a remixed cover of Steve Winwood's single "Valerie." The single was a success, topping charts across Europe and eventually selling 4.5 million copies worldwide. The single's provocative music video featuring an aerobics class of 1980s style leotard-clad women and a sole man (played by Juan Pablo Di Pace), led by Deanne Berry as aerobics instructor, performing a series of sexually suggestive gym routines, became a sensation in itself, though Prydz disassociates himself from the video, claiming the label never consulted him about it. He would also release "Woz Not Woz," a collaboration with Steve Angello, and "In & Out," a remix cover of Adeva's 1988 track "In and Out of My Life."
Later that year, Prydz launched two music labels, Pryda Recordings and Mouseville, as a platform for his future releases, drawing inspiration from labels like Thomas Bangalter's Roulé. Pryda Recordings features Prydz's own melodic, progressive house and electro productions under the moniker Pryda. On Mouseville, he releases harder, more aggressive techno as Cirez D. Both labels have spawned numerous underground club hits, including "Human Behaviour," "Aftermath," "Knockout," "Armed," "Madderferrys," "Melo," "On/Off," "Glow," and "The End." Prydz also runs the label Pryda Friends, where he has released original productions from artists like Axwell, Paolo Mojo, Sebastien Leger, and Felix Da Housecat.
In 2006, Prydz released a remix cover of Pink Floyd's "Another Brick in the Wall (Part 2)" entitled "Proper Education." The track was another crossover success, reaching #2 in the UK charts. The track was subsequently nominated for the 2008 Grammy for Best Remixed Recording. His summer 2008 single "Pjanoo" was also huge hit in the UK, reaching the #2 position with only download sales. "Pjanoo" was also used in the teaser trailer for , an expansion for Grand Theft Auto IV, and was also part of DJ Hero's soundtrack, even though the song was not released for the game.
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Category:1976 births Category:Club DJs Category:Living people Category:Remixers Category:Swedish dance musicians Category:People from Stockholm Category:Swedish house musicians Category:Ministry of Sound Category:Swedish Jews
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Coordinates | 38°53′51.61″N77°2′11.58″N |
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Name | Brett Dennen |
Background | solo_singer |
Born | October 28, 1979 |
Origin | Oakdale, California, United States |
Instrument | Guitar |
Genre | Folk |
Label | Downtown Records |
Occupation | Musician, songwriter |
Years active | 2004–present |
Url | http://www.brettdennen.net/ |
Brett has headlined every major city in the United States, Europe and Australia and has been hand-picked by a "who's who" of his contemporaries including John Mayer, Jason Mraz, and Dave Matthews to support tours.
Dennen has been a part of The Mosaic Project, a San Francisco Bay Area-based non-profit organization, since its inception. The Mosaic Project works towards a peaceful future by uniting young children of diverse backgrounds, providing them with essential skills to thrive in an increasingly diverse society, and empowering them to strive for peace. As The Mosaic Project's Resident Rock Star, Dennen created an original musical curriculum for the program, which they released as an album called Children's Songs for Peace and a Better World, in 2003. It won a Children's Music Web 2004 Award and a Parent's Choice 2004 Approved Award.
Dennen was named by Rolling Stone Magazine as an “Artist to Watch” and, in 2008, Entertainment Weekly called him one of its eight "Guys on the Rise". He's attended festivals such as the Rothbury Music Festival in Michigan, Telluride Bluegrass Festival, Lyons Folk Festival, and the Mile High Music Festival in Colorado.
Dennen is working on getting signed to Downtown Records through a partnership with Dualtone.
In 2008, Dennen, along with Jason Mraz, contributed the song "Long Road to Forgiveness" to the Survival International charity album Songs for Survival. Earlier in the fall, Dennen toured Australia with Pete Murray. In late October, Hope for the Hopeless, Dennen's third album, was released on the Downtown/Dualtone partnership. The song "Ain't Gonna Lose You" was featured on Grey's Anatomy and topped the iTunes folk charts. The record reached number 6 in the digital charts, and was followed by a successful mini-tour.
In January 2009, Dennen embarked on a 3-month vacation across the US, with friends Erin McCarley and Angus & Julia Stone. In 2009, Brett's song "Ain't Going to Lose You" was also used in the closing sequence of an Ugly Betty episode. Brett also played a major songwriting role in the July 14th solo debut release of the Crosby Loggins album "Time To Move", which also features John Mayer.
On August 1, 2009, Dennen attended the Newport Folk Festival in Newport, Rhode Island, USA. On the Waterside Stage he performed the following songs to a small crowd: "When You Feel It," "Who Do You Think," "Wrong About Me," "Ain't No Reason," "Darlin' Do Not Fear,'" "Heaven," "I Ain't Gonna Lose You," and "She's Mine."
His fourth album, Loverboy, is due out in April 2011.
Dennen's song "Ain't No Reason" was featured in the episode "Family" from House as well as in the episode "My No Good Reason" from Scrubs. It was also featured in season two of The Unit during the episode entitled "Freefall".
Studio Albums
Live Albums & EPs
Other Contributions
Category:Musicians from California Category:American folk singers Category:American singer-songwriters Category:1979 births Category:Living people
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