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A family farm is a farm owned and operated by a family, and passed down from generation to generation. It is the basic unit of the mostly agricultural economy of much of human history and continues to be so in developing nations. Alternatives to family farms include those run by agribusiness, colloquially known as factory farms, or by collective farming.
#produces agricultural commodities for sale in such quantities so as to be recognized in the community as a farm and not a rural residence; #produces enough income (including off-farm employment) to pay family and farm operating expenses, pay debts, and maintain the property; #is managed by the operator; #has a substantial amount of labor provided by the operator and the operator’s family; and #may use seasonal labor during peak periods and a reasonable amount of full-time hired labor. (For exact language, see 7 U.S.C. 1941.4,1943.4).
The social roles of family farms remain fairly unchanged today. Staying in line with traditional and conservative sociology, the heads of the household are usually the oldest man followed closely by his oldest sons. The wife generally took care of the housework, child rearing, and financial matters pertaining to the farm. However, agricultural activities have taken on many forms and change over time. Agronomy, horticulture, aquaculture, silviculture, and apiculture along with traditional plants and animals all make up aspects of today's family farm.
Bolder promoters argue that as agriculture has become more efficient with the application of modern management and new technologies in each generation, the idealized classic family farm is now simply obsolete, or more often, unable to compete without the economies of scale available to larger and more modern farms. Advocates argue that family farms in all nations need to be protected, as the basis of rural society and social stability.
According to the United States Department of Agriculture, ninety-eight percent of all farms in the U.S. are family farms. Two percent of farms are not family farms, and those two percent make up fourteen percent of total agricultural output in the United States, although half of them have total sales of less than $50,000 per year. Overall, ninety-one percent of farms in the United States are considered "small family farms" (with sales of less than $250,000 per year), and those farms produce twenty-seven percent of U.S. agricultural output.
Depending on the type and size of independently owned operation, some limiting factors are:
Over the last century, the people of developed nations have collectively taken most of the steps down the path to this situation. Individual farmers opted for successive waves of new technology, happily "trading in their horses for a tractor", increasing their debt and their production capacity. This in turn required larger, more distant markets, and heavier and more complex financing. The public willingly purchased increasingly commoditized, processed, shipped and relatively inexpensive food. The availability of an increasingly diverse supply of fresh, uncured, unpreserved produce and meat in all seasons of the year (oranges in January, freshly killed steers in July, fresh pork rather than salted, smoked, or potassium-impregnated ham) opened an entirely new cuisine and an unprecedented healthy diet to millions of consumers who had never enjoyed such produce before. These abilities also brought to market an unprecedented variety of processed foods, such as corn syrup and bleached flour. For the family farm this new technology and increasingly complex marketing strategy has presented new and unprecedented challenges, and not all family farmers have been able to effectively cope with the changing market conditions.
It is arguable whether any sort of "idyllic" life existed for most of the millions of family farms that have disappeared in recent decades. At the beginning of 20th century, an average farm in North America produced much less food per acre than it does nowadays. A likely conclusion is that for a time in the middle decades of the last century, a large number of farms achieved a temporarily comfortable position by capitalizing on rapidly emerging new technologies, markets, and growth-oriented philosophies. As growth and "production efficiency" kept increasing, this position began to reverse noticeably, at least by the 1970s. The number of farms, and of farm families living on the land, has dropped every decade in the United States since 1920. In part this was a function of economies of scale and competitive pressures. In part it may be perceived as an indication that "family farming", in its raw, realistic form, is just plain hard work, with limited social and cultural opportunities, and competes poorly as an occupation and a "lifestyle" with urban and suburban opportunities.
In the current situation, for the independent "family farmer" to regain any sort of practical economic independence, it would seem necessary that the entire food industry be restructured. Furthermore, given the extreme number of defunct family farms, it is not so much a matter of saving or preserving the family farm (whatever it was, it is effectively already gone), but of using the remaining knowledge, expertise and farms as the framework for the "new family farm." A serious question, however, is whether the entire food system should be "restructured" in order to preserve a failed or perhaps mythological ideal, or whether the population of the world, now approaching 7 billion people, will be sustained by a return to labor-intensive farming and local mom and pop marketing practices. The answer, however, can hardly be considered immediately obvious, especially since many of these 7 billion people might find they prefer growing food to current urban lower-class options such as data entry, food service, and telemarketing.
As an example of the evolution of the "family farm", the history of North Dakota is illuminating. Although originally developed as enormous "bonanza farms" in the 1870s, these were broken up and sold off into smaller holdings and other parts of the state were homesteaded in quarter section (160 acre) farms. The state was predominantly farmed by individuals and families by the 1920s and 1930s. The state enjoyed a populist boom in the early 20th century, as farmer-controlled legislatures seized control of the marketing and sale of agricultrual products and placed it in state-sponsored "cooperatives" to enable smaller producers to escape the grip of the railroads and the industrialized food merchants. These retrograde polices have long since been abandoned as unrealistic and unsustainable. In 2007, most farmland in North Dakota remains owned by individuals. Corporate ownership of farmland has been illegal since a statewide voter initiative in 1933. The scale of agriculture in North Dakota, however, is a far cry from the idyllic conception of an intimate hands-on family operation of mixed agriculture. The typical dry-land wheat farm in North Dakota consists of several thousand acres with equipment on a scale to match. The produce of these farms is assembled on 120-car trains and shipped to distant markets as part of the international stream of commerce.
Farms such as this typically are aggregations of fifteen, twenty or more homesteaded quarter sections of land (160 acres) which at one time contained "family farms", as witnessed by the numerous abandoned farmsteads, ghost towns, and abandoned country churches and cemeteries memorializing a much larger rural population that is long since disappeared forever. The countryside is depopulated, as the homesteads of settlers from the 1890s to 1920s were uneconomic and their inhabitants misled or misguided into believing they were viable.
The thousands of abandoned or obliterated farmsteads and other evidence of rural depopulation in North Dakota, including many now-vacant and deteriorated homesteads which were thriving family farms into the 1970s, are a counterpoint to romantic notions of "family farming" in the 21st century.
In the last few decades there has been a resurgence of interest in organic and free range foods. A percentage of consumers have begun to question the viability of industrial agriculture practices and have turned to organic groceries that sell products produced on family farms including not only meat and produce but also such things as wheat germ breads and natural lye soaps (as opposed to bleached white breads and petroleum based detergent bars). Others buy these products direct from family farms. The "new family farm" provides an alternative market in some localities with an array of traditionally and naturally produced products.
Such "organic" and "free-range" farming is attainable where a significant number of affluent urban and suburban consumers willingly pay a premium for the ideals of "locally produced produce" and "humane treatment of animals". Sometimes, these farms are hobby or part-time ventures, or supported by wealth from other sources. Viable farms on a scale sufficient to support modern families at an income level commensurate with urban and suburban upper middle class families are often large scale operations, both in area and capital requirements. These farms, family owned and operated in a technologically and economically conventional manner, produce crops and animal products oriented to national and international markets, rather than to local markets. In assessing this complex economic situation, it is important to consider all sources of income available to these farms; for instance, the millions of dollars in farm subsidies which the United States government offers each year. As fuel prices rise, foods shipped to national and international markets are already rising in price.
Category:Real estate Category:Farms Category:Agricultural economics Category:Rural community development
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Willie Nelson |
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Landscape | no |
Background | solo_singer |
Birth name | Willie Hugh Nelson |
Born | April 30, 1933Abbott, TexasUnited States is an American country singer-songwriter, author, poet, actor and activist. He reached his greatest fame during the outlaw country movement of the 1970s, and remains iconic, especially in American popular culture. |
Name | Nelson, Willie Hugh |
|short description | American entertainer and songwriter |
|date of birth | April 30, 1933 | |
Place of birth | Abbott, Texas, United States of America | |
Date of death | | |
Place of death | | |
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Miley Cyrus |
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Background | solo_singer |
Birth name | Destiny Hope Cyrus |
Born | November 23, 1992 |
Origin | Nashville, Tennessee,United States pop rock, teen pop, country pop, electropop, dance pop |
Occupation | Actress, author, entrepreneur, fashion designer, singer, songwriter, musician, dancer |
Years active | 2001–present |
Label | Hollywood, Fascination (UK), Avex (Japan) |
Associated acts | Jonas Brothers, Billy Ray Cyrus |
Url |
She began her foray into film by providing the voice of "Penny" in the animated film Bolt (2008). Cyrus earned a nomination for the Golden Globe Award for Best Original Song for her performance of Bolts theme song, "I Thought I Lost You". She also reprised her role as Miley Stewart/Hannah Montana in (2009). The introduced her to new audiences within country and adult contemporary markets.
She began to cultivate an adult image in 2009 with the release of The Time of Our Lives (2009), an extended play which presented a more mainstream pop sound, and by filming The Last Song (2010), a coming-of-age drama film. The former included Cyrus's best-selling single, "Party in the U.S.A." (2009). A studio album titled Can't Be Tamed was released in 2010 and presents a new dance-pop sound. The music video and lyrics of the album's lead single, "Can't Be Tamed", portrays a more sexualized image for the entertainer. Cyrus ranked number thirteen on Forbes 2010 Celebrity 100.
Against the wishes of her father's record company, Cyrus's parents secretly married a month after Cyrus's birth on December 28, 1992. She has a half-brother, Christopher Cody, Billy Ray's son from a brief relationship, born the same year as Miley; he grew up with his mother in South Carolina. Tish and Billy Ray had two more children, Braison and Noah. Cyrus's godmother is entertainer Dolly Parton. Cyrus was very close to her paternal grandfather, Democratic politician Ronald Ray Cyrus. Cyrus has paid her grandfather several tributes since his death in 2006, including eventually changing her middle name to "Ray". According to Cyrus's father, "A lot of people say Miley changed her name to Miley Ray because of Billy Ray, but that's not true. She did that in honor of my dad, because the two of them just loved each other to pieces." and attended Heritage Elementary School. She was raised Christian and was baptized in a Southern Baptist church prior to moving to Hollywood in 2005. She attended church regularly while growing up and wore a purity ring. Cyrus would not seriously consider acting until she was eight. Several of Cyrus's siblings also eventually entered the entertainment business: Trace became a vocalist and guitarist for the electronic pop band Metro Station, Noah became an actress, and Brandi became a guitarist.
As Cyrus's career took off, Tish Cyrus made several critical decisions regarding her daughter's representation. She signed Cyrus with Mitchell Gossett, director of the youth division at Cunningham Escott Slevin Doherty. Gossett, who specializes in creating child stars, had arranged for Cyrus's auditions for Hannah Montana and is credited with "discovering" her. For Cyrus's music career, Tish followed the advice of Dolly Parton, Cyrus's godmother and a singer herself, and signed Cyrus with Jason Morey of Morey Management Group. "Dolly said the Moreys are people you can trust around your daughter," Tish Cyrus recalls, "and she said they have good morals, which is not always the case in this business." Tish also recruited Billy Ray's business manager to manage her daughter's finances. Tish herself continues to co-manage or produce many of Cyrus's career decisions. and studied with a private tutor on the set of her television show.
The second season of Hannah Montana premiered on April 23, 2007, and ran until October 12, 2008. Cyrus signed a four-album deal with Disney-owned Hollywood Records and, on June 26, 2007, released a double-disc album. The first disc was the soundtrack to the second season of Hannah Montana, while the second, titled Meet Miley Cyrus, was Cyrus's debut album credited to her own name. The double-disc album peaked at number one on the Billboard 200 and was later certified three times platinum by the Recording Industry Association of America (RIAA). Meet Miley Cyrus generated "See You Again", Cyrus's first single to be released under her own name and her first top ten hit on the Billboard Hot 100. In Fall 2007, Cyrus launched her first tour, the Best of Both Worlds Tour, to promote Meet Miley Cyrus and the Hannah Montana soundtracks. With the Jonas Brothers, Aly & AJ, and Everlife as her opening acts, Cyrus toured from October 17, 2007 to January 31, 2008 with stops in the U.S. and Canada. Tickets sold out in minutes and were scalped for up to $2,500 and an average of $214, well above their $26–$65 face value. A Ticketmaster official commented, "Hell hath no fury like the parent of a child throwing a tantrum. People who have been in this business for a long time are watching what's happening, and they say there hasn't been a demand of this level or intensity since The Beatles or Elvis."
On July 22, 2008, Cyrus released her second studio album under her own name, entitled Breakout. Cyrus said Breakout was inspired by "what's been going on in my life in the past year." Cyrus co-wrote eight out of twelve songs on the album. The album debuted at #1 on the U.S. Billboard 200 chart and its lead single, "7 Things", peaked at number 9 on the Billboard Hot 100. She hosted the 2008 CMT Music Awards with her father in April and the 2008 Teen Choice Awards by herself in August. Cyrus provided the voice of Penny in the 2008 computer-animated film Bolt, which was released on November 21, 2008 to critical acclaim. Cyrus also co-wrote and recorded the song "I Thought I Lost You" as a duet with John Travolta for the film, for which she received a Golden Globe nomination. In September 2009, she participated in the charity single "Just Stand Up!" in support of the anti-cancer campaign Stand Up to Cancer and in the City of Hope Benefit Concert in support of cancer research and training programs. She also became involved in Disney's Friends for Change, an environmentalist group, for which she recorded the charity single "Send It On" along with several other Disney Channel stars.
Cyrus had already begun transitioning to a more grown-up image in late 2008, when her representatives negotiated a deal for novelist Nicholas Sparks to write the screenplay and novel basis for a film that would serve as a star vehicle for Cyrus by introducing her to audiences older than the young fans she had gained through Hannah Montana. Sparks and co-writer Jeff Van Wie developed The Last Song. In March 2009, Cyrus published Miles To Go, a memoir co-written by Hilary Liftin chronicling her life through age sixteen. Cyrus starred as Miley Stewart/Hannah Montana in , released April 10, 2009. Both the film and its soundtrack, which contained twelve songs performed by Cyrus, achieved commercial success. The soundtrack's lead single, "The Climb", became a Top 40 hit in twelve countries and introduced Cyrus to listeners outside her typical teen pop audience. Cyrus had considered ending Hannah Montana after its third season, which finished production on June 5, 2009, but Disney retained and exercised its option for a fourth season.
Production on The Last Song lasted from June 15, 2009 to August 18, 2009. In between, Cyrus launched the third Hannah Montana soundtrack, recorded the extended play The Time of Our Lives, and released the EP's lead single, "Party in the U.S.A." Cyrus said The Time of Our Lives "is a transitioning album. [...] really to introduce people to what I want my next record to sound like and with time I will be able to do that a little more." "Party in the U.S.A." debuted at number two on the Billboard Hot 100 for her best-ever ranking on the chart. The Time of Our Lives was released in conjunction with a clothing line co-designed by Cyrus and Max Azria for Walmart.
From September 14, 2009 to December 29, 2010, Cyrus toured on her Wonder World Tour to promote Breakout and The Time of Our Lives. On December 7, 2009, Cyrus performed for Queen Elizabeth II and numerous other members of the British Royal Family at the Royal Variety Performance in Blackpool, North West England.
Cyrus starred in The Last Song, which was released on March 31, 2010, and received generally poor reviews, as did Cyrus's performance. Nonetheless, the film was commercially successful, grossing more than $88 million at the worldwide box office. According to box-office analyst Exhibitor Relations, the film marked "a successful transition to adult roles for Miley Cyrus."
The fourth and final season of Hannah Montana began airing on Disney Channel on July 11, 2010 and is scheduled to end in 2011.
As of December 2010, Cyrus is set to star in two more films, and So Undercover. In LOL, a remake of a 2008 French teen comedy, Cyrus plays "a daughter who is involved with all the wrong kids, doing drugs, failing school, but [...whose] mother has her on this perfect pedestal" and says "[She] just fell in love with the story." Miley's character loses her virginity, smokes cannabis, gets wasted and kisses two girlfriends on the lips. She will also star in So Undercover, an action comedy film. Cyrus will play the part of "a tough, street-smart private eye hired by the FBI to go undercover in a college sorority." She will learn street fighting for the role. Parade magazine reported she was the richest teenage celebrity and that her franchise would be worth approximately $1 billion by the end of the year. With Cyrus's increased success came increased media attention. In a May 2008 interview with The Los Angeles Times, Francois Navarre, the proprietor of the X17 photo agency, said Cyrus's market value had picked up considerably after the Vanity Fair photo controversy: "She's started to sell more. [...] It used to be $300, and now it's $2,000 for a picture." Estimates for a picture of the then-15 year old's first kiss ranged from $30,000 to $150,000.
Cyrus celebrated her 16th birthday at Disneyland with a charity fundraiser for Youth Service America, a youth volunteer service organization.
At the end of 2009, Billboard magazine ranked Cyrus the fourth best-selling female artist and the fifth best-selling singer overall. Forbes ranked her #29 on the Celebrity 100 and reported she had earned a total of $25 million.
On October 8, 2009, Cyrus deleted her account on the social networking site Twitter, citing a desire for more privacy. She also told Parade magazine, "I deleted my Twitter account because I said on there that I believed in gay marriage because everyone should have the right to love each other, and I got such hate mail about my being a bad person." Cyrus was very popular on the site: her account was watched by approximately 2 million Twitter users in addition to the general public at the time of deletion.
On October 26, 2010, less than a month before Cyrus's eighteenth birthday, her father Billy Ray Cyrus filed for divorce from her mother in Tennessee, citing irreconcilable differences. In a statement made to People the next day announcing the split, the couple said, "As you can imagine, this is a very difficult time for our family... We are trying to work through some personal matters. We appreciate your thoughts and prayers."
In April 2008, several provocative images of Cyrus in her underwear and swimsuit were leaked onto the web by a teenager who hacked Cyrus's Gmail account. Cyrus described the images as "silly, inappropriate shots" and stated, "I am going to make mistakes and I am not perfect. I never intended for any of this to happen and I am truly sorry if I have disappointed anyone." On April 25, 2008, the televised entertainment program Entertainment Tonight reported that Cyrus, then 15, had posed topless for a photoshoot taken by photographer Annie Leibovitz for Vanity Fair. On April 29, 2008, The New York Times clarified that though the pictures left an impression that she was bare-breasted, Cyrus was wrapped in a bedsheet and was actually not topless. Some parents expressed outrage at the nature of the photograph, which a Disney spokesperson described as "a situation [that] was created to deliberately manipulate a 15-year-old in order to sell magazines." Gary Marsh, president of entertainment for Disney Channel Worldwide, was quoted by Portfolio magazine to have said, “For Miley Cyrus to be a 'good girl' is now a business decision for her. Parents have invested in her a godliness. If she violates that trust, she won't get it back."
In May 2008, Gossett, Cyrus's longtime acting agent, left Cunningham Escott Slevin Doherty for United Talent Agency, partially with the hope of "giving Cyrus the major-agency backing that would support a widening career", according to The Hollywood Reporter. About a year later in June 2009, Cyrus left both Gossett and UTA, which had recently negotiated her deals for The Last Song and the fourth season of Hannah Montana, and joined the Creative Artists Agency, which had already represented her for music. Nikki Finke, who broke the news, reported, "Is this fair to UTA? Of course not. But I hear the decision was made by Miley's mother Trish Cyrus".
Cyrus's performance of "Party in the U.S.A." at the 2009 Teen Choice Awards incited a media uproar, with some viewers criticizing Cyrus's provocative outfit and inclusion of a brief pole dance as inappropriate for her age, then sixteen, and for her young fans. Conversely, Newsday reported that her sexualization "has been coming for some time." Cyrus was also criticized that year for dating Gaston, five years her senior, and for a photo displaying Cyrus and friends making "slant-eyed" expressions, which the Organization of Chinese Americans claimed was offensive to the Asian community. Cyrus apologized for the photo on her website, defending her actions and saying, "In NO way was I making fun of any ethnicity! I was simply making a goofy face."
Later in 2010, TMZ released a video of Cyrus, then 16, giving Adam Shankman, producer of The Last Song, a lap dance at the film's wrap party. Cyrus's father defended her actions, saying Miley was just "having fun" and that "it's what people her age do". Later that year in December, TMZ released a video of Cyrus, which took place five days after her 18th birthday at her Los Angeles home, in which she is seen smoking from a bong. She claimed she was smoking the psychoactive plant salvia divinorum, although this has not been confirmed by anybody but Cyrus herself. Salvia is legal in the state of California, and Cyrus was of legal age at the time the video was shot. Cyrus's father expressed his sadness regarding the matter on Twitter, saying, "Sorry guys. I had no idea. Just saw this stuff for the first time myself. Im so sad. There is much beyond my control right now".
In June 2009, Cyrus ended her nine month relationship with model Justin Gaston shortly before flying to Georgia to film The Last Song. While filming later that month, Cyrus began dating her co-star in The Last Song, Australian actor Liam Hemsworth. She later called him her "first serious boyfriend". In August 2010, it was confirmed that her relationship with Hemsworth had ended. Cyrus and Hemsworth were seen together a month later, and were reportedly back together. It was announced in early November that the couple had split again.
{| class="wikitable sortable" |+ Television ! Year ! Title ! Role ! class="unsortable" | Notes |- | 2001–2003 | Doc | Kylie | Recurring role |- | 2006– 2011 | Hannah Montana | Miley Stewart / Hannah Montana | Lead role |- | 2006 | The Suite Life of Zack & Cody | Miley Stewart / Hannah Montana | "That's So Suite Life of Hannah Montana" (Season 2, Episode 20) |- | 2007 | | Celebrity Star (voice) | "Frog Prince" (Season 2, Episode 5) |- | 2007–2008 | | Yata (voice) | Recurring role |- | 2009 | | Miley Stewart / Hannah Montana | "Double-Crossed" (Season 1, Episode 21) |}
Category:Musicians from Tennessee Category:People from Franklin, Tennessee Category:People from Nashville, Tennessee Category:Southern Baptists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.