- published: 10 Apr 2016
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The Crawdaddy Club was a 1960s music venue in Richmond, Surrey, England. Several other seminal British blues and rhythm and blues acts also played there.
The club, which started towards the end of 1962, was the idea of Giorgio Gomelsky, film-maker and blues enthusiast, who had filmed Chris Barber's band at the first Richmond Jazz Festival. His first resident group was the Dave Hunt R & B Band which briefly featured Ray Davies, who later formed The Kinks.
In February 1963, The Rolling Stones played their first gig at the Crawdaddy, then located at the Station Hotel, Richmond,opposite the railway station. The Stones soon became so popular that audiences overflowed onto the street, and the Crawdaddy was forced to move to a larger venue, the Richmond Athletic Ground. By April 1963, the Stones had two gigs a week at the Crawdaddy and a weekly slot at Eel Pie Island, two miles away in Twickenham. During this time, the band had their first chart hit, Come On.
When The Stones became too big for small local clubs and went on tour, their residency at the Crawdaddy was taken over by another leading R & B group from nearby Kingston upon Thames, The Yardbirds, featuring Eric Clapton.
Robert George "Joe" Meek (5 April 1929 Newent, Gloucestershire – 3 February 1967 in London) was a pioneering English record producer and songwriter.
His most famous work was The Tornados' hit "Telstar" in 1962, which became the first record by a British group to hit #1 in the US Hot 100. It also spent five weeks atop the UK singles chart, with Meek receiving an Ivor Novello Award for this production as the "Best-Selling A-Side" of 1962.
Meek's other notable hit productions include "Don't You Rock Me Daddy-O" and "Cumberland Gap" by Lonnie Donegan (as engineer), "Johnny Remember Me" by John Leyton, "Just Like Eddie" by Heinz, "Angela Jones" by Michael Cox, "Have I the Right?" by The Honeycombs, and "Tribute to Buddy Holly" by Mike Berry. Meek's concept album I Hear a New World is regarded as a watershed in modern music for its innovative use of electronic sounds.
Joe Meek was also producing music for films, most notably Live It Up! (US title Sing and Swing), a 1963 pop music film starring Heinz Burt, David Hemmings and Steve Marriott, also featuring Gene Vincent, Jenny Moss, The Outlaws, Kim Roberts, Kenny Ball, Patsy Ann Noble and others. Meek wrote most of the songs and incidental music, much of which was recorded by The Saints and produced by Meek.
Actors: George Folsey Jr. (editor), Julius Harris (actor), Fred Williamson (actor), Larry Cohen (director), Larry Cohen (producer), Andrew Duggan (actor), James Brown (composer), Val Avery (actor), Larry Cohen (writer), William Wellman Jr. (actor), David Sheldon (miscellaneous crew), Paul Stader (miscellaneous crew), James Dixon (actor), James Dixon (producer), D'Urville Martin (actor),
Plot: Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the racist society around him, both criminal and straight, he sees the acquisition of power as the solution to his rage. He performs a free-lance hit on a Mob contract to attract the attention of the head of a Mafia family. Reluctantly accepted into 'The Family,' he grows increasingly autonomous and aggressive, eventually starting a gang war.
Keywords: 1950s, 1970s, absent-father, african-american, anger, anti-hero, apartment, assassin, assassination, assassination-attemptThey don’t know,
They won’t see,
They won’t change,
They won’t be,
They won’t love,
They won’t go,
They won’t touch,
So they don’t know,
How much it takes for me to stay awake,
Dodging the poisonous darts you throw with your face,
I try to avoid the dark but it’s hard,
When you let go of me like rose pedals in the front yard,
One card, we play till we pass out,
Used to be my ace, now I’m feeling assed out,
So I back out the front porch,
While you reconsider what you really want more,
Me? Nah, I got a knack at leaving you breathless,
Bringing out the smiles that the angels eat for breakfast,
You deadest on watching me step,
Across a bed of coals just to see which arguments next,
Stress don’t leave when you’re next to me,
I’m my kinder side, you’ve got the best of me,
So let’s act like we don’t care,
There’s a moonlit path outside,
We should go there,
And make the clouds part,
I’ll grab you by the wings and you can guide me through the wild part,
Then that smile starts to speak,
Telling me why it’s been gone for weeks,
If it was all on me,
We’d get together right now,
Debate our different lifestyles,
And this is how it might sound,
They don’t know,
They won’t see,
They won’t change,
They won’t be,
They won’t love,
They won’t go,
They won’t touch,
So they don’t know,
What it’s like to wake up to a princess,
Eyes like a lighter, you spark my interest,
We invest too much to be selective,
Ingest solitude then redefine my objective,
Cause that necklace really makes me want to choke you,
Kill all the demons that grab your soul and hold you,
If I could mold you to just my shape,
I’d change absolutely nothing,
Mm that’s great,
Now that we got it all out on the table,
Come here baby girl I want to fuck with your halo,
Grab you by the hips and settle the score,