- published: 16 Feb 2009
- views: 5150
On August 1, 1942, the American Federation of Musicians, at the instigation of union president James Petrillo, started a strike against the major American recording companies because of disagreements over royalty payments. Beginning at midnight, July 31, no union musician could record for any record company. That meant that a union musician was allowed to participate on radio programs and other kinds of musical entertainment, but not in a recording session.
The strike did not affect musicians performing on live radio shows, in concerts, or, after October 27, 1943, on special recordings made by the record companies for V-Discs for distribution to the armed forces fighting World War II, because V–Discs were not available to the general public. However, the union did frequently threaten to withdraw musicians from the radio networks to punish individual network affiliates who were deemed “unfair” for violating the union's policy on recording network shows for repeat broadcasts.
"All or Nothing at All" is a song composed in 1939 by Arthur Altman, with lyrics by Jack Lawrence.
Frank Sinatra's 1939 recording of the song became a huge hit in 1943, when it was reissued by Columbia Records during the 1942-44 musicians' strike. The record peaked in the Billboard top two.
In a 1944 interview, Sinatra said of the delayed success of the song, "That was the song, a few days after Harry James and myself recorded it, that gave us our walking papers out of the old Victor Hugo Cafe (a major entertainment venue of the 1930s) on the Sunset Strip in Hollywood. The manager came up and waved his hands for us to stop. He said Harry's trumpet playing was too loud for the joint and my singing was just plain lousy and fired Harry, me and the entire band on the spot. He said the two of us couldn't draw flies as an attraction, and I guess he was right - the room was as empty as a barn. It's a funny thing about that song. The recording we made of it 5 years ago is now one of the top spots among the best sellers. But it's the same old recording. It's also the song I auditioned with for Tommy Dorsey, who signed me on the strength of it. And now it's my first big record."
At All is the tenth album by the actor Viggo Mortensen, released in 2008. The album was recorded before his last album Time Waits for Everyone of 2007 and released on the label TDRS Music along with his last album.
The album features the eighth collaboration with avant-garde guitarist Buckethead, plus producer and owner of the label TDRS Music, Travis Dickerson in one song. The rest of the songs are played by Viggo Mortensen alone, according to Mortensen when referring to the album, he said:
The title Nothing at all or Nothin' at all may refer to:
All or Nothing may refer to:
All or Nothing (lottery), a game format offered by multiple lotteries in the United States
"All or Nothing at All" is a song composed in 1939 by Arthur Altman, with lyrics by Jack Lawrence. Frank Sinatra's 1939 recording of the song became a huge hit in 1943, during the 1942-43 musicians' strike. The record peaked in the Billboard top two.
In May 1941, Sinatra was at the top of the male singer polls in the Billboard and Down Beat magazines. His appeal to bobby soxers, as teenage girls of that time were called, revealed a whole new audience for popular music, which had been recorded mainly for adults up to that time. On December 31, 1942, Sinatra made a "legendary opening" at the Paramount Theater in New York. Jack Benny later said, "I thought the goddamned building was going to cave in. I never heard such a commotion...All this for a fellow I never heard of." When Sinatra returned to the Paramount in October 1944, 35,000 fans caused a near riot outside the venue because they were not allowed in. Sinatra being interviewed for American Forces Network during World War II. During the musicians' strike of 1942--44, Columbia re...
"All or Nothing at All" is a song composed in 1939 by Arthur Altman, with lyrics by Jack Lawrence. Frank Sinatra's 1939 recording of the song became a huge hit in 1943, during the 1942-43 musicians' strike. The record peaked in the Billboard top two.
It's a HIT record, which during the early 1940s often indicated less than stellar quality of performance, engineering, and shellac. Nevertheless, this particular HIT may be of some interest as it was the only commercially issued 1942-43 version of the song to be released in competition with the Harry James/Helen Forrest megahit. While not a great track, it should be at least listenable after having undergone some digital clean-up and severe EQ adjustment to the overly tinny sounding 78rpm output. The infamous "recording ban" (AFM musicians strike) had already been in effect for several months when in early 1943 the James record (rec. 7/31/42) really began to take off, leaving Victor, Decca, and Capitol no opportunity to jump in with their own big-band contributions. Hazy session documen...
"All or Nothing at All" is a song composed in 1939 by Arthur Altman, with lyrics by Jack Lawrence. Frank Sinatra's 1939 recording of the song became a huge hit in 1943, when it was reissued by Columbia Records during the 1942-43 musicians' strike. The record peaked in the Billboard top two. Billie's accompanied by Harry Edison (trumpet), Ben Webster (tenor saxophone), Jimmy Rowles (piano), Barney Kessel (guitar), Joe Mondragon (bass) and Alvin Stoller (drums). Recorded in Los Angeles, August 18, 1956. (Verve Records) All or nothing at all Half of love never appealed to me If your heart never could yield to me Then I'd rather have nothing at all All or nothing at all If it's love there is no in between Why begin, then cry for something that might have been No, I rather have nothin...
Kathy White - Vocals Nick Funicelli - Music "All or Nothing at All" is a song composed in 1939 by Arthur Altman, with lyrics by Jack Lawrence. Frank Sinatra's 1939 recording of the song became a huge hit in 1943, during the 1942-43 musicians' strike. The record peaked in the Billboard top two.
This is an inaugural recording of a previously unpublished melody found among the manuscripts left by George Gershwin. Although he had a fondness for the violin, Gershwin wrote very little music for stringed instruments. One of the composer's earliest and most significant musical memories was of a violin performance of Rubinstein's "Melody in F" played by school classmate Max Rose in the days when Gershwin was still a rough and tumble New York street youth. That incident inspired Gershwin to a career in music and, in tribute to it, Ira named this unpublished melody "Violin Piece". The original manuscript is an unfinished melody —However, under the guidance of Ira Gershwin, Michael Tilson Thomas expanded the brief thirty-two bar vignette into a fuller realization, in George's characteri...
The Fulcrum Point New Music Ensemble performs "But I Voted for Shirley Chisholm" by Ted Hearne at Fulcrum Point's 18th Annual Concert for Peace. Originally commissioned by the Brooklyn Philharmonic, this piece is both a tribute to Shirley Chisholm and an exploration of how sampling can be worked into a dialogue, accompanied by musicians. Composer, singer and bandleader Ted Hearne (b.1982, Chicago) draws on a wide breadth of influences ranging across music's full terrain, to create intense, personal and multi-dimensional works. Visit his website here: http://www.tedhearne.com/ Fulcrum Point's Concert for Peace celebrates humanity’s struggles and achievements in acceptance, inclusion, and love through spoken word and music. To learn more about Fulcrum Point, visit fulcrumpoint.org or follo...
Patriotic Melodies that Stirred Our Nation, arr. Bullock. Senior Pops Orchestra of Long Island, Stephen Michael Smith, Conductor. New York Institute of Technology Arts Series, October 24, 2010
Megyünk lőni, aki lelesi, hol vagyunk, jöhet utánunk lőni, aki csal, azt nem szeretjük... Ha tetszik a sorozat, iratkozz fel a csatornánkra. Facebook: http://www.facebook.com/MineFanatic Royalty Free Music by http://audiomicro.com/royalty-free-music
This is a longer Version of the Battlefield 4 theme from the Gamescom presentation.
BF3 + QOTSA = WIN! Had this song in my head when I first saw this video by Cl1ntBeastood, thus a QOTSA edit was born. TURN IT UP! Queens of the Stone Age - You think I ain't worth a dollar, but I feel like a millionaire Original video by C1intBeastwood https://www.youtube.com/watch?v=y9Y5fithqGM fun fact: this song was used in one of the first BF Bad Company trailers.
Download: http://www.file-upload.net/download-8317225/Official-BF4-Trailer-Song-1h.mp3.html unser system: AMD FX 8150/AMD FX 8150 16GB Ram/8GB Ram Gigabyte 990FXA-D3/Asus M5 A97 EVO R2.0 600 Watt Sharkoon WPM/bequiet 750 Watt Nvidia Geforce GTX680/GTX660 Sharkoon T9/Vaya Case Corsair 1500 Headset/Fatal1ty Headset
This is a better version of my first video: ''Knife kills in slow motion''. Only reloading and shooting, with a few guns. Song: Foster The People - Pumped Up Kicks (Butch Clancy Dubstep Remix)
Megyünk lőni, aki lelesi, hol vagyunk, jöhet utánunk lőni, aki csal, azt nem szeretjük... Ha tetszik a sorozat, iratkozz fel a csatornánkra. Facebook: http://www.facebook.com/MineFanatic Royalty Free Music by http://audiomicro.com/royalty-free-music
Download: http://www.file-upload.net/download-8317225/Official-BF4-Trailer-Song-1h.mp3.html unser system: AMD FX 8150/AMD FX 8150 16GB Ram/8GB Ram Gigabyte 990FXA-D3/Asus M5 A97 EVO R2.0 600 Watt Sharkoon WPM/bequiet 750 Watt Nvidia Geforce GTX680/GTX660 Sharkoon T9/Vaya Case Corsair 1500 Headset/Fatal1ty Headset