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Name | Dalida |
---|---|
Alt | Promotional picture of Dalida taken in 1954. |
Caption | Dalida in 1954 |
Birth name | Iolanda Cristina Gigliotti |
Birth date | January 17, 1933 |
Birth place | Cairo, Egypt |
Death date | May 03, 1987 |
Death place | Paris, France |
Resting place | Montmartre Cemetery, Paris, France |
Resting place coordinates | |
Monuments | Place Dalida, Paris, FranceStatue of Dalida at Montmartre Cemetery, Paris, France |
Residence | Rue d'Orchampt 11 bisMontmartre, Paris, France |
Nationality | Italian, naturalised French |
Ethnicity | Italian |
Citizenship | French and Italian |
Other names | Yolanda Cristina Gigliotti/Yolanda Gigliotti |
Style | Chanson, Classical, Pop, Popular Music, Disco, Franco Arabic, Raï, World Music |
Occupation | SingerActress |
Years active | Singer (1956-1987)Actress (1954-1986) |
Title | Miss Egypt 1954 |
Awards | Médaille de la Présidence de la République by Général de Gaulle |
Signature | Dalida - signature.svg |
Signature alt | "Dalida" |
Website | www.Dalida.com |
Dalida (17 January 1933 – 3 May 1987), born Iolanda Cristina Gigliotti, was a world famous singer and actress born in Egypt with Italian origins but naturalised French with the name Yolanda Gigliotti. She spent her early years in Egypt amongst the Italian Egyptian community, but she lived most of her adult life in France. She received 55 gold records and was the first singer to receive a diamond disc. Dalida performed and recorded in more than 10 languages including: French, Arabic, Italian, Greek, German, English, Japanese, Hebrew, Dutch and Spanish.
Renowned for the revolution she created on the French and global music industry by introducing powerful, stupendous and colourful performances, she is today known, loved and respected throughout the world. An amazing, 30 year long career (she debuted in 1956 and recorded her last album in 1986, a few months before her death) and a tragic death led to her iconic figure as a combined Madonna, diva, tragic and world-class singer.
In 1950, Dalida participated in the Miss Ondine beauty pageant and won the title, and shortly after began working as a model for Donna, a Cairo-based fashion house. In 1954, at the age of 20, Dalida competed in and won the Miss Egypt pageant, and was crowned Miss Egypt. It was then that she was spotted by French director Marc de Gastyne and, much to the reluctance of her parents, she moved to Paris on Christmas Eve of the same year with the intention of pursuing a career in motion pictures. It was about this time she adopted the name Dalila, which was shortly thereafter changed to the more familiar Dalida.
Dalida collected 19 number one hit singles to her name in four languages (French, Italian, German, and Arabic) and has a long list of top 10, and top 20 hits in French, Italian, German, Spanish, and Arabic, and accumulated myriad top selling singles and albums largely, in France, Italy, Germany, Belgium, Spain, the Netherlands, Luxembourg, Switzerland, Austria, Egypt, Jordan, Lebanon, Greece, Canada, Russia, Japan, and Israel, spanning over forty years. Four of Dalida's English language recordings ("Alabama Song", "Money Money", "Let Me Dance Tonight", and "Kalimba de Luna"), gained moderate success primarily in France and Germany, without being widely distributed in the UK and US markets. Worldwide sales of her music are estimated at over 130 million, establishing her as one of the most noteworthy multi-lingual recording artists of the 20th century.
Dalida's mother tongue was Italian. She learned Egyptian Arabic growing up in Cairo, and acquired fluency in French after establishing herself in Paris in 1954. She later achieved command of the English language as well as reasonable conversational skills in German and Spanish. Dalida also had the aptitude of greeting her fans in basic Japanese. She was considered as a pop and music icon in Japan and her concerts there were met with almost unprecedented enthusiasm. Once during a concert in Japan, Dalida felt ill and couldn't continue to perform. The organisers expected an enraged reaction due to the cancellation of the concert but when Dalida came onstage and explained to her fans that she couldn't perform, she was met with great applause and her name echoed everywhere. She promised to hold the concert again, a promise which she soon fulfilled.
Dalida toured extensively from 1958 through the early 1960s, playing dates in France, Egypt, Italy, and the United States. Her tours of Egypt, and Italy spread her fame outside of France and Dalida soon became well-known throughout Europe. However, she waited too long before entering America's music scene and though great names of the American music industry wanted to introduce her to the United States, she refused commenting that "I took too long to start here". However some of her English songs and her performance at the Carnegie Hall were much applauded.
In 1961, Dalida performed a month of shows at the Olympia, with each selling out completely. Shortly afterwards Dalida embarked upon a tour of Hong Kong and Vietnam. Throughout the 1960s Dalida would frequently perform sell-out shows at The Olympia, and international dates became more frequent. In December 1968, she was awarded the Médaille de la Présidence de la République by Général de Gaulle, the only person from the music industry to have received this accolade.
The early 1970s became a transitional period for the singer, highlighted by some of her most successful singles. After gaining a keen interest in academia in the mid-1960s she chose to sing songs with more profound lyrics. She tried to probe into her inner-self and declared that she would sing only those songs which have a meaning for her. Bruno Coquatrix was dubious about Dalida’s career evolution, and was hesitant to book her for a series of performances in 1971. Dalida hired the hall herself, and her show was met with an impressive public response, thus forcing the world to acknowledge that a new and more powerful performer had emerged in Dalida. In 1973, a French version of the Italian song "Paroles Paroles", originally performed by Mina, was recorded by Dalida and her close friend Alain Delon. The song became a big hit and was the number one single in France and Japan. It was played consistently on french radios, at the request of listeners. The follow up, "Il Venait d’Avoir Dix-Huit Ans", reached number one in nine countries, and sold three and a half million copies in Germany. The way Dalida interpreted the song left people amazed."Gigi l’Amoroso", released in 1974, would actually perform better in the charts than its predecessor, reaching number one in 12 countries. A success which many other singers couldn't achieve. Touring would follow this period of unprecedented sales, with Dalida performing in Japan, Canada and Germany. In February 1975, French music critics presented the singer with the prestigious Prix de l'Académie du Disque Français.
This and other songs in Arabic by Dalida (such as "Helwa ya Baladi", and "Akhsan Nass") became extremely popular in Egypt, making Dalida the only singer ever to break through the barrier separating Arab and Western music. She was received in Egypt like a queen with the Egyptian President himself coming at the airport to welcome her. Egyptians were soon wooed by her beauty, voice, charm, determination and wonderful songs and interpretations.
Her close friend Fairouz was the other major artist to be crossing boundaries but in the opposite directions, from the East to the West, with her immense success throughout Europe, North and South America, and Australia.
The success of "Salma ya Salama" was followed by the first French medley single, "Génération ‘78", a disco-fused combination of her biggest hit singles to date. It also became the first French single to be accompanied by a video clip. During this disco period, Dalida would earn a gay audience, a following which is still maintained today. In November, Dalida performed a Broadway-themed show at Carnegie Hall in New York, choreographed by Lester Wilson, who created the dance routines for John Travolta in the previous year’s cinema smash Saturday Night Fever. Her performance was highly praised by critics and audiences alike. Two years later, following the success of "Monday Tuesday... Laissez-Moi Danser" in the summer of 1979, she would replicate the show at the Palais des Sports, and each show sold-out, encouraging the singer to embark on a national tour which lasted until the autumn. In the same year, the lengthy "Gigi in Paradisco", a follow-up to the earlier "Gigi l’Amoroso", was released. Though it was not as popular as its predecessor, it was highly acclaimed and the new generation was soon dancing on Dalida disco tunes. The way Dalida shifted from a classical performer to a grave performer singing songs full of emotion (such as "Avec le temps", "Parlez-moi de lui" and "Darla darla dada", amongst others), to a Diva and pop star like figure making the stage glow with her hit dance numbers and colourful costumes and finally to a grief-stricken singer singing famous songs which announce her death (particularly songs such as "Mourir sur Scene", "Bravo" and "Téléphonez-moi"), Dalida showed that she was a strong-willed woman shifting with time and fashion. Her personal problems and troubling relationships, however, trapped her in the jaws of sadness leading to her suicide.
1981 marked the release of "Rio do Brasil", and several dates were played at The Olympia, emulating her successful 1980 tour. On the night of her first performance she became the first singer in the world to be awarded with a diamond disc, in recognition of her record sales which at that point in her career had exceeded 86 million. She was therefore much ahead of American singer Madonna since she was the first person to receive this success, thus paving the way for women to deliver powerful performances. Dalida spent much of 1982 and 1984 on tour, releasing the album "Les P'tits Mots" in 1983 which featured hit singles "Lucas" and "Mourir Sur Scène". The album "Dali" was released in 1984, and was accompanied by the release of several singles, including "Soleil", "Pour te dire je t’aime", a cover of Stevie Wonder’s "I Just Called to Say I Love You", and "Kalimba de Luna", originally recorded by Tony Esposito. All three achieved moderate chart success, and her next 1986 album, "Le visage de l'amour", would become her last album of completely new recordings (except the final song being "Mourir sur scène").
Other hit performances of Dalida include "The Lambeth Walk"; both in English and in French. The song "Je suis malade" written by Serge Lama and made into a success by Dalida reflects the singer's personal torments and unhappiness. The emotions with which she sang the song is unmatched even today. At the peak of her success, an obsessed fan of her tried to kidnap her in Canada by using a hammer. Fortunately enough, he didn't succeed.
Undaunted, she continued to deliver success after success: namely "Ensemble", "Ne lui dis pas", "La Valse des vacances", a cover version of Édith Piaf's "La vie en rose", "Born to sing"/"Mourir sur scène", amongst others.
Dalida underwent two major ophthalmic operations in 1985, forcing her to put her career on hiatus. The fear of her childhood days return as she again had to operate her eyes. The stage lights started to trouble her. In 1986, she would play the role of a young grandmother in the Youssef Chahine film "Le Sixième Jour", for which she received favourable critical response. Her last live performance, took place in Ankara, Turkey, in 1987.
Dalida was buried in the famous Montmartre Cemetery (French: Cimetière de Montmartre), Paris, and a life-size statue of her was erected outside her tomb.
In 1997, the corner of the rues Girardon and Abreuvoir in the Butte Montmartre, Paris, was inaugurated as Place Dalida and a life-size bust to her memory was erected. In 1999, a 3-CD box-set compiling her greatest hits was released. In 2000, Dalida's longtime friend Charles Aznavour recorded the hit "De la scène à la Seine", a joyful song of her life in France, and in 2002, the French government honoured her memory with a postage stamp done in commemoration of the 15th anniversary of her death. In the same year, Universal Music Group released Dalida's early album releases in special-edition packaging, with all of the tracks digitally remastered. Her output has also been the subject of various remix albums. She sold a total of 130 million records from 1956 to 2006. Since her death, many of Dalida's hits have been remixed to modern techno and dance beats, topping the charts in various countries to this day.
In 1999 the play "Solitudini - Luigi Tenco e Dalida", written and directed by Maurizio Valtieri, was performed in Rome.
In 2005, her life was documented in the two-part TV film Dalida, in the role of Dalida was Sabrina Ferilli.
From 11 May to September 2007, the Paris City Hall commemorated the 20th anniversary of Dalida’s death with an exhibition of her outfits and previously unreleased photographs.
;Foreign Honours 1988: Dalida was posthumously honoured by the "International Star Registry" (USA), with the issuance of a diploma, awarded three years after her death. 1997: Dalida was posthumously honoured by the City of Paris with a square named in her memory, named "Dalida Square", located at the angle of rues Girardon and Abreuvoirs, in the 18th arrondissement (borough) of Paris, France. 1997: Dalida became one of only three women in France to have a statue erected to her, along with Joan of Arc and Sarah Bernhardt. 1998: Dalida was posthumously honoured in Egypt in a tribute ceremony which took place on 27 October in Cairo and the "Dalida Prize" was awarded in her honour. 2001: Dalida was posthumously honoured by the French government with a second stamp bearing her likeness which was released by La Poste, the French postal service, as part of the Song Artists series. 10,157,601 copies were sold. 2003: Awarded prize for "Greatest Singer of the Century" in France, based on three criteria: numbers of album and single sales, number of radio airplays and chart positions. Dalida was placed third after Madonna and Céline Dion. In 2003 Dalida remained the number one favourite artist in France.
Dalida, mon amour, by Anne Gallimard and Orlando, Édition NRJ, 1989. ISBN 2908070014 and ISBN 978-2908070019. Dalida mon amour, by Orlando, Hachette Littérature, 1991. ISBN 2738203620 and ISBN 978-2738203625. Dalida, Histoire d’une femme, by Jean-François Josselin and Jeff Barnel, Jean-Claude Lattès, 1994. ISBN 2709614502 and ISBN 978-2709614504. Dalida: Mon frère, tu écriras mes mémoires, by Catherine Rihoit, Plon, 1998. Dalida, by Catherine Rihoit, Omnibus, 1998. ISBN 2259000835 and ISBN 978-2259000833. Ciao, ciao bambina, by Henri-Jean Servat and Orlando, Éditions Albin Michel, 2003. ISBN 2226142983 and ISBN 978-2226142986. Dalida, by Catherine Rihoit, Plon, re-published 2004. ISBN 2259201806 and ISBN 978-2259201803. L’argus Dalida: Discographie mondiale et cotations, by Daniel Lesueur, Éditions Alternatives, 2004. ISBN 2862274283 and ISBN 978-2862274287. Dalida: La femme de cœur, by Jeff Barnel, Éditions du Rocher, 2005. ISBN 2268055000 and ISBN 978-2268055008. Dalida, by Henry-Jean Servat and Orlando, Éditions Albin Michel, 2007. ISBN 2226152180 and ISBN 978-2226152183. Dalida, tu m'appelais petite sœur…, by Jacqueline Pitchal, Éditions Carpentier Didier, 2007. ISBN 2841675041 and ISBN 978-2841675043. Mia zia, ma tante Dalida, by Stéphane Julienne and Luigi Gigliotti, Ramsay, 2009. ISBN 2812200111 and ISBN 9782812200113.
;Secondary sources
;Official Official Website -
;Biographies Biography at RFI Musique (Radio France Internationale) Biography at Télé Melody
;Discography
;Filmography Dalida: Le Film (Ego Productions Site) -
;General
Category:Dalida Category:1933 births Category:1987 deaths Category:18th arrondissement of Paris Category:1950s singers Category:1960s singers Category:1970s singers Category:1980s singers Category:Actors who committed suicide Category:Arabic-language singers Category:Burials at Montmartre Cemetery, Paris Category:Disco musicians Category:Drug-related suicides in France Category:English-language singers Category:Entertainers who committed suicide Category:Egyptian immigrants to France Category:Egyptian people of European descent Category:French actors Category:French dance musicians Category:French female models Category:French female singers Category:French film actors Category:French musicians Category:French people of Italian descent Category:German-language singers Category:Italian film actors Category:Italian-language singers Category:Models who committed suicide Category:Musicians who committed suicide Category:Miss Egypt Category:Naturalized citizens of France Category:People from Cairo Category:People with acquired French citizenship Category:Spanish-language singers
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Name | Alain Delon |
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Caption | Alain Delon at the 2010 Cannes Film Festival |
Birth name | Alain Fabien Maurice Marcel Delon |
Birth date | November 08, 1935 |
Birth place | Sceaux, France |
Years active | 1957–present |
Occupation | Actor |
Partner | Romy Schneider (1958-1963)Mireille Darc(1969-1984) |
Spouse | Nathalie Barthélemy (1964-1968)Rosalie van Breemen (1987-2001) |
Website | http://www.alaindelon.com/e/ |
Alain Fabien Maurice Marcel Delon (born 8 November 1935) is a César Award-winning French actor. He rose quickly to stardom, and by the age of 23 he was being compared to French actors such as Gérard Philipe and Jean Marais, as well as American actor James Dean. He was even called the male Brigitte Bardot. Over the course of his career, Delon has worked with many well-known directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni and Louis Malle.
Delon acquired Swiss citizenship in 1999 and the company managing products sold under his name is based in Geneva.
At 14, Delon left school, and worked for a brief time at his stepfather's butcher shop. He enlisted in the French Navy three years later, and in 1953/54 he served as a fusilier marin in the First Indochina War. Delon has said that out of his four years of military service he spent 11 months in prison for being "undisciplined". In 1956, after being dishonorably discharged from the military he returned to France. He didn´t have any money, and got by on whatever employment he could find. He spent time working as a waiter, a porter, a secretary and a sales clerk. During this time he became friends with the actress Brigitte Auber, and joined her on a trip to the Cannes Film Festival, where his film career would begin.
In 1960, Delon appeared in René Clément's Purple Noon, which was based on the Patricia Highsmith novel The Talented Mr. Ripley. He played protagonist Tom Ripley to critical acclaim. He then appeared in Luchino Visconti's Rocco and His Brothers. Critic Bosley Crowther of the New York Times said Delon's work was : "touchingly pliant and expressive." John Beaufort in the Christian Science Monitor said: :"Rocco's heartbroken steadfastness furnishes the film with the foremost of its ironic tragedies ... [I]ts believability rests finally on Mr. Delon's compelling performance."
Delon made his stage debut in 1961 in John Ford’s play, 'Tis Pity She’s a Whore alongside Romy Schneider in Paris. Visconti directed the production. Delon would work with him again for Il Gattopardo (The Leopard). Delon also worked with Jean-Pierre Melville, who directed him in Un Flic, Le Cercle Rouge, and Le Samouraï.
In 1964, the Cinémathèque Française held a showcase of Delon's films and Delon started a production company, Delbeau Production, with Georges Beaume. They produced a film called L’insoumis, which had to be re-edited due to legal issues. Delon then started his own production company, Adel, and starred in the company’s first film, Jeff. Delon followed the success of the film with Borsalino, which became one of France’s highest grossing films of the time. In 1973, he made a duet with the French pop singer Dalida on "Paroles, paroles". He also played Johnston McCulley's popular masked hero in 1975's Zorro. In 1976 Delon starred in the César awards (French equivalent of Oscars) - winning Monsieur Klein. .]] He was awarded the Best Actor César Award for his role in Bertrand Blier's Notre histoire (1984), and portrayed the aristocratic dandy Baron de Charlus in Swann in Love in the same year. Then followed a string of box office failures in the late 1980s and 1990s, culminating in the failure of Patrice Leconte's Une chance sur deux. Delon announced his decision to give up acting in 1997, although he still occasionally accepts roles.
In 1990, he worked with auteur Jean-Luc Godard, on Nouvelle vague, in which he played twins. In 2003, the Walter Reade Theater showed a series of Delon's films under the aegis, Man in the Shadows: The Films of Alain Delon.
Delon's sunglasses brand became particularly popular in Hong Kong after actor Chow Yun-fat wore them in the 1986 crime film A Better Tomorrow (as well as two sequels). Delon reportedly wrote a letter thanking Chow for helping the sunglasses sell out in the region. The film's director John Woo has acknowledged Delon as one of his idols and wrote a short essay on Le Samourai as well as Le Cercle Rouge for the Criterion Collection DVD releases.
In December 1963, Schneider and Delon decided to break the engagement. On 13 August 1964, Delon married Nathalie Barthélemy. Their son, Anthony Delon, was born in September. The couple divorced on 14 February 1969.
In 1968, during the shooting of Jeff, he met French actress Mireille Darc with whom he had a 15-year relationship until 1982.
In 1987, Delon met Dutch model Rosalie van Breemen on the shooting of the video clip for his song "Comme au cinéma" and started a relationship. They had two children: Anouschka (25 November 1990) and Alain-Fabien (18 March 1994). The relationship ended in October 2002.
Category:1935 births Category:Living people Category:People from Sceaux, Hauts-de-Seine Category:César Award winners Category:French film actors Category:French military personnel of the First Indochina War Category:French television actors Category:French Roman Catholics Category:Officiers of the Légion d'honneur Category:Officiers of the Ordre national du Mérite Category:French people of Corsican descent
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Name | Julio Iglesias |
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Background | solo_singer |
Birth name | Julio José Iglesias de la Cueva |
Born | September 23, 1943Madrid, Spain |
Genre | Latin and Latin pop |
Occupation | Singer-songwriter |
Years active | 1968–present |
Label | Columbia Records and Sony Music Entertainment |
Url | www.julioiglesias.com |
In the 1960s, he studied law in Madrid and was a goalkeeper for one of Real Madrid's futbol team. But unfortunately for both Iglesias and the team, a car crash in which he was involved on September 22, 1963, ruined his football career: "I had a car accident; [a] very, very strange car accident...I lost control of the car and rolled it, resulting in what they call 'paraparexia,' which is not a paraplegi[a]. It's a compression in the [spinal] cord, in the sense of the neck...my spinal cord; and I was very, very ill for three years." His doctors thought he would never walk again; indeed, his legs were left permanently weakened, and they continued to require therapy as of late October 2010. However, slowly, he began recovering his health. To develop and increase the dexterity of his hands, he began playing guitar. When he recovered from his accident, he resumed academic studies and traveled to the United Kingdom to study the English language, first in Ramsgate, then at Bell Educational Trust's Language School in Cambridge.
In 1971, he married Filipina journalist Isabel Preysler and had three children, Chabeli Iglesias, Julio Iglesias, Jr. and Enrique Iglesias. Their marriage was annulled in 1979.
On August 24, 2010, Julio Iglesias and Miranda Rijnsburger got married after a 20-year relationship. The religious ceremony was celebrated in the Parish of the Virgen del Carmen of Marbella, and was followed by a Mass of thanksgiving in the chapel on the property the couple owns in the same city. The couple has three sons and twin daughters: Miguel (born September 7, 1997), Rodrigo (born April 3, 1999), Victoria and Cristina (born May 1, 2001) and Guillermo (born May 5, 2007).
Following the annulment of his marriage to Preysler in 1979, he moved to Miami, Florida, in the United States and signed a deal with CBS International, and started singing in different languages such as English, French, Portuguese, German and other languages to his music. Iglesias released the album De Niña a Mujer (1981), from it came the first English-language hit, a Spanish cover of "Begin the Beguine" which became number 1 in the United Kingdom, he also released a collection, Julio (1983). In 1984, he released 1100 Bel Air Place, the hit album which gave him publicity in the English speaking entertainment industry. It sold four million albums in the United States, with the first single "To All the Girls I've Loved Before", a duet with Willie Nelson, earning a fifth place spot in the Billboard Hot 100; it also featured "All of You", with Diana Ross.
In 1985, Julio Iglesias, Sr, was kidnapped, but found alive two weeks later, prompting Julio Iglesias to move his children to Miami, Florida. That year he recorded the duets with Diana Ross and Willie Nelson previously mentioned. Iglesias won a Grammy Award for Best Latin Pop Album in the 1988 Grammy Awards for the album Un Hombre Solo (A Man Alone). He recorded a duet with Stevie Wonder on "My Love", in his Non Stop album, a crossover success in 1988. In the 1990s, Iglesias returned to his original Spanish melody in Tango (1996), nominated for Best Latin Pop Album at the 1998 Grammy Awards, losing to the Romances album by Mexican singer, Luis Miguel. Also that year, his youngest son from his first marriage, Enrique Iglesias, also was nominated for the Vivir album.
Julio Iglesias went on to win the World Music Award for Tango in Monaco later that year where he was up against singer Luis Miguel and son Enrique for the second time. Julio performed two "Tangos" to the delight of the audience. In 1995, he appeared as a guest star in the videoclip of Thalía's song "Amandote"; she had starred in the video clip of Iglesias's hit "Baila Morena". Iglesias returned to the headlines in October 2003, when he went to Argentina and kissed show host Susana Giménez three times during a live telecast of her show.
In 2003, he released his album Divorcio (Divorce). In its first day of sales, Divorcio sold a record 350,000 albums in Spain, and reached the number 1 spot on the charts in Spain, Portugal, France, Italy, and Russia. , Romania.]] In 2003 and 2004, he was featured on a ten month world tour; which took Iglesias, aided by the success his album Divorcio and toured from Europe and Asia to North America, South America and Africa. More than half the shows on the tour sold out within days of going on sale. In December 2004, his Dutch girlfriend Miranda Rijnsburger and Iglesias himself recorded a duet of the Christmas song "Silent Night". The song, which was not officially released, also included a voice message from Iglesias, Rijnsburger and their 4 young children. The song was released online through the singer's official website and a CD was included on their Christmas card as a holiday gift from the Iglesias family to their friends and fans around the world.
In 2008, Iglesias recorded another song as a gift to his fans. The family recorded "The Little Drummer Boy" in Spanish and English and included it in the family's Christmas card. Iglesias also made investments in the Dominican Republic's eastern town of Punta Cana, a major tourist destination, where he spends most of the year when he is not on tour. Iglesias's south Florida mansion on the exclusive private Indian Creek Island property was placed on the market in 2006 for a quoted $28 million dollars, making it one of "Ten Most Expensive Homes in the South" in 2006 according to Forbes Magazine.
In September 2006, a new English album titled Romantic Classics was released. "I've chosen songs from the 1960s, 1970s and 1980s that I believe will come to be regarded as the new standards", Iglesias stated in the album's sleeve notes. The album features the hits "I Want To Know What Love Is", "Careless Whisper", and "Right Here Waiting". Romantic Classics was Iglesias's highest debut on the Billboard charts, entering at number 31 in the United States, 21 in Canada, 10 in Australia, and top spots across Europe and Asia. He returned to the studio to record songs in Filipino and Indonesian for his Asian releases of Romantic Classics which helped propel record sales in the Asian entertainment industry. Iglesias promoted Romantic Classics in 2006 and was seen all over the world on Television shows and in the United States, he appeared on Dancing With The Stars (where he sang his hit "I Want To Know What Love Is"), Good Morning America, The View, Fox and Friends, and Martha Stewart.
In 2008, Iglesias promoted his Romantic Classics album worldwide and in 2009-2010, he plans for a world tour as a celebration of forty years in the music industry.
In 2010, Iglesias continued to travel around the world with his "Starry Night World Tour" to promote his 42 years of career.
According with his official site ( www.julioiglesias.com ) , has sold over 300 millions of albums worldwide until 1 November 2010.
In 2011, the artist will launch a new studio album, in March, called Numero 1.
Category:1943 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Spanish Jews Category:English-language singers Category:Eurovision Song Contest entrants of 1970 Category:French-language singers Category:Galician people Category:German-language singers Category:Grammy Award winners Category:Italian-language singers Category:Russian-language singers Category:Living people Category:People from Madrid Category:People of Jewish descent Category:Portuguese-language singers Category:Real Madrid Castilla footballers Category:Spanish Eurovision Song Contest entrants Category:Spanish expatriates in the United States Category:Spanish footballers Category:Spanish-language singers Category:Spanish male singers Category:Spanish singers Category:People from Miami, Florida
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Name | Captain Sky |
---|---|
Background | solo_singer |
Birth name | Daryl L. Cameron |
Born | July 10, 1957Chicago, Illinois, U.S. |
Instrument | Vocals, Bass |
Genre | Funk |
Label | AVI RecordsTEC Records |
Singles
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.