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Vedānta is also called Uttarā Mīmāṃsā, or the 'latter enquiry' or 'higher enquiry', and is often paired with Purva Mīmāṃsā, the 'former enquiry'. Pūrva Mimamsa, usually simply called Mimamsa, deals with explanations of the fire-sacrifices of the Vedic mantras (in the Samhita portion of the Vedas) and Brahmanas, while Vedanta explicates the esoteric teachings of the s (the "forest scriptures"), and the Upanishads, composed from ca. the 9th century BCE until modern times.
Vedanta is not restricted or confined to one book and there is no sole source for Vedāntic philosophy.
The systematization of Vedāntic ideas into one coherent treatise was undertaken by Badarāyana in the Vedānta Sutra which was composed around 200 BCE . The Vedānta-sūtra are known by a variety of names, including (1) Brahma-sūtra, (2) Śārīraka, (3) Vyāsa-sūtra, (4) Bādarāyaṇa-sūtra, (5) Uttara-mīmāṁsā and (6) Vedānta-darśana. The cryptic aphorisms of the Vedanta Sutras are open to a variety of interpretations, resulting in the formation of numerous Vedanta schools, each interpreting the texts in its own way and producing its own sub-commentaries. Consistent throughout Vedanta, however, is the exhortation that ritual be eschewed in favor of the individual's quest for truth through meditation governed by a loving morality, secure in the knowledge that infinite bliss awaits the seeker. Nearly all existing sects of Hinduism are directly or indirectly influenced by the thought systems developed by Vedantic thinkers. Hinduism to a great extent owes its survival to the formation of the coherent and logically advanced systems of Vedanta.
The primary philosophy captured in the Upanishads, that of one absolute reality termed as Brahman is the main principle of Vedanta. The sage Vyāsa was one of the major proponents of this philosophy and author of the Brahma Sūtras based on the Upanishads. The concept of Brahman – the eternal, self existent, immanent and transcendent Supreme and Ultimate Reality which is the divine ground of all Being - is central to most schools of Vedānta. The concept of God or Ishvara is also there, and the Vedantic sub-schools differ mainly in how they identify God with Brahman.
The contents of the Upanishads are often couched in enigmatic language, which has left them open to various interpretations. Over a period of time, several scholars have interpreted the writings in Upanishads and other scriptures like Brahma Sutras according to their own understanding and the need of their time. There are a total of six important interpretations of these source texts, out of which, three (Advaita, Vishishtadvaita and Dvaita) are prominent, both in India and abroad. These Vedantic schools of thought were founded by Shri Adi Shankara, Shri Ramanuja and Shri Madhvacharya, respectively. It should be noted, however, that the Indian pre-Shankara Buddhist writer, Bhavya, in the Madhyamakahrdaya Kārika describes the Vedānta philosophy as "Bhedabheda". Proponents of other Vedantic schools continue to write and develop their ideas as well, although their works are not widely known outside of smaller circles of followers in India.
While it is not typically thought of as a purely Vedantic text, the Bhagavad Gita has played a strong role in Vedantic thought, with its representative syncretism of Samkhya, Yoga, and Upanishadic thought. Indeed, it is itself called an "upanishad" and thus, all major Vedantic teachers (like Shankara, Rāmānuja, and Mādhvāchārya) have taken it upon themselves to compose often extensive commentaries not only on the Upanishads and Brahma Sutras, but also on the Gita. In such a manner, Vedāntists both old and new have implicitly attested to the Gitā's importance to the development of Vedantic thought and practice.
Category:Hindu philosophical concepts Category:Indian philosophy Category:Sanskrit words and phrases Category:Metaphilosophy Category:Vedas Category:Philosophical traditions Category:Ancient philosophical schools and traditions Category:Philosophical schools and traditions
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Name | Trevor Hall |
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Landscape | No |
Background | solo_singer |
Origin | South Carolina, USA |
Instrument | Vocals, guitar |
Genre | AcousticRockAlternative |
Occupation | Singer, musician |
Years active | 2001–present |
Label | Vanguard Records |
Associated acts | |
Url | http://www.trevorhallmusic.com, http://www.Myspace.com/trevorhall |
During his senior year, Trevor signed a record deal with Geffen Records. He continued to focus on his music after graduation, moving to Los Angeles and working with such producers as John Alagia and the Laboriel Brothers. Other than an EP, none of the records that Trevor recorded were released. Geffen dropped him from the label in 2008.
Immediately after his departure from Geffen, Trevor began to write more music. He soon had 14 new songs under his belt along with his good friend/percussionist Chris Steele. They released their new album, "This is Blue" in 2008. Over the years, Trevor Hall has toured with many artists including: Jimmy Cliff, Steel Pulse, The Wailers, Matisyahu, Stevie Nicks, Ben Harper, Colbie Caillat, Los Lobos, Ziggy Marley, Rusted Root, and many others. He cites Bob Dylan, Bob Marley, Ben Harper and Björk as his main influences.
Trevor has found his inspiration through meditation and his trips to India. He has helped out an Indian school there with donations from his shows. He is also a committed vegetarian.
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Name | Swami Rama |
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Birth-year | 1925 |
Birth-place | Northern India |
Birth-name | Brij Kishore Dhasmana |
Maha samadhi | 1996 |
Religion | Hinduism |
Guru | Bengali Baba |
Honors | Shankaracharya of Karvirpitham |
Quote | "Be happy and fearless. Remember that you are a child of Divinity. Loss and gain cannot even touch your shadow." |
He is especially notable as one of the first yogis to allow himself to be studied by Western scientists. In the 1960s he allowed himself to be examined by scientists at the Menninger Clinic who studied his ability to voluntarily control bodily processes (such as heartbeat, blood pressure, body temperature, etc.) that are normally considered to be non-voluntary (autonomic).
Swami Rama's concept of "wellness" and not "medical repair" of the human being is gaining ground in many countries in North America and Europe. He demonstrated the impact of holistic health approaches on the Dehradun campus. On that campus he also established a medical university with his most senior disciple Swami Veda Bharati (holding a Ph.D. from The Netherlands) being the Chancellor, Vijay Dhasmana as the Vice-Chancellor, and one of his most development orientated disciples—Ms. B. Maithili (Director of the Rural Development Institute)—as the Registrar.
Swami Rama authored several books in which he describes the path he took to becoming a yogi and lays out the philosophy and benefits behind practices such as meditation. One of the common themes expressed in such books as Enlightenment Without God and Living with the Himalayan Masters is the ability of any person to achieve peace without the need for a structured religion. He was critical of the tendency for yogis to use supernatural feats to demonstrate their enlightenment, arguing that these only demonstrated the ability to perform a feat.
Robert Walter, an American registered securities broker, claims to be the younger son of Swami Rama. He and his mother, Shirley Walter, plan to publish a double memoir of their relationships with Swami Rama and their involvement with the Himalayan Institute, "Son of a Swami: A Life of Lies." Shirley Walter was a founding director of the Himalayan Institute USA, according to the original incorporation papers filed with the Illinois Secretary of State. Her yoga center became Swami Rama's first base of operations in the United States (also described in "At the Eleventh Hour" by Tigunait).
Another woman, Miranda Marbaniang of Shillong, claims she is Swami Rama's oldest daughter.
Swami Rama's followers have not acknowledged either Robert Walter or Miranda Marbaniang as the guru's children, as he was supposed to have taken vows of celibacy.
Swami Rama, in relation to accusations made against him while alive, said "Do not defend me" as part of the discipline of Asian yogis to live up to the ideal of non-violence.
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Category:Yogis Category:People claiming to have psychokinetic abilities Category:1925 births Category:1996 deaths
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Parthasarathy has authored several books, presenting scriptural truths in contemporary thought and language. He has authored commentaries on the Bhagavad-Gita, Upanishads and others. Two books, Vedanta Treatise- The Eternities and Symbolism of Hindu Gods and Rituals, have earned best-selling status in India. His other books would be "The Fall of the Human Intellect" and "Governing Business and Relationships". His work is significantly derived on the lucidations of former vedantins like Swami Rama Tirtha
Parthasarathy actively tours the world, giving discourses on Vedanta to the public, as well as conducting corporate seminars.
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Name | Sri Nisargadatta Maharaj |
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Colour | yellow |
Birth date | April 17, 1897 |
Birth place | Bombay (Mumbai), Maharashtra |
Birth name | Maruti Shivrampant Kambli |
Death date | September 08, 1981 |
Death place | Bombay (Mumbai), |
Philosophy | Advaita Vedanta |
Sri Nisargadatta Maharaj (birth name: Maruti Shivrampant Kambli) (April 17, 1897 – September 8, 1981) was an Indian spiritual teacher and philosopher of Advaita (Nondualism), and a Guru, belonging to the Inchgiri branch of the Navnath Sampradaya.
One of the 20th century's exponents of the school of Advaita Vedanta philosophy (nondualism), Sri Nisargadatta, with his direct and minimalistic explanation of non-dualism, is considered the most famous teacher of Advaita since Ramana Maharshi .
In 1973, the publication of his most famous and widely translated book, I Am That, an English translation of his talks in Marathi by Maurice Frydman, brought him worldwide recognition and followers .
In 1915, after his father died, he moved to Bombay to support his family back home, following his elder brother. Initially he worked as a junior clerk at an office but quickly he opened a small goods store, mainly selling bidis – leaf-rolled cigarettes, and soon owned a string of eight retail shops .
In 1924 he married Sumatibai and they had three daughters and a son.
"My Guru ordered me to attend to the sense 'I am' and to give attention to nothing else. I just obeyed. I did not follow any particular course of breathing, or meditation, or study of scriptures. Whatever happened, I would turn away my attention from it and remain with the sense 'I am'. It may look too simple, even crude. My only reason for doing it was that my Guru told me so. Yet it worked!"
Following his guru's instructions to concentrate on the feeling "I Am", he utilized all his spare time looking at himself in silence, and remained in that state for the coming years, practising meditation and singing devotional bhajans .
After an association that lasted hardly two and a half years, Sri Siddharameshwar Maharaj died on November 9, 1936 , though by that time he had done his task. Maruti had reached self-awareness. Soon he adopted a new name, 'Nisargadatta' meaning the one who dwells in the natural state. He was also appointed as the spiritual head of the Inchegeri branch of Navnath Sampradaya, the 'Nine Masters’ tradition, a place he retained through his life .
In 1937, he left Mumbai and travelled across India . Through realising the shortcomings of a totally unworldly life and the greater spiritual fruitfulness of dispassionate action, he eventually returned to his family in Mumbai in 1938 . It was there that he spent the rest of his life.
He talked about the 'direct way' of knowing the Final Reality, in which one becomes aware of one's original nature through mental discrimination, a method which is common to the teachers of the Navnath Sampradaya . This mental discrimination or the Bird's way ('Vihangam Marg') was also presented by Nisargadatta's co-disciple, Sri Ranjit Maharaj; wherein Self-Knowledge is gained just as a bird flying in the sky goes easily from branch to branch, instead of slowly crawling its way up the tree like an ant, as in the 'Pipilika Marg'. Here the disciple reaches straight to truth, without wasting time in long drawn out practices that would take him to the 'fruit' no doubt, only slowly. He proposed to use one's mental faculty to break from the unreal to the real, and the mind's false identification with the ego, simply by listening to and constantly thinking over what the master has said, and knowing that "You are already That" .
The common teaching style of teaching of the Inchgiri Sampradaya masters (beginning with Shri Bhauseheb Maharaj) to Indian devotees was for the Master to select a passage from a traditional text on Advaita Vedanta, most commonly Dasbodh of Saint Shri Samarth Ramdas (as well as the "Yoga Vasishtha", "Saachara" of Shri Shankaracharya, and the "Ecknati Bhagwat" of Saint Ecknath), and to expound upon the meaning and import of that selected passage. Nisargadatta Maharaj and Ranjit Maharaj both deviated from this formal format by giving informal discourses for the benefit of western devotees who did not have access to Dasbodh or the other texts, and who were not familiar with Indian traditions and customs.
Many of Nisargadatta Maharaj's talks were recorded, and these recordings form the basis of I Am That and all of his other books. His words are free from cultural and religious trappings, and the knowledge he expounds is stripped bare of all that is unnecessary.
Summed up in the words of Advaita scholar and a disciple, Dr. Robert Powell, "Like the Zen masters of old, Nisargadatta's style is abrupt, provocative, and immensely profound -- cutting to the core and wasting little effort on inessentials. His terse but potent sayings are known for their ability to trigger shifts in consciousness, just by hearing, or even reading them."
According to Sri Nisargadatta, our true nature is perpetually free peaceful awareness, in Hinduism referred to as Brahman. Awareness is the source of, but different from, the personal, individual consciousness, which is related to the body. The mind and memory are responsible for association with a particular body; awareness exists prior to both mind and memory. It is only the idea that we are the body that keeps us from living what he calls our "original essence", the True Self, in Hinduism referred to as Atman.
He describes this essence as pure, free, and unaffected by anything that occurs. He likens it to a silent witness that watches through the body's senses, yet is not moved, either to happiness or sadness, based on what it sees.
For Nisargadatta, the Self is not one super-entity which knows independently, regardless of things; there is no such super-entity, no Creator with infinite intellect. God does not exist independently from creation. What does exist is the "total acting" (or functioning) of the Ultimate or Absolute Reality along the infinite varying forms in manifestation. This Absolute Reality is identical to the Self.
Nisargadatta's teachings also focus on our notion of causality as being misinterpreted. He understood that the interconnectedness of varying forces in the universe is so vast and innumerable that the notion of causality, as presently understood, is wasted. The endless factors required for anything to happen means that, at most, one can say everything creates everything; even the choices we make are predetermined by our genetic code, upbringing, mental strivings and limitations, our ethical and philosophical ideals, etc., all of which are uniquely combined to each person and recontextualized accordingly.
This leads to the radical notion that there is no such thing as a "doer". According to him and other teachers of Vedanta, since our true nature or identity is not the mind, is not the body, but the witness of the mind and body, we, as pure awareness, do nothing. The mind and body act of their own accord, and we are the witness of them, though the mind often believes it is the doer. This false idea (that the mind is the self and responsible for actions) is what keeps us from recognizing our Self. Nisargadatta cautions:
:'"The life force [prana] and the mind are operating [of their own accord], but the mind will tempt you to believe that it is "you". Therefore understand always that you are the timeless spaceless witness. And even if the mind tells you that you are the one who is acting, don't believe the mind. [...] The apparatus [mind, body] which is functioning has come upon your original essence, but you are not that apparatus." - The Ultimate Medicine, (pp.54 - 70)
Among his most known disciples are Sailor Bob Adamson . , Stephen Wolinsky , Jean Dunn, Alexander Smit, Robert Powell, Timothy Conway, and Ramesh Balsekar,Jack kornfeild.
"Truth is not a reward for good behaviour, nor a prize for passing some tests. It cannot be brought about. It is the primary, the unborn, the ancient source of all that is. You are eligible because you are. You need not merit truth. It is your own. Just stop running away by running after. Stand still, be quiet ." - Interview with Sri Nisargdatta Maharaj
"My advice to you is very simple – just remember yourself, ‘I am’, it is enough to heal your mind and take you beyond, just have some trust. I don’t mislead you. Why should I? Do I want anything from you? I wish you well – such is my nature. Why should I mislead you? Common sense too will tell you that to fulfill a desire you must keep your mind on it. If you want to know your true nature, you must have yourself in mind all the time, until the secret of your being stands revealed ." - I Am That
"There is nothing to practice. To know yourself, be yourself. To be yourself, stop imagining yourself to be this or that. Just be. Let your true nature emerge. Don't disturb your mind with seeking ."
Category:1897 births Category:1981 deaths Category:Advaitin philosophers Category:Hindu gurus Category:Spiritual teachers
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Name | Naveen Patnaik |
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Order | Chief Minister |
State | ଓଡିଶା |
Birth date | October 16, 1946 |
Birth place | Cuttack, Odisha, India |
Birthname | Naveen Patnaik |
Party | Biju Janata Dal |
Residence | Naveen Nivas, Bhubaneswar, ଓଡିଶା |
Profession | WriterPolitician |
Website | Official siteChief Minister of Orissa |
He is a life-long bachelor. His elder brother Prem Patnaik is a businessman while his sister Gita Mehta is a renowned author and is the wife of Sonny Mehta, Editor-in-Chief of Alfred A. Knopf, New York.
The BJD won a resounding victory in both the Vidhan Sabha as well as the Lok Sabha elections in 2009, bagging 14 out of 21 Lok Sabha seats and 103 of the 147 assembly seats and was sworn in as the Chief Minister of Odisha on May 21, 2009 for the third consecutive term.
Naveen Patnaik is also a founder member of the Indian National Trust for Art & Cultural Heritage (INTACH).
Category:Indian politicians Category:Dosco Category:Chief Ministers of Orissa Category:People from Orissa Category:1946 births Category:Living people Category:Biju Janata Dal politicians Category:Scindia School alumni Category:Kirori Mal College alumni Category:Members of Legislative Assembly of Orissa Category:University of Delhi alumni
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Name | Ami Suzuki鈴木 亜美 |
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Background | solo_singer |
Subject name | Suzuki Ami 鈴木 亜美 |
Birth name | Suzuki Ami 鈴木 亜美 (surname, Suzuki) |
Alias | |
Born | February 09, 1982 |
Origin | Zama, Kanagawa, Japan |
Genre | J-Pop, Dance-pop, Electropop, Eurobeat |
Occupation | singer-songwriter, actress, dancer, model |
Instrument | Vocals, guitar, piano |
Years active | 1998–20012004–present |
Label | Sony Music Entertainment Japan1998–2001Amity2004Avex Trax2005–Present |
Associated acts | Tetsuya Komuro, Nakata Yasutaka (capsule), Aly & AJ, Kirinji, THC!!, Buffalo Daughter,Ai Otsuka, Northern Bright, Scoobie Do, Kihara Ryoutarou, Ueda Kenji, Ken Harada,Kazuhito Kikuchi, Ayano Tsuji, Hideki Kaji, HΛL, Sugiurumn,S.A. (Studio Apartment),Ram Rider, Captain Funk,Tomoe Shinohara☆☆☆, Rocketman featuring You The Rock★, Hoff Dylan, & Yo-King |
Url | Ami Suzuki Official Site |
Having been discovered at a Sony Music Entertainment Japan audition, Suzuki was one of the most popular female singers as an idol in the late 1990s. However, in 2000 Suzuki faced legal problems with her management company. In 2005, she signed onto Avex Trax and released "Delightful", a dance song that reached No. 3 on the Japanese Oricon charts. Her current style of music, similar to electronic, is vastly different from when she first became a musician.
The TV show became very popular and the number of viewers watching it grew and grew as the series progressed; its popularity was such that soon it was aired in other Asian countries. From 13,500 contestants, only five girls were chosen to be in the final round, and Ami won the competition supported by 802,157 phone calls from the audience. She was only 15 years old.
In April 1998 Ami recorded her first song and single "Love the Island". The song was written and produced by Tetsuya Komuro, who was on the top of his career at that time, working with popular singers like Namie Amuro and Hitomi. Sony Music and the government of Japan made a deal for use of Ami's song "Love the Island" as the main theme of the "Guam Island Campaign Summer '98", which campaigned for an increase in Japanese tourism in Guam. The song was well promoted, with Ami appearing on covers of magazines like Young Jump and even traveling to Guam to promote the song live on the local version of the international music channel MTV. The single was finally released on July 1, 1998, and debuted at No. 5 on the Oricon charts, which was good for a debut single. Ami's second single, "Alone in My Room" was also used for the Guam campaign, and also did well, debuting at No. 3 on the charts and selling even better than the first single.
As the "Asayan" show has already ended its run, Ami made her radio début in October 1998. The show was called , which topped the radio rankings in popularity. She also signed a deal with the Japanese product Kissmark for advertisements and promotion all around Japan, Asia. Sony began promoting her third single, "All Night Long". The dance song was featured constantly at the most famous discotheque of Japan, Velfarre, and was a big hit. It debuted at No. 2 on the Oricon charts. Later that year, Ami Suzuki won various awards including the Japan Record Award for Best New Artist.
In 1999 it started well for Suzuki with the huge success of her first photo book titled Ami-Go, which sold around 200,000 copies. Later in March of that year, her debut album "SA" was released, becoming one of the Top 10 best selling albums of 1999.
Ami was constantly compared with "rival" Ayumi Hamasaki. The two young female singers were often called "enemies" by the tabloids because they began their careers at the same time and each had potential to be the next "Queen of J-Pop". Both Ami and Ayumi have always denied the rivalry existed. It should be noted that Avex President Max Matsuura who ultimately signed Ami, ending her blacklisting, is also Ayumi Hamasaki's friend and manager, so the rivalry seems to be a friendly one.
At the release of her highly-expected 7th single "Be Together" (which was a cover of TM Network), Ami competed with "rival" Ayumi Hamasaki for the first time for the top position in the charts. Ayumi released her ninth single "Boys & Girls" on the same day. Ami went to the first position at Oricon, leaving Ayumi behind in second. However, "Boys & Girls" would go on to become a #1 single itself and eventually outsell "Be Together". This was the first time Ami reached the number one position in the charts with "Be Together" becoming one of the most popular songs of 1999. Her next single, titled "Our Days", also ranked number one in the charts later that year, becoming a huge hit in Japan. At the end of the year, Ami released her eighth and last single in 1999 entitled "Happy New Millennium", which debuted at #2 and sold 364,000 copies, becoming Ami's second lowest single in 1999.
By the end of January Ami released her first single in 2000 "Don't Need to Say Good Bye" and debut at #5 due to competition from Ringo Shiina's "Tsumi to Batsu", her another single "Gibusu", Morning Musume's "Koi no Dance Site" and Southern All Stars's "Tsunami". It became Ami second #5 single during her Sony era. A week after Ami released her second studio album Infinity Eighteen Vol. 1 and sold 1,063,000 copies making Ami's second highest albums rank after "SA" and debut at #1.
As Ami evolved into a more mature artist, she began writing her own lyrics. The first song Ami wrote, with the help of Mitsuko and Tetsuya Komuro, was her tenth and last Sony single "Don't Need to Say Good Bye". The lyrics were influenced by events occurring in her personal life at that time, specifically her upcoming high school graduation.
Three months after Infinity Eighteen Vol.1, Ami released her twelfth single, "Thank You 4 Every Day Every Body" in the beginning of April and 3rd studio album, Infinity Eighteen Vol.2 at the end of April. "Thank You 4 Every Day Every Body" sold a total of 234,000 copies at #1 and Infinity Eighteen Vol.2 sold a total of 427,000 copies at #2 and also her lowest studio album during her Sony era.
"Reality/Dancin' in Hip-Hop" was Ami's 12th single released under the Sony Music Japan label, on September 27, 2000. It reached #3 on Oricon weekly chart and sold a total of 211,000 copies.
On January 1, 2005, Ami's official website under the Avex label was officially opened. The promotion of her first single under the new label, "Hopeful", started as well. The release date was scheduled for February, but was later cancelled for unknown reasons. "Hopeful" was never released as a physical single but was known as the first Avex downloadable ring tone and tune single. Despite of this, a music video for the song was later made with a remixed version by Japanese Trance DJ Overhead Champion; the original version of the song was never released on a regular CD, just on Avex airplay promos.
In March, Ami finally marked her return to the music industry with a "comeback" single (a physical CD single) titled "Delightful", a song produced by German "hands up" trance producer Axel Konrad and whose executive producer was Max Matsuura. The trance song was massively promoted by Avex with a diverse array of releases of the single (CD, CD+DVD, CD+Photobook, CD+Illustration Essay), with a different remix on each version, and also a b-side: a ballad "About You...". The single debuted at number 2 in Oricon's charts its first week and became one of the spring hits of the year. "Delightful" got the 97th place in the Oricon's Yearly Top 500 best singles of 2005.
Her second single under Avex, titled "Eventful", also a dance track, had moderate sales, debuting at number nine on Oricon music charts and it got the 245th place in the list of the top 500 best singles of 2005. Later in the year, "Eventful" won a gold prize for Best New Artist at the 47th Nihon Record Taishou on December 31, 2005. The gold prize is awarded to 10 of the top songs of the year. Other winners of the prize for that year include Ai Otsuka and Kumi Koda.
For the release of Ami's third single, Avex and the artist decided to move away from the dance genre and decided to release a ballad, "Negaigoto". "Negaigoto" did not have achieve much success compared to Ami's previous Avex singles, selling only 22,000 copies and debuting at #13 on the Oricon charts. The B-side included on the single, an upbeat song called "Times", was used as the main theme of a TV commercial of N's Street Online Shopping.
During the same month, her new official "Mobile" (via-cell phone) Fan Club Ami Sapuri was founded, and, on her official website, Ami announced that a live tour for promoting her upcoming album would start in the following months. Later, Ami also participated on the 2005 version of A-Nation, a concert where the most popular artists of Avex Trax get together and sing their hits. During A-Nation, Ami performed her singles "Delightful" and "Negaigoto". This was also the first time that Ami shared a tour and the stage with known rival Ayumi Hamasaki.
In October 2005 Ami released her first studio album in five years, and her debut album on Avex Trax. The album was originally going to be called Hopeful, but ended up being titled Around the World. The album included all the singles that Ami released in 2005: "Hopeful", "Delightful", "Eventful", "Negaigoto" and "Around the World" (the single of this song was released the same day of the album). The album was released in four different formats including a version with a bonus DVD with the music videos. The name of her live tour also was changed from Hopeful Tour Live House Body Shake It! to Around the World Live House Tour. Although the album sales were not too bad, sales did not reach the level of Ami's previous albums, selling only 50,000 copies. Also, it was her lowest debut on the Oricon albums charts at number five. However, album sales were helped by the Around the World tour and "Around the World" had successfully reestablished Ami as an artist once more.
The following month Ami took part on the Japanese 55th Anniversary of Snoopy, officially called Snoopy Life Design Happiness is the 55th Anniversary, by recording a song titled "Happiness Is..." which was sold as a CD Single exclusively at the event, which took place in Tokyo.
Once she finished promoting her latest Avex album, with her first nation-wide tour in five years, Ami was already recording new material. Just two months and a day after "Little Crystal", and one day before Ami's 24th birthday. "Fantastic", the 6th single, was released. The song was her first to be used as an opening theme on an anime series, as the tune for the TV adaptation of the third season of Blackjack. But just like her previous single, "Fantastic" did not get enough recognition, debuting only at #14 with low sales (only 14,000 copies its first week and only 3,000 more copies its second week). At the moment, the single has sold more copies and did pretty well based on its low promotion and debut. It has outsold "Little Crystal", which at the time was her least successful single.
Ami's first remix album, entitled Amix World, was released on March 29, 2006. It contained a remix of the song "Around the World" and of every single Ami released off Avex except for "Little Crystal", plus remixes of some non-single tracks from Ami's album Around the World. The remixers who worked on the album are some of the most popular and recognized artists from Japan's dance scene these days. They include Sham-Poo, M.O.R., and Ferry Corsten, who remixed the songs "Around the World" and "Fantastic". However, the release is not expected to be a big success or a chart-topper. At the end of its first week of sales, the album peaked at the #78 position on the Oricon charts, making it Ami's lowest-charting album to date.
Ami's 7th single was a different style: a little far from the previous trance style and more pop in nature. The music producer HΛL was chosen to work with Ami in "Alright!", a single released on May 17, 2006, and was considerably more cheaply produced than her previous works with a cheaper video and just a few performances. In the first week the single did not even sell ten thousand copies, being one of the lowest-selling singles for the artist in its first week. However, the song has since then sold more copies, which can be considered good.
The 8th single released under Avex, "Like a Love?", was released July 26, 2006. The single had caught more attention before its release mainly because is the first composition of J-Pop singer Ai Otsuka for another artist besides herself, and it was expected to sell considerably because of that. It was also the first music work of Ami with another female singer. The two girls met at 2006's a-nation and became good friends. The single debuted at #13 on its first day and quickly fell down the charts. It ultimately placed at #23 and sold just under 9,000 copies its first week.
Ami debuted in the bigscreen for the first time in the movie Rainbow Song, produced by Shunji Iwai, and it was released on October 28. Ami played the role of a girl called . In her web-diary, Suzuki said that her role in the film is not as major as had been previously stated, but she still considered it a great way to start an acting career. She said that she would like to sing and act at the same time and hopes to achieve that goal.
After a short break, it was announced that Ami would be coming out with new music. She covered two Disney songs, one from Beauty and the Beast and the other was called "Zip-a-Dee-Doo-Dah". These songs were only available on the Disney Music Store Japan's website starting December 20, 2006.
Shortly after the news of Ami's two new Disney songs, it was announced she would be releasing 3 new singles under a new "joins" project. These singles were her first releases of 2007, each one a collaboration with 3 different artists released 3 weeks in a row, starting February 28, finishing with the second Avex album on March 21. The "joins" singles featured the bands Buffalo Daughter, THC!! and Kirinji and received low promotion, and were only minor hits in the Oricon charts. After that, Connetta, her second Avex album, also called the "join" album, debuted at #26 on the Japanese charts, becoming her lowest-selling studio album.
At this time she had already recorded a new single, keeping the line of the "join" project, this time with electronic producer and capsule leader Yasutaka Nakata. Her 4th "join" single, and first Avex double A-side single, "Free Free/Super Music Maker", was released on August 22, 2007. For this single's promotion Ami changed drastically her image, from a cute Pop image for a more mature and sexy-erotic style. Her new look was called as "Ero-Pop" by herself and Japanese media, even comparing Ami to singer Kumi Koda. This single did considerably better than the previous "join" singles, debuting at #32 on the Japanese charts, and achieving more than 8 thousand copies sold, little less than the three previous singles sales together.
Suzuki's "join" single was released on November 28, 2007. It is a collaboration with Aly & AJ on their song "Potential Breakup Song", produced by Japanese DJ and musician Sugiurmn.
Ami released her 3rd Avex studio album (6th overall), Dolce on February 6, 2008.
In July 2008, Suzuki released her first non-joins single since 2006's "Like a Love?", "One", produced by Nakata Yasutaka.
Suzuki's 29th single, "Can't Stop the Disco", was released on September 24, 2008. Her 10th anniversary album - her fourth album with avex -, Supreme Show was released on November 12, 2008. It contains 11 tracks - including a remix of "Super Music Maker". Ami also starred in an AVEX 20th Anniversary musical, 'kokoro no Kakera'. This is her debut on a musical.
Suzuki's 30th single, "Reincarnation", was released on February 25, 2009. It was produced by Taku Takahashi of M-Flo. Suzuki recorded a song called Kiss Kiss Kiss that appeared on HOUSE NATION new compilation called Aquamarine that was released on August 5. Suzuki's 31st single "Kiss Kiss Kiss/aishiteru..." was released on October 28, 2009. "Kiss Kiss Kiss" was produced by World Sketch while the other A-side "aishiteru" was produced by Tomoyuki Tanaka of Fantastic Plastic Machine.
In 2010, Ami Suzuki's version of Kylie Minogue's international hit "Can't Get You Out Of My Head" appeared on the compliation "Tokyo Girls Collection" 10th Anniversary Runway Anthem Also, Ami collaborated with Phoenix 2:00am for the song, "Living In The Castle" that appeared on "HOUSE NATION 3rd Anniversary"
Beginning in 2009 during her activities for Supreme Show, Suzuki tried her hand at DJing for the first time. In July 2010, she released the album Blooming, a 15-track collection of her own remixes of songs by various artists as well as her own KISS KISS KISS.
Ami was faced with the problem of production companies refusing to sign her in and she tried to make a comeback in the next two years with little to no success. Her relationship with her producer, Tetsuya Komuro, also ceased. Many people were convinced that her chances for making a comeback were nil. In 2003, Ami finally negotiated an out-of-court agreement with Sony. Her contract with the label was scheduled to end in December 2004 with no singles or albums released after 2001 by Sony due to her blacklisting.
Particular credit for covering Suzuki Ami's legal problems goes to music journalists Steve McClure writing for the Japan Times and Rori Caffrey for the Daily Yomiuri. The blacklisting was not discussed in the mainstream Japanese Press, and McClure himself was warned against reporting it.
Category:1982 births Category:Avex Trax artists Category:Japanese actors Category:Japanese dancers Category:Japanese female singers Category:Japanese-language singers Category:Japanese pop singers Category:Japanese singer-songwriters Category:Living people Category:People from Kanagawa Prefecture Category:Nihon University alumni
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