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Early writings on the subject tended to judge states by the realist criterion, as expressed by the historian A. J. P. Taylor when he noted that "The test of a great power is the test of strength for war." Later writers have expanded this test, attempting to define power in terms of overall military, economic, and political capacity. Kenneth Waltz, the founder of the neorealist theory of international relations, uses a set of five criteria to determine great power: population and territory; resource endowment; economic capability; political stability and competence; and military strength. These expanded criteria can be divided into three heads: power capabilities, spatial aspects, and status.
This differed from earlier writers, notably from Leopold von Ranke, who clearly had a different idea of the world situation. In his essay 'The Great Powers', written in 1833, von Ranke wrote: "If one could establish as a definition of a Great power that it must be able to maintain itself against all others, even when they are united, then Frederick has raised Prussia to that position." These positions have been the subject of criticism.
Other suggestions have been made that a great power should have the capacity to engage in extra-regional affairs and that a great power ought to be possessed of extra-regional interests, two propositions which are often closely connected.
This approach restricts analysis to the post-Congress of Vienna epoch; it being there that great powers were first formally recognized.
A further option is to examine a state's willingness to act as a great power.
Over time, the relative power of these five nations fluctuated, which by the dawn of the 20th century had served to create an entirely different balance of power. Some, such as the UK and Prussia (as part of the newly-formed German state), experienced continued economic growth and political power. Others, such as Russia and Austria-Hungary, stagnated. At the same time, other states were emerging and expanding in power, largely through the process of industrialization. The foremost of these emerging powers were Japan after the Meiji Restoration and the United States after its civil war, both of which had been minor powers in 1815. By the dawn of the 20th century the balance of world power had changed substantially since the Congress of Vienna. The Eight-Nation Alliance was a belligerent alliance of eight nations against the Boxer Rebellion in China. It formed in 1900 and consisted of the five Congress powers plus Italy, Japan, and the United States, representing the great powers at the beginning of 20th century.
When World War II started in 1939, it divided the world into two alliances – the Allies (Great Britain and France at first, followed in 1941 by the Soviet Union, the United States, and China); and the Axis powers consisting of Germany and the former Allies Italy and Japan. The end of World War II saw the United States, United Kingdom, and Soviet Union emerge as the primary victors. The importance of the Republic of China and France was acknowledged by their inclusion, along with the other three, in the group of countries allotted permanent seats in the United Nations Security Council.
at the Yalta Conference: Winston Churchill, Franklin D. Roosevelt and Joseph Stalin.]]Since the end of the World Wars, the term "great power" has been joined by a number of other power classifications. Foremost among these is the concept of the superpower, used to describe those nations with overwhelming power and influence in the rest of the world. It was first coined in 1944 by William T.R. Fox The term middle power has emerged for those nations which exercise a degree of global influence, but are insufficient to be decisive on international affairs. Regional powers are those whose influence is generally confined to their region of the world.
During the Cold War, the Asian power of Japan and the European powers of the United Kingdom, France, and West Germany rebuilt their economies. France and the United Kingdom maintained technologically advanced armed forces with power projection capabilities and maintain large defence budgets to this day. Yet, as the Cold War continued, authorities began to question if France and the United Kingdom could retain their long-held statuses as great powers. China, with the world's largest population, has slowly risen to great power status, with large growth in economic and military power in the post-war period. By the 1970s, the Republic of China began to lose its recognition as the sole legitimate government of China by the other great powers, in favour of the People's Republic of China. Subsequently, in 1971, it lost its permanent seat at the UN Security Council to the People's Republic of China.
At present China, France, Russia, the United Kingdom, and the United States are sometimes referred to as great powers, although there is no unanimous agreement among authorities as to the current status of these powers or what precisely defines a "great" power. These five nations are the only states to have permanent seats on the UN Security Council. They are also the recognized "Nuclear Weapons States" under the Nuclear Non-Proliferation Treaty. Sources have at times referred to China, France, and the UK as "middle powers". In addition, despite the lack of a permanent seat at the UN Security Council, Germany and Japan are occasionally considered to be great powers, although Germany and Japan are referred to by others as middle powers or economic great powers.
After the dissolution of the Soviet Union, its UN Security Council permanent seat was transferred to the Russian Federation in 1991, as its successor state. The newly-formed Russian Federation emerged on the level of a great power, leaving the United States as the only remaining global superpower (although some support a multipolar world view).
With continuing European integration, the European Union is increasingly being seen as a great power in its own right, most notably in areas where it has exclusive competence (i.e. economic affairs), and with representation at the WTO and at G8 and G-20 summits. The European Union, however, is not a sovereign state and has limited scope in the areas of foreign affairs and defence policy, which remain with the union's member states, including France, Germany and the United Kingdom.
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Coordinates | 29°57′53″N90°4′14″N |
---|---|
Caption | Stan Lee in 2007 |
Birth name | Stanley Martin Lieber |
Birth place | New York City, New York, U.S. |
Nationality | American |
Area | Writer, editor, publisher, producer, actor, reality show host |
Write | y |
Edit | y |
Publish | y |
Signature | Stan Lee sig.jpg|90px |
Notable works | Spider-Man Fantastic Four X-Men Avengers Hulk Iron Man Thor Daredevil Doctor Strange |
Awards | Jack Kirby Hall of Fame |
Sortkey | Lee, Stan |
Subcat | American |
Yob | 1922 |
Mob | 12 |
Dob | 28 |
In collaboration with several artists, most notably Jack Kirby and Steve Ditko, he co-created Spider-Man, the Fantastic Four, the X-Men, the Avengers, Iron Man, the Hulk, Thor, Daredevil, Doctor Strange, and many other fictional characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. In addition, he headed the first major successful challenge to the industry's censorship organization, the Comics Code Authority, and forced it to reform its policies. Lee subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
He was inducted into the comic book industry's Will Eisner Comic Book Hall of Fame in 1994 and the Jack Kirby Hall of Fame in 1995.
Lee attended DeWitt Clinton High School in The Bronx, where his family had moved next. A voracious reader who enjoyed writing as a teen, he has said that as a youth he worked such part-time jobs as writing obituaries for a news service and press releases for the National Tuberculosis Center; delivering sandwiches for the Jack May pharmacy to offices in Rockefeller Center; working as an office boy for a trouser manufacturer; ushering at the Rivoli Theater on Broadway; and selling subscriptions to the New York Herald Tribune newspaper. He graduated high school early, at age 16½ in 1939, and joined the WPA Federal Theatre Project. .]] With the help of his uncle, Robbie Solomon, was Goodman's wife, was formally hired by Timely editor Joe Simon.
His duties were prosaic at first. "In those days [the artists] dipped the pen in ink, [so] I had to make sure the inkwells were filled", Lee recalled in 2009. "I went down and got them their lunch, I did proofreading, I erased the pencils from the finished pages for them". Marshaling his childhood ambition to be a writer, young Stanley Lieber made his comic-book debut with the text filler "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 (May 1941), using the pseudonym "Stan Lee", which years later he would adopt as his legal name. Lee later explained in his autobiography and numerous other sources that he had intended to save his given name for more literary work. This initial story also introduced Captain America's trademark ricocheting shield-toss, which immediately became one of the character's signatures.
He graduated from writing filler to actual comics with a backup feature, "'Headline' Hunter, Foreign Correspondent", two issues later. Lee's first superhero co-creation was the Destroyer, in Mystic Comics #6 (August 1941). Other characters he created during this period fans and historians call the Golden Age of comics include Jack Frost, debuting in USA Comics #1 (August 1941), and Father Time, debuting in Captain America Comics #6 (August 1941).
When Simon and his creative partner Jack Kirby left late in 1941, following a dispute with Goodman, the 30-year-old publisher installed Lee, just under 19 years old, as interim editor. The youngster showed a knack for the business that led him to remain as the comic-book division's editor-in-chief, as well as art director for much of that time, until 1972, when he would succeed Goodman as publisher.
Lee entered the United States Army in early 1942 and served stateside in the Signal Corps, writing manuals, training films, and slogans, and occasionally cartooning. His military classification, he says, was "playwright"; he adds that only nine men in the U.S. Army were given that title. Vincent Fago, editor of Timely's "animation comics" section, which put out humor and funny animal comics, filled in until Lee returned from his World War II military service in 1945 and rented the top floor of a brownstone in the East 90s in Manhattan.
He married Joan Clayton Boocock on December 5, 1947, By this time, the couple had daughter Joan Celia "J.C." Lee, born in 1950; another child, Jan Lee, died three days after delivery in 1953. including the 1960s period when Lee and his artist collaborators would revolutionize comic books.
In the mid-1950s, by which time the company was now generally known as Atlas Comics, Lee wrote stories in a variety of genres including romance, Westerns, humor, science fiction, medieval adventure, horror and suspense. By the end of the decade, Lee had become dissatisfied with his career and considered quitting the field. #1 (November 1961). Cover art by Jack Kirby (penciller) and an unconfirmed inker.]]
The first superhero group Lee and artist Jack Kirby created was the Fantastic Four. The team's immediate popularity led Lee and Marvel's illustrators to produce a cavalcade of new titles. With Kirby primarily, Lee created the Hulk, Iron Man, Thor and the X-Men; with Bill Everett, Daredevil; and with Steve Ditko, Doctor Strange and Marvel's most successful character, Spider-Man.
Comics historian Peter Sanderson wrote that in the 1960s:
Stan Lee's Marvel revolution extended beyond the characters and storylines to the way in which comic books engaged the readership and built a sense of community between fans and creators. Lee introduced the practice of including a credit panel on the splash page of each story, naming not just the writer and penciller but also the inker and letterer. Regular news about Marvel staff members and upcoming storylines was presented on the Bullpen Bulletins page, which (like the letter columns that appeared in each title) was written in a friendly, chatty style. (inker).]] Throughout the 1960s, Lee scripted, art-directed, and edited most of Marvel's series, moderated the letters pages, wrote a monthly column called "Stan's Soapbox," and wrote endless promotional copy, often signing off with his trademark phrase "Excelsior!" (which is also the New York state motto). To maintain his taxing workload, yet still meet deadlines, he used a system that was used previously by various comic-book studios, but due to Lee's success with it, became known as the "Marvel Method" or "Marvel style" of comic-book creation. Typically, Lee would brainstorm a story with the artist and then prepare a brief synopsis rather than a full script. Based on the synopsis, the artist would fill the allotted number of pages by determining and drawing the panel-to-panel storytelling. After the artist turned in penciled pages, Lee would write the word balloons and captions, and then oversee the lettering and coloring. In effect, the artists were co-plotters, whose collaborative first drafts Lee built upon.
Because of this system, the exact division of creative credits on Lee's comics has been disputed, especially in cases of comics drawn by Kirby and Ditko. Similarly, Lee shares co-creator credit with Kirby on the two Fantastic Four films, while also sharing the same credit with Ditko with the Spider-Man feature film series.
In 1971, Lee indirectly reformed the Comics Code. The US Department of Health, Education and Welfare asked Lee to write a story about the dangers of drugs and Lee wrote a story in which Spider-Man's best friend becomes addicted to pills. The three-part story was slated to be published in Amazing Spider-Man #96-98, but the Comics Code Authority refused it because it depicted drug use; the story context was considered irrelevant. With his publisher's approval, Lee published the comics without the CCA seal. The comics sold well and Marvel won praise for its socially conscious efforts. The CCA subsequently loosened the Code to permit negative depictions of drugs, among other new freedoms.
Lee also supported using comic books to provide some measure of social commentary about the real world, often dealing with racism and bigotry. "Stan's Soapbox", besides promoting an upcoming comic book project, also addressed issues of discrimination, intolerance, or prejudice. In addition, Lee took to using sophisticated vocabulary for the stories' dialogue to encourage readers to learn new words. Lee has justified this by saying: "If a kid has to go to a dictionary, that's not the worst thing that could happen." and, from 1975 to 1980, a two-bedroom condominium on the 14th floor of 220 East 63rd Street in Manhattan. He moved to California in 1981 to develop Marvel's TV and movie properties. He has been an executive producer for, and has made cameo appearances in Marvel film adaptations and other movies. He and his wife bought a home in West Hollywood, California previously owned by comedian Jack Benny's radio announcer, Don Wilson. Lee was briefly president of the entire company, but soon stepped down to become publisher instead, finding that being president was too much about numbers and finance and not enough about the creative process he enjoyed. Stan Lee Media filed for bankruptcy in February 2001, and Paul fled to São Paulo, Brazil. Paul was extradited back to the U.S., and pleaded guilty to violating SEC Rule 10b-5 in connection with trading of his stock in Stan Lee Media. Lee was never implicated in the scheme.
Some of the Stan Lee Media projects included the animated Web series The 7th Portal where he voiced the character Izayus; The Drifter; and The Accuser. The 7th Portal characters were licensed to an interactive 3-D film attraction in four Paramount theme parks.
In the 2000s, Lee did his first work for DC Comics, launching the Just Imagine... series, in which Lee reimagined the DC superheroes Superman, Batman, Wonder Woman, Green Lantern and the Flash.
Lee created the risqué animated superhero series Stripperella for Spike TV. In 2004 he announced a superhero program that would feature Ringo Starr, the former Beatle, as the lead character. Additionally, in August of that year, Lee announced the launch of Stan Lee's Sunday Comics, hosted by Komikwerks.com, where monthly subscribers could read a new, updated comic and "Stan's Soapbox" every Sunday. The column has not been updated since February 15, 2005.
In 2005, Lee, Gill Champion and Arthur Lieberman formed POW! (Purveyors of Wonder) Entertainment to develop film, television and video game properties. POW! president and CEO Champion said in 2005 that Lee was creating a new superhero, Foreverman, for a Paramount Pictures movie, in tandem with producer Robert Evans and Idiom Films, with Peter Briggs hired to collaborate with Lee on the screenplay.
In 2006, Marvel commemorated Lee's 65 years with the company by publishing a series of one-shot comics starring Lee himself meeting and interacting with many of his co-creations, including Spider-Man, Doctor Strange, the Thing, Silver Surfer and Doctor Doom. These comics also featured short pieces by such comics creators as Joss Whedon and Fred Hembeck, as well as reprints of classic Lee-written adventures.
In 2007, POW! started a series of direct-to-DVD animated films under the Stan Lee Presents banner. Each film focuses on a new superhero, created by Stan Lee for the series. The first two releases were Mosaic and The Condor. In June of that year, Walt Disney Studios entered into an exclusive multi-year first-look deal with POW! Entertainment.
in July 2010.]] On March 15, 2007, Stan Lee Media's new president, Jim Nesfield, filed a lawsuit against Marvel Entertainment for $5 billion, claiming that the company is co-owner of the characters that Lee created for Marvel. On June 9, 2007, Stan Lee Media sued Lee; his newer company, POW! Entertainment; POW! subsidiary QED Entertainment; and other former Stan Lee Media staff at POW!
In 2008, Lee wrote humorous captions for the political fumetti book Stan Lee Presents Election Daze: What Are They Really Saying?. In April of that year, at the New York Comic Con, Viz Media announced that Lee and Hiroyuki Takei were collaborating on the manga Karakuridôji Ultimo, from parent company Shueisha. That same month, Brighton Partners and Rainmaker Animation announced a partnership POW! to produce a CGI film series, "Legion of 5". That same month, Virgin Comics announced Lee would create a line of superhero comics for that company. He is also working on a TV adaptation of the novel Hero. He wrote the foreword to the 2010 non-fiction e-book memoir Skyscraperman by skyscraper fire-safety advocate Dan Goodwin, who had climbed skyscrapers dressed as Spider-Man.
In 2009, he and the Japanese company Bones produced their first manga feature, "Heroman", serialized in Square Enix's Monthly Shōnen Gangan; the feature was adapted to anime in April 2010.
Lee is set to guest-star in season five of Eureka. He said he has a guest appearance in season seven of Entourage.
He is currently writing a "new live-action musical as well as a comic-book adaptation of Romeo and Juliet". Romeo and Juliet: The War in Mid-2011 is a potential film project and The Yin and Yang Battle of Tao may premiere in China. Battle of Tao is described as "more extravagant than the Cirque du Soleil spectacles". He also likes movies starring Bruce Lee.
Kirby, during his years of working for DC Comics in the 1970s, created the character Funky Flashman. With his hyperbolic speech pattern, gaudy toupee, and hip '70s-Manhattan style beard (as Lee sported at the time) this ne'er-do-well charlatan first appeared in the pages of Mister Miracle.
Kirby later portrayed himself, Lee, production executive Sol Brodsky, and Lee's secretary Flo Steinberg as superheroes in What If #11, "What If the Marvel Bullpen Had Become the Fantastic Four?", in which Lee played the part of Mister Fantastic. Lee has also made numerous cameo appearances in many Marvel titles, appearing in audiences and crowds at many characters' ceremonies and parties, and hosting an old-soldiers reunion in Sgt. Fury and his Howling Commandos #100 (July 1972). Lee appeared, unnamed, as the priest at Luke Cage and Jessica Jones' wedding in New Avengers Annual #1. He pays his respects to Karen Page at her funeral in the Daredevil "Guardian Devil" story arc, and appears in The Amazing Spider-Man (June 1977).
The "Young Dan Pussey" stories by Daniel Clowes, collected in Pussey!, feature an exploitative publisher who relies on Lee's gung-ho style and "Bullpen" mythology to motivate his stable of naive and underpaid creators; the stories mainly satirize the state of mainstream comics in the 1990s, but also the subculture of young superhero fans that Lee helped to create.
In Marvel's 1991 comic book adaptation of game Double Dragon, a character modeled after Stan Lee was specifically created for the comic and is introduced as the father of the protagonists, Billy and Jimmy Lee. The character is only referred by his first name, Stan, although the play on his name is obvious when one considers the Lee brothers' surname.
In X-Play on the cable network G4, the character "Roger, the Stan Lee Experience" - dubbed "the fifth-best-thing next to Stan Lee" - is a foul-mouthed, perverted stand-up comic parody of Lee. Roger's segments normally consist of him describing details of numerous unspeakable adult encounters, usually involving the wife of another Marvel veteran, Jack Kirby, with each encounter somehow leading to the creation of a well-known Marvel character.
In Marvel's July 1997 "Flashback" event, a top-hatted caricature of Lee as a ringmaster introduced stories which detailed events in Marvel characters' lives before they became superheroes, in special "-1" editions of many Marvel titles. The "ringmaster" depiction of Lee was originally from Generation X #17 (July 1996), where the character narrated a story set primarily in an abandoned circus. Though the story itself was written by Scott Lobdell, the narration by "Ringmaster Stan" was written by Lee himself, and the character was drawn in that issue by Chris Bachalo. Bachalo's depiction of "Ringmaster Stan" was later used in the heading of a short-lived revival of the "Stan's Soapbox" column, which evolved into a question & answer format.
In his given name of Stanley Lieber, Stan Lee appears briefly in Paul Malmont's 2006 novel The Chinatown Death Cloud Peril.
Lee and other comics creators are mentioned in Michael Chabon's 2000 novel about the comics industry The Amazing Adventures of Kavalier and Clay.
On one of the last pages of , Lee appears in a real photograph among other celebrities on a wall of the Bradley home.
In Ultimate X-Men #20, a caricature of Lee appears as a photograph next to the letter Xavier leaves for his students.
In Stan Lee Meets Superheroes, Stan Lee comes in to contact with some of his favorite creations. The series was written by Lee himself.
In Karakuridôji Ultimo a caricature of Lee in 12th century Japan as the creator of both Ultimo and Vice, named Dr. Dunstan.
Stan Lee appeared in cameos as one-scene characters in many (but not all) movies based on Marvel Comic characters he helped create.
* In the TV-movie The Trial of the Incredible Hulk (1989), Lee's first appearance in a Marvel movie or TV project is as jury foreman in the trial of Dr. Bruce Banner.
*He makes his first onscreen video-game cameo in , lending his likeness and voice to New York senator Stanley M. Lieber (a reference to Lee's birth name), who is taken hostage late in the game's first act by Titanium Man. Lieber has unique dialogue with each of the characters upon rescue, and both his dialogue and in-game dossier make various references to both Lee and Marvel Comics (such as referring to his constituents as "True Believers" and citing "Excelsior!" as the New York state motto).
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.