Name	Bono
Background	solo_singer
Birth name	Paul David Hewson
Alias	Bono
Born	May 10, 1960
Origin	Glasnevin, County Dublin, Ireland
Instrument	Vocals, guitar, harmonica
Voice type
Genre	Rock, post-punk, alternative rock
Occupation	Musician, singer-songwriter, activist, philanthropist
Years active	1975–present
Associated acts	U2
Url	www.u2.com
Notable instruments	Gretsch Irish FalconGretsch Country Club

Paul David Hewson (born 10 May 1960), most commonly known by his stage name Bono ( ), is an Irish singer and musician, best known for being the main vocalist of the Dublin-based rock band U2. Bono was born and raised in Dublin, Ireland, and attended Mount Temple Comprehensive School where he met his future wife, Ali Hewson, and the future members of U2. He was raised in Glasnevin with his brother, Norman Hewson, by their mother Iris (née Rankin), a Church of Ireland Anglican, and their father Brendan Robert "Bob" Hewson, a Roman Catholic. Although Bono was the second child, he also attended Church of Ireland services with his mother and brother. Bono was 14 when his mother died on 10 September 1974 after suffering a cerebral aneurysm at her father's funeral. Many other songs focus on the theme of childhood vs. maturity, such as "Into the Heart," "Twilight", and "Stories for Boys."

Bono attended Mount Temple Comprehensive School, a multi denominational school in Clontarf. During his childhood and adolescence, Bono and his friends were part of a surrealist street gang called "Lypton Village". Bono met one of his closest friends, Guggi, in Lypton Village. The gang had a ritual of nickname-giving. Bono had several names: first, he was "Steinvic von Huyseman", then just "Huyseman", followed by "Houseman", "Bon Murray", "Bono Vox of O'Connell Street", and finally just "Bono".

"Bono Vox" is an alteration of Bonavox, a Latin phrase which translates to "good voice." It is said he was nicknamed "Bono Vox" by his friend Gavin Friday. Initially, Bono disliked the name. However, when he learned it loosely translated to "good voice", he accepted it. Hewson has been known as "Bono" since the late seventies. Although he uses Bono as his stage name, close family and friends also refer to him as Bono, including his wife and fellow band members. The couple have four children: daughters Jordan (b. 10 May 1989) and Memphis Eve (b. 7 July 1991) and sons Elijah Bob Patricius Guggi Q (b. 18 August 1999) and John Abraham (b. 21 May 2001); Memphis Eve portrayed the character Stella in the 2008 film The 27 Club. Bono lives in Killiney in south County Dublin with his family and shares a villa in Èze in the Alpes-Maritimes in the south of France with The Edge.

Bono is almost never seen in public without sunglasses. During a Rolling Stone interview he stated: }}

In 2002, he was listed as one of the 100 Greatest Britons in a poll conducted among the general public, despite the fact that he is Irish.

On 21 May 2010, it was reported that Bono had suffered an injury while preparing for the forthcoming U2 tour, and that he had been taken to a German neurosurgery clinic in Munich for emergency surgery. His doctors, who included noted sports physician Hans-Wilhelm Müller-Wohlfahrt, then said Bono had a good prognosis but would need eight weeks of physical rehabilitation, and McGuinness and Live Nation announced that the entire North American leg was being postponed and would be rescheduled into 2011.

Musical career

U2

On 25 September 1976, Bono, David Evans ("The Edge"), his brother Dik, and Adam Clayton responded to an advertisement on a bulletin board at Mount Temple posted by fellow student Larry Mullen Jr. to form a rock band. The band had occasional jam sessions in which they did covers of other bands. Tired of long guitar solos and hard rock, Bono wanted to play Rolling Stones and The Beach Boys songs. Unfortunately the band could not play covers very well, so they started writing their own songs.

The band went by the name "Feedback" for a few months, before changing to "The Hype" later on. After Dik Evans left the group to join another local band, the Virgin Prunes, the remaining four officially changed the name from "The Hype" to "U2". Initially Bono sang, played guitar, and wrote the band's songs. He said of his early guitar playing in a 1982 interview, "When we started out I was the guitar player, along with the Edge—except I couldn't play guitar. I still can't. I was such a lousy guitar player that one day they broke it to me that maybe I should sing instead. I had tried before, but I had no voice at all. I remember the day I found I could sing. I said, 'Oh, that's how you do it. When The Edge's guitar playing improved, Bono was relegated mostly to the microphone, although he occasionally still plays rhythm guitar and harmonica. As of 2006, Bono has taken piano lessons from his children's piano teacher as a means to improve his songwriting.

Bono writes the lyrics for almost all U2 songs, which are often rich in social and political themes. His lyrics frequently allude to a religious connection or meaning, evident in songs such as "Gloria" from the band's album October, and "I Still Haven't Found What I'm Looking For" from The Joshua Tree. During the band's early years, Bono was known for his rebellious tone which turned to political anger and rage during the band's War, The Joshua Tree and Rattle and Hum eras. Also featured in the film is footage of Bono spray-painting a monument during an outdoor performance; Bono was forced to pay a fine.

in 1992]] U2's sound and focus dramatically changed with their 1991 album, Achtung Baby. Bono's lyrics became more personal, inspired by experiences related to the private lives of the members of the band. Bono has often allowed fans to come on stage and perform songs with the band.

Bono has won numerous awards with U2, including 22 Grammy awards and the 2003 Golden Globe award for best original song, "The Hands That Built America", for the film Gangs of New York. During the live broadcast of the ceremony, Bono called the award "really, really fucking brilliant!" In response, the Parents Television Council condemned Bono for his profanity and started a campaign for its members to file complaints with the FCC. Although Bono's use of "fuck" violated FCC indecency standards, the FCC refused to fine NBC because the network did not receive advance notice of the consequences of broadcasting such profanity and the profanity in question was not used in its literal sexual meaning.

in November 2005.]] In 2005, the U2 band members were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In November 2008, Rolling Stone ranked Bono the 32nd greatest singer of all-time.

Bono and his bandmates were criticised in 2007 for moving part of their multi-million euro song catalogue from Ireland to Amsterdam six months before Ireland ended a tax exemption on musicians' royalties. Under Dutch tax law, bands are subject to low to non-existent tax rates. The band later responded by stating that approximately 95% of their business took place outside Ireland, and that they were taxed globally because of this. Bono was one of several super-rich figures whose tax arrangements were singled out for criticism in a report by the charity Christian Aid in 2008.

Collaborations

In addition to his work with U2, he has collaborated with Zucchero, Frank Sinatra, Johnny Cash, Willie Nelson, Luciano Pavarotti, Sinéad O'Connor, Green Day, Roy Orbison, Bob Dylan, Tina Turner, and BB King. He has recorded with Ray Charles, Quincy Jones, Kirk Franklin, Bruce Springsteen, Tony Bennett, Clannad, The Corrs, Wyclef Jean, Kylie Minogue, Jay-Z and Rihanna, as well as reportedly completing an unreleased duet with Jennifer Lopez. On Robbie Robertson's 1987 eponymous album, he plays bass guitar and vocals. On Michael Hutchence's 1999 posthumous eponymous album, Bono completed a recording of "Slide Away" as a duet with Hutchence.

Other endeavours

In 1992, Bono bought and hired people to refurbish Dublin's two-star 70-bedroom Clarence Hotel with The Edge, and converted it into a five-star 49-bedroom hotel. The Edge and Bono have recorded several songs together, exclusive of the band. They have also been working on penning the score for the 2011 rock musical . Bono is a known Celtic F.C. fan, However, it was reported on 28 April 1998 that this was not the case with Bono saying "it's rubbish. I've been to a couple of games and I'm a fan, but I've got no financial connections."

In May 2007, MTV reported that Bono was writing the foreword for a collection of poetry entitled "Third Rail". The book's foreword gives detail of the meanings of the poetry, saying "The poets who fill the pews here have come to testify, to bear witness to the mysterious power of rock and roll...Rock and roll is truly a broad church, but each lights a candle to their vision of what it is." Bono has invested in the Forbes Media group in the US through Elevation Partners. Elevation Partners became the first outsider to invest in the company, taking a minority stake in Forbes Media LLC, a new company encompassing the 89-year-old business which includes Forbes magazine, the Forbes.com website and other assets. The terms of the deal were not disclosed, but reports said the stake was worth about €194 million ($250m).

In film, Bono has played the character of "Dr. Robert", an anti-war shaman, in the musical Across the Universe. Also in this movie, he sang the Beatles songs "I Am the Walrus" and "Lucy in the Sky with Diamonds". Bono's other acting credits include cameos in 1999's Entropy and 2000's Million Dollar Hotel, the latter of which was based on a story conceived by Bono. He has been dubbed, "the face of fusion philanthropy", both for his success enlisting powerful allies from a diverse spectrum of leaders in government, religious institutions, philanthropic organisations, popular media, and the business world, as well as for spearheading new organizational networks that bind global humanitarian relief with geopolitical activism and corporate commercial enterprise.

In a 1986 interview with Rolling Stone magazine, Bono explained that he was motivated to become involved in social and political causes by seeing one of the Secret Policeman's Ball benefit shows, staged by John Cleese and producer Martin Lewis for the human-rights organisation Amnesty International in 1979. "I saw 'The Secret Policeman’s Ball' and it became a part of me. It sowed a seed..." In 2001, Bono arranged for U2 to videotape a special live performance for that year's Amnesty benefit show.

Bono and U2 performed on Amnesty's Conspiracy Of Hope tour of the United States in 1986 alongside Sting. U2 also performed in the Band Aid and Live Aid projects, organised by Bob Geldof. In 1984, Bono sang on the Band Aid single "Do They Know it's Christmas?/Feed the World" (a role that was reprised on the 2004 Band Aid 20 single of the same name). Geldof and Bono later collaborated to organise the 2005 Live 8 project, where U2 also performed. in 2006]]

Since 1999, Bono has become increasingly involved in campaigning for third-world debt relief and raising awareness of the plight of Africa, including the AIDS pandemic. In the past decade Bono has met with several influential politicians, including former United States President George W. Bush and Canadian Prime Minister Paul Martin. During a March 2002 visit to the White House, after President Bush unveiled a $5 billion aid package, he accompanied the President for a speech on the White House lawn where he stated, "This is an important first step, and a serious and impressive new level of commitment. ... This must happen urgently, because this is a crisis." He was a nominee for the Nobel Peace Prize in 2003, 2005, and 2006 for his philanthropy.

In 2004, he was awarded the Pablo Neruda International Presidential Medal of Honour from the Government of Chile. Time Magazine named Bono one of the "100 Most Influential People" in its May 2004 special issue, and again in the 2006 Time 100 special issue. In 2005, Time named Bono a Person of the Year along with Bill and Melinda Gates. Also in 2005, he received the Portuguese Order of Liberty for his humanitarian work. That year Bono was also among the first three recipients of the TED Prize, which grants each winner "A wish to change the world". Bono made three wishes, the first two related to the ONE campaign and the third that every hospital, health clinic and school in Ethiopia should be connected to the Internet. TED rejected the third wish as being a sub-optimal way for TED to help Africa with his foul-mouthed heckling of a speech by Andrew Mwenda. meeting in Davos, 2008.]] In 2007, Bono was named in the UK's New Years Honours List as an honorary Knight Commander of the Order of the British Empire. He was formally granted knighthood on 29 March 2007 in a ceremony at the residence of British Ambassador David Reddaway in Dublin, Ireland.

Bono also received the NAACP Image Award's Chairman's Award in 2007. On 24 May 2007, the National Constitution Center in Philadelphia announced that Bono would receive the Philadelphia Liberty Medal on 27 September 2007 for his work to end world poverty and hunger. On 28 September 2007, in accepting the Liberty Medal, Bono said, "When you are trapped by poverty, you are not free. When trade laws prevent you from selling the food you grew, you are not free, ... When you are a monk in Burma this very week, barred from entering a temple because of your gospel of peace ... well, then none of us are truly free." Bono donated the $100,000 prize to the organisation. Ngozi Okonjo-Iweala accepted the award for the Washington-based Debt AIDS Trade Africa.

In 2005 he recorded a version of Don't Give Up with Alicia Keys, with proceeds going to Keep a Child Alive.

On 15 December 2005, Paul Theroux published an op-ed in the New York Times called The Rock Star's Burden (cf. Kipling's The White Man's Burden) that criticised stars such as Bono, Brad Pitt, and Angelina Jolie, labelling them as "mythomaniacs, people who wish to convince the world of their worth." Theroux, who lived in Africa as a Peace Corps Volunteer, added that "the impression that Africa is fatally troubled and can be saved only by outside help—not to mention celebrities and charity concerts—is a destructive and misleading conceit." Elsewhere, Bono has been criticised, along with other celebrities, for "[ignoring] the legitimate voices of Africa and [turning] a global movement for justice into a grand orgy of narcissistic philanthropy.

On 3 April 2005, Bono paid a personal tribute to John Paul II and called him "a street fighter and a wily campaigner on behalf of the world's poor. We would never have gotten the debts of 23 countries completely cancelled without him." Bono spoke in advance of President Bush at the 54th Annual National Prayer Breakfast, held at the Hilton Washington Hotel on 2 February 2006. In a speech containing biblical references, Bono encouraged the care of the socially and economically depressed. His comments included a call for an extra one percent tithe of the United States' national budget. He brought his Christian views into harmony with other faiths by noting that Christian, Jewish, and Muslim writings all call for the care of the widow, orphan, and stranger. President Bush received praise from the singer-activist for the United States' increase in aid for the African continent. Bono continued by saying much work is left to be done to be a part of God's ongoing purposes.

The organisation DATA (Debt, AIDS, Trade, Africa) was established in 2002 by Bono and Bobby Shriver, along with activists from the Jubilee 2000 Drop the Debt Campaign. DATA aims to eradicate poverty and HIV/AIDS in Africa. EDUN's goal is to use factories in Africa, South America, and India that provide fair wages to workers and practice good business ethics to create a business model that will encourage investment in developing nations.

on 27 September 2007.]] Bono was a special guest editor of the July 2007 issue of Vanity Fair magazine. The issue was named "The Africa Issue: Politics & Power" and featured an assortment of 20 different covers, with photographs by Annie Leibovitz of a number of prominent celebrities, political leaders, and philanthropists. Each one showcased in the issue for their contributions to the humanitarian relief in Africa.

In an article in Bloomberg Markets in March 2007, journalists Richard Tomlinson and Fergal O’Brien noted that Bono used his band's 2006 Vertigo world tour to promote his ONE Campaign while at the same time "U2 was racking up $389 million in gross ticket receipts, making Vertigo the second-most lucrative tour of all time, according to Billboard magazine. . . . Revenue from the Vertigo tour is funnelled through companies that are mostly registered in Ireland and structured to minimise taxes."

Further criticism came in November 2007, when Bono's various charity campaigns were targeted by Jobs Selasie, head of African Aid Action. Selasie claimed that these charities had increased corruption and dependency in Africa because they failed to work with African entrepreneurs and grassroots organisations, and as a result, Africa has become more dependent on international handouts. Bono responded to his critics in Times Online on 19 February 2006, calling them "cranks carping from the sidelines. A lot of them wouldn’t know what to do if they were on the field. They’re the party who will always be in opposition so they’ll never have to take responsibility for decisions because they know they’ll never be able to implement them."

In November 2007, Bono was honoured by NBC Nightly News as someone "making a difference" in the world. He and anchor Brian Williams had travelled to Africa in May 2007 to showcase the humanitarian crisis on the continent. On 11 December 2008, Bono was given the annual Man of Peace prize, awarded by several Nobel Peace Prize laureates in Paris, France.

Product Red is another initiative begun by Bono and Bobby Shriver to raise money for the Global Fund to Fight AIDS, Tuberculosis, and Malaria. Bobby Shriver has been announced as the CEO of Product Red, whilst Bono is currently an active public spokesperson for the brand. Product Red is a brand that is licensed to partner companies, such as American Express, Apple, Converse, Motorola, Microsoft, Dell, The Gap, and Giorgio Armani. Each company creates a product with the Product Red logo and a percentage of the profits from the sale of these labelled products will go to the Global Fund.

See also

Timeline of U2

References

;Footnotes

;Bibliography

External links

U2.com—Official U2 website

ONE Campaign—Advocacy and campaigning organization cofounded by Bono

EDUN—Fashion label started by Bono and his wife Ali

Category:1960 births Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:AIDS activists Category:English-language singers Category:Grammy Award winners Category:Golden Globe Award winning musicians Category:Honorary Knights Commander of the Order of the British Empire Category:Free Your Mind Award winners Category:Irish Anglicans Category:Irish humanitarians Category:Irish male singers Category:Irish philanthropists Category:Irish rock singers Category:Ivor Novello Award winners Category:Légion d'honneur recipients Category:Living people Category:People associated with Dalkey Category:People from Dublin (city) Category:Private equity and venture capital investors Category:U2 members Category:International activists against apartheid in South Africa Category:Time Persons of the Year

Name	Roy Orbison
Background	solo_singer
Birth name	Roy Kelton Orbison
Nicknames	The Big O
Birth date	April 23, 1936
Birth place	Vernon, Texas, U.S.
Death date
Dethh place	[Madison, Tennessee]], U.S.
Instrument	Guitar, vocals
Genre	Rockabilly, pop
Occupation	Musician, singer-songwriter
Years active	1954–1988
Label	Sun, Monument, MGM, London, Mercury, Asylum, PolyGram, Virgin
Associated acts	Traveling Wilburys, Teen Kings, The Wink Westerners,Class of '55
Url	http://www.royorbison.com/
Notable instruments	Gibson ES-335

Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer-songwriter and musician, well known for his distinctive, powerful voice, complex compositions, and dark emotional ballads. Orbison grew up in Texas and began singing in a rockabilly / country & western band in high school until he was signed by Sun Records in Memphis. His greatest success came with Monument Records in the early to mid 1960s when 22 of his songs placed on the US Billboard Top Forty, including "Only the Lonely", "Crying", "In Dreams", and "Oh, Pretty Woman". His career stagnated through the 1970s, but several covers of his songs and the use of one in a film by David Lynch revived his career in the 1980s. In 1988, he joined the supergroup The Traveling Wilburys with George Harrison, Bob Dylan, Tom Petty, and Jeff Lynne and also released a new solo album. He died of a heart attack in December that year, at the zenith of his resurgence. His life was marred with tragedy, including the death of his first wife and two of his children in separate accidents.

Orbison was a natural baritone, yet could sing high tenor notes with ease; commentators have suggested that he had a three- or four-octave range. The combination of Orbison's powerful, impassioned voice and complex musical arrangements led many commentators to refer to his music as operatic, giving him the sobriquet "the Caruso of Rock". Performers as disparate as Elvis Presley and Bono stated his voice was, respectively, the greatest and most distinctive they had ever heard. While most men in rock and roll in the 1950s and 1960s portrayed a defiant masculinity, many of Orbison's songs instead conveyed a quiet, desperate vulnerability. He was known for performing while standing still and solitary, wearing black clothes and dark sunglasses which lent an air of mystery to his persona.

Orbison was initiated into the second class of the Rock and Roll Hall of Fame in 1987 by longtime admirer Bruce Springsteen. The same year he was inducted into the Nashville Songwriters Hall of Fame. Rolling Stone placed Orbison at number 37 in their list of The Greatest Artists of All Time. In 2002, Billboard magazine listed Orbison at number 74 in the Top 600 recording artists. Rolling Stone rated Orbison number 13 in their list of The 100 Greatest Singers of All Time in 2008.

Early life

Roy Orbison was born in Vernon, Texas, the middle son of Orbie Lee Orbison – an oil well driller and car mechanic – and Nadine Shultz, a nurse. Both of Orbison's parents were unemployed during the Great Depression, so the family moved to Fort Worth for several years to find work, until a polio scare prompted them to return to Vernon. To find work again, the family then moved to the town of Wink in West Texas. Orbison would later describe the major components of life in Wink as "Football, oil fields, oil, grease and sand", and in later years expressed relief that he was able to leave the desolate town. All the Orbison children were afflicted with poor eyesight; Roy used thick corrective lenses from an early age. A bout with jaundice as a child gave him a sallow complexion, and his ears protruded prominently. Orbison was not particularly confident in his appearance; he began dyeing his nearly white hair black when he was young. He was quiet and self-effacing, remarkably polite and obliging – a product, his biographer Alan Clayson wrote, of his Southern upbringing. However, Orbison was readily available to sing, and often became the focus of attention when he did. He considered his voice memorable if not great. Orbison's major musical influences as a youth were in country music. He was particularly moved by the way Lefty Frizzell sang, slurring syllables. He also enjoyed Hank Williams and Jimmie Rodgers. One of the first musicians he heard in person was Ernest Tubb playing on the back of a flatbed truck in Fort Worth. In West Texas, however, he was exposed to many forms of music: "sepia" — a euphemism for what became known as rhythm and blues (R&B;); Tex-Mex; orchestral Mantovani, and Cajun. The Cajun favorite "Jolie Blonde" was one of the first songs Orbison sang in public. At eight, Orbison began appearing on a local radio show. By the late 1940s, he was the host.

In high school, Orbison and some friends formed The Wink Westerners, an informal band that would play country standards and Glenn Miller songs. When they were offered $400 to play at a dance, Orbison realized that he could make a living in music. Following high school, Orbison enrolled at North Texas State College, planning to study geology so that he could secure work in the oil fields if music did not pay. He formed another band called The Teen Kings, and sang at night while working in the oil fields or studying during the day. Orbison saw his classmate Pat Boone get signed for a record deal, further strengthening his resolve to become a professional musician. His geology grades dropping, he switched to Odessa Junior College to consider becoming a teacher. While living in Odessa, Orbison drove to Dallas to see and be stunned by the on-stage antics of Elvis Presley, then a rising star in the southern states. Johnny Cash toured the area in 1955, playing on the same local radio show as the Teen Kings and suggested that Orbison approach Sam Phillips at Sun Records, home of rockabilly stars such as Elvis Presley, Carl Perkins, Jerry Lee Lewis and Cash. Phillips told him curtly, "Johnny Cash doesn't run my record company!" Phillips was convinced to listen to a record by the Teen Kings named "Ooby Dooby", a song composed in mere minutes atop a fraternity house at North Texas State. The Teen Kings also began writing more material such as "Go! Go! Go!" and "Rockhouse", generally in standard rockabilly style. The band ultimately split over disputed writing credits and royalties, but Orbison stayed in Memphis and asked his 16-year-old girlfriend, Claudette Frady, to join him. They stayed in Phillips' home, where they slept in separate rooms; in the studio Orbison concentrated on the mechanics of recording. Sam Phillips remembered being much more impressed with Orbison's mastery of the guitar than his voice; a ballad Orbison wrote called "The Clown" was met with lukewarm appreciation at best. Sun Records producer Jack Clement told Orbison after hearing it that he would never make it as a ballad singer.

He found a modicum of success at Sun Records and found his way into Elvis Presley's social circle, once going to pick up a date for Presley in his purple Cadillac. Orbison sold "Claudette", a song he wrote about Frady — whom he married in 1957— to The Everly Brothers and it appeared on the B side of their smash hit "All I Have To Do Is Dream". The first and perhaps only royalties Orbison earned from Sun Records enabled him to make a down-payment on his own Cadillac. However, frustrated at Sun, Orbison gradually stopped recording, toured music circuits around Texas to make a living, and for seven months in 1958 quit performing completely. His car repossessed and in dire financial straits, he often depended on family and friends for funds.

For a brief period in the late 1950s Orbison made his living at Acuff-Rose, a songwriting firm concentrating mainly on country music. After spending an entire day writing a song, he would make several demo tapes at a time and send them to Wesley Rose, who would try to find the musical acts to record them. Orbison attempted to sell songs he recorded that were written by other writers to RCA Victor as well, working with and being completely in awe of Chet Atkins, who had played guitar with Presley. Orbison tried one song penned by Boudleaux Bryant called "Seems to Me". Bryant's impression of Orbison was "a timid, shy kid who seemed to be rather befuddled by the whole music scene. I remember the way he sang then — softly, prettily but almost bashfully, as if someone might be disturbed by his efforts and reprimand him." After two tepid attempts with RCA Victor, they decided not to option Orbison for another song. Wesley Rose maneuvered Orbison into the sights of producer Fred Foster at Monument Records.

Arrival: 1960–1964

In his first sessions at Monument in Nashville, Orbison took on a song that RCA refused, "Paper Boy", and wrote another, "Pretty One". Playing shows late into the night, and living with his wife and young child in his tiny apartment, he often sought refuge by taking his guitar to his car and writing songs there. Songwriter Joe Melson, who had a passing acquaintance with Orbison, tapped on his car window one day in Texas in 1959 and the two decided to try to write some songs together. They experimented with the doo-wop backup singers arranged by Anita Kerr in a song called "Uptown"; Orbison was allowed to use strings on the record, which he enjoyed. Melson later recalled, "We stood in the studio, listening to the playbacks and thought it was the most beautiful sound in the world".

Writing for the voice

Influenced by contemporaneous hits such as "Come Back to Me My Love" and "Come Softly to Me", Orbison and Melson wrote a song in April 1960 which, when recorded, employed strings, the Anita Kerr doo-wop backup singers, and finally, an astounding note hit by Orbison in falsetto that showcased a powerful voice which, according to biographer Clayson, "came not from his throat but deeper within". It was titled "Only the Lonely", and Orbison and Melson tried to pitch it to Elvis Presley and the Everly Brothers, both of whom turned it down. Orbison released his own version instead and it shot to No. 2 on the Hot 100 in the U.S. and hit No. 1 in the UK and Australia. According to Orbison, the subsequent songs he wrote with Melson during this period were constructed with his voice in mind, specifically to showcase its range and power. He told Rolling Stone in 1988: "I liked the sound of [my voice]. I liked making it sing, making the voice ring, and I just kept doing it. And I think that somewhere between the time of 'Ooby Dooby' and 'Only the Lonely', it kind of turned into a good voice."

Instantly Orbison was in high demand. He appeared on American Bandstand and toured the U.S. for three months non-stop with Patsy Cline. When Presley heard "Only the Lonely" for the first time, he bought a box of copies to pass to his friends. Melson and Orbison followed it with the more complex "Blue Angel" which peaked at No. 9, a self-performed version of "Claudette", and "I'm Hurtin'", which rose to No. 27.

Orbison was now able to move his wife and son to Nashville full-time. Back in the studio, seeking a change from the doo-wop styled pop sound of "Only the Lonely" and "I'm Hurtin'", Orbison worked on a new song, "Running Scared", based loosely on the rhythm of Ravel's Boléro; the song was about a man on the run with a woman, followed by another man who is trying to take her away. Orbison encountered a difficulty when he found himself unable to hit the song's highest note without his voice breaking. He was backed by an orchestra in the studio and the sound engineer told him he would have to sing louder than his accompaniment because the orchestra was unable to be softer than his voice. Fred Foster then put Orbison in the corner of the studio and surrounded him with coat racks in an improvised isolation booth to emphasize his voice. Orbison was unhappy with the first two takes, but in the third, he abandoned the idea of using falsetto and, to the astonishment of everyone present, sang the final high G sharp naturally. On that third take, "Running Scared" was completed. Fred Foster later recalled, "He did it, and everybody looked around in amazement. Nobody had heard anything like it before." His relationship with Joe Melson, however, was deteriorating over Melson's growing concerns that his own solo career would never get off the ground.

Lacking the photogenic looks of many of his rock and roll contemporaries, Orbison eventually developed a persona that did not reflect his personality. He had no publicist in the early 1960s, no presence in fan magazines, and his single sleeves did not feature his picture. Life magazine called him an "anonymous celebrity". After leaving his thick eyeglasses on an airplane in 1962 or 1963, Orbison was forced to wear his Ray-Ban Wayfarer prescription sunglasses on stage and found that he preferred them. His biographers suggest that although he had a good sense of humor and was never morose, Orbison was very shy and suffered from severe stage fright; wearing sunglasses helped him hide somewhat from the attention. The black clothes and desperation in his songs led to an aura of mystery and introversion. Years later, Orbison said "I wasn't trying to be weird, you know? I didn't have a manager who told me to dress or how to present myself or anything. But the image developed of a man of mystery and a quiet man in black somewhat of a recluse, although I never was, really."

His dark and brooding persona, combined with his tremulous voice in lovelorn ballads marketed to teenagers, helped Orbison corner the pop market in the early 1960s. He had a string of hits in 1963 with "In Dreams" (No. 7 in the U.S.), "Falling", "Mean Woman Blues" (No. 5 in the U.S.), and "Blue Bayou", all of which also hit the Top 10 in the UK. He finished the year with a Christmas song written by Willie Nelson titled "Pretty Paper".

As "In Dreams" was released in April 1963, Orbison was asked to replace guitarist Duane Eddy on a tour of the UK in top billing, with a local band that was becoming massively popular named The Beatles. When he arrived in England, however, he saw the amount of advertising devoted to the quartet and realized he was no longer the main draw. He had never heard of them and, annoyed, asked hypothetically, "What's a Beatle anyway?" to which John Lennon replied after tapping his shoulder, "I am." On opening night, Orbison opted to go onstage first although he was the more established act. Known for having raucous shows expressing an extraordinary amount of energy, Lennon, Paul McCartney, George Harrison, and Ringo Starr stood dumbfounded backstage as Orbison performed completely still and simply sang through fourteen encores. Finally, when the audience began chanting "We want Roy!" again, Lennon and McCartney prevented Orbison from going on again by physically holding him back. Starr later said, "In Glasgow, we were all backstage listening to the tremendous applause he was getting. He was just standing there, not moving or anything." Orbison felt a kinship with Lennon, but it was Harrison with whom he would later form a strong friendship. The moniker of "The Big O" would eventually follow him back to the States, where it became an unofficial nickname for Orbison.

Riding the success

Touring in 1963 took a toll on Orbison's personal life. His wife Claudette began having an affair with the contractor who built their home in Hendersonville, Tennessee. Their friends and relatives attributed it to her youth and that she was unable to withstand being alone and bored; when Orbison toured England again in the fall of 1963, she joined him. He was immensely popular where he went, finishing the tour in Ireland and Canada. Almost immediately he toured Australia and New Zealand with The Beach Boys and returned again to the UK and Ireland where he was so besieged by teenage girls that the Irish police had to halt his performances to pull the girls off him. He continued to tour, however, and visited Australia again, this time with The Rolling Stones. Mick Jagger later remarked of a snapshot he took of Orbison in New Zealand: "A fine figure of a man in the hot springs, he was."

Orbison also began collaborating with Bill Dees, whom he had known in Texas. With Dees, he wrote "It's Over", a No. 1 in the UK, and a song that would be one of his signature pieces for the rest of his career. When Claudette walked in while Dees and Orbison had begun writing to say she was heading for Nashville, Orbison asked if she had any money, and Dees said "Pretty woman never needs any money". Forty minutes later, "Oh, Pretty Woman" was completed. A riff-laden masterpiece that employed a playful growl he got from a Bob Hope movie, the epithet Orbison uttered when he was unable to hit a note ("Mercy!"), and a merging of his vulnerable and masculine sides, it rose to No. 1 in the fall of 1964 in the U.S. and stayed on the charts for 14 weeks; it hit No. 1 in the UK as well, spending 18 weeks total on the charts. The single sold over seven million copies.

Career decline and personal tragedies, 1965–1969

"Oh, Pretty Woman" proved the pinnacle of Orbison's career in the 1960s. Following its release, he endured some upheavals. He and Claudette divorced in November 1964 over her infidelities, though they remarried in August 1965. Wesley Rose, who was acting as Orbison's agent, moved him from Monument Records to Metro-Goldwyn-Mayer (MGM), for a million dollars and the understanding that Orbison would expand into television and films as Elvis Presley had done. Orbison was a film enthusiast, and when not touring, writing, or recording would dedicate time to seeing up to three films a day. However, Rose also began acting as Orbison's producer. Fred Foster later argued that Rose's takeover was responsible for the commercial failure of Orbison's work at MGM. His first collection at MGM, an album titled Goodnight, sold fewer than 200,000 copies.

While on tour again in the UK in 1965, Orbison broke his foot falling off a motorcycle in front of thousands of screaming fans at a race track, and performed his show that evening in a cast. His reconciliation with Claudette occurred when she went to see if he was recuperating after his accident. Orbison was fascinated with machines and vehicles, and was known to see a car he liked, follow the driver and offer him money to purchase the car on the spot. He had a collection worthy of a museum by the late 1960s. He and Claudette shared a love for motorcycles; she had grown up around them, but Orbison claimed Elvis Presley had introduced him to motorcycles. However, tragedy struck on June 6, 1966, when Orbison and Claudette were riding home from Bristol, Tennessee. Claudette was struck by a semi-trailer truck and died instantly.

A grieving Orbison threw himself into his work, collaborating with Bill Dees to write music for a film that MGM had scheduled for him to star in as well. It was initially planned as a dramatic Western, but was rewritten as a comedy. Orbison's character was a spy who stole and had to protect and deliver a cache of gold to the Confederate Army during the U.S. Civil War and was outfitted with a guitar that turned into a rifle. The prop allowed him to deliver the line "I'll kill you and play your funeral march at the same time", with—according to biographer Colin Escott—"zero conviction".

Orbison recorded an album dedicated to the songs of Don Gibson and another of Hank Williams covers, but both sold poorly. As the psychedelic rock movement took hold in the late 1960s, Orbison felt lost, later saying "[I] didn't hear a lot I could relate to so I kind of stood there like a tree where the winds blow and the seasons change, and you're still there and you bloom again." He continued to tour, and had previously made some smart real estate investments, so money was never an issue for him again. It was during a tour in the Midlands of England that on September 16, 1968 Orbison received the news that his home in Hendersonville, Tennessee had burned down and his two eldest sons had died. The property was sold to Johnny Cash, who planted an orchard on it. On March 25, 1969, Orbison married a German teenager named Barbara Wilhonnen Jacobs whom he had met a few days before his sons died. His youngest son with Claudette was raised by his parents. He and Barbara had a son in 1970 and another in 1974.

Rediscovery

Covers: 1970s

Orbison recorded in the 1970s, but his albums performed so poorly that he began to doubt his talents. Author Peter Lehman would later observe his absence was a part of the mystery of his persona: "Since it was never clear where he had come from, no one seemed to pay much mind to where he had gone; he was just gone." His influence was apparent, however, as several artists released covers of his songs that performed very well. "Love Hurts" was remade by Gram Parsons and Emmylou Harris, and again by heavy metal band Nazareth. Sonny James sent "Only the Lonely" to No. 1 on the country music charts. Bruce Springsteen ended his concerts with Orbison songs and Glen Campbell had a minor hit with a remake of "Dream Baby". A compilation LP of Orbison's greatest hits went to No. 1 in the UK in 1977. The same year he began to open concerts for The Eagles, who started as Linda Ronstadt's backup band. Ronstadt herself covered "Blue Bayou" in 1977, her cover reaching No. 3 on the Billboard charts and remaining in the charts for 24 weeks. Orbison credited this cover in particular for reviving his memory in the popular mind, if not his career.

Around the same time Orbison underwent open heart surgery. He had suffered from duodenal ulcers as far back as 1960, and had been a chain smoker since adolescence. Although he felt revitalized following the triple bypass, he continued to smoke and his weight fluctuated for the rest of his life.

Don McLean covered "Crying" in 1980 in a version which hit No. 5 in the U.S. and stayed on the charts for 15 weeks; it was No. 1 in the UK for three. Although he was all but forgotten in the U.S., Orbison took a chance and embarked on a tour of Bulgaria. He was astonished to find he was as popular there as he had been in 1964; he was forced to stay in his hotel room because he was mobbed on the streets of Sofia. Later that year, he and Emmylou Harris won a Grammy for their duet "That Lovin' You Feelin' Again". It was his first such award, and he felt more than ever that the time was ripe for his full return to popular music. However, it would be several more years until this came to fruition.

Revival: 1987–88

Orbison's career was fully revived in 1987. He released an album of his re-recorded hits titled . A song he recorded named "Life Fades Away" was featured in the film Less Than Zero. He and k. d. lang performed a duet of "Crying" and released it on the soundtrack to Hiding Out, winning a Grammy for Best Country Collaboration with Vocals.

However, one film in which Orbison refused to allow his music was Blue Velvet. Director David Lynch asked to use "In Dreams" and Orbison turned him down. Lynch used it anyway. The song served as one of several obsessions of a psychopathic character named Frank Booth (Dennis Hopper). It was lip-synched by an effeminate drug dealer played by Dean Stockwell, after which Booth demanded the song be played over and over, once beating the protagonist while the song played. During filming, Lynch asked for the song to be played repeatedly to give the set a surreal atmosphere. Orbison was initially shocked at its use: he saw the film in a theater in Malibu and later said, "I was mortified because they were talking about the 'candy colored clown' in relation to a dope deal... I thought, 'What in the world...?' But later, when I was touring, we got the video out and I really got to appreciate what David gave to the song, and what the song gave to the movie — how it achieved this otherworldly quality that added a whole new dimension to 'In Dreams'." In response, Orbison asked Springsteen for a copy of the speech, and said of his induction that he felt "validated" by the honor. The concert was filmed in one take and aired on Cinemax under the title Roy Orbison and Friends, A Black and White Night; it was released on video by Virgin Records, selling 50,000 copies.

Traveling Wilburys and Mystery Girl: 1988

In 1987, Orbison had begun collaborating with Electric Light Orchestra frontman Jeff Lynne on a new album. At the same time Lynne was completing production work on George Harrison's Cloud Nine, and all three had lunch one day when Orbison accepted an invitation to sing on Harrison's album. They contacted Bob Dylan, who allowed them to use a recording studio in his home. Along the way, Harrison had to stop by Tom Petty's house to pick up his guitar; Petty and his band had backed Dylan on his last tour. By that evening, the group had written "Handle with Care", which led to the concept of recording an entire album. They called themselves the Traveling Wilburys, representing themselves as half-brothers from the same father. They gave themselves stage names; Orbison chose his from his musical hero, calling himself "Lefty Wilbury" after Lefty Frizzell. Expanding on the concept of a traveling band of raucous musicians, Orbison offered a quote about the group's foundation in honor: "Some people say Daddy was a cad and a bounder. I remember him as a Baptist minister."

Lynne later spoke of the recording sessions: "Everybody just sat there going, 'Wow, it's Roy Orbison!'... [E]ven though he's become your pal and you're hanging out and having a laugh and going to dinner, as soon as he gets behind that mike and he's doing his business, suddenly it's shudder time." Orbison was given one solo track on the album titled "Not Alone Anymore". His contributions were highly praised by the press. Traveling Wilburys Vol. 1 spent 53 weeks on the U.S. charts, peaking at No. 3. It hit No. 1 in Australia and topped out at No. 16 in the UK. The LP won a Grammy for Best Rock Performance by a Duo or Group.

Orbison was in high demand for concerts and interviews once again, and was thrilled about it. He began writing songs and collaborating with many musicians from his past and newer fans to develop a solo album titled Mystery Girl. U2's lead singer Bono had become aware of Orbison when he saw Blue Velvet and, with The Edge wrote "She's a Mystery to Me" for him.

Mystery Girl was produced by Jeff Lynne, whom Orbison considered the best producer he had ever worked with, while Bono, Elvis Costello, Orbison's son Wesley and others offered their songs to him. The biggest hit from the album was "You Got It", written by Lynne and Tom Petty. It posthumously rose to No. 9 in the U.S. and No. 3 in the UK. He lost some weight to fit his new image and the constant demand of touring, as well as the newer demands of making videos. In November 1988 Mystery Girl was completed and Traveling Wilburys Vol. 1 was rising up the charts. Orbison went to Europe where he was presented with an award and played a show in Antwerp where footage for the video for "You Got It" was filmed. He gave multiple interviews a day in a hectic schedule. A few days later a manager at a club in Boston was concerned that he looked ill, but Orbison played the show to another standing ovation. Finally, exhausted, he returned to his home in Hendersonville to rest for a few days before flying again to London to film two more videos for the Traveling Wilburys. On December 6, 1988, he spent the day flying model airplanes with his sons. After having dinner at his mother's home in Tennessee, Orbison died of a heart attack.

Orbison's death was an international news event. Author Peter Lehman suggests that had he died in the 1970s when his career was in the doldrums, it might have earned a minor mention in the obituary section of the newspaper. However, the response to his death reflected just how popular Orbison had again become. The Nashville Banner put it on the front page across six columns. It also made the front page of the New York Times. The tabloid The National Enquirer suggested on its cover that he had worked himself to death. A memorial was held in Nashville, and another in Los Angeles; he was buried at Westwood Village Memorial Park Cemetery. In January 1989 Orbison became the first musician since Elvis Presley to have two albums in the Top Five at the same time.

Style and influence

Although Orbison is counted as a rock and roll pioneer, and has been cited by numerous critics as one of the genre's most influential musicians, his style was noted for how it departed from the norm. Rock and roll in the 1950s was defined by a driving backbeat, heavy guitars, and lyrical themes that glorified youthful rebellion. However, very little of what Orbison recorded met these characteristics. The structure and themes of his songs defied convention, and his much-praised voice and performance style were unlike any other in rock and roll. Many of his contemporaries compared his music with that of classically trained musicians, although Orbison never mentioned any classical music influences. Author Peter Lehman summarized it, writing, "He achieved what he did not by copying classical music but by creating a unique form of popular music that drew upon a wide variety of music popular during his youth".

Structure of songs

U2 frontman Bono holds Orbison as a standard in musical creativity, commenting in 1999, "The thing people don't talk about enough as far as I'm concerned is how innovative this music was, how radical in terms of its songwriting. As I become more interested in songwriting, you hit a wall where Roy Orbison is standing." Music critic Dave Marsh also wrote that these compositions "define a world unto themselves more completely than any other body of work in pop music". Orbison's music, like the man himself, has been described as timeless, diverting from contemporary rock and roll and bordering on the eccentric, within a hair's breadth of being weird. New York Times writer Peter Watrous declared in a concert review: "He has perfected an odd vision of popular music, one in which eccentricity and imagination beat back all the pressures toward conformity"

In the 1960s, Orbison refused to splice edits of songs together, and insisted in recording them in single takes with all the instruments and singers together. The only convention Orbison followed in his most popular songs is the time limit for radio fare in pop songs. Otherwise, each seems to follow a separate structure. Using rhyme schemes for verses and choruses, normal pop songs followed the verse-chorus-verse-chorus-bridge-verse-chorus structure. Where A represents the first verse and B represents the chorus, most pop songs can be represented by A-B-A-B-C-A-B, like "Ooby Dooby" and "Claudette". Orbison's "In Dreams" was a song in seven movements that can be represented as Intro-A-B-C-D-E-F; no sections are repeated. In "Running Scared", however, the entire song repeats to build suspense to a final climax, to be represented as A-A-A-A-B. "Crying" is more complex, changing parts toward the end to be represented as A-B-C-D-E-F-A-B modified, C modified, D modified, E modified, F modified. Although Orbison recorded and wrote standard structure songs before "Only the Lonely", he claimed never to have learned how to write them:

"I'm sure we had to study composition or something like that at school, and they'd say 'This is the way you do it,' and that's the way I would have done it, so being blessed again with not knowing what was wrong or what was right, I went on my own way....So the structure sometimes has the chorus at the end of the song, and sometimes there is no chorus, it just goes...But that's always after the fact—as I'm writing, it all sounds natural and in sequence to me."

Elton John's writing partner Bernie Taupin wrote that Orbison's songs always made "radical left turns", and k. d. lang declared that good songwriting comes from being constantly surprised, such as how the entirety of "Running Scared" eventually depends on the final note, one word. Some of the musicians who worked with Orbison were confounded by what he asked them to do. Session guitarist Jerry Kennedy stated, "Roy went against the grain. The first time you'd hear something, it wouldn't sound right. But after a few playbacks, it would start to grow on you."

In 1990, Colin Escott wrote an introduction to Orbison's biography published in a CD box set: "Orbison was the master of compression. Working the singles era, he could relate a short story, or establish a mood in under three minutes. If you think that's easy — try it. His greatest recordings were quite simply perfect; not a word or note surplus to intention." Carl Perkins, however, toured with Orbison while they were both signed with Sun Records and recalled a specific concert when Orbison covered the Nelson Eddy and Jeannette MacDonald standard "Indian Love Call", and had the audience completely silenced, in awe. Bruce Springsteen and Billy Joel both commented on the otherworldly quality of Orbison's voice; a particularly poetic comparison was Dwight Yoakam's, who stated that Orbison's voice sounded like "the cry of an angel falling backward through an open window". Barry Gibb of The Bee Gees went further to say that when he heard "Crying" for the first time, "That was it. To me that was the voice of God."

Bob Dylan marked Orbison as a specific influence, remarking that there was nothing like him on radio in the early 1960s:

With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop. [After "Ooby Dooby"] (h)e was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal... His voice could jar a corpse, always leave you muttering to yourself something like, 'Man, I don't believe it'.

Orbison's severe stage fright was particularly noticeable in the 1970s and early 1980s. During the first few songs in a concert, the vibrato in his voice was almost uncontrollable, but afterwards, it became stronger and more dependable. This also happened with age. Orbison noticed that he was unable to control the tremor in the late afternoon and evenings, and chose to record in the mornings when it was possible.

Performance

Orbison often excused his motionless performances by saying that his songs did not allow instrumental sections so he could move or dance on stage, although songs like "Mean Woman Blues" did offer that. He was aware of his unique performance style even in the early 1960s when he commented, "I'm not a super personality—on stage or off. I mean, you could put workers like Chubby Checker or Bobby Rydell in second-rate shows and they'd still shine through, but not me. I'd have to be prepared. People come to hear my music, my songs. That's what I have to give them."

k. d. lang compared Orbison to a tree, with passive but solid beauty. This image of Orbison as immovable was so associated with him it was parodied by John Belushi on Saturday Night Live, as Belushi dressed as Orbison falls over while singing "Oh, Pretty Woman", and continues to play as his bandmates set him upright again.

Discography

Honors

Grammys In 2009, Orbison was announced as one of the 2010 honorees to have their names added to the Hollywood Walk of Fame. He received his star posthumously on Friday January 29, 2010.

See also

Video and televised feature performances:

1972: Roy Orbison - Live from Australia

1982: Live at Austin City Limits

1987: Roy Orbison and Friends, A Black and White Night

1999: In Dreams: The Roy Orbison Story

Notes

Citations

Bibliography

Amburn, Ellis (1990). Dark Star: The Roy Orbison Story, Carol Publishing Group. ISBN 081840518X

Brown, Tony; Kutner, Jon; Warwick, Neil (2000). Complete Book of the British Charts: Singles & Albums, Omnibus. ISBN 0711976708

Clayson, Alan (1989). Only the Lonely: Roy Orbison's Life and Legacy, St. Martin's Press. ISBN 0312039611

Clayton, Lawrence and Sprecht, Joe, (eds.) (2003). The Roots of Texas Music, Texas A&M; University Press. ISBN 1585449970

Creswell, Toby (2006). 1001 Songs: The Greatest Songs of All Time and the Artists, Stories, and Secrets Behind Them, Thunder's Mouth Press. ISBN 1560259159

Lehman, Peter (2003). Roy Orbison: The Invention of An Alternative Rock Masculinity, Temple University Press. ISBN 1592130372

Whitburn, Joel (2004). The Billboard Book of Top 40 Hits, Billboard Books. ISBN 0823074994

External links

Roy Orbison website

CMT's tribute to Orbison Contains a music video section that contains the entire "Diamond Career Awards" from 11-18-88, and also several rare videos "Heartbreak Radio" and "Walk On"

Roy Orbison: The Big O life story by Marie Claire Magazine Australia

Daily Telegraph article by Julian Lloyd Webber

The White Book – The Beatles, the Bands, the Biz: An Insider's Look at an Era

1975 Roy Orbison private phone interview with Ronnie Allen (researcher for Casey Kasem)

Category:People from Vernon, Texas Category:People from Winkler County, Texas Category:American male singers Category:American rock singers Category:Rock and Roll Hall of Fame inductees Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Traveling Wilburys members Category:Winkler County, Texas Category:Wilbarger County, Texas Category:Songwriters Hall of Fame inductees Category:Rockabilly Hall of Fame inductees Category:Mercury Records artists Category:RCA Victor artists Category:Deaths from myocardial infarction Category:University of North Texas alumni Category:1936 births Category:1988 deaths

Name	Luciano Pavarotti
Caption	Luciano Pavarotti performing at the opening of the Constantine Palace in Strelna, 31 May 2003. The concert was part of the celebrations for the 300th anniversary of St. Petersburg.
Birth date	October 12, 1935
Birth place	Modena, Italy
Death date	September 06, 2007
Death place	Modena, Italy
Nationality	Italian
Occupation	Opera singer (tenor)
Years active	1961–2006
Signature	Luciano Pavarotti Signature.svg
Website	www.lucianopavarotti.com

Luciano Pavarotti, Cavaliere di Gran Croce OMRI (12 October 19356 September 2007) was an Italian operatic tenor, who also crossed over into popular music, eventually becoming one of the most commercially successful tenors of all time. He made numerous recordings of complete operas and individual arias, and established himself as one of the finest tenors of the 20th century. He was one of "The Three Tenors" and became well-known for his televised concerts and media appearances. Pavarotti was also noted for his charity work on behalf of refugees and the Red Cross, amongst others.

Pavarotti began his professional career as a tenor in 1961 in Italy. In 1961, he made his first international appearance in La traviata in Belgrade, Yugoslavia. He sang in opera houses in addition to Italy, in the Netherlands, Vienna, London, Ankara, Budapest and Barcelona. The young tenor earned valuable experience and recognition while touring Australia at the invitation of soprano Joan Sutherland in 1965. He made his United States debut in Miami soon afterwards, also on Sutherland's recommendation. His position as a leading lyric tenor was consolidated in the years between 1966 and 1972, during which time he first appeared at Milan's La Scala and other major European houses. In 1968, he debuted at New York City's Metropolitan Opera as Rudolfo in Puccini's La bohème. At the Met in 1972, in the role of Tonio in Donizetti's La fille du régiment he earned the title "King of the high Cs" when he sang the aria "Ah mes amis ... pour mon âme". He gained worldwide fame for the brilliance and beauty of his tone, especially into the upper register. He was at his best in bel canto operas, pre-Aida Verdi roles and Puccini works such as La bohème, Tosca and Madama Butterfly. The late 1970s and 1980s saw Pavarotti continue to make significant appearances in the world's foremost opera houses.

Celebrity beyond the world of opera came to Pavarotti at the 1990 World Cup in Italy with performances of Puccini's "Nessun dorma", from Turandot, and as one of "The Three Tenors" in their famed first concert held on the eve of the tournament's final match. He sang on that occasion with fellow star tenors Plácido Domingo and José Carreras, bringing opera highlights to a wider audience. Appearances in advertisements and with pop icons in concerts furthered his international celebrity.

His final performance in an opera was at the Metropolitan Opera in March 2004. Later that year, the National Italian American Foundation (NIAF) inducted him into its Italian American Hall of Fame in recognition of his lifetime of work. During a ceremony held at the Foundation's Anniversary Gala just four days after his 69th birthday, singer Faith Hill presented Pavarotti with a birthday cake and sang "Happy Birthday" to the opera legend.

The 2006 Winter Olympics in Turin, Italy, saw Pavarotti on stage for the last time, where he performed "Nessun dorma", with the crowd serving as the aria's chorus, and he received a thunderous standing ovation.

On 6 September 2007, he died at home in Modena from pancreatic cancer, aged 71.

Earlier life and musical training

Luciano Pavarotti was born in 1935 on the outskirts of Modena in Northern Italy, the son of Fernando Pavarotti, a baker and amateur tenor, and Adele Venturi, a cigar factory worker. Although he spoke fondly of his childhood, the family had little money; its four members were crowded into a two-room apartment. According to Pavarotti, his father had a fine tenor voice but rejected the possibility of a singing career because of nervousness. World War II forced the family out of the city in 1943. For the following year they rented a single room from a farmer in the neighbouring countryside, where the young Pavarotti developed an interest in farming.

After abandoning the dream of becoming a football goalkeeper, Pavarotti spent seven years in vocal training. Pavarotti's earliest musical influences were his father's recordings, most of them featuring the popular tenors of the day - Beniamino Gigli, Giovanni Martinelli, Tito Schipa and Enrico Caruso. Pavarotti's favourite tenor and idol was Giuseppe Di Stefano. He was also deeply influenced by Mario Lanza, saying, "In my teens I used to go to Mario Lanza movies and then come home and imitate him in the mirror". At around the age of nine he began singing with his father in a small local church choir.

After what appears to have been a normal childhood with a typical interest in sports — in Pavarotti's case football above all, he graduated from the Scuola Magistrale and faced the dilemma of a career choice. He was interested in pursuing a career as a professional football goalkeeper, but his mother convinced him to train as a teacher. He subsequently taught in an elementary school for two years but finally allowed his interest in music to win out. Recognising the risk involved, his father gave his consent only reluctantly.

Pavarotti began the serious study of music in 1954 at the age of 19 with Arrigo Pola, a respected teacher and professional tenor in Modena who offered to teach him without remuneration. Not until he began these studies was Pavarotti aware that he had perfect pitch.

In 1955, he experienced his first singing success when he was a member of the Corale Rossini, a male voice choir from Modena that also included his father, which won first prize at the International Eisteddfod in Llangollen, Wales. He later said that this was the most important experience of his life, and that it inspired him to become a professional singer. At about this time Pavarotti first met Adua Veroni. They married in 1961.

When his teacher Arrigo Pola moved to Japan, Pavarotti became a student of Ettore Campogalliani, who at that time was also teaching Pavarotti's childhood friend, Mirella Freni, whose mother worked with Luciano's mother in the cigar factory. Like Pavarotti, Freni was destined to operatic greatness; they were to share the stage many times and make memorable recordings together.

During his years of musical study, Pavarotti held part time jobs in order to sustain himself - first as an elementary school teacher and then as an insurance salesman. The first six years of study resulted in only a few recitals, all in small towns and without pay. When a nodule developed on his vocal cords, causing a "disastrous" concert in Ferrara, he decided to give up singing. Pavarotti attributed his immediate improvement to the psychological release connected with this decision. Whatever the reason, the nodule not only disappeared but, as he related in his autobiography, "Everything I had learned came together with my natural voice to make the sound I had been struggling so hard to achieve".

Career

1960s–1970s

Pavarotti began his career as a tenor in smaller regional Italian opera houses, making his debut as Rodolfo in La Bohème at the Teatro Municipale in Reggio Emilia in April 1961.

Very early in his career, on 23 February 1963, he debuted at the Vienna State Opera with the same role. In March and April 1963 Vienna saw Pavarotti again as Rodolfo and as Duca di Mantova in Rigoletto. The same year saw his Royal Opera House debut, where he replaced an indisposed Giuseppe di Stefano as Rodolfo.

While generally successful, Pavarotti's early roles did not immediately propel him into the stardom that he would later enjoy. An early coup involved his connection with Joan Sutherland (and her conductor husband, Richard Bonynge), who in 1963 had sought a young tenor taller than herself to take along on her tour to Australia. At well over 6 feet tall and with his commanding physical presence, Pavarotti proved ideal. The two sang some forty performances over two months, and Pavarotti later credited Sutherland for the breathing technique that would sustain him over his career.

Pavarotti made his American début with the Greater Miami Opera in February 1965, singing in Donizetti's Lucia di Lammermoor opposite Joan Sutherland on the stage of the Miami-Dade County Auditorium in Miami. The tenor scheduled to perform that night became ill with no understudy. As Sutherland was traveling with him on tour, she recommended the young Pavarotti as he was well acquainted with the role.

Shortly after, on 28 April, Pavarotti made his La Scala debut in the revival of the famous Franco Zeffirelli production of La Bohème, with his childhood friend Mirella Freni singing Mimi and Herbert von Karajan conducting. Karajan had requested the singer's engagement. After an extended Australian tour, he returned to La Scala, where he added Tebaldo from I Capuleti e i Montecchi to his repertoire on 26 March 1966, with Giacomo Aragall as Romeo. His first appearance as Tonio in Donizetti's La Fille du Régiment took place at the Royal Opera House, Covent Garden on 2 June of that year. It was his performances of this role that would earn him the title of "King of the High Cs".

He scored another major triumph in Rome on 20 November 1969 when he sang in I Lombardi opposite Renata Scotto. This was recorded on a private label and widely distributed, as were various recordings of his I Capuleti e i Montecchi, usually with Aragall. Early commercial recordings included a recital of Donizetti (the aria from Don Sebastiano was particularly highly regarded) and Verdi arias, as well as a complete L'Elisir d'Amore with Sutherland.

His major breakthrough in the United States came on 17 February 1972, in a production of La Fille du Régiment at New York's Metropolitan Opera, in which he drove the crowd into a frenzy with his nine effortless high Cs in the signature aria. He achieved a record seventeen curtain calls.

Pavarotti sang his international recital début at William Jewell College in Liberty, Missouri, on 1 February 1973, as part of the college's Fine Arts Program, now known as the Harriman-Jewell Series. Perspiring due to nerves and a lingering cold, the tenor clutched a handkerchief throughout the début. The prop became a signature part of his solo performances.

He began to give frequent television performances, starting with his performances as Rodolfo (La Bohème) in the first Live from the Met telecast in March 1977, which attracted one of the largest audiences ever for a televised opera. He won many Grammy awards and platinum and gold discs for his performances. In addition to the previously listed titles, his La Favorita with Fiorenza Cossotto and his I Puritani (1975) with Sutherland stand out.

In 1976, Pavarotti debuted at the Salzburg Festival, appearing in a solo recital on 31 July, accompanied by pianist Leone Magiera. Pavarotti returned to the festival in 1978 with a recital and as the Italian singer in Der Rosenkavalier, in 1983 with Idomeneo, and both in 1985 and 1988 with solo recitals.

In 1979, he was profiled in a cover story in the weekly magazine Time. That same year saw Pavarotti's return to the Vienna State Opera after an absence of fourteen years. With Herbert von Karajan conducting, Pavarotti sang Manrico in Il Trovatore. In 1978, he appeared in a solo recital on Live from Lincoln Center.

1980s–1990s

At the beginning of the 1980s, he set up The Pavarotti International Voice Competition for young singers, performing with the winners in 1982 in excerpts of La Bohème and L'Elisir d'Amore. The second competition, in 1986, staged excerpts of La Bohème and Un Ballo in Maschera. To celebrate the 25th anniversary of his career, he brought the winners of the competition to Italy for gala performances of La Bohème in Modena and Genoa, and then to China where they staged performances of La Bohème in Beijing (Peking). To conclude the visit, Pavarotti performed the first ever concert in the Great Hall of the People before 10,000 people, receiving a standing ovation for nine effortless high Cs. The third competition in 1989 again staged performances of L'Elisir d'Amore and Un ballo in Maschera. The winners of the fifth competition accompanied Pavarotti in performances in Philadelphia in 1997.

In the mid-1980s, Pavarotti returned to two opera houses that had provided him with important breakthroughs, the Vienna State Opera and La Scala. Vienna saw Pavarotti as Rodolfo in La Bohème with Carlos Kleiber conducting and again Mirella Freni was Mimi; as Nemorino in L'Elisir d'Amore; as Radames in Aïda conducted by Lorin Maazel; as Rodolfo in Luisa Miller; and as Gustavo in Un Ballo in Maschera conducted by Claudio Abbado. In 1996, Pavarotti appeared for the last time at the Staatsoper in Andrea Chenier.

In 1985, Pavarotti sang Radames at La Scala opposite Maria Chiara in a Luca Ronconi production conducted by Maazel, recorded on video. His performance of the aria "Celeste Aïda" received a two-minute ovation on the opening night. He was reunited with Mirella Freni for the San Francisco Opera production of La Bohème in 1988, also recorded on video. In 1992, La Scala saw Pavarotti in a new Zeffirelli production of Don Carlo, conducted by Riccardo Muti. Pavarotti's performance was heavily criticized by some observers and booed by parts of the audience.

Pavarotti became even better known throughout the world in 1990 when his rendition of Giacomo Puccini's aria, "Nessun Dorma" from Turandot was taken as the theme song of BBC's TV coverage of the 1990 FIFA World Cup in Italy. The aria achieved pop status and remained his trademark song. This was followed by the hugely successful Three Tenors concert, held on the eve of the World Cup final at the ancient Baths of Caracalla in Rome with fellow tenors Plácido Domingo and José Carreras and conductor Zubin Mehta, which became the biggest selling classical record of all time. A highlight of the concert, in which Pavarotti hammed up a famous portion of di Capua's "O Sole Mio" and was mimicked by Domingo and Carreras to the delight of the audience, became one of the most memorable moments in contemporary operatic history. Throughout the 1990s, Pavarotti appeared in many well-attended outdoor concerts, including his televised concert in London's Hyde Park, which drew a record attendance of 150,000. In June 1993, more than 500,000 listeners gathered for his free performance on the Great Lawn of New York's Central Park, while millions more around the world watched on television. The following September, in the shadow of the Eiffel Tower in Paris, he sang for an estimated crowd of 300,000. Following on from the original 1990 concert, the Three Tenors concerts were held during the Football World Cups: in Los Angeles in 1994, in Paris in 1998, and in Yokohama in 2002.

In 1995, Pavarotti's friends, the singer Lara Saint Paul (as Lara Cariaggi) and her husband showman Pier Quinto Cariaggi, who had produced and organised Pavarotti's 1990 FIFA World Cup Celebration Concert at the PalaTrussardi in Milan, produced and wrote the television documentary The Best is Yet to Come, an extensive biography about the life of Pavarotti. Lara Saint Paul was the interviewer for the documentary with Pavarotti, who spoke candidly about his life and career.

Pavarotti's rise to stardom was not without occasional difficulties, however. He earned a reputation as "The King of Cancellations" by frequently backing out of performances, and his unreliable nature led to poor relationships with some opera houses. This was brought into focus in 1989 when Ardis Krainik of the Lyric Opera of Chicago severed the house's 15-year relationship with the tenor. Over an eight-year period, Pavarotti had cancelled 26 out of 41 scheduled appearances at the Lyric, and the decisive move by Krainik to ban him for life was well-noted throughout the opera world, after the performer walked away from a season premiere less than two weeks before rehearsals began, saying pain from a sciatic nerve required two months of treatment.

On 12 December 1998, he became the first (and, to date, only) opera singer to perform on Saturday Night Live, singing alongside Vanessa L. Williams. He also sang with U2, in the band's 1995 song "Miss Sarajevo", and with Mercedes Sosa in a big concert at the Boca Juniors arena La Bombonera in Buenos Aires, Argentina in 1999.

In 1998, Pavarotti was presented with the Grammy Legend Award. Given only on special occasions, as of 2007 it has only been awarded 15 times since its first presentation in 1990.

2000s

in Marseille]] In 2004, one of Pavarotti's former managers, Herbert Breslin, published a book, The King & I. and another for the best-selling classical album (In Concert by The Three Tenors). (The latter record is thus shared by fellow tenors Plácido Domingo and José Carreras.)

In late 2003, he released his final compilation - and his first and only "crossover" album, Ti Adoro. Most of the 13 songs were written and produced by the Michele Centonze who had already helped produce the "Pavarotti and Friends" concerts between 1998 and 2000. The tenor described the album as a wedding gift to Nicoletta Mantovani.

Pavarotti began his farewell tour in 2004, at the age of 69, performing one last time in old and new locations, after more than four decades on the stage. Pavarotti gave his last performance in an opera at the New York Metropolitan Opera on 13 March 2004, for which he received a long standing ovation for his role as the painter Mario Cavaradossi in Giacomo Puccini's Tosca. On 1 December 2004, he announced a 40-city farewell tour. Pavarotti and his manager, Terri Robson, commissioned impresario Harvey Goldsmith to produce the Worldwide Farewell Tour. His last full-scale performance was at the end of a two-month Australasian tour in Taiwan, in December 2005.

In March 2005, Pavarotti underwent neck surgery to repair two vertebrae. In early 2006, he underwent further back surgery and contracted an infection while in the hospital in New York, forcing cancellation of concerts in the U.S., Canada and the UK.

On 10 February 2006, Pavarotti sang "Nessun Dorma" at the 2006 Winter Olympics opening ceremony in Turin, Italy at his final performance. In the last act of the opening ceremony, his performance received the longest and loudest ovation of the night from the international crowd. Leone Magiera, who directed the performance, revealed in his 2008 memoirs, Pavarotti Visto da Vicino, that the performance was prerecorded weeks earlier. "The orchestra pretended to play for the audience, I pretended to conduct and Luciano pretended to sing. The effect was wonderful," he wrote. Pavarotti's manager, Terri Robson, said that the tenor had turned the Winter Olympic Committee's invitation down several times because it would have been impossible to sing late at night in the sub-zero conditions of Turin in February. The committee eventually persuaded him to take part by pre-recording the song.

Other work

Film and television

Pavarotti's one venture into film, a romantic comedy called Yes, Giorgio (1982), was roundly panned by the critics. He can be seen to better advantage in Jean-Pierre Ponnelle's adaptation of Rigoletto for television, released that same year, or in his more than 20 live opera performances taped for television between 1978 and 1994, most of them with the Metropolitan Opera, and most available on DVD.

Humanitarianism

Pavarotti annually hosted the "Pavarotti and Friends" charity concerts in his home town of Modena in Italy, joining with singers from all parts of the music industry, including Bryan Adams, Bono, Mariah Carey, Eric Clapton, Sheryl Crow, Céline Dion, Elton John, Deep Purple, Queen, Sting, the Spice Girls, and Jon Bon Jovi, to raise money for several UN causes. Concerts were held for War Child, and victims of war and civil unrest in Bosnia, Guatemala, Kosovo and Iraq. After the war in Bosnia, he financed and established the Pavarotti Music Centre in the southern city of Mostar to offer Bosnia's artists the opportunity to develop their skills. For these contributions, the city of Sarajevo named him an honorary citizen in 2006.

He performed at benefit concerts to raise money for victims of tragedies such as the Spitak earthquake that killed 25,000 people in northern Armenia in December 1988, and sang Gounod's Ave Maria with legendary French pop music star and ethnic Armenian Charles Aznavour.

He was a close friend of Diana, Princess of Wales. They raised money for the elimination of land mines worldwide. He was invited to sing at her funeral service, but declined to sing, as he felt he could not sing well "with his grief in his throat". Nonetheless, he attended the service.

In 1998, he was appointed the United Nations Messenger of Peace, using his fame to raise awareness of UN issues, including the Millennium Development Goals, HIV/AIDS, child rights, urban slums and poverty.

In 1999, Pavarotti performed a charity benefit concert in Beirut, to mark Lebanon's reemergence on the world stage after a brutal 15 year civil war. The largest concert held in Beirut since the end of the war, it was attended by 20,000 people who travelled from countries as distant as Saudi Arabia and Bulgaria.

In 2001, Pavarotti received the Nansen Medal from the UN High Commission for Refugees for his efforts raising money on behalf of refugees worldwide. Through benefit concerts and volunteer work, he has raised more than any other individual.

Other honours he received include the "Freedom of London Award" and The Red Cross "Award for Services to Humanity", for his work in raising money for that organization, and the 1998 "MusiCares Person of the Year", given to humanitarian heroes by the National Academy of Recording Arts and Sciences.

He was a National Patron of Delta Omicron, an international professional music fraternity.

Death

While undertaking an international "farewell tour", Pavarotti was diagnosed with pancreatic cancer in July 2006. The tenor fought back against the implications of this diagnosis, undergoing major abdominal surgery and making plans for the resumption and conclusion of his singing commitments. On Thursday 6 September 2007, he died at home in Modena, aged 71. Within hours of his death his manager, Terri Robson, noted in an e-mail statement, "The Maestro fought a long, tough battle against the pancreatic cancer which eventually took his life. In fitting with the approach that characterized his life and work, he remained positive until finally succumbing to the last stages of his illness".

According to several reports, just before he died, the singer had received both the sacraments of Penance and Anointing of the Sick from the Roman Catholic Church.

Pavarotti's funeral was held in Modena Cathedral. Romano Prodi and Kofi Annan attended. The Frecce Tricolori, the aerobatic demonstration team of the Italian Air Force, flew overhead, leaving green-white-red smoke trails. After a funeral procession through the centre of Modena, Pavarotti's coffin was taken the final ten kilometres to Montale Rangone, a village part of Castelnuovo Rangone, and interred in his parents' grave. The funeral, in its entirety, was also telecast live on CNN. The Vienna State Opera and the Salzburg Festival Hall flew black flags in mourning. Tributes were published by many opera houses, such as London's Royal Opera House. The Italian football giant Juventus F.C., of which Pavarotti was a lifelong fan, was represented at the funeral and posted a farewell message on its website which said: "Ciao Luciano, black-and-white heart" referring to the team's famous stripes when they play on their home ground.

Tributes

On 12 October 2007, on what would have been Pavarotti's 72nd birthday, Google exhibited a logo using a cartoon of Pavarotti as the letter "L" in its name.

A tribute concert featuring many performers trained by Pavarotti himself was held on February 14, 2008 at New York City's Avery Fisher Hall.

Personal life

On 13 December 2003 he married his former personal assistant, Nicoletta Mantovani, with whom he already had a daughter, Alice. A second child, Riccardo, did not survive, because of complications at the time of birth in January 2003. Pavarotti is also survived by three other daughters by his first wife Adua, to whom he was married for 34 years: Lorenza, Cristina and Giuliana. At the time of his death, he had one granddaughter.

Settlement of estate

His first will was opened the day after his death and a second will, within the same month of September. He left an estate outside his native Modena, a villa in Pesaro, a flat in Monte Carlo and three flats in New York City.

Pavarotti's widow's lawyers Giorgio Bernini, Anna Maria Bernini and manager Terri Robson announced on 30 June 2008 that his family amicably settled his estate – 300 million euros ($ 474.2 million, including $15 million in U.S. assets). Pavarotti drafted two wills before his death: one divided his assets by Italian law, giving half to his second wife, Nicoletta Mantovani, and half to his four daughters; the second gave his U.S. holdings to Mantovani. The judge confirmed the compromise by the end of July 2008. However, a Pesaro public prosecutor, Massimo di Patria, investigated allegations that Pavarotti was not of sound mind when he signed the will. Pavarotti's estate has been settled "fairly", a lawyer for Pavarotti's widow, Nicoletta Mantovani, said in statements after reports of a dispute between Ms. Mantovani and his three daughters from his first marriage.

Quote

Pavarotti himself summarised his life as follows:

"Penso che una vita per la musica sia una vita spesa bene ed è a questo che mi sono dedicato."

English translation: "I think a life for music is a well-spent one, and that's what I have dedicated mine to."

See also

Best selling music artists

Notes and references

External links

Official website

Discography at Discogs.com

Discography (Capon's Lists of Opera Recordings)

The Times obituary

Review of The King and I at theage.com.au

Luciano Pavarotti, Opera Tenor Site

Luciano Pavarotti- Obituary and Public Tribute

The Pavarotti Story

Pavarotti Video Biography by National Italian American Foundation NIAF

One of the absolutely last recordings of Luciano Pavarotti

Torino 2006 Olympic Winter Games Finale

History of the Tenor - Sound Clips and Narration

Category:1935 births Category:2007 deaths Category:Cancer deaths in Italy Category:Deaths from pancreatic cancer Category:Grammy Award winners Category:Italian opera singers Category:Italian Roman Catholics Category:Italian tenors Category:Kennedy Center honorees Category:Operatic tenors Category:People from Modena

Name	Lou Reed
Landscape	yes
Background	solo_singer
Birth name	Lewis Allan Reed
Born	March 02, 1942Brooklyn, New YorkUnited States
Instrument	Vocals, guitar, bass, synthesizer, mellotron, keyboard, piano, harmonica
Genre	Rock, glam rock, art rock, experimental rock, protopunk, noise music, drone music
Occupation	Musician, Songwriter, producer, photographer
Years active	1965–present
Label	Matador, MGM, RCA, Sire, Reprise, Warner Bros.
Associated acts	The Velvet Underground, John Cale, Nico, David Bowie, Mick Ronson, Gorillaz, Laurie Anderson
Url	www.loureed.com

Lewis Allan "Lou" Reed (born March 2, 1942) is an American rock musician, songwriter, and photographer. He is best known as guitarist, vocalist, and principal songwriter of The Velvet Underground, and for his successful solo career, which spans several decades and crosses multiple genres. The Velvet Underground gained little mainstream attention during their career, but became one of the most influential bands of their era. As the Velvet Underground's main songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including a variety of sexual topics and drug culture.

After his departure from the group, Reed began a solo career in 1971. He had a hit the following year with "Walk on the Wild Side", although for more than a decade he evaded the mainstream commercial success its chart status offered him. Reed's work as a solo artist has frustrated critics wishing for a return of The Velvet Underground. The most notable example is 1975's infamous double LP of recorded feedback loops, Metal Machine Music, upon which Reed later commented: "No one is supposed to be able to do a thing like that and survive." He is also responsible for the name and popularization of ostrich tuning.

By the late 1980s, however, he had garnered recognition by the music community as an elder statesman of rock. Since 2008, he has been married to musician, multimedia and performance artist Laurie Anderson.

Early life

Reed was born into a Jewish family at Beth El Hospital in Brooklyn and grew up in Freeport, Long Island. Contrary to some sources, his birth name was Lewis Allan Reed, not Louis Firbanks (that name was a joke started by Lester Bangs for Creem magazine). Having learned to play the guitar from the radio, he developed an early interest in rock and roll and rhythm and blues, and during high school played in a number of bands. His first recording was as a member of a doo wop-style group called The Jades.

Reed received electroconvulsive therapy in his teen years to "cure" homosexual behavior; he wrote about the experience in his 1974 song, "Kill Your Sons". In an interview, Reed said of the experience:

Reed began attending Syracuse University in the fall of 1960, studying journalism, film directing, and creative writing before finding his true calling when he began hosting a late-night radio program on WAER called "Excursions On A Wobbly Rail". Many of Reed's guitar techniques, such as the guitar-drum roll, were inspired by jazz saxophonists, notably Ornette Coleman. Reed graduated from the Syracuse College of Arts and Sciences with a B.A. in June 1964. In 1982, Reed recorded "My House" as a tribute to his late mentor: "My Dedalus to your Bloom was such a perfect wit." He said later his goals as a writer were "to bring the sensitivities of the novel to rock music" or to write the Great American Novel in a record album.

Career

Staff songwriter at Pickwick Records

In 1963, Reed moved to New York City, and began working as an in-house songwriter for Pickwick Records. In 1964, he scored a minor hit with the single "The Ostrich", a parodic novelty song of popular "dance songs" such as "The Twist" that included lines such as "put your head on the floor and have somebody step on it." His employers had felt the song had hit potential, and arranged for a band to be assembled around Reed to promote the recording. The ad hoc group, called The Primitives, included Welsh musician John Cale, who had recently moved to New York to study music and was playing viola in composer La Monte Young's Theater of Eternal Music along with Tony Conrad. Cale and Conrad were both surprised to find that for "The Ostrich" Reed tuned each string of his guitar to the same note. This technique created a drone effect similar to their experimentation in Young's avant garde ensemble. Disappointed with Reed's performance, Cale was nevertheless impressed by Reed's early repertoire (including "Heroin"), and a partnership began to evolve.

The Velvet Underground

Reed and Cale lived together on the Lower East Side, and, adding Reed's college acquaintances guitarist Sterling Morrison and drummer Maureen Tucker to the group, they formed The Velvet Underground. Though internally unstable (Cale left in 1968; Reed in 1970) and never achieving significant commercial success, the band has a long-standing reputation as one of the most influential bands in rock history.

The group caught the attention of notable artist Andy Warhol, who raised their profile immeasurably, if not improving their immediate fortunes. One of Warhol's first contributions to the band's success was securing them a steady spot as the house band at his studio Factory and for his Exploding Plastic Inevitable events. Warhol's associates inspired many of Reed's songs as he fell into a thriving, multifaceted artistic scene. Reed rarely gives an interview without paying homage to Warhol as a mentor figure. Still, conflict emerged when Warhol had the idea for the group to take on as "chanteuse" the European former model Nico. Reed and the others registered their objection by titling their debut album The Velvet Underground & Nico to imply that Nico was not accepted as a member of the group. Despite his initial resistance, Reed wrote several songs for Nico to sing, and the two were briefly lovers (as were Nico and Cale later). At the time, this album reached #171 on the charts.

Today, however, it is considered one of the most influential rock albums ever produced, influencing glam rock, punk, post punk, gothic rock, shoegazing and more. Rolling Stone has it listed as the 13th-best album of all time. Brian Eno once famously stated that although few people bought the album, most of those who did were inspired to form their own band.

By the time the band recorded White Light/White Heat, Nico had quit and Warhol was fired, both against Cale's wishes. Warhol's replacement as manager, Steve Sesnick, convinced Reed to drive Cale out of the band. Morrison and Tucker were discomfited by Reed's tactics but continued with the group. Cale's replacement was Doug Yule, whom Reed would often facetiously introduce as his younger brother. The group now took on a more pop-oriented sound and acted more as a vehicle for Reed to develop his songwriting craft. The group released two more albums with this line up: 1969's The Velvet Underground and 1970's Loaded. The latter included two of the group's most commercially successful songs, "Rock and Roll" and "Sweet Jane". Reed left the Velvet Underground in August 1970; the band disintegrated as core members Sterling Morrison and Maureen Tucker departed in August 1971 and early 1972, respectively. Yule continued until early 1973, and the band released one more studio album, Squeeze, under the Velvet Underground name.

After the band's move to Atlantic Records' Cotillion label, their new manager pushed Reed to change the subject matter of his songs to lighter topics in hopes of resulting in more accessible and mainstream music. The band's album Loaded had taken more time to record than the previous three albums together and was written and produced to be "loaded with hits", but had not broken the band through to a wider audience. Reed briefly retired to his parents' home on Long Island.

Solo career

1970s

After quitting the Velvet Underground in August 1970, Reed took a job at his father's tax accounting firm as a typist, by his own account earning $40 a week. A year later, however, he signed a recording contract with RCA and recorded his first solo album in London with top session musicians including Steve Howe and Rick Wakeman, members of the progressive rock group Yes. The album, simply titled Lou Reed, contained smoothly produced, re-recorded versions of unreleased Velvet Underground songs, some of which were originally recorded by the Velvets for Loaded but shelved (see the Peel Slowly and See box set). This first solo album was overlooked by most pop music critics (although Stephen Holden in Rolling Stone called it "almost perfect") and it did not sell in significant numbers.

In December 1972, Reed released Transformer. David Bowie and Mick Ronson co-produced the album and introduced Reed to a wider popular audience (specifically in the UK). The hit single "Walk on the Wild Side" was both a salute and swipe at the misfits, hustlers, and transvestites in Andy Warhol's Factory. The song's cleverly transgressive lyrics evaded radio censorship. Though musically somewhat atypical for Reed, it eventually became his signature song. The song came about as a result of his commission to compose a soundtrack to a theatrical adaptation of Nelson Algren's novel of the same name, though the play failed to materialize. Ronson's arrangements brought out new aspects of Reed's songs; "Perfect Day", for example, features delicate strings and soaring dynamics. It was rediscovered in the 1990s and allowed Reed to drop "Walk on the Wild Side" from his concerts.

Though Transformer would prove to be Reed's commercial and critical pinnacle, there was no small amount of resentment in Reed devoted to the shadow the record cast over the rest of his career. A public argument between Bowie and Reed ended their working relationship for several years, though the subject of the argument is not known. The two reconciled some years later, and Reed performed with Bowie at the latter's 50th birthday concert at Madison Square Garden in 1997. The two would not formally collaborate again until 2003's The Raven. Reed followed Transformer with the darker Berlin, which tells the story of two junkies in love in the titular city. The songs variously concern domestic abuse ("Caroline Says I", "Caroline Says II"), drug addiction ("How Do You Think It Feels"), adultery and prostitution ("The Kids"), and suicide ("The Bed").

After Berlin came two albums in 1974, Sally Can't Dance and a live record Rock 'n' Roll Animal, which contained seminal versions of the hit songs "Sweet Jane" and "Heroin".

As he had done with Berlin after Transformer, in 1975 Reed responded to commercial success with a commercial failure, a double album of electronically generated audio feedback, Metal Machine Music. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. But Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also as psychologically disturbing. The album was reportedly returned to stores by the thousands after a few weeks. Though later admitting that the liner notes' list of instruments is fictitious and intended as parody, Reed maintains that MMM was and is a serious album. He has since stated though that at the time he had taken it seriously, he was also "very stoned". In the 2000s it was adapted for orchestral performance by the German ensemble Zeitkratzer.

By contrast, 1975's Coney Island Baby was mainly a warm and mellow album, though for its characters Reed still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, . While Rock and Roll Heart, his 1976 debut for his new record label Arista, fell short of expectations, Street Hassle (1978) was a return to form in the midst of the punk scene he had helped to inspire. But ironically Reed was dismissive of punk and rejected any affiliation with it. "I'm too literate to be into punk rock... The whole CBGB's, new Max's thing that everyone's into and what's going on in London — you don't seriously think I'm responsible for what's mostly rubbish?" The Bells (1979) featured jazz musician Don Cherry, and was followed the following year by Growing Up in Public with guitarist Chuck Hammer. Around this period he also appeared as a sleazy record producer in Paul Simon's film One Trick Pony. Reed also played several unannounced one-off concerts in tiny downtown Manhattan clubs with the likes of Cale, Patti Smith, and David Byrne during this period.

1980s

In 1980, Reed married British designer Sylvia Morales. They were divorced more than a decade later. While together, Morales inspired Reed to write several songs, particularly "Think It Over" from 1980's Growing Up in Public and "Heavenly Arms" from 1982's The Blue Mask. After Legendary Hearts (1983) and New Sensations (1984) fared adequately on the charts, Reed was sufficiently rehabilitated as a public figure to become spokesman for Honda motorcycles.

On September 22, 1985, Reed performed at the first Farm Aid concert in Champaign, Illinois, USA. He performed "Doin' The Things That We Want To", "I Love You, Suzanne", and "New Sensations" from New Sensations, and "Walk on The Wild Side".

In 1986, he joined the Amnesty International A Conspiracy of Hope Tour and was outspoken about New York's political issues and personalities on the 1989 album New York, commenting on crime, AIDS, Jesse Jackson, Kurt Waldheim, and Pope John Paul II.

Following Warhol's death after routine surgery in 1987, Reed again collaborated with John Cale on 1990's Songs for Drella (Drella - Warhol's nickname - is a blend of the words "Dracula" and "Cinderella"). The album marked an end to a 22-year estrangement. The album took the shape of a Warhol biography; on the album, Reed sings of his love for his late friend, but also criticizes both the doctors who were unable to save Warhol's life and Warhol's would-be assassin, Valerie Solanas.

1990s

In 1990, following a 20-year hiatus, the Velvet Underground reformed for a Cartier benefit in France. Reed released his sixteenth solo record, Magic and Loss in 1992, an album about mortality, inspired by the death of two close friends from cancer. In 1993, the Velvet Underground again reunited and toured throughout Europe, although plans for a North American tour were cancelled following another falling out between Reed and Cale. In 1994, Reed appeared in , also known as Daltrey Sings Townshend. This was a two-night concert at Carnegie Hall produced by Roger Daltrey in celebration of his fiftieth birthday. In 1994, a CD and a VHS video were issued, and in 1998 a DVD was released. Reed performed a radically rearranged version of "Now And Then" from Psychoderelict.

In 1996, the Velvet Underground were inducted into the Rock and Roll Hall of Fame. At the induction ceremony, Reed performed a song entitled "Last Night I Said Goodbye to My Friend" alongside former bandmates John Cale and Maureen Tucker, in dedication to Velvet Underground guitarist Sterling Morrison, who had died the previous August. Reed has since been nominated for the Rock Hall as a solo artist twice, in 2000 and 2001, but has not been inducted.

His 1996 album, Set the Twilight Reeling, met with a lukewarm reception, but 2000's Ecstasy drew praise from most critics, including Robert Christgau. In 1996, Reed contributed songs and music to Time Rocker, an avant-garde theatrical interpretation of H.G. Wells' The Time Machine staged by theater director Robert Wilson. The piece premiered in the Thalia Theater in Hamburg, Germany, and was later also shown at the Brooklyn Academy of Music in New York.

In 1998, the PBS TV show, American Masters aired Timothy Greenfield-Sanders' feature documentary Lou Reed: Rock and Roll Heart. This film, which premiered at the Sundance Film Festival in the U.S. and at the Berlin Film Festival in Germany went on to screen at over 50 festivals worldwide. In 1999, the film and Reed as its subject received a Grammy Award for best long form music video.

Since the late 1990s, Reed has been romantically linked to the musician, multi-media and performance artist Laurie Anderson, and the two have collaborated on a number of recordings together. Anderson contributed to "Call On Me" from Reed's project The Raven, to the tracks "Baton Rouge" and "Rock Minuet" from Reed's Ecstasy, and to "Hang On To Your Emotions" from Reed's Set the Twilight Reeling. Reed contributed to "In Our Sleep" from Anderson's Bright Red and to "One Beautiful Evening" from her Life on a String. They were married on April 12, 2008.

2000s

In May 2000, Reed performed before Pope John Paul II at the Great Jubilee Concert in Rome. In 2000, a new collaboration with Robert Wilson called Poe-Try was staged at the Thalia Theater in Germany. As with the previous collaboration Time Rocker, Poe-Try was also inspired by the works of a 19th-century writer: Edgar Allan Poe. Reed became interested in Poe after producer and long-time friend Hal Willner had suggested him to read some of Poe's text at a Halloween benefit he was curating at St. Ann's Episcopal Church in Brooklyn. For this new collaboration, Reed reworked and even rewrote some of Poe's text as well as included some new songs based on the theme explored in the texts. In 2001, Reed made a cameo appearance in the movie adaptation of Prozac Nation. On October 6, 2001 the New York Times published a Reed poem called Laurie Sadly Listening in which he reflects upon the 9/11 terrorist attacks.

Incorrect reports of Reed's death were broadcast by numerous US radio stations in 2001, caused by a hoax email (purporting to be from Reuters) which said he had died of a drug overdose. In 2003, he released a 2-CD set, The Raven, based on "Poe-Try". Besides Reed and his band, the album featured a wide range of actors and musicians including singers David Bowie, Laurie Anderson, Kate and Anna McGarrigle, The Blind Boys of Alabama and Antony Hegarty, saxophonist and long-time idol Ornette Coleman, and actors Elizabeth Ashley, Christopher Walken, Steve Buscemi, Willem Dafoe, Amanda Plummer, Fisher Stevens and Kate Valk. The album consisted of songs written by Reed and spoken-word performances of reworked and rewritten texts of Edgar Allan Poe by the actors, set to electronic music composed by Reed. At the same time a single disc CD version of the albums, focusing on the music, was also released.

A few months after the release of The Raven, a new 2-CD Best Of-set was released, entitled NYC Man (The Ultimate Collection 1967-2003), which featured an unreleased version of the song "Who am I" and a selection of career spanning tracks that had been selected, remastered and sequenced under Reed's supervision. In April 2003, Reed embarked on a new world tour supporting both new and released material, with a band including cellist Jane Scarpantoni and singer Antony Hegarty. During some of the concerts for this tour, the band was joined by Master Ren Guangyi, Reed's personal Tai Chi instructor, performing Tai Chi movements to the music on stage. This tour was documented in the 2004 double disc live album Animal Serenade, recorded live at The Wiltern in Los Angeles.

In 2003, Reed released his first book of photographs, Emotions in Action. This work actually was made up out of two books, a larger A4-paper sized called Emotions and a smaller one called Actions which was laid into the hard cover of the former.

After Hours: a Tribute to the Music of Lou Reed was released by Wampus Multimedia in 2003. In 2004, a Groovefinder remix of his song, "Satellite of Love" (called "Satellite of Love '04") was released. It reached #10 in the UK singles chart. Also in 2004, Reed contributed vocals and guitar to the track "Fistful of love" on I Am a Bird Now by Antony and the Johnsons. In 2005, Reed did a spoken word text on Danish rock band Kashmir's album No Balance Palace.

In 2003, Reed was also a judge for the third annual Independent Music Awards to support independent artists' careers.

In January 2006, a second book of photographs, Lou Reed's New York, was released. At the 2006 MTV Video Music Awards, Reed performed "White Light/White Heat" with The Raconteurs. Later in the night, while co-presenting the award for Best Rock Video with Pink, he exclaimed, apparently unscripted, that "MTV should be playing more rock n' roll."

In October 2006, Reed appeared at Hal Willner's Leonard Cohen tribute show "Came So Far For Beauty" in Dublin, beside the cast of Laurie Anderson, Nick Cave, Antony, Jarvis Cocker, Beth Orton, and others. According to the reports, he played a heavy metal version of Cohen's "The Stranger Song". He also performed "One Of Us Cannot Be Wrong" and two duets — "Joan of Arc", with Cohen's former back-up singer Julie Christensen, and "Memories" — in a duet with Anjani Thomas.

In December 2006, Reed played a first series of show at St. Ann's Warehouse, Brooklyn, based on his 1973 Berlin song cycle. Reed was reunited on stage with guitarist Steve Hunter, who played on the original album as well as on Rock 'n' Roll Animal, as well as joined by singers Antony Hegarty and Sharon Jones, pianist Rupert Christie, a horn and string section and the Brooklyn Youth Chorus. The show was being produced by Bob Ezrin, who also produced the original album, and Hal Willner. The stage was designed by painter Julian Schnabel and a film about protagonist "Caroline" directed by his daughter, Lola Schnabel, was being projected to the stage. A live recording of these concerts was also published as a film (directed by Schnabel) which was released spring 2008. The show was also played at the Sydney Festival in January 2007 and throughout Europe during June and July 2007. The album version of the concert, entitled , was released in 2008.

In April 2007, he released Hudson River Wind Meditations, his first record of ambient meditation music. The record was released on the Sounds True record label and contains four tracks that were said to have been composed just for himself as a guidance for Tai Chi exercise and meditation. In May 2007 Reed performed the narration for a screening of Guy Maddin's silent film The Brand Upon the Brain. In June 2007, he performed live at the Traffic Festival 2007 in Turin, Italy, a five-day free event organized by the town.

In August 2007, Reed went into the studio with The Killers in New York City to record "Tranquilize", a duet with Brandon Flowers for The Killers' b-side/rarities album, called Sawdust. During that month, he also recorded guitar for the Lucibel Crater song "Threadbare Funeral", which appears on their full-length CD The Family Album. In October 2007, Reed gave a special performance in the Recitement song "Passengers". The album combines music with spoken word. The album was composed by Stephen Emmer and produced by Tony Visconti. Hollandcentraal was inspired by this piece of music and literature, which spawned a concept for a music video. On October 1, 2008, Reed joined Richard Barone via projected video on a spoken/sung duet of Reed's "I'll Be Your Mirror," with cellist Jane Scarpantoni, in Barone's FRONTMAN: A Musical Reading at Carnegie Hall.

, July 21, 2008.]] On April 12, 2008, Reed married his longtime companion, performance artist Laurie Anderson, in a private ceremony in Boulder, Colorado.

On October 2 and 3, 2008 he premiered his new group, which later was named Metal Machine Trio, at REDCAT (Walt Disney Concert Hall Complex, Los Angeles). The live recordings of the concerts were released under the title The Creation of the Universe. The Trio features Ulrich Krieger (saxophone) and Sarth Calhoun (electronics), and plays free improvised instrumental music inspired by Reed's 1975 album Metal Machine Music. The music ranges from ambient soundscapes to free rock to contemporary noise. The trio played further shows at New York's Gramercy Theater in April 2009 and appeared as part of Reed's band at the 2009 Lollapalooza, including a 10 minute free trio improvisation. At Lollapalooza, held in Chicago's Grant Park, Reed played "Sweet Jane" and "White Light/White Heat" with Metallica at Madison Square Garden as part of the 25th-anniversary celebration of the Rock And Roll Hall Of Fame on October 30, 2009. Reed's recent activity in films include providing the voice of Maltazard, the villain in the forthcoming Luc Besson animated film, Arthur and the Vengeance of Maltazard playing the role of himself in Wim Wenders' movie Palermo Shooting (2008)

In 2009, Reed became an active member of The Jazz Foundation of America (JFA). Reed was a featured performer at the JFA's annual benefit "A Great Night in Harlem" in May 2009.

2010s

Reed has remained active doing benefits and composing music. He has contributed vocals on the third Gorillaz album, Plastic Beach, and co-wrote and performed backup music for a Chen Style Tai Chi instructional DVD. He has a co-production credit on Laurie Anderson's Homeland.

Reed also began touring with the Metal Machine Trio, which was widely viewed as a return to his exploration of noise and sound.

Discography

With The Velvet Underground

The Velvet Underground & Nico (1967)

White Light/White Heat (1968)

The Velvet Underground (1969)

Loaded (1970)

(1974)

VU (1985)

Another View (1986)

Live MCMXCIII (1993)

Peel Slowly and See (1995)

(1997)

(2001)

As a solo artist

Lou Reed (1972)

Transformer (1972)

Berlin (1973)

Rock 'n' Roll Animal (1974)

Sally Can't Dance (1974)

Metal Machine Music (1975)

Coney Island Baby (1975)

Rock and Roll Heart (1976)

Street Hassle (1978)

The Bells (1979)

Growing Up in Public (1980)

The Blue Mask (1982)

Legendary Hearts (1983)

New Sensations (1984)

Mistrial (1986)

New York (1989)

Songs for Drella (with John Cale) (1990)

Magic and Loss (1992)

Set the Twilight Reeling (1996)

Ecstasy (2000)

The Raven (2003)

Hudson River Wind Meditations (2007)

Metal Machine Music Presented By Zeitkratzer Live (with Zeitkratzer) (2007)

(with John Zorn and Laurie Anderson) (2008)

The Creation of the Universe (2008)

Appearances in film

One Trick Pony (1980) as Steve Kunelian

Get Crazy (1983) as Auden

Permanent Record (1988) as himself

Faraway, So Close! (1993) as himself

Blue in the Face (1995) as "Man with Strange Glasses"

Closure (1997) as himself

Prozac Nation (2001) as himself

(2008)

Palermo Shooting (2008) as himself

References

External links

Official Lou Reed website

Lou Reed Complete Discography and Concerts

Lou Reed Italian website

Lou Reed Tai Chi website

Berlin - The Film

Category:Living people Category:1942 births Category:American baritones Category:American buskers Category:American Jews Category:American male singers Category:1960s singers Category:1970s singers Category:1990s singers Category:2000s singers Category:American rock guitarists Category:American rock singers Category:American singer-songwriters Category:Ivor Novello Award winners Category:Jewish American musicians Category:Jewish singers Category:Musicians from New York Category:Noise musicians Category:People from Brooklyn Category:People from Freeport, New York Category:Protopunk musicians Category:Rock and Roll Hall of Fame inductees Category:Syracuse University alumni Category:The Velvet Underground members Category:Sire Records artists Category:Reprise Records artists Category:Warner Bros. Records artists

Name	Elton John
Background	solo_singer
Birth name	Reginald Kenneth Dwight
Born	March 25, 1947Pinner, Middlesex, England
Instrument	Vocals, piano, keyboards
Occupation	Musician, singer-songwriter, record producer
Years active	1964–present
Genre	Rock, glam rock, soft rock, R&B;, pop rock
Label	DJM, Uni, MCA, Geffen, Rocket/Island, Universal, Interscope, Mercury, UMG
Associated acts	Bernie Taupin, Tim RiceJohn Lennon, Kiki Dee, Billy Joel, George Michael, Eminem
Url

Sir Elton Hercules John, CBE (born Reginald Kenneth Dwight; 25 March 1947) is an English singer-songwriter, composer and pianist. He has worked with his songwriting partner Bernie Taupin since 1967; they have collaborated on more than 30 albums to date.

In his four-decade career John has sold more than 250 million records, making him one of the most successful artists of all time. His single "Candle in the Wind 1997" has sold over 33 million copies worldwide, and is the best selling single in Billboard history. He has more than 50 Top 40 hits, including seven consecutive No. 1 US albums, 56 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won six Grammy Awards, an Academy Award, a Golden Globe Award and a Tony Award. In 2004, Rolling Stone ranked him Number 49 on its list of the 100 greatest artists of all time.

John was inducted into the Rock and Roll Hall of Fame in 1994. He has been heavily involved in the fight against AIDS since the late 1980s, and was knighted in 1998. He entered into a civil partnership with David Furnish on 21 December 2005 and continues to be a champion for LGBT social movements. In 2008, Billboard magazine ranked him as the most successful male solo artist on "The Billboard Hot 100 Top All-Time Artists" (third overall, behind only The Beatles and Madonna).

Biography and career

Early life

John was born Reginald Kenneth Dwight on 25 March 1947, the eldest child of Stanley and only child of Sheila Eileen (née Harris) Dwight and was raised in Pinner, Middlesex in a council house of his maternal grandparents. His parents did not marry until he was 6 years old, when the family moved to a nearby semi-detached house. He was educated at Pinner Wood Junior School, Reddiford School and Pinner County Grammar School, until age 17, when he left just prior to his A Level examinations to pursue a career in the music industry.

When John began to seriously consider a career in music, his father, who served as a Flight Lieutenant in the Royal Air Force, tried to steer him toward a more conventional career, such as banking.

Pub pianist to staff songwriter (1962–1969)

At the age of 15, with the help of his mother and stepfather, Reginald Dwight became a weekend pianist at a nearby pub, the Northwood Hills Hotel, playing Thursday to Sunday nights for £35 a week and tips. Known simply as "Reggie", he played a range of popular standards, including songs by Jim Reeves and Ray Charles, as well as songs he had written himself. A stint with a short-lived group called the Corvettes rounded out his time.

After failing lead vocalist auditions for King Crimson and Gentle Giant, Dwight answered an advertisement in the New Musical Express placed by Ray Williams, then the A&R; manager for Liberty Records. At their first meeting, Williams gave Dwight a stack of lyrics written by Bernie Taupin, who had answered the same ad. Dwight wrote music for the lyrics, and then mailed it to Taupin, beginning a partnership that . In 1967, what would become the first Elton John/Bernie Taupin song, "Scarecrow", was recorded; when the two first met, six months later, Dwight was going by the name "Elton John", in homage to Bluesology saxophonist Elton Dean and Long John Baldry. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he couldn't come up with anything quickly.

During this period, John also a session musician for other artists including playing piano on The Hollies' "He Ain't Heavy, He's My Brother" and singing backing vocals for The Scaffold.

Debut album to Goodbye Yellow Brick Road (1969–1973)

On the advice of music publisher Steve Brown, John and Taupin started writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, former Bluesology guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, Empty Sky.

For their follow-up album, Elton John, John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. Elton John was released in the April of 1970 on DJM Records/Pye Records in the UK and Uni Records in the USA, and established the formula for subsequent albums; gospel-chorded rockers and poignant ballads. The first single from the album, "Border Song", made into the US Top 100, peaking at Number 92. The second single "Your Song" made the US Top Ten, peaking at number eight and becoming John's first hit single as a singer. The album soon became his first hit album, reaching number four on the Billboard 200 album chart.

Backed by ex-Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, John's first American concert took place at The Troubadour in Los Angeles in August 1970, and was a success.

The concept album Tumbleweed Connection was released in October 1970, and reached the Top Ten on the Billboard 200. The live album 17-11-70 (11-17-70 in the US) was recorded at a live show aired from A&R; Studios on WABC-FM in New York City. Sales of the live album were heavily hit in the US when an east coast bootlegger released the performance several weeks before the official album, including all 60 minutes of the aircast, not just the 40 minutes selected by Dick James Music. John and Taupin then wrote the soundtrack to the obscure film Friends and then the album Madman Across the Water, the latter reaching the Top Ten and producing the hit "Levon", while the soundtrack album produced the hit "Friends". In 1972, Davey Johnstone joined the Elton John Band on guitar and backing vocals. The band released Honky Chateau, which became John's first American number 1 album, spending five weeks at the top of the charts and spawning the hit singles "Rocket Man (I Think It's Going To Be A Long, Long Time)" (which is often compared to David Bowie's "Space Oddity") and "Honky Cat".

The pop album Don't Shoot Me I'm Only the Piano Player came out at the start of 1973, and produced the hits "Crocodile Rock" and "Daniel"; the former became his first US Billboard Hot 100 number one hit. Both the album and "Crocodile Rock" were the first album and single, respectively on the consolidated MCA Records label in the USA, replacing MCA's other labels including Uni.

Goodbye Yellow Brick Road gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at Number 1 for two months. It also temporarily established John as a glam rock star. It contained the number 1 hit "Bennie and the Jets", along with the popular and praised "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting", "Funeral For A Friend/Love Lies Bleeding" and "Grey Seal" (originally recorded and released in 1970 as the B-side to the UK-only single, "Rock and Roll Madonna"). There is also a VHS and DVD as part of the Classic Albums series, discussing the making, recording, and popularity of "Goodbye Yellow Brick Road" through concert and home video footage including interviews.

Rocket Records to 21 at 33 (1974–1979)

John formed his own MCA-distributed label Rocket Records and signed acts to it – notably Neil Sedaka ("Bad Blood", on which he sang background vocals) and Kiki Dee – in which he took personal interest. Instead of releasing his own records on Rocket, he opted for $8 million offered by MCA. When the contract was signed in 1974, MCA reportedly took out a $25 million insurance policy on John's life.

In 1974 a collaboration with John Lennon took place, resulting in Elton John covering The Beatles' "Lucy in the Sky with Diamonds" and Lennon's "One Day at a Time", and in return Elton John and band being featured on Lennon's "Whatever Gets You thru the Night". In what would be Lennon's last live performance, the pair performed these two number 1 hits along with the Beatles classic "I Saw Her Standing There" at Madison Square Garden. Lennon made the rare stage appearance to keep the promise he made that he would appear on stage with Elton if "Whatever Gets You Thru The Night" became a number 1 single.

Caribou was released in 1974, and although it reached number 1, it was widely considered a lesser quality album. Reportedly recorded in a scant two weeks between live appearances, it featured "The Bitch Is Back"

To celebrate five years since he first appeared at the venue, in 1975 John played a two-night, four-show stand at The Troubadour. With seating limited to under 500 per show, the chance to purchase tickets was determined by a postcard lottery, with each winner allowed two tickets. Everyone who attended the performances received a hardbound "yearbook" of the band's history. That year he also played piano on Kevin Ayers' Sweet Deceiver, and was among the first and few white artists to appear on the black music series Soul Train on American television.

In 1976, the live album Here and There in May, then the Blue Moves album in October, which contained the single "Sorry Seems to Be the Hardest Word", were released. His biggest success in 1976 was the "Don't Go Breaking My Heart", a duet with Kiki Dee that topped both the American and British charts. Finally, in an interview with Rolling Stone that year entitled "Elton's Frank Talk", John stated that he was bisexual.

Besides being the most commercially successful period, 1970 - 1976 is also held in the most regard critically. Within only a three year span, between 1972-75 John saw seven consecutive albums reach Number 1 in the charts, which had not been accomplished before.

In November 1977 John announced he was retiring from performing; Taupin began collaborating with others. Now only producing one album a year, John issued A Single Man in 1978, employing a new lyricist, Gary Osborne; the album produced no singles that made the Top 20 in the US but the two singles from the album released in the UK, Part-Time Love and Song for Guy, both made the Top 20 in the UK with the latter reaching the Top 5. In 1979, accompanied by Ray Cooper, John became the first Western pop star to tour the Soviet Union (as well as one of the first in Israel), then mounted a two-man comeback tour of the US in small halls. John returned to the singles chart with "Mama Can't Buy You Love" (number 9, 1979), a song originally rejected in 1977 by MCA before being released, recorded in 1977 with Philadelphia soul producer Thom Bell. Elton reported that Thom Bell was the first person to give him voice lessons; Bell encouraged John to sing in a lower register. A disco-influenced album, Victim of Love, was poorly received. In 1979, John and Taupin reunited. 21 at 33, released the following year, was a significant career boost, aided by his biggest hit in four years, "Little Jeannie" (number 3 US), although the lyrics were written by Gary Osborne.

The 80s:Too Low For Zero to Sleeping with the Past (1981–1989)

26 March 1979]]

His 1981 album, The Fox, was recorded in part during the same sessions as 21 at 33, and also included collaborations with Tom Robinson and Judie Tzuke. On 13 September 1980, John, with Olsson and Murray back in the Elton John Band, performed a free concert to an estimated 400,000 fans on The Great Lawn in Central Park in New York City. His 1982 hit "Empty Garden (Hey Hey Johnny)", came from his Jump Up! album, his second under a new US recording contract with Geffen Records.

He married his close friend and sound engineer, Renate Blauel on Valentine's Day 1984 - the marriage lasted three years. The Biography Channel Special detailed the loss of Elton's voice in 1986 while on tour in Australia. Shortly thereafter he underwent throat surgery, which permanently altered his voice. Several non-cancerous polyps were removed from his vocal cords, resulting in a change in his singing voice. In 1987 he won a libel case against The Sun which published allegations of sex with rent boys.

With original band members Johnstone, Murray and Olsson together again, John was able to return to the charts with the 1983 hit album Too Low For Zero, which included "I'm Still Standing" and "I Guess That's Why They Call It the Blues", the latter of which featured Stevie Wonder on harmonica and reached number 4 in the US, giving John his biggest hit there since "Little Jeannie". He placed hits in the US Top Ten throughout the 1980s – "Little Jeannie" (number 3, 1980), "Sad Songs (Say So Much)" (number 5, 1984), "Nikita" boosted by a mini-movie pop video directed by Ken Russell (number 7, 1986), a live orchestral version of "Candle in the Wind" (number 6, 1987), and "I Don't Wanna Go On With You Like That" (number 2, 1988). His highest-charting single was a collaboration with Dionne Warwick, Gladys Knight, and Stevie Wonder on "That's What Friends Are For" (number 1, 1985); credited as Dionne and Friends, the song raised funds for AIDS research. His albums continued to sell, but of the six released in the latter half of the 1980s, only Reg Strikes Back (number 16, 1988) placed in the Top 20 in the United States.

In 1985, Elton John was one of the many performers at Live Aid held at Wembley Stadium. He enlisted Michael to sing backing vocals on his single "Wrap Her Up", and also recruited teen idol Nik Kershaw as an instrumentalist on "Nikita". John also recorded material with Millie Jackson in 1985. In 1986, he played the piano on two tracks on the heavy metal band Saxon's album Rock the Nations.

In 1988, he performed five sold-out shows at New York's Madison Square Garden, giving him 26 for his career. Netting over $20 million, 2,000 items of John's memorabilia were auctioned off at Sotheby's in London.

The 90s: "Sacrifice" to Aida (1990–1999)

In 1990, John would finally achieve his first UK number one hit on his own, with "Sacrifice" (coupled with "Healing Hands") from the previous year's album Sleeping with the Past; it would stay at the top spot for six weeks. The following year, John's "Basque" won the Grammy for Best Instrumental, and a guest concert appearance he had made on George Michael's cover of "Don't Let the Sun Go Down on Me" was released as a single and topped the charts in both the US and UK.

In 1992 he released the US number 8 album The One, featuring the hit song "The One". John and Taupin then signed a music publishing deal with Warner/Chappell Music for an estimated $39 million over 12 years, giving them the largest cash advance in music publishing history. In April 1992, John appeared at the Freddie Mercury Tribute Concert at Wembley Stadium, performing "The Show Must Go On" with the remaining members of Queen, and "Bohemian Rhapsody" with Axl Rose and Queen. The following year, he released Duets, a collaboration with 15 artists including Tammy Wynette and RuPaul. This also included a new collaboration with Kiki Dee, entitled "True Love", which reached the Top 10 of the UK charts, and a duet with Eric Clapton on "Runaway Train", which also charted.

Along with Tim Rice, Elton John wrote the songs for the 1994 Disney animated film The Lion King, which became the 3rd highest-grossing animated feature of all time. At the 67th Academy Awards ceremony, The Lion King provided three of the five nominees for the Academy Award for Best Song, which John won with "Can You Feel the Love Tonight". Both that and "Circle of Life" became hit songs for John. "Can You Feel the Love Tonight" would also win Elton John the Grammy Award for Best Male Pop Vocal Performance at the 37th Grammy Awards. Also, a compilation called Love Songs was released the following year.

Early in 1997 John held a 50th birthday party, costumed as Louis XIV, for 500 friends. John also performed with the surviving members of Queen in Paris at the opening night (17 January 1997) of Le Presbytère N'a Rien Perdu De Son Charme Ni Le Jardin De Son Éclat, a work by French ballet legend Maurice Béjart which draws upon AIDS and the deaths of Freddie Mercury and the company's principal dancer Jorge Donn. Later in 1997, two close friends died: designer Gianni Versace was murdered; Diana, Princess of Wales died in a Paris car crash on 31 August.

In early September, John contacted his writing partner Bernie Taupin, asking him to revise the lyrics of his 1973 song "Candle in the Wind" to honour Diana, and Taupin rewrote the song accordingly. On 6 September 1997, John performed "Candle in the Wind 1997" at the funeral of Diana, Princess of Wales in Westminster Abbey. The song became the fastest, and biggest-selling single of all time, eventually selling 5 million copies in the United Kingdom, 11 million in the US, and over 33 million worldwide, John has publicly performed "Candle in the Wind 1997" only once, at Diana's funeral, vowing never to perform it again unless asked by Diana's sons.

In the musical theatre world, in addition to a 1998 adaptation of The Lion King for Broadway, John also composed music for a Disney production of Aida in 1999 with lyricist Tim Rice, for which they received the Tony Award for Best Original Score at the 54th Tony Awards, and the Grammy Award for Best Musical Show Album at the 43rd Grammy Awards. The musical was given its world premiere in the Alliance Theatre in Atlanta. It went on to Chicago and eventually Broadway. He also released a live compilation album called Elton John One Night Only - The Greatest Hits from the show he did at Madison Square Garden in New York City that same year.

2000 to present

in Doncaster, July 2008]] In 2000, John and Tim Rice teamed again to create songs for DreamWorks' animated film The Road To El Dorado. Returning again to musical theatre, John composed music for a West End Theatre production of Billy Elliot the Musical in 2005 with playwright Lee Hall. John's only theatrical project with Bernie Taupin so far is , based on the Anne Rice vampire novels. However it was slammed by the critics and closed in May 2006 after 39 performances.

John was named a Disney Legend for his numerous outstanding contributions to Disney's films and theatrical works on 9 October 2006, by The Walt Disney Company. In 2006 he told Rolling Stone magazine that he plans for his next record to be in the R&B;/hip-hop genre. "I want to work with Pharrell {Williams}, Timbaland, Snoop {Dogg}, Kanye {West}, Eminem and just see what happens."

In March 2007 he performed at Madison Square Garden for a record breaking 60th time for his 60th birthday, the concert was broadcast live and a DVD recording was released as Elton 60 - Live at Madison Square Garden; a greatest-hits compilation CD, Rocket Man – Number Ones, was released in 17 different versions worldwide, including a CD/DVD combo; and his back catalogue - almost 500 songs from 32 albums - became available for legal download.

In a September 2008 interview with GQ magazine, John said: "I’m going on the road again with Billy Joel again next year," referring to "Face to Face," a series of concerts featuring both musicians. The tour began in March and will continue for at least two more years.

In October 2003, John announced that he had signed an exclusive agreement to perform 75 shows over three years at Caesars Palace on the Las Vegas Strip. The show, entitled The Red Piano, was a multimedia concert featuring massive props and video montages created by David LaChapelle. Effectively, he and Celine Dion share performances at Caesars Palace throughout the year - while one performs, one rests. The first of these shows took place on 13 February 2004. On 21 June 2008, he performed his 200th show in Caesars Palace. A DVD/CD package of The Red Piano was released through Best Buy in November 2008. A two year global tour was sandwiched between commitments in Las Vegas, Nevada, some of the venues of which were new to John. The Red Piano Tour closed in Las Vegas in April 2009.

Elton John performed a piano duet with Lady Gaga at the 52nd Grammy Awards. On 6 June 2010, John performed at the fourth wedding of conservative commentator Rush Limbaugh for a reported US$1 million fee. Eleven days later, and 17 years to the day after his last previous performance in Israel, he performed at the Ramat Gan Stadium; this was significant because of other than-recent cancellations by other performers in the fallout surrounding an Israeli raid on Gaza Flotilla the month before. In his introduction to that concert, Elton John noted he and other musicians should not "cherry-pick our conscience", in reference to Elvis Costello, who was to have performed in Israel two weeks after Elton did, but cancelled in the wake of the aforementioned raid, citing his [Costello's] conscience.

John's latest studio album is entitled The Union and was released on 19 October 2010. John says his collaboration with American singer-songwriter and sideman Leon Russell marks a new chapter in his recording career, saying: "I don't have to make pop records any more."

Artistry

Songwriting

John has written with his song-writing partner Bernie Taupin since 1967 when he answered an advertisement for talent placed in the New Musical Express by Liberty records A&R; man Ray Williams. The pair have collaborated on more than 30 albums to date.

The 1991 film documentary Two Rooms described the writing style that John and Taupin use, which involves Taupin writing the lyrics on his own, and John then putting them to music, with the two never in the same room during the process.

Music style

John's voice was originally a tenor, it is now a baritone. He used Paul Buckmaster to arrange the music on his studio albums during the 1970s.

Personal life

In April 2009, the Sunday Times Rich List estimated John's wealth to be £175 million ($265 million), and ranked him as the 322nd richest person in Britain.

In a 1976 Rolling Stone interview, he talked about bisexuality, his belief that everyone is bisexual to a degree, and that his first sexual experience was with a woman, the secretary Linda Woodrow to whom he proposed, and who is mentioned in the song "Someone Saved My Life Tonight". John married German recording engineer Renate Blauel on Valentine's Day, 1984, in Sydney, with some speculation that the marriage was a cover; when they divorced four years later John told Rolling Stone that he was "comfortable" being gay.

He met his Canadian-born partner David Furnish, a former advertising executive and now filmmaker, in 1993. On 21 December 2005, they entered into a civil partnership. The night before the event, a host of his closest celebrity friends helped him celebrate his stag party at the cabaret nightclub Too2Much in London's West End. On the actual day, a low-key ceremony with their parents, photographer Sam Taylor-Wood and her husband Jay Jopling, and John and Furnish's dog Arthur in attendance was held at the Windsor Guildhall, followed by a lavish party at their Berkshire mansion, thought to have cost £1 million. Many famous guests were invited, but were delayed just outside John's Windsor household in a traffic jam of guests waiting to get inside.

John has ten godchildren as of March 2006. They include David and Victoria Beckham's sons Brooklyn and Romeo, Sean Lennon, Elizabeth Hurley's son Damian Charles, and the daughter of Seymour Stein.

In September 2009, while touring an AIDS orphanage in Ukraine (Makiivka), John stated he wanted to adopt one of the resident children, a 14 month old HIV positive boy named Lev. However, Ukrainian Minister of Family, Youth and Sport Yuriy Pavlenko stated that under Ukrainian law John could not adopt Lev due to his age and marital status. though John could adopt the baby if the Ukrainian Parliament adopted a separate special law on making him an adoptive parent of the child. In December 2009 Furnish told BBC radio John was devastated that he wasn't allowed to adopt Lev but that the couple were working to ensure Lev and his brother "have the best health care, education and family options available to them" and the couple would campaign for a change in Ukrainian law.

Throughout his career, John has battled addictions to alcohol and cocaine. By 1975, the pressures of stardom began to take a serious toll on the musician. During "Elton Week" in Los Angeles that year, John suffered a drug overdose. He also battled the eating disorder bulimia. In a CNN interview with Larry King in 2002, King asked if John knew of Diana, Princess of Wales' eating disorder. John replied, "Yes, I did. We were both bulimic."

Aside from his main home, 'Woodside' at Old Windsor in the English county of Berkshire, John splits his time in his various residences in Atlanta, Nice, Holland Park in London; and Venice. John is an art collector, and is believed to have one of the largest private photography collections in the world.

During the 2000 court case, in which John sued both his former manager John Reid, the CEO of Reid's company and accountants PricewaterhouseCoopers, he admitted spending £30 million in just under two years – an average of £1.5 million a month, the High Court in London heard. The singer's lavish lifestyle saw him spend more than £9.6m on property and £293,000 on flowers between January 1996 and September 1997. John accused the pair of being negligent, and PwC of failing in their duties. Mark Hapgood QC for defendants PwC suggested that John went "spending mad" following a £42 million deal with recording company Polygram in February 1996. When quizzed by Mr Hapgood about the £293,000 spent on flowers, John said, "Yes, I like flowers." John stated that the terms of the contract, whereby John paid Reid 20% of his gross earnings, were agreed in Saint-Tropez in the summer of 1984 – but that he could not remember the exact occasion on which the deal was made. After losing the case, he faced an £8 million bill for legal fees.

In June 2001 John sold 20 of his cars at Christie's, saying he didn't get the chance to drive them because he was out of the country so often. The sale, which included a 1993 Jaguar XJ220, the most expensive at £234,750, and several Ferraris, Rolls-Royces, and Bentleys, raised nearly £2 million.

In 2003, John sold the contents of his Holland Park home in a bid to create more room for his collection of contemporary art which includes many works of art by YBAs such as Sam Taylor-Wood and Tracy Emin. The auctioneer Sotheby's catalogue had a list of more than 400 items, expected to fetch £800,000, including: Biedermeier furniture; early 16th- and 17th-century items, including an Edward Bower estimated at £20,000–£30,000, and two busts of Napoleon.

A longtime tennis enthusiast, John wrote the song "Philadelphia Freedom" in tribute to longtime friend Billie Jean King and her World Team Tennis franchise of the same name. John and King also co-host an annual pro-am event to benefit AIDS charities, most notably John's own Elton John AIDS Foundation, for which King is a chairperson. The fund was involved in The Reign, too.

John, who maintains a part-time residence in Atlanta, Georgia, became a fan of the Atlanta Braves baseball team when he moved there in 1991.

Every year since 2004, he has opened a shop, selling his second hand clothes. Called "Elton's Closet" the sale this year of 10,000 items was expected to raise $400,000

John was an Honorary Chair of the Imperial Court of New York's Annual Charity Coronation Ball, Night of A Thousand Gowns on 21 March 2009. Other Honorary Chairs for the evening's charity event included Patti LuPone, Idina Menzel, John Cameron Mitchell, Joan Rivers and Dame Robin Strasser.

John and partner David Furnish entered a civil partnership in 2005 after 12 years together. Their son Zachary Jackson Levon Furnish-John was born 25 December 2010 in California via a surrogate. Zachary weighed 7 pounds, 15 ounces.

Watford Football Club

John became chairman and director of Watford Football Club in 1976, appointing Graham Taylor as manager and investing large sums of money as the club rose three division into the First Division. The pinnacle of the clubs' success was finishing runners up in the First Division and reaching the FA Cup Final a year later. He sold the club to Jack Petchey in 1987, but remained their life-long president. For a time he was also a part-owner of the Los Angeles Aztecs of the North American Soccer League.

AIDS Foundation

John has been associated with AIDS charities since the deaths of his friends Ryan White and Freddie Mercury, raising large amounts of money and using his public profile to raise awareness of the disease. For example, in 1986 he joined with Dionne Warwick, Gladys Knight, and Stevie Wonder to record the single "That's What Friends Are For", with all profits being donated to the American Foundation for AIDS Research. The song won John and the others the Grammy Award for Best Pop Performance by a Duo or Group with Vocal (as well as Song of the Year for its writers, Burt Bacharach and Carole Bayer Sager). In April 1990, John performed "Skyline Pigeon" at the funeral of White, a teenage haemophiliac he had befriended.

John founded the Elton John AIDS Foundation in 1992 as a charity to fund programmes for HIV/AIDS prevention, for the elimination of prejudice and discrimination against HIV/AIDS-affected individuals, and for providing services to people living with or at risk of contracting HIV/AIDS. This cause continues to be one of his personal passions. In early 2006, John donated the smaller of two bright-red Yamaha pianos from his Las Vegas, Nevada show to auction on eBay to raise public awareness and funds for the foundation.

To raise money for his AIDS charity, John hosts annually a glamorous White Tie & Tiara Ball, to which many famous celebrities are invited. On 28 June 2007, the 9th annual White Tie & Tiara Ball took place. The menu consisted of a truffle soufflé followed by Surf and Turf (filet mignon with Maine lobster tail) and a giant Knickerbocker glory ice cream. An auction followed the dinner held by Stephen Fry. A Rolls Royce ‘Phantom’ drophead coupe and a piece of Tracey Emin's artwork both raised £800,000 for the charity fund, with the total amount raised reaching £3.5 million. Later on in the event, John sang "Delilah" with Tom Jones and "Big Spender" with Shirley Bassey. Tickets for the Ball cost £1,000 a head. The event raised £4.6 million for his AIDS Foundation in 2006.

Activism

On 1 April 2010, John joined Cyndi Lauper in the launch of her Give a Damn campaign to bring a wider awareness of discrimination of the LGBT community as part of her True Colors Fund. In the advertisement, John states: "Imagine walking down the street and wondering if this is the day you'll get beaten up, or even killed, simply because of who you are". For his charitable work, John was knighted by Queen Elizabeth II on 24 February 1998. In October 1975, John became the 1,662nd person to receive a star on the Hollywood Walk of Fame.

He became a recipient of a Kennedy Center Honor in 2004, and a Disney Legends Award in 2006. In 2010, Elton John was awarded with the PRS for Music Heritage Award, which was erected, on The Namaste Lounge Pub in Watford, where Elton performed his first ever gig.

Music awards include the Academy Award for Best Original Song for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); the Golden Globe Award for Best Original Song in 1994 for "Can You Feel The Love Tonight" from The Lion King (award shared with Tim Rice); and the Tony Award for Best Original Score in 2000 for Elton John and Tim Rice's Aida (award shared with Tim Rice)

John has six Grammy Awards:

1987 - Best Pop Performance by a Duo or Group with Vocal for "That's What Friends Are For", performed by Dionne Warwick & Friends (award shared with Dionne Warwick, Gladys Knight & Stevie Wonder)

1991 - Best Instrumental Composition for "Basque", performed by James Galway

1994 - Best Male Pop Vocal Performance for "Can You Feel The Love Tonight"

1997 - Best Male Pop Vocal Performance for "Candle In The Wind" 1997

1999 - Grammy Legend Award

2000 - Best Musical Show Album for Elton John & Tim Rice's Aida (award shared with Tim Rice, Chris Mountain, Frank Filipetti, Guy Babylon, Paul Bogaev and Frank Filipetti)

Discography

;Studio albums

Empty Sky (1969)

Elton John (1970)

Tumbleweed Connection (1970)

Madman Across the Water (1971)

Honky Château (1972)

Don't Shoot Me I'm Only the Piano Player (1973)

Goodbye Yellow Brick Road (1973)

Caribou (1974)

Captain Fantastic and the Brown Dirt Cowboy (1975)

Rock of the Westies (1975)

Blue Moves (1976)

A Single Man (1978)

Victim of Love (1979)

21 at 33 (1980)

The Fox (1981)

Jump Up! (1982)

Too Low for Zero (1983)

Breaking Hearts (1984)

Ice on Fire (1985)

Leather Jackets (1986)

Reg Strikes Back (1988)

Sleeping with the Past (1989)

The One (1992)

Duets (1993)

Made in England (1995)

The Big Picture (1997)

Songs from the West Coast (2001)

Peachtree Road (2004)

The Captain & the Kid (2006)

The Union (with Leon Russell) (2010)

;Soundtracks, scores & theatre albums

Friends (1971)

The Lion King (1997)

Aida (1998)

The Muse (1999)

The Road to El Dorado (soundtrack) (2000)

Billy Elliot (2005)

Lestat (2005)

;Films

(2007) autobiography as himself

The Country Bears, US (2002) as himself

Spice World, UK (1997) as himself

Tommy, UK (1975) as Pinball Wizard

Born to Boogie, US playing as himself with Marc Bolan and Ringo Starr

Elton John Band

References

;Bibliography

Elton John: A Visual Documentary, Nigel Goodall, Omnibus Press, 1993 ISBN 0711930783

His Song: The Musical Journey of Elton John, Elizabeth Rosenthal, Billboard Books, 2001, ISBN 0823088928

External links

Elton John's official website

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