Pearl Harbor, or Pu'uloa, is a lagoon harbor on the island of Oahu, Hawaii, west of Honolulu. Much of the harbor and surrounding lands is a United States Navy deep-water naval base. It is also the headquarters of the U.S. Pacific Fleet. The attack on Pearl Harbor by the Empire of Japan on December 7, 1941, brought the United States into World War II.

History

Pearl Harbor was originally an extensive shallow embayment called Wai Momi (meaning, “pearl water”) or Puuloa (meaning, “long hill”) by the Hawaiians. Puuloa was regarded as the home of the shark goddess, Kaahupahau, and her brother (or son), Kahiuka, in Hawaiian legends. Keaunui, the head of the powerful Ewa chiefs, is credited with cutting a navigable channel near the present Puuloa saltworks, by which made the estuary, known as “Pearl River,” accessible to navigation. Making due allowance for legendary amplification, the estuary already had an outlet for its waters where the present gap is; but Keaunui is typically given the credit for widening and deepening it.

Nineteenth Century

During the early nineteenth century Pearl Harbor was not used for large ships due to its shallow entrance. The interest of the United States in the Hawaiian Islands followed its whaling and trading ships in the Pacific. As early as 1820, an "Agent of the United States for Commerce and Seamen" was appointed to look after American business in the Port of Honolulu. These commercial ties to the American continent were accompanied by the work of the American Board of Commissioners for Foreign Missions. American missionaries and their families became an integral part of the Hawaiian political body.

An 1826 incident illustrates some of the high-handed tactics used by colonizers of the islands at this time. When Percival's ship, , arrived in Honolulu, an ordinance inspired by the missionaries, placed restrictions on alcoholic liquors and the taking of women aboard vessels in the Honolulu Harbor. Lieutenant Percival and members of his crew felt that the new vice laws were unfair and, with more than a mere threat of force, had them rescinded. This action was later renounced by the United States and resulted in the sending of an envoy to King Kauikeaouli. When Captain Thomas ap Catesby Jones arrived, in command of the , he was the first naval officer to visit Hawaii armed with instructions to discuss international affairs with the Hawaii King and Chiefs and to conclude a trade treaty.

Throughout the 1820s and 1830s, many American warships visited Honolulu. In most cases, the commanding officers carried letters from the U.S. Government giving advice on governmental affairs and of the relations of the island nation with foreign powers. In 1841, the newspaper Polynesian, printed in Honolulu, advocated that the U.S. establish a naval base in Hawaii. Its pretext was protection of American citizens engaged in the whaling industry. The British Hawaiian Minister of Foreign Affairs Robert Crichton Wyllie, remarked in 1840 that "...my opinion is that the tide of events rushes on to annexation to the United States." This trend was helped by incidents with the British and French. On February 13, 1843, Lord George Paulet, of occupied the islands in an incident known as the Paulet Affair. Although an American warship, , was in the harbor, its commanding officer did not interfere. Official protest was made a few days later, however, by Commodore Kearney of . The actions of Lord Paulet were disavowed by Lord Aberdeen in London. France and Britain recognized Hawaiian independence, but the United States declined.

After France agitated again in the 1849 invasion, King Kamehameha III, under the influence of his American advisors, drew up a deed of cessation to the United States. The commanding officer of had his ship stand by while awaiting Washington's reply. With the death of the king, the retirement of the French forces, and the foreign policy of the Fillmore administration, the cessation idea fell into disfavor. The Navy Department received orders, however, to keep the naval armament of the U.S. in the Pacific.

With the conclusion of the Civil War, the purchase of Alaska, the increased importance of the Pacific states, the projected trade with the Orient and the desire for a duty free market for Hawaiian staples, Hawaiian trade expanded. In 1865, the North Pacific Squadron was formed to embrace the western coast and Hawaii. in the following year was assigned to cruise among the islands, "a locality of great and increasing interest and importance." This vessel surveyed the Northwestern Hawaiian Islands toward Japan. As a result the United States claimed Midway Island. The Secretary of the Navy was able to write in his annual report of 1868, that in November, 1867, 42 American flags flew over whaleships and merchant vessels in Honolulu to only six of other nations. This increased activity caused the permanent assignment of at least one warship to Hawaiian waters. It also praised Midway Island as possessing a harbor surpassing Honolulu's. In the following year, Congress approved an appropriation of $50,000 on March 1, 1869, to deepen the approaches to this harbor.

After 1868, when the Commander of the Pacific Fleet visited the islands to look after "American interests," naval officers played an important role in internal affairs. They served as arbitrators in business disputes, negotiators of trade agreements and defenders of law and order. Periodic voyages among the islands and to the mainland aboard U.S. warships were arranged for members of the Hawaiian royal family and important island government officials. When King Lunalilo died in 1873, negotiations were underway for the cessation of Pearl Harbor as a port for the duty-free export of sugar to the U.S. With the election of King Kalākaua in March, 1874, riots prompted landing of bluejackets from USS Tuscorora and . The British warship, , also landed a token force. During the reign of King Kalākaua the United States was granted exclusive rights to enter Pearl Harbor and to establish "a coaling and repair station."

This treaty continued in force until August 1898, the U.S. did not fortify Pearl Harbor as a naval base. The shallow entrance constituted a formidable barrier against the use of the deep protected waters of the inner harbor as it had for 60 years.

The United States and the Hawaiian Kingdom signed the Reciprocity Treaty of 1875 as supplemented by Convention on December 6, 1884 and ratified in 1887. On January 20, 1887, the United States Senate allowed the Navy to lease Pearl Harbor as a naval base (the US took possession on November 9 that year). The Spanish-American War of 1898 and the desire for the United States to have a permanent presence in the Pacific both contributed to the decision.

1899–1941

Following the annexation, Pearl Harbor was refitted to allow for more navy ships. In May 1899, Commander F. Merry was made naval representative with authority to transact business for the Navy Department and its Bureaus. He immediately assumed control of the Coal Depot and its equipment. To supplement his facilities, he was assigned the Navy tug and two coal barges. Inquiries that commenced in June culminated in the establishment of the "Naval Station, Honolulu" on November 17, 1899. On February 2, 1900, this title was changed to "Naval Station, Hawaii."

The creation of the Naval Station allowed the Navy Department to explore territorial outposts. In October 1899, and Iroquois made extensive surveys and sounding of the waterways to Midway and Guam. One of the reasons for these explorations was to select a possible cable route to Luzon.

A coal famine and an outbreak of the bubonic plague were the only two incidents that hindered the Commandant from fulfilling his primary functions. Because of the severe coal shortage in September 1899, the Commandant sold coal to the Oahu Railway and Land Company and the Inter-Island Steam Navigation Company, Ltd. Although this indicated the affinity of economic ties with the Navy, it was to a certain extent counteracted by the quarantine of the naval establishment from December 1899-February 1900, because of the bubonic plague. Approximately 61 deaths were recorded in Honolulu for this period. Work was consequently delayed on nascent Navy projects in Honolulu Harbor.

From 1900-1908, the Navy devoted its time to improving the facilities of the that constituted the naval reservation in Honolulu. Under the Appropriation Act of March 3, 1901, this tract of land was improved with the erection of additional sheds and housing. Improvements included a machine shop, smithery and foundry, Commandant's house and stables, cottage for the watchman, fencing, 10-ton wharf crane, and water-pipe system. The harbor was dredged and the channel enlarged to accommodate larger ships. On May 28, 1903, the first battleship, , entered the harbor for coal and water. However, when the vessels of the Asiatic station visited Honolulu in January 1904, Rear Admiral Silas Terry complained that they were inadequately accommodated with dockage and water.

Under the above Appropriation Act, Congress approved the acquisition of lands for the development of a naval station at Pearl Harbor and the improvement of the channel to the Lochs. The Commandant, under the direction of the Bureau of Equipment, attempted to obtain options on lands surrounding Pearl Harbor that were recommended for naval use. This endeavor was unsuccessful when the owners of the property refused to accept what was deemed to be a fair price. Condemnation proceedings, under the Hawaiian law of eminent domain, were begun on July 6, 1901. The land acquired by this suit included the present Navy Yard, Kauhua Island, and a strip on the southeast coast of Ford Island. The work of dredging the coral reef that blocked Pearl Harbor progressed rapidly enough to allow the gunboat to proceed to the upper part of Main Loch in January 1905.

One of the early concerns of the growing station was that the Army would make claims on its property. Because of their facilities, as wharves, cranes, artesian wells, and coal supplies, many requests were made by the Army for their use. By February 1901, the Army had made application for the privilege of establishing on Navy docks movable cranes for handling coal and other stores, a saluting battery and a flag staff on the naval reservation, and an artesian well of its own. All these requests were rejected by the Bureau of Equipment on the theory that, once granted, they "will practically constitute a permanent foothold on the property, and end in dividing it between the two Departments, or in the entire exclusion of the Navy Department on the ground of military expediency as established by frequency of use." However, the Army Depot Quartermaster at Honolulu contracted for the sinking of an artesian well on the Naval Station with the Commandant's approval, who, in turn, acted on a recommendation of the Bureau of Yards and Docks. The flow of water obtained amounted to over 1.5 million gallons per day, sufficient for all purposes of the Army and Navy. The Bureau of Equipment felt that its word of caution was justified when the Depot Quartermaster in 1902 let it be known that any water used by the Navy from the artesian well was "only given by courtesy of the Army."

Despite the warnings of the Bureau of Equipment, the War Department, the Department of Labor and Commerce, and the Department of Agriculture had secured permission to settle on the naval reservation. By 1906, the Commandant believed that it was necessary for the Bureau of Yards and Docks to develop a policy on the future of the station. The docks were being used to a greater extent by the Army transports, than by Navy ships, and the Army was actually attempting to get possession of Quarantine Wharf (which was built by the Territorial Government on the Naval Reservation, with the understanding that it could be taken over at any time by the Navy Department upon the payment of its appraised value.) In 1903, the Department of Labor and Commerce received about for an Immigration Station. The Department of Agriculture had, in the meanwhile, secured part of the site intended for a hospital as an experimental station. The Commandant felt that, if the station was going to develop beyond a mere coaling depot, these territorial encroachments on the part of other departments should be stopped, particularly when they were enjoying the benefits of naval appropriations. "On the other hand," he wrote, "if it is the intention to improve Pearl Harbor and eventually abandon this station every effort should be made to begin work there as soon as possible. . . . I am informed that important commercial interests will make a strong effort next year to have Pearl Harbor improved, and I think that will be an opportune time for the Navy Department to make efforts in the same direction."

In 1908, the Pearl Harbor Naval Shipyard was established. The period from 1908-1919 was one of steady and continuous growth of the Naval Station, Pearl Harbor, with the exception of the discouraging collapse of the drydock in 1913. Work on the dock started on September 21, 1909 and on February 17, 1913, the entire drydock structure rumbled, rocked, and caved in. It was ceremonially opened to flooding by Mrs. Josephus Daniels, wife of the Secretary of the Navy, on August 21, 1919. The Act of May 13, 1908 authorized the enlargement and dredging of the Pearl Harbor channel and lochs "to admit the largest ships," the building of shops and supply houses for the Navy Yard, and the construction of a drydock. Work progressed satisfactorily on all projects, except the drydock. After much wrangling with Congress to secure an appropriation of over three million dollars for its construction, it was wrecked by "underground pressure. " In 1917, Ford Island in the middle of Pearl Harbor was purchased for joint Army and Navy use in the development of military aviation in the Pacific.

As the Japanese military pressed its war in China, concern over Japan's intentions caused the U.S. to begin taking defensive measures. On February 1, 1933, the U.S. Navy staged a mock attack on the base at Pearl Harbor as part of a preparedness exercise. The attack "succeeded" and the defense was deemed a "failure".

The actual attack on Pearl Harbor by the Empire of Japan on December 7, 1941 brought the United States into World War II.

Sunday December 7, 1941

Aircraft and midget submarines of the Imperial Japanese Navy began an attack on the U.S. The Americans had deciphered Japan's code earlier and knew about a planned attack before it actually occurred. However, due to difficulty in deciphering intercepted messages, the Americans failed to discover Japan's target location before the attack occurred. Under the command of Admiral Isoroku Yamamoto, the attack was devastating in loss of life and damage to the U.S. fleet. At 06:05 on December 7, the six Japanese carriers launched a first wave of 183 aircraft composed mainly of dive bombers, horizontal bombers and fighters. The Japanese hit American ships and military installations at 07:51. The first wave attacked military airfields of Ford Island. At 08:30, a second wave of 170 Japanese aircraft, mostly torpedo bombers, attacked the fleet anchored in Pearl Harbor. The battleship was hit with an armor piercing bomb which penetrated the forward ammunition compartment, blowing the ship apart and sinking it within seconds. Overall, nine ships of the U.S. fleet were sunk and 21 ships were severely damaged. Three of the 21 would be irreparable. The overall death toll reached 2,350, including 68 civilians, and 1,178 injured. Of the military personnel lost at Pearl Harbor, 1,177 were from the Arizona. The first shots fired were from the destroyer on a midget submarine that surfaced outside of Pearl Harbor; Ward sank the midget sub at approximately 06:55, about an hour before the attack on Pearl Harbor. Japan would lose 29 out of the 350 aircraft they attacked with.

West Loch Explosion, 1944

On May 21, 1944, the tank landing ship exploded at West Loch while handling ammunition. In a short space of time, six LSTs were so damaged that they sank. Two others were severely damaged. 163 sailors were killed; 396 wounded.

National Historic Landmark

The Navy base itself was recognized on January 29, 1964 as a National Historic Landmark district. Within its bounds, it contains several other National Historic Landmarks associated with the attack on Pearl Harbor, including the Arizona, , and . As an active Navy base, many of the historic buildings that contributed to the NHL designation are under threat of demolition and rebuilding.

See also

Pearl Harbor National Wildlife Refuge

References

External links

Official website

British Pathé Online archive of Pearl Harbor and related footage

Pearl Harbor on The History Channel

P Category:Bays of Hawaii Category:Honolulu County, Hawaii Category:National Historic Landmarks in Hawaii Category:United States Navy bases Category:Ports and harbors of Hawaii Category:Military facilities in Hawaii Category:Oahu Category:United States Navy submarine bases Category:Landforms of Oahu

Name	Hans Zimmer
Landscape	yes
Background	non_performing_personnel
Birth name	Hans Florian Zimmer
Born	September 12, 1957
Origin	Frankfurt, Germany
Instrument	Piano, keyboard, guitar
Genre	Film score
Occupation	Film composer
Years active	1977–present
Label	Remote Control Productions
Url	http://www.hans-zimmer.com

Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. For nearly three decades he has composed music for over 100 films including some critically acclaimed film scores, such as The Lion King, Gladiator, and The Dark Knight. Some of his recent works are Frost/Nixon (2008), Angels & Demons (2009), Sherlock Holmes (2009), Inception (2010), and Megamind (2010).

Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions.

His works are notable for integrating electronic music sounds with traditional orchestral arrangements. He has received four Grammy Awards, two Golden Globes, a Classical BRIT Award, and an Academy Award. Zimmer is also ranked Number 72 on the list of the "Top 100 living geniuses", published by The Daily Telegraph.

Early life and career

Zimmer was born in Frankfurt am Main, Germany, and moved to London as a teenager, where he attended Hurtwood House school. In an interview with the German television station ZDF in 2006, he commented: "My father died when I was just a child, and I escaped somehow into the music and music has been my best friend." Zimmer began his career playing keyboards and synthesizers. He worked with The Buggles, a New Wave band formed in 1977 with Trevor Horn, Geoff Downes, and Bruce Woolley. Zimmer can be seen briefly in The Buggles' music video for the 1979 song "Video Killed the Radio Star". After working with The Buggles, he started to work for the Italian group Krisma, a New Wave band formed in 1976 with Maurizio Arcieri and Christina Moser. He was a featured synthesist for Krisma’s third album, Cathode Mamma. He has also worked with the band Helden (with Warren Cann from Ultravox). In the 1980s, Zimmer partnered with Stanley Myers, a prolific film composer who wrote the scores for over sixty films. Zimmer and Myers co–founded the London–based Lillie Yard recording studio. Together, Myers and Zimmer worked on fusing the traditional orchestral sound with electronic instruments. Some of the films on which Zimmer and Myers worked are Moonlighting (1982), Success is the Best Revenge (1984), Insignificance (1985), and My Beautiful Launderette (1985). Zimmer's first solo score was Terminal Exposure for director Nico Mastorakis in 1987, for which he also wrote the songs. Zimmer acted as score producer for the 1988 film The Last Emperor, which won the Academy Award for Best Original Score.

Hollywood film scoring

A turning point in Zimmer's career occurred with the 1988 film Rain Man. In the score, Zimmer uses synthesizers (mostly a Fairlight CMI) mixed with steel drums. Zimmer explained that "It was a road movie, and road movies usually have jangly guitars or a bunch of strings. I kept thinking don't be bigger than the characters. Try to keep it contained. The Raymond character doesn't actually know where he is. The world is so different to him. He might as well be on Mars. So, why don't we just invent our own world music for a world that doesn't really exist?". Zimmer’s score for Rain Man was nominated for an Academy Award in 1989, and the film won four Academy Awards including Best Picture.

A year after Rain Man, Zimmer was asked to compose the score for Bruce Beresford's Driving Miss Daisy which, like Rain Man, won an Academy Award for Best Picture. Driving Miss Daisy’s instrumentation consisted entirely of synthesizers and samplers, played by Zimmer. According to an interview with Sound On Sound magazine in 2002, the piano sounds heard within the score come from the Roland MKS–20, a rackmount synthesizer. Zimmer joked: "It didn't sound anything like a piano, but it behaved like a piano."

1991's Thelma & Louise soundtrack by Zimmer featured the trademark slide guitar performance by Pete Haycock on the "Thunderbird" theme in the film. As a teenager, Zimmer was a fan of Haycock, and their collaboration on film scores includes K2 and Drop Zone.

For the 1992 film The Power of One, Zimmer traveled to Africa in order to use African choirs and drums in the recording of the score. On the strength of this work, Disney Animation Studios approached Zimmer to compose the score for the 1994 film The Lion King. This was to be his first score for an animated film. Zimmer said that he had wanted to go to South Africa to record parts of the soundtrack, but was unable to visit the country as he had a police record there "for doing 'subversive' movies" after his work on The Power of One. Disney studio bosses expressed fears that Zimmer would be killed if he went to South Africa, so the recording of the choirs was organized during a visit by Lebo M. Zimmer won numerous awards for his work on The Lion King, including an Academy Award for Best Music (Original Score), a Golden Globe, and two Grammys. In 1997, the score was adapted into a Broadway musical version which won the Tony Award for Best Musical in 1998.

Zimmer's score for Crimson Tide (1995) won a Grammy Award for the main theme, which makes heavy use of synthesizers in place of traditional orchestral instruments. For The Thin Red Line (1998), Zimmer said that the director Terrence Malick wanted the music before he started filming, so he recorded six and a half hours of music. Bruckheimer wanted Zimmer to rescore the film, but due to his commitments on The Last Samurai, the task of composing and supervising music for Pirates of the Caribbean: The Curse of the Black Pearl was given to Klaus Badelt, one of Zimmer's colleagues at Media Ventures. Zimmer provided some themes that were used in the film, although he is not credited on screen. Zimmer was hired as the composer for the two subsequent films in the series, Pirates of the Caribbean: Dead Man’s Chest (2006) and (2007).

Zimmer is also noted for his work on the scores of Christopher Nolan's Batman Begins (2005) and The Dark Knight (2008), on which he collaborated with James Newton Howard. Zimmer succeeded in reversing the decision not to nominate The Dark Knight in December 2008, arguing that the process of creating a modern film score was collaborative, and that it was important to credit a range of people who had played a part in its production. Zimmer explained his approach to scoring with other musicians in an interview with Soundtrack.net in 2006:

"Originally I had this idea that it should be possible to create some kind of community around this kind of work, and I think by muddying the titles - not having "you are the composer, you are the arranger, you are the orchestrator" - it just sort of helped us to work more collaboratively. It wasn't that important to me that I had "score by Hans Zimmer" and took sole credit on these things. It's like Gladiator: I gave Lisa Gerrard the co-credit because, even though she didn't write the main theme, her presence and contributions were very influential. She was more than just a soloist, and this is why I have such a problem with specific credits."

Zimmer works with other composers through his company Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly. His colleagues at the studio have included Steve Jablonsky, James Dooley, Geoff Zanelli, Henning Lohner, Harry Gregson-Williams, Mark Mancina, John Van Tongeren, John Powell and Thomas J.Bergersen.

In October 2000, Zimmer performed live in concert for the first time with an orchestra and choir at the 27th Annual Flanders International Film Festival in Ghent. He has received a range of honors and awards, including the Lifetime Achievement Award in film Composition from the National Board of Review, the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival, ASCAP’s Henry Mancini Award for Lifetime Achievement, and BMI's Richard Kirk Award for lifetime achievement in 1996. Recent work includes the Spanish language film Casi Divas Sherlock Holmes and The Burning Plain (2009). He composed the theme for the television boxing series The Contender, and worked with Lorne Balfe on the music for , which was his first video game project.

In December 2010, Zimmer received a star on the Hollywood Walk of Fame. He dedicated the award to his publicist and long term friend Ronni Chasen, who was shot dead in Beverly Hills the previous month.

Zimmer lives in Los Angeles with his wife Suzanne, and has four children.

Discography

Composer

{| style="width:100%;" |- style="vertical-align:top;" | style="width:50%;"| 1982

Moonlighting (with Stanley Myers)

1984

(with Stanley Myers)

Eureka (with Stanley Myers)

Success Is the Best Revenge (with Stanley Myers)

1985

My Beautiful Laundrette (with Stanley Myers)

Insignificance (with Stanley Myers)

1986

Separate Vacations (with Stanley Myers)

The Lightship (with Stanley Myers)

Castaway (with Stanley Myers)

1987

Terminal Exposure (with Stanley Myers)

Going for Gold (TV) - Opening and closing title themes

1988

Burning Secret

Rain Man (Oscar Nomination)

Paperhouse (with Stanley Myers)

Nightmare at Noon (with Stanley Myers)

Maniac City (with Stanley Myers)

A World Apart

First Born (TV Movie)

Taffin (with Stanley Myers)

The Nature of the Beast (with Stanley Myers)

Spies Inc. (with Fiachra Trench)

The Fruit Machine

1989

Black Rain

Driving Miss Daisy

Twister

Diamond Skulls

New Music in Films

1990

Chicago Joe and the Showgirl (with Shirley Walker)

Green Card

Pacific Heights

Fools of Fortune

Days of Thunder

Bird on a Wire

Dark Obsession (with Stanley Myers)

1991

Thelma & Louise

Regarding Henry

Backdraft

K2

White Fang (with Basil Poledouris)

1992

Toys

Radio Flyer

Where Sleeping Dogs Lie (with Mark Mancina)

A League Of Their Own

The Power of One

(with Mark Mancina) - Main Theme

1993

Younger and Younger

The House of the Spirits

True Romance (theme based on Gassenhauer by Carl Orff)

Point of No Return

Calendar Girl

Cool Runnings (with Nick Glennie-Smith)

1994

Drop Zone

Renaissance Man

I'll Do Anything

The Lion King (Golden Globe & Oscar Winner)

The Critic

1995

Nine Months

Beyond Rangoon

Crimson Tide (Grammy Winner)

Two Deaths

Something to Talk About (with Graham Preskett)

1996

The Preacher's Wife (Oscar Nomination)

The Fan

Muppet Treasure Island

The Whole Wide World (with Harry Gregson-Williams)

The Rock (with Nick Glennie-Smith and Harry Gregson-Williams)

Broken Arrow

| style="width:50%;"| 1997

As Good As It Gets (Oscar Nomination)

The Peacemaker

Smilla's Sense of Snow (with Harry Gregson-Williams)

1998

The Thin Red Line (Oscar Nomination)

The Prince of Egypt (Golden Globe & Oscar Nomination)

The Last Days

1999

Chill Factor (with John Powell)

2000

An Everlasting Piece

Gladiator (with Lisa Gerrard) (Golden Globe Winner, Oscar Nomination)

The Road to El Dorado (with John Powell)

2001

Black Hawk Down

Riding in Cars with Boys

Pearl Harbor (Golden Globe Nomination)

Hannibal

Invincible (with Klaus Badelt)

The Pledge (with Klaus Badelt)

2002

The Ring

(Golden Globe Nomination)

2003

The Last Samurai (Golden Globe Nomination)

Something's Gotta Give (Last-minute replacement score, composed with several other composers)

(uncredited, with Klaus Badelt et al.)

Matchstick Men

Tears of the Sun

''Johnny English (theme song co-written with Robbie Williams)

2004

Spanglish (Golden Globe Nomination)

Laura's Star (with Nick Glennie-Smith)

Shark Tale

King Arthur

Thunderbirds

2005

The Weather Man (with James S. Levine)

Der kleine Eisbär 2 - Die geheimnisvolle Insel (with Nick Glennie-Smith)

Madagascar (with Heitor Pereira, James Dooley)

Batman Begins (with James Newton Howard)

2006

The Da Vinci Code (Golden Globe Nomination)

The Holiday

2007

The Simpsons Movie

2008

Casi Divas

The Dark Knight (with James Newton Howard) (Grammy Winner)

Kung Fu Panda (with John Powell)

The Burning Plain (with Omar Rodríguez-López)

Frost/Nixon (Golden Globe Nomination)

2009

Angels & Demons

Sherlock Holmes (Oscar Nomination)

It's Complicated (with Heitor Pereira)

Call of Duty: Modern Warfare 2 (Video Game) (Main Themes - Score Producer)

2010

The Pacific (Main theme only; score composed by Geoff Zanelli and Blake Neely)

Despicable Me

Inception

Megamind (with Lorne Balfe)

How Do You Know

2011

Rango

Kung Fu Panda 2 (with John Powell)

Winnie the Pooh (with Henry Jackman)

Jealous of the Birds (Documentary)

The Dilemma

Ra.One (First Bollywood project)

Sherlock Holmes 2

2012

The Dark Knight Rises (with James Newton Howard)

|}

Executive score producer

{| style="width:100%;" |- style="vertical-align:top;" | style="width:50%;"| 1987

The Last Emperor (Music by Cong Su, Ryuichi Sakamoto and David Byrne)

1996

Twister (Music by Mark Mancina)

White Squall (Music by Jeff Rona)

1997

Face/Off (Music by John Powell)

The Borrowers (Music by Harry Gregson-Williams)

1998

Antz (Music by Harry Gregson-Williams and John Powell)

Endurance (Music by John Powell)

With Friends Like These... (Music by John Powell)

2002

Live from Baghdad (Music by Steve Jablonsky)

2001

I Am Sam (Music by John Powell)

2003

(Music by Klaus Badelt)

2004

Ella Enchanted (Music by Nick Glennie-Smith)

House of D (Music by Geoff Zanelli)

2005

All the Invisible Children (Music by Ramin Djawadi)

Blood+ (Music by Mark Mancina)

The Island (Music by Steve Jablonsky)

Wallace and Gromit: The Curse of the Were-Rabbit (Music by Julian Nott)

| style="width:50%;"| 2006

Ask The Dust (Music by Heitor Pereira and Ramin Djawadi)

Curious George (Music by Heitor Pereira)

Over the Hedge (Music by Rupert Gregson-Williams)

The Prestige (Music by David Julyan)

Urmel Aus Dem Eis (Music by James Dooley)

2007

August Rush (Music by Mark Mancina)

Bee Movie (Music by Rupert Gregson-Williams)

Transformers (Music by Steve Jablonsky)

2008

Vantage Point (Music by Atli Örvarsson)

Babylon A.D. (Music by Atli Örvarsson)

Running the Sahara (Music by Heitor Pereira)

Iron Man (Music by Ramin Djawadi)

2009

Monsters vs. Aliens (Music by Henry Jackman)

The 4th Kind (Music by Atli Örvarsson)

(Music by Steve Jablonsky)

Sherlock Holmes

2010

Season of the Witch (Music by Atli Örvarsson)

(Music by Harry Gregson-Williams)

A Nightmare on Elm Street (Music by Steve Jablonsky)

Clash of the Titans (Music by Ramin Djawadi)

2011

(Music by Steve Jablonsky)

The Eagle (Music by Atli Örvarsson)

Ironclad (Music by Lorne Balfe)

|}

Awards

Nominations are listed below. Nominations won are listed in bold. {| style="width:100%;" |- style="vertical-align:top;" | style="width:50%;"|

Academy Awards

1989: Rain Man

1994: The Lion King

1997: The Preacher's Wife

1998: As Good As It Gets

1999: The Prince of Egypt

1999: The Thin Red Line

2001: Gladiator

2010: Sherlock Holmes

| style="width:50%;"|

Golden Globe Awards

1995: ''The Lion King

1999: The Prince of Egypt

2001: Gladiator

2002: Pearl Harbor

2003: (Best Original Song)

2004: The Last Samurai

2005: Spanglish

2007: The Da Vinci Code

2009: Frost/Nixon

2011: Inception

|} {| style="width:100%;" |- style="vertical-align:top;" | style="width:50%;"|

Grammy Awards

1991: Driving Miss Daisy

1994: The Lion King (Best Instrumental Arrangement With Accompanying Vocals)

1994: The Lion King (Best Musical Album For Children)

1996: Crimson Tide

2001: Gladiator (Shared with Lisa Gerrard)

2007:

2007: The Da Vinci Code

2009: The Dark Knight (Shared with James Newton Howard)

| style="width:50%;"|

BAFTAS

1992: Thelma & Louise

1995: The Lion King

2001: Gladiator (Shared with Lisa Gerrard)

2009: The Dark Knight (Shared with James Newton Howard)

|} {| style="width:100%;" |- style="vertical-align:top;" | style="width:50%;"|

Saturn Awards

1993: Toys - Shared with Trevor Horn

1996: Crimson Tide

1997: The Rock (Shared with Harry Gregson-Williams and Nick Glennie-Smith)

1999: The Prince of Egypt

2001: The Road to El Dorado (Shared with John Powell)

2001: Gladiator (Shared with Lisa Gerrard)

2006: Batman Begins (Shared with James Newton Howard)

2009: The Dark Knight (Shared with James Newton Howard)

2010: Sherlock Holmes

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Satellite Awards

1999: The Thin Red Line

2001: Gladiator

2002: Hannibal

2004: The Last Samurai

2007: The Da Vinci Code

2011: Inception

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Emmys

2010: The Pacific (Outstanding Music Composition For A Miniseries, Movie Or A Special) | style="width:50%;"|

Tonys

1998: The Lion King (musical) (Best Original Score)

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Annies

2008: Kung Fu Panda (Music in an Animated Feature Production)

2008: Secrets of the Furious Five (Music in an Animated Television Production or Short Form )

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Classical BRIT Awards

2001: Gladiator (Album of the Year) (Shared with Lisa Gerrard)

2008: The Dark Knight (Shared with James Newton Howard)

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References

External links

Interview with Hans Zimmer in Film Score Monthly

Interview with Hans Zimmer about Sherlock Holmes from C Music TV

Focus.De

Category:Best Original Music Score Academy Award winners Category:Grammy Award winners Category:German film score composers Category:German composers Category:People from Frankfurt Category:1957 births Category:Living people *1

Name	Faith Hill
Background	solo_singer
Birth name	Audrey Faith Perry
Born	September 21, 1967Ridgeland, Mississippi, U.S.
Genre	Country, country pop
Voice type	Contralto
Occupation	Singer, producer, actress
Instrument	Vocals, guitar
Spouse	Tim McGraw (1996-present)
Years active	1993–present
Label	Warner Bros. Nashville (1993-Present)
Associated acts	Tim McGraw
Url	www.faithhill.com

Faith Hill (born Audrey Faith Perry; September 21, 1967) is an American country singer. She is known both for her commercial success and her marriage to fellow country star Tim McGraw. Hill has sold more than 40 million records worldwide and accumulated 8 number-one singles and 3 number-one albums on the U.S. Country charts.

Hill has been honored by the Grammy Awards, the Academy of Country Music, the Country Music Association, the American Music Awards and the People's Choice Awards. Her Soul2Soul II Tour 2006 with husband McGraw became the highest-grossing country tour of all time. In 2001, she was named one of the "30 Most Powerful Women in America" by Ladies Home Journal. In 2008, Faith Hill released her first Christmas album, titled Joy to the World. In 2009 Billboard named her as the #1 Adult Contemporary artist of the decade 2000-2009. Hill was ranked the 39th best artist of the 2000-10 decade by Billboard.

Early life and career start

Hill was born Audrey Faith Perry in Ridgeland, Mississippi, north of Jackson, Mississippi. She was adopted as an infant and raised by a couple in the nearby town of Star 25 miles outside Jackson, Mississippi. Her adoptive parents reared their two biological sons along with Hill in a devout Christian environment.

Hill's vocal talent was apparent early, and she had her first public performance, a 4-H luncheon, when she was seven. At 17, Hill formed a band that played in local rodeos. She briefly attended college at Hinds Community College in Raymond, Mississippi, but at 19 quit school to move to Nashville and pursue her dream of being a country singer. In her early days in Nashville, Hill auditioned to be a backup singer for Reba McEntire, but failed to secure the job.

Two years later, she began a search for her natural mother, whom she eventually met and with whom she corresponded until her mother's death.

A co-worker heard Hill singing to herself one day, and soon the head of her music publishing company was encouraging her to become a demo singer for the firm. She supplemented this work by singing backup vocals for songwriter Gary Burr, who often performed his new songs at Nashville's Bluebird Cafe. During one of those performances, an executive from Warner Bros. Records was in the audience, and, impressed with Hill's voice, began the process of signing her to a recording contract. Her version of "Piece of My Heart", also went to the top of the country charts in 1994. The album showcased her progression toward a more mainstream, pop-oriented sound, although it retained some country sound. "This Kiss" became a number one country hit, and was the first of her singles to place on the pop charts, peaking at number seven. More than six million copies of the album were sold. The album also delivered several other hits including another duet with McGraw, "Just To Hear You Say That You Love Me", "Let Me Let Go" and "The Secret Of Life". For the first time, the album consisted solely of songs about love and did not venture into the more somber territory that her previous albums had touched.

2000 was an especially busy year for Hill. Besides a successful tour with her husband, Hill was featured in a CBS television special, VH1's Behind the Music, VH1 Divas 2000, and the Lifetime cable channel's Intimate Portraits series.

Musically, in 2000 Hill recorded a song for the movie Dr. Seuss' How the Grinch Stole Christmas The song also appeared on the pop and country charts. Hill's success on the pop charts disturbed some country music insiders, who questioned whether she was trying to dismiss her country roots and move into the pop genre. Despite the grumbling, Hill won the CMA Female Vocalist of The Year Award, and in her acceptance speech announced, "I love this business and I love this industry... and my heart is here."

In 2001, Hill recorded a song for the Pearl Harbor soundtrack. "There You'll Be" also appeared on the album There You'll Be: The Best Of Faith Hill, an international greatest hits album. The album featured some dance mixes of "Piece Of My Heart," "Let Me Let Go," "The Way You Love Me," and "Breathe."

In 2002, Hill released her new album with a more pop-oriented sound, Cry. The album "spotlight[ed] her impressive set of pipes," but also marked the completion of her "transformation into a pop diva," containing few nods to her country roots. Though the album debuted at number one on Billboard magazine's pop and country album charts, The album however, did win a Grammy Award and 3.7 million copies have been sold worldwide.

Faith Hill's 2002 song "Baby You Belong" off her Cry album was used as the theme song for the movie Lilo & Stitch. The music video featured clips from the movie as well as performance clips.

2005–2006: Return to country

, July 29, 2006.]] In 2005, Faith Hill returned with her new country album, Fireflies. The CD debuted on top of the Billboard Country and all genre album charts, placing her among only a handful of artists to have three consecutive albums debut at number one on both charts. The debut single, "Mississippi Girl", became Hill's highest-debuting single. The song was written specifically for her by John Rich (of Big and Rich) and Adam Shoenfield of MuzikMafia, and tells the abbreviated story of her life. Hill recorded two other songs by Rich, "Sunshine and Summertime" and "Like We Never Loved at All", both of which became successful singles. The title track, "Stealing Kisses" and "If You Ask" were written by artist Lori McKenna and also appear on McKenna's albums. The album marked a return to Hill's country roots and succeeded in reestablishing her place on country radio.

In 2006, after a six-year break from touring following the birth of her youngest daughter, It was named "Major Tour of the Year" by the prestigious Pollstar, beating out such heavyweights as Madonna and the Rolling Stones.

2007–present: The Hits, Joy to the World and future projects

In 2007, Hill started work on her first domestic greatest hits package, titled The Hits, which was released on October 2. It contains two new tracks; "Lost" and "Red Umbrella", as well as twelve additional tracks. The album also features hits covering her entire career from 1993–2005. Included with The Hits is a DVD of 11 of Hill's music videos.

She's also featured on husband Tim McGraw's 2007 album Let It Go. She sings two duets with him, "I Need You" and "Shotgun Rider." Both songs were sung at the couple's critically acclaimed Soul2Soul II Tour 2006. She and Tim also did an encore of their Soul2Soul II Tour; Soul2Soul 2007 began in June and ran through August. The song I Need You has been nominated twice at the 2008 Grammy Awards for Best Country Collaboration with Vocals and Best Country Song. The show took place at the Staples Center in Los Angeles, CA on February 10, 2008 but the song didn't win.

In 2007 Faith Hill took over as the signature voice of NFL on NBC's Sunday Night Football, singing the theme song about which the show's producer said:

In September 2008, Hill issued her first Christmas album, titled Joy to the World. The compilation was given positive reviews, including about.com, which gave the album four and a half out of five stars, calling the album, "a great collection of classic Christmas songs." Hill continually worked on the album two years prior to its official release. The album included one new track, "A Baby Changes Everything", which was released as the album's only single in late 2008. The song debuted at #24 on Billboard's AC chart, and quickly rose to #1, becoming Hill's fourth number one on that chart.

On February 1, 2009 Hill performed "America the Beautiful" at the Super Bowl XLIII pregame show. The other performers at the pregame show were Jennifer Hudson and Journey, and Bruce Springsteen performed at the Halftime show.

In October 2010, Hill contributed to the Country Strong soundtrack. On it, she recorded a song entitled 'Give In To Me'.

Brendan O'Brien, known for producing projects for Bruce Springsteen, Pearl Jam, and Rage Against the Machine, is working with Faith and producing her next album, set for release in 2011. Faith will also be entering the studio with pop producer Brian Kennedy in January 2011 to complete the album.

Other projects

Acting career

In 1995 Hill guest starred in an episode of Touched by an Angel, and while she was rumored to have won a part in Mel Gibson's We Were Soldiers, she did not actually appear in the movie. Her film début was in the summer of 2004, when Hill co-starred with Nicole Kidman, Matthew Broderick and Glenn Close in director Frank Oz's remake of the 1975 thriller The Stepford Wives. Although the film earned over $101 million, it was savaged by critics and Hill has not made another acting appearance since.

Fragrance

In October 2009, Faith Hill released her first fragrance titled Faith Hill Parfums. The fragrance is a blend of Southern Magnolia, Jasmine and Peach Pears. In 2010, Hill released her second fragrance, entitled True.

Philanthropy

Hill used her 1999 tour to support a national children's book drive, The Faith Hill Family Literacy Project. The charity was inspired by Faith's father, who faced challenges with literacy. Fans who donated books at one of her concerts were entered into a drawing to meet her personally after the show. The effort resulted in the donation of 35,000 children's books, which were distributed to hospitals, schools, libraries, and daycare centers in 40 cities across the United States.

In the days immediately following Hurricane Katrina, Hill and her husband, Tim McGraw, who was raised in Louisiana, joined groups taking supplies to Gulfport, Mississippi. The two also hosted several charity concerts to benefit those who were displaced by the storm. Later in the year the couple established the Neighbor's Keeper Foundation, which provides funding for community charities to assist with basic humanitarian services in the event of a natural disaster or for desperate personal circumstances. In a special gesture, the couple also donated profits from their performance in New Orleans to Hurricane Katrina relief.

In June 2010, Faith Hill, along with her husband, Tim McGraw organized Nashville Rising, a benefit concert aimed to raise $2 million for The Community Foundation of Middle Tennessee in response to the flood in early May that killed 22 people and caused $2 billion in damage.

Collaborations

Performed on the song "Love Is the Foundation" from (2010).

Discography

Studio albums

1993: Take Me as I Am

1995: It Matters to Me

1998: Faith

1999: Breathe

2002: Cry

2005: Fireflies

2008: Joy to the World

Compilation albums

2001:

2007: The Hits

Awards

{|class="wikitable" style="text-align:center" |- ! Year ! Award ! Category |- | 1993 | Academy of Country Music Awards | Top New Female Vocalist |- | 1995 | TNN/Music City News | Female Star of Tomorrow |- | rowspan=4|1997 | Academy of Country Music Awards | Top Vocal Event of the Year – (w/ Tim McGraw) |- | Academy of Country Music | Top Single of the Year – "This Kiss" |- | Academy of Country Music | Top Song of the Year – "This Kiss" |- | Country Music Association Awards | Vocal Event of the Year – (w/ Tim McGraw) |- | rowspan=4|1998 | Academy of Country Music Awards | Top Female Vocalist |- | Academy of Country Music Awards | Top Vocal Event of the Year – (w/ Tim McGraw) |- | Academy of Country Music Awards | Top Music Video of the Year – "It's Your Love" (w/ Tim McGraw) |- | Country Music Association Awards | Music Video of the Year – "It's Your Love" (w/ Tim McGraw) |- | rowspan=7|1999 | TNN/Music City News | Vocal Collaboration of the Year – (w/ Tim McGraw) |- | TNN/Music City News | Video of the Year – "This Kiss" |- | TNN/Music City News | Single of the Year – "This Kiss" |- | TNN/Music City News | Female Artist of the Year |- | Academy of Country Music Awards | Top Female Vocalist |- | Academy of Country Music Awards | Top Music Video of the Year – "Breathe" |- | Country Music Association Awards | Music Video of the Year – "Breathe" |- | rowspan=2|2000 | Country Weekly's TNN Awards | Female Artist of the Year |- | Country Music Association Awards | Female Vocalist of the Year |- | rowspan=3|2001 | Grammy Awards | Best Female Country Vocal Performance – "Breathe" |- | Grammy Awards | Best Country Collaboration with Vocals – "Let's Make Love" (w/ Tim McGraw) |- | Grammy Awards | Best Country Album for Breathe |- | rowspan=2|2003 | Grammy Awards | Best Female Country Vocal Performance – "Cry" |- | CMT Flameworthy Video Music Awards | Hottest Female Video of the Year – "Cry" |- | 2004 | People's Choice Awards | Favorite Female Musical Performer |- | rowspan=2|2006 | Grammy Awards | Best Country Collaboration with Vocals – "Like We Never Loved At All" (with Tim McGraw) |- | American Music Awards | Favorite Female Country Artist |- |}

References

Further reading

External links

Faith Hill's Official website

Category:1967 births Category:1990s singers Category:2000s singers Category:2010s singers Category:American contraltos Category:American country singers Category:American female singers Category:Grammy Award winners Category:Warner Bros. Records artists Category:Musicians from Mississippi Category:Hinds Community College alumni Category:American Christians Category:Living people Category:American adoptees