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- Published: 25 Jun 2008
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- Author: Luisperezbus
The title "Ancient of Days" has been used as a source of inspiration in art and music, denoting the Creator's aspects of eternity combined with perfection. William Blake's watercolour and relief etching entitled "The Ancient of Days" is one such example.
I beheld till the thrones were cast down, and the Ancient of Days did sit, whose garment was white as snow, and the hair of his head like the pure wool: his throne was like the fiery flame, and his wheels as burning fire.Daniel 7:9
Whenever Judgment looms and the forehead of the Impatient One is revealed, the Forehead of the Ancient of Ancients is revealed; Judgment subsides and is not executed.Idra Rabba, Zohar 3:136b
This term appears three times in the book of Daniel (7:9, 13, 22), and is used in the sense of God being eternal.
The most powerful effect of this particular Name of God stems from the Jewish mystical book the Zohar, the seminal document of Kaballah that stems from 13th century Spain. In the Kaballah there is mention of the Ancient of Ancients, also interpreted as En Sof or the unmanifested God. The Ancient of Days is the manifestation of the Ancient of Ancients in space and time. The Kaballah goes into great detail describing the White Head of God and ultimately the emanation of its personality or attributes.
In the hymn "Immortal, Invisible, God only Wise", the last two lines of the first verse read:
: Most blessed, most glorious, the Ancient of Days, : Almighty, victorious, Thy great Name we praise.
says, “I kept on beholding in the visions of the night, and, see there! with the clouds of the heavens someone like a son of man happened to be coming; and to the Ancient of Days he gained access, and they brought him up close even before that One. And to him there were given rulership and dignity and kingdom, that the peoples, national groups and languages should all serve even him. His rulership is an indefinitely lasting rulership that will not pass away, and his kingdom one that will not be brought to ruin."
"“I am the Great Brahma, the Supreme, the Mighty, the All-seeing, the Ruler, the Lord of all, the Controller, the Creator, the Chief of all, appointing to each his place, the Ancient of days, the Father of all that are and are to be.” ."
In Buddhism, although Brahma or God is respected, he is not regarded as omnipotent or all knowing, but someone in samsara who is subject to ignorance, birth and death (over billions of years) and a disciple of the Buddha.
Category:Biblical phrases Category:Book of Daniel Category:Names of God Category:Names of God in Judaism Category:Deities in the Hebrew Bible Category:Christian iconography Category:Christian terms
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Ron Kenoly |
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Background | solo_singer |
Born | December 06, 1944 |
Origin | Coffeyville, Kansas, USA |
Genre | CCM |
Occupation | Worship leader, singer-songwriter |
Years active | 1991-present |
Label | Independent Previously Integrity Music |
Url | http://www.ronkenoly.com/ |
Ron Kenoly (born December 6, 1944 in Coffeyville, Kansas) is an American Christian worship leader, singer, and songwriter whose expressed mission is "to create an environment for the manifest presence of God". His musical style is one of jubilant praise and individual excellence on musical instruments. Although Kenoly himself only plays on one of his recordings, he leads comfortably with his voice and is always backed up by musicians and a large choir.
He holds several degrees, including a music degree from Alameda College, a Master of Divinity from Faith Bible College, and a Doctorate of Ministry in Sacred music from Friends International Christian University. His music career began following time spent in the United States Air Force. He was signed to Integrity Music, but is no longer recording for them.
He began working in full time ministry in 1985. He started out as a worship leader at Jubilee Christian Center in San Jose, California. Not long after that, in 1987, he was ordained and installed as Music Pastor. As worship leader, his sole focus was leading worship service. When he became Music Pastor, he became the shepherd over the entire music department at Jubilee Christian Center. In 1993, after the success of 2 Integrity recordings, he started receiving invitations from all over the world. Churches not only wanted him to come lead praise and worship, but also to help them develop their music departments. So shortly afterwards, he was named Ambassador of Music at Jubilee Christian Center. He was sent out from the church as an ambassador to the world to help churches develop and find the balance between worship and the Word. In 1996, he received his Doctorate in Ministry of Sacred Music. In 1999, he felt the call to move from California to the East Coast. So, he relocated the ministry to Central Florida where he continues to travel, speak, sing and teach and record. He sings over all the world.
Category:1944 births Category:Living people Category:African American musicians Category:American male singers Category:Songwriters from Kansas Category:American Christians Category:People from Montgomery County, Kansas Category:Performers of Christian music Category:United States Air Force personnel
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Todd Agnew |
---|---|
Background | solo_singer |
Born | March 15, 1971 |
Origin | Memphis, Tennessee, U.S. |
Instrument | Guitar Piano |
Genre | CCM, Rock, Pop |
Occupation | Singer-songwriter |
Years active | 2002–Present |
Label | Ardent Records |
Url | http://toddagnew.com |
Todd Agnew (Born March 15, 1971 in Dallas, Texas) is a Contemporary Christian musician and songwriter.
Agnew's current label is Ardent Records. He is among the twelve artists selected to be a part of the Big Shiny Planet [UP] Bible study released through LifeWay and Family Christian Stores. Paralleling his song "Still Has a Hold" with Romans 7, Agnew elaborates on the subject of the faithfulness of God.
Agnew is known for often performing barefoot.
Category:Living people Category:1971 births Category:American singer-songwriters Category:American performers of Christian music Category:Native American musicians
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Haile Selassie I |
---|---|
Imgw | 200px |
Religion | Ethiopian Orthodox Tewahedo |
Reign | 2 November 1930–12 September 1974 () |
Coronation | 2 November 1930 |
Titles | Conquering Lion of the Tribe of Judah, Lord of Lords, King of Kings of Ethiopia and Elect of God |
Full name | Ras Tafari Makonnen |
Succession | Emperor of Ethiopia |
Predecessor | Zewditu I |
Successor | De jure Amha Selassie I (crowned in exile) |
Succession1 | Head of State of Ethiopia |
Predecessor1 | Zewditu I |
Successor1 | Aman Andom (as Chairman of the Derg) |
Spouse | Empress Menen |
Issue | Princess Romanework Princess Tenagnework Asfaw Wossen Princess Zenebework Princess Tsehai Prince Makonnen Prince Sahle Selassie |
House | House of Solomon |
Father | Ras Makonnen Woldemikael Gudessa |
Mother | Weyziro Yeshimebet Ali Abajifar |
Date of birth | July 23, 1892 |
Place of birth | Ejersa Goro, Ethiopia |
Date of death | August 27, 1975 |
Place of death | Addis Ababa, Ethiopia |
Name | Haile Selassie |
---|---|
Order | 1st |
Office | Chairman of the Organization of African Unity |
Term start | 25 May 1963 |
Term end | 17 July 1964 |
Successor | Gamal Abdel Nasser |
Haile Selassie I (Ge'ez: , "Power of the Trinity") (23 July 1892 – 27 August 1975), born Tafari Makonnen, was Ethiopia's regent from 1916 to 1930 and Emperor of Ethiopia from 1930 to 1974. The heir to a dynasty that traced its origins to the 13th century, and from there by tradition back to King Solomon and the Queen of Sheba, Haile Selassie is a defining figure in both Ethiopian and African history.
At the League of Nations in 1936, the Emperor condemned the use of chemical weapons by Italy against his people. His internationalist views led to Ethiopia becoming a charter member of the United Nations, and his political thought and experience in promoting multilateralism and collective security have proved seminal and enduring. His suppression of rebellions among the nobles (mekwannint), as well as what some perceived to be Ethiopia's failure to modernize adequately, earned him criticism among some contemporaries and historians.
Haile Selassie is revered as the returned Messiah of the Bible, God incarnate, among the Rastafari movement, the number of followers of which is estimated between 200,000 and 800,000. Begun in Jamaica in the 1930s, the Rastafari movement perceives Haile Selassie as a messianic figure who will lead a future golden age of eternal peace, righteousness, and prosperity. He himself remained an Ethiopian Orthodox Christian throughout his life.
Upon his ascension to Emperor in 1930, he took the name Haile Selassie, meaning "Power of the Trinity". Haile Selassie's full title in office was "His Imperial Majesty Haile Selassie I, King of Kings, Lord of Lords, Conquering Lion of the Tribe of Judah, and Elect of God" (Ge'ez ; ). This title reflects Ethiopian dynastic traditions, which hold that all monarchs must trace their lineage back to Menelik I, who in the Ethiopian tradition was the offspring of King Solomon and the Queen of Sheba.
To Ethiopians Haile Selassie has been known by many names, including Janhoy, Talaqu Meri, and Abba Tekel. The Rastafari employ many of these appellations, also referring to him as HIM, Jah, and Jah Rastafari.
Haile Selassie I's direct male line originated from the Tigray people, but he also had Oromo, Amhara, and Gurage He inherited his imperial blood through his paternal grandmother, Princess Tenagnework Sahle Selassie, who was an aunt of Emperor Menelik II, and as such asserted direct descent from Makeda, the Queen of Sheba, and King Solomon of ancient Israel.
Ras Makonnen arranged for Tafari as well as his first cousin, Ras Imru Haile Selassie to receive instruction in Harar from Abba Samuel Wolde Kahin, an Ethiopian capuchin monk, and from Dr. Vitalien, a surgeon from Guadeloupe. Tafari was named Dejazmach (literally "commander of the gate", roughly equivalent to "count") at the age of 13, on 1 November 1905.
Following the death of his brother Yelma in 1907, the governorate of Harar was left vacant,
On 3 August he married Menen Asfaw of Ambassel, niece of heir to the throne Lij Iyasu.
While Iyasu had been deposed on 27 September 1916, on 8 October the coup d'etat went awry. Iyasu managed to escape into the Ogaden Desert and his father, Negus Mikael of Wollo, had time to come to his aid. On 27 October, Negus Mikael and his army met an army under Fitawrari Habte Giyorgis loyal to Zewditu and Tafari. During the Battle of Segale, Negus Mikael was defeated and captured. Any chance that Iyasu would regain the throne was ended and he went into hiding. On 11 January 1921, after avoiding capture for about five years, Iyasu was taken into custody by Gugsa Araya Selassie.
On 11 February 1917, the coronation for Zewditu took place. She pledged to rule justly through her Regent, Tafari. While Tafari was the more visible of the two, Zewditu was far from an honorary ruler. Her position required that she arbitrate the claims of competing factions. In other words, she had the last word. Tafari carried the burden of daily administration but, because his position was relatively weak, this was often an exercise in futility for him. Initially his personal army was poorly equipped, his finances were limited, and he had little leverage to withstand the combined influence of the Empress, the Minister of War, or the provincial governors. but without effect: the internationally scorned practice persisted well into Haile Selassie's reign.
Throughout Ras Tafari's travels in Europe, the Levant, and Egypt, he and his entourage were greeted with enthusiasm and fascination. He was accompanied by Seyum Mangasha and Hailu Tekle Haymanot who, like Tafari, were sons of generals who contributed to the victorious war against Italy a quarter century earlier at the Battle of Adwa. Another member of his entourage, Mulugeta Yeggazu, actually fought at Adwa as a young man. The "Oriental Dignity" of the Ethiopians and their "rich, picturesque court dress" were sensationalized in the media; among his entourage he even included a pride of lions, which he distributed as gifts to President Alexandre Millerand and Prime Minister Raymond Poincaré of France, to King George V of the United Kingdom, and to the Zoological Garden (Jardin Zoologique) of Paris.
In this period, the Crown Prince visited the Armenian monastery of Jerusalem. There, he adopted 40 Armenian orphans (አርባ ልጆች Arba Lijoch, "forty children") from a local orphanage. Ras Tafari arranged for the musical education of the youths, and they came to form the imperial brass band.
With the passing of Zewditu, Tafari himself rose to Emperor and was proclaimed Neguse Negest ze-'Ityopp'ya, "King of Kings of Ethiopia". He was crowned on 2 November 1930, at Addis Ababa's Cathedral of St. George. The coronation was by all accounts "a most splendid affair", and it was attended by royals and dignitaries from all over the world. Among those in attendance were George V's son Prince Henry, Marshal Franchet d'Esperey of France, and the Prince of Udine representing Italy. Emissaries from the United States, Egypt, Turkey, Sweden, Belgium, and Japan were also present. One newspaper report suggested that the celebration may have incurred a cost in excess of $3,000,000. Many of those in attendance received lavish gifts; in one instance, the Christian Emperor even sent a gold-encased Bible to an American bishop who had not attended the coronation, but who had dedicated a prayer to the Emperor on the day of the coronation.
Haile Selassie introduced Ethiopia's first written constitution on 16 July 1931, providing for a bicameral legislature. The constitution kept power in the hands of the nobility, but it did establish democratic standards among the nobility, envisaging a transition to democratic rule: it would prevail "until the people are in a position to elect themselves." A conquest of Ethiopia could also empower the cause of fascism and embolden its rhetoric of empire.
On 19 October 1935, Haile Selassie gave more precise orders for his army to his Commander-in-Chief, Ras Kassa: # When you set up tents, it is to be in caves and by trees and in a wood, if the place happens to be adjoining to these―and separated in the various platoons. Tents are to be set up at a distance of 30 cubits from each other. # When an aeroplane is sighted, one should leave large open roads and wide meadows and march in valleys and trenches and by zigzag routes, along places which have trees and woods. # When an aeroplane comes to drop bombs, it will not suit it to do so unless it comes down to about 100 metres; hence when it flies low for such action, one should fire a volley with a good and very long gun and then quickly disperse. When three or four bullets have hit it, the aeroplane is bound to fall down. But let only those fire who have been ordered to shoot with a weapon that has been selected for such firing, for if everyone shoots who possesses a gun, there is no advantage in this except to waste bullets and to disclose the men's whereabouts. # Lest the aeroplane, when rising again, should detect the whereabouts of those who are dispersed, it is well to remain cautiously scattered as long as it is still fairly close. In time of war it suits the enemy to aim his guns at adorned shields, ornaments, silver and gold cloaks, silk shirts and all similar things. Whether one possesses a jacket or not, it is best to wear a narrow-sleeved shirt with faded colours. When we return, with God's help, you can wear your gold and silver decorations then. Now it is time to go and fight. We offer you all these words of advice in the hope that no great harm should befall you through lack of caution. At the same time, We are glad to assure you that in time of war We are ready to shed Our blood in your midst for the sake of Ethiopia's freedom..."
Compared to the Ethiopians, the Italians had an advanced, modern military which included a large air force. The Italians would also come to employ chemical weapons extensively throughout the conflict, even targeting Red Cross field hospitals in violation of the Geneva Convention.
On 5 May, Marshal Pietro Badoglio led Italian troops into Addis Ababa, and Mussolini declared Ethiopia an Italian province. Victor Emanuel III was proclaimed as the new Emperor of Ethiopia. However, on the previous day, the Ethiopian exiles had left Djibouti aboard the British cruiser HMS Enterprise. They were bound for Jerusalem in the British Mandate of Palestine, where the Ethiopian royal family maintained a residence. The Imperial family disembarked at Haifa and then went on to Jerusalem. Once there, Haile Selassie and his retinue prepared to make their case at Geneva. The choice of Jerusalem was highly symbolic, since the Solomonic Dynasty claimed descent from the House of David. Leaving the Holy Land, Haile Selassie and his entourage sailed for Gibraltar aboard the British cruiser HMS Capetown. From Gibraltar, the exiles were transferred to an ordinary liner. By doing this, the government of the United Kingdom was spared the expense of a state reception.
Noting that his own "small people of 12 million inhabitants, without arms, without resources" could never withstand an attack by a large power such as Italy, with its 42 million people and "unlimited quantities of the most death-dealing weapons", he contended that all small states were threatened by the aggression, and that all small states were in effect reduced to vassal states in the absence of collective action. He admonished the League that "God and history will remember your judgment."
The speech made the Emperor an icon for anti-Fascists around the world, and Time Magazine named him "Man of the Year". He failed, however, to get what he most needed: the League agreed to only partial and ineffective sanctions on Italy, and several members even recognized the Italian conquest.
Prior to Fairfield House, he briefly stayed at Warne's Hotel in Worthing and in Parkside, Wimbledon A bust of Haile Selassie is in nearby Cannizaro Park to commemorate this time and is a popular place of pilgrimage for London's Rastafarian community.
Haile Selassie's activity in this period was focused on countering Italian propaganda as to the state of Ethiopian resistance and the legality of the occupation. He spoke out against the desecration of houses of worship and historical artifacts (including the theft of a 1,600-year old imperial obelisk), and condemned the atrocities suffered by the Ethiopian civilian population. He continued to plead for League intervention and to voice his certainty that "God's judgment will eventually visit the weak and the mighty alike",
The Emperor's pleas for international support did take root in the United States, particularly among African American organizations sympathetic to the Ethiopian cause. In 1937, Haile Selassie was to give a Christmas Day radio address to the American people to thank his supporters when his taxi was involved in a traffic accident, leaving him with a fractured knee. Rather than canceling the radio appearance, he proceeded in much pain to complete the address, in which he linked Christianity and goodwill with the Covenant of the League of Nations, and asserted that "War is not the only means to stop war": The Emperor's daughter, Princess Romanework, wife of Dejazmach Beyene Merid, was herself taken into captivity with her children, and she died in Italy in 1941. His daughter Tsehai died during childbirth shortly after the restoration in 1942.
After his return to Ethiopia, he donated Fairfield House to the city of Bath as a residence for the aged, until modified in the 1990s where it is now used as a residential meeting centre.
Today is the day on which we defeated our enemy. Therefore, when We say let us rejoice with our hearts, let not our rejoicing be in any other way but in the spirit of Christ. Do not return evil for evil. Do not indulge in the atrocities which the enemy has been practicing in his usual way, even to the last.
Take care not to spoil the good name of Ethiopia by acts which are worthy of the enemy. We shall see that our enemies are disarmed and sent out the same way they came. As St. George who killed the dragon is the Patron Saint of our army as well as of our allies, let us unite with our allies in everlasting friendship and amity in order to be able to stand against the godless and cruel dragon which has newly risen and which is oppressing mankind.
After World War II, Ethiopia became a charter member of the United Nations. In 1948, the Ogaden, a region disputed with Somalia, was granted to Ethiopia. On 2 December 1950, the UN General Assembly adopted Resolution 390 (V), establishing the federation of Eritrea (the former Italian colony) into Ethiopia. Eritrea was to have its own constitution, which would provide for ethnic, linguistic, and cultural balance, while Ethiopia was to manage its finances, defense, and foreign policy. Ethiopia was still "semi-feudal", and the Emperor's attempts to alter its social and economic form by reforming its modes of taxation met with resistance from the nobility and clergy, which were eager to resume their privileges in the postwar era. The Ethiopian Orthodox Church had been headed by the abuna, a bishop who answered to the Partriarchate in Egypt. Haile Selassie applied to Egypt's Holy Synod in 1942 and 1945 to establish the independence of Ethiopian bishops, and when his appeals were denied he threatened to sever relations with the See of St. Mark. In a 1954 speech, the Emperor spoke of Ethiopian participation in the Korean War as a redemption of the principles of collective security:
Nearly two decades ago, I personally assumed before history the responsibility of placing the fate of my beloved people on the issue of collective security, for surely, at that time and for the first time in world history, that issue was posed in all its clarity. My searching of conscience convinced me of the rightness of my course and if, after untold sufferings and, indeed, unaided resistance at the time of aggression, we now see the final vindication of that principle in our joint action in Korea, I can only be thankful that God gave me strength to persist in our faith until the moment of its recent glorious vindication.
During the celebrations of his Silver Jubilee in November 1955, Haile Selassie introduced a revised constitution, whereby he retained effective power, while extending political participation to the people by allowing the lower house of parliament to become an elected body. Party politics were not provided for. Modern educational methods were more widely spread throughout the Empire, and the country embarked on a development scheme and plans for modernization, tempered by Ethiopian traditions, and within the framework of the ancient monarchical structure of the state.
Haile Selassie compromised when practical with the traditionalists in the nobility and church. He also tried to improve relations between the state and ethnic groups, and granted autonomy to Afar lands that were difficult to control. Still, his reforms to end feudalism were slow and weakened by the compromises he made with the entrenched aristocracy. The Revised Constitution of 1955 has been criticized for reasserting "the indisputable power of the monarch" and maintaining the relative powerlessness of the peasants. The coup attempt has been characterized as a pivotal moment in Ethiopian history, the point at which Ethiopians "for the first time questioned the power of the king to rule without the people's consent". Student populations began to empathize with the peasantry and poor, and to advocate on their behalf. However, Haile Selassie would have none of European attempts to draft a separate Constitution under which Eritrea would be governed, and wanted his own 1955 Constitution protecting families to apply in both Ethiopia and Eritrea. In 1961 the 30-year Eritrean Struggle for Independence began, followed by Haile Selassie's dissolution of the federation and shutting down of Eritrea's parliament.
In 1961, tensions between independence-minded Eritreans and Ethiopian forces culminated in the Eritrean War of Independence. The Emperor declared Eritrea the fourteenth province of Ethiopia in 1962. The war would continue for 30 years, as first Haile Selassie, then the Soviet-backed junta that succeeded him, attempted to retain Eritrea by force.
In 1963, Haile Selassie presided over the establishment of the Organisation of African Unity, with the new organization establishing its headquarters in Addis Ababa. As more African states won their independence, he played an important role as Pan-Africanist, and along with Modibo Keïta of Mali was successful in negotiating the Bamako Accords, which brought an end to the border conflict between Morocco and Algeria. Also in 1963, on October 6, Selassie addressed the General Assembly of the United Nations, referring in his address to his earlier speech to the League of Nations:
Twenty-seven years ago, as Emperor of Ethiopia, I mounted the rostrum in Geneva, Switzerland, to address the League of Nations and to appeal for relief from the destruction which had been unleashed against my defenceless nation, by the Fascist invader. I spoke then both to and for the conscience of the world. My words went unheeded, but history testifies to the accuracy of the warning that I gave in 1936. Today, I stand before the world organization which has succeeded to the mantle discarded by its discredited predecessor. In this body is enshrined the principle of collective security which I unsuccessfully invoked at Geneva. Here, in this Assembly, reposes the best — perhaps the last — hope for the peaceful survival of mankind.
On 25 November 1963, the Emperor was among other heads-of-state, including French President Charles de Gaulle, who traveled to Washington D.C. and attended the burial of assassinated American President John F. Kennedy at Arlington National Cemetery.
In 1966, Haile Selassie attempted to create a modern, progressive tax that included registration of land, which would significantly weaken the nobility. Even with alterations, this law led to a revolt in Gojjam, which was repressed although enforcement of the tax was abandoned. The revolt, having achieved its design in undermining the tax, encouraged other landowners to defy Haile Selassie. Student unrest became a regular feature of Ethiopian life in the 1960s and 1970s. Marxism took root in large segments of the Ethiopian intelligentsia, particularly among those who had studied abroad and had thus been exposed to radical and left-wing sentiments that were becoming popular in other parts of the globe. between 1972-74. Although the region is infamous for recurrent crop failures and continuous food shortage and starvation risk, this episode was remarkably severe. It led to the 1973 production of the ITV programme The Unknown Famine by Jonathan Dimbleby. Dimbleby's report suggested a far higher death toll than was borne out by the facts, stimulating a massive influx of aid while at the same time destabilizing Haile Selassie's regime. while others assert that he was well aware of it. In addition to the exposure of attempts by corrupt local officials to cover up the famine from the Imperial government, the Kremlin's depiction of Haile Selassie's Ethiopia as backwards and inept (relative to the purported utopia of Marxism-Leninism) contributed to the popular uprising that led to its downfall and the rise of Mengistu Haile Mariam. The famine and its image in the media undermined popular support of the government, and Haile Selassie's once unassailable personal popularity fell.
The crisis was exacerbated by military mutinies and high oil prices, the latter a result of the 1973 oil crisis. The international economic crisis triggered by the oil crisis caused the costs of imported goods, gasoline, and food to skyrocket, while unemployment spiked. Haile Selassie again went on television to agree to the army's demands for still greater pay, and named Endalkatchew Makonnen as his new Prime Minister. However, despite Endalkatchew's many concessions, discontent continued in March with a four-day general strike that paralyzed the nation.
Later, most of the Imperial family was imprisoned in the Addis Ababa prison Kerchele, also known as "Alem Bekagne", or "Goodbye, cruel world". On 23 November 1974, 60 former high officials of the Imperial government, known as "the Sixty", were executed without trial. The executed included Haile Selassie's grandson and two former Prime Ministers. His doctor, Asrat Woldeyes, denied that complications had occurred and rejected the government version of his death. Some imperial loyalists believed that the Emperor had in fact been assassinated, and this belief remains widely held. One western correspondent in Ethiopia at the time commented, "While it is not known what actually happened, there are strong indications that no efforts were made to save him. It is unlikely that he was actually killed. Such rumors were bound to arise no matter what happened, given the atmosphere of suspicion and distrust prevailing in Addis Ababa the time." Court testimony given by the emperor's servants however indicate that they were ordered to leave the Emperor's rooms for the night, something never done before, and that they returned in the morning to find him dead in his bed, with a strong chemical smell in the room. They further testified that the Emperor had been in perfect health the night before when they had left him. Professor Asrat Woldeyes also testified that his patient had completely recovered from the effects of the surgery and that there had been no complications.
The Soviet-backed Derg fell in 1991. In 1992, the Emperor's bones were found under a concrete slab on the palace grounds; For almost a decade thereafter, as Ethiopian courts attempted to sort out the circumstances of his death, his coffin rested in Bhata Church, near his great uncle Menelik II's imperial resting place. On 5 November 2000, Haile Selassie was given an Imperial funeral by the Ethiopian Orthodox church. The post-communist government refused calls to declare the ceremony an official imperial funeral.
By Menen Asfaw, Haile Selassie had six children: Princess Tenagnework, Crown Prince Asfaw Wossen, Princess Tsehai, Princess Zenebework, Prince Makonnen, and Prince Sahle Selassie.
There is some controversy as to Haile Selassie's eldest daughter, Princess Romanework Haile Selassie. While the living members of the royal family state that Romanework is the eldest daughter of Empress Menen, it has been asserted that Princess Romanework is actually the daughter of a previous union of the emperor with Woizero Altayech. The emperor's own autobiography makes no mention of a previous marriage or having fathered children with anyone other than Empress Menen.
Prince Asfaw Wossen was first married to Princess Wolete Israel Seyoum and then following their divorce to Princess Medferiashwork Abebe. Prince Makonnen was married to Princess Sara Gizaw. Prince Sahle Selassie was married to Princess Mahisente Habte Mariam. Princess Romanework married Dejazmatch Beyene Merid. Princess Tenagnework first married Ras Desta Damtew, and after she was widowed later married Ras Andargachew Messai. Princess Zenebework married Dejazmatch Haile Selassie Gugsa. Princess Tsehai married Lt. General Abiye Abebe.
Today, Haile Selassie is worshipped as Jesus incarnate --> among followers of the Rastafari movement (taken from Haile Selassie's pre-imperial name Ras — meaning Head - a title equivalent to Duke — Tafari Makonnen), which emerged in Jamaica during the 1930s under the influence of Marcus Garvey's "Pan Africanism" movement. He is viewed as the Messiah who will lead the peoples of Africa and the African diaspora to freedom. His official titles are Conquering Lion of the Tribe of Judah and King of Kings and Elect of God, and his traditional lineage is thought to be from Solomon and Sheba. These notions are perceived by Rastafarians as confirmation of the return of the Messiah in the prophetic Book of Revelation in the New Testament: King of Kings, Lord of Lords, Conquering Lion of the Tribe of Judah, and Root of David. Rastafari faith in the incarnate divinity of Haile Selassie began after news reports of his coronation reached Jamaica, particularly via the two Time magazine articles on the coronation the week before and the week after the event. Haile Selassie's own perspectives permeate the philosophy of the movement.
Not all Rastafarian mansions consider Haile Selassie as Jesus Christ incarnate. One example is The Twelve Tribes of Israel, who consider him a divinely anointed king—thus Christ in his kingly character and defender of the Christian faith.
In 1961, the Jamaican government sent a delegation composed of both Rastafari and non-Rastafari leaders to Ethiopia to discuss the matter of repatriation, among other issues, with the Emperor. He reportedly told the Rastafarian delegation (which included Mortimer Planno), "Tell the Brethren to be not dismayed, I personally will give my assistance in the matter of repatriation."
Haile Selassie visited Jamaica on April 21, 1966, and approximately one hundred thousand Rastafari from all over Jamaica descended on Palisadoes Airport in Kingston, and chalices were openly smoked, causing "a haze of ganja smoke" to drift through the air. Haile Selassie arrived at the airport but was unable to come down the mobile steps of the airplane, as the crowd rushed the tarmac. He then returned into the plane, disappearing for several more minutes. Finally, Jamaican authorities were obliged to request Ras Mortimer Planno, a well-known Rasta leader, to climb the steps, enter the plane, and negotiate the Emperor's descent. Planno re-emerged and announced to the crowd: "The Emperor has instructed me to tell you to be calm. Step back and let the Emperor land". This day is widely held by scholars to be a major turning point for the movement, and it is still commemorated by Rastafarians as Grounation Day, the anniversary of which is celebrated as the second holiest holiday after 2 November, the Emperor's Coronation Day.
From then on, as a result of Planno's actions, the Jamaican authorities were asked to ensure that Rastafarian representatives were present at all state functions attended by His Majesty, and Rastafarian elders also ensured that they obtained a private audience with the Emperor, where he reportedly told them that they should not emigrate to Ethiopia until they had first liberated the people of Jamaica. This dictum came to be known as "liberation before repatriation".
Haile Selassie defied expectations of the Jamaican authorities, and never rebuked the Rastafari for their belief in him as the returned Jesus. Instead, he presented the movement's faithful elders with gold medallions – the only recipients of such an honor on this visit. During PNP leader (later Jamaican Prime Minister) Michael Manley's visit to Ethiopia in October 1969, the Emperor allegedly still recalled his 1966 reception with amazement, and stated that he felt that he had to be respectful of their beliefs. This was the visit when Manley received the Rod of Correction or Rod of Joshua as a present from the Emperor, which is thought to have helped him to win the 1972 election in Jamaica.
Rita Marley, Bob Marley's wife, converted to the Rastafari faith after seeing Haile Selassie on his Jamaican trip. She claimed in interviews (and in her book No Woman, No Cry) that she saw a stigmata print on the palm of Haile Selassie's hand as he waved to the crowd which resembled the markings on Christ's hands from being nailed to the cross—a claim that was not supported by other sources, but was used as evidence for her and other Rastafarians to suggest that Haile Selassie I was indeed their messiah. She was also influential in the conversion of Bob Marley, who then became internationally recognized. As a result, Rastafari became much better known throughout much of the world. Bob Marley's posthumously released song Iron Lion Zion refers to Haile Selassie.
In 1948, Haile Selassie donated a piece of land at Shashamane, 250 km south of Addis Ababa, for the use of people of African descent from the West Indies. Numerous Rastafari families settled there and still live as a community to this day.
;Citations
Category:1892 births Category:1975 deaths Category:People from Addis Ababa Category:Cold War leaders Category:Emperors of Ethiopia Category:Ethiopian princes Category:Solomonid dynasty Category:Recipients of the Order of Merit of the Federal Republic of Germany Category:Grand Croix of the Légion d'honneur Category:Rulers of Ethiopia Category:Governments in exile during World War II Category:Burials at Holy Trinity Cathedral, Addis Ababa Category:Rastafari Category:Deified people Category:Time Persons of the Year
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Bgcolour | #6495ED |
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Name | Bill Viola |
Caption | A black and white portrait of Bill Viola. |
Birthdate | January 25, 1951 |
Birth place | New York |
Nationality | American |
Field | Video art, Electronic Art, New Media Art |
Training | Syracuse University 1973 BFA |
Works | Reasons for Knocking at an Empty House |
Influenced by | Alberto Giacometti, Joseph Beuys, Mark Rothko |
Bill Viola (born January 25, 1951 in the United States) is a contemporary video artist. He is considered a leading figure in the generation of artists whose artistic expression depends upon electronic, sound, and image technology in New Media. His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness.
In 1973, Viola graduated from Syracuse University with a Bachelor in Fine Arts. He studied in the Experimental Studios of the College of Visual and Performing Arts, including the Synapse experimental program, which evolved into CitrusTV.
His first job on graduation was as a video technician at the Everson Museum of Art in Syracuse. From 1973 to 1980, he studied and performed with composer David Tudor in the new music group "Rainforest" (later called "Composers Inside Electronics"). From 1974-1976, Viola worked as technical director at Art/Tapes/22, a pioneering video studio in Florence, Italy where he encountered video artists Nam June Paik, Bruce Nauman, and Vito Acconci. From 1976-1983, he was artist-in-residence at WNET Thirteen Television Laboratory in New York. In 1976 and 1977, he traveled to the Solomon Islands, Java, and Indonesia to record traditional performing arts.
Viola was invited to show work at La Trobe University (Melbourne, Australia) in 1977, by cultural arts director Kira Perov. Viola and Perov later married, beginning an important lifelong collaboration in working and traveling together. In 1980, they lived in Japan for a year and a half on a Japan/U.S. cultural exchange fellowship where they studied Buddhism with Zen Master Daien Tanaka. During this time, Viola was also an artist-in-residence at Sony Corporation's Atsugi Laboratories.
In 1983, he became an instructor in Advanced Video, California Institute of the Arts, in Valencia, California. In 1995, Viola represented the United States at the 46th Venice Biennale, for which he produced a series of works called Buried Secrets, including one of his best known works The Greeting, a contemporary interpretation of Pontormo's The Visitation. In 1997, a major retrospective of 25 years of Bill Viola's work was organized and internationally toured by the Whitney Museum of American Art.
In 1998, Viola was Getty Scholar-in-residence at the Getty Research Institute, Los Angeles . Later, he was elected to the American Academy of Arts and Sciences in 2000. In 2002, he completed Going Forth By Day, a digital “fresco” cycle in High-Definition video, commissioned by the Deutsche Guggenheim Berlin and the Guggenheim Museum, New York. In 2003,The Passions was exhibited in Los Angeles, London, Madrid, and Canberra. This was a major collection of Viola's emotionally charged slow motion works inspired by traditions within Renaissance devotional painting.
In 2004, Viola began work on a new production of Richard Wagner's opera Tristan und Isolde, a collaboration with director Peter Sellars, conductor Esa-Pekka Salonen and executive producer Kira Perov. The opera was premiered at the Opéra National de Paris in 2005 and Viola's video work was subsequently shown as LOVE/DEATH The Tristan Project at the Haunch of Venison Gallery and St Olave's School, London, in 2006. During 2007, the Centro Andaluz de Arte Contemporaneo in Sevilla www.caac.es, organized an exhibition at the Palace of Charles V in la Alhambra- Granada- in which Viola's work dialogues with the Fine Arts Collection of the museum.
In 2009, Bill Viola was awarded the 2009 Catalonia International Prize, known as the XXI Premi Internacional Catalunya 2009 by the Catalonian government of Spain. The award honors an individual "whose creative work has made a significant contribution to the development of cultural, scientific or human values anywhere in the world."
His art deals largely with the central themes of human consciousness and experience - birth, death, love, emotion and a kind of humanist spirituality. Throughout his career he has drawn meaning and inspiration from his deep interest in mystical traditions, especially Zen Buddhism, Christian mysticism and Islamic Sufism, often evident in the transcendental quality of some of his works. Equally, the subject matter and manner of western medieval and renaissance devotional art have informed his aesthetic.
An ongoing theme that he constantly explores is dualism, the idea that you can't understand what you're looking at unless you know its opposite. For example, a lot of his work has themes such as life and death, light and dark, stressed and calm, loud and quiet, etc.
His work can be divided into three types, conceptual, visual, and a unique combination of the two. According to art critic James Gardner of the National Review, Viola's conceptual work is forgettable just like most video art. On the other hand, Gardner feels that Viola's visual work such as "The Veiling", and his combination of both the conceptual and visual such as "The Crossing" are impressive and memorable.
Viola's work often exhibits a painterly quality, his use of ultra-slow motion video encouraging the viewer to sink into to the image and connect deeply to the meanings contained within it. This quality makes his work perhaps unusually accessible within a contemporary art context. As a consequence, his work often receives mixed reviews from critics, some of whom have noted a tendency toward grandiosity and obviousness in some of his work. Yet it is this very ambitiousness, his striving toward meaning, and attempts to deal with the big themes of human life, that also make his work so clearly appreciated by other critics, his audiences and collectors.
His early work established his fascination with issues that continue to inform his work today. In particular, Viola's obsession with capturing the essence of emotion through recording of its extreme display began at least as early as his 1976 work, The Space Between the Teeth, a video of himself screaming, and continues to this day with such works as the 45-second Silent Mountain (2001), which shows two actors in states of anguish.If Viola's depictions of emotional states with no objective correlative -- emotional states for which the viewer has no external object or event to understand them by—are one feature of many of his works, another, which has come to the forefront, is his reference to medieval and classical depictions of emotion. Most immediately, his subdued Catherine's Room 2001, has many scene by scene parallels with Andrea di Bartolo's 1393 St. Catherine of Siena Praying.
Viola's work has received critical accolades. Marjorie Perloff, best known for her poetry criticism and her promotion of avant-garde writers and styles, singles him out for praise. Perloff, who has written at length about the necessity of poetic works responding to and taking advantage of contemporary computer technologies, has written of Viola as an example of how new technology—in his case, the video camera—can create entirely new aesthetic criteria and possibilities that did not exist in previous incarnations of the genre -- in this case, theater.
In 2000, Bill Viola collaborated with the popular band Nine Inch Nails, and its lead singer Trent Reznor to create a video suite for the band's tour. The triptych mainly is focused on water imagery and was supposed to be integral with the songs that were played.
"The most common structure is called branching. In this structure, the viewer proceeds from the top to bottom in time." The branching structure of presenting data is the typical narrative and linear structure. The viewer proceeds from a set point A to point B by taking an exact path, the same path any other reader would take. An example of this is Google because users go into this website with a certain mindset of what they want to search for, and they get a certain result as they branch off and end at another website.
The second structure is the Matrix structure. This structure describes media when it follows nonlinear progression through information. The viewer could enter at any point, move in any direction, at any speed, pop in and out at any place. where the participant has a variety of choices on how they see a story unfold before them. Each time, they can create a different path.
The last structure is called the schizo, or the spaghetti model. This form of data structure pertains to pure or mostly randomness. "Everything is irrelevant and significant at the same time. Viewers may become lost in this structure and never find their way out." He was awarded $75,000 and was able to go to MIT and help enhance the creative groups there.
Category:1951 births Category:Living people Category:American artists Category:Video artists Category:Contemporary artists Category:MacArthur Fellows Category:Installation artists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.