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Official name | Palm Beach, Florida |
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Settlement type | Town |
Nickname | The Island |
Motto | The Best of Everything |
Image seal | Seal of the Town of Palm Beach Florida.svg |
Map caption | Location of Palm Beach, Florida |
Image map1 | Palm_Beach.gif |
Mapsize1 | 250x200px |
Map caption1 | U.S. Census Bureau map showing town boundaries |
Coordinates region | US-FL |
Subdivision type | Country |
Subdivision name | |
Subdivision type1 | State |
Subdivision name1 | |
Subdivision type2 | County |
Subdivision name2 | |
Unit pref | Imperial |
Area total km2 | 27.0 |
Area land km2 | 10.2 |
Area water km2 | 16.9 |
Area total sq mi | 10.4 |
Area land sq mi | 3.9 |
Area water sq mi | 6.5 |
Population as of | 2000 |
Population total | 10468 |
Population density km2 | 1030.6 |
Population density sq mi | 2669.2 |
Timezone | Eastern (EST) |
Utc offset | -5 |
Timezone dst | EDT |
Utc offset dst | -4 |
Elevation m | 2 |
Elevation ft | 7 |
Coordinates display | display=inline,title |
Postal code type | ZIP code |
Postal code | 33480 |
Area code | 561 |
Blank name | FIPS code |
Blank info | 12-54025 |
Blank1 name | GNIS feature ID |
Blank1 info | 0288390 |
Website | Town of Palm Beach |
According to the U.S. Census Bureau, the town has a total area of 27.0 km2 (10.4 mi2). 10.2 km2 (3.9 mi2) of it is land and 16.9 km2 (6.5 mi2) of it is water. The total area is 62.45% water.
The summer and wet period of May through October are hot, humid and wet with average high temperatures of 86 to 90 °F (30 to 32 °C) and lows of 70 to 75 °F (21 to 24 °C). During this period, more than half of the summer days bring occasional afternoon thunderstorms and seabreezes that somewhat cool the rest of the day.
The winter and dryer period of November through April are warm and mostly dry with average high temperatures of 75 to 82 °F (24 to 27 °C) and lows of 57 to 66 °F (14 to 19 °C). However, the city experiences occasional cold fronts during this period, bringing high temperatures of 50s and 60s (10 to 20 °C) and lows of 40s and 50s (5 to 15 °C) lasting only for few days. 2.57% Black or African American, 0.53% Asian, 0.04% Native American, 0.02% Pacific Islander, 0.21% from other races, and 0.63% from two or more races. 2.56% of the population are Hispanic or Latino of any race.
The 10,468 people in the town are organized into 5,789 households and 3,021 families. The population density is 1,031.1/km2 (2,669.2/mi2). There are 9,948 housing units at an average density of 979.8/km2 (2,536.6/mi2). 7.7% of the households have children under the age of 18 living with them, 48.1% are married couples living together, 3.3% have a female householder with no husband present, and 47.8% are non-families. 42.6% of all households are made up of individuals and 27.6% have someone living alone who is 65 years of age or older. The average household size is 1.81 and the average family size is 2.38.
Many of Palm Beach's residents are affluent, with a median household income of $124,562 and a median family income of $137,867. The town's affluence and its "abundance of pleasures" and "strong community-oriented sensibility" were cited when it was selected in June 2003 as America's "Best Place to Live" by Robb Report magazine.
As of 2000, English was the first language of 87.81% of all residents, while French comprised 4.48%, Spanish consisted of 3.65%, German made up 2.16%, Italian speakers made up 0.45%, Yiddish made up 0.36%, Russian was at 0.30% (even though those of Russian ancestry made up 10.30% of the population), Arabic and Swedish at 0.25%, and Polish was the mother tongue of 0.24% of the population.
As of 2000, Palm Beach had the 40th highest percentage of Russian residents in the U.S., with 10.30% of the populace (tied with Pomona, NY and the township of Lower Merion, PA). It also had the 26th highest percentage of Austrian residents in the US, at 2.10% of the town's population (which tied with 19 other US areas).
The northern portion of Palm Beach is served by the Route 41 bus which travels from the northern most portion of Palm Beach at the inlet and then down to Royal Palm Way, across the Royal Park Bridge (Florida State Road 704) into West Palm Beach and up to the government center, and then follows the same route in reverse.
Palm Beach was served by the Route 42 Palm Tran bus from Lantana in the south going along State Road A1A up to Royal Poncianna Way and over the Flagler Memorial Bridge into West Palm Beach to the government center, and then back again for the southbound trip. Route 42 ended on May 10. 2008 due to low ridership. Effective July 9, 2008, the southern end of Palm Beach is served by the "Coral Link" operating only on Wednesdays, going between Hypoluxo Road and Lake Worth Road via US 1 and SR A1A.
Private vehicles and taxis are the predominant means of transport in Palm Beach. Bicycles are a popular transport on the island, although most areas have no bicycle trails, so safe and comfortable travel is not always assured. The Lake Trail, exclusively for pedestrian and bike traffic, extends from Royal Palm Way (State Road 704) in the south up to the north end of the island. The trail follows the edge of the Lake Worth Lagoon (part of the intercoastal waterway) except for a section between the Flagler Museum and the Biltmore Condominiums, where the trail follows the streets. Another break occurs to pass around the Sailfish Yacht Club in the north end of the island.
Traveling by bike along the ocean can be hazardous. Only a short section in the downtown area has sidewalks. The roads along the ocean are narrow and have small or no shoulders, making biking a potentially dangerous activity in those areas.
In the southern end of the island, south of Sloan's Curve, through South Palm Beach to East Ocean Avenue (linking to Lantana) is a two-mile long, relatively wide pedestrian path that is popular with walkers, runners, and bikers alike.
Category:Towns in Palm Beach County, Florida Category:United States places with Orthodox Jewish communities Category:Barrier islands of Florida Category:Seaside resorts in Florida Category:Beaches of Florida
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Roger Waters |
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Img alt | Roger Waters playing a bass guitar and speaking into a microphone. He has grey hair and is unshaven. |
Background | solo_singer |
Birth name | George Roger Waters |
Born | September 06, 1943Great Bookham, Leatherhead, Surrey, United Kingdom |
Instrument | Bass Guitar, vocals, guitar, synthesiser, trumpet |
Genre | Progressive rock, psychedelic rock, art rock, opera |
Occupation | Musician, singer-songwriter, composer, record producer |
Years active | 1964–present |
Label | Capitol, Columbia, Sony, Harvest |
Associated acts | Pink Floyd, The Bleeding Heart Band |
Notable instruments | Fender Precision BassRickenbacker 4001Martin acoustic guitars |
Waters' solo career has included three studio albums: The Pros and Cons of Hitchhiking (1984), Radio K.A.O.S. (1987), and Amused to Death (1992). In 1986, he contributed songs and a score to the soundtrack of the movie When the Wind Blows based on the Raymond Briggs book of the same name. In 1990, he staged one of the largest rock concerts in history, The Wall – Live in Berlin, with an estimated 200,000 people in attendance. In 1996, he was inducted into the US and UK Rock and Roll Hall of Fame as a member of Pink Floyd. He has toured extensively as a solo act since 1999 and played The Dark Side of the Moon in its entirety for his world tours of 2006–2008. In 2005, he released Ça Ira, an opera in three acts translated from Étienne Roda-Gil and his wife Nadine Delahaye's libretto based on the early French Revolution. On 2 July 2005, he reunited with Pink Floyd bandmates Nick Mason, Richard Wright, and David Gilmour for the Live 8 benefit concert, the group's only appearance with Waters since their last performance with him 24 years earlier. In 2010, he began The Wall Live, a worldwide tour that features a complete performance of The Wall. Waters has been married four times and has three children.
Waters attended Morley Memorial Junior School in Cambridge, and later the Cambridgeshire High School for Boys (now Hills Road Sixth Form College) with Syd Barrett, while his future musical partner, David Gilmour, lived nearby on the city's Mill Road, and attended The Perse School. At 15 Waters was chairman of the Cambridge Youth Campaign for Nuclear Disarmament (YCND), having designed its publicity poster and participated in its organisation. Though he was a keen sportsman and a highly regarded member of the high school's cricket and rugby teams, his educational experience was lacking, according to Waters, "I hated every second of it, apart from games. The regime at school was a very oppressive one ... the same kids who are susceptible to bullying by other kids are also susceptible to bullying by the teachers." Whereas Waters knew Barrett and Gilmour from his youth in Cambridge, he met future Pink Floyd founding members Nick Mason and Richard Wright in London at the Regent Street Polytechnic school of architecture,
By September 1963, Waters and Mason were losing interest in their studies and they moved into the lower flat of Stanhope Gardens, owned by Mike Leonard, a part-time tutor at the Regent Street Polytechnic. Waters, Mason and Wright first played music together in the autumn of 1963, in a group formed by vocalist Keith Noble and bassist Clive Metcalfe. The group usually called themselves Sigma 6, but they also used the name the Meggadeaths. and Noble's sister Sheilagh provided an occasional vocal accompaniment.
When Metcalfe and Noble left to form their own group in September 1963, the remaining members asked Barrett and guitar player Bob Klose to join. By January 1964, the group became known as The Abdabs, or The (Screaming) Abdabs. Sometime during the autumn of 1965, the Tea Set began calling itself Pink Floyd Sound, later The Pink Floyd Sound, and by early 1966, Pink Floyd.
By early 1966 Barrett was Pink Floyd's front-man, guitarist, and songwriter. He wrote or co-wrote all but one track of their debut LP The Piper at the Gates of Dawn, released in August 1967. Waters contributed the song "Take Up Thy Stethoscope and Walk" (his first sole writing credit) to the album. However, by late 1967, Barrett's deteriorating mental health and increasingly erratic behaviour, rendered him "unable or unwilling" to continue in his capacity as Pink Floyd's singer-songwriter and lead guitarist. The band's new manager Steve O'Rourke made a formal announcement about the departure of Barrett and the arrival of David Gilmour in April 1968.
In 1969, Waters married his childhood girlfriend Judy Trim; they had no children together and their marriage was dissolved in 1976. He became engaged to Lady Carolyne Christie, the niece of the Marquess of Zetland, later that same year. His marriage to Christie produced a son, Harry Waters, a musician who has played keyboards with his father's touring band since 2006, and a daughter, India Waters.
Filling the void left by Barrett's departure in March 1968, Waters began to chart Pink Floyd's artistic direction. He became the principal songwriter, lyricist, and co-lead vocalist, and would remain the band's dominant creative figure until he left in 1985. He wrote the lyrics to the five Pink Floyd albums preceding his own departure, starting with The Dark Side of the Moon (1973) and ending with The Final Cut (1983), while exerting progressively more creative control over the band and its music. With lyrics written entirely by Waters, The Dark Side of the Moon is one of the most commercially successful rock albums of all time. As of 2004 it has spent 723 weeks on the Billboard 200 chart and sold over 35 million copies worldwide. It was selling over 8,000 units every week as of 2004. According to Pink Floyd biographer Glen Povey, Dark Side is the world's second best-selling album, and the United States' 21st best-selling album of all time.
Waters produced thematic ideas that became the impetus for the Pink Floyd concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979)—written largely by Waters—and The Final Cut (1983)—written entirely by Waters. He referred or alluded to the cost of war and the loss of his father throughout his work, from "Corporal Clegg" (A Saucerful Of Secrets, 1968) and "Free Four" (Obscured By Clouds, 1972) to "Us and Them" from The Dark Side of the Moon, "When the Tigers Broke Free", first used in the feature film, The Wall (1982), later included with "The Fletcher Memorial Home" on The Final Cut, an album dedicated to his father. The theme and composition of The Wall was influenced by his upbringing in an English society depleted of men after the Second World War.
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The Wall was written almost entirely by Waters and is largely based on Waters' life story, and having sold over 23 million RIAA certified units in the US as of 2010, is one of the top three best-selling albums of all-time in America, according to RIAA. Pink Floyd hired Bob Ezrin to co-produce the album, and cartoonist Gerald Scarfe to illustrate the album's sleeve art. The last band performance of The Wall was on 16 June 1981, at Earls Court London, and this was Pink Floyd's last appearance with Waters until the band's brief reunion at 2 July 2005 Live 8 concert in London's Hyde Park, 24 years later.
In March 1983, the last Waters–Gilmour–Mason collaboration, The Final Cut, was released. The album was subtitled: "A requiem for the post-war dream by Roger Waters, performed by Pink Floyd". Waters is credited with writing all the lyrics as well as all the music on the album. His lyrics to the album were critical of the Conservative Party government of the day and mention Prime Minister Margaret Thatcher by name. At the time Gilmour did not have any material for the album, so he asked Waters to delay the recording until he could write some songs, but Waters refused. According to Mason, after power struggles within the band and creative arguments about the album, Gilmour's name "disappeared" from the production credits, though he retained his pay. Rolling Stone magazine gave the album five stars, with Kurt Loder calling it "a superlative achievement" and "art rock's crowning masterpiece". Loder viewed the album as "essentially a Roger Waters solo album".
Amidst creative differences within the group, Waters left Pink Floyd in 1985, and began a legal battle with the remaining band members regarding their continued use of the name and material. In December 1985 Waters "issued a statement to EMI and CBS invoking the 'Leaving Member' clause" on his contract. In October 1986, he initiated High Court proceedings to formally dissolve the Pink Floyd partnership. In his submission to the High Court he called Pink Floyd a "spent force creatively". Gilmour and Mason opposed the application and announced their intention to continue as Pink Floyd. Waters claims to have been forced to resign much like Wright some years earlier, and he decided to leave Pink Floyd based on legal considerations, stating " ... because, if I hadn't, the financial repercussions would have wiped me out completely." In December 1987, an agreement between Waters and Pink Floyd was reached. According to Mason:
"We eventually formalised a settlement with Roger. On Christmas Eve, 1987, ... David and Roger convened for a summit meeting on the houseboat [the Astoria] with Jerome Walton, David's accountant. Jerome painstakingly typed out the bones of a settlement. Essentially—although there was far more complex detail—the arrangement allowed Roger to be freed from his arrangement with Steve [O'Rourke], and David and me to continue working under the name Pink Floyd. In the end the court accepted Jerome's version as the final and binding document and duly stamped it."
Waters was released from his contractual obligation with O'Rourke, and he retained the copyrights to The Wall concept and his trademarked inflatable pig. The Gilmour-led Pink Floyd released two studio albums: A Momentary Lapse of Reason (1987), and The Division Bell (1994). As of 2006, it is estimated that Pink Floyd have sold over 200 million albums worldwide, including 74.5 million RIAA certified units sold in the US.
In 1986, Waters contributed songs and a score to the soundtrack of the movie When the Wind Blows. His backing band featuring Paul Carrack was credited as The Bleeding Heart Band. In 1987, Waters released Radio K.A.O.S., a concept album based on a mute man named Billy from an impoverished Welsh mining town who has the ability to physically tune into radio waves in his head. Billy first learns to communicate with a radio DJ, and eventually to control the world's computers. Angry at the state of the world in which he lives, he simulates a nuclear attack. Waters followed the release with a supporting tour also in 1987.
In November 1989 the Berlin Wall fell, and in July 1990 Waters staged one of the largest rock concerts in history, The Wall – Live in Berlin, on the vacant terrain between Potsdamer Platz and the Brandenburg Gate, with an estimated 200,000 people in attendance. Leonard Cheshire asked him to do the concert to raise funds for charity. Waters' group of musicians included Joni Mitchell, Van Morrison, Cyndi Lauper, Bryan Adams, Scorpions, and Sinéad O'Connor. Waters also used an East German symphony orchestra and choir, a Soviet marching band, and a pair of helicopters from the US 7th Airborne Command and Control Squadron. Designed by Mark Fisher, the Wall was 25 metres tall and 170 metres long and was built across the set. Scarfe's inflatable puppets were recreated on an enlarged scale, and although many rock icons received invitations to the show, Gilmour, Mason, and Wright, did not. Waters released a concert double album of the performance which has been certified platinum by RIAA. It is Waters' most critically acclaimed solo recording, garnering some comparison to his previous work with Pink Floyd. Waters described the record as a, "stunning piece of work", ranking the album with Dark Side Of The Moon and The Wall as one of the best of his career. The album had one hit, the song "What God Wants, Pt. 1", which reached number 35 in the UK in September 1992 and number 5 on Billboards Mainstream Rock Tracks chart in the US. Amused to Death was certified Silver by the British Phonographic Industry. Sales of Amused to Death topped out at around one million and there was no tour in support of this album. Waters would first perform material from it seven years later during his In the Flesh tour. In 1996, Waters was inducted into the US and UK Rock and Roll Hall of Fame as a member of Pink Floyd.
In October 2005, he clarified: "I come back to the UK quite often. I didn't leave as a protest against the hunting ban; I was following a child in the wake of a divorce." After leaving Britain, he moved to Long Island in New York with his fiancé Laurie Durning. Miramax announced in mid-2004 that a production of The Wall was to appear on Broadway with Waters playing a prominent role in the creative direction. Reports stated that the musical contained not only the original tracks from The Wall, but also songs from Dark Side of the Moon, Wish You Were Here and other Pink Floyd albums, as well as new material. On the night of 1 May 2004, recorded extracts from the opera, including its overture, were played on the occasion of the Welcome Europe celebrations in the accession country of Malta. Gert Hof mixed recorded excerpts from the opera into a continuous piece of music which was played as an accompaniment to a large light and fireworks display over Grand Harbour in Valletta. In July 2004, Waters released two new tracks on the Internet: "To Kill the Child", inspired by the 2003 invasion of Iraq, and "Leaving Beirut", "inspired by his travels in the Middle East as a teenager".
In July 2005, Waters reunited with Mason, Wright, and Gilmour for what would be their final performance together at the 2005 Live 8 concert in London's Hyde Park, Pink Floyd's only appearance with Waters since their final performance of The Wall at Earls Court London 24 years earlier. They played a six-song, 23-minute set including "Speak to Me/Breathe"/"Time"/"Breathe (Reprise)", "Money", "Wish You Were Here", and "Comfortably Numb". Waters told the Associated Press that while the experience of playing with Pink Floyd again was positive, the chances of a bona fide reunion would be "slight" considering his and Gilmour's continuing musical and ideological differences. Though Waters had differing ideas about which songs they should play, he "agreed to roll over for one night only". Gilmour told the Associated Press, "The rehearsals convinced me it wasn't something I wanted to be doing a lot of. There have been all sorts of farewell moments in people's lives and careers which they have then rescinded, but I think I can fairly categorically say that there won't be a tour or an album again that I take part in. It isn't to do with animosity or anything like that. It's just that ... I've been there, I've done it." In November 2005 Pink Floyd were inducted into the UK Music Hall of Fame by Pete Townshend of The Who.
In September 2005, Waters released Ça Ira (pronounced , French for "it will be fine"; Waters added the subtitle, "There is Hope"), an opera in three acts translated from the late Étienne Roda-Gil's French libretto based on the historical subject of the French Revolution. Ça Ira was released as a double CD album, featuring baritone Bryn Terfel, soprano Ying Huang and tenor Paul Groves. Set during the early French Revolution, the original libretto was co-written in French by Roda-Gil and his wife Nadine Delahaye. Waters had began rewriting the libretto in English in 1989, and said about the composition: "I've always been a big fan of Beethoven's choral music, Berlioz and Borodin ... This is unashamedly romantic and resides in that early 19th-century tradition, because that's where my tastes lie in classical and choral music." Waters appeared on television to discuss the opera, but the interviews often focused instead on his relationship with Pink Floyd, something Waters would "take in stride", a sign Pink Floyd biographer Mark Blake believes to be, "a testament to his mellower old age or twenty years of dedicated psychotherapy".
In June 2006, Waters commenced The Dark Side of the Moon Live tour, a two-year, world spanning effort that began in Europe in June and North America in September. The first half of the show featured both Pink Floyd songs and Waters' solo material, while the second half included a complete live performance of the 1973 Pink Floyd album, The Dark Side of the Moon, the first time in over three decades that Waters had performed the album. The shows ended with an encore from the third side of The Wall. He utilised elaborate staging by concert lighting designer Marc Brickman complete with laser lights, fog machines, flame throwers, psychedelic projections, and inflatable floating puppets (Spaceman and Pig) controlled by a "handler" dressed as a butcher, and a full 360 degree quadrophonic sound system was used. Nick Mason joined Waters for The Dark Side of the Moon set and the encores on select 2006 tour dates. Waters continued touring in January 2007 in Australia and New Zealand then Asia, Europe, South America, and back to North America in June. In July 2007, he played on the American leg of the Live Earth concert, an international multi-venue concert aimed at raising awareness about global climate change, featuring the Trenton Youth Choir and his trademarked inflatable pig. Waters told David Fricke why he thinks The Wall is still relevant today:
The loss of a father is the central prop on which [The Wall] stands. As the years go by, children lose their fathers again and again, for nothing. You see it now with all these fathers, good men and true, who lost their lives and limbs in Iraq for no reason at all. I've done Bring The Boys Back Home in my encore on recent tours. It feels more relevant and poignant to be singing that song now than it did in 1979.
In 2007, Waters became a spokesman for Millennium Promise, a non-profit organisation that helps fight extreme poverty and malaria. He wrote an opinion piece for CNN in support of the topic. In March 2007, the Waters song, "Hello (I Love You)" was featured in the science fiction film The Last Mimzy. The song plays over the film's end credits. He released it as a download-only single, and described it as, "a song that captures the themes of the movie, the clash between humanity's best and worst instincts, and how a child's innocence can win the day".
Waters performed at California's Coachella Festival in April 2008 and was to be among the headlining artists performing at Live Earth 2008 in Mumbai India in December 2008. This concert was cancelled in light of the 26 November terrorist attacks in Mumbai. Waters has been outspoken about Middle Eastern politics and in June 2009, he openly opposed the Israeli separation barrier, calling it an "obscenity" that "should be torn down". In December 2009, he pledged his support to the Gaza Freedom March.
Waters confirmed the possibility of an upcoming solo album which "might be called" Heartland, and has said he has numerous songs written (some already recorded) that he intends to release when they are a complete album. In June 2010, Waters released a cover of "We Shall Overcome", a protest song derived from the refrain of a gospel hymm published by Charles Albert Tindley in 1901. Waters performed with David Gilmour at the Hoping Foundation Benefit Evening in July 2010. The four-song set included: "To Know Him Is to Love Him", which was played in early Pink Floyd sound checks, followed by; "Wish You Were Here", "Comfortably Numb", and "Another Brick in the Wall (Part Two)".
In September 2010, Waters commenced The Wall Live tour, which features a complete performance of Pink Floyd's The Wall. According to Cole Moreton of the Daily Mail, "The touring version of Pink Floyd's The Wall is one of the most ambitious and complex rock shows ever staged." It is estimated that the tour cost £37 million to stage.
Not only a bassist and vocalist, Waters experimented with the EMS Synthi A and VCS 3 synthesisers on Pink Floyd pieces such as "On the Run", "Welcome to the Machine", and "In the Flesh?" He played electric and acoustic guitar on Pink Floyd tracks using Fender, Martin, Ovation and Washburn guitars. and acoustic guitar on several Pink Floyd recordings, such as "Pigs on the Wing 1 & 2", also from Animals, "Southampton Dock" from The Final Cut, and on "Mother" from The Wall. A Binson Echorec 2 echo effect was used on his bass-guitar track in "One Of These Days".
Category:1943 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Alumni of the University of Westminster Category:British anti-war activists Category:British expatriates in the United States Category:Capitol Records artists Category:Columbia Records artists Category:Critics of religions or philosophies Category:English atheists Category:English expatriates in the United States Category:English experimental musicians Category:English-language singers Category:English male singers Category:English people of Scottish descent Category:English rock bass guitarists Category:English rock guitarists Category:English rock singers Category:English singer-songwriters Category:English socialists Category:Grammy Award winners Category:Living people Category:Nonviolence advocates Category:Opera composers Category:People from Leatherhead Category:Pink Floyd members Category:Religious skeptics Category:Rhythm guitarists Category:Rock and Roll Hall of Fame inductees Category:Rock music duos Category:The Wall (rock opera) Category:BAFTA winners (people)
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Perry Como |
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Img alt | Perry Como at Kraft Music Hall rehearsal, 1961 |
Background | solo_singer |
Birth name | Pierino Ronald Como |
Born | May 18, 1912Canonsburg, Pennsylvania, U.S. |
Died | May 12, 2001Jupiter Inlet Colony, Florida, U.S. |
Instrument | Vocalist |
Genre | Easy Listening, Adult Contemporary, Popular Vocal, Pop, Big Band, Jazz, Latin, Swing, Country, Rock and Roll, Religious music |
Years active | 1933–1998 |
Label | Decca, RCA Victor |
Associated acts | Freddy Carlone OrchestraTed Weems Orchestra |
One of the many factors in his success was Como's insistence on his principles of good taste; if he considered something to be in bad or poor taste, it wasn't in the show or broadcast. When a remark made by Julius La Rosa about television personality Arthur Godfrey on The Perry Como Show was misconstrued, Como offered an on-air apology at the beginning of his next show, against the advice of his staff. While his performance of "Ave Maria" was a tradition of his holiday television programs, Como refused to sing it at live performances, saying, "It's not the time or place to do it.", even though it was the number one request of his audiences. Another was his naturalness; the man viewers saw on the screen was the same person who could be encountered behind a supermarket shopping cart, at a bowling alley, or in a kitchen making breakfast. From his first Chesterfield Supper Club television show, if scripts were written at all, they were based on the way Como would say something.
Como received five Emmys from 1955 to 1959, a Christopher Award (1956) and shared a Peabody Award with good friend Jackie Gleason in 1956. He was inducted into the Academy of Television Arts & Sciences Hall of Fame in 1990 and received a Kennedy Center Honor in 1987. Posthumously, Como received the Grammy Lifetime Achievement Award in 2002; he was inducted into the Long Island Music Hall of Fame in 2006 and the Hit Parade Hall of Fame in 2007. Como has the distinction of having three stars on the Hollywood Walk of Fame for his work in radio, television, and music.
Perry showed more musical talent in his teenage years as a trombone player in the town's brass band, playing guitar, singing at weddings, and as an organist at church. He was a member of the Canonsburg Italian Band along with the father of singer Bobby Vinton, bandleader Stan Vinton, who was often a customer at his barber shop. They raised three children, Ronnie, David, and Terri, with traditional, non-show-business values.
In 1958, the Comos celebrated their silver wedding anniversary with a family trip to Italy. On the itinerary was an audience with Pope Pius XII. Upon returning home, Como was both puzzled and upset that photos from the visit made the newspapers throughout the world. A thorough check of both the Como and National Broadcasting Company (NBC) publicity offices found that neither was responsible for the release of the photos to the media; it was done by the Vatican's press department. When Perry and Roselle became Knight Commander and Lady Commander of the Equestrian Order of the Order of the Holy Sepulchre in 1952, it was a news item only after Archbishop Fulton J. Sheen, who had been honored at the same ceremony, made mention of it some time later.
Como suffered a debilitating fall from a stage platform in 1971 while taping Perry Como's Winter Show in Hollywood. X-rays taken at a local hospital showed no serious injury to his knee, but by the next morning, it was twice normal size. The ailing Como chartered a jet back to his home and doctors in Florida, where a second exam showed it had been seriously broken. His knee was re-set and placed in a cast with a recuperation time of eight months. In 1993, he was successfully treated for bladder cancer.
Bing Crosby once described Como as, "the man who invented casual". His preference for casual clothing did not keep him from being named one of the Best Dressed Men beginning in 1946, and continuing long after Como stopped appearing on weekly television. Como also had his own line of sports/casual men's clothing made by Bucknell circa early 1950s.
Perry was an enthusiastic and accomplished golfer; there was always time to try getting in a game of golf. "Perry Como Putters" were sold by MacGregor, each stamped with a Como facsimile autograph. His colleagues held an annual Perry Como Golf Tournament to honor him and his love for the game. In what must have been one of his favorite shows of his weekly series, Como's guests on the October 3, 1962 broadcast were Jack Nicklaus, Arnold Palmer, and Gary Player. The four golfers played 18 holes for the cameras at Sands Point, New York, where the Comos made their home in the television years. Como also enjoyed fishing and could be found out on his boat almost every day after the family moved to Florida. Perry's "catches" would turn out to be the Como family's dinners. Como also used his boat as a rehearsal hall with pre-recorded instrumental tapes sent to him by RCA Victor. Perry would work on material while he was waiting for the fish to bite. Having enjoyed golfing and fishing in the North Carolina mountains for a number of years, Como built a vacation home in the small town of Saluda, North Carolina in 1980. He allowed no photos of the home, as it was his private place to get away from the celebrity whirl.
Three years after joining the Carlone band, Como moved to Ted Weems' Orchestra and his first recording dates. Como and Weems met in 1936 while the Carlone orchestra was playing in Warren, Ohio. Perry initially did not take the offer. Apparently realizing it was the best move for his young vocalist, Freddy Carlone urged him to sign with Weems. Art Jarrett had just left the Weems organization to start his own band. Weems was in need of a vocalist; Como got a raise (Weems paid $50 per week), and his first chance for nationwide exposure. Ted Weems and his orchestra were based in Chicago, and were regulars on radio shows such as The Jack Benny Program and Fibber McGee and Molly. The Weems band also had its own weekly radio program on the Mutual Broadcasting System from 1936 – 1937.
Como's first recording with the Weems band was a novelty tune called "You Can't Pull the Wool Over My Eyes", recorded for the Decca Records label in May, 1936. Another problem cropped up during one of Como's early Decca recording sessions with the Weems orchestra. Weems was told to get rid of "that kid" (Como) because he sounded too much like Bing Crosby. Before Como could reply, Ted Weems did, saying that Como was part of the session or it was over. The weekly radio show, Beat the Band, which ran on NBC from 1940 – 1944, was a "stump the band" type musical quiz show where Weems and his orchestra were the featured band from 1940 – 1941.
The Como's first child, Ronnie, was born in 1940 while the Weems band was working in Chicago. Como left the performance to be at his wife's side even though he was threatened with dismissal if he did so. Como received an offer to become a Frank Sinatra imitator, but chose to keep his own style. While Perry was negotiating for a store lease to re-open a barber shop, he had a call from Tommy Rockwell at General Artists Corporation, who also represented Ted Weems. Como had many other calls bringing offers; what was different was that he knew and trusted Rockwell, who was offering him his own sustaining (non-sponsored) Columbia Broadcasting System (CBS) radio show and to get him a recording contract. It also mattered that the offers meant staying in New York with no more road tours. As Perry pondered the offer, Roselle Como told him, "You can always get another barber shop if it doesn't work out!" Until the radio show and recording contract offers, he did not really view singing as his career, believing the years with Carlone and Weems had been enjoyable, but now it was time to get back to work. Como said in an 1983 interview, "I thought I'd have my fun and I'd go home to work."
Perry went on the air for CBS on March 12, 1943. Rockwell's next move was to book Como into the renown Copacabana night club for two weeks beginning on June 10, 1943. It was the beginning of a 44 year professional relationship; no major artist has been with a recording company longer. The crooning craze was at its height during this time and the "bobby soxer" and "swooner" teenage girls who were wild about Sinatra added Como to their list, a "swooners" club voting him "Crooner of the Year" in 1943. The line for a Perry Como Paramount performance was three deep and wound around the city block. Como's popularity also extended to a more mature audience when he played the Versailles and returned to the Copacabana, where the management placed "SRO-Swooning Ruled Out" cards on their tables. On December 11, 1944, he moved from CBS to NBC for a new radio program, Chesterfield Supper Club. There were two "Supper Club" broadcast flights that evening: at 6 PM and again at 10 PM for the West Coast broadcast of the show. In addition to the instruments for the band, the plane also carried a small piano. Because the stand-held microphones weren't very useful on the plane, hand-held mikes were then used, but due to the cabin pressure, they became extremely heavy to hold after a few minutes. This mid-air performance caused the American Federation of Musicians to consider this a new type of engagement and issue a special set of rates for it.
Performing live again brought Como a new sense of enjoyment. In May 1974, he embarked on his first concert appearance outside of the United States, a show at the London Palladium for the Variety Club of Great Britain to aid children's charities. It was here where he discovered what he had been missing when the audience cheered for ten minutes after he walked onstage. At the show's end, Como sat in a chair, delightedly chatting back and forth with his equally delighted fans. Como was invited to visit Buckingham Palace the day after the show. Since the invitation did not extend to his associates traveling and working with him, Como politely declined. Soon after, he announced his first concert tour that began in the UK in the spring of 1975. In 1982, Como and Frank Sinatra were invited to entertain Italian President Sandro Pertini at a White House State dinner when he made an official visit. President Pertini enjoyed their performance enough to join them in singing "Santa Lucia". The pair reprised this routine the next year in California as part of the entertainment for Queen Elizabeth's Royal visit. Perry was on the program by special request of the Queen. 1984 found Como traveling the US with his 50th Anniversary tour. Having spent most of his professional life in radio or recording studios and on television soundstages, he was enjoying doing live performances. Even after his 80th birthday, Perry continued the concert tours. Gone however, were the cardigan sweaters which were a staple of his weekly television shows. Como now performed in a tuxedo, saying, "It shows respect for the audience." The return to live appearances also provided Como with an opportunity to have a little fun with his "Mister Nice Guy" image in a song Ray Charles and Nick Perito wrote for him:
It doesn't take a guy equipped with ESP, to see what's cookin' with your curiosity! Is "Mister Nice Guy" just a press agent's pitch? his dearest friends say he's a . . . You never thought you'd see me in Las Vegas 'live' I haven't played a "club" since 1885!It's spelled out in dollar signs ( you better believe it! ) I can almost read your minds!–Nick Perito and Ray Charles, "If I Could Almost Read Your Mind"
Despite his immense popularity, Como is rarely given credit for what, once you stop and think of it, he so clearly is: one of the great singers and one of the great artists of our time.Perhaps the reason people rarely talk about his formidable attributes as a singer is that he makes so little fuss about them. That celebrated ease of his has been too little understood. Ease in any art is the result of mastery over the details of the craft. You get them together to the point where you can forget about how you do things and concentrate on what you are doing. Como got them together so completely that the muscles don’t even show. It seems effortless, but a good deal of effort has gone into making it seem so. Como is known to be meticulous about rehearsal of the material for an album. He tries things out in different keys, gives the song thought, makes suggestions, tries it again, and again, until he is satisfied. The hidden work makes him look like Mr. Casual, and too many people are taken in by it — but happily so.
I have of necessity given a good deal of thought and study to the art of singing, and Como's work consistently astonishes me. He is a fantastic technician. Listen in this album to the perfection of his intonation, the beauty of the sound he produces, the constant comfortable breath control. And take notice of his high notes. Laymen are often impressed by the high note you can hear for five blocks. Professionals know that it is far more difficult to hit a high note quietly. Como lights on a C or D at the top of a tune as softly as a bird on a branch, not even shaking it.
And then there's his phrasing. A number of our best singers phrase well. The usual technique is to rethink the lyrics of a song to see how they would come out if you were saying them, and then approximate in singing the normal speech inflections and rhythms. This often involves altering the melody, but it is a legitimate practice and when done well can be quite striking. But Como is beyond that. He apparently does not find it necessary to change the melodic line in order to infuse a song with emotion. A great jazz trumpeter once told me, "After fifteen years of playing, I’ve come to the conclusion that the hardest thing to do is to play melody, play it straight and get feeling into it." Como has been doing this from the beginning.
Stylistically, he comes out of the Bing Crosby–Russ Colombo school. That was all a long time ago. Como has been his own man for many years now. He sounds like nobody else. And nobody sounds like him, either. He is hard to imitate precisely because his work is so free of tricks and gimmicks. There are no mannerisms for another singer to pick up from him. All one can do is try to sing as well and as honestly as Como, and any singer who does that will end up sounding like himself, not Como.
–Gene Lees-sleeve note, Look To Your Heart
From 1989 until his death in 2001, Como co-hosted a weekly syndicated radio show with John Knox, called Weekend With Perry.
Some misguided advisers sought to alter Como's life story by changing his previous occupation from barber to coal miner, claiming it would make for better press. In 1985, Como related the story of his first film role experience in Something for the Boys. He sat ready to work in his dressing room for two weeks without being called. Perry spent the next two weeks playing golf, still not missed by the studio. It was five weeks before he was actually called to the set, despite the studio's initial urgent report for work notice. When Como finally appeared, the director had no idea who he was. Though his last movie, Words and Music, was a Metro-Goldwyn-Mayer production, Como fared no better. Less than two weeks before the film's release, Walter Winchell printed in his syndicated column, "Someone at MGM must have been dozing when they wrote the script for Words and Music. In most of the film Perry Como is called Eddie Anders and toward the end (for no reason) they start calling him Perry Como." Como asked for and received a release from the remainder of his movie contract in the same year. Quoting Como, "I was wasting their time and they were wasting mine." Como received some movie offers that pleased him while he was doing the weekly television shows, but there was just never enough time to pursue the film work. The show was the usual Friday night Chesterfield Supper Club with an important exception—it was also being broadcast on television. The experimental simulcast was to continue for three Friday "Supper Club" shows, but had gone so well, NBC decided to extend the televised version through August 1949. Said Como, "You can't act on TV. With me, what you see is what you get." While still in its experimental phase, Como and the television show survived a "road trip" for an on location broadcast in Durham, North Carolina, on April 15, 1949. In 1950, Perry moved to CBS and the show's title was changed to The Perry Como Chesterfield Show, again sponsored by Liggett & Myers' Chesterfield cigarettes. By 1952, it was evident that television would replace radio as the major entertainment medium. Gary Giddins, the biographer of Bing Crosby, said in 2001, "He (Como) came from this whole generation of crooners--Crosby and Sinatra, but he was the only one of them who figured out TV." The year before, he had been asked to be the master of ceremonies and narrator of the NBC Radio 35th anniversary special. That April, Perry Como signed a 12 year "unbreakable" contract with NBC.
He moved back to NBC with a weekly hour long variety show featuring additional musical and production numbers, comedy sketches and guest stars called The Perry Como Show, premiering Saturday, September 17, 1955. became the show's opening theme song, and it was here where he began wearing his trademark cardigan sweaters. The "Sing to me, Mr. C." segment of the Como shows with Perry seated on a stool singing viewer requested songs had its roots in the first television broadcasts of Chesterfield Supper Club. When cameras entered the "Supper Club" radio studio, they found Como and his guests sitting on stools behind music stands. There was as much fun at rehearsals as on the show itself. Como's relaxed and fun-loving manner at rehearsals put many nervous guests at ease. Perry thoroughly enjoyed what he was doing, saying in a 1989 interview, "I got a kick out of live television. The spontaneity was the fun of it." On September 15, 1956, the season premiere of The Perry Como Show was broadcast from NBC's new color television studios at the New York Ziegfeld Theatre, making it one of the first weekly color TV shows. In addition to this season premiere as a color television show, there was also a royal visit from Prince Rainier of Monaco and his bride of six months, Grace Kelly.
Como competed with Jackie Gleason in what was billed as the "Battle of the Giants" and won. This is now rarely mentioned, in part because Como commonly downplayed his own achievements, At the height of this television competition, Como asked Gleason a favor: to visit his home when his mother-in-law, a big Gleason fan, was there. Though Mrs. Belline spoke no English and Gleason no Italian, Roselle's mother was thrilled. Como's words to Gleason after the visit, "Anything you want, you got it. In fact, I'll even do one of your shows so the ratings will be better." Como was among those who filled in for Gleason on The Jackie Gleason Show in 1954 when the entertainer suffered a broken ankle and leg in an on-air fall.
An example of Como's popularity came in 1956, when Life conducted a poll of young women, asking them which man in public life most fit the concept of their ideal husband: it was Perry Como. At one point, his television show was broadcast in at least 12 other countries.
In late 1962, after the Cuban Missile Crisis had settled well enough to permit the evacuated servicemen's families to return to Guantanamo Bay Naval Base in Cuba, Secretary of Defense Robert McNamara was eager to do more for morale there. He asked Perry Como to bring his television show to the Naval base. Perry and his cast and crew were at Guantanamo when the loved ones began their return. The first entertainers to visit the base since the crisis, the Como show filmed there for eight days. Some highlights of the program, which was seen in the US on December 12, 1962, included Como's shaving a serviceman with a Castro-like beard and the enthusiastic participation when Perry asked for volunteers to come on stage to do the Twist with the lovely ladies who were part of the visiting dance troupe.
Filming for the Kraft Music Hall Christmas show that was aired on December 17, 1964 began at the Vatican November 7. By special permission of Pope Paul VI, Como and his crew were able to shoot segments in the Vatican gardens and other areas where cameras had never been permitted previously. The show featured the first television appearance of the Sistine Chapel Choir, and also the first time a non-choir member (Como) sang with them. The choir performed a Christmas hymn in Latin written by their director, Domenico Bartolucci, called "Christ Is Born", as part of their presentation. Como asked his associate, Ray Charles, to write English lyrics for the song, using it many times on both television shows and his Christmas albums. The Carpenters also recorded the song on their first Christmas album, Christmas Portrait. Como had numerous Christmas television specials, beginning on Christmas Eve 1948, and continuing to 1994, when his final Christmas special was recorded in Ireland. They were recorded in many countries, including the Holy Land, Mexico, and Canada, as well as many locations throughout the United States. The 1987 Christmas special was cancelled at the behest of Como; American Broadcasting Company (ABC) was willing to offer him only a Saturday 10 PM time slot for it 3 weeks before the holiday. Perry filled the yearly gap for his fans with live Christmas concerts in various locations.
A second ceremony marking Perry Como Day took place August 24, 1977, The planned statue had the blessing of Como's wife, Roselle, who died the year before it was unveiled on May 15, 1999. A smaller version of the statue was taken to Palena by the mayor of Canonsburg, Anthony Colaizzo. Perry's son, David, and his wife were also in attendance when the town of Palena renamed a street for Como.
In 2007, the local McDonald's was totally rebuilt. The new building decor features memorabilia of Como along with that of fellow singer and Canonsburg native, Bobby Vinton. A children's playground in Canonsburg on Giffin Avenue is also named for Como. In downtown Canonsburg, all of the tree grates are marked with information about the records that sold a million copies and the town clock hourly plays one of the hits of Como (141), Vinton (44), or the Four Coins (7), also from Canonsburg.
Perry Como never forgot Canonsburg either. One of the things he did to give a helping hand to his home town was to convince RCA to open a record-pressing plant there. Those who needed to raise funds for local projects like Boys' and Girls' Clubs found him always ready to do whatever was needed.
Category:1912 births Category:2001 deaths Category:People from Washington County, Pennsylvania Category:American crooners Category:American baritones Category:American male singers Category:American pop singers Category:American radio personalities Category:American television personalities Category:American Roman Catholics Category:Deaths from Alzheimer's disease Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:American jazz musicians of Italian descent Category:American musicians of Italian descent Category:Kennedy Center honorees Category:Musicians from Pittsburgh, Pennsylvania Category:Peabody Award winners Category:RCA Victor artists Category:Traditional pop music singers Category:Performers of religious music Category:Emmy Award winners
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Name | Nick Jonas |
---|---|
Birth name | Nicholas Jerry Jonas |
Landscape | Portrait |
Background | solo_singer |
Born | September 16, 1992Dallas, Texas, United States |
Origin | Wyckoff, New Jersey, United States |
Instrument | Vocals, guitar, drums, piano, keyboards glockenspiel, cello |
Genre | Teen pop, pop rock |
Occupation | Vocalist, musician, actor, singer–songwriter |
Years active | 2002–present |
Label | Hollywood, Columbia |
Associated acts | Jonas Brothers, Nick Jonas & The Administration, Miley Cyrus |
Notable instruments | Gibson SGFender TelecasterGibson ES-335 |
Nicholas Jerry "Nick" Jonas (born September 16, 1992) is an American singer-songwriter, musician and actor best known as one of the Jonas Brothers, a pop-rock band he formed with his brothers Joe and Kevin. The Jonas Brothers originally started as an attempted solo singing career for Nick, but the record producer liked the sound when his brothers sang backup for him. He previously starred in the Disney Channel original series JONAS L.A. as Nick Lucas, alongside his brothers. He also starred in the Disney Channel original movie Camp Rock and . He formed the band Nick Jonas & The Administration, which released its first album in 2010. He and his brothers recently concluded their tour with the cast of .
He was diagnosed with Type I diabetes at the age of 13 and wears an OmniPod insulin pump to help him manage his condition. He has developed the Change for the Children Foundation. Partnering with five different charities, their goal is to raise money and awareness for diabetes. He also developed a public service announcement with the Washington Nationals to support diabetes care at Children's National Medical Center in Washington, D.C.
Since August 6, 2008, Bayer Diabetes Care has partnered with Jonas as a diabetes ambassador to promote the idea for young people to manage their diabetes. Jonas testified in the U.S. Senate to promote more research funding for the condition.
Miley Cyrus has stated that she dated Jonas from June 2006 to December 2007. Cyrus claimed they were "in love" and began dating soon after they first met.
On June 21, 2010 Jonas made his West End debut performing in Les Misérables for the second time, but this time as the role of Marius Pontmercy. Jonas was originally supposed to play the role for only three weeks, but was able to extend his run until July 24, 2010 because of changes in the Jonas Brothers tour schedule. He also appeared in the 25th Anniversary Concert at The 02 Arena on October 3, 2010, again playing the role of Marius Pontmercy.
Jonas and his brothers filmed a Disney Channel Original Movie called Camp Rock where they play a band called "Connect Three." Joe plays the lead male role and lead singer "Shane Gray"; Nick plays the role of "Nate," a guitarist; and Kevin plays the role of "Jason," also a guitarist. A soundtrack for the movie was released on June 17, 2008. The movie premiered on June 20, 2008 in the USA on Disney Channel, and Canada on Family. Production began on the sequel, in September 2009 and is set to premiere during the summer of 2010.
The reality short series, , premiered on Disney Channel on May 16, 2008. The show, which ran until September 5, 2008, documents the brothers' lives on the Look Me In The Eyes Tour. The name was inspired by the band's hit song "When You Look Me in the Eyes". The series was renewed for a second season, which premiered on March 21, 2010. The second season follows the band on the European leg of their World Tour 2009.
Jonas and his brothers previously starred in the Disney Channel Original Series JONAS about a pop band trying to live a normal life, which premiered May 2, 2009 and concluded on March 14, 2010. Filming for the second season began in February 2010. The second season was renamed Jonas L.A., and premiered on June 20, 2010. On November 8, 2010, it was announced that the series had been cancelled.
Jonas will appear in the 2011 series Mr. Sunshine; he will play Eli White, an up-and-coming singer who wants everything his way before he performs at the Sunshine Center.
Nick Jonas is currently working on a side project from the Jonas Brothers called "Nick Jonas and the Administration". Their debut album Who I Am was released February 2, 2010. The band members consist of Tommy Barbarella on keyboard, Michael Bland on drums, John Fields on bass, and David Ryan Harris on guitar. Although David Ryan Harris recorded guitar in the studio for Who I Am he was unable to go on tour with the rest of band and was ultimately replaced by Sonny Thompson.
In January 2010 Jonas embarked on the Who I Am Tour with the Administration. This was Jonas' first tour without his brothers. The tour consisted of 22 dates that began on January 2, 2010 in Dallas, Texas and concluded on January 30, 2010 in Berkeley, California.
It's About Time, the brothers first album was released on August 8, 2006. According to the band's manager, it was only a "limited release" of a little over 50,000 copies. Because Sony was not interested in further promoting the band, the Jonas Brothers considered switching labels. The band was ultimately dropped by Columbia Records in early 2007.
After shortly being without a label, the Jonas Brothers signed with Hollywood Records in February 2007. Around the same time, brothers began appearing in commercials for Baby Bottle Pops, singing the jingle. It reached number five on the Billboard 200 chart in its first week. It has since sold over three million copies worldwide.
The Jonas Brothers' third studio album, A Little Bit Longer, was released in the United States on August 12, 2008. It sold over 2 million copies worldwide. The Jonas Brothers were listed number 9 on the richest pop acts of 2008 with Coldplay and AC/DC making over 62 million.
In January 2010, Nick Jonas & The Administration began touring in support of their debut album, Who I Am. Apart from guest appearances at specific events, it marks the first time Nick has toured without his brothers, Kevin and Joe.
Category:1992 births Category:2000s singers Category:2010s singers Category:Actors from New Jersey Category:American child actors Category:American child singers Category:American Christians Category:American drummers Category:American film actors Category:American male singers Category:American multi-instrumentalists Category:American musicians of Italian descent Category:American people of German descent Category:American people of Irish descent Category:American people of Italian descent Category:American pop guitarists Category:American singer-songwriters Category:American stage actors Category:American television actors Category:Jonas Brothers members
Category:Living people Category:Musicians from New Jersey Category:Native American people Category:People from Wyckoff, New Jersey
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.