Name	Marley Marl
Background	non_performing_personnel
Birth name	Marlon Williams
Born	September 30, 1962New York City, New York, United States
Origin	Queensbridge, Queens, New York, U.S.
Genre	Hip hop
Occupation	CEO, DJ, record producer, rapper
Years active	1983 present
Label	Cold Chillin', Warner Bros.
Associated acts	Juice Crew, Kool G. Rap, Rakim, King Tee, LL Cool J, KRS-One, Masta Ace

Marlon Williams (born September 30, 1962), better known as Marley Marl, is an American DJ and record producer, who is considered one of the most important and influential hip-hop producers in the history of hip hop.

Biography

Marley Marl was the house producer of the Juice Crew, known for The Bridge Wars, a feud with Boogie Down Productions seen as one of the earliest and influential hip hop beefs. The Juice Crew included Big Daddy Kane, Biz Markie, Roxanne Shanté, Kool G Rap & DJ Polo, MC Shan (his cousin) and Masta Ace, and produced many songs for outside artists including King Tee, LL Cool J, and Lords of the Underground. He was also an important figure in the careers of Eric B. & Rakim, producing their first hits "My Melody" and "Eric B Is President".

Marley Marl was one of the pioneers of . He was the first to sample a breakbeat and reprogram it, which he did with The Honey Drippers' "Impeach the President" breakbeat on the MC Shan single "The Bridge" from 1985. This was an extremely important feat as it completely changed the way hip hop beats were made, as well as other sample based genres. In his early records, Marl mixed James Brown samples and synthetic beats in a fashion previously unheard of, for the most part.

Marl started his career working for Tuff City Records. He debuted as an electro producer, with a track called "Sucker DJ's" in 1983 like a response to Run DMC's hit called "Sucker MC's", performed by his girlfriend Crystal Smith under the nickname of Dimples D.The next year, Marl also recorded a diss response to "Roxanne Roxanne" by UTFO, in the voice of Roxanne Shanté. In 1985 released his first own track, "DJ's Cuttin" under the pseudonym NYC Cutter. Soon however, Marl's records became more sample heavy, as can be seen by comparing the MC Shan LPs Down By Law (1987) and Born to be Wild (1988); the rhythms became less electronic, with drum machines becoming more prominent.

One of hip-hop's first superproducers, Marley Marl was an early innovator in the art of sampling, developing new techniques that resulted in some of the sharpest beats and hooks in rap's Golden Age. His trademark raw sound became from triggering short samples loaded in 3 Korg SDD-2000 sampling-delay units through the trigger out of the Roland TR-808. As the founder of Cold Chillin' Records, Marl assembled a roster filled with some of the most prominent hip hop talent then working in New York: MC Shan, Big Daddy Kane, Biz Markie, Roxanne Shanté, Kool G Rap & Polo, and Masta Ace. His production work for those and many other artists generally boasted a bright, booming, and robust sound that—along with his ear for a catchy sample—helped move street-level hip-hop's sonic blueprint into more accessible territory. Most important, though, were his skills as a beatmaker; Marl was among the first to mine James Brown records for grooves and also learned how to craft his own drum loops through sampling, which decreased hip-hop's reliance on tinny-sounding drum machines and gave his '80s productions a fresh, modern flavor.

The end of the '80s is often referred to as hip-hop's Golden Age, a time when the form's creativity was expanding by leaps and bounds. Marl's Juice Crew was an important force in ushering in this era thanks to its advances in lyrical technique and the distinctive personalities of emerging stars like Biz Markie and Big Daddy Kane. With business at Cold Chillin' booming, Marl put out the first full-length release under his own name in 1988 (he'd previously recorded the single "DJ Cuttin'" in 1985 with the alias NYC Cutter). In Control, Vol. 1 was mostly a showcase for various Juice Crew affiliates to strut their stuff, notably on the larger-than-life posse cut "The Symphony." Marl scored his greatest crossover success in 1990 by helming LL Cool J's Mama Said Knock You Out; bolstered by Marl's state-of-the-art production, the album restored LL's street cred while becoming his biggest seller ever, making Marl an in-demand remixer. 1991 brought the release of In Control, Vol. 2, which unfortunately displayed signs that the Cold Chillin' talent pool was being depleted.

After working with TLC on their 1992 debut, Marl remained mostly quiet for a few years; 1995 brought the release of House of Hits, a retrospective of his best productions over the years. Splitting off from Cold Chillin', Marl spent several years in a legal battle over money and ownership rights that, in 1998, finally resulted in his being awarded control of all the songs he'd produced for the label. In the '90s, Marl's status as a high-profile producer was restored thanks to his work with artists like Rakim, Lords Of The Underground, Queensbridge's own Capone-N-Noreaga, Da Youngtas and Fat Joe. In 2001, Marl put together another compilation of original productions with guest rappers for the British BBE label, titled Re-Entry. Marley Marl is also a legendary DJ member of the worldwide DJ organization, The Core DJ's.

Discography

Albums

In Control, Volume 1 (1988)

In Control, Volume II - for your steering pleasure (1991)

Hip Hop Dictionary (2000)

Re-entry (2001)

Hip-Hop Lives (2007) (with KRS-One)

(2008) (with Craig G)

Compilations

House of Hits (1995)

Best of Cold Chillin' (2001)

Marley Marl's House of Hits (released 2007)

Hip Hop's Hero w/ Nikal Fieldz (released 2010)

References

External links

Marley Marl bio The 411 on super-producer, Marley Marl [authored by Balance: 411@hiphop.sh]

[ Allmusic biography]

Globaldarkness biography

DJ Marley Marl - beatbuggy.com

Category:1962 births Category:Living people Category:African American rappers Category:Rappers from New York City Category:People from Queens Category:American hip hop record producers Category:Musicians from New York City Category:Warner Bros. Records artists Category:Cold Chillin' Records artists

Name	KRS-One
Background	solo_singer
Birth name	Lawrence Krisna Parker
Alias	KRS, Teacha, The Blastmaster
Origin	South Bronx, New York, U.S.
Born	August 20, 1965Flatbush, Park Slope, Brooklyn, New York City, New York, U.S.
Genre	Hip hop
Occupation	Rapper, record producer, actor, author
Years active	1984–present
Instrument	Vocals, turntables
Label	Jive, RCA, Duck Down
Associated acts	Boogie Down Productions, Scott La Rock, Marley Marl, Diamond D, LL Cool J, Public Enemy, Buckshot, Talib Kweli, Immortal TECH, R.E.M
Url	http://www.krsoneinc.com/

Lawrence Krisna Parker (born August 20, 1965), better known by his stage names KRS-One (or simply KRS), and Teacha, is an American rapper. At the 2008 BET Awards, KRS-One was the recipient of the Lifetime Achievement Award for all his work and effort towards the Stop the Violence Movement as well as the overall pioneering of hip hop music and culture.

Biography

Born Lawrence Parker in Park Slope, Brooklyn in the summer of 1965, the MC left home at 14 to become an MC and Philosopher. He came to live in a homeless shelter in the South Bronx, where he was dubbed Krishna by residents because of his interest in the Hare Krishna spirituality of some of the antipoverty workers. By the time he met youth counselor Scott Sterling, he was also writing graffiti as KRS-One (Knowledge Reigns Supreme Over Nearly Everyone). Together he and Sterling, a.k.a. DJ Scott La Rock eventually created Boogie Down Productions, releasing their debut album, Criminal Minded, in 1987. KRS-One has been a vegetarian since his youth.

Boogie Down Productions

In the summer of 1984, KRS-One hit the music scene with a rap group called "Scott La rock and the Celebrity Three" with a record called "Advance". In a time when most rappers rhymed about cars, jewelry, alcohol, and the latest dance, KRS-One was rhyming about nuclear war prevention. Scott La Rock and the Celebrity Three was composed of Scott La Rock, Levi167, MC Quality, and KRS-One. After legal problems with the head of the label, Scott La Rock and the Celebrity Three were released from their contract. In the winter of 1984, KRS-One wrote a song called "Stop The Violence" although by this time The Celebrity Three had broken up and only KRS-One and Scott La Rock remained. Both realized they had to change the name of the group and they did: the new group was called The Boogie Down Crew.

In 1985, Scott La Rock, a friend of producer/writer Kenny Beck (2 The Limit, Octavia - Pow Wow Records and Mine All Mine, Cashflow - Polygram Records) asked Beck to do a record he had written for his brother Kevin Goldbeck. Since the record was not quite finished being produced yet for [Sleeping Bag Records] and Scott had a real affinity for the sty-lings of Krs-one, Kenny Beck decided to form a group around the three, Kevin (freshly released from New York State Prison), Scott and Krs-one. Their name was 12:41, given that moniker by Beck as that was the time they had completed the final mix. All three plus Beck can be heard rapping on the record. Scott, ever the social worker asked Beck to do this as a way out of the shelter for his friend Krs-one. Of course Kris and Scott wanted to concentrate on their own Boogie Down Crew but first they had to go through this. No one was paid for this project and the small amount budgeted by the label for the product prior to Scott La Rock's and Krs-one's involvement barely covered recording costs. This is why producer David Eng, Snow (Informer) and Inspector Gadget writer and studio owner of Bayside Sound (Lisa Lisa and Cult Jam, UTFO was brought in. The original song was written, produced and recorded by Kenny Beck and royalties and claims are being pursued for all parties involved. It was this project that educated Kris and Scott as to the importance of being producers of their music, as well as the artists, so at this point they decided to change the name of their own Boogie Down Crew to Boogie Down Productions.

At the close of 1987, the B.D.P lifestyle got real when Scott La Rock was killed trying to settle a dispute in the Bronx. This 'shocked' the Hip Hop community and, once again, rap and violence became a topic in the mainstream press. The rap community thought Boogie Down Productions was over but this only led to new plans for KRS-One. In 1988, KRS-One left B. Boy Records to sign with Jive Records and "By All Means Necessary" was released. Rap music was under a mainstream microscope and KRS-One now was able to release what he and Scott always dreamed about, an album that gave rap a different image. His first video on Jive Records was for "My Philosophy", a song that re-established his presence in the rap world.

KRS-One began his recording career as one third of the hip hop group Boogie Down Productions, or BDP, alongside DJ Scott La Rock and Derrick "D-Nice" Jones. They met during a stay KRS-One had at the Bronx Franklin Avenue Armory Shelter. La Rock (real name Scott Sterling) worked as a social worker there. The duo would begin to create music. After being rejected by radio DJs Mr. Magic and Marley Marl, KRS-One would go on to diss the two and those associated with them, sparking what would later be known as The Bridge Wars. Additionally, KRS had taken offense to "The Bridge", a song by Marley Marl's protege, MC Shan (later on, KRS One produced an album with Marley Marl in 2007); the song could be interpreted as a claim that Queensbridge was the monument of Hiphop, though MC Shan has repeatedly denied this claim. Still, KRS "dissed" the song with the BDP record "South Bronx"; next, a second round of volleys would ensue with Shan's "Kill That Noise" and BDP's "The Bridge Is Over". KRS-One, demonstrating his nickname "The Blastmaster", gave a live performance that devastated MC Shan, and many conceded he had won the battle. Many believe this live performance to be the first MC battle where rappers attack each other, instead of a battle between who can get the crowd more hyped.

Parker and Sterling decided to form a rap group together, initially calling themselves "Scott La Rock and the Celebrity Three". That was short-lived, however, as the two peripheral members quit, leaving Parker (now calling himself KRS-One) and Sterling. They then decided to call themselves "Boogie Down Productions", "Success is the Word", a 12-inch single produced by David Kenneth Eng and Kenny Beck was released on indie Fresh/Sleeping Bag Records (under the group name "12:41") but did not enjoy commercial success. Boogie Down Productions released their debut album Criminal Minded in 1987. The album, whose cover pictured BDP draped in ammunition and brandishing guns, is often credited with setting the template for the burgeoning genres of hardcore and gangsta rap. Scott La Rock was killed in a shooting later that year, after attempting to mediate a dispute between teenager and BDP member Derrick "D-Nice" Jones and local hoodlums.

During this time KRS-One also gained acclaim as one of the first MCs to incorporate Jamaican style into hip-hop. Using the Zung gu zung melody, originally made famous by Yellowman in Jamaican dance halls earlier in the decade. While KRS-One used Zunguzung styles in a more powerful and controversial manner, especially in his song titled "Remix for P is Free", he can still be credited as one of the more influential figures to bridge the gap between Jamaican music and American hip-hop.

Following the fatal shooting of Scott La Rock in 1987, KRS was determined to continue Boogie Down Productions through the tragedy, releasing the album By All Means Necessary in 1988. He was joined by beatboxer D-Nice, rapper Ramona "Ms. Melodie" Parker (whose marriage to Kris would last from 1988 to 1992), and Kris's younger brother DJ Kenny Parker, among others. However Boogie Down Productions would remain Kris's show, and their content would become increasingly political through their subsequent releases , Edutainment, Live Hardcore Worldwide and Sex and Violence.

KRS-One was the primary initiator behind the H.E.A.L. compilation and the Stop the Violence Movement; for the latter he would attract many prominent MCs to appear on the 12-inch single "Self Destruction". As Parker adopted this "humanist", less defensive approach, he turned away from his "Blastmaster" persona and towards that of "The Teacha", although he has constantly used "Blastmaster" throughout his career.

Solo career

in May 2006.]] After five largely solo albums under the name "Boogie Down Productions," KRS-One decided to set out on his own. On his first solo album, 1993's Return of the Boom Bap, Parker worked together with producers DJ Premier, Kid Capri and Showbiz, the latter providing the catchy-yet-hardcore track "Sound of da Police". His second album, 1995's KRS-One, featured Channel Live on "Free Mumia", a song in which they criticize Black Civil Rights Activist C. Delores Tucker among others. Other prominent guest stars on KRS One included Mad Lion, Busta Rhymes, Das EFX and Fat Joe.

In 1991, KRS-One appeared on the alternative rock group R.E.M.'s single "Radio Song", which appeared on the band's album Out of Time, released the same year.

In 1992, Bradley Nowell from Sublime featured an acoustic song named "KRS-One" with his voice and DJ's samplers.

In 1995, KRS organized a group called Channel Live, whose album Station Identification he produced most of, along with Rheji Burrell and Salaam Remi.

In 1997, Parker surprised many with his release of the album I Got Next. The album's lead single "Step into a World (Rapture's Delight)", containing a sample of punk and New Wave group Blondie, was accompanied by a remix featuring commercial rap icon Puff Daddy; another track was essentially a rock song. While the record would be his best-selling solo album (reaching #3 on the Billboard 200), such collaborations with notably mainstream artists and prominent, easily recognizable samples took many fans and observers of the vehemently anti-mainstream KRS-One by surprise. However, in August 1997, Parker appeared on Tim Westwood's BBC Radio 1 show and vociferously denounced the DJ and the radio station more generally, accusing them of ignoring his style of hip hop in favor of commercial artists such as Puff Daddy. Although having not been in the UK since 1991, due to the fact he does not fly, he claimed "to be in touch with the people", and said that "they weren't feeling Westwood, he's a sell out and has sold his soul to the dark side." This sparked controversy in the UK since Radio One was one of the main supporters of the single "Step Into My World" and caused the album to be his best selling. Parker has since visited the UK, most notably in May 2007, in a performance at the Royal Albert Hall where he once again dissed Tim Westwood in a freestyle.

In 1999, there were tentative plans to release Maximum Strength; a lead single, "5 Boroughs", was released on The Corruptor movie soundtrack. However, Parker apparently decided to abort the album's planned release, just as he had secured a position as a Vice-President of A&R; at Reprise Records. The shelved album was again scheduled to be released in 2008, but ultimately an unrelated album entitled "Maximum Strength 2008" was released in its place. He moved to southern California, and stayed there for two years, ending his relationship with Jive Records with A Retrospective in 2000.

Parker resigned from his A&R; position at Reprise in 2001, and returned to recording with a string of albums, beginning with 2001's The Sneak Attack on Koch Records. In 2002, he released a gospel-rap album, Spiritual Minded, surprising many longtime fans; Parker had once denounced Christianity as a "slavemaster religion" which African-Americans should not follow. During this period, KRS founded the Temple of Hiphop, an organization to preserve and promote "Hiphop Kulture". Other releases have since included 2003's Kristyles and D.I.G.I.T.A.L., 2004's Keep Right, and 2006's Life.

The only latter-day KRS-One album to gain any significant attention has been Hip-Hop Lives, his 2007 collaboration with fellow hip hop veteran Marley Marl, due in large part to the pair's legendary beef, but also the title's apparent response to Nas' 2006 release Hip-Hop Is Dead. While many critics have commented they would have been a lot more excited had this collaboration occurred twenty years earlier, the album has been met with positive reviews. KRS One has appeared on several songs with other artists, due to this he has received 9 Gold and 7 Platinum plaques.

KRS One has collaborated with several artists including Canadian Rap group Hellafactz, Jay-Roc N' Jakebeatz and New York producer Domingo among other. He and Domingo publicly squashed their beef that started over financial issues and released a digital single to iTunes on November 25. The single titled "Radio" will also feature Utah up and comer Eneeone and is dedicated to underground MC's that don't get the radio airplay they deserve. In 2009 KRS One guest starred on several albums including Arts & Entertainmen on the song "Pass the Mic" by fellow Hip Hop veterans Masta Ace & Ed O.G and featured on the posse cut "Mega Fresh X" by Cormega (alongside with DJ Red Alert, Parrish Smith, Grand Puba, & Big Daddy Kane) on his album Born and Raised.

KRS One and Buckshot announced that they would be collaborating on an album set to be released in 2009. The first single, ROBOT, was released on May 5, 2009. The music video was directed by Todd Angkasuwan and debuted as the New Joint of the Day on 106 & Park on September 4, 2009. The album leaked on the Internet on September 9, 2009 and released album was released on September 15, 2009. It debuted at #62, making it on The Billboard 200 selling around 8,500 copies its first week and was met with generally positive reviews. Steve Juon of RapReviews.com gave the album a flawless 10 out of 10, claiming "Buckshot and KRS have achieved something rather remarkable here - an album I can't find a single fault with. There's not a bad beat, there's not a whack rhyme, there's not a collaborator on a track that missed the mark, and the disc itself is neither too short nor too long."

In 2010 KRS One was honored along with Buckshot by artists Ruste Juxx, Torae & Skyzoo, Sha Stimuli, Promise, J.A.M.E.S. Watts and Team Facelift to name a few on their mixtape 'Survival Kit' which is an ode to the 2009 album Survival Skills by KRS One and Buckshot. The mixtape was released for free download on DuckDown.com. The album features new version of KRS classics 'South Bronx', 'Sound Of Da Police' and 'MC's Act Like They Don't Know' as well as new versions of well known Buckshot songs and 'Past Present Future' from the Survival Skills album. The MC Fashawn stated in his verse on MC's Act Like They Don't Know that 'I did it to make Kris smile I figured he'd appreciate it'

Most recently, KRS One was featured as the voice of Chris Cringle in the new Nike Most Valuable Puppets commercials. KRS One performed in May 2010 at SUNY New Paltz for their annual "Rock Against Racism" concert. KRS One also narrated the 2011 film Rhyme and Punishment, a documentary about Hip-Hop artists who have done jail time.

Stop the Violence Movement

The Stop the Violence Movement was formed by KRS-One in 1988/1989 in response to violence in the hip hop and black communities.

During a concert by Boogie Down Productions and Public Enemy a young fan was killed in a fight. Coming soon after the shooting death of his friend and fellow BDP member Scott La Rock, KRS-One was galvanized into action and formed the Stop the Violence Movement. Composed of some of the biggest stars in contemporary East Coast hip hop, the movement released a single, "Self Destruction", in 1989, with all proceeds going to the National Urban League. A music video was created, and a VHS cassette entitled Overcoming Self-Destruction - The Making of the Self-Destruction Video was also released.

"Self-Destruction" was produced by KRS-One and D-Nice of Boogie Down Productions (Hank Shocklee of the Bomb Squad is credited as an associate producer).

Temple of Hip Hop

The Temple of Hip Hop is a ministry, archive, School, and Society (M.A.S.S.) founded by KRS-One. Its goal is to maintain and promote Hiphop Kulture. The Temple of Hip Hop maintains that Hip Hop is a genuine political movement and culture, as it has been accepted by the United Nations as a culture. The Temple of Hiphop calls on all Hip Hop fans to celebrate Hip Hop Appreciation Week, occurring in the third week of May. It encourages DJs and MCs to teach people about the culture of Hiphop, to write more socially conscious songs, and radio stations to play more socially conscious hip hop. Hip Hop Appreciation Week is celebrated on the third week of May each year. Hip Hop History Month (November), founded by the Universal Zulu Nation, is also recognized.

September 11 comments

In 2004, KRS engendered a controversy when he was quoted in a panel discussion hosted by The New Yorker magazine as saying that "we cheered when 9/11 happened". The comment drew criticism from many sources, including a pointed barb by the New York Daily News that called Parker an "anarchist" and said that "If Osama bin Laden ever buys a rap album, he'll probably start with a CD by KRS-One." Parker responded to the commotion surrounding his comments with an editorial written for AllHipHop.com, stating:

In late 2005, KRS was featured alongside Public Enemy's Chuck D on the remix of the song "Bin Laden" by Immortal Technique and DJ Green Lantern, which blames American neo-conservatives, the Reagan Doctrine and U.S. President George W. Bush for the World Trade Center attacks, and indicates a parallel to the devaluation, destruction, and violence of urban housing project communities.

On April 29, 2007, KRS-One again defended his statements on the September 11 attacks when asked about them during an appearance on Hannity's America on the Fox News network stating that he meant that people cheered that the establishment had taken a hit, not that people were dying or had died. He also discussed amongst other things, the Don Imus scandal and the use of profanity in Hip-Hop.

Gospel of Hip Hop comments

In an interview with AllHipHop about his book "The Gospel of Hip Hop", KRS-One said:

"I’m suggesting that in 100 years, this book will be a new religion on the earth... I think I have the authority to approach God directly, I don’t have to go through any religion [or] train of thought. I can approach God directly myself and so I wrote a book called The Gospel of Hip Hop to free from all this nonsense garbage right now. I respect the Christianity, the Islam, the Judaism but their time is up. ...In a hundred years, everything that I’m saying to you will be common knowledge and people will be like, 'Why did he have to explain this? Wasn’t it obvious?'"

These comments have been referred to by numerous media outlets such as the AV Club who comment that "KRS-One writes 600-page hip-hop bible; blueprint for rap religion" and "KRS-One has never been afraid to court controversy and provoke strong reactions. Now the Boogie Down Productions legend has topped himself by writing The Gospel of Hip Hop: The First Instrument, a mammoth treatise on the spirituality of hip-hop he hopes will some day become a sacred text of a new hip-hop religion". Parker was a graphic designer and fashion entrepreneur. A private memorial service was held on July 18 , which would have been his 24th birthday.

Benefit for first responders

KRS-One spoke at a hip hop benefit concert on September 12, 2009 to benefit the first responders of 9/11 he spoke of non violence to take back the country. The event was presented by the 9/11 group We Are Change based in New York City and SMT Studios.

Awards

VH1

2004, VH1 Hip Hop Honors

BET Hip Hop Awards

2007, I am Hip Hop

2007, Lifetime Achievement

Urban Music Awards

2009, Living Legend Award

Discography

Filmography

Books

See also

Suicide, it's a suicide

References

External links

KRS-One Official Site

KRS-One MySpace Profile

Rolling Stone bio

Category:1965 births Category:Living people Category:African American rappers Category:American graffiti artists Category:American vegetarians Category:Hip hop activists Category:Jive Records artists

Category:American rappers of Jamaican descent Category:People from the Bronx Category:People from Brooklyn Category:Rappers from New York City Category:1990s rappers Category:E1 Music artists

Name	Masta Ace
Background	solo_singer
Birth name	Duval Clear
Alias
Born	December 04, 1966
Origin	Brownsville, Brooklyn, New York, USA
Genre	Hip hop
Years active	1988–present
Label	Cold Chillin' RecordsDelicious VinylJCOR RecordsM3 Records
Url	mastaace.comm3hiphop.com

Masta Ace (born Duval Clear on December 4, 1966) is a rapper from Brownsville, Brooklyn. He appeared on the classic 1988 Juice Crew posse cut "The Symphony". He is noted for his high level of rapping skill and for influencing other MCs, including Eminem.

Biography

1988-1994

Clear graduated from the University of Rhode Island in 1988, after meeting Marley Marl in 1987 during his summer break. Ace made his recording debut as Master Ace on the hip hop posse-cut "The Symphony", along with fellow Juice Crew members Craig G, Kool G Rap and Big Daddy Kane, released on Marley Marl's In Control album. The album also featured two additional Ace tracks, "Keep Your Eyes on the Prize" and "Simon Says". In 1989, he released his first solo single, "Together" b/w "Letter to the Better". His debut album, Take a Look Around, was released through Marl's Cold Chillin' label in 1990, featuring production from Marl and DJ Mister Cee. The album featured two minor hit singles in "Music Man" and "Me & The Biz", the latter being a track with Ace's impersonation of Biz Markie, rather than a duet as previously thought the song would be. In the same year, Ace became a member of a temporary crew Crooklyn Dodgers, formed for the release of Spike Lee's movie, Crooklyn, along with MC's Special Ed and Buckshot of Black Moon, and recorded the title track of the album soundtrack. The song became Ace's second Hot 100 hit in 1994, peaking at #60 on the chart.

1995-2000

Ace furthered his mainstream appeal in 1995, with his radio-friendly Sittin' on Chrome album. This effort was also released with the Masta Ace Incorporated crew, now also known as The I.N.C. The album was Ace's most commercially successful release, breaking into the Top 20 on Billboard's Top R&B;/Hip Hop Albums chart. Sittin' On Chrome included "Born to Roll", as well as two other Hot 100 hit singles, "The I.N.C. Ride" and "Sittin' on Chrome". Following the album's success, Ace had a falling out with I.N.C. members Lord Digga and Paula Perry, leading to the break up of the crew. After the split, Ace was largely missing from the hip hop scene over the next five years, save for a number of random vinyl singles. During his vinyl days, he bounced from a number of labels, releasing his "Cars" single on Tape Kingz Records, his "Yeah Yeah Yeah" and "NFL" singles on the Union Label, his "NY Confidential" single on Replay Records, his "Express Delivery" single on Three Sixty Records, his "Spread It Out/Hellbound" single on Yosumi Records, his "Conflict" single on Mona Records, his "Ghetto Like" single on Fat Beats, his "So Now U A MC" single on Bad Magic Records, and his "Brooklyn Blocks" single on Buckshot's Duck Down Records. eMC's first group album, The Show, was scheduled for early 2007 but was released in February 2008 digitally and April 2008 physically.

In 2007, Masta Ace had a track included on the Official Joints mixtape, a compilation of previously unreleased tracks by various NYC rappers. Arts and Entertainment got shortened to A&E; which resulted in the cable TV channel A&E; asking Masta and Edo to remove the symbol from their original album artwork. The albums already printed have been sold at live shows following the release of the record.

International work

He is featured on a song off of album Protuotrov (antidote) by Bosnian rapper Frenkie, the song is called Živili (live on) featuring Masta Ace & Phat Philly and is produced by Edo Maajka.

He appeared on Czech hiphop group Prago Union's album "HDP", where he performed on the track "Beat a i já und ich" along with German rapper Dendemann.

He also appeared on Polish rap group Familia H.P. album "42" on the track "Born In New York".

In 2003 he appeared on the Swedish rapper Chords' track "Get u awn" with Punchline. The track is on the album "The garden around the mansion".

Masta Ace travelled to Australia in 2008 to record for the Funkoars track "This is How" which came off the album The Hangover. The track sampled parts of the Masta Ace's 2004 track "Good Ol' Love". The Funkoars have made several references to Masta Ace in their lyrics as well as using samples in other works.

He is also featured on the track "Sminke" by the critically acclaimed Norwegian Hip Hop band Karpe Diem. The title of the album is Aldri Solgt En Løgn (Never Sold a Lie). In English the word "Sminke" means makeup, and the song is about artists trading their image for what their record companies wants it to be.

In 2007, he appeared on Admit It, a song by Swiss hip hop group Nefew from their album Off the Cuff.

In 2010, he appeared on "Set You Free" along with Wordsworth, a track by UK hip hop DJ/Producer "Skitz" from his album "The Sticksman".

Legacy

Masta Ace is considered to be a highly skilled and influential MC – music journalist Peter Shapiro describes him as “one of the great pure New York MCs”, and Allmusic describes him as “truly an underappreciated rap veteran and underground luminary”. Commenting on how Masta Ace is sometimes overlooked despite his skill, Rolling Stone says, “even the most avid fan of raw hip-hop lyricism can sometimes neglect to mention Masta Ace alongside hard-bitten champs such as Rakim, KRS-One, Big Daddy Kane, Slick Rick and Kool G. Rap”. Eminem mentions Masta Ace as one of his influences in his book ‘The Way I Am’, saying, “Masta Ace had amazing storytelling skills – his thoughts were so vivid”.

Discography

Take a Look Around (1990)

SlaughtaHouse with Masta Ace Incorporated (1993)

Sittin' on Chrome with Masta Ace Incorporated (1995)

Disposable Arts (2001)

A Long Hot Summer (2004)

The Show with eMC (2008)

Arts & Entertainment with Edo G (2009)

External links

Official Masta Ace Site

M3 Records Official Site

Delicious Vinyl Records catalog

Interview with Masta Ace recorded in 2005 on public radio program The Sound of Young America

Masta Ace Interview. Source: ILLHILL.com

Masta Ace Interview (ArtofRhyme.com)

References

http://itunes.apple.com/us/album/ghetto-love-ep/id275791975

Category:African American rappers Category:People from Brooklyn Category:Delicious Vinyl artists Category:Rappers from New York City Category:Cold Chillin' Records artists Category:1966 births Category:Living people

Name	Don "Magic" Juan
Landscape	hoe
Background	solo_singer
Origin	Chicago, Illinois, U.S.
Years active	2002–present
Label	Avatar Records
Url	www.thebishop.us http://www.myspace.com/pimpdon

Don "Magic" Juan (born Donald Campbell, aka The Chairman of the Board, Archbishop Don 'Da Magic' Juan, Bishop Magic Juan, and Bishop) is an American hip hop artist, actor, fashion designer, and pimp from Chicago.

Juan's climb to mainstream celebrity began when he met Snoop Dogg backstage at one of his concerts. They soon became good friends, and Juan became Snoop's "spiritual advisor". He also acts as a "spiritual advisor" to Gina Gershon as seen in an episode of the documentary series Rocked with Gina Gershon. To date, Juan has not released any albums of his own, although in 2003, Snoop Dogg stated that he was working on producing Juan's first album. Juan did release a compilation album of '70s and '80s soul classics in 2006, titled Green is for the Money, Gold is for the Honeys.

Juan has had several supporting roles in music, videos, and live stage shows of established rap artists, including a remix of 50 Cent's "P.I.M.P.", (as well as being featured in the music video), and a spoken-word interlude on Da Brat's album Unrestricted. He is also featured in Twista's song "Pimp On" from the Kamikaze album, and "Bo$$ Playa" from Snoop Dogg's album Paid tha Cost to Be da Boss. Juan can also be seen as part of Snoop's entourage in movies such as Starsky & Hutch and Old School. His TV appearances include the Ice-T episode of Behind the Music, Girls Next Door, The Daily Show, Rob and Big, and Viva La Bam. Juan also appears in the B-Real music video "Los Angeles" directed by Director Hugo V, Pimps Up, Ho's Down, a documentary about the pimping lifestyle, and the Hughes Brothers-directed documentary American Pimp.

Juan was caricatured in Aaron McGruder's comic strip The Boondocks for a November–December 2003 story arc during which Boondocks characters Huey and Caesar were attempting to find then-U.S. National Security Advisor Condoleezza Rice a boyfriend. He also had a small role as a pimp associated to the character Money Mike, played by Katt Williams, in the film Friday After Next starring Ice Cube. Juan made a brief appearance on the first episode of Mind of Mencia. The character Silky Johnson (a player hater: an individual in stereotypical pimp attire known for hurling verbal insults) from Chapelle's Show is based largely on Juan. In 2007, Juan was honored with his own colorway of the McNally skateboard shoe by Emerica.

Discography

Albums

2006: Green is for the Money, Gold is for the Honeys Vol. 1 (Avatar Records)

Guest appearances

References

External links

Official Website

[ Allmusic review of Green is for the Money, Gold is for the Honeys Vol. 1]

The Bishop articles on the Emerica site

Rare footage of Pastor Don Magic Juan, founder of Chicago's Magic World Christian Church

http://www.worldstarhiphop.com/videos/video.php?v=wshh1RXgApq9E2012987

Category:American pimps and madams Category:Living people Category:People from Chicago, Illinois