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The number of internationally operating NGOs is estimated at 40,000. National numbers are even higher: Russia has 277,000 NGOs; India is estimated to have around 3.3 million NGOs.
Common usage varies between countries - for example NGO is commonly used for domestic organizations in Australia that would be referred to as non-profit organizations in the United States. Such organizations that operate on the international level are fairly consistently referred to as "non-governmental organizations", in the United States and elsewhere.
There is a growing movement within the non-profit organization/non-government sector to define itself in a more constructive, accurate way. The "non-profit" designation is seen to be particularly dysfunctional because of at least three reasons: 1) It says nothing about the purpose of the organization, only what it is not; 2) It focuses the mind on "profit" as being the opposite of the organization's purpose; 3) It implies that the organization has few financial resources, which increases the likelihood that it will. Instead of being defined by "non-" words, organizations are suggesting new terminology to describe the sector. The term "social benefit organization" (SBO) is being adopted by some organizations. This defines them in terms of their positive mission. The term "civil society organization" (CSO) has also been used by a growing number of organizations, such as the Center for the Study of Global Governance. The term "citizen sector organization" (CSO) has also been advocated to describe the sector — as one of citizens, for citizens. These labels, SBO and CSO, position the sector as its own entity, without relying on language used for the government or business sectors. However, some have argued that CSO is not particularly helpful, given that most NGOs are in fact funded by governments and business and that some NGOs are clearly hostile to independently organized people's organizations. The term "social benefit organization" seems to avoid that problem, since it does not assume any particular structure, but rather focuses on the organization's mission.
Rapid development of the non-governmental sector occurred in western countries as a result of the processes of restructuring of the welfare state. Further globalization of that process occurred after the fall of the communist system and was an important part of the Washington consensus.
Globalization during the 20th century gave rise to the importance of NGOs. Many problems could not be solved within a nation. International treaties and international organizations such as the World Trade Organization were perceived as being too centred on the interests of capitalist enterprises. Some argued that in an attempt to counterbalance this trend, NGOs have developed to emphasize humanitarian issues, developmental aid and sustainable development. A prominent example of this is the World Social Forum, which is a rival convention to the World Economic Forum held annually in January in Davos, Switzerland. The fifth World Social Forum in Porto Alegre, Brazil, in January 2005 was attended by representatives from more than 1,000 NGOs. Some have argued that in forums like these, NGOs take the place of what should belong to popular movements of the poor. Others argue that NGOs are often imperialist in nature, that they sometimes operate in a racialized manner in third world countries, and that they fulfill a similar function to that of the clergy during the high colonial era. The philosopher Peter Hallward argues that they are an aristocratic form of politics. Whatever the case, NGO transnational networking is now extensive.
NGO type by orientation
NGO type by level of co-operation
Apart from "NGO", often alternative terms are used as for example: independent sector, volunteer sector, civil society, grassroots organizations, transnational social movement organizations, private voluntary organizations, self-help organizations and non-state actors (NSA's).
Non-governmental organizations are a heterogeneous group. A long list of acronyms has developed around the term "NGO".
These include:
There are also numerous classifications of NGOs. The typology the World Bank uses divides them into Operational and Advocacy:
The primary purpose of an operational NGO is the design and implementation of development-related projects. One frequently used categorization is the division into relief-oriented versus development-oriented organizations; they can also be classified according to whether they stress service delivery or participation; or whether they are religious or secular; and whether they are more public or private-oriented. Operational NGOs can be community-based, national or international.
The primary purpose of an Advocacy NGO is to defend or promote a specific cause. As opposed to operational project management, these organizations typically try to raise awareness, acceptance and knowledge by lobbying, press work and activist events.
USAID refers to NGOs as private voluntary organisations. However many scholars have argued that this definition is highly problematic as many NGOs are in fact state and corporate funded and managed projects with professional staff.
NGOs exist for a variety of reasons, usually to further the political or social goals of their members or funders. Examples include improving the state of the natural environment, encouraging the observance of human rights, improving the welfare of the disadvantaged, or representing a corporate agenda. However, there are a huge number of such organizations and their goals cover a broad range of political and philosophical positions. This can also easily be applied to private schools and athletic organizations.
There is some dispute as to whether expatriates should be sent to developing countries. Frequently this type of personnel is employed to satisfy a donor who wants to see the supported project managed by someone from an industrialized country. However, the expertise these employees or volunteers may be counterbalanced by a number of factors: the cost of foreigners is typically higher, they have no grassroot connections in the country they are sent to, and local expertise is often undervalued. Funding such large budgets demands significant fundraising efforts on the part of most NGOs. Major sources of NGO funding are membership dues, the sale of goods and services, grants from international institutions or national governments, and private donations. Several EU-grants provide funds accessible to NGOs.
Even though the term "non-governmental organization" implies independence from governments, most NGOs depend heavily on governments for their funding.
Government funding of NGOs is controversial, since, according to David Rieff, writing in The New Republic, "the whole point of humanitarian intervention was precisely that NGOs and civil society had both a right and an obligation to respond with acts of aid and solidarity to people in need or being subjected to repression or want by the forces that controlled them, whatever the governments concerned might think about the matter." Some NGOs, such as Greenpeace do not accept funding from governments or intergovernmental organizations.
Years after R2P, the World Federalist Movement, an organization which supports "the creation of democratic global structures accountable to the citizens of the world and call for the division of international authority among separate agencies", has launched Responsibility to Protect - Engaging Civil Society (R2PCS). A collaboration between the WFM and the Canadian government, this project aims to bring NGOs into lockstep with the principles outlined under the original R2P project.
The governments of the countries an NGO works or is registered in may require reporting or other monitoring and oversight. Funders generally require reporting and assessment, such information is not necessarily publicly available. There may also be associations and watchdog organizations that research and publish details on the actions of NGOs working in particular geographic or program areas.
In recent years, many large corporations have increased their corporate social responsibility departments in an attempt to preempt NGO campaigns against certain corporate practices. As the logic goes, if corporations work with NGOs, NGOs will not work against corporations.
In December 2007, The United States Department of Defense Assistant Secretary of Defense (Health Affairs) S. Ward Casscells established an International Health Division under Force Health Protection & Readiness. Part of International Health's mission is to communicate with NGOs in areas of mutual interest. Department of Defense Directive 3000.05, in 2005, requires DoD to regard stability-enhancing activities as a mission of importance equal to warfighting. In compliance with international law, DoD has necessarily built a capacity to improve essential services in areas of conflict such as Iraq, where the customary lead agencies (State Department and USAID) find it difficult to operate. Unlike the "co-option" strategy described for corporations, the OASD(HA) recognizes the neutrality of health as an essential service. International Health cultivates collaborative relationships with NGOs, albeit at arms-length, recognizing their traditional independence, expertise and honest broker status. While the goals of DoD and NGOs may seem incongruent, the DoD's emphasis on stability and security to reduce and prevent conflict suggests, on careful analysis, important mutual interests.
NGOs are not subjects of international law, as states are. An exception is the International Committee of the Red Cross, which is subject to certain specific matters, mainly relating to the Geneva Convention.
The Council of Europe in Strasbourg drafted the European Convention on the Recognition of the Legal Personality of International Non-Governmental Organizations in 1986, which sets a common legal basis for the existence and work of NGOs in Europe. Article 11 of the European Convention on Human Rights protects the right to freedom of association, which is also a fundamental norm for NGOs.
The second step is to identify people of similar minds; there must be a unity of purpose. The third step is to engage the services of a qualified legal practitioner for guidance for the Registration process. Some NGOs can be registered with the regional or central government and that depends on the scope of the operations of the proposed NGO. The next important step also is to identify the internal or external partners with a clearly stated objectives and plan of actions.
Category:Charities Category:Civil Affairs Category:Philanthropy Category:Political science terms Category:Types of organization
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Ryuichi Sakamoto坂本龍一 |
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Background | non_vocal_instrumentalist |
Born | January 17, 1952Tokyo, Japan |
Instrument | Keyboard, piano |
Genre | Electropop, Synthpop, Electronica, Classical |
Occupation | Musician, composer, record producer, actor |
Years active | 1977–present |
Label | Columbia Music Entertainment(1978–1979)Alfa Records(1979–1983)MIDI(1984–1986)Sony Music Entertainment Japan(1986–1987)EMI(1989–1991,1993)For Life Records(1994–1997)Warner Music Group(1998–2006)commmons(2006–present)A&M; RecordsRestless Records |
Associated acts | Yellow Magic Orchestra, Kiyoshiro Imawano |
After working as a session musician, he formed the internationally successful synthpop trio Yellow Magic Orchestra, with Haruomi Hosono and Yukihiro Takahashi.
Following the disbanding of Yellow Magic Orchestra, Sakamoto released a number of solo albums in the 1980s. While primarily focused on the piano and synthesizer, this series of albums boasted a roster of collaborators that included David Sylvian, David Byrne, Thomas Dolby, Nam June Paik, and Iggy Pop, among others. Sakamoto would alternate between exploring a variety of musical styles, ideas, and genres — captured most notably in his groundbreaking 1983 album Illustrated Musical Encyclopedia — and focusing on a specific subject or theme, such as the Italian Futurism movement in Futurista (1986). At times, Sakamoto would also present varying interpretations of technology's intersection with music: He would present some pieces, such as "Replica," with Kraftwerkian rigidity and order, while he would infuse humanity and humor into others — "Broadway Boogie Woogie," for example, liberally lifts samples from Ridley Scott's film Blade Runner and pairs them with a raucous, sax-driven techno-pop backdrop.
As his solo career began to extend outside Japan in the late 1980s, Sakamoto's explorations, influences, and collaborators followed suit. Beauty (1989) boasted a tracklist that combined pop and traditional Japanese and Okinawan songs, yet featured guest appearances by Jill Jones, Brian Wilson, and Robbie Robertson. Heartbeat (1991) and Sweet Revenge (1994), meanwhile, looked to international horizons and worked with a global range of artists such as Roddy Frame, Dee Dee Brave, Marco Prince, Arto Lindsay, Youssou N'Dour, David Sylvian, and Ingrid Chavez. 1996 saw the appearance of two notable albums: Smoochy, which fused pop and electronica with bossa nova and other South American forms, and 1996, which featured a number of previously released pieces arranged for solo piano, accompanied with violin and cello.
Following 1996, Sakamoto simultaneously delved into the classical and "post-techno" genres with Discord (1998), an hour-long orchestral work in four parts. Here he evoked the melodic qualities of his film score work, imbued with the influence of 20th century classical composers and spoken word. The Sony Classical release also featured an interactive CD-ROM component and website that complemented the work. Shortly thereafter, the Ninja Tune record label released a series of remixes of various sections, produced by a number of prominent electronica artists, including Amon Tobin, Talvin Singh and DJ Spooky.
The next album, BTTB (1998) — an acronym for "Back to the Basics" — was a fairly opaque reaction to the prior year's multilayered, lushly orchestrated Discord. The album comprised a series of original pieces on solo piano, including "Energy Flow" (a major hit in Japan) and a frenetic, four-hand arrangement of the Yellow Magic Orchestra classic "Tong Poo." On the BTTB U.S. tour, he opened the show performing a brief avant-garde DJ set under the stage name DJ Lovegroove.
1999 saw the long-awaited release of Sakamoto's "opera" LIFE. It premiered with seven sold-out performances in Tokyo and Osaka. This ambitious multi-genre multi-media project featured contributions by over 100 performers, including Pina Bausch, Bernardo Bertolucci, Josep Carreras, His Holiness The Dalai Lama and Salman Rushdie.
Sakamoto later teamed with cellist Jaques Morelenbaum (a member of his 1996 trio), and Morelenbaum's wife, Paula, on a pair of albums celebrating the work of bossa nova pioneer Antonio Carlos Jobim. They recorded their first album, Casa (2001), mostly in Jobim's home studio in Rio de Janeiro, with Sakamoto performing on the late Jobim's grand piano. The album was well received, having been included in the list of New York Times's top albums of 2002.
Sakamoto collaborated with Alva Noto (an alias of Carsten Nicolai) to release Vrioon, an album of Sakamoto's piano clusters treated by Nicolai's unique style of digital manipulation, involving the creation of "micro-loops" and minimal percussion. The two produced this work by passing the pieces back and forth until both were satisfied with the result. This debut, released on German label Raster-Noton, was voted record of the year 2004 in the electronica category by British magazine The Wire. They later released Insen (2005) — while produced in a similar manner to Vrioon, this album is somewhat more restrained and minimalist.
Meanwhile, Sakamoto continues to craft music to suit any context: In 2005, Finnish mobile phone manufacturer Nokia hired Sakamoto to compose ring and alert tones for their high-end phone, the Nokia 8800. A recent reunion with YMO pals Hosono and Takahashi also caused a stir in the Japanese press. They released a single "Rescue" in 2007 and a DVD "HAS/YMO" in 2008.
Sakamoto's latest album, Out Of Noise, was released on March 4, 2009 in Japan.
In July 2009 Sakamoto was honored as Officier of Ordre des Arts et des Lettres at the French Embassy in Tokyo.
Frequent collaborator David Sylvian contributed lead vocals to "Forbidden Colours" – the main theme to Merry Christmas Mr. Lawrence – which became a minor hit. Sixteen years later, the piece resurfaced as a popular dance track called "Heart of Asia" (by the group Watergate).
Other films scored by Sakamoto include Pedro Almodóvar's Tacones lejanos (1992); Bertolucci's The Little Buddha (1993); Oliver Stone's Wild Palms (1993); John Maybury's (1998); Brian De Palma's Snake Eyes (1998) and Femme Fatale (2002), and Oshima's Gohatto (1999). He also composed the score of the opening ceremony for the 1992 Summer Olympics in Barcelona, Spain, telecast live to an audience of over a billion viewers.
Several tracks from Sakamoto's earlier solo albums have also appeared in film soundtracks. In particular, variations of "Chinsagu No Hana" (from Beauty) and "Bibo No Aozora" (from 1996) provide the poignant closing pieces for Sue Brooks's Japanese Story (2003) and Alejandro González Iñárritu's Babel (2006), respectively.
Sakamoto has also acted in several films: perhaps his most notable performance was as the conflicted Captain Yonoi in Merry Christmas Mr Lawrence, alongside Takeshi Kitano and British rock singer David Bowie. He also played the roles in The Last Emperor ( as Masahiko Amakasu) and Madonna's "Rain" music video.
In 1998, Italian ethnomusicologist Massimo Milano published Ryuichi Sakamoto. Conversazioni, a collection of essays and conversations.
He is also known as a critic of copyright law, arguing that it is antiquated in the information age.
Name | Commmons |
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Parent | Avex Group |
Founded | 2006 |
Founder | Ryuichi Sakamoto |
Status | Active |
Distributor | Rhythm Zone |
Genre | J-pop, Electropop, New Age music |
Country | Japan |
Location | Aoyama, Tokyo |
Url | Commmons |
In 2006, Sakamoto, with avex Group's help, founded , a record label promising change in the way music should be. For him, Commmons is not his label, but is a platform for all aspiring artists to join as equal collaborators and share for benefits of the music industry. The word Commmons has three M's because the 3rd M stands for music.
It is distributed by Rhythm Zone, Avex's urban and R&B; record label, and uses the catalog code RZCM-4****.
It also serves as a distributing label for Thrill Jockey and Raster-Noton in Japan.
Category:1952 births Category:Living people Category:People from Tokyo Category:Japanese film score composers Category:Japanese dance musicians Category:Japanese composers Category:Anime composers Category:Japanese record producers Category:Intellectual property activism Category:20th-century classical composers Category:21st-century classical composers Category:Grammy Award winners Category:Tokyo University of the Arts alumni Category:Japanese keyboardists Category:Avex
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.