Classification: Theatre: Genres: Vaudeville: Performers

This category includes individuals who performed in American vaudeville at any time between the opening of Tony Pastor's New Fourteenth Street Theatre in New York City in 1881 to the final show at New York's Loew's State Theatre in 1947. Information on individual performances and references may be found in and .

For information on variety entertainment in Britain and Commonwealth of Nations countries, see Music hall. For performers in British Music hall venues, primarily between 1850 and 1960, see :Category:Music hall performers.

Category:Entertainers Performers

Name	Vincent Lopez
Background	non_vocal_instrumentalist
Birth name	Vincent Lopez
Born	December 30, 1895
Died	September 20, 1975
Origin	Brooklyn, New York
Instrument	Piano
Genre	Jazz
Occupation	Bandleader
Associated acts	Jimmy Dorsey, Tommy Dorsey, Gloria Parker

Vincent Lopez (30 December 1895 – 20 September 1975) was an American bandleader and pianist.

Vincent Lopez was born of Portuguese immigrant parents in Brooklyn, New York and was leading his own dance band in New York City by 1917. On November 27, 1921 his band began broadcasting on the new medium of entertainment radio; the band's weekly 90-minute show on Newark, NJ station WJZ boosted the popularity of both himself and of radio. He became one of America's most popular bandleaders, and would retain that status through the 1940s.

He began his radio programs by announcing "Lopez speaking!".His theme song was "Nola," Felix Arndt's novelty ragtime piece of 1915, and Lopez became so identified with it that he occasionally satirized it. (His 1939 movie short for Vitaphone, Vincent Lopez and his Orchestra, features the entire band singing "Down with Nola.") Lopez worked occasionally in feature films, notably The Big Broadcast (1932). He was also one of the very first bandleaders to work in Soundies movie musicals, in 1940. He made additional Soundies in 1944.

Noted musicians who played in his band included Artie Shaw, Xavier Cugat, Jimmy Dorsey, Tommy Dorsey, Mike Mosiello and Glenn Miller. He also featured singers Keller Sisters and Lynch, Betty Hutton and Marion Hutton. Lopez's longtime drummer was the irreverent Mike Riley, who popularized the novelty hit "The Music Goes Round and Round."

Lopez's flamboyant style of piano playing influenced such later musicians as Eddy Duchin and Liberace.

In 1941 Lopez's Orchestra began a residency at the Taft Hotel in Manhattan that would last 20 years.

In the early 1950s, Lopez along with Gloria Parker hosted a radio program broadcast from the Taft Hotel called Shake the Maracas in which audience members competed for small prizes by playing maracas with the orchestra.

Vincent Lopez died in Miami Beach, Florida.

Big Band/Swing Era Music

Early In The Morning, recorded by Vincent Lopez on Columbia Records, lyrics and music by Gloria Parker.

Here Comes That Mood, recorded by Vincent Lopez, music and lyrics by Gloria Parker.

In Santiago by the Sea, recorded by Vincent Lopez and his Orchestra, music and lyrics by Gloria Parker.

I Learned To Rumba, recorded by Vincent Lopez and his Orchestra, music and lyrics by Gloria Parker.

My Dream Christmas, recorded by Vincent Lopez, lyrics and music by Gloria Parker.

Shake The Maracas, name of a radio program on WABC hosted by Vincent Lopez and Gloria Parker, lyrics and music by Gloria Parker.

When Our Country Was Born, recorded by Vincent Lopez, lyrics and music by Gloria Parker.

References

External links

Category:1895 births Category:1975 deaths Category:American bandleaders Category:American pianists Category:Bandleaders Category:People from Brooklyn

Category:American people of Portuguese descent Category:Vaudeville performers

Name	Sir Paul McCartney
Birth name	James Paul McCartney
Background	solo_singer
Img alt	A man in his early sixties, wearing a white shirt and black suspenders during a concert, playing a bass guitar.
Birth name	James Paul McCartney
Born	June 18, 1942Liverpool, England, UK
Instrument	Vocals, bass, guitar, piano, keyboards, drums, ukulele, mandolin
Genre	Rock, psychedelic rock, experimental rock, rock and roll, pop, hard rock, classical music
Occupation	Musician, singer-songwriter, artist, composer, activist, record producer, film producer, businessman
Years active	1957–present
Label	Hear Music, Apple, Parlophone, Capitol, Columbia, Concord Music Group, EMI, One Little Indian, Vee-Jay
Associated acts	The Beatles, The Fireman, The Quarrymen, Wings, Linda McCartney, Denny Laine
Url
Notable instruments	Höfner 500/1Rickenbacker 4001SGibson Les PaulEpiphone TexanEpiphone CasinoFender EsquireFender Jazz BassYamaha BB1200 BassWal 5-String BassMartin D-28

Sir James Paul McCartney, MBE (born 18 June 1942) is an English musician, singer-songwriter and composer. Formerly of The Beatles (1960–1970) and Wings (1971–1981), McCartney is the most commercially successful songwriter in the history of popular music, according to Guinness World Records.

McCartney gained worldwide fame as a member of The Beatles, alongside John Lennon, George Harrison, and Ringo Starr. McCartney and Lennon formed one of the most influential and successful songwriting partnerships and wrote some of the most popular songs in the history of rock music. After leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda Eastman, and singer-songwriter Denny Laine. McCartney is listed in Guinness World Records as the "most successful musician and composer in popular music history", with 60 gold discs and sales of 100 million singles in the UK.

BBC News Online readers named McCartney the "greatest composer of the millennium", and BBC News cites his Beatles song "Yesterday" as the most covered song in the history of recorded music—by over 2,200 artists—and since its 1965 release, has been played more than 7,000,000 times on American television and radio according to the BBC. Based on the 93 weeks his compositions have spent at the top spot of the UK chart, and 24 number one singles to his credit, McCartney is the most successful songwriter in UK singles chart history. As a performer or songwriter, McCartney was responsible for 32 number one singles on the US Billboard Hot 100 chart, and has sold 15.5 million RIAA certified albums in the US alone.

McCartney has composed film scores, classical and electronic music, released a large catalogue of songs as a solo artist, and has taken part in projects to help international charities. He is an advocate for animal rights, for vegetarianism, and for music education; he is active in campaigns against landmines, seal hunting, and Third World debt. He is a keen football fan, supporting both Everton and Liverpool football clubs. His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. McCartney is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010.

Childhood

McCartney was born in Walton Hospital in Liverpool, England, where his mother, Mary (born Mohan), had worked as a nurse in the maternity ward. He has one brother, Michael, born 7 January 1944. McCartney was baptised Roman Catholic but was raised non-denominationally: his mother was Roman Catholic and his father James, or "Jim" McCartney, was a Protestant turned agnostic.

In 1947, he began attending Stockton Wood Road Primary School. He then attended the Joseph Williams Junior School and passed the 11-plus exam in 1953 with three others out of the 90 examinees, thus gaining admission to the Liverpool Institute. In 1954, while taking the bus from his home in the suburb of Speke to the Institute, he met George Harrison, who lived nearby. Passing the exam meant that McCartney and Harrison could go to a Grammar school rather than a secondary modern school, which the majority of pupils attended until they were eligible to work, but as Grammar school pupils, they had to find new friends.

now attracts large numbers of tourists.|alt=Exterior of a two-story brick building, with a hedge in front of it. Six windows are visible, three on each level, as are two doorways on the lower level.]] In 1955, the McCartney family moved to 20 Forthlin Road in Allerton. Mary McCartney rode a bicycle to houses where she was needed as a midwife, and an early McCartney memory is of her leaving when it was snowing heavily. On 31 October 1956, Mary McCartney, a heavy smoker, died of an embolism after a mastectomy operation to stop the spread of her breast cancer. The early loss of his mother later connected McCartney with John Lennon, whose mother Julia died after being struck by a car when Lennon was 17.

McCartney's father was a trumpet player and pianist who had led Jim Mac's Jazz Band in the 1920s and encouraged his two sons to be musical. Jim had an upright piano in the front room that he had bought from Brian Epstein's store. McCartney's grandfather, Joe McCartney, played an E-flat tuba. Jim McCartney used to point out the different instruments in songs on the radio, and often took McCartney to local brass band concerts. McCartney's father gave him a nickel-plated trumpet, but when skiffle music became popular, McCartney swapped the trumpet for a £15 Framus Zenith (model 17) acoustic guitar. As he was left-handed, McCartney found right-handed guitars difficult to play, but when he saw a poster advertising a Slim Whitman concert, he realised that Whitman played left-handed with his guitar strung the opposite way to a right-handed player. McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and also played his father's Framus Spanish guitar when writing early songs with Lennon. He later learned to play the piano and wrote his second song, "When I'm Sixty-Four". On his father's advice, he took music lessons, but since he preferred to learn 'by ear' he never paid much attention to them.

McCartney was heavily influenced by American Rhythm and Blues music. He has stated that Little Richard was his idol when he was in school and that the first song he ever sang in public was "Long Tall Sally", at a Butlins holiday camp talent competition.

Musical career

1957–1960

At the age of 15, McCartney met John Lennon and The Quarrymen at the St. Peter's Church Hall fête in Woolton on 6 July 1957. He formed a close working relationship with Lennon and they collaborated writing many songs. Harrison joined the group in early 1958 as lead guitarist, followed in early 1960 by Lennon's art school friend, Stuart Sutcliffe on bass. By May 1960, they had tried several new names, including "Johnny and the Moondogs" and "The Silver Beetles", playing a tour of Scotland under that name with Johnny Gentle. They finally changed the name of the group to "The Beatles" in mid-August 1960 and recruited Pete Best at short-notice to become their drummer for an imminent engagement in Hamburg.

1960–1970: The Beatles

and John Lennon]] From May 1960, The Beatles were booked by Allan Williams, to perform at a club in Hamburg. For the next two years, The Beatles remained in Hamburg for much of the time, performing as a resident group in a number of Hamburg clubs. During their two-year Hamburg residency they returned to Liverpool from time to time, performing at the Cavern club. Prior to the end of the residency, Sutcliffe left the band, so McCartney, reluctantly, became The Beatles' bass player. The Beatles recorded their first published musical material in Hamburg, performing as the backing group for Tony Sheridan on the single "My Bonnie". This recording later brought the Beatles to the attention of a key figure in their subsequent development and commercial success, Brian Epstein, who became their next manager. Epstein eventually negotiated a record contract for the group with Parlophone in May 1962. After replacing Best with Ringo Starr on drums, The Beatles became popular in the UK in 1963 and in the US in 1964. In 1965, they were each appointed Members of the Order of the British Empire (MBE). After performing concerts, plays, and tours almost non-stop for a period of nearly four years, and giving more than one thousand four hundred live performances internationally, The Beatles gave their last commercial concert at the end of their 1966 US tour. They continued to work in the recording studio from 1966 until their break-up in 1970. In the eight years from 1962 to 1970, the group had released twenty-four UK singles and twelve studio albums, often released in different configurations in the USA and other countries (see discography).

Since 1970

concert, 1976]] After the break-up of The Beatles, McCartney continued his musical career, in solo work as well as in collaborations with other musicians. After releasing his solo album McCartney in 1970, he worked with Linda McCartney to record the album Ram in 1971. Later the same year, the pair were joined by guitarist Denny Laine and drummer Denny Seiwell to form the group Wings, which was active between 1971 and 1981 and released numerous successful singles and albums (see discography). McCartney also collaborated with a number of other popular artists including Stevie Wonder, Michael Jackson, Eric Stewart, and Elvis Costello. In 1985, McCartney played "Let It Be" at the Live Aid concert in London, backed by Bob Geldof, Pete Townshend, David Bowie, and Alison Moyet. The 1990s saw McCartney venture into orchestral music, and in 1991 the Royal Liverpool Philharmonic Society commissioned a musical piece by McCartney to celebrate its sesquicentennial. He collaborated with Carl Davis to release Liverpool Oratorio; involving the opera singers Dame Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral. The Prince of Wales later honoured McCartney as a Fellow of The Royal College of Music and Honorary Member of the Royal Academy of Music (2008). Other forays into classical music included Standing Stone (1997), Working Classical (1999), and Ecce Cor Meum (2006). It was announced in the 1997 New Year Honours that McCartney was to be knighted for services to music, becoming Sir Paul McCartney. In 1999, McCartney was inducted into the Rock and Roll Hall of Fame as a solo artist and in May 2000, he was awarded a Fellowship by the British Academy of Composers and Songwriters. The 1990s also saw McCartney, Harrison, and Starr working together on Apple's The Beatles Anthology documentary series.

Having witnessed the 11 September 2001 terrorist attacks from the JFK airport tarmac, McCartney took a lead role in organising The Concert for New York City. In November 2002, on the first anniversary of George Harrison's death, McCartney performed at the Concert for George. He has also participated in the National Football League's Super Bowl, performing in the pre-game show for Super Bowl XXXVI and headlining the halftime show at Super Bowl XXXIX.

in 2009.]] McCartney has continued to work in the realms of popular and classical music, touring the world and performing at a large number of concerts and events; on more than one occasion he has performed again with Ringo Starr. In 2008, he received a BRIT award for Outstanding Contribution to Music and an honorary degree, Doctor of Music, from Yale University. The same year, he performed at a concert in Liverpool to celebrate the city's year as European Capital of Culture. In 2009, he received two nominations for the 51st annual Grammy awards, while in October of the same year he was named songwriter of the year at the American Society of Composers, Authors and Publishers (ASCAP) Awards. On 15 July 2009, more than 45 years after The Beatles first appeared on American television on The Ed Sullivan Show, McCartney returned to the Ed Sullivan Theater and performed atop the marquee of Late Show with David Letterman. McCartney was portrayed in the 2009 film Nowhere Boy, about Lennon's teenage years, by Thomas Sangster.

On 2 June 2010, McCartney was honoured by Barack Obama with the Gershwin Prize for his contributions to popular music in a live show for the White House with performances by Stevie Wonder, Lang Lang and many others.

McCartney's enduring popularity has helped him schedule performances in new venues. He played three sold out concerts at newly-built Citi Field in Queens, New York (built to replace the Shea Stadium) in July 2009. On 18 August 2010, McCartney opened the Consol Energy Center in Pittsburgh, Pennsylvania.

McCartney has been touring for the past ten years with guitarists Rusty Anderson and Brian Ray, Paul "Wix" Wickens on keyboards and drummer Abe Laboriel, Jr. They performed together on 13 July 2010 in Salt Lake City as part of the Up and Coming Tour.

There are plans for an upcoming Paul McCartney tribute album to be released in 2010 with recordings of McCartney songs by Kiss, Garth Brooks, Billy Joel, B.B. King and others.

Creative outlets

During the 1960s, McCartney was often seen at major cultural events, such as the launch party for the International Times and at The Roundhouse (28 January and 4 February 1967 respectively). He also delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced McCartney to an array of writers and artists. McCartney later became involved in the renovation and publicising of the Indica Gallery in Mason's Yard, London—John Lennon first met Yoko Ono at the Indica. The Indica Gallery brought McCartney into contact with Barry Miles, whose underground newspaper, the International Times, McCartney helped to start. Miles would become de facto manager of the Apple's short-lived Zapple Records label, and wrote McCartney's official biography, Many Years From Now (1997).

While living at the Asher house, McCartney took piano lessons at the Guildhall School of Music and Drama, which The Beatles' producer Martin had previously attended. McCartney studied composers such as Karlheinz Stockhausen, and Luciano Berio. McCartney later wrote and released several pieces of modern classical music and ambient electronica, besides writing poetry and painting. McCartney is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys. The 1837 building, which McCartney attended during his schooldays, had become derelict by the mid-1980s. for the American network Westwood One, which he described as being "wide-screen radio". During the 1990s, McCartney collaborated with Youth of Killing Joke under the name The Fireman, and released two ambient electronic albums: Strawberries Oceans Ships Forest (1993) and Rushes (1998). In 2000, he released an album titled Liverpool Sound Collage with Super Furry Animals and Youth, utilising the sound collage and musique concrète techniques that fascinated him in the mid-1960s. In 2005, he worked on a project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career which were released under the title Twin Freaks. The Fireman's third album Electric Arguments was released on 25 November 2008. McCartney told L.A. Weekly in a January 2009, "Fireman is improvisational theatre ... I formalise it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I’m about to do. I usually have a song, and I know the melody and lyrics, and my performance is the only unknown."

Film

McCartney was interested in animated films as a child, and later had the financial resources to ask Geoff Dunbar to direct a short animated film called Rupert and the Frog Song, in 1981. McCartney was the producer, he wrote the music and the script, and also added some of the character voices. McCartney wrote and starred in the 1984 film Give My Regards to Broad Street. The film and soundtrack featured the popular hit "No More Lonely Nights", and the album reached #1 in the UK, but the film did not do well commercially or critically. Roger Ebert awarded the film a single star and wrote, "You can safely skip the movie and proceed directly to the sound track." Dunbar worked again with McCartney on an animated film about the work of French artist Honoré Daumier, in 1992, which won both of them a Bafta award. They also worked on Tropic Island Hum, in 1997. In 1995, McCartney directed a short documentary about The Grateful Dead.

In May 2000, McCartney released , a retrospective documentary that features behind-the-scenes films and photographs that Paul and Linda McCartney (who had died in 1998) took of their family and bands. Interspersed throughout the 88 minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney's jacket on the back cover of his first solo album, McCartney, and was one of the producers of the documentary.

Painting

In 1966, McCartney met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists. McCartney met Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton there, and learned about art appreciation. McCartney later started buying paintings by Magritte, and used Magritte's painting of an apple for the Apple Records logo. He now owns Magritte's easel and spectacles.

McCartney's love of painting surfaced after watching artist Willem de Kooning paint, in Kooning's Long Island studio. McCartney took up painting in 1983. In 1999, he exhibited his paintings (featuring McCartney's portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries. The first UK exhibition of McCartney's work was opened in Bristol, England with more than 500 paintings on display. McCartney had previously believed that "only people that had been to art school were allowed to paint"—as Lennon had.

As an artist, Paul McCartney designed a series of six postage stamps issued by the Isle of Man Post on 1 July 2002. According to BBC News, McCartney seems to be the first major rock star in the world who is also known as a stamp designer.

Writing and poetry

When McCartney was young, his mother read him poems and encouraged him to read books. McCartney's father was interested in crosswords and invited the two young McCartneys (Paul and his brother Michael) to solve them with him, so as to increase their "word power". McCartney was later inspired—in his school years—by Alan Durband, who was McCartney's English literature teacher at the Liverpool Institute. Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer's works. McCartney later took his A-level exams, but passed only one subject—Art.

In 2001 McCartney published 'Blackbird Singing', a volume of poems, some of which were lyrics to his songs, and gave readings in Liverpool and New York City. Some of them were serious: "Here Today" (about Lennon) and some humorous ("Maxwell's Silver Hammer"). In the foreword of the book, McCartney explained that when he was a teenager, he had "an overwhelming desire" to have a poem of his published in the school magazine. He wrote something "deep and meaningful", but it was rejected, and he feels that he has been trying to get some kind of revenge ever since. His first "real poem" was about the death of his childhood friend, Ivan Vaughan. McCartney collaborated with author Philip Ardagh and animator Geoff Dunbar to write the book.

Contact with fellow ex-Beatles

John Lennon

Although McCartney's post-Beatles relationship with John Lennon was troubled, they became close again briefly in 1974 and even played together for the only time since The Beatles split (see A Toot and a Snore in '74). In later years, the two grew apart again. McCartney would often call Lennon, but was never sure of what sort of reception he would get, such as when McCartney once called Lennon and was told, "You're all pizza and fairytales!" McCartney understood that he could not just phone Lennon and only talk about business, so they often talked about cats, baking bread, or babies. According to May Pang, during Lennon's "Lost Weekend" with her they planned to visit McCartney in New Orleans, where McCartney was recording the Venus and Mars album, but Lennon went back to Ono the day before the planned visit after Ono said she had a new cure for Lennon's smoking habit.

In a 1980 interview, Lennon said that the last time he had seen McCartney was when they had watched the episode of Saturday Night Live (May 1976) in which Lorne Michaels had made his $3,000 cash offer to get Lennon, McCartney, Harrison, and Starr to reunite on the show. McCartney and Lennon had seriously considered going to the studio, but were too tired. This event was fictionalised in the 2000 television film Two of Us. His last telephone call to Lennon, which was just before Lennon and Ono released Double Fantasy, was friendly. During the call, Lennon said (laughing) to McCartney, "This housewife wants a career!" which referred to Lennon's househusband years, while looking after Sean Lennon. In 1984, McCartney said this about the phone call: "Yes. That is a nice thing, a consoling factor for me, because I do feel it was sad that we never actually sat down and straightened our differences out. But fortunately for me, the last phone conversation I ever had with him was really great, and we didn't have any kind of blow-up." Linda McCartney, speaking in the same 1984 interview stated: "I know that Paul was desperate to write with John again. And I know John was desperate to write. Desperate. People thought, well, he's taking care of Sean, he's a househusband and all that, but he wasn't happy. He couldn't write and it drove him crazy. And Paul could have helped him... easily." Lennon's death created a media frenzy around the surviving members of The Beatles. On the evening of 9 December, as McCartney was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for his reaction to Lennon's death. He was later criticised for what appeared, when published, to be an utterly superficial response: "It's a drag". McCartney explained, "When John was killed somebody stuck a microphone at me and said: 'What do you think about it?' I said, 'It's a dra-a-ag' and meant it with every inch of melancholy I could muster. When you put that in print it says, 'McCartney in London today when asked for a comment on his dead friend said, "It's a drag."' It seemed a very flippant comment to make." McCartney was also to recall: }} In 1983, McCartney said: }} In a Playboy interview in 1984, McCartney said that he went home that night and watched the news on television—while sitting with all his children—and cried all evening.

McCartney carried on recording after the death of Lennon but did not play any live concerts for some time. He explained that this was because he was nervous that he would be "the next" to be murdered. This led to a disagreement with Denny Laine, who wanted to continue touring and subsequently left Wings, which McCartney disbanded in 1981. Also in June 1981, six months after Lennon's death, McCartney sang backup on George Harrison's tribute to Lennon, "All Those Years Ago", which also featured Ringo Starr on drums. McCartney would go on to record "Here Today", a tribute song to Lennon.

George Harrison

In 1977, Harrison had this to say about working with McCartney: "There were a lot of tracks though where I played bass...because what Paul would do, if he's written a song, he'd learn all the parts for Paul and then come in the studio and say, 'Do this.' He'd never give you the opportunity to come out with something. Paul would always help along when you'd done his ten songs—then when he got 'round to doing one of my songs, he would help. It was silly. It was very selfish, actually." While being interviewed circa 1988, Harrison said McCartney had recently mentioned the possibility of he and Harrison writing together, to which Harrison laughed, "I've only been there about 30 years in Paul's life and it's like now he wants to write with me."

In September 1980, Lennon said of Harrison and McCartney's working relationship: "I remember the day [Harrison] called to ask for help on "Taxman", one of his bigger songs. I threw in a few one-liners to help the song along, because that's what he asked for. He came to me because he couldn't go to Paul, because Paul wouldn't have helped him at that period.

In late 2001, McCartney learned that Harrison was losing his battle with cancer. Upon Harrison's death on 29 November 2001, McCartney told Entertainment Tonight, Access Hollywood, Extra, Good Morning America, The Early Show, MTV, VH1 and Today that George was like his "baby brother". Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney. On the day Harrison died, McCartney said, "George was a fantastic guy...still laughing and joking...a very brave man...and I love him like...he's my brother." While guesting on Larry King Live alongside Ringo Starr, McCartney said of the last time he saw Harrison, "We just sat there stroking hands. And this is a guy, and, you know, you don't stroke hands with guys, like that, you know it was just beautiful. We just spent a couple of hours and it was really lovely it was like...a favourite memory of mine." On the first anniversary of Harrison's death, McCartney played Harrison's "Something" on a ukulele at the Concert for George.

Linda McCartney

In 1969, McCartney married American photographer Linda Eastman, whom he described as the woman who gave him "the strength and courage to work again" after the break-up of The Beatles. The pair had met previously at a 1967 Georgie Fame concert at The Bag O'Nails club, during her UK assignment to take photographs of "Swinging Sixties" musicians in London. Paul and Linda were both vegetarian and supported the animal rights organisation People for the Ethical Treatment of Animals. They had four children—Linda's daughter Heather (who was adopted by Paul), Mary, Stella and James—and remained married until Linda's death from breast cancer in 1998.

Heather Mills

In 2002, McCartney married Heather Mills, a former model and anti-landmines campaigner. The couple had a child, Beatrice, in 2003. They separated in May 2006 and were divorced in May 2008.

Nancy Shevell

McCartney has been dating New Yorker Nancy Shevell since November 2007. She is a member of the board of the New York Metropolitan Transportation Authority as well as vice president of a family-owned transportation conglomerate which owns New England Motor Freight.

Lifestyle

Drugs

McCartney's introduction to drugs started in Hamburg, Germany. The Beatles had to play for hours, and they were often given "Prellies" (Preludin) by German customers or by Astrid Kirchherr (whose mother bought them). McCartney would usually take one, but Lennon would often take four or five.

McCartney remembered getting "very high" and giggling when The Beatles were introduced to cannabis by Bob Dylan in New York, in 1964. McCartney's use of cannabis became regular, and he was quoted as saying that any future Beatles' lyrics containing the words "high", or "grass" were written specifically as a reference to cannabis, as was the phrase "another kind of mind" in "Got to Get You into My Life". John Dunbar's flat at 29 Lennox Gardens, in London, became a regular hang-out for McCartney, where he talked to musicians, writers and artists, and smoked cannabis. In 1965, Miles introduced McCartney to hash brownies by using a recipe for hash fudge he found in the Alice B. Toklas Cookbook. During the filming of Help!, he occasionally smoked a spliff in the car on the way to the studio during filming, which often made him forget his lines. Help! director Dick Lester said that he overheard "two beautiful women" trying to cajole McCartney into taking heroin, but he refused.

McCartney's attitude about cannabis was made public in the 1960s, when he added his name to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma and was signed by 65 people, including The Beatles, Epstein, RD Laing, 15 doctors, and two MPs.

McCartney was introduced to cocaine by Robert Fraser, and it was available during the recording of Sgt. Pepper's Lonely Hearts Club Band. He admitted that he used the drug multiple times for about a year but stopped because of the unpleasant comedown.

In 1967, on a sailing trip to Greece (with the idea of buying an island for the whole group) McCartney said everybody sat around and took LSD, although McCartney had first taken it with Tara Browne, in 1966. He took his second "acid trip" with Lennon on 21 March 1967 after a studio session. McCartney was the first British pop star to openly admit using LSD, in an interview in the now-defunct "Queen" magazine. His admission was followed by a TV interview in the UK on ITN on 19 June 1967, and when McCartney was asked about his admission of LSD use, he said:

McCartney was not arrested by Norman Pilcher's Drug Squad, as had been Donovan, and several members of the Rolling Stones.

Meditation

On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend 'initiation' conference, at which time he and the other Beatles learned Transcendental Meditation (TM). "The whole meditation experience was very good and I still use the mantra. . . I find it soothing and I can imagine that the more you were to get into it, the more interesting it would get." The time McCartney later spent in India at the Maharishi's ashram was highly productive, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by McCartney, Lennon, or both together. Although McCartney was told that he was never to repeat the mantra to anyone else, he did tell Linda McCartney, and said he meditated a lot while he was in jail in Japan. In 2009, McCartney, along with Ringo Starr, headlined a benefit concert at Radio City Music Hall, raising three million dollars for the David Lynch Foundation to fund instruction in Transcendental Meditation for at-risk youth.

Activism

Paul and Linda McCartney became outspoken vegetarians and animal-rights activists. They said that their vegetarianism was realised when they happened to see lambs in a field as they ate a meal of lamb. McCartney has also credited the 1942 Disney film Bambi—in which the young deer's mother is shot by a hunter—as the original inspiration for him to take an interest in animal rights. In his first interview after Linda's death, he promised to continue working for animal rights. In 1999, McCartney spent £3,000,000 to make sure Linda McCartney's food range remained free of GM ingredients. In 2002, McCartney gave his support to a campaign against a proposed ban on the sale of certain vitamins, herbs, and mineral products in the European Union. Following his marriage to Heather Mills, McCartney joined with her to campaign against landmines; He also wore an anti-landmines t-shirt on the Back in the World tour.

In 2006, the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt (their final public appearance together). Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance. The couple also debated with Newfoundland's Premier Danny Williams on the CNN show Larry King Live. They further stated that the fishermen should quit hunting seals and begin a seal watching business. McCartney has also criticised China's fur trade and supports the Make Poverty History campaign.

McCartney has been involved with a number of charity recordings and performances. In 2004, he donated a song to an album to aid the "US Campaign for Burma", in support of Burmese Nobel Prize winner Aung San Suu Kyi, and he had previously been involved in the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of "Ferry Cross the Mersey" (released 8 May 1989) following the Hillsborough disaster.

In a December 2008 interview with Prospect Magazine, McCartney mentioned that he tried to convince the Dalai Lama to become a vegetarian. In a letter to the Dalai Lama, McCartney took issue with Buddhism and meat-eating being considered compatible, saying, "Forgive me for pointing this out, but if you eat animals then there is some suffering somewhere along the line." The Dalai Lama replied to McCartney by saying his doctors advised him to eat meat for health reasons. In the interview McCartney said, "I wrote back saying they were wrong."

Paul McCartney has recently been in a battle against McDonald's for hanging photos of The Beatles in their restaurant. Paul was outraged that they were using his band as an endorsement for selling their burgers. Exclaim! magazine writes that Paul encouraged his fans to boycott McDonald's. A spokeswoman then told The Daily Telegraph that they had put up the photos to "acknowledge the outstanding contribution The Beatles made to both local and global culture." PETA then rebutted, saying that Paul would "never authorise his photo to endorse meat products." The photos have since been taken down.

Football

The Beatles were advised by Epstein to make no comments about the football clubs they supported because it could alienate some fans, though it was well known that McCartney was a supporter of Everton Football Club, and that his father and relatives used to take him to matches. His allegiance later shifted to Liverpool F.C., as on 28 July 1968, The Beatles were photographed in a photographer's studio at 192-212 Gray's Inn Road, with McCartney wearing a Liverpool F.C. rosette.

Linda McCartney later said: "We spent last night listening to Liverpool football team on the radio, wanting them to win so badly. Paul supports Liverpool. He was for Everton for a while because of his family — but it's all Liverpool now."

Lennon and McCartney were present to watch the 1966 FA Cup Final at Wembley, between Everton and Sheffield Wednesday, and McCartney attended the 1968 FA Cup Final (18 May 1968) which was played by West Bromwich Albion against Everton. After the end of the match, McCartney shared cigarettes and whisky with other football fans.

At the end of the live version of Coming Up recorded in Glasgow in 1979 (later to become a US number one single) the crowd begins to sing "Paul McCartney!" until McCartney takes over and changes the chant to "Kenny Dalglish!", referring to the current Liverpool and Scotland striker. At the same concert, Gordon Smith, former football player who played for Rangers and Brighton & Hove Albion, met the McCartneys, and later accepted an invitation to visit their home in East Sussex in 1980. Smith later said that McCartney was "thrilled I knew Kenny Dalglish", to which Linda added: "I like Gordon McQueen of Man United", and Smith replied, "I know him too."

McCartney attended the 1986 FA Cup Final between Liverpool and Everton, McCartney performed at the Liverpool F.C. Anfield stadium on 1 June 2008, as a part of Liverpool's European Capital of Culture year. Dave Grohl from the Foo Fighters sang with McCartney on Band on the Run, and played drums on "Back in the U.S.S.R.". Ono and Olivia Harrison attended the concert, along with Ken Dodd, and the former Liverpool F.C. football manager Rafael Benítez.

In an interview in 2008, McCartney ended speculation about his allegiance when he said:

"Here's the deal: my father was born in Everton, my family are officially Evertonians, so if it comes down to a derby match or an FA Cup final between the two, I would have to support Everton. But after a concert at Wembley Arena I got a bit of a friendship with Kenny Dalglish, who had been to the gig and I thought 'You know what? I am just going to support them both because it's all Liverpool and I don't have that Catholic-Protestant thing.' So I did have to get special dispensation from the Pope to do this but that's it, too bad. I support them both. They are both great teams, but if it comes to the crunch, I'm Evertonian."

In 2010 there was heavy speculation surrounding McCartney that he was to head up a consortium launching a take-over bid for struggling Charlton Athletic. Links between the club and the famous musician go a long way back with Charlton's famous supporters anthem - Valley, Floyd Road - using the tune and a number of lyrics from the Wings song Mull of Kintyre.

Business

McCartney is one of Britain's wealthiest musicians, with an estimated fortune of £750 million ($1.2 billion) in 2009, although Justice Bennett, in his judgement on McCartney's divorce case found no evidence that McCartney was worth more than £400 million. In December 1998, he was approached to purchase a stake in Everton Football Club by former school friend Bill Kenwright who wished to put a consortium together but McCartney chose to decline the offer. In addition to his interest in Apple Corps, McCartney's MPL Communications owns a significant music publishing catalogue, with access to over 25,000 copyrights. McCartney earned £40 million in 2003, making him Britain's highest media earner. This rose to £48.5 million by 2005. In the same year he joined the top American talent agency Grabow Associates, who arrange private performances for their richest clients. Northern Songs was established in 1963, by Dick James, to publish the songs of Lennon/McCartney.

The Beatles' partnership was replaced in 1968 by a jointly held company, Apple Corps, which continues to control Apple's commercial interests. Northern Songs was purchased by Associated TeleVision (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson's purchase and handling of Northern Songs.

MPL Communications is an umbrella company for McCartney's business interests, which owns a wide range of copyrights, as well as the publishing rights to musicals. In 2006, the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name "Paul McCartney" as a trademark. The 2005 films, Brokeback Mountain and Good Night and Good Luck, feature MPL copyrights.

In April 2009, it was revealed that McCartney, in common with other wealthy musicians, had seen a significant decline in his net worth over the preceding year. It was estimated that his fortune had fallen by some £60m, from £238m to £175m. The losses were attributed to the ongoing global recession, and the resultant decline in value of property and stock market holdings.

In the US, McCartney has achieved thirty-two number-one singles on the Billboard Hot 100, including twenty-one with The Beatles, McCartney is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Stevie Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", The Beatles), quintet ("Get Back", The Beatles with Billy Preston), and as part of a musical ensemble for charity (Ferry Aid).

McCartney was voted the "Greatest Composer of the Millennium" by BBC News Online readers and McCartney's song "Yesterday" is thought to be the most covered song in history with more than 2,200 recorded versions After its 1977 release, the Wings single "Mull of Kintyre" became the highest-selling record in British chart history, and remained so until 1984. (Three charity singles have since surpassed it in sales; the first to do so, in 1984, was Band Aid's "Do They Know It's Christmas?" in which McCartney was a participant.)

On 2 July 2005, he was involved with the fastest-released single in history. His performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 was released only 45 minutes after it was performed, before the end of the concert. The single reached number six on the Billboard charts, just hours after the single's release, and hit number one on numerous online download charts across the world. McCartney played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro, Brazil on 21 April 1990.

McCartney's scheduled concert in St Petersburg, Russia was his 3,000th concert and took place in front of 60,000 fans in Russia, on 20 June 2004. Over his career, McCartney has played 2,523 gigs with The Beatles, 140 with Wings, and 325 as a solo artist. Only his second concert in Russia, with the first just the year before on Moscow's Red Square as the former Communist U.S.S.R. had previously banned music from The Beatles as a "corrupting influence", McCartney hired 3 jets, at a reported cost of $36,000 (€29,800) (£28,000), to spray dry ice in the clouds above Saint Petersburg's Winter Palace Square in a successful attempt to prevent rain.

The day McCartney flew into the former Soviet country, he celebrated his 62nd birthday, and after the concert, according to RIA Novosti news agency, he received a phone call from a fan; then-President Vladimir Putin, who telephoned him after the concert to wish him a happy birthday. from President Barack Obama in the White House, June 2010.]] In the concert programme for his 1989 world tour, McCartney wrote that Lennon received all the credit for being the avant-garde Beatle, and McCartney was known as "baby-faced", which he disagreed with. People also assumed that Lennon was the "hard-edged one", and McCartney was the "soft-edged" Beatle, although McCartney admitted to "bossing Lennon around." Linda McCartney said that McCartney had a "hard-edge"—and not just on the surface—which she knew about after all the years she had spent living with him. McCartney seemed to confirm this edge when he commented that he sometimes meditates, which he said is better than "sleeping, eating, or shouting at someone".

The minor planet 4148, discovered in 1983, was named "McCartney" in his honour.

On 18 June 2006, McCartney celebrated his 64th birthday, a milestone that was the subject of one of the first songs he ever wrote, at the age of sixteen, The Beatles' song "When I'm Sixty-Four". Paul Vallely noted in The Independent: }}

Discography

Tours

Arms

Notes	Sir Paul McCartney's agent was Hubert Chesshyre, LVO, Clarenceux King of Arms
Crest	On a Wreath of the Colours A Liver Bird calling Sable supporting with the dexter claws a Guitar Or stringed Sable.
Escutcheon	Or between two Flaunches fracted fesswise two Roundels Sable over all six Guitar Strings palewise throughout counterchanged.
Motto	ECCE COR MEUM (Behold my heart)

References

;Footnotes

;Bibliography

External links

Paul McCartney's Official Website

Paul McCartney's Animation Website

Paul McCartney Ecce Cor Meum audio Podcast

Liverpool celebrates Irish ancestry

Paul McCartney: Financial Accounts

Satellite View of Childhood Home of Paul McCartney

Category:1942 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:English-language singers Category:English male singers Category:English multi-instrumentalists Category:English pop singers Category:English rock bass guitarists Category:English rock guitarists Category:English rock pianists Category:English rock singers Category:English singer-songwriters Category:English people of Irish descent Category:English vegetarians Category:Backing vocalists Category:20th-century classical composers Category:Apple Records artists Category:Best Original Music Score Academy Award winners Category:BRIT Award winners Category:Capitol Records artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:Knights Bachelor Category:Members of the Order of the British Empire Category:Music from Liverpool Category:Parlophone artists Category:Mercury Records artists Category:People convicted of drug offenses Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:The Beatles members Category:The Quarrymen members Category:Wings members Category:World record holders Category:Musicians from Liverpool Category:Living people Category:Honorary Members of the Royal Academy of Music Category:Transcendental Meditation practitioners Category:Liverpool Institute alumni Category:British billionaires Category:Silver Clef Awards winners Category:Animal rights advocates

Img alt	A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare.
Landscape	no
Background	solo_singer
Birth name	Michael Joe Jackson
Alias	Michael Joseph Jackson, Michael Jackson, King of Pop
Born	August 29, 1958Gary, Indiana, U.S.
Died	June 25, 2009Los Angeles, California, U.S.
Instrument	Vocals, Piano, Drums, Beatbox, Guitar, Bass Guitar
Genre	R&B;, pop rock, electronic
Occupation	Singer-songwriter, record producer, composer, musician, dancer, choreographer, actor, author, businessman, philanthropist
Years active	1964–2009
Label	Motown, Epic, Legacy
Associated acts	The Jackson 5
Url

Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, dancer, singer-songwriter, and philanthropist. Referred to as the King of Pop, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The eighth child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5 in the mid-1960s, and began his solo career in 1971.

In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs including "Beat It", "Billie Jean" and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of dance techniques, such as the robot and the moonwalk. His distinctive musical sound and vocal style have influenced numerous hip hop, pop, contemporary R&B; and rock artists.

Jackson's 1982 album Thriller is the best-selling album of all time. His other records, including Off the Wall (1979), Bad (1987), Dangerous (1991) and (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him one of the most-awarded recording artist in the history of music. He was also a notable humanitarian and philanthropist, donating and raising hundreds of millions of dollars for beneficial causes and supporting more than 39 charities.

Aspects of Jackson's personal life, including his changing appearance, personal relationships and behavior, have generated controversy. In 1993, he was accused of child sexual abuse, but the case was settled out of court and no formal charges were brought. In 2005, he was tried and acquitted of further sexual abuse allegations and several other charges after the jury ruled him not guilty on all counts. While preparing for his concert series This Is It, Jackson died on June 25, 2009, after suffering from cardiac arrest. Before his death, Jackson had reportedly been administered drugs such as propofol and lorazepam. The Los Angeles County Coroner declared his death a homicide, and his personal physician pleaded not guilty to charges of involuntary manslaughter. Jackson's death triggered a global outpouring of grief, and as many as one billion people around the world reportedly watched his public memorial service on live television. In March 2010, Sony Music Entertainment signed a US$250 million deal with Jackson's estate to retain distribution rights to his recordings until 2017, and to release seven posthumous albums over the decade following his death. His first posthumous album of new material, simply titled Michael, was released on December 14, 2010.

Life and career

Early life and The Jackson 5 (1958–1975)

, showing floral tributes after his death.]] Michael Jackson was born on August 29, 1958, the eighth of ten children in an African American working-class family, in Gary, Indiana, an industrial suburb of Chicago. His mother, Katherine Esther Scruse, was a devout Jehovah's Witness, and his father, Joseph Walter "Joe" Jackson, was a steel mill worker who performed with an R&B; band called The Falcons. Jackson had three sisters: Rebbie, La Toya, and Janet, and five brothers: Jackie, Tito, Jermaine, Marlon, and Randy. A sixth brother, Brandon, died shortly after birth.

Jackson had a troubled relationship with his father, Joe. Jackson stated that he was physically and emotionally abused during incessant rehearsals, though he also credited his father's strict discipline with playing a large role in his success. Jackson first spoke openly about his childhood abuse in an interview with Oprah Winfrey, broadcast in February 1993. He admitted that he had often cried from loneliness and he would vomit on the sight of his father. Jackson's father was also said to have verbally abused Jackson, saying that he had a fat nose on numerous occasions. In fact, Michael Jackson's deep dissatisfaction with his appearance, his nightmares and chronic sleep problems, his tendency to remain hyper-compliant especially with his father, and to remain child-like throughout his adult life are in many ways consistent with the effects of this chronic maltreatment he endured as a young child. Childhood abuse is also known to impair neurobiological development (i.e. impairing the brain circuitry involved in addiction, motivation and incentive) causing increased susceptibility to drug addiction, which he struggled with; in addition to increased susceptibility by the psychological factor of emotional pain relief.

In an interview with Martin Bashir, later included in the 2003 broadcast of Living with Michael Jackson, Jackson acknowledged that his father hurt him when he was a child, but was nonetheless a "genius", as he admitted his father's strict discipline played a huge role in his success. When Bashir dismissed the positive remark and continued asking about beatings, Jackson put his hand over his face and objected to the questions. He recalled that Joseph sat in a chair with a belt in his hand as he and his siblings rehearsed, and that "if you didn't do it the right way, he would tear you up, really get you".

In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by brothers Jackie, Tito, and Jermaine—as backup musicians playing congas and tambourine. Jackson later began performing backup vocals and dancing. When he was eight, Jackson began sharing the lead vocals with his older brother Jermaine, and the group's name was changed to The Jackson 5.

The Jackson 5 recorded several songs, including "Big Boy", for the local record label Steeltown in 1967, before signing with Motown Records in 1968. The group set a chart record when its first four singles ("I Want You Back", "ABC", "The Love You Save", and "I'll Be There") peaked at number one on the Billboard Hot 100.

Move to Epic and Off the Wall (1975–1981)

In June 1975, the Jackson 5 signed with Epic Records, a subsidiary of CBS Records They continued to tour internationally, releasing six more albums between 1976 and 1984, during which Jackson was the lead songwriter, writing hits such as "Shake Your Body (Down to the Ground)", "This Place Hotel," and "Can You Feel It". In 1979, Jackson broke his nose during a complex dance routine. His subsequent rhinoplasty was not a complete success; he complained of breathing difficulties that would affect his career. He was referred to Dr. Steven Hoefflin, who performed Jackson's second rhinoplasty and subsequent operations.

Jones and Jackson produced the Off the Wall album together. Songwriters for the album included Jackson, Rod Temperton, Stevie Wonder, and Paul McCartney. Released in 1979, it was the first solo album to generate four U.S. top 10 hits, including the chart-topping singles "Don't Stop 'til You Get Enough" and "Rock with You". It reached number three on the Billboard 200 and eventually sold over copies worldwide. In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B; Album, Favorite Soul/R&B; Male Artist, and Favorite Soul/R&B; Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Year-End for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B; Vocal Performance, also for "Don't Stop 'Til You Get Enough". Jackson again won at the American Music Awards in 1981 for Favorite Soul/R&B; Album and Favorite Soul/R&B; Male Artist. Despite its commercial success, Jackson felt Off the Wall should have made a much bigger impact, and was determined to exceed expectations with his next release. In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.

Thriller and Motown 25 (1982–83)

In 1982, Jackson contributed the song "Someone In the Dark" to the storybook for the film E.T. the Extra-Terrestrial; the record won a Grammy for Best Recording for Children in 1984. In the same year he won another seven Grammys and eight American Music Awards (including the Award of Merit, the youngest artist to win it), making him the most awarded in one night for both award shows. These awards were thanks to the Thriller album, released in late 1982, which was the 1983's best-selling album worldwide and became the best-selling album of all time in the United States, as well as the best-selling album of all time worldwide, selling an estimated copies so far. The album topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean", "Beat It," and "Wanna Be Startin' Somethin'." Thriller was certified for 29 million shipments by the RIAA, giving it Double Diamond status in the United States. The album won also another Grammy for Best Engineered Recording – Non Classical in 1984, awarding Bruce Swedien for his work. Jackson's attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of his recordings. The videocassette of the documentary The Making of Michael Jackson's Thriller sold over 350,000 copies in a few months. The era saw the arrival of novelties like dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12. Biographer J. Randy Taraborrelli writes that, "Thriller stopped selling like a leisure item—like a magazine, a toy, tickets to a hit movie—and started selling like a household staple." In 1985, The Making of Michael Jackson's Thriller won a Grammy for Best Music Video, Longform.

Time described Jackson's influence at that point as "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".

In March 1983, Jackson reunited with his brothers for a legendary live performance which was taped for a television special. The show aired on May 16, 1983, to an audience of viewers, and featured the Jacksons and a number of other Motown stars. It is best remembered for Jackson's solo performance of "Billie Jean". Wearing a distinctive black sequin jacket and golf glove decorated with rhinestones, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member, Jeffrey Daniel had taught him three years before. The Jacksons' performance drew comparisons to Elvis Presley's and The Beatles' appearances on The Ed Sullivan Show. Anna Kisselgoff of The New York Times later wrote, "The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing."

Pepsi, "We Are the World" and business career (1984–85)

and first lady Nancy Reagan, 1984]]

On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi Cola commercial, overseen by executive Phil Dusenberry, from ad agency BBDO and Pepsi's Worldwide Creative Director, Alan Pottasch at the Shrine Auditorium in Los Angeles. In front of a full house of fans during a simulated concert, pyrotechnics accidentally set Jackson's hair on fire. He suffered second-degree burns to his scalp. Jackson underwent treatment to hide the scars on his scalp, and he also had his third rhinoplasty shortly thereafter. Dusenberry later recounted the episode in his memoir, Then We Set His Hair on Fire: Insights and Accidents from a Hall of Fame Career in Advertising.

On May 14, 1984, Jackson was invited to the White House to receive an award from President Ronald Reagan for his support of charities that helped people overcome alcohol and drug abuse. Jackson won eight awards during the Grammys that year. Unlike later albums, Thriller did not have an official tour to promote it, but the 1984 Victory Tour, headlined by The Jacksons, showcased much of Jackson's new solo material to more than two million Americans. He donated all the funds (around ) raised from the Victory Tour to charity. He also co-wrote the charity single "We Are the World" in 1985 with Lionel Richie, which was released worldwide to aid the poor in the U.S. and Africa. It became one of the best-selling singles of all time, with nearly 30 million copies sold and millions of dollars donated to famine relief. In 1986, "We Are the World" won four Grammys (one for Jackson for Song of the Year). American Music Award directors removed the charity song from the competition because they felt it would be inappropriate, but recognised it with two special honors (one for the creation of the song and one for the USA for Africa idea). They are the only AMAs that Jackson won as non-solo artist.

In 1984, ATV Music Publishing, which had the copyrights to nearly 4000 songs, including the Northern Songs catalog that contained the majority of the Lennon/McCartney compositions recorded by The Beatles, was put up for sale by Robert Holmes à Court. Jackson had become interested in owning music catalogs after working with Paul McCartney in the early 1980s: Jackson had learned McCartney made approximately $40 million a year from other people's songs. In 1981, McCartney was offered the ATV music catalog for £20 million ($40 million USD). According to McCartney, he contacted Yoko Ono about making a joint purchase by splitting the cost equally at £10 million each, but Ono thought they could buy it for £5 million each. Also, an attorney for McCartney assured Jackson's attorney, John Branca, that McCartney was not interested in bidding: McCartney reportedly said "It's too pricey" According to J. Randy Taraborrelli's biography, in 1986, Jackson was diagnosed with vitiligo and lupus; the vitiligo partially lightened his skin, and the lupus was in remission; both illnesses made him sensitive to sunlight. The treatments he used for his condition further lightened his skin tone, and, with the application of pancake makeup to even out blotches, he could appear very pale. Jackson was also diagnosed with vitiligo in his autopsy. Several surgeons speculated that he had undergone various nasal surgeries, a forehead lift, thinned lips, and cheekbone surgery—although Jackson denied this and insisted that he only had surgery on his nose. Jackson claimed that he had only two rhinoplasties and no other surgery on his face, although at one point he mentioned having a dimple created in his chin. Jackson lost weight in the early 1980s because of a change in diet and a desire for "a dancer's body". Witnesses reported that he was often dizzy and speculated that he was suffering from anorexia nervosa; periods of weight loss would become a recurring problem later in life.

During the course of his treatment, Jackson made two close friends: his dermatologist, Dr. Arnold Klein, and Klein's nurse Debbie Rowe. Rowe eventually became Jackson's second wife and the mother of his two eldest children. Long before becoming romantically involved with her, Jackson relied heavily on Rowe for emotional support. He also relied heavily on Klein, for medical and business advice.

, here in the early stages of the disease]] Jackson became the subject of increasingly sensational reports. In 1986, the tabloids ran a story claiming that Jackson slept in a hyperbaric oxygen chamber to slow the aging process; he was pictured lying down in a glass box. Although the claim was untrue, according to tabloid reports that are widely cited, Jackson had disseminated the fabricated story himself. When Jackson bought a chimpanzee called Bubbles from a laboratory, he was reported to be increasingly detached from reality. It was reported that Jackson had offered to buy the bones of Joseph Merrick (the "elephant man") and although untrue, Jackson did not deny the story. These reports became embedded in the public consciousness, inspiring the nickname "Wacko Jacko," which Jackson came to despise. Responding to the gossip, Jackson remarked to Taraborrelli:

Jackson collaborated with Francis Ford Coppola on the 17-minute 3-D film Captain EO, which debuted in September 1986 at both the original Disneyland and at EPCOT in Florida, and in March 1987 at Tokyo Disneyland. The $30 million movie was a popular attraction at all three parks. A Captain EO attraction was later featured at Euro Disneyland after that park opened in 1992. All four parks' Captain EO installations stayed open well into the 1990s: Paris' installation was the last one to close, in 1998. The attraction would later return to Disneyland after Jackson's death in 2010.

In 1987, Jackson disassociated himself from the Jehovah's Witnesses, in response to their disapproval of the Thriller video. With the industry expecting another major hit, Jackson's first album in five years, Bad (1987), was highly anticipated. It did not top Thriller as a commercial or artistic triumph, but Bad was still a substantial success in its own right.

The Bad album spawned seven hit singles in the U.S., five of which ("I Just Can't Stop Loving You", "Bad", "The Way You Make Me Feel", "Man in the Mirror" and "Dirty Diana") reached number one on the Billboard Hot 100 charts. This was a record for most number one Hot 100 singles from any one album, including Thriller. Although the title track's video was arguably derivative of the video for the earlier single "Beat It", the "Bad" video still proved to be one of Jackson's iconic moments. It was a gritty but colorful epic set against the backdrop of the New York City Subway system, with costuming and choreography inspired by West Side Story. As of 2008, the album had sold 30 million copies worldwide. Thanks to the Bad album, Bruce Swedien and Humberto Gatica won one Grammy in 1988 for Best Engineered Recording – Non Classical and Michael Jackson won one Grammy for Best Music Video, Short Form for "Leave Me Alone" in 1989. In 1988, "Bad" won an American Music Award for Favorite Soul/R&B; Single.

The Bad World Tour began on September 12 that year, finishing on January 14, 1989. Jackson broke a Guinness World Record when 504,000 people attended seven sold-out shows at Wembley Stadium. He performed a total of 123 concerts to an audience of 4.4 million people. The Bad Tour turned out to be the last of Jackson's concert tours to include shows in the continental United States, although later tours did make it to Hawaii.

Autobiography, changing appearance and Neverland (1988–1990)

"]] In 1988, Jackson released his first and only autobiography, Moonwalk, which took four years to complete and sold 200,000 copies. Jackson wrote about his childhood, The Jackson 5, and the abuse he had suffered. He also wrote about his facial appearance, saying he had had two rhinoplastic surgeries and a dimple created in his chin. The musician then released a film called Moonwalker, which featured live footage and short films that starred Jackson and Joe Pesci. The film was originally intended to be released to theaters but due to financial issues, the film was released direct to video. It debuted atop the Billboard Top Music Video Cassette chart, staying there for 22 weeks. It was eventually knocked off the top spot by Michael Jackson: The Legend Continues. In 1989, his annual earnings from album sales, endorsements, and concerts was estimated at $125 million for that year alone. The nickname was popularized by Elizabeth Taylor when she presented him with the Soul Train Heritage Award in 1989, proclaiming him "the true king of pop, rock and soul." President George H. W. Bush designated him the White House's "Artist of the Decade". From 1985 to 1990, he donated $500,000 to the United Negro College Fund, and all of the profits from his single "Man in the Mirror" went to charity. Jackson's live rendition of "You Were There" at Sammy Davis Jr.'s 60th birthday celebration received an Emmy nomination. displacing Neil Diamond's renewal contract with Columbia Records. He released his eighth album Dangerous in 1991. As of 2008, Dangerous had shipped seven million copies in the U.S. and had sold 32 million copies worldwide. The Dangerous album was co-produced by Teddy Riley, one of the pioneers of "new jack swing" which convinced Michael to feature a rapper on his album for the first time, the act worked and it turned out to be the best-selling album associated with that movement. In the United States, the album's first single "Black or White" was its biggest hit, reaching number one on the Billboard Hot 100 and remaining there for seven weeks, with similar chart performances worldwide. In 1993, Jackson performed the song at the Soul Train Awards in a chair, saying he had suffered an injury in rehearsals. In the UK and other parts of Europe, "Heal the World" was the biggest hit from the album; it sold 450,000 copies in the UK and spent five weeks at number two in 1992. He sold the broadcast rights to his Dangerous world tour to HBO for $20 million, a record-breaking deal that still stands.

Following the illness and death of Ryan White, Jackson helped draw public attention to HIV/AIDS, something that was still controversial at the time. He publicly pleaded with the Clinton Administration at Bill Clinton's Inaugural Gala to give more money to HIV/AIDS charities and research. In a high-profile visit to Africa, Jackson visited several countries, among them Gabon and Egypt. His first stop to Gabon was greeted with a sizable and enthusiastic reception of more than 100,000 people, some of them carrying signs that read, "Welcome Home Michael."

First child sexual abuse allegations and first marriage (1993–94)

Jackson gave a 90-minute interview to Oprah Winfrey in February 1993, his second television interview since 1979. He grimaced when speaking of his childhood abuse at the hands of his father; he believed he had missed out on much of his childhood years, admitting that he often cried from loneliness. He denied tabloid rumors that he had bought the bones of the Elephant Man, slept in a hyperbaric oxygen chamber, or bleached his skin, stating for the first time that he had vitiligo. The interview was watched by an American audience of 90 million. Dangerous re-entered the album chart in the top 10, more than a year after its original release. The Chandler family demanded payment from Jackson, and the singer initially refused. Jordan Chandler eventually told the police that Jackson had sexually abused him. Dr. Chandler was tape-recorded discussing his intention to pursue charges, saying, "If I go through with this, I win big-time. There's no way I lose. I will get everything I want and they will be destroyed forever ... Michael's career will be over". Jordan's mother was, however, adamant that there had been no wrongdoing on Jackson's part. a fact confirmed in his autopsy. His friends said he never recovered from the humiliation of the strip search. The investigation was inconclusive and no charges were ever filed. Jackson described the search in an emotional public statement, and proclaimed his innocence. On January 1, 1994, Jackson's insurance carrier settled with the Chandlers out of court for $22 million. A Santa Barbara County grand jury and a Los Angeles County grand jury disbanded on May 2, 1994 without indicting Jackson. After which time the Chandlers stopped co-operating with the criminal investigation around July 6, 1994. The out-of-court settlement's documentation specifically stated Jackson admitted no wrongdoing and no liability; the Chandlers and their family lawyer Larry Feldman signed it without contest. The Chandlers' lawyer Mr. Feldman also explicitly stated "nobody bought anybody's silence". A decade after the fact, during the second round of child abuse allegations, Jackson's lawyers would file a memo stating that the 1994 settlement was done without his consent. According to a friend of Presley's, "their adult friendship began in November 1992 in L.A." They stayed in contact every day over the telephone. As the child molestation accusations became public, Jackson became dependent on Presley for emotional support; she was concerned about his faltering health and addiction to drugs. Presley explained, "I believed he didn't do anything wrong and that he was wrongly accused and yes I started falling for him. I wanted to save him. I felt that I could do it." She eventually persuaded him to settle the allegations out of court and go into rehabilitation to recover. At the time, the tabloid media speculated that the wedding was a ploy to prop up Jackson's public image. The marriage lasted less than two years and ended with an amicable divorce settlement. In a 2010 interview with Oprah, Presley admitted that they spent four more years after the divorce "getting back together and breaking up", until she decided to stop.

HIStory, second marriage and fatherhood (1995–99)

In 1995, Jackson merged his ATV Music catalog with Sony's music publishing division creating Sony/ATV Music Publishing. Jackson retained half-ownership of the company, earned $95 million upfront as well as the rights to even more songs. He then released the double album . The first disc, HIStory Begins, was a 15-track greatest hits album, and was later reissued as in 2001, while the second disc, HIStory Continues, contained 15 new songs. The album debuted at number one on the charts and has been certified for seven million shipments in the US. It is the best-selling multiple-disc album of all-time, with 20 million copies (40 million units) sold worldwide. HIStory received a Grammy nomination for Album of the Year. "You Are Not Alone" was the second single released from HIStory; it holds the Guinness World Record for the first song ever to debut at number one on the Billboard Hot 100 chart. "Earth Song" was the third single released from HIStory, and topped the UK singles chart for six weeks over Christmas 1995; it sold a million copies, making it Jackson's most successful single in the UK. In 1996, Jackson won a Grammy for Best Music Video, Short Form for "Scream" and an American Music Award for Favorite Pop/Rock Male Artist.

The album was promoted with the successful HIStory World Tour. The tour began on September 7, 1996, and finished on October 15, 1997. Jackson performed 82 concerts in 58 cities to over 4.5 million fans, and grossed up a total of . The show, which visited five continents and 35 countries, became Jackson's most successful in terms of audience figures. During the tour, Jackson married his longtime friend Deborah Jeanne Rowe, a dermatology nurse, in an impromptu ceremony in Sydney, Australia. Rowe was approximately six months pregnant with the couple's first child at the time. Originally, Rowe and Jackson had no plans to marry, but Jackson's mother Katherine persuaded them to do so. Michael Joseph Jackson Jr (commonly known as Prince) was born on February 13, 1997; his sister Paris-Michael Katherine Jackson was born a year later on April 3, 1998. The couple divorced in 1999, and Jackson got full custody of the children. The divorce was relatively amicable, but a subsequent custody suit was not settled until 2006. It reached number one in the UK, as did the title track. In the US, the album was certified platinum, but only reached number 24. Later that month, Jackson organized a set of "Michael Jackson & Friends" benefit concerts in Germany and Korea. Other artists involved included Slash, The Scorpions, Boyz II Men, Luther Vandross, Mariah Carey, A. R. Rahman, Prabhu Deva Sundaram, Shobana, Andrea Bocelli and Luciano Pavarotti. The proceeds went to the "Nelson Mandela Children's Fund", the Red Cross and UNESCO.

Label dispute, Invincible and third child (2000–03)

At the turn of the century, the American Music Awards honored Jackson as Artist of the '80s. Throughout 2000 and 2001, Jackson worked in the studio with Teddy Riley and Rodney Jerkins, as well as other collaborators. These sessions would result in the album Invincible, released in October 2001. Invincible was Jackson's first full-length album in six years, and it would be the last album of new material he released while still alive. The release of the album was preceded by a dispute between Jackson and his record label, Sony Music Entertainment. Jackson had expected the licenses to the masters of his albums to revert to him sometime in the early 2000s. Once he had the licenses, he would be able to promote the material however he pleased and he would also be able to keep all the profits. However, due to various clauses in the contract, the revert date turned out to be many years away. Jackson discovered that the attorney who represented him in the deal was also representing Sony. After 9/11, Jackson helped organize the benefit concert at RFK Stadium in Washington, D.C. The concert took place on October 21, 2001, and included performances from dozens of major artists, including Jackson, who performed his song "What More Can I Give" as the finale. However, the sales for Invincible were lower than those of his previous releases, due in part to a lack of promotion, no supporting world tour and the label dispute. The album also came out at a bad time for the music industry in general. He charged that Mottola had called his colleague Irv Gotti a "fat nigger". Sony refused to renew Jackson's contract, and claimed that a promotional campaign had failed because Jackson refused to tour in the United States.

In 2002, Michael Jackson won his 22nd American Music Award for Artist of the Century. In the same year, Jackson's third child, Prince Michael Jackson II (nicknamed "Blanket") was born. The mother's identity is unknown, but Jackson has said the child was the result of artificial insemination from a surrogate mother and his own sperm. On November 20 of that year, Jackson brought his newborn son onto the balcony of his room at the Hotel Adlon in Berlin, as fans stood below, holding him in his right arm, with a cloth loosely draped over the baby's face. The baby was briefly extended over a railing, four stories above ground level, causing widespread criticism in the media. Jackson later apologized for the incident, calling it "a terrible mistake". Sony released Number Ones, a compilation of Jackson's hits on CD and DVD. In the US, the album was certified triple platinum by the RIAA; in the UK it was certified six times platinum for shipments of at least units.

Second child sexual abuse allegations and acquittal (2003–05)

Beginning in May 2002, Jackson allowed a documentary film crew, led by British TV personality Martin Bashir, to follow him around just about everywhere he went. Bashir's film crew was with Jackson during the "baby-dangling incident" in Berlin. The program was broadcast in March 2003 as Living with Michael Jackson, and painted an extraordinarily unflattering portrait of the singer.

In a particularly controversial scene, Jackson was seen holding hands and discussing sleeping arrangements with a young boy. As soon as the documentary aired, the Santa Barbara county attorney's office began a criminal investigation. Jackson was arrested in November 2003, and was charged with seven counts of child molestation and two counts of administering an intoxicating agent in relation to the 13 year old boy shown in the film. After the trial, in a highly publicized relocation he moved to the Persian Gulf island of Bahrain, as a guest of Sheikh Abdullah.

Final years (2006–09)

, 2006]] In March 2006, the main house at the Neverland Ranch was closed as a cost-cutting measure. There were numerous reports around that time that Jackson was having financial problems. Jackson had been deliquent on his repayments of a $270 million loan secured against his music publishing holdings, even though those holdings were reportedly making him as much as a year. Bank of America sold the debt to Fortress Investments. Sony reportedly proposed a restructuring deal which would give them a future option to buy half of Jackson's stake in their jointly owned publishing company (leaving Jackson with a 25% stake). Jackson did not have a recording contract in place with Sony or any other major record label at the time.

In the spring of 2006, there was an announcement that Jackson had signed a contract with a Bahrain-based startup called Two Seas Records. However, nothing ever came of that deal, and the CEO of Two Seas, Guy Holmes, later stated that the deal had never been finalized. Throughout 2006, Sony repackaged 20 singles from the 1980s and 1990s as the series, which subsequently became a boxed set. Most of those singles returned to the charts as a result. In September 2006, Jackson and his ex-wife Debbie Rowe confirmed reports that they had settled their long-running child custody suit. The terms were never made public. Jackson continued to be the custodial parent of the couple's two children. In October 2006, Fox News entertainment reporter Roger Friedman said that Jackson had been recording at a studio in rural Westmeath, Ireland. It was not known at the time what Jackson might be working on, or who might be paying for the sessions, since his publicist had recently issued a statement claiming that he had left Two Seas.

In November 2006, Jackson invited an Access Hollywood camera crew into the studio in Westmeath, and MSNBC broke the story that he was working on a new album, produced by will.i.am of The Black Eyed Peas. Jackson returned to the United States after Christmas 2006 to attend James Brown's funeral in Augusta, Georgia. He gave one of the eulogies, saying that "James Brown is my greatest inspiration." In the spring of 2007, Jackson and Sony teamed up to buy yet another music publishing company: Famous Music LLC, formerly owned by Viacom. This deal gave him the rights to songs by Eminem, Shakira and Beck, among others. Jackson recorded extensively during this period in New York with songwriter and producer will.i.am and also in Las Vegas with producers Akon and RedOne. In March 2007, Jackson gave a brief interview to the Associated Press in Tokyo, where he said, "I've been in the entertainment industry since I was 6 years old, and as Charles Dickens would say, 'It's been the best of times, the worst of times.' But I would not change my career ... While some have made deliberate attempts to hurt me, I take it in stride because I have a loving family, a strong faith and wonderful friends and fans who have, and continue, to support me."

In September 2007 Jackson was reportedly still working with will.i.am, but the album was apparently never completed. However, in 2008, Jackson and Sony released Thriller 25 to mark the 25th anniversary of the original Thriller. This album featured the previously unreleased song "For All Time" (an outtake from the original sessions) as well as remixes, where Jackson collaborated with younger artists who had been inspired by his work. Two of the remixes were released as singles with only modest success: "The Girl Is Mine 2008" (with will.i.am) and "Wanna Be Startin' Somethin' 2008" (with Akon). The first single was based on an early demo version, without Paul McCartney. The album itself was a hit, however. In anticipation of Jackson's 50th birthday, Sony BMG released a series of greatest-hits albums called King of Pop. Slightly different versions were released in various countries, based on polls of local fans. King of Pop reached the top 10 in most countries where it was issued, and also sold well as an import in other countries (such as the United States.)

In the fall of 2008, Fortress Investments threatened to foreclose on Neverland Ranch, which Jackson used as collateral for loans running into many tens of millions of dollars. However, Fortress opted to sell Jackson's debts to Colony Capital LLC. In November, Jackson transferred Neverland Ranch's title to Sycamore Valley Ranch Company LLC, which was a joint venture between Jackson and Colony Capital LLC. This deal cleared Jackson's debt, and he reportedly even gained an extra from the venture. At the time of his death, Jackson still owned a stake in Neverland/Sycamore Valley, but it is unknown how large that stake was. In September 2008, Jackson entered negotiations with Julien's Auction House to display and auction a large collection of memorabilia amounting to approximately 1,390 lots. The auction was scheduled to take place between April 22 and April 25. An exhibition of the lots opened as scheduled on April 14, but the actual auction was eventually cancelled at Jackson's request.

In March 2009, Jackson held a press conference at London's O₂ Arena and announced a series of comeback concerts titled This Is It. The shows would be Jackson's first major series of concerts since the HIStory World Tour finished in 1997. Jackson suggested possible retirement after the shows; he said it would be his "final curtain call". The initial plan was for 10 concerts in London, followed by shows in Paris, New York City and Mumbai. Randy Phillips, president and chief executive of AEG Live, stated that the first 10 dates alone would earn the singer approximately . The London residency was increased to 50 dates after record breaking ticket sales: over one million were sold in less than two hours. Jackson rehearsed in Los Angeles in the weeks leading up to the tour under the direction of choreographer Kenny Ortega. Most of these rehearsals took place at the Staples Center, which was owned by AEG. The concerts would have commenced on July 13, 2009, and finished on March 6, 2010. Less than three weeks before the first show was due to begin in London and with all concerts being sold out, Jackson died after suffering cardiac arrest. Sometime before his death, it was widely stated that he was starting a clothing line with Christian Audigier. However, due to Jackson's untimely death, the current status of the label remains unknown.

Jackson's first posthumous single was a song entitled "This Is It" which Jackson cowrote in the 1980s with Paul Anka. It was not on the set lists for the concerts, and the recording was based on an old demo tape. The surviving brothers reunited in the studio for the first time since 1989 to record backing vocals. On October 28, 2009, a documentary film about the rehearsals entitled Michael Jackson's This Is It was released. Even though it ran for a limited two-week engagement, it became the highest grossing documentary or concert movie of all time, with earnings of more than worldwide. Jackson's estate received 90% of the profits. The film was accompanied by a compilation album of the same name. Two versions of the new song appear on the album, which also featured original masters of Jackson's hits in the order in which they appear in the movie, along with a bonus disc with previously unreleased versions of more Jackson hits as well as a spoken word poem entitled "Planet Earth". At the 2009 American Music Awards Jackson won four posthumous awards, two for him and two for his album Number Ones, bringing his total American Music Awards total to 26. Los Angeles Fire Department paramedics received a 911 call at 12:22 (PDT, 19:22 UTC), arriving three minutes later at Jackson's location. He was reportedly not breathing and CPR was performed. Resuscitation efforts continued en route to the Ronald Reagan UCLA Medical Center, and for an hour after arriving there at 1:13 (20:13 UTC). He was pronounced dead at 2:26 local time (21:26 UTC). Jackson's death triggered a global outpouring of grief. Google initially believed that the input from millions of people searching for "Michael Jackson" meant that the search engine was under attack. Twitter reported a crash, as did Wikipedia at PDT ( EDT). The Wikimedia Foundation reported nearly a million visitors to Jackson's biography within one hour, probably the most visitors in a one-hour period to any article in Wikipedia's history. AOL Instant Messenger collapsed for 40 minutes. AOL called it a "seminal moment in Internet history", adding, "We've never seen anything like it in terms of scope or depth."

Around 15% of Twitter posts—or 5,000 per minute—reportedly mentioned Jackson after the news broke, compared to the 5% recalled as having mentioned the Iranian elections or the flu pandemic that had made headlines earlier in the year. MTV and Black Entertainment Television (BET) aired marathons of Jackson's music videos. Jackson specials aired on multiple television stations around the world. The British soap opera EastEnders added a last-minute scene, in which one character tells another about the news, to the June 26 episode. Jackson was the topic of every front-page headline in the daily British tabloid The Sun for about two weeks following his death. During the same period, the three major U.S. networks' evening newscasts—ABC World News, CBS Evening News, and NBC Nightly News—devoted 34% of their broadcast time to him. Magazines including Time published commemorative editions. A scene that had featured Jackson's sister La Toya was cut from the film Brüno out of respect toward Jackson's family.

Jackson's memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Jackson's casket was present during the memorial but no information was released about the final disposition of the body. While some unofficial reports claimed a worldwide audience as high as one billion people, the U.S. audience was estimated by Nielsen to be 31.1 million, an amount comparable to the estimated that watched the 2004 burial of former president Ronald Reagan, and the estimated Americans who watched the 1997 funeral for Princess Diana.

Mariah Carey, Stevie Wonder, Lionel Richie, John Mayer, Jennifer Hudson, Usher, Jermaine Jackson, and Shaheen Jafargholi performed at the event. Berry Gordy and Smokey Robinson gave eulogies, while Queen Latifah read, "We had him," a poem written for the occasion by Maya Angelou. The Reverend Al Sharpton received a standing ovation with cheers when he told Jackson's children, "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway." Jackson's 11-year-old daughter, Paris Katherine, cried as she told the crowd, "Ever since I was born, Daddy has been the best father you could ever imagine ... I just wanted to say I love him ... so much." Reverend Lucious Smith provided a closing prayer. On August 24, several news outlets quoted anonymous sources as stating that the Los Angeles coroner had decided to treat Jackson's death as a homicide; this was later confirmed by the coroner on August 28. At the time of death, Jackson had been administered propofol, lorazepam and midazolam. Law enforcement officials conducted a manslaughter investigation of his personal physician, Conrad Murray. On February 8, 2010, Murray was charged with involuntary manslaughter by prosecutors in Los Angeles. Jackson was entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California.

On June 25, 2010, the first anniversary of Jackson's death, fans came to Los Angeles to pay their tribute to him. They visited Jackson’s star on the Hollywood Walk of Fame and his family’s home, as well as Forest Lawn Memorial Park. Many of the fans were carrying sunflowers and other tribute items to drop off at the sites. Members of the Jackson family and close friends arrived to pay their respects. Katherine returned to Gary, Indiana to unveil a granite monument constructed in the front yard of the family home. The memorial continued with a candlelight vigil and a special performance of "We Are the World." On June 26, there was a protest march in front of the Los Angeles Police Department's Robbery-Homicide Division at the old Parker Center building and a petition with thousands of signatures demanding justice was delivered. The Jackson Family Foundation in conjunction with Voiceplate presented "Forever Michael", an event bringing together Jackson family members, celebrities, fans, supporters and the community to celebrate and honor his legacy. A portion of the proceeds ere presented to some of Jackson's favorite charities. Katherine also introduced her new book "Never Can Say Goodbye."

Death aftermath

After his death, Jackson became the best-selling artist of 2009 in the United States selling over 8.2 million albums and had sold albums worldwide in the 12 months that followed his death. Following this surge in sales, Sony announced that they had extended their relationship with his material. The distribution rights held by Sony Music were due to expire in 2015. On March 16, 2010, Sony Music Entertainment, in a move spearheaded by its Columbia/Epic Label Group division, signed a new deal with the Jackson estate to extend their distribution rights to his back catalogue until at least 2017, as well as to obtain permission to release ten new albums with previously unreleased material and new collections of released work. On November 4, 2010 Sony announced the release of Michael, the first posthumous album set to be released on December 14, with the promotional single released to the radios on November 8, entitled "Breaking News". The deal was unprecedented in the music industry as it is the most expensive music contract pertaining to a single artist in history; it reportedly involved Sony Music paying for the deal, with the Jackson estate getting the full sum as well as its share of royalties for all works released. Video game developer Ubisoft announced it would release a new dancing-and-singing game featuring Michael Jackson for the 2010 holiday season. The game entitled will be among the first to use Kinect and PlayStation Move, the respective motion-detecting camera systems for Microsoft's Xbox 360 and Sony's PlayStation 3 due out later that year. Cirque du Soleil announced on 3 November 2010 that it would launch "Michael Jackson: The Immortal World Tour" in October 2011 in Montreal. The 90-minute US$57M production will combine Jackson's iconic musical oeuvre and choreography with the Cirque's signature artistry, dance and aerial displays involving 65 artists. The tour was written and directed by Jamie King and centers on Jackson's "inspirational Giving Tree - the wellspring of creativity where his love of music and dance, fairy tale and magic, and the fragile beauty of nature are unlocked."

Artistry

Influences

Jackson's music took root in R&B;, pop and soul. He had been influenced by the work of contemporary musicians such as Little Richard, James Brown, Jackie Wilson, Diana Ross, David Ruffin, Gene Kelly, Fred Astaire, Sammy Davis, Jr., The Isley Brothers, and the Bee Gees. While Little Richard had a substantial influence on Jackson, James Brown was Jackson's greatest inspiration. In reference to Brown, Jackson declared: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."

The young Michael Jackson owed his vocal technique in large part to Diana Ross. In October 1969, it was decided that Jackson would live with Ross. Not only a mother figure to him, she was often observed in rehearsal as an accomplished performer. He later expressed: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang – just the way she was." He told her: "I want to be just like you, Diana." She said: "You just be yourself." But Jackson owed part of his enduring style—especially his use of the oooh interjection—to Ross. From a young age, Jackson often punctuated his verses with a sudden exclamation of oooh. Diana Ross had used this effect on many of the songs recorded with The Supremes.

Musical themes and genres

Unlike many artists, Jackson did not write his songs on paper. Instead he would dictate into a sound recorder, and when recording he would sing the lyrics from memory. In most of his songs, such as "Billie Jean", "Who Is It", and "Tabloid Junkie", he would beatbox and imitate the instruments using his voice instead of playing the actual instruments, along with other sounds. Jackson noted that it is easier to sing a drum line, or sing a bass, instead of playing a drum line or a bass with an instrument. Several critics have said that Jackson's distinct voice is able to replace any instrument convincingly. Steve Huey of Allmusic said that, throughout his solo career, Jackson's versatility allowed him to experiment with various themes and genres. In "Billie Jean", Jackson sings about an obsessive fan who alleges he has fathered a child of hers. "Beat It" decried gang violence in an homage to West Side Story, and was Jackson's first successful rock cross-over piece, according to Huey. The lead single "I Just Can't Stop Loving You" is a traditional love ballad, while "Man in the Mirror" is an anthemic ballad of confession and resolution. He comments the album is more diverse than his previous Bad, as it appeals to an urban audience while also attracting the middle class with anthems like "Heal the World". Dangerous contains sexually charged efforts such as the multifaceted love song, "In the Closet".

HIStory creates an atmosphere of paranoia. Its content focuses on the hardships and public struggles Jackson went through just prior to its production. In the new jack swing-funk-rock efforts "Scream" and "Tabloid Junkie", along with the R&B; ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs much of his anger at the media. In the introspective ballad "Stranger in Moscow", Jackson laments over his "fall from grace", while songs like "Earth Song", "Childhood", "Little Susie" and "Smile" are all operatic pop pieces. Invincible found Jackson working heavily with producer Rodney Jerkins. It is a record made up of urban soul like "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn" and "Butterflies" and mixes Hip-Hop, Pop and R&B; in "2000 Watts", "Heartbreaker" and "Invincible".

Vocal style

Jackson sang from childhood, and over time his voice and vocal style changed noticeably. Between 1971 and 1975, Jackson's voice descended from boy soprano to high tenor. Jackson first used a technique called the "vocal hiccup" in 1973, starting with the song "It's Too Late to Change the Time" from The Jackson 5's album. Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of Off the Wall: it can be seen in full force in the "Shake Your Body (Down to the Ground)" promotional video. 1982 saw the release of Thriller, and Rolling Stone was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness". It contains many features of Jackson's vocal style, including the vocal hiccup he is known for.}}

A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelt "cha'mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album Dangerous. The New York Times noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".

Music videos and choreography

Referred to as the King of Music Videos, Steve Huey of Allmusic observed how Jackson transformed the music video into an art form and a promotional tool through complex story lines, dance routines, special effects and famous cameo appearances; simultaneously breaking down racial barriers. Before Thriller, Jackson struggled to receive coverage on MTV, allegedly because he was African American. Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", leading to a lengthy partnership with Jackson, also helping other black music artists gain recognition. MTV employees deny any racism in their coverage, or pressure to change their stance. MTV maintains that they played rock music, regardless of race. The popularity of his videos on MTV helped to put the relatively young channel "on the map"; MTV's focus shifted in favor of pop and R&B.; His performance on Motown 25: Yesterday, Today, Forever changed the scope of live stage show; "That Jackson lip-synced 'Billie Jean' is, in itself, not extraordinary, but the fact that it did not change the impact of the performance is extraordinary; whether the performance was live or lip-synced made no difference to the audience" thus creating an era in which artists re-create the spectacle of music video imagery on stage. Short films like Thriller largely remained unique to Jackson, while the group dance sequence in "Beat It" has frequently been imitated. The choreography in Thriller has become a part of global pop culture, replicated everywhere from Indian films to prisons in the Philippines. The Thriller short film marked an increase in scale for music videos, and has been named the most successful music video ever by the Guinness World Records. For "Smooth Criminal", Jackson experimented with an innovative "anti-gravity lean" in his performances. The maneuver required special shoes for which he was granted U.S. Patent No. 5,255,452. Although the music video for "Leave Me Alone" was not officially released in the US, in 1989, it was nominated for four Billboard Music Video Awards, winning three; the same year it won a Golden Lion Award for the quality of the special effects used in its production. In 1990, "Leave Me Alone" won a Grammy for Best Music Video, Short Form.

The MTV Video Vanguard Artist of the Decade Award was given to Jackson to celebrate his accomplishments in the art form in the 1980s; the following year the award was renamed in his honor. "Black or White" was accompanied by a controversial music video, which, on November 14, 1991, simultaneously premiered in 27 countries with an estimated audience of 500 million people, the largest viewing ever for a music video. Along with Jackson, it featured Macaulay Culkin, Peggy Lipton and George Wendt. It helped usher in morphing as an important technology in music videos.

"Remember the Time" was an elaborate production, and became one of his longest videos at over nine minutes. Set in ancient Egypt, it featured groundbreaking visual effects and appearances by Eddie Murphy, Iman and Magic Johnson, along with a distinct complex dance routine. The video for "In the Closet" was Jackson's most sexually provocative piece. It featured supermodel Naomi Campbell in a courtship dance with Jackson. The video was banned in South Africa because of its imagery. The song and its accompanying video are a response to the backlash Jackson received from the media after being accused of child molestation in 1993. A year later, it won a Grammy for Best Music Video, Short Form; shortly afterwards Guinness World Records listed it as the most expensive music video ever made at a cost of $7 million.

"Earth Song" was accompanied by an expensive and well-received music video that gained a Grammy nomination for Best Music Video, Short Form in 1997. The video had an environmental theme, showing images of animal cruelty, deforestation, pollution and war. Using special effects, time is reversed so that life returns, wars end, and the forests re-grow. Released in 1997 and premiering at the 1996 Cannes Film Festival, Michael Jackson's Ghosts was a short film written by Jackson and Stephen King and directed by Stan Winston. The video for Ghosts is over 38 minutes long and holds the Guinness World Record as the world's longest music video.

Legacy and influence

, set in 1984]] Jackson throughout his career transformed the art of the music video and paved the way for modern pop music. Daily Telegraph writer Tom Utley described Jackson in 2003 as "extremely important" and a "genius." For much of his career, he had an "unparalleled" level of worldwide influence over the younger generation through his musical and humanitarian contributions. Mariah Carey, Usher, Green Day, Britney Spears, Justin Timberlake,

Allmusic's Steve Huey describes Jackson as "an unstoppable juggernaut, possessed of all the skills to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility and loads of sheer star power".

Shortly after Jackson's death, on June 25, 2009, MTV briefly returned to its original music video format to celebrate and pay tribute to his work. The channel aired many hours of Jackson's music videos, accompanied by live news specials featuring reactions from MTV personalities and other celebrities. The temporary shift in MTV's programming culminated the following week in the channel's live coverage of Jackson's memorial service. At the memorial service on July 7, 2009, founder of Motown Records Berry Gordy proclaimed Jackson as "the greatest entertainer that ever lived."

In 2010, two university librarians found that Jackson's influence extended into academia, and was detectable in scholarly literature pertaining to a range of subject matter. The two researchers combed through various scholars' writings, and compiled an annotated bibliography of those writings that appeared to meet at least one of several criteria. Among these criteria were appearance in a peer-reviewed journal, and the provision of insight into the nature of "popular icons including Jackson". The bibliography located references to Jackson in research reports concerning music, popular culture, and an array of other topics. The bibliographers identified as their most peculiar finding an argument that certain aspects of chemistry can be effectively taught by altering and imitating elements of Jackson's singing. One of the research librarians later reflected that "the fact that someone would take a Michael Jackson song and co-opt it as a means to convey chemistry concepts just shows the pervasiveness of Jackson's influence".

Honors and awards

, Hollywood in Universal City, California.]]

Michael Jackson was inducted onto the Hollywood Walk of Fame in 1980 as member of the The Jacksons and in 1984 as solo artist. Throughout his career he received numerous honors and awards, including the World Music Awards' Best-Selling Pop Male Artist of the Millennium, the American Music Award's Artist of the Century Award and the Bambi Pop Artist of the Millennium Award. He was a double-inductee of the Rock and Roll Hall of Fame, once as a member of The Jackson 5 in 1997 and later as a solo artist in 2001. Jackson was also inducted in several other hall of fames, including Vocal Group Hall of Fame (as The Jackson 5 member) in 1999, Songwriters Hall of Fame in 2002 and Hit Parade Hall of Fame (with his brothers) in 2009. In 2010, Jackson was inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. His awards include many Guinness World Records (eight in 2006 alone), 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award), 26 American Music Awards (24 only as a solo artist, including the "Artist of the Century", but not the poll of "Artist of the '80s")—more than any artist—, 13 number one singles in the US in his solo career—more than any other male artist in the Hot 100 era—and estimated sales of up to 750 million records worldwide, making him the world's best selling male solo pop artist. On December 29, 2009, the American Film Institute recognized Jackson's passing as a "moment of significance" saying, "Michael Jackson's sudden death in June at age 50 was notable for the worldwide outpouring of grief and the unprecedented global eulogy of his posthumous concert rehearsal movie This Is It." Michael Jackson also received a Doctor of Humane Letters Degree from the United Negro College Fund and also an Honorary Doctorate of Humane Letters from Fisk University.

Lifetime earnings

His total lifetime earnings from royalties on his solo recordings and music videos, revenue from concerts and endorsements have been estimated at $500 million; some analysts have speculated that his music catalog holdings could be worth billions of dollars. This speculation however is contradicted by financial documents obtained by the Associated Press, which showed that as of March 31, 2007, Jackson's 50 percent stake in the Sony/ATV Music Publishing catalog (his most prized asset) was worth $390.6 million and Michael Jackson's net worth was . Billboard has estimated that Jackson has generated at least in revenue in the year following his death.

Discography

Got to Be There (1972)

Ben (1972)

Music & Me (1973)

Forever, Michael (1975)

Off the Wall (1979)

Thriller (1982)

Bad (1987)

Dangerous (1991)

(1995)

Invincible (2001)

Filmography

{| class="wikitable sortable" |- !Year!!Film!!Role!!Director |- style="text-align:center;" ||1978||The Wiz||Scarecrow|| |- style="text-align:center;" ||1986||Captain EO||Captain EO|| |- style="text-align:center;" ||1988||Moonwalker||Himself|| |- style="text-align:center;" ||1997||Michael Jackson's Ghosts||Maestro/Mayor/Ghoul/Skeleton|| |- style="text-align:center;" ||2002||Men in Black II||Agent M (cameo)|| |- style="text-align:center;" ||2004||Miss Cast Away and the Island Girls||Agent MJ (cameo)|| |- style="text-align:center;" ||2009||Michael Jackson's This Is It||Himself|| |}

Tours

Bad World Tour (1987–89)

Dangerous World Tour (1992–93)

HIStory World Tour (1996–97)

This Is It (2009–10) (cancelled)

See also

Honorific nicknames in popular music

List of best-selling music artists

List of best-selling music artists in the United States

List of unreleased Michael Jackson material

Notes

Bibliography

Further reading

External links

Michael Jackson Hip Hop influence & samples

Michael Jackson Live: Best Pics - slideshow by Life magazine

Michael Jackson sample map, depicting the influence Jackson's work has had on other users.

Category:1958 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2009 deaths Category:African American dancers Category:African American music Category:African American non-fiction writers Category:African American poets Category:African American record producers Category:African American rock singers Category:African American singer-songwriters Category:American businesspeople Category:American child singers Category:American choreographers Category:American dance musicians Category:American disco musicians Category:American expatriates in Ireland Category:American humanitarians Category:American male singers Category:American philanthropists Category:American pop singers Category:American rhythm and blues singers Category:American soul singers Category:American vegetarians Category:Beatboxers Category:Boy sopranos Category:BRIT Award winners Category:Burials at Forest Lawn Memorial Park (Glendale) Category:Drug-related deaths in California Category:English-language singers Category:Epic Records artists Category:Former Jehovah's Witnesses Category:Grammy Award winners Michael Jackson Category:Motown artists Category:Musicians from Indiana Category:People from Gary, Indiana Category:People from Santa Barbara County, California Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Indiana Category:Songwriters Hall of Fame inductees Michael Jackson Category:World Music Awards winners Category:World record holders

's Who?.]] George Olsen (18 March 1893 - 18 March 1971) was an American band-leader. Born in Portland, Oregon he attended the University of Michigan, where he formed his band, George Olsen and his Music. He made the transition to Broadway, appearing in Kid Boots, the Ziegfeld Follies of 1924, and Good News. George Olsen and his Music were prolific Victor recording artists and their records are among the most numerous found by record collectors today, testifying to their original popularity. He and his orchestra were in Eddie Cantor's 1928 Broadway hit Whoopee!, and in the 1930 movie version. He met a singer, Ethel Shutta, who sings and dances memorably in Whoopee!, and they married, appearing together in nightclubs and on radio. They had two children; following a divorce, Olsen opened a restaurant in New Jersey.

Olsen signed with Victor in 1924 and remained as one of Victor's most popular bands through 1933 when he signed with Columbia. He stayed with Columbia through 1934. He recorded a single session in 1938 for Decca.

In 1936, Olsen became leader of Orville Knapp's band after Knapp died in a plane crash. Olsen was chosen to lead the band by Knapp's widow. Morale problems plagued the group, and in 1938, after many musicians had already left, the group disbanded.

Olsen died in Paramus, New Jersey.

References

Category:1893 births Category:1971 deaths Category:Bandleaders Category:People from Portland, Oregon

Name	Eddie Cantor
Birth name	Edward Israel Iskowitz
Birth date	January 31, 1892
Birth place	New York City, New York, U.S.
Death date	October 10, 1964
Death place	Beverly Hills, California, U.S.
Occupation	Actor, comedian, dancer, singer-songwriter
Years active	1907–1953
Spouse	Ida Cantor (1914-1962) 5 daughters}}

Eddie Cantor (January 31, 1892 – October 10, 1964) was an American "illustrated song" performer, comedian, dancer, singer, actor and songwriter. Familiar to Broadway, radio, movie and early television audiences, this "Apostle of Pep" was regarded almost as a family member by millions because his top-rated radio shows revealed intimate stories and amusing anecdotes about his wife Ida and five daughters. Some of his hits include "Makin' Whoopee", "Ida", "If You Knew Susie", "MA! He's Makin' Eyes at Me", "Margie" and "How Ya Gonna Keep 'Em Down on the Farm (After They've Seen Paree?)" He also wrote a few songs, including "Merrily We Roll Along", the Merry Melodies Warner Bros. cartoon theme.

His eye-rolling song-and-dance routines eventually led to his nickname, "Banjo Eyes". In 1933, the artist Frederick J. Garner caricatured Cantor with large round eyes resembling the drum-like pot of a banjo. Cantor's eyes became his trademark, often exaggerated in illustrations, and leading to his appearance on Broadway in the musical Banjo Eyes (1941).

His charity and humanitarian work was extensive, and he is credited with coining the phrase and helping to develop The March of Dimes.

Biography

Cantor was born Edward Israel Iskowitz in New York City, the son of Russian-Jewish immigrants, Meta and Mechel Iskowitz. His mother died in childbirth one year after his birth, and his father died of pneumonia when Eddie was two, leaving him to be raised by his beloved grandmother, Esther Kantrowitz. As a child, he attended Surprise Lake Camp. A misunderstanding when signing her grandson for school gave him her last name of Kantrowitz (shortened by the clerk to Kanter). Esther died on January 29, 1917, two days before he signed a long-term contract with Florenz Ziegfeld Jr. to appear in his Follies.

He had adopted the first name "Eddie" when he met his future wife Ida Tobias in 1903, because she felt that "Izzy" wasn't the right name for an actor. Cantor married Ida in 1914. They (famously) had five daughters, Marjorie, Natalie, Edna, Marilyn and Janet, who provided comic fodder for Cantor's longtime running gag, especially on radio, about his five unmarriageable daughters. Several radio historians, including Gerald Nachman (Raised on Radio), have said that this gag did not always sit well with the girls.

He was the second president of the Screen Actors Guild, serving from 1933-1935. He invented the title "The March of Dimes" for the donation campaigns of the National Foundation for Infantile Paralysis, which was organized to combat polio. It was a play on the March of Time newsreels popular at the time. He began the first campaign on his own radio show in January 1938, asking people to mail a dime to the nation's most famous polio victim, President Franklin Delano Roosevelt. Other entertainers joined in the appeal via their own shows, and the White House mail room was deluged with 2,680,000 dimes.

Following the death of daughter Marjorie at the age of 44, both Eddie's and Ida's health declined rapidly. Ida died in August 1962 of "cardiac insufficiency". On October 10, 1964 in Beverly Hills, California, Eddie Cantor suffered another heart attack and died, aged 72. He is buried in Hillside Memorial Park Cemetery. Cantor was awarded an honorary Academy Award the year of his death, for distinguished service to the film industry.

Stage

Saloon songs to vaudeville

By his early teens Cantor began winning talent contests at local theaters and started appearing on stage. One of his earliest paying jobs was doubling as a waiter and performer, singing for tips at Carey Walsh's Coney Island saloon, where a young Jimmy Durante accompanied him on piano. He made his first public appearance in Vaudeville in 1907 at New York's Clinton Music Hall. In 1912, he was the only performer over the age of 20 to appear in Gus Edwards's Kid Kabaret, where he created his first blackface character, "Jefferson". He later toured with Lila Lee as the team "Cantor & Lee". Critical praise from that show got the attention of Broadway's top producer, Florenz Ziegfeld, who gave Cantor a spot in the Ziegfeld rooftop post-show, Midnight Frolic (1917). a period considered the best years of the long-running revue. For several years Cantor co-starred in an act with pioneer African-American comedian Bert Williams, both appearing in blackface; Cantor played Williams's fresh-talking son. Other co-stars with Cantor during his time in the Follies included Will Rogers, Marilyn Miller, and W.C. Fields. He moved on to stardom in book musicals, starting with Kid Boots (1923), Whoopee! (1928) and Banjo Eyes (1941).

Cantor's appearance with Rudy Vallee on Vallee's The Fleischmann's Yeast Hour on February 5, 1931 led to a four-week tryout with NBC's The Chase and Sanborn Hour. Replacing Maurice Chevalier, who was returning to Paris, Cantor joined Chase and Sanborn on September 13, 1931. This hour-long Sunday evening variety series teamed Cantor with announcer Jimmy Wallington and violinist Dave Rubinoff. The show established Cantor as a leading comedian, and his scriptwriter, David Freedman, as “the Captain of Comedy.” Cantor soon became the world's highest-paid radio star. His shows began with a crowd chanting, "We want Can-tor, We want Can-tor," a phrase said to have originated when a vaudeville audience chanted to chase off an opening act on the bill before Cantor. Cantor's theme song was his own lyric to the Leo Robin/Richard Whiting song, "One Hour with You." His radio sidekicks included Bert Gordon, (comic Barney Gorodetsky, aka "The Mad Russian") and Harry Parke (better known as "Parkyakarkus"). Cantor also discovered and helped guide the career of singer Dinah Shore, first featuring her on his radio show in 1940, as well as other performers, including Deanna Durbin, Bobby Breen and Eddie Fisher.

Indicative of his effect on the mass audience, he agreed in November 1934 to introduce a new song by the songwriters J. Fred Coots and Haven Gillespie that other well-known artists had rejected as being "silly" and "childish." The song, "Santa Claus Is Coming to Town", immediately had orders for 100,000 copies of sheet music the next day. It sold 400,000 copies by Christmas of that year.

Time to Smile

His NBC radio show, Time to Smile, was broadcast from 1940 to 1946, followed by his Pabst Blue Ribbon Show from 1946 through 1949. He also served as emcee of The $64 Question during 1949-'50, and hosted a weekly disc jockey program for Philip Morris during the 1952-'53 season. In addition to film and radio, Cantor recorded for Hit of the Week Records, then again for Columbia, for Banner and Decca and various small labels.

His heavy political involvement began early in his career, including his participation in the strike to form Actors Equity in 1919, provoking the anger of father figure and producer, Florenz Ziegfeld. At the 1939 New York World's Fair, Cantor publicly denounced Father Charles Coughlin and was dropped by his sponsor, Camel cigarettes. A year and a half later, it was his friend Jack Benny who was able to get him back on the air.

Recordings

Cantor began making phonograph records in 1917, recording both comedy songs and routines and popular songs of the day, first for Victor, then for Aeoleon-Vocalion, Pathé and Emerson. From 1921 through 1925 he had an exclusive contract with Columbia Records, returning to Victor for the remainder of the decade.

Cantor was one of the era's most successful entertainers, but the 1929 stock market crash took away his multi-millionaire status and left him deeply in debt. However, Cantor's relentless attention to his own earnings in order to avoid the poverty he knew growing up caused him to use his writing talent, quickly building a new bank account with his highly popular, bestselling books of humor and cartoons about his experience, Caught Short! A Saga of Wailing Wall Street in "1929 A.C. (After Crash)" and "Yoo Hoo Prosperity."

Film and television

in Kid Millions.]] Cantor also bounced back between movies and on radio. He had previously appeared in a number of short films (recording him performing his Follies songs and comedy routines) and two silent features (Special Delivery and Kid Boots) in the 1920s, and was offered the lead in The Jazz Singer when that was turned down by George Jessel (Cantor also turned it down, so it went to Al Jolson), but he became a leading Hollywood star in 1930 with the film version of Whoopee! in two-strip Technicolor. Over the next two decades, he continued making films until his last starring role in If You Knew Susie in 1948.

Filmography

Widow at the Races (1913)

A Few Moments With Eddie Cantor, Star of "Kid Boots" (1923) (DeForest Phonofilm sound-on-film short film)

Kid Boots (1926)

Special Delivery (1927)

A Ziegfeld Midnight Frolic (1929) (short)

Glorifying the American Girl (1929)

That Party in Person (1928) (short)

Insurance (1930) (short)

Getting a Ticket (1930) (short)

Whoopee! (1930)

Palmy Days (1931)

Talking Screen Snapshots (1932) (short)

The Kid from Spain (1932)

Roman Scandals (1933)

The Hollywood Gad-About (1934) (short)

Kid Millions (1934)

Strike Me Pink (1936)

Ali Baba Goes to Town (1937)

The March of Time Volume IV, Issue 5 (1937) (short)

Forty Little Mothers (1940)

Thank Your Lucky Stars (1943)

Show Business (1944) (also producer)

Hollywood Canteen (1944)

(1945) (short)

American Creed (1946) (short)

Meet Mr. Mischief (1947) (short) (appears on poster)

If You Knew Susie (1948)

(1949) (short)

The Story of Will Rogers (1952)

(1952) (short)

The Eddie Cantor Story (1953) (cameo)

Television

In the 1950s, he was one of the alternating hosts of the television show The Colgate Comedy Hour, in which he would introduce variety acts and play comic characters like "Maxie the Taxi." However, the show landed Cantor in an unlikely controversy when a young Sammy Davis, Jr. appeared as a guest performer. Cantor embraced Davis and mopped Davis's brow with his handkerchief after his performance. Worried sponsors led NBC to threaten cancellation of the show; Cantor's response was to book Davis for two more weeks.

On May 25, 1944, pioneer television station WPTZ (now KYW-TV) in Philadelphia presented a special telecast featuring Eddie Cantor, which was also fed to the NBC television station in New York City, WNBT (now WNBC). Cantor, one of the first major stars to agree to appear on television, was to sing "We're Havin' a Baby, My Baby and Me". Arriving shortly before airtime at the Philadelphia studios, Cantor was reportedly told to cut the song because the NBC New York censors considered some of the lyrics too risqué. Cantor refused, claiming no time to prepare an alternative number. NBC relented, but the sound was cut and the picture blurred on certain lines in the song. This is considered the first instance of television censorship.

Books and merchandising

In addition to Caught Short!: A Saga of Wailing Wall Street, Cantor wrote or co-wrote at least seven other books, including booklets released by the then-fledgling firm of Simon & Schuster, with Cantor’s name on the cover. (Some were "as told to" or written with David Freedman). Customers paid a dollar and received the booklet with a penny embedded in the hardcover. They sold well, and H. L. Mencken (1880–1956) asserted that these books did more to pull America out of the Great Depression than all government measures combined.

Bibliography

My Life Is in Your Hands by Eddie Cantor (1928) with David Freedman; Harper & Bros.

Caught Short! by Eddie Cantor (1929) Simon & Schuster

Between the Acts by Eddie Cantor (1930) Simon & Schuster

Yoo-Hoo, Prosperity!: The Eddie Cantor Five-Year Plan by Eddie Cantor (1931) with David Freedman; Simon & Schuster

The Rise of the Goldbergs by Gertrude Berg, Forward by Eddie Cantor (1931) Barse & Co.

Your Next President! by Eddie Cantor (1932) with David Freedman, Illus. by S.L. Hydeman; Ray Long & Richard R. Smith, Inc.

Eddie Cantor in An Hour with You: A Big Little Book (1934) Whitman

Eddie Cantor Song and Joke Book (1934) Illus. by Ben Harris; M. Witmark & Sons

Ziegfeld: The Great Glorifier by Eddie Cantor (1934) with David Freedman; Alfred H. King

World's Book of Best Jokes by Eddie Cantor (1943) World Publishing Co.

Hello, Momma by George Jessel, Illus. by Carl Rose, Forward by Eddie Cantor (1946) World Publishing Co.

As I Remember Them by Eddie Cantor (1965) Duell, Sloan & Pearce

Take My Life by Eddie Cantor (1957) with Jane Kesner Ardmore; Doubleday

No Man Stands Alone by Barney Ross, Forward by Eddie Cantor (1957) B. Lippincott Co.

The Way I See It by Eddie Cantor (1959) with Phyllis Rosenteur, ed.; Prentice-Hall

Yoo-Hoo, Prosperity! and Caught Short! by Eddie Cantor (1969) Greenwood Press

The Golden Age of Sound Comedy: Comic Films and Comedians of the Thirties by Donald W. McCaffrey (1973) A.S. Barnes

Radio Comedy by Arthur Frank Wertheim (1979) Oxford University Press

The Vaudevillians: A Dictionary of Vaudeville Performers by Anthony Slide (1981) Arlington House

American Vaudeville as Seen by Its Contemporaries (1984) Charles W. Stein, ed., Alfred A. Knopf

Eddie Cantor: A Life in Show Business by Gregory Koseluk (1995) McFarland

Eddie Cantor: A Bio-Bibliography by James Fisher (1997) Greenwood Press

Banjo Eyes: Eddie Cantor and the Birth of Modern Stardom by Herbert G. Goldman (1997) Oxford University Press

The Great American Broadcast: A Celebration of Radio's Golden Age by Leonard Maltin (1997) Dutton

My Life Is in Your Hands and Take My Life by Eddie Cantor (2000) Cooper Square Press

Film Clowns of the Depression: Twelve Defining Comic Performances by Wes D. Gehring (2007) McFarland

Eddie Cantor in Laugh Land by Harold Sherman (2008) Kessinger Publishing

Cantor's popularity led to merchandising of such products as Eddie Cantor's Tell It to the Judge game from Parker Brothers. In 1933, a set of 12 Eddie Cantor caricatures by Frederick J. Garner were published by Brown & Bigelow. These advertising cards were purchased in bulk as a direct-mail item by such businesses as auto body shops, funeral directors, dental laboratories and vegetable wholesale dealers. With the full set, companies could mail a single Cantor card each month for a year to their selected special customers as an ongoing promotion.

Cantor was often caricatured in magazines and newspapers, and he was occasionally a character in Warner Bros. cartoons, including Billboard Frolics and What's Up Doc? Cantor was depicted as a balloon in the Macy's Thanksgiving Day Parade one of the few balloons based on a real person.

Tributes

Cantor was profiled on the program This Is Your Life, in which an unsuspecting person (usually a celebrity) would be surprised on live television by host Ralph Edwards, with a half-hour tribute. Cantor was the only subject who was told of the surprise in advance; he was recovering from a heart attack and it was felt that the shock might harm him.

On October 29, 1995, as part of a nationwide celebration of the 75th anniversary of radio, he was posthumously inducted into the Radio Hall of Fame at Chicago's Museum of Broadcasting Communication.

In 1953 Warner Bros., in an attempt to duplicate the box-office success of The Jolson Story, filmed a big-budget Technicolor feature film, The Eddie Cantor Story. The film found an audience but might have done better with someone else in the leading role. Actor Keefe Brasselle played Cantor as a caricature with high-pressure dialogue and bulging eyes wide open; the fact that Brasselle was considerably taller than Cantor didn't lend realism either. Eddie and Ida Cantor were seen in a brief prologue and epilogue set in a projection room, where they are watching Brasselle in action; at the end of the film Eddie tells Ida, "I never looked better in my life"... and gives the audience a knowing, incredulous look. George Burns, in his memoir All My Best Friends, claimed that Warner Bros. created a miracle producing the movie in that "it made Eddie Cantor's life boring".

Something closer to the real Eddie Cantor story is his self-produced 1944 feature Show Business, a valentine to vaudeville and show folks that was RKO's top-grossing film that year. Probably the best summary of Cantor's career is in one of the Colgate Comedy Hour shows. The Colgate hour was a virtual video autobiography, with Cantor recounting his career, singing his familiar hits, and re-creating his singing-waiter days with his old pal Jimmy Durante. This show has been issued on DVD as Eddie Cantor in Person.

As talented as Cantor was, he is an excellent example of the mega star who virtually vanishes with the passing of time. His biographer, Gregory Koseluk, wrote in 1995 that Eddie "is all but forgotten," (from Eddie Cantor: A Life in Show Business [Introduction]).

In popular culture

Eddie Cantor is a recurring character on HBO's series Boardwalk Empire, where he is played by Stephen DeRosa. He appeared in three episodes of the show's first season.

One of the main characters in Stephen King's Dark Tower Series of books is named Edward Cantor Dean (better known as "Eddie Dean").

Sources

Watch

(1923)">A Few Moments with Eddie Cantor, Star of "Kid Boots" (1923) A six-minute film made in Phonofilm by Lee De Forest featuring Cantor telling monologues and singing two songs.

Listen to

Command Performance 1942-03-01 ep001 - Eddie Cantor

Command Performance 1942-04-01_ep006 Kay Kyser & Eddie Cantor

The Chase and Sanborn Hour with Eddie Cantor (excerpts)

Free OTR: The Eddie Cantor Show (30 1936-52 episodes)

OTR Network Library: The Eddie Cantor Show (11 1936-52 episodes)

References

External links

Eddie Cantor official site

Cantor's Sidekick: Bert 'The Mad Russian' Gordon @WFMU

Category:American people of Russian descent Category:1892 births Category:1964 deaths Category:1930s American radio programs Category:Academy Honorary Award recipients Category:Blackface minstrel performers Category:American Jews Category:Jewish American musicians Category:Jewish actors Category:American singers Category:Vaudeville performers Category:RCA Victor artists Category:Deaths from myocardial infarction Category:American people of Russian-Jewish descent Category:Jewish comedians Category:Presidents of the Screen Actors Guild

Name	Count Basie
Background	non_vocal_instrumentalist
Birth name	William James Basie
Born	August 21, 1904Red Bank, New Jersey, U.S.
Died	April 26, 1984Hollywood, Florida, U.S.
Instrument	Piano, organ
Genre	Swing, big band, piano blues
Occupation	Musician, bandleader, composer
Years active	1924–1984

William "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. Basie led his jazz orchestra almost continuously for nearly 50 years. Many notable musicians came to prominence under his direction, including tenor saxophonists Lester Young and Herschel Evans, trumpeters Buck Clayton and Harry "Sweets" Edison and singers Jimmy Rushing and Joe Williams. Basie's theme songs were "One O'Clock Jump" and "April In Paris".

Biography

Early life

William James Basie was born to Harvey Lee Basie, and Lillian Ann Childs, who lived on Mechanic Street in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced horses, his father became a groundskeeper and handyman for several families in the area. His mother, a piano player who gave Basie his first piano lessons, took in laundry and baked cakes for sale and paid 25 cents a lesson for piano instruction for him.

Basie was not much of a scholar and instead dreamed of a traveling life, inspired by the carnivals which came to town. He only got as far as junior high school. He would hang out at the Palace Theater in Red Bank and did occasional chores for the management, which got him free admission to the shows. He also learned to operate the spotlights for the vaudeville shows. One day, when the pianist failed to arrive by show time, Basie took his place. Playing by ear, he quickly learned to improvise music appropriate to silent movies.

Though a natural at the piano, Basie preferred drums. However, the obvious talents of another young Red Bank area drummer, Sonny Greer (who was Duke Ellington's drummer from 1919 to 1951), discouraged Basie and he switched to piano exclusively by age 15. When not playing a gig, he hung out at the local pool hall with other musicians where he picked up on upcoming play dates and gossip. He got some jobs in Asbury Park, New Jersey, playing at the Hongkong Inn, until a better player took his place.

Early career

Around 1924, he went to Harlem, a hotbed of jazz, living down the block from the Alhambra Theater. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band. Soon, Basie met many of the Harlem musicians who were making the scene, including Willie "the Lion" Smith and James P. Johnson.

Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to blues singers Katie Krippen and Gonzelle White. His touring took him to Kansas City, St. Louis, New Orleans, and Chicago. Throughout his tours, Basie met many great jazz musicians, including Louis Armstrong.

Back in Harlem in 1925, Basie got his first steady job at Leroy's, a place known for its piano players and its "cutting contests." The place catered to "uptown celebrities," and typically the band winged every number without sheet music (using "head" arrangements). He met Fats Waller, who was playing organ at the Lincoln Theater accompanying silent movies, and Waller taught him how to play that instrument (Basie later played organ at the Eblon Theater in Kansas City). As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the lean times arranging gigs at house-rent parties, introducing him to other top musicians, and teaching him some piano technique.

In 1928 Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. A few months later, he was invited to join the band, which played mostly in Texas and Oklahoma. It was at this time that he began to be known as "Count" Basie (see Jazz royalty).

Kansas City years

The following year, Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to the level of Duke Ellington's or Fletcher Henderson's. Where the Blue Devils were "snappier" and more "bluesy," the Moten band was classier and more respected, and played in the "Kansas City stomp" style. In addition to playing piano, Basie was co-arranger with Eddie Durham, who actually did the notating. During a stay in Chicago, Basie recorded with the band. He occasionally played four-hand piano and dual pianos with Moten, who also conducted. The band improved with several personnel changes, including the addition of tenor saxophonist Ben Webster.

When the band voted Moten out, Basie took over for several months as Count Basie and his Cherry Blossoms until the band folded, when he returned to Moten's newly re-organized band. When Moten died in 1935 after a surgical procedure, the band unsuccessfully attempted to stay together. Then Basie formed a new band, which included many Moten alumni, with the important addition of tenor player Lester Young. They played at the Reno Club and sometimes were broadcast on local radio. Late one night with time to fill, the band started improvising. Basie liked the results and named the piece "One O'Clock Jump." According to Basie, "we hit it with the rhythm section and went into the riffs, and the riffs just stuck. We set the thing up front in D-flat, and then we just went on playing in F." It became his signature tune.

Hammond and first recordings

, from the film Stage Door Canteen (1943)]] At the end of 1936, Basie and his band, now billed as Count Basie and His Barons of Rhythm, moved from Kansas City and honed their repertoire at a long engagement at the Grand Terrace Ballroom in Chicago. Right from the start, Basie's band was noted for its rhythm section. Another Basie innovation was the use of two tenor saxophone players; at the time, most bands had just one. When Lester Young complained of Herschel Evans' vibrato, the two were split apart and placed one on each side of the alto players, and soon Basie had the tenor players engaged in "duels". Many other bands later adapted the split tenor arrangement.

In that city in October 1936, members of the band participated in a recording session which producer John Hammond later described as "the only perfect, completely perfect recording session I've ever had anything to do with". Hammond, according to Basie, had heard Basie's band over short-wave radio, then he went to Kansas City to check them out. The results were Lester Young's earliest recordings. Those four sides were released under the name Jones-Smith Incorporated, because Basie had already signed with Decca Records but had not started recording for them (his first Decca session was January 1937). The sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Oh, Lady Be Good".

By now, Basie's sound was characterized by a "jumping" beat and the contrapuntal accents of his own piano. His personnel around 1937 included: Lester Young and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Warren (alto sax), Buck Clayton and Harry Edison (trumpet), Benny Morton and Dickie Wells (trombone). Lester Young, known as "Prez" by the band, came up with nicknames for all the other band members. Basie became known as "Holy Man", "Holy Main", and just plain "Holy".

Basie favored blues, and he showcased some of the most notable blues singers of the era: Billie Holiday, Jimmy Rushing, Big Joe Turner, Helen Humes, and Joe Williams. He also hired arrangers who knew how to maximize the band's abilities, such as Eddie Durham and Jimmy Mundy.

New York City and the Swing years

When they arrived in New York, they made the Woodside Hotel their base (where they often rehearsed in the basement). Soon, they were booked at the Roseland Ballroom for the Christmas show. Basie recalled a review, which in his words was something like, "We caught the great Count Basie band which is supposed to be so hot he was going to come in here and set the Roseland on fire. Well, the Roseland is still standing". Compared to the reigning band of Fletcher Henderson, Basie's band lacked polish and presentation. Hammond advised and encouraged them, and they soon came up with some adjustments, including softer playing, more solos, more standards, and saving their hottest numbers for later in the show to give the audience a chance to warm up. His first official recordings for Decca followed, under contract to agent MCA, including "Pennies from Heaven" and "Honeysuckle Rose".

Hammond introduced Basie to Billie Holiday who was soon singing with the band. (Holiday didn't record with Basie, however, as she had her own record contract and preferred working with small combos). The band's first appearance at the Apollo Theater followed, with vocalists Holiday and Rushing getting the most attention. Eddie Durham came back to help with arranging and composing, but for the most part their numbers were worked out in rehearsal, with Basie, guiding the proceedings, and the results written out little if at all. Once they found what they liked, they usually were able to repeat it using their collective memory.

Next, Basie played at the Savoy, which was noted more for jitterbugging, while the Roseland was more of a place for fox-trots and congas. In early 1938, the Savoy was the meeting ground for a "battle of the bands" with Chick Webb's group. Basie had Holiday and Webb countered with Ella Fitzgerald. As Metronome magazine proclaimed, "Basie's Brilliant Band Conquers Chick's", then it went on in detail, : "Throughout the fight, which never let down in its intensity during the whole fray, Chick took the aggressive, with the Count playing along easily and, on the whole, more musically scientifically. Undismayed by Chick's forceful drum beating, which sent the audience into shouts of encouragement and appreciation and casual beads of perspiration to drop from Chick's brow onto the brass cymbals, the Count maintained an attitude of poise and self-assurance. He constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and more force from his adversary". The publicity over the battle, before and after, gave the Basie band a big boost and they gained wider recognition, as evidenced by Benny Goodman's recording of One O'Clock Jump shortly thereafter.

A few months later, Holiday left for Artie Shaw's band, and was replaced by Helen Humes; she was also ushered in by John Hammond, and stayed with Basie for four years. Co-arranger and trombone player Eddie Durham left for Glenn Miller's orchestra and was replaced by Dicky Wells. Basie's 14-man band began playing at the Famous Door, a mid-town nightspot, with a CBS network feed and air conditioning. Their fame took a huge leap. Adding to their play book, Basie received arrangements from Jimmy Mundy (who had also worked with Benny Goodman and Earl Hines) particularly for "Cherokee", "Easy Does It", and "Super Chief". In 1939, Basie and his band made a major cross-country tour, including their first West Coast dates. A few months later, Basie quit MCA and signed with the William Morris Agency, who got them better fees.

In 1942, Basie moved to Queens with Catherine Morgan, after being married to her for a few years. On the West Coast, the band did a spot in Reveille With Beverly, a musical starring Ann Miller, and also a "Command Performance" for Armed Forces Radio with Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and singer Dinah Shore. Other minor movie spots followed including Choo Choo Swing, Crazy House, Top Man, and Hit Parade of 1943. They also started to record with RCA. The war years caused a lot of member turn over, and the band worked many play dates with lower pay. Dance hall bookings were down sharply as swing began to fade, the effects of the musicians' strikes of 1942-44 and 1948 began to be felt and the public's growing taste for singers.

Post-war and later years

The big band era appeared to have ended after the war, and Basie disbanded the group. For a while, he performed in combos, sometimes stretched to an orchestra. In 1950, he headlined the Universal-International short film 'Sugar Chile' Robinson, Billie Holiday, Count Basie and His Sextet. He reformed his group as a 16-piece orchestra in 1952. Basie credits Billy Eckstine, a top male vocalist of the time, for prompting his return to Big Band and Norman Granz for getting him into the Birdland club and promoting the new band through recordings on the Mercury, Clef, and Verve labels. The jukebox era had begun, and Basie shared the exposure along with early rock'n'roll and rhythm and blues artists. Basie's new band was more of an ensemble group, with fewer solo turns, and relying less on "head" and more on written arrangements.

Basie added touches of bebop "so long as it made sense", and he required that "it all had to have feeling". Basie's band was sharing Birdland with bebop greats Charlie Parker, Dizzy Gillespie, and Miles Davis. Behind the occasional bebop solos, though, he always kept his strict rhythmic pulse, "so it doesn't matter what they do up front; the audience gets the beat". Basie also added flute to some numbers, a novelty at the time that became widely copied. Soon, they were touring and recording again. The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, and Idris Sulieman, Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd Johnson (tenor sax); Marshall Royal and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax). Down Beat said "(Basie) has managed to assemble an ensemble that can thrill both the listener who remembers 1938 and the youngster who has never before heard a big band like this".

In 1954, the band made its first European tour. Jazz was especially strong in France, The Netherlands, and Germany in the 1950s; These countries were the stomping grounds for many expatriate jazz stars who were either resurrecting their careers or sitting out the years of racial divide in the United States. Neal Hefti began to provide arrangements, notably "Lil Darlin'". By the mid-1950s, Basie's band had become one of the preeminent backing big bands for some of the most prominent jazz vocalists of the time. They also toured with the "Birdland Stars of 1955", whose lineup included Sarah Vaughan, Erroll Garner, Lester Young, George Shearing, and Stan Getz.

In 1957, Basie released the live album Count Basie at Newport. "April in Paris" (arrangement by Wild Bill Davis) was a best-selling instrumental and the title song for the hit album. The Basie band made two tours in the British Isles and on the second, they put on a command performance for Queen Elizabeth II, along with Judy Garland, Vera Lynn, and Mario Lanza.He was a guest on ABC's The Pat Boone Chevy Showroom, a venue also opened to several other black entertainers. In 1959, Basie's band recorded a "greatest hits" double album The Count Basie Story (Frank Foster, arranger) and "Basie and Eckstine, Inc.": album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Orchestra. It was released by Roulette Records, then later reissued by Capital Records.

Later that year, Basie appeared on a television special with Fred Astaire, featuring a dance solo to "Sweet Georgia Brown", followed in January 1960 by Basie performing at one of the five John F. Kennedy Inaugural Balls. That summer, Basie and Duke Ellington combined forces for the recording First Time! The Count Meets the Duke, each providing four numbers from their play books.

During the balance of the 1960s, the band kept busy with tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. Some time around 1964, Basie adopted his trademark yachting cap. Through steady changes in personnel, Basie led the band into the 1970s. Basie made a few more movie appearances, such as the Jerry Lewis film Cinderfella (1960) and the Mel Brooks movie Blazing Saddles (1974), playing his arrangement of "April in Paris".

Basie died of pancreatic cancer in Hollywood, Florida on April 26, 1984 at the age of 79.

Basie also recorded with Tony Bennett in the early 1960s — their albums together included the live recording at Las Vegas and Strike Up the Band, a studio album. Basie also toured with Bennett, including a date at Carnegie Hall. Other notable recordings were with Sammy Davis, Jr., Bing Crosby, and Sarah Vaughan. One of Basie's biggest regrets was never recording with Louis Armstrong, though they shared the same bill several times.

Legacy

Count Basie introduced several generations of listeners to the Big Band sound and left an influential catalog. Basie is remembered by many who worked for him as being considerate of musicians and their opinions, modest, relaxed, fun-loving, dryly witty, and always enthusiastic about his music. As he summed up the key to his understated style, in his autobiography, "I think the band can really swing when it swings easy, when it can just play along like you are cutting butter".

Other cultural connections include Jerry Lewis using "Blues in Hoss' Flat" from Basie's Chairman of the Board album, as the basis for his own "Chairman of the Board" routine in the movie The Errand Boy, in which Lewis pantomimed the movements of a corporate executive holding a board meeting. (In the early 1980s, Lewis revived the routine during the live broadcast of one of his Muscular Dystrophy Association telethons). Blues in Hoss' Flat, composed by Basie band member Frank Foster, was also the longtime theme song of San Francisco and New York radio DJ Al "Jazzbeaux" Collins. In addition, Basie is one of the producers of the "world's greatest music" that Brenda Fricker's "Pigeon Lady" character claims to have heard in Carnegie Hall in 1992's . Drummer Neil Peart of the Canadian rock band Rush recorded a version of "One O'Clock Jump" with the Buddy Rich Big Band, and has used it at the end of his drum solos on the 2002 Vapor Trails Tour and Rush's .

The Count Basie Theatre and Count Basie Field in his hometown of Red Bank, New Jersey were named in his honor. The street on which he lived, Mechanic Street has the honorary title of Count Basie Way.

On September 26, 2009, Edgecombe Avenue and 160th Street in Washington Heights, Manhattan, were renamed as Paul Robeson Boulevard and Count Basie Place. The corner is the location of 555 Edgecombe Avenue, also known as the Paul Robeson Home, a National Historic Landmark building where Count Basie and Paul Robeson lived.

Discography

The majority of Basie's recordings were made with his big band, see Count Basie Orchestra Discography.

Basie also made several small group recordings without his band:

Count Basie Sextet (1954, Clef)

Count Basie and the Kansas City 7 (1962, Columbia)

Basie Swingin' Voices Singin' (1966, EMI)

Afrique (1971, BMG International)

Loose Walk (with Roy Eldridge) (1972, Pablo)

Basie Jam (1973, Pablo)

The Bosses (with Big Joe Turner) (1973)

For the First Time (1974, Pablo)

Satch and Josh (with Oscar Peterson)

Basie & Zoot (with Zoot Sims) (1975, Pablo)

For the Second Time (1975, Pablo)

Basie Jam 2 (1976, Pablo)

Basie Jam 3 (1976, Pablo)

Kansas City 5 (1977, Pablo)

The Gifted Ones (with Dizzy Gillespie) (1977, Pablo)

(live) (1977, Pablo)

Satch and Josh...Again (with Oscar Peterson) (1977, Pablo)

Night Rider (with Oscar Peterson) (1978, Pablo)

Count Basie Meets Oscar Peterson – The Timekeepers (with Oscar Peterson) (1978, Pablo)

Yessir, That's My Baby (with Oscar Peterson) (1978, Pablo)

(1979, Pablo)

Kansas City 7 (1980, Pablo)

Kansas City 6 (1981, Pablo)

Mostly Blues...and Some Others (1983, Pablo)

Filmography

Sugar Chile Robinson, Billie Holiday, Count Basie and His Sextet (1950) – as himself

Cinderfella (1960) – as himself

Blazing Saddles (1974) – as himself with his orchestra

Awards

Grammy Awards

{| class=wikitable |- | colspan=5 align=center | Count Basie Grammy Award History |- |- ! Year ! Category ! Title ! Genre ! Results |- align=center | 1982 | Best Jazz Instrumental Performance, Big Band | Warm Breeze | Jazz | Winner |- align=center | 1984 | Best Jazz Instrumental Performance, Big Band | 88 Basie Street | Jazz | Winner |- align=center | 1980 | Best Jazz Instrumental Performance, Big Band | On The Road | Jazz | Winner |- align=center | 1977 | Best Jazz Performance By A Big Band | Prime Time | Jazz | Winner |- align=center | 1976 | Best Jazz Performance By A Soloist (Instrumental) | Basie And Zoot | Jazz | Winner |- align=center | 1963 | Best Performance By An Orchestra – For Dancing | This Time By Basie! Hits Of The 50's And 60's | Pop | Winner |- align=center | 1960 | Best Performance By A Band For Dancing | Dance With Basie | Pop | Winner |- align=center | 1958 | Best Performance By A Dance Band | Basie | Pop | Winner |- align=center | 1958 | Best Jazz Performance, Group | Basie | Jazz | Winner |- align=center |}

Grammy Hall of Fame

Recordings of Count Basie was inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have "qualitative or historical significance."

{| class=wikitable |- | colspan=5 align=center | Count Basie Grammy Hall of Fame Awards |- ! Year Recorded ! Title ! genre ! Label ! Year Inducted |- align=center | 1939 | Lester Leaps In | Jazz (Single) | Vocalion | 2005 |- align=center | 1955 | Everyday (I Have the Blues) | Jazz (Single) | Clef | 1992 |- align=center | 1955 | April in Paris | Jazz (Single) | Clef | 1985 |- align=center | 1937 | One O'Clock Jump | Jazz (Single) | Decca | 1979 |- align=center |}

Honors and Inductions

On May 23, 1985, William "Count" Basie was presented, posthumously, with the Presidential Medal of Freedom by President Ronald Reagan. The award was received by his son, Aaron Woodward.

On September 11, 1996 the U.S. Post Office issued a Count Basie 32 cents postage stamp. Basie is a part of the Big Band Leaders issue, which, is in turn, part of the Legends of American Music series.

{| class=wikitable |- | colspan=5 align=center | Count Basie Award History |- ! Year ! Category ! Result ! Notes |- align=center | 2007 | Long Island Music Hall of Fame | Inducted |- align=center | 2005 | Nesuhi Ertegun Jazz Hall of Fame | Inducted |- align=center | 2002 | Grammy Lifetime Achievement Award | Winner | |- align=center | 1983 | NEA Jazz Masters | Winner |- align=center | 1981 | Grammy Trustees Award | Winner |- align=center | 1981 | Kennedy Center Honors | Honoree |- align=center | late 1970s | Hollywood Walk of Fame | Honoree | at 6508 Hollywood Blvd. |- align=center | 1970 | Phi Mu Alpha Sinfonia | Initiated | Mu Nu Chapter |- align=center | 1958 | Down Beat Jazz Hall of Fame | Inducted |- align=center |}

National Recording Registry

In 2005, Count Basie's song "One O'Clock Jump" (1937) was included by the National Recording Preservation Board in the Library of Congress National Recording Registry. The board selects songs in an annual basis that are "culturally, historically, or aesthetically significant."

References

External links

International Jose Guillermo Carrillo Foundation

Basie biography at swingmusic.net

BBC Profile of Count Basie

Downbeat Magazine

U.S. Postal Service Biography

Remarks at the Presentation Ceremony for the Presidential Medal of Freedom – May 23, 1985

Basie biography and album list

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